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أرب جمـال 26 - 1 - 2010 05:14 PM

Great Expectations by Charles Dickens
 
Great Expectations by Charles Dickens

Chapter 1: The Convict Frightens Me

The novel opens in the marsh country of England, land raw and wet, where young Pip stands alone in a churchyard before seven gravestones, under which are buried Pip's mother, father and five younger brothers. The sight of these stones starts Pip crying, and then, to make matters worse, out from between the graves hobbles a growling, mean and ragged looking man. He's got an iron shackle on one leg, but two good arms, which he uses to turn Pip upside-down, shaking loose a crust of bread from his pocket. The man sets Pip on a gravestone and wolfs down the bread, demanding to know where Pip is from and with whom he lives.
Pip points to his village and explains that he lives with his sister, Mrs. Joe Gargery, and Joe Gargery, a blacksmith. After one more tip upside down, the shackled man demands that Pip meet him at the Battery tomorrow morning, with a file and some "whittles" (food). He warns Pip that he's not alone, that he has a henchman, a vicious young boy that's hiding among the stones, listening, who will be eager to tear Pip to pieces if he doesn't procure the whittles and file. That said, the old man hobbles off and Pip watches him head toward the river, a figure spooky enough to turn even the cow's heads



Chapter 2: Mr. and Mrs. Joe and I...
Pip has been raised "by hand," that is, he's kept in line by a hand that never hesitates to whack him when he gets out of line. His sister Mrs. Joe, is the primary hand-swinger. Twenty years his senior, not good-looking, and incredibly red-faced, Mrs. Joe keeps the house lively with her constant stomping and cleaning, made all the more frightening because she seems to resent having to raise Pip, being married to a blacksmith, and wearing an apron all day. Her husband Joe, on the other hand, the mild-mannered blacksmith, has a kindly, if not slightly stunned manner. Pip, having returned late from the churchyard, is warned by Joe that Mrs. Joe is currently off looking for him. Joe informs him that she's on a rampage and has got the "Tickler," a stick she uses to hit Pip when her hand doesn't seem punishment enough to fit the crime. Luckily, Joe shelters Pip from his sister, and after a little hemming and hawing, she puts the Tickler away and prepares supper--bread slathered with butter.

Remembering the shackled man, Pip risks a good beating by shoving his supper down his pants leg when Mr. and Mrs. Joe aren't looking. Joe, who thinks Pip has swallowed his dinner in one mighty gulp, shakes his head in amazement and tells Pip that "bolting" his food is liable to get him sick. Mrs. Joe, who can't stand to be left in the dark, gets even angrier because Pip and Joe are having a conversation and leaving her out.
After a dose of tar-water, a nasty preventative medicine, Pip is ordered to do some chores in preparation for tomorrow, which is Christmas day. Just before he heads off to bed, Pip hears the blast of the town's warning guns, and Joe explains that a convict escaped one of the prison ships last night. This news arouses Pip's curiosity, and he almost gets another beating by Mrs. Joe for asking a few questions. She sends him off to bed, where he passes a fitful night of guilt and terror; guilt that he's going to have to rob Joe and Mrs. Joe to get food for the shackled man, and terror that if he doesn't do this, he'll suffer the revenge of being beaten by the prisoner's boy. Terror wins, however, and early the next morning Pip steals a small amount of whittles from the pantry and a file from Joe's shop, and heads off into the misty marshes.


Chapter 2: Mr. and Mrs. Joe and I...
Pip has been raised "by hand," that is, he's kept in line by a hand that never hesitates to whack him when he gets out of line. His sister Mrs. Joe, is the primary hand-swinger. Twenty years his senior, not good-looking, and incredibly red-faced, Mrs. Joe keeps the house lively with her constant stomping and cleaning, made all the more frightening because she seems to resent having to raise Pip, being married to a blacksmith, and wearing an apron all day. Her husband Joe, on the other hand, the mild-mannered blacksmith, has a kindly, if not slightly stunned manner. Pip, having returned late from the churchyard, is warned by Joe that Mrs. Joe is currently off looking for him. Joe informs him that she's on a rampage and has got the "Tickler," a stick she uses to hit Pip when her hand doesn't seem punishment enough to fit the crime. Luckily, Joe shelters Pip from his sister, and after a little hemming and hawing, she puts the Tickler away and prepares supper--bread slathered with butter.

Remembering the shackled man, Pip risks a good beating by shoving his supper down his pants leg when Mr. and Mrs. Joe aren't looking. Joe, who thinks Pip has swallowed his dinner in one mighty gulp, shakes his head in amazement and tells Pip that "bolting" his food is liable to get him sick. Mrs. Joe, who can't stand to be left in the dark, gets even angrier because Pip and Joe are having a conversation and leaving her out.
After a dose of tar-water, a nasty preventative medicine, Pip is ordered to do some chores in preparation for tomorrow, which is Christmas day. Just before he heads off to bed, Pip hears the blast of the town's warning guns, and Joe explains that a convict escaped one of the prison ships last night. This news arouses Pip's curiosity, and he almost gets another beating by Mrs. Joe for asking a few questions. She sends him off to bed, where he passes a fitful night of guilt and terror; guilt that he's going to have to rob Joe and Mrs. Joe to get food for the shackled man, and terror that if he doesn't do this, he'll suffer the revenge of being beaten by the prisoner's boy. Terror wins, however, and early the next morning Pip steals a small amount of whittles from the pantry and a file from Joe's shop, and heads off into the misty marshes.



Chapter 3: I Execute My Trust...
As Pip runs through the marshes with his stolen whittles and file, with the force of his guilt, he feels as if the scenery and cows are running toward him, pursuing the lowly thief that he's become. Finally, Pip sees a figure asleep by the river. But when he touches the man's shoulder, he suddenly realizes that he's got the wrong man. This second shackled man has the same haggard and creepy look as the one Pip met yesterday, and Pip immediately assumes that it's the young man about whom he's been warned. After taking a swing at Pip, this man disappears into the mist, and Pip runs on to the Battery, where he finds the shackled man looking about ready to drop dead from cold and hunger.

The man tears into the food like a dog, and his state of hunger makes Pip momentarily forget his fear and feel a bit of pity.
As most of the food is making its way down the shackled man's throat, Pip ventures to ask whether the man intends to save any for his henchman, the young man. This makes the shackled man laugh a bit, but when Pip explains that he's actually seen another man out in the marshes, the shackled man gets suddenly attentive. He seems to recognize Pip's description, and he demands that Pip lead him to this other man so that he can tear him apart. Pip points in the right direction, and the man begins viciously filing his iron shackle, trying to break free. He's muttering impatiently the whole time, and Pip slips off toward home.


Chapter 4: Joe and I Go to Church...
Pip returns home from the marshes, happy that the police are not waiting to arrest him for robbing his sister's pantry. It's Christmas morning, and Mrs. Joe stays home to prepare the house for guests while Joe and Pip head off to church. Joe looks like a scarecrow in his holiday clothes, and Pip, who gets the worst of everything because Mrs. Joe refuses to indulge him, doesn't look any better. They make it through church, although Pip is still plagued with guilt due to his robbing the pantry. After,they return home for dinner. The guests include Mr. Wopsle, a bald man who is extremely fond of his own deep voice; Uncle Pumblechook, a middle-aged dullard who is Joe's uncle; old Mr. Hubble and his much younger wife, Mrs. Hubble.

Mrs. Joe puts on a show of good temperament for her guests, and Pip is miserable the whole time, annoyed that he gets prodded with condescending questions and advice. He can barely contain himself when Mr. Wopsle launches into a silly sermon on why Pip should be glad he wasn't born a pig, a bunch of nonsense seemingly designed to make Pip feel guilty about being such a burden on his sister. Mrs. Joe joins in, and as Pip says,
"I was always treated as if I had insisted on being born in opposition to the dictates of reason, religion, and morality, and against the arguments of my best friends." Chapter 4, pg. 25
Only Mr. Joe seems to feel sympathy for Pip, though he's too meek to articulate it and can only offer Pip extra gravy on his supper as consolation.
Topic Tracking: Love 1
Uncle Pumblechook is ready for his after-dinner constitutional, a bit of brandy. Pip nearly falls out of his seat in fear, for he's stolen much of the brandy for the shackled man and replaced what was missing with water, a fact he's sure Pumblechook will notice. Unfortunately, it's worse than Pip imagined, for he's mistakenly filled the brandy bottle with tar water instead of drinking water. Of course Uncle Pumblechook tastes the difference, but despite his spitting and wheezing, Mrs. Joe lets it pass for now. When it's announced that there'll be pork pie for desert, an item that Pip has also stolen for the shackled man, the fear is too much for him, and he makes a break for the door, where, right on cue, a party of soldiers with muskets is standing. One holds out a set of handcuffs, and it looks like Pip is about to be arrested.
.

بيسـان 26 - 1 - 2010 05:16 PM

thank; you

أرب جمـال 26 - 1 - 2010 05:19 PM

Chapter 5: The Sergeant and the Soldiers...
The handcuffs aren't, as he'd feared, for Pip. The sergeant has come instead for a blacksmith who can promptly mend the broken cuffs so that they can be put to use this afternoon in the hunt for two escaped convicts. Having to wait a few hours while Joe does the work, the soldiers are invited in by Mrs. Joe, and a little party gets going in the Gargery kitchen.
Joe finishes mending the cuffs, and he, Mr. Wopsle, and Pip accompany the soldiers out into the marshes. There soon comes a great hollering--what sounds like two voices--and the search party sets off in pursuit.



It is indeed the two convicts, and these convicts are the two spooky men that Pip encountered on the marshes earlier that day. The first shackled man, which Pip thinks to himself as "my convict," seems almost happy that the police have arrived. For some reason, it's very important to him that the other man be returned to the prison ship, and the shackled man's conversation indicates that the two may have been on trial together at some point in the past.
The two men are handcuffed, and everyone makes their way by torchlight out of the marshes. Pip is terrified that his convict will recognize him, which he does, but the convict says nothing. In fact, as they all stand in a wooden hut, where some sort of police report is filed, the convict makes the surprising confession that he has stolen food from the blacksmith's house, generously clearing Pip of any trouble he might have gotten in had it been presumed Pip stole the missing food

Chapter 6: My State of Mind
Joe, Pip and Mr. Wopsle return home and Joe explains the convict's confession to Mrs. Joe. This sets all the guests to wondering how the convict broke into the pantry, and Mr. Pumblechook's wild explanation of the break in, which sounds like it was lifted from a book, is finally accepted to be the best.




Pip is sent off to bed, where the company of his thoughts gives him no more rest than the unpleasant Christmas guests had. Even though the convict's confession exonerated him, he's filled with guilt, a guilt centered on the regret that he's lied to Joe. Pip shows himself to be quite devoted to Joe as his mind shifts between two unpleasant options: to live with the guilt of having lied to Joe, or to tell the truth and risk losing Joe's respect. The thought of Joe knowing he's lied is too much, and Pip can't confess. But the guilt, Pip tells us, lasts long after everyone has lost interest in the convicts and the missing food.
Mr. Wopsle's Great Aunt...
Pip tells a little about his education to date, which has taken place in an evening school run by Mr. Wopsle's great-aunt. The great aunt seems to spend more time sleeping than teaching, and Pip says that her granddaughter, an orphan like Pip, named Biddy, has been much more helpful as he's struggled to learn his letters and numbers.



One day Pip brings home a little note he's written in school, and as Joe struggles to read it, Pip realizes he's basically illiterate. The only letters he seems to pick out are J and O, those from his own name. The two talk about reading and Joe gives Pip an outline of his childhood, during which young Joe and his mother spent most of their energy dealing with his drunken father. That left little time for education, Joe says. Then, Joe met Mrs. Joe, who was too bossy to want an educated man around. Joe shows himself, however, to have a sweet spot or at least solid respect for Mrs. Joe, who he says, despite her brusque manner, "is a fine figure of a woman." When the conversation turns to Pip as a baby, and Joe's instant acceptance of him, Pip gets so emotional he starts to cry. The conversation means a lot to Pip, who realizes:
"We were equals afterwards, as we had been before; but, afterwards at quiet times when I sat looking at Joe and thinking about him, I had a new sensation of feeling conscious that I was looking up to Joe in my heart." Chapter 7, pg. 56
Topic Tracking: Class 1
Mrs. Joe, who's been off shopping with Uncle Pumblechook, returns home with news that she says ought to make Pip grateful. When she tells her news--that Pip has been recruited by Miss Havisham, "an immensely rich and grim lady who lived in a large and dismal house barricaded against robbers, and who led a life of seclusion" (57), to come up to her house and play--"grateful" is not the best word for Pip's response. He wonders why the creepy old woman would want a little boy to play in her house, and what on earth he's supposed to do there. Pumblechook and Mrs. Joe obviously hope that if they indulge the old woman, she'll heap some money on Pip. Before Pip can give it much thought, he's being scrubbed clean and thrown into the back of Mr. Pumblechook's cart; he'll spend the night with Pumblechook so that he can head off early tomorrow to Miss Havisham's.
Breakfast and Arithmetic...
Pip spends the morning with Mr. Pumblechook at his drowsy seed-shop on the equally unexciting commercial street of town. Pip is glad to head off for Miss Havisham's, after a morning spent being drilled in arithmetic by Mr. Pumblechook.



Pip arrives at Miss Havisham's estate, a run-down mansion with a brewery next door. The place is called Manor House, or Satis. Satis, says Estella, the young woman who's been sent to escort Pip, means "satisfied" in some old language, though it's not the best choice of words to describe the place or its inhabitants.
Estella is particularly mean to Pip, calling him "boy" and mocking his thick boots and coarse hands. As if she weren't bad enough, there's Miss Havisham, who cuts a particularly creepy figure as she sits at a dressing table in an old, yellowed wedding gown. The room seems to be frozen in time, and Miss Havisham, dressed as a bride, looks more like a corpse. When Pip can't spontaneously start playing at her command, she has him call in Estella, so the two can play cards and the girl can heap more verbal abuse on Pip. When the game finishes, Miss Havisham demands Estella make Pip lunch and that Pip return after six days to "play" again.
While he waits for his lunch in the brewery yard, Pip broods over Estella's criticisms. He's sensitive, and close to tears:
"In the little world in which children have their existence, whosoever brings them up, there is nothing so finely perceived and so finely felt, as injustice."
As Pip wanders the grounds, he keeps seeing Estella; it's as if she's everywhere at the same time. And then, as he's exploring the brewery, Pip sees what looks like Miss Havisham, hanging in her wedding dress from a ceiling rafter. When he looks again, however, she's gone, and then after one final insult, Estella lets him out through the gate. Pip starts his long walk home, still brooding on the new news that he's a "common labouring-boy," and that he is "in a low-lived bad way" ).

أرب جمـال 26 - 1 - 2010 05:23 PM

Mr. Pumblechook Questions Me...
By their respective methods of pounding fists and ceaseless arithmetic questions, Mrs. Joe and Mr. Pumblechook torment Pip into talking about his day at Miss Havisham's, which he's decidedly reluctant to discuss. Instead of telling of the yellowed wedding dress or the cobwebby dressing room, however, Pip tells a series of extravagant lies about his day. They all ate wine and cake, they played with great dogs and flags, and there was a huge coach in the middle of Miss Havisham's room. Pumblechook and Mrs. Joe believe all this, and Pip doesn't much care until Joe enters into the conversation and is likewise dazzled by the details.

Pip spends the evening with Joe in his forge, and just as they're about to leave, Pip confesses that his details about Miss Havisham's were lies. Joe is taken aback, and when Pip tries to explain the truth, and how he was accused of being "common," Joe is unflinching in his certainty that a lie is a lie and there's no good reason to tell one. He tells Pip that furthermore, he'll never be more than common if he's a liar:
"If you can't get to be oncommon through going straight, you'll never get to do it through going crooked
Joe tells Pip he's not angry with him, he just doesn't want Pip to lie again. Pip heads off to bed, thinking about his day at Miss Havisham's, still troubled by this new insight which frames his and Joe's life as suddenly so common. The narrator, who is clearly Pip at an older age, sees this day as a very significant one for himself--a day that changed the course of his life. He urges the reader to,
"... think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link on one memorable day."

At the Three Jolly Bargemen...
The fear of growing up common so haunts Pip that he decides he needs to get serious about his education. This is no short order in Mr. Wopsle's great aunt's school, where the students spend most of the evening putting straws down each other's backs and messing around until the great aunt wakes from her coma-like sleep, then only to read a verse or two from a destroyed old Bible, full of words they neither understand, nor care to understand. Nevertheless, Pip asks Biddy for any extra attention she can give.
One Saturday night, Pip is sent by his sister to fetch Joe from The Three Jolly Bargemen, a bar in town. Pip finds Joe sitting with a strange and secret-looking man, who seems to be trying to catch Pip's attention.

First, he rubs his leg in an odd manner, and then later, he stirs his drink with an object that Pip is shocked to see again: Joe's file, which Pip had stolen for the escaped convict. Pip is disturbed to think that somehow, this man knows his convict. The man also insists upon giving Pip a shilling when they leave the bar, and when Pip gets home and pulls it out of his pocket at Mrs. Joe's command, they're all shocked to see that wrapped around the shilling are two bills. Joe runs back to the bar, and has no luck finding the man to return his money, which everyone thinks has been mistakenly handed over to Pip. Mrs. Joe hides the money in a teapot, and Pip goes off to bed, where he's haunted by nightmares about the file.
Toadies and Humbugs...
Pip makes his second visit to Miss Havisham's to find it's the old woman's birthday, and that a small gaggle of what seem to be her relatives have shown up for the occasion. Pip quickly dismisses the other guests--Camilla, Cousin Raymond, Sarah Pocket, and the grave lady--as a bunch of toadies and humbugs, and Miss Havisham doesn't seem to think much of them either. One gets the feeling that they're lurking around in the hopes that the old rich lady will remember their dutiful appearance when it comes time to write up her will.

Estella continues to taunt Pip as she walks him up to Miss Havisham's room, and on the steps they run into a burly dark man who grabs Pip by the arm and warns him to behave himself.
When Pip tells Miss Havisham he's not up for playing, she says that maybe he should work, and she directs him across the hall to another creepy room, in which is set a big table and a decaying wedding cake, and everything's crawling with bugs. Miss Havisham is cranky today, and demands that Pip walk her around and around the table. As the two walk, the other guests enter and Miss Havisham is snappy and curt with them. After they leave, Miss Havisham claims that when she is dead, she wants to be laid out on the bride's table, in her bride's dress, and that this will be "the finished curse upon him" (102).

Pip is sent off into the yard for his lunch again, and while exploring comes upon a pale young gentleman. The boy, an odd and sickly-looking redhead, urges Pip to come on and fight. The two have an strangely choreographed fistfight, during which Pip repeatedly surprises himself by knocking the boy to the ground, and the boy repeatedly surprises Pip by getting up, toweling himself off, and coming back for more abuse. The boy finally concedes victory to Pip, and the two part. Pip has one final surprise to face--Estella appears, looking oddly happy, and demands that Pip kiss her. Pip does, though like his victory against the pale-faced boy, it's not very satisfying. Pip then heads off toward home.
Estella's Varied Moods...
Pip sums up a period of eight or ten months in this chapter, months that begin with Pip's worry over the pale young gentleman, who is nowhere in sight, and what punishment Pip might suffer for beating up this young gentleman. His summary ends with Miss Havisham telling Pip that she thinks his apprenticeship to Joe should begin, and that Joe should make a trip to Manor House to meet Miss Havisham. For some reason, news of this request throws Mrs.

Joe
into a rampage. Pip now spends every other day at Miss Havisham's, and much of their time together is spent with Pip wheeling the old woman around in a chair with wheels, making endless circuits around the dressing room and the room with the bridal table.
As with his guilt over stealing food for the convict, Pip's guilt about beating up the pale young gentleman torments him--he's again afraid to tell Joe, in fact, it is only Biddy in whom he can confide. Estella is still around, and Pip wonders what odd hope Miss Havisham has in the girl, to whom she often whispers: "Break their hearts, my pride and hope, break their hearts and have no mercy!" (109). Estella doesn't, however, ask Pip to kiss her again.

أرب جمـال 26 - 1 - 2010 05:30 PM

Ashamed of Home
Pip's apprehensions hold true--he's unhappy with blacksmithing, and moreover, unhappy and ashamed about living the common life with Joe and Mrs. Joe.



It's only Joe's enthusiasm that keeps him working, though he does so with the constant fear that Estella will look through the windows and see him covered with black soot and dust, the commonest of boys. It's a dark period, Pip says:
"There have been occasions in my later life (I suppose as in most lives) when I have felt for a time as if a thick curtain had fallen on all its interest and romance, to shut me out from anything save dull endurance any more. Never has that curtain dropped so heavy and blank, as when my way in life lay stretched out straight before me through the newly-entered road of apprenticeship to Joe.
The Old Battery...
Pip's term of study at Mr. Wopsle's great-aunt's school ends, though he tries to keep learning by various other means. He also, with the questionable motive of wanting to make Joe less ignorant, has taken to tutoring Joe, though without much success.



During one of these tutorial sessions, Pip gets the notion to visit Manor House again; his alleged reason is to thank Miss Havisham but his more probable desire is to see Estella again. Joe has reservations about this, but he eventually concedes. Joe's journeyman, a morose and shifty sort of character named Dolge Orlick demands a half-day off if Pip is to get one, and when Joe agrees, Mrs. Joe has a screaming fit. Orlick gives her a few nasty insults and after a bit of hesitation, Joe beats him up to defend Mrs. Joe's honor.
Pip's visit to Miss Havisham's is a noneventful one. Miss Havisham isn't at all charmed by the visit, though she does take a bit of delight in passing the bad news on to Pip that Estella is gone, having left to pursue her studies abroad. Dissatisfied with everything, Pip leaves and runs into Mr. Wopsle on the way home; with nothing better to do he consents to join Wopsle and Pumblechook for an evening of reading aloud, which is particularly uninspiring.
Walking home with Wopsle, Pip runs into Orlick. The three hear the guns of the prison ships going again, meaning another convict has escaped. They see a commotion happening at The Three Jolly Bargemen, and Wopsle goes in to investigate. He soon comes running out with the news that something bad has happened at Pip's house. The three run home and find Mrs. Joe splayed out on the kitchen floor, not moving, surrounded by people. She is, we are told, "destined never to be on the Rampage again
Murderous Attack on Mrs. Joe...
The attack on Mrs. Joe, while it seems to have been of murderous intent, did not kill her. Still, the town officials are on the hunt for her attacker, without much success at all. The only real evidence is a leg iron, a convict's shackle. This makes Pip suspect that his convict may be the attacker, and the thought of this plunges him into retroactive guilt, and new torment over whether he should confess to Joe the story of the convict in the churchyard, which he's never told.
The blow to Mrs. Joe's head is bittersweet; though she's lost her ability to talk and to move around confidently, she's also undergone a great mellowing-out. Her fiery temper has been replaced by patience, and she's a good sport about communicating with chalk and a slate rather than commanding with her venomous tongue.



To help Mrs. Joe get around, Biddy, Mr. Wopsle's great-aunt's young orphan relation, moves in with the Joes. This is a great relief to Joe and Pip. Biddy's first success at her new job comes when she deciphers a character that Mrs. Joe has written on the slate, and which Pip has been at a complete loss to interpret. It looks like the letter "T," and Biddy realizes this is a drawing of an anvil, meaning Mrs. Joe wants the company of Orlick, the anvil-wielding journeyman. No one, not even Orlick, knows why Mrs. Joe would want to see him, but he complies and soon is making regular visits to the woman who he was beat up for insulting not so long ago.
Pip falls into the routine of apprenticeship life and only visits Miss Havisham once a year, on his birthday. Older Pip, the narrator, tells us that this was a custom that went on many years. Nothing ever changes at Manor House, and Pip's discontent with his apprenticeship continues. One change he does sense, however, is in Biddy, who now carries herself with self-assuredness and, though she is no Estella, is pleasant to look at and spend time with.



Biddy and Pip start talking one day; it's a sweet conversation in which Pip expresses his admiration with Biddy's ability to learn, and recalling her early tutelage of Pip, Biddy even sheds a few tears. Pip invites Biddy for a walk on Sunday afternoon, and on the appointed day they head out into the marshes together. There Pip reveals his secret to Biddy: he wants to be a gentleman. Biddy doesn't think much of this, and when Pip admits it is partly a desire to impress Estella that has led him to this decision, Biddy says that Estella's probably not worth it if he has to become a gentleman to impress her. Pip seems to accept this need to rise up and become more than a common blacksmith, as a sad consequence of having been exposed to the finer things through Miss Havisham and Manor House. He says:
"... what would it signify to me, being coarse and common, if nobody had told me so!" Chapter 17, pg. 149
Topic Tracking: Class 4
Pip is very honest with Biddy, and comfortable, too--much more so than he is with Estella. He's honest enough to admit that he wishes he could make himself fall in love with Biddy, which Biddy says will never happen. Older Pip tells us that there came moments in his young life when it was very clear that Biddy was superior to Estella, and in these moments he believed he could be content with life as a village blacksmith. But hope of something better, expectations to live a life uncommon, always came rushing in to disturb that peace.
Topic Tracking: Love 4
As the two walk toward home, old Orlick crosses their path and insists upon walking with them. Pip tells him they don't need any company and Biddy afterwards confides that she doesn't like Orlick and suspects he has a crush on her. Thereafter, Pip is always dutiful about keeping Orlick away from Biddy
The Strange Gentleman...
One Saturday night, four years into his apprenticeship, Pip is at the Three Jolly Bargemen listening to another affected reading by Mr. Wopsle when suddenly a stranger makes himself known. Well-dressed and insistent about badgering Mr. Wopsle about legal details in the story he's just read, the man soon reveals himself to be a lawyer. He announces that he has business with Pip and Joe, who step forward and head back toward their house with the lawyer. By this point, Pip has recognized the man as the same one he ran into on the steps on his second visit to Miss Havisham's.



The man is named Mr. Jaggers, and his news is that Pip has "great expectations." He has come into a great fortune and is to be educated as a gentleman. Jaggers offers Joe a sort of severance payment, as he'll lose his apprentice, but Joe refuses. When pressed, Joe gets near-belligerent in his refusal. The only two conditions are that Pip must always call himself by the name Pip and that his benefactor shall remain a secret until he or she chooses to announce his or her identity. When Jaggers goes on to suggest Matthew Pocket as a tutor for Pip (a name Pip heard mentioned at Manor House), Pip is almost certain that his benefactor is Miss Havisham. It is decided that Pip will leave for London in a week, where his gentlemanly education will begin.

Strangely enough, Pip is still nagged by a feeling of dissatisfaction. He feels odd around Biddy and Joe, and thinks that:
"... it [felt] very sorrowful and strange that this first night of my bright fortunes should be the loneliest I had ever known

أرب جمـال 26 - 1 - 2010 05:34 PM

London Ho!...
Preparations are made for Pip's departure: the papers binding him to Joe are burned in the fire; he takes his last walk in the marshes; he goes to the tailor for a new set of clothes; and he makes his last visit to several important people in his life. From the distance at which he writes, Older Pip seems to look back on himself at this stage and see a boy who has, with the news of his great expectations, become more than a bit snobby and condescending. Pip is more embarrassed than ever by Joe's "ignorance" and even tells Biddy that he thinks Joe is backward. No-nonsense Biddy sees right through Pip and doesn't have much patience for his new attitude.



Topic Tracking: Class 5
Pip finds that the mere mention that he's come into a fine inheritance is enough to snap most men, like Trabb, the tailor, or Pumblechook (who's become suddenly generous with Pip, giving him the best meat off the chicken and many glasses of wine and insisting upon shaking Pip's hand a thousand times), to his service. One last visit to Miss Havisham, when she mentions to him one term of Jaggers' agreement (that he always call himself by the name of Pip) further convinces Pip that she's his generous benefactor.
Topic Tracking: Identity 5
When his last week in the village is up, Pip has a hurried goodbye breakfast with Biddy and Joe and walks off to catch his coach to London. Looking back and seeing his two friends, Pip finally humbles a notch, and even sheds a tear:
"Heaven knows we need never be ashamed of our tears, for they are rain upon the blinding dust of earth, overlying our hard hearts. I was better after I had cried, than before--more sorry, more aware of my own ingratitude, more gentle."
As he rides toward the city, Pip even feels at moments like turning around. But he gets too far away to do this, the mists rise, and he sees that all the world lays spread out before him.
Mr. Jaggers' Room...
Pip ends his journey at Mr. Jaggers' office in London--it's a dismal place, full of dismal and odd characters.



These are Jaggers' clients, and when the lawyer returns from his day's business, Pip watches him dismiss these clients with little sympathy or compassion for their various legal traumas. Jaggers tells Pip that he is to spend the next few days at Barnard's Inn, in the rooms of young Mr. Pocket, the son of his new tutor, Matthew Pocket. Jaggers tells Pip he will find his credit good all around town, though he makes a cryptic remark that of course, it's inevitable that Pip will go wrong somehow in his handling of his new riches. Pip is then sent off with the office clerk, Wemmick, who'll walk him to the inn.
Barnard's Inn...
Wemmick, who's described as a short, dry man whose "features seemed to have been imperfectly carved-out with a dull-edged chisel" (197) walks Pip through the dreary London streets to the extraordinarily unimpressive Barnard's Inn. Nothing Pip's seen so far has seemed fitting of his great expectations, and as Pip waits in the dingy hallway of the inn for young Mr. Pocket to return, he decides that London is definitely overrated.
When young Mr.



Pocket arrives, apologetic and bearing bags of fruit, Pip cannot take his eyes off of him. When Pocket gives a good look at Pip, he is riveted as well, and in unison, and smiling, they voice what they've realized: Mr. Pocket Jr. is the pale young gentleman, that same pasty boy that Pip beat bloody years ago at Miss Havisham's.
Exchanging Confidences...
The pale young gentleman--Herbert--and Pip are amused to remember their first meeting, and the ice thus broken, have a pleasant lunch together. Herbert isn't fond of Pip's Christian name, Phillip, and the two agree that he'll call Pip "Handel," after the composer. As they eat, Herbert tells Pip the story of Miss Havisham, interrupting his narrative every now and again to give Pip, the budding gentleman, some tips regarding his manners. He has learned his manners from his own father, who told him:



"... no man who was not a true gentleman at heart, ever was, since the world began, a true gentleman in manner... no varnish can hide the grain of the wood; and that the more varnish you put on, the more the grain will express itself." Chapter 22, pg. 209
First, Herbert says that he was invited to Miss Havisham's, an invitation that he took as a trial during which the old woman could test him out as a potential suitor for Estella. Miss Havisham didn't take a fancy to him, however, and Herbert's relieved, for he finds Estella a mean match, "brought up by Miss Havisham to wreak revenge on all the male sex" (204). At this point, Herbert explains the source of this wrath against men. Miss Havisham was a spoilt child, daughter of a rich brewer whose wife had died when Miss Havisham was a baby. There was a half-brother, too, a bad egg who was nevertheless well-off because of his father's fortunes. When Miss Havisham got to be of marrying age, a certain man began to court her, a showy man who was not a proper gentleman. Herbert's father, Mr. Matthew Pocket, was Miss Havisham's cousin, and at that point had stepped in to warn her about the suitor. Miss Havisham would hear none of it and angrily ordered Matthew Pocket away--the two had not spoken since. Then, as feared, the suitor left Miss Havisham waiting on the supposed wedding day, sending a letter in his place. Brokenhearted, she stopped all the clocks at twenty 'til nine, and never again looked on the light of day. The theory, Herbert says, was that Miss Havisham's shady half-brother and the supposed bridegroom were in cahoots, and that the entire courtship had been a mere excuse to swindle the rich woman.
Topic Tracking: Love 5
Herbert and Pip continue talking, now on the subject of Herbert's prospects in life. Herbert says he's an insurer of ships, though as conversation progresses it's revealed that this is his ambition, not his job. His job is a non-paying one at a lousy counting house, though, Herbert says, it offers him exposure to various avenues to riches of which he will soon take advantage.
The two pass the weekend together and on Monday head off for Hammersmith, where Herbert's family lives. The house is a chaotic place with six little Pocket children tumbling about, watched over mainly by Millers and Flopson, hired caregivers. Mrs. Pocket is an odd and spacey character, she's always reading, and when one of her various children bumps into her it's consistently a surprise, as if she'd forgotten she had children. Mr. Pocket, Pip's tutor, appears at the end of the chapter, and not surprisingly he is described as perplexed and disordered looking, standing and watching the chaos of his family.

أرب جمـال 26 - 1 - 2010 05:39 PM

More About the Pocket Family...
Pip gets a better feel for the dynamics of the Pocket household: Mrs. Pocket is obsessed to the point of uselessness with a vague story that she's descended from royalty (she reads a book about aristocratic titles all day) and Mr. Pocket is smart and kind, but stunned by the chaos of his house to such a degree that in the more unruly moments he puts his hands in his hair and "appear[s] to make an extraordinary effort to lift himself up by it" (222). There are also two other boarders--Startop and Drummle; a bunch of domestic helpers; a toady neighbor named Mrs.



Coiler; and a small army of ill-watched children. Mrs. Pocket shows she's truly on the wrong page when, after the cook is found drunk on the kitchen floor, she summons a completely inappropriate response: the cook, drunk or not, is a perfectly respectful woman, Mrs. Pocket says, because she once told Mrs. Pocket that she felt her to be born to be a Duchess.
Pecuniary and Other Arrangements...
Pip is to be educated as a generalist, not in preparation for any profession. He is fond of Matthew Pocket, and the two seem to feel a mutual respect. Pip requests to keep his room in Herbert's place at Barnard's Inn, a request that Mr. Jaggers approves in his typically odd manner.



Jaggers has a boisterous, though not particularly happy manner, and it confuses Pip, who asks Wemmick for a little more color about his guardian. Wemmick calls Jaggers "deep," and says his odd manner is "not personal; it's professional."
Wemmick gives Pip a tour of the law office, leading him through the rooms of the three other law clerks and, inside Jaggers' office, explaining that two odd casts on the shelf are those of famous clients. Wemmick extends an invitation to Pip to come to his house for a meal some time, and says that if Pip ever goes to Jaggers' place, he should keep his eyes open for his housekeeper, who, Wemmick says is "a wild beast tamed" (234).
The two then go down to police court to watch Jaggers in action. Here Pip sees that the lawyer has an uncanny ability to make a shivering and intimidated mess out of anyone he examines on the witness stand.
I Go Home With Wemmick...
Of the two boarders at the Pocket's, Pip is fond of one--Startop, and not at all fond of the other--Bentley Drummle. Herbert is his closest friend, and the two spend lots of time together. Pip is settling in to his education, getting along well with Mr. Pocket and cultivating expensive habits. After a month or two at Pocket's, Mr.



and Mrs. Camilla and Georgiana, who Pip first met on his second visit to Miss Havisham's, pay a visit. Pip is nonplussed by how much they seem to hate him.
One evening, Pip drops by Jaggers' office to walk home with Wemmick and to visit his house, finally accepting his offer of hospitality. Wemmick's place is quite a strange one--there is a very tiny house with gothic trimmings and extensive, though miniaturized grounds. Wemmick has put a great deal of work into building his "castle", driven in good part by his desire to please his father, an old deaf man he refers to as the aged parent. Pip enjoys a very pleasant dinner with Wemmick and the aged parent, plus a ceremonious shooting of some sort of cannon out on the grounds (a nightly ritual, apparently done to please the aged parent), and passes an equally pleasant night in the tiny castle. The next morning, as Pip and Wemmick move away from the castle, back toward Jaggers' office, Pip observes that Wemmick seems to get "dryer and harder" (243) as they move along; like he's said of Jaggers, Wemmick seems to be quite different in his personal and professional manners.
An Invitation to Dinner...
As Wemmick has predicted, Jaggers invites Pip--and his friends--for dinner. After the lawyer ceremoniously washes his hands (this is an obsessive habit of Jaggers', which Pip interprets as the lawyer's attempt to wash himself clean of his clients), the lawyer, Herbert, Startop, Bentley Drummle and Pip walk together to Jaggers' house. At dinner, Jaggers takes a surprising interest in Drummle, who Pip considers coarse and unpleasant--the worst of the crew. Drummle goes so far in his growling conversation as to make it very clear that he "despised...as asses" (250) all of his peers at the table.
The other interesting focus at dinner is Jaggers' housekeeper, Molly, for whom Wemmick advised Pip on which to keep an eye.



Molly has a hesitant manner around her employer, a hesitance somewhat explained when, at one moment during conversation, Jaggers grabs her wrist and forces the boys to look at them. One of the wrists is horribly scarred, though no explanation is given as to why.
Just before the boys are to leave, Pip runs back to thank Jaggers. The lawyer reiterates that he likes Drummle, though he tells Pip to steer clear of him. It seems as if Jaggers is on the edge of saying something else, but he does not. Older Pip tells us that about a month after that, Drummle's time with Mr. Pocket was up and the unpleasant boy left his house for good.
Joe Comes to Barnard's Inn...
A letter comes to Pip from Biddy announcing that Joe will be in town and would like to visit. Disturbed by the thought of being seen with Joe and his "commonness," Pip isn't looking forward to the visit. Aspiring to the habits of a gentleman, Pip has been decorating the shabby room at Barnard's Inn, and there is even an occasional servant-boy, known as Pepper (or the Avenger).



The day after the letter arrives, Pip can hear Joe's clumsy boots on the steps and from the moment the two are reunited, both are very uncomfortable. Joe's speech is a garbled attempt at sounding over-eloquent, he calls Pip "Sir," and he seems to use his hat to divert his nervous energy, and it's constantly falling on the floor. Older Pip explains Joe's nervousness as a consequence of Pip's: "...if I had been easier with Joe, Joe would have been easier with me." (258)
Joe is in town for Wopsle's professional acting debut in a provincial performance of Hamlet. He's also come to pass on the news that Miss Havisham wishes Pip to visit the marshes because Estella is in town. This news, of course, about melts Pip.
Joe is not oblivious to the discomfort between he and Pip, and he admits, with what Older Pip appreciates as real dignity, that he is much more at ease in the forge, and that he and Pip really don't belong together in London. Joe has a simple, though dignified attitude about the divisions between men:
"... one [man's] a blacksmith, and one's a whitesmith, and one's a goldsmith, and one's a coppersmith. Divisions among such must come, and must be met as they come."

أرب جمـال 26 - 1 - 2010 05:43 PM

I Take Coach For Our Town...
Herbert takes Pip to the station to catch the coach back to his hometown. The ride home promises to be an interesting one when it's discovered that several convicts will be transported along with the paying passengers (a not uncommon custom in London at this time, Older Pip tells us).



Things get even more interesting when Pip realizes one of the convicts is the same man that swirled his drink with a file years back at The Three Jolly Bargemen--the convict that Pip met as a young boy out on the marshes. But Pip is older and has the look of a gentleman, so the convict doesn't recognize him, and except for the disturbing feeling the convict stirs up in him, the ride passes without incident.
Pip takes a room at the local hotel, primarily because he's embarrassed and uncomfortable about staying with Joe, and when he sits down for his dinner, the waiter tosses an old newspaper on the table. The article seems to suggest that Uncle Pumblechook is Pip's patron, a bit of gossip which Older Pip tells us is much-believed in the marshes. But for now, Pip has no reason to expect that anyone besides Miss Havisham is his benefactor.
Orlick Installed as Porter...
Pip is certain that Miss Havisham's intention, as the presumed patroness of both himself and Estella, is to eventually bring the two together in marriage. Older Pip explains the love he felt for Estella at this time as helpless: "I loved her simply because I found her irresistible" (270). So it is with much anticipation that he knocks on Miss Havisham's door, an anticipation hitched for a moment when Orlick answers that door. Apparently, Joe's gruff journeyman has been hired as a sort of butler for Manor House.



Topic Tracking: Love 7
After a quick run-in with Sarah Pocket, Pip goes upstairs to find Miss Havisham and her dusty room unchanged, though the other woman in the room is so changed that Pip doesn't even recognize her as Estella at first. Estella, more beautiful than ever, has a way of making Pip feel a little common boy again. But Pip, devoted as a puppy dog, walks beside her in the overgrown garden and nearly cries when Estella, decidedly more aloof and stiff than before, cannot even remember the old times when she fed him out in this same yard, times that are burned in Pip's memory. There is something else, however, that Estella sets off in Pip; she reminds him of someone, though he can't figure out whom.
Topic Tracking: Identity 7
After the walk, the two return to Miss Havisham's, and Pip gives the old woman a few pushes around the feast-room in her chair. Miss Havisham has some odd things to say about Pip and Estella--she tells Pip to "Love her! Love her!" but also seems fascinated to know whether Estella is using or hurting him. Ever the woman scorned by love, the idea that Estella will wreck Pip seems perversely delightful to old Miss Havisham.
Topic Tracking: Love 8
Jaggers comes by for dinner, and he, Pip, Estella and Sarah Pocket have an awkward and quiet dinner together, then play an equally stiff game of cards. Pip thinks that Jaggers' cold presence is simply a bad mix with the warm feelings he has for Estella. It's decided that when Estella arrives in London (she has just returned from study in France and is about to move to London), Pip will be sent to meet her. Pip heads off to his hotel and falls into bed, all torn-up with the notion of how ready he is to love Estella and how uninterested she, in return, seems to be.
In the Old Town Again...
Pip is to take the midday coach back to London with Jaggers, and he passes the morning wandering around town, though trying to avoid a chance meeting with Pumblechook. Pip seems to be a sort of minor celebrity in town, drawing the awe of the shopkeepers and the strange taunting of the Trabb the tailor's son. Trabb's boy circles Pip and taunts him mildly.



Pip is also disturbed by the notion that Orlick is working for Miss Havisham, and when he tells this to Jaggers, the lawyer says he'll pay Orlick off and have him removed immediately.
Jaggers and Pip take the coach back to London together, where Pip is happy to see Herbert again. The two have a long talk, and Pip confesses his love for Estella, which comes as no surprise to Herbert. Herbert's advice to Pip is to "detach himself," if at all possible, for Herbert can see a heartbreak ahead if Pip continues to pursue Estella. Pip sadly says this is impossible--his love for Estella is too strong already.
The conversation now turns to Herbert's love life, and he makes the surprising confession that he is engaged, to a woman named Clara. Herbert and his betrothed don't seem to have much communication, and their marriage is not slated to happen any time soon. But the thought of it brings Herbert around to the certainty that he needs money before they can marry. Apparently, Herbert has made little progress in his search for an "opening" to riches through the counting house.
The two friends get on the dismal subject of procuring capital, a subject, however, that is instantly dropped when Pip pulls the old Playbill for Wopsle's play out of his pocket. The two friends promptly blow out the candles and head out to see the big-mouthed marsh man and his interpretation of Hamlet.

أرب جمـال 26 - 1 - 2010 05:46 PM

Mr. Wopsle as Hamlet...
Wopsle is terrible as Hamlet, and everything about the play is so bad that the audience heckles it nonstop.



Pip and Herbert try to slink out at its conclusion without being noticed by Wopsle, but are nabbed at the exit and sent backstage to see the actor, who's adopted the silly stage-name of Waldengraver. Wopsle is oblivious about his performance--he seems to think he's done a lovely job--and Pip and Herbert lie to make him feel good. Out of pity, they invite Wopsle to dinner and he accepts, staying too late and jabbering the whole time about his performance. Pip goes to bed miserable, and dreams that his great expectations have all fallen to pieces.
Wemmick at Home in Newgate...
Having been alerted that Estella will arrive by coach in London, Pip arrives at the station on the appointed day, ridiculously early and torn up with anticipation. With hours still to kill, he's lurking around the station when Wemmick passes. Wemmick is on his way to Newgate, the prison, and Pip accepts his invitation to come along.



Wemmick's manner at the prison is described as that of a gardener among his plants. As Jaggers' clerk, he goes to the prison often on business, and is popular among the prisoners. He is efficient and stony-hearted there, definitely wearing his "post-office" manner rather than that manner of the kind and devoted son he is out in the country.
The visit completed, Pip goes back to waiting for Estella, thinking the whole time:
"... how strange it was that I should be encompassed by all this taint of prison and crime; that in my childhood out on our lonely marshes on a winter evening I should have first encountered it; that it should have reappeared on two occasions, starting out like a stain that was faded but not gone; that it should in this new way pervade my fortune and advancement." Chapter 32, pg. 306
Finally, Estella's coach arrives and immediately Pip has a flash of recognition like the one he had when he last saw Estella. There is something, a "nameless shadow," that is hovering around his beloved.
Estella is as beautiful as ever, though her manner still has that distant and dispassionate way to it that Pip noticed in their last meeting at Miss Havisham's. The two go for a cup of tea in a rather nasty inn, and Estella talks the whole time as if she and Pip are mere pawns to fate--they must do this and that, she says, to satisfy Miss Havisham's plan. This idea that they are merely puppets is horribly discouraging to Pip, though he is still powerless to assert his will around Estella.



Topic Tracking: Expectations 6
The two go by coach to Estella's new lodgings, at a place by the Green in Richmond. On the way, they pass through Pip's neighborhood and Hammersmith, where the Pockets live. Pip leaves Estella off, thinking how he's miserable with her, miserable without her.
Back at the Pocket's, Pip considers confessing his troubles to his tutor, but when he thinks about the irony in the fact that Mr. Pocket, who is such a wreck at home, is considered a great lecturer on the management of children and servants, he loses his desire to confide in his tutor. Nobody in Pip's world seems to be who they profess to be.
The Finches of the Grove...
Pip knows it's impossible to return to his old way of life, but he still regrets that his simple life of good pleasure and companionship with Joe is gone. In fact, except with Estella, who Pip is certain he'd have no chance with without his newfound riches, Pip thinks his new money and expectations have had largely negative effects on the relationships and people whom he holds dear.
Herbert's life has been particularly complicated by his friendship with Pip. The two encourage each other to live far beyond their means--they still employ the little servant (the Avenger), and indulge in extravagances like a club called the Finches of the Grove--a group of boys who go out and have long, foolish talks over extravagantly expensive meals.



Herbert and Pip have found one solace in this financial turmoil--the ritual of "looking into their affairs." When they get badly in debt, the two sit at the table and write out an elaborate report of their various debts, and then calculate their total debt. This highly organized process, plus their ritual of rounding their debt up (what they call "leaving a margin"), is oddly satisfying. It's a sort of busy-work that keeps their minds off of the reality that they're both falling into a dangerous financial state.
One night when the they are looking into their affairs, a letter is dropped through a slit in the door. It's for Pip: an announcement that his sister, Mrs. Joe, has died.

أرب جمـال 26 - 1 - 2010 05:49 PM

My Sister's Funeral...
Though so many of Pip's relatives are dead, this is the first death he's lived through. He returns to his hometown for the funeral and finds that his mind is haunted by memories of his sister, and that memory has a way of softening the less pleasant aspects of their relationship.



The funeral is a showy affair run by Trabb and Company, and its orchestrations are designed mainly for the benefit of the townspeople. Joe is sad and not at all interested in the fancy funeral accoutrements; while Pumblechook and the Hubbles strut in the procession like proud peacocks. When Trabb and Co. are gone, the house feels wholesomer to Pip, and he asks to spend the night in his childhood room.
That evening, Pip and Biddy talk about what Biddy will do now that she doesn't have Mrs. Joe to care for (she thinks she'll get a job teaching at the new school in the village), how Mrs. Joe died (quietly, saying "Joe" and then "Pardon" and then "Pip"), and what's become of Orlick (he's still lurking about, and still following Biddy). Pip tells Biddy that he'll be around much more often now, to keep Joe company, but Biddy doesn't seem to believe him. This sentiment, along with the formal way she calls her old childhood pal "Mr. Pip" irritates Pip, and when he confronts Biddy, she doesn't have much to say. The next morning, Pip tells Biddy he's been hurt by her unkindness and again she mumbles a response he feels is inadequate. Then Pip sets off for London, leaving Biddy and Joe with only the promise that he'll return.
Back in London, financial matters are going from bad to worse for Herbert and Pip. Pip's twenty-first birthday is rapidly approaching, and he anticipates it with some excitement, thinking that perhaps his benefactor will reveal his or her identity on that day.



When his birthday arrives, Pip is summoned toJaggers' office. Jaggers allows Pip to ask several questions about his benefactor, though what he gets in return is not a big revelation but an envelope with five-hundred pounds in it. This, Jaggers says, is a gift from the benefactor. From now on, he continues, Pip will be given five-hundred pounds a year to handle on his own, and Jaggers will no longer act as a financial overseer.
Pip invites Jaggers for dinner, and while he's waiting for the lawyer to get ready, he starts talking to Wemmick. Now that he has money in his pocket, Pip's thoughts have turned to finding a way to help Herbert out financially. Wemmick, however, is in his "office-mode," and can offer nothing besides the hard-nosed advice that it's less risky to throw your money off a bridge than to use it to help a friend. Pip realizes that he might get different advice from Wemmick at his home, and resolves to visit him there soon and ask for this same advice.
Jaggers comes to dinner with Pip and Herbert, and something about his official manner makes both boys very melancholy. It's not so happy, Pip thinks, to be celebrating a birthday in such a "guarded and suspicious world" (339) as this one through which Jaggers moves.
LondonOn the news of his inheritance, Pip travels to London, where his gentlemanly education is to begin. London is most often portrayed as full of suspicious, cutthroat characters, men like Jaggers and his clients. The innocent life of the marshes stands in contrast to life in this city.


Another Pilgrimage to the Castle...
Pip makes a journey out to Wemmick's castle, to see what kind of advice the clerk might give him at Walworth. When Pip arrives, Wemmick is out, and he passes a little time with Wemmick's aged parent. The Aged tells Pip he's a little surprised his son went into law, and Pip tries to get the old man--who is tremendously deaf--into a conversation on this matter. Before things can get properly rolling, a little wooden flap with the name "John" (Wemmick's first name) tumbles open in the living room--this is a little device Wemmick has rigged-up to both amuse and announce his arrival to the Aged.



Wemmick is accompanied by Miss Skiffins, a woman about his age who Wemmick seems to have a bit of a crush on, for later, when Skiffins, Pip, Wemmick and the Aged sit down to eat the mountains of toast the Aged has prepared and to listen to the Aged read, Wemmick keeps trying (without any success) to get his arm around her. Before tea, however, Pip and Wemmick go for a walk on the grounds and Pip asks Wemmick the same question he did at the office, about how he might help out Herbert financially.
Wemmick is a completely different person when he's out of "office mode" and he gives Pip completely different advice. A plan is resolved that evening and soon put into motion; Pip will anonymously give one-hundred pounds a year to a merchant named Clarriker, who will hire Herbert and make him a partner, without ever mentioning he's being paid to do so. The plan works perfectly and Herbert never suspects Pip's involvement. Pip is pleased to feel that his expectations have finally "done some good to somebody"


الساعة الآن 08:24 PM.

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