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أرب جمـال 5 - 11 - 2009 06:08 PM

Hamlet: Entire PlayOPHELIA
What means this, my lord?
HAMLET
Marry, this is miching mallecho; it means mischief.
OPHELIA
Belike this show imports the argument of the play.
Enter Prologue
HAMLET
We shall know by this fellow: the players cannot
keep counsel; they'll tell all.
OPHELIA
Will he tell us what this show meant?
HAMLET
Ay, or any show that you'll show him: be not you
ashamed to show, he'll not shame to tell you what it means.
OPHELIA
You are naught, you are naught: I'll mark the play.
Prologue
For us, and for our tragedy,
Here stooping to your clemency,
We beg your hearing patiently.
Exit
HAMLET
Is this a prologue, or the posy of a ring?
OPHELIA
'Tis brief, my lord.
HAMLET
As woman's love.
Enter two Players, King and Queen
Player King
Full thirty times hath Phoebus' cart gone round
Neptune's salt wash and Tellus' orbed ground,
And thirty dozen moons with borrow'd sheen
About the world have times twelve thirties been,
Since love our hearts and Hymen did our hands
Unite commutual in most sacred bands.
Player Queen
So many journeys may the sun and moon
Make us again count o'er ere love be done!
But, woe is me, you are so sick of late,
So far from cheer and from your former state,
That I distrust you. Yet, though I distrust,
Discomfort you, my lord, it nothing must:
For women's fear and love holds quantity;
In neither aught, or in extremity.
Now, what my love is, proof hath made you know;
And as my love is sized, my fear is so:
Where love is great, the littlest doubts are fear;
Where little fears grow great, great love grows there.
Player King
'Faith, I must leave thee, love, and shortly too;
My operant powers their functions leave to do:
And thou shalt live in this fair world behind,
Honour'd, beloved; and haply one as kind
For husband shalt thou--
Player Queen
O, confound the rest!
Such love must needs be treason in my breast:
In second husband let me be accurst!
None wed the second but who kill'd the first.
HAMLET
[Aside] Wormwood, wormwood.
Player Queen
The instances that second marriage move
Are base respects of thrift, but none of love:
A second time I kill my husband dead,
When second husband kisses me in bed.
Player King
I do believe you think what now you speak;
But what we do determine oft we break.
Purpose is but the slave to memory,
Of violent birth, but poor validity;
Which now, like fruit unripe, sticks on the tree;
But fall, unshaken, when they mellow be.
Most necessary 'tis that we forget
To pay ourselves what to ourselves is debt:
What to ourselves in passion we propose,
The passion ending, doth the purpose lose.
The violence of either grief or joy
Their own enactures with themselves destroy:
Where joy most revels, grief doth most lament;
Grief joys, joy grieves, on slender accident.
This world is not for aye, nor 'tis not strange
That even our loves should with our fortunes change;
For 'tis a question left us yet to prove,
Whether love lead fortune, or else fortune love.
The great man down, you mark his favourite flies;
The poor advanced makes friends of enemies.
And hitherto doth love on fortune tend;
For who not needs shall never lack a friend,
And who in want a hollow friend doth try,
Directly seasons him his enemy.
But, orderly to end where I begun,
Our wills and fates do so contrary run
That our devices still are overthrown;
Our thoughts are ours, their ends none of our own:
So think thou wilt no second husband wed;
But die thy thoughts when thy first lord is dead.
Player Queen
Nor earth to me give food, nor heaven light!
Sport and repose lock from me day and night!
To desperation turn my trust and hope!
An anchor's cheer in prison be my scope!
Each opposite that blanks the face of joy
Meet what I would have well and it destroy!
Both here and hence pursue me lasting strife,
If, once a widow, ever I be wife!
HAMLET
If she should break it now!
Player King
'Tis deeply sworn. Sweet, leave me here awhile;
My spirits grow dull, and fain I would beguile
The tedious day with sleep.
Sleeps
Player Queen
Sleep rock thy brain,
And never come mischance between us twain!
Exit
HAMLET
Madam, how like you this play?
QUEEN GERTRUDE
The lady protests too much, methinks.
HAMLET
O, but she'll keep her word.
KING CLAUDIUS
Have you heard the argument? Is there no offence in 't?
HAMLET
No, no, they do but jest, poison in jest; no offence
i' the world.
KING CLAUDIUS
What do you call the play?
HAMLET
The Mouse-trap. Marry, how? Tropically. This play
is the image of a murder done in Vienna: Gonzago is
the duke's name; his wife, Baptista: you shall see
anon; 'tis a knavish piece of work: but what o'
that? your majesty and we that have free souls, it
touches us not: let the galled jade wince, our
withers are unwrung.
Enter LUCIANUS
This is one Lucianus, nephew to the king.
OPHELIA
You are as good as a chorus, my lord.
HAMLET
I could interpret between you and your love, if I
could see the puppets dallying.
OPHELIA
You are keen, my lord, you are keen.
HAMLET
It would cost you a groaning to take off my edge.
OPHELIA
Still better, and worse.
HAMLET
So you must take your husbands. Begin, murderer;
pox, leave thy damnable faces, and begin. Come:
'the croaking raven doth bellow for revenge.'
LUCIANUS
Thoughts black, hands apt, drugs fit, and time agreeing;
Confederate season, else no creature seeing;
Thou mixture rank, of midnight weeds collected,
With Hecate's ban thrice blasted, thrice infected,
Thy natural magic and dire property,
On wholesome life usurp immediately.
Pours the poison into the sleeper's ears
HAMLET
He poisons him i' the garden for's estate. His
name's Gonzago: the story is extant, and writ in
choice Italian: you shall see anon how the murderer
gets the love of Gonzago's wife.
OPHELIA
The king rises.
HAMLET
What, frighted with false fire!
QUEEN GERTRUDE
How fares my lord?
LORD POLONIUS
Give o'er the play.
KING CLAUDIUS
Give me some light: away!
All
Lights, lights, lights!
Exeunt all but HAMLET and HORATIO
HAMLET
Why, let the stricken deer go weep,
The hart ungalled play;
For some must watch, while some must sleep:
So runs the world away.
Would not this, sir, and a forest of feathers-- if
the rest of my fortunes turn Turk with me--with two
Provincial roses on my razed shoes, get me a
fellowship in a cry of players, sir?
HORATIO
Half a share.
HAMLET
A whole one, I.
For thou dost know, O Damon dear,
This realm dismantled was
Of Jove himself; and now reigns here
A very, very--pajock.
HORATIO
You might have rhymed.
HAMLET
O good Horatio, I'll take the ghost's word for a
thousand pound. Didst perceive?
HORATIO
Very well, my lord.
HAMLET
Upon the talk of the poisoning?
HORATIO
I did very well note him.
HAMLET
Ah, ha! Come, some music! come, the recorders!
For if the king like not the comedy,
Why then, belike, he likes it not, perdy.
Come, some music!
Re-enter ROSENCRANTZ and GUILDENSTERN
GUILDENSTERN
Good my lord, vouchsafe me a word with you.
HAMLET
Sir, a whole history.
GUILDENSTERN
The king, sir,--
HAMLET
Ay, sir, what of him?
GUILDENSTERN
Is in his retirement marvellous distempered.
HAMLET
With drink, sir?
GUILDENSTERN
No, my lord, rather with choler.
HAMLET
Your wisdom should show itself more richer to
signify this to his doctor; for, for me to put him
to his purgation would perhaps plunge him into far
more choler.
GUILDENSTERN
Good my lord, put your discourse into some frame and
start not so wildly from my affair.
HAMLET
I am tame, sir: pronounce.
GUILDENSTERN
The queen, your mother, in most great affliction of
spirit, hath sent me to you.
HAMLET
You are welcome.
GUILDENSTERN
Nay, good my lord, this courtesy is not of the right
breed. If it shall please you to make me a
wholesome answer, I will do your mother's
commandment: if not, your pardon and my return
shall be the end of my business.
HAMLET
Sir, I cannot.
GUILDENSTERN
What, my lord?
HAMLET
Make you a wholesome answer; my wit's diseased: but,
sir, such answer as I can make, you shall command;
or, rather, as you say, my mother: therefore no
more, but to the matter: my mother, you say,--
ROSENCRANTZ
Then thus she says; your behavior hath struck her
into amazement and admiration.
HAMLET
O wonderful son, that can so astonish a mother! But
is there no sequel at the heels of this mother's
admiration? Impart.
ROSENCRANTZ
She desires to speak with you in her closet, ere you
go to bed.
HAMLET
We shall obey, were she ten times our mother. Have
you any further trade with us?
ROSENCRANTZ
My lord, you once did love me.
HAMLET
So I do still, by these pickers and stealers.
ROSENCRANTZ
Good my lord, what is your cause of distemper? you
do, surely, bar the door upon your own liberty, if
you deny your griefs to your friend.
HAMLET
Sir, I lack advancement.
ROSENCRANTZ
How can that be, when you have the voice of the king
himself for your succession in Denmark?
HAMLET
Ay, but sir, 'While the grass grows,'--the proverb
is something musty.
Re-enter Players with recorders
O, the recorders! let me see one. To withdraw with
you:--why do you go about to recover the wind of me,
as if you would drive me into a toil?
GUILDENSTERN
O, my lord, if my duty be too bold, my love is too
unmannerly.
HAMLET
I do not well understand that. Will you play upon
this pipe?
GUILDENSTERN
My lord, I cannot.
HAMLET
I pray you.
GUILDENSTERN
Believe me, I cannot.
HAMLET
I do beseech you.
GUILDENSTERN
I know no touch of it, my lord.
HAMLET
'Tis as easy as lying: govern these ventages with
your lingers and thumb, give it breath with your
mouth, and it will discourse most eloquent music.
Look you, these are the stops.
GUILDENSTERN
But these cannot I command to any utterance of
harmony; I have not the skill.
HAMLET
Why, look you now, how unworthy a thing you make of
me! You would play upon me; you would seem to know
my stops; you would pluck out the heart of my
mystery; you would sound me from my lowest note to
the top of my compass: and there is much music,
excellent voice, in this little organ; yet cannot
you make it speak. 'Sblood, do you think I am
easier to be played on than a pipe? Call me what
instrument you will, though you can fret me, yet you
cannot play upon me.
Enter POLONIUS
God bless you, sir!
LORD POLONIUS
My lord, the queen would speak with you, and
presently.
HAMLET
Do you see yonder cloud that's almost in shape of a camel?
LORD POLONIUS
By the mass, and 'tis like a camel, indeed.
HAMLET
Methinks it is like a weasel.
LORD POLONIUS
It is backed like a weasel.
HAMLET
Or like a whale?
LORD POLONIUS
Very like a whale.
HAMLET
Then I will come to my mother by and by. They fool
me to the top of my bent. I will come by and by.
LORD POLONIUS
I will say so.
HAMLET
By and by is easily said.
Exit POLONIUS
Leave me, friends.
Exeunt all but HAMLET
Tis now the very witching time of night,
When churchyards yawn and hell itself breathes out
Contagion to this world: now could I drink hot blood,
And do such bitter business as the day
Would quake to look on. Soft! now to my mother.
O heart, lose not thy nature; let not ever
The soul of Nero enter this firm bosom:
Let me be cruel, not unnatural:
I will speak daggers to her, but use none;
My tongue and soul in this be hypocrites;
How in my words soever she be shent,
To give them seals never, my soul, consent!
Exit
SCENE III. A room in the castle.
Enter KING CLAUDIUS, ROSENCRANTZ, and GUILDENSTERN
KING CLAUDIUS
I like him not, nor stands it safe with us
To let his madness range. Therefore prepare you;
I your commission will forthwith dispatch,
And he to England shall along with you:
The terms of our estate may not endure
Hazard so dangerous as doth hourly grow
Out of his lunacies.
GUILDENSTERN
We will ourselves provide:
Most holy and religious fear it is
To keep those many many bodies safe
That live and feed upon your majesty.
ROSENCRANTZ
The single and peculiar life is bound,
With all the strength and armour of the mind,
To keep itself from noyance; but much more
That spirit upon whose weal depend and rest
The lives of many. The cease of majesty
Dies not alone; but, like a gulf, doth draw
What's near it with it: it is a massy wheel,
Fix'd on the summit of the highest mount,
To whose huge spokes ten thousand lesser things
Are mortised and adjoin'd; which, when it falls,
Each small annexment, petty consequence,
Attends the boisterous ruin. Never alone
Did the king sigh, but with a general groan.
KING CLAUDIUS
Arm you, I pray you, to this speedy voyage;
For we will fetters put upon this fear,
Which now goes too free-footed.
ROSENCRANTZ GUILDENSTERN
We will haste us.
Exeunt ROSENCRANTZ and GUILDENSTERN
Enter POLONIUS
LORD POLONIUS
My lord, he's going to his mother's closet:
Behind the arras I'll convey myself,
To hear the process; and warrant she'll tax him home:
And, as you said, and wisely was it said,
'Tis meet that some more audience than a mother,
Since nature makes them partial, should o'erhear
The speech, of vantage. Fare you well, my liege:
I'll call upon you ere you go to bed,
And tell you what I know.
KING CLAUDIUS
Thanks, dear my lord.
Exit POLONIUS
O, my offence is rank it smells to heaven;
It hath the primal eldest curse upon't,
A brother's murder. Pray can I not,
Though inclination be as sharp as will:
My stronger guilt defeats my strong intent;
And, like a man to double business bound,
I stand in pause where I shall first begin,
And both neglect. What if this cursed hand
Were thicker than itself with brother's blood,
Is there not rain enough in the sweet heavens
To wash it white as snow? Whereto serves mercy
But to confront the visage of offence?
And what's in prayer but this two-fold force,
To be forestalled ere we come to fall,
Or pardon'd being down? Then I'll look up;
My fault is past. But, O, what form of prayer
Can serve my turn? 'Forgive me my foul murder'?
That cannot be; since I am still possess'd
Of those effects for which I did the murder,
My crown, mine own ambition and my queen.
May one be pardon'd and retain the offence?
In the corrupted currents of this world
Offence's gilded hand may shove by justice,
And oft 'tis seen the wicked prize itself
Buys out the law: but 'tis not so above;
There is no shuffling, there the action lies
In his true nature; and we ourselves compell'd,
Even to the teeth and forehead of our faults,
To give in evidence. What then? what rests?
Try what repentance can: what can it not?
Yet what can it when one can not repent?
O wretched state! O bosom black as death!
O limed soul, that, struggling to be free,
Art more engaged! Help, angels! Make assay!
Bow, stubborn knees; and, heart with strings of steel,
Be soft as sinews of the newborn babe!
All may be well.
Retires and kneels
Enter HAMLET
HAMLET
Now might I do it pat, now he is praying;
And now I'll do't. And so he goes to heaven;
And so am I revenged. That would be scann'd:
A villain kills my father; and for that,
I, his sole son, do this same villain send
To heaven.
O, this is hire and salary, not revenge.
He took my father grossly, full of bread;
With all his crimes broad blown, as flush as May;
And how his audit stands who knows save heaven?
But in our circumstance and course of thought,
'Tis heavy with him: and am I then revenged,
To take him in the purging of his soul,
When he is fit and season'd for his passage?
No!
Up, sword; and know thou a more horrid hent:
When he is drunk asleep, or in his rage,
Or in the incestuous pleasure of his bed;
At gaming, swearing, or about some act
That has no relish of salvation in't;
Then trip him, that his heels may kick at heaven,
And that his soul may be as damn'd and black
As hell, whereto it goes. My mother stays:
This physic but prolongs thy sickly days.
Exit
KING CLAUDIUS
[Rising] My words fly up, my thoughts remain below:
Words without thoughts never to heaven go.
Exit
SCENE IV. The Queen's closet.
Enter QUEEN GERTRUDE and POLONIUS
LORD POLONIUS
He will come straight. Look you lay home to him:
Tell him his pranks have been too broad to bear with,
And that your grace hath screen'd and stood between
Much heat and him. I'll sconce me even here.
Pray you, be round with him.
HAMLET
[Within] Mother, mother, mother!
QUEEN GERTRUDE
I'll warrant you,
Fear me not: withdraw, I hear him coming.
POLONIUS hides behind the arras
Enter HAMLET
HAMLET
Now, mother, what's the matter?
QUEEN GERTRUDE
Hamlet, thou hast thy father much offended.
HAMLET
Mother, you have my father much offended.
QUEEN GERTRUDE
Come, come, you answer with an idle tongue.
HAMLET
Go, go, you question with a wicked tongue.
QUEEN GERTRUDE
Why, how now, Hamlet!
HAMLET
What's the matter now?
QUEEN GERTRUDE
Have you forgot me?
HAMLET
No, by the rood, not so:
You are the queen, your husband's brother's wife;
And--would it were not so!--you are my mother.
QUEEN GERTRUDE
Nay, then, I'll set those to you that can speak.
HAMLET
Come, come, and sit you down; you shall not budge;
You go not till I set you up a glass
Where you may see the inmost part of you.
QUEEN GERTRUDE
What wilt thou do? thou wilt not murder me?
Help, help, ho!
LORD POLONIUS
[Behind] What, ho! help, help, help!
HAMLET
[Drawing] How now! a rat? Dead, for a ducat, dead!
Makes a pass through the arras
LORD POLONIUS
[Behind] O, I am slain!
Falls and dies
QUEEN GERTRUDE
O me, what hast thou done?
HAMLET
Nay, I know not:
Is it the king?
QUEEN GERTRUDE
O, what a rash and bloody deed is this!
HAMLET
A bloody deed! almost as bad, good mother,
As kill a king, and marry with his brother.
QUEEN GERTRUDE
As kill a king!
HAMLET
Ay, lady, 'twas my word.
Lifts up the array and discovers POLONIUS
Thou wretched, rash, intruding fool, farewell!
I took thee for thy better: take thy fortune;
Thou find'st to be too busy is some danger.
Leave wringing of your hands: peace! sit you down,
And let me wring your heart; for so I shall,
If it be made of penetrable stuff,
If damned custom have not brass'd it so
That it is proof and bulwark against sense.
QUEEN GERTRUDE
What have I done, that thou darest wag thy tongue
In noise so rude against me?
HAMLET
Such an act
That blurs the grace and blush of modesty,
Calls virtue hypocrite, takes off the rose
From the fair forehead of an innocent love
And sets a blister there, makes marriage-vows
As false as dicers' oaths: O, such a deed
As from the body of contraction plucks
The very soul, and sweet religion makes
A rhapsody of words: heaven's face doth glow:
Yea, this solidity and compound mass,
With tristful visage, as against the doom,
Is thought-sick at the act.
QUEEN GERTRUDE
Ay me, what act,
That roars so loud, and thunders in the index?
HAMLET
Look here, upon this picture, and on this,
The counterfeit presentment of two brothers.
See, what a grace was seated on this brow;
Hyperion's curls; the front of Jove himself;
An eye like Mars, to threaten and command;
A station like the herald Mercury
New-lighted on a heaven-kissing hill;
A combination and a form indeed,
Where every god did seem to set his seal,
To give the world assurance of a man:
This was your husband. Look you now, what follows:
Here is your husband; like a mildew'd ear,
Blasting his wholesome brother. Have you eyes?
Could you on this fair mountain leave to feed,
And batten on this moor? Ha! have you eyes?
You cannot call it love; for at your age
The hey-day in the blood is tame, it's humble,
And waits upon the judgment: and what judgment
Would step from this to this? Sense, sure, you have,
Else could you not have motion; but sure, that sense
Is apoplex'd; for madness would not err,
Nor sense to ecstasy was ne'er so thrall'd
But it reserved some quantity of choice,
To serve in such a difference. What devil was't
That thus hath cozen'd you at hoodman-blind?
Eyes without feeling, feeling without sight,
Ears without hands or eyes, smelling sans all,
Or but a sickly part of one true sense
Could not so mope.
O shame! where is thy blush? Rebellious hell,
If thou canst mutine in a matron's bones,
To flaming youth let virtue be as wax,
And melt in her own fire: proclaim no shame
When the compulsive ardour gives the charge,
Since frost itself as actively doth burn
And reason panders will.
QUEEN GERTRUDE
O Hamlet, speak no more:
Thou turn'st mine eyes into my very soul;
And there I see such black and grained spots
As will not leave their tinct.
HAMLET
Nay, but to live
In the rank sweat of an enseamed bed,
Stew'd in corruption, honeying and making love
Over the nasty sty,--
QUEEN GERTRUDE
O, speak to me no more;
These words, like daggers, enter in mine ears;
No more, sweet Hamlet!
HAMLET
A murderer and a villain;
A slave that is not twentieth part the tithe
Of your precedent lord; a vice of kings;
A cutpurse of the empire and the rule,
That from a ****f the precious diadem stole,
And put it in his pocket!
QUEEN GERTRUDE
No more!
HAMLET
A king of shreds and patches,--
Enter Ghost
Save me, and hover o'er me with your wings,
You heavenly guards! What would your gracious figure?
QUEEN GERTRUDE
Alas, he's mad!
HAMLET
Do you not come your tardy son to chide,
That, lapsed in time and passion, lets go by
The important acting of your dread command? O, say!
Ghost
Do not forget: this visitation
Is but to whet thy almost blunted purpose.
But, look, amazement on thy mother sits:
O, step between her and her fighting soul:
Conceit in weakest bodies strongest works:
Speak to her, Hamlet.
HAMLET
How is it with you, lady?
QUEEN GERTRUDE
Alas, how is't with you,
That you do bend your eye on vacancy
And with the incorporal air do hold discourse?
Forth at your eyes your spirits wildly peep;
And, as the sleeping soldiers in the alarm,
Your bedded hair, like life in excrements,
Starts up, and stands on end. O gentle son,
Upon the heat and flame of thy distemper
Sprinkle cool patience. Whereon do you look?
HAMLET
On him, on him! Look you, how pale he glares!
His form and cause conjoin'd, preaching to stones,
Would make them capable. Do not look upon me;
Lest with this piteous action you convert
My stern effects: then what I have to do
Will want true colour; tears perchance for blood.
QUEEN GERTRUDE
To whom do you speak this?
HAMLET
Do you see nothing there?
QUEEN GERTRUDE
Nothing at all; yet all that is I see.
HAMLET
Nor did you nothing hear?
QUEEN GERTRUDE
No, nothing but ourselves.
HAMLET
Why, look you there! look, how it steals away!
My father, in his habit as he lived!
Look, where he goes, even now, out at the portal!
Exit Ghost
QUEEN GERTRUDE
This the very coinage of your brain:
This bodiless creation ecstasy
Is very cunning in.
HAMLET
Ecstasy!
My pulse, as yours, doth temperately keep time,
And makes as healthful music: it is not madness
That I have utter'd: bring me to the test,
And I the matter will re-word; which madness
Would gambol from. Mother, for love of grace,
Lay not that mattering unction to your soul,
That not your trespass, but my madness speaks:
It will but skin and film the ulcerous place,
Whilst rank corruption, mining all within,
Infects unseen. Confess yourself to heaven;
Repent what's past; avoid what is to come;
And do not spread the compost on the weeds,
To make them ranker. Forgive me this my virtue;
For in the fatness of these pursy times
Virtue itself of vice must pardon beg,
Yea, curb and woo for leave to do him good.
QUEEN GERTRUDE
O Hamlet, thou hast cleft my heart in twain.
HAMLET
O, throw away the worser part of it,
And live the purer with the other half.
Good night: but go not to mine uncle's bed;
Assume a virtue, if you have it not.
That monster, custom, who all sense doth eat,
Of habits devil, is angel yet in this,
That to the use of actions fair and good
He likewise gives a frock or livery,
That aptly is put on. Refrain to-night,
And that shall lend a kind of easiness
To the next abstinence: the next more easy;
For use almost can change the stamp of nature,
And either [ ] the devil, or throw him out
With wondrous potency. Once more, good night:
And when you are desirous to be bless'd,
I'll blessing beg of you. For this same lord,
Pointing to POLONIUS
I do repent: but heaven hath pleased it so,
To punish me with this and this with me,
That I must be their scourge and minister.
I will bestow him, and will answer well
The death I gave him. So, again, good night.
I must be cruel, only to be kind:
Thus bad begins and worse remains behind.
One word more, good lady.
QUEEN GERTRUDE
What shall I do?
HAMLET
Not this, by no means, that I bid you do:
Let the bloat king tempt you again to bed;
Pinch wanton on your cheek; call you his mouse;
And let him, for a pair of reechy kisses,
Or paddling in your neck with his damn'd fingers,
Make you to ravel all this matter out,
That I essentially am not in madness,
But mad in craft. 'Twere good you let him know;
For who, that's but a queen, fair, sober, wise,
Would from a paddock, from a bat, a gib,
Such dear concernings hide? who would do so?
No, in despite of sense and secrecy,
Unpeg the basket on the house's top.
Let the birds fly, and, like the famous ape,
To try conclusions, in the basket creep,
And break your own neck down.
QUEEN GERTRUDE
Be thou assured, if words be made of breath,
And breath of life, I have no life to breathe
What thou hast said to me.
HAMLET
I must to England; you know that?
QUEEN GERTRUDE
Alack,
I had forgot: 'tis so concluded on.
HAMLET
There's letters seal'd: and my two schoolfellows,
Whom I will trust as I will adders fang'd,
They bear the mandate; they must sweep my way,
And marshal me to knavery. Let it work;
For 'tis the sport to have the engineer
Hoist with his own petard: and 't shall go hard
But I will delve one yard below their mines,
And blow them at the moon: O, 'tis most sweet,
When in one line two crafts directly meet.
This man shall set me packing:
I'll lug the guts into the neighbour room.
Mother, good night. Indeed this counsellor
Is now most still, most secret and most grave,
Who was in life a foolish prating knave.
Come, sir, to draw toward an end with you.
Good night, mother.
Exeunt severally; HAMLET dragging in POLONIUS


أرب جمـال 5 - 11 - 2009 06:09 PM

Hamlet: Entire PlayACT IV

SCENE I. A room in the castle.
Enter KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ, and GUILDENSTERN
KING CLAUDIUS
There's matter in these sighs, these profound heaves:
You must translate: 'tis fit we understand them.
Where is your son?
QUEEN GERTRUDE
Bestow this place on us a little while.
Exeunt ROSENCRANTZ and GUILDENSTERN
Ah, my good lord, what have I seen to-night!
KING CLAUDIUS
What, Gertrude? How does Hamlet?
QUEEN GERTRUDE
Mad as the sea and wind, when both contend
Which is the mightier: in his lawless fit,
Behind the arras hearing something stir,
Whips out his rapier, cries, 'A rat, a rat!'
And, in this brainish apprehension, kills
The unseen good old man.
KING CLAUDIUS
O heavy deed!
It had been so with us, had we been there:
His liberty is full of threats to all;
To you yourself, to us, to every one.
Alas, how shall this bloody deed be answer'd?
It will be laid to us, whose providence
Should have kept short, restrain'd and out of haunt,
This mad young man: but so much was our love,
We would not understand what was most fit;
But, like the owner of a foul disease,
To keep it from divulging, let it feed
Even on the pith of Life. Where is he gone?
QUEEN GERTRUDE
To draw apart the body he hath kill'd:
O'er whom his very madness, like some ore
Among a mineral of ****ls base,
Shows itself pure; he weeps for what is done.
KING CLAUDIUS
O Gertrude, come away!
The sun no sooner shall the mountains touch,
But we will ship him hence: and this vile deed
We must, with all our majesty and skill,
Both countenance and excuse. Ho, Guildenstern!
Re-enter ROSENCRANTZ and GUILDENSTERN
Friends both, go join you with some further aid:
Hamlet in madness hath Polonius slain,
And from his mother's closet hath he dragg'd him:
Go seek him out; speak fair, and bring the body
Into the chapel. I pray you, haste in this.
Exeunt ROSENCRANTZ and GUILDENSTERN
Come, Gertrude, we'll call up our wisest friends;
And let them know, both what we mean to do,
And what's untimely done. O, come away!
My soul is full of discord and dismay.
Exeunt
SCENE II. Another room in the castle.
Enter HAMLET
HAMLET
Safely stowed.
ROSENCRANTZ: GUILDENSTERN:
[Within] Hamlet! Lord Hamlet!
HAMLET
What noise? who calls on Hamlet?
O, here they come.
Enter ROSENCRANTZ and GUILDENSTERN
ROSENCRANTZ
What have you done, my lord, with the dead body?
HAMLET
Compounded it with dust, whereto 'tis kin.
ROSENCRANTZ
Tell us where 'tis, that we may take it thence
And bear it to the chapel.
HAMLET
Do not believe it.
ROSENCRANTZ
Believe what?
HAMLET
That I can keep your counsel and not mine own.
Besides, to be demanded of a sponge! what
replication should be made by the son of a king?
ROSENCRANTZ
Take you me for a sponge, my lord?
HAMLET
Ay, sir, that soaks up the king's countenance, his
rewards, his authorities. But such officers do the
king best service in the end: he keeps them, like
an ape, in the corner of his jaw; first mouthed, to
be last swallowed: when he needs what you have
gleaned, it is but squeezing you, and, sponge, you
shall be dry again.
ROSENCRANTZ
I understand you not, my lord.
HAMLET
I am glad of it: a knavish speech sleeps in a
foolish ear.
ROSENCRANTZ
My lord, you must tell us where the body is, and go
with us to the king.
HAMLET
The body is with the king, but the king is not with
the body. The king is a thing--
GUILDENSTERN
A thing, my lord!
HAMLET
Of nothing: bring me to him. Hide fox, and all after.
Exeunt
SCENE III. Another room in the castle.
Enter KING CLAUDIUS, attended
KING CLAUDIUS
I have sent to seek him, and to find the body.
How dangerous is it that this man goes loose!
Yet must not we put the strong law on him:
He's loved of the distracted multitude,
Who like not in their judgment, but their eyes;
And where tis so, the offender's scourge is weigh'd,
But never the offence. To bear all smooth and even,
This sudden sending him away must seem
Deliberate pause: diseases desperate grown
By desperate appliance are relieved,
Or not at all.
Enter ROSENCRANTZ
How now! what hath befall'n?
ROSENCRANTZ
Where the dead body is bestow'd, my lord,
We cannot get from him.
KING CLAUDIUS
But where is he?
ROSENCRANTZ
Without, my lord; guarded, to know your pleasure.
KING CLAUDIUS
Bring him before us.
ROSENCRANTZ
Ho, Guildenstern! bring in my lord.
Enter HAMLET and GUILDENSTERN
KING CLAUDIUS
Now, Hamlet, where's Polonius?
HAMLET
At supper.
KING CLAUDIUS
At supper! where?
HAMLET
Not where he eats, but where he is eaten: a certain
convocation of politic worms are e'en at him. Your
worm is your only emperor for diet: we fat all
creatures else to fat us, and we fat ourselves for
maggots: your fat king and your lean beggar is but
variable service, two dishes, but to one table:
that's the end.
KING CLAUDIUS
Alas, alas!
HAMLET
A man may fish with the worm that hath eat of a
king, and cat of the fish that hath fed of that worm.
KING CLAUDIUS
What dost you mean by this?
HAMLET
Nothing but to show you how a king may go a
progress through the guts of a beggar.
KING CLAUDIUS
Where is Polonius?
HAMLET
In heaven; send hither to see: if your messenger
find him not there, seek him i' the other place
yourself. But indeed, if you find him not within
this month, you shall nose him as you go up the
stairs into the lobby.
KING CLAUDIUS
Go seek him there.
To some Attendants
HAMLET
He will stay till ye come.
Exeunt Attendants
KING CLAUDIUS
Hamlet, this deed, for thine especial safety,--
Which we do tender, as we dearly grieve
For that which thou hast done,--must send thee hence
With fiery quickness: therefore prepare thyself;
The bark is ready, and the wind at help,
The associates tend, and every thing is bent
For England.
HAMLET
For England!
KING CLAUDIUS
Ay, Hamlet.
HAMLET
Good.
KING CLAUDIUS
So is it, if thou knew'st our purposes.
HAMLET
I see a cherub that sees them. But, come; for
England! Farewell, dear mother.
KING CLAUDIUS
Thy loving father, Hamlet.
HAMLET
My mother: father and mother is man and wife; man
and wife is one flesh; and so, my mother. Come, for England!
Exit
KING CLAUDIUS
Follow him at foot; tempt him with speed aboard;
Delay it not; I'll have him hence to-night:
Away! for every thing is seal'd and done
That else leans on the affair: pray you, make haste.
Exeunt ROSENCRANTZ and GUILDENSTERN
And, England, if my love thou hold'st at aught--
As my great power thereof may give thee sense,
Since yet thy cicatrice looks raw and red
After the Danish sword, and thy free awe
Pays homage to us--thou mayst not coldly set
Our sovereign process; which imports at full,
By letters congruing to that effect,
The present death of Hamlet. Do it, England;
For like the hectic in my blood he rages,
And thou must cure me: till I know 'tis done,
Howe'er my haps, my joys were ne'er begun.
Exit
SCENE IV. A plain in Denmark.
Enter FORTINBRAS, a Captain, and Soldiers, marching
PRINCE FORTINBRAS
Go, captain, from me greet the Danish king;
Tell him that, by his licence, Fortinbras
Craves the conveyance of a promised march
Over his kingdom. You know the rendezvous.
If that his majesty would aught with us,
We shall express our duty in his eye;
And let him know so.
Captain
I will do't, my lord.
PRINCE FORTINBRAS
Go softly on.
Exeunt FORTINBRAS and Soldiers
Enter HAMLET, ROSENCRANTZ, GUILDENSTERN, and others
HAMLET
Good sir, whose powers are these?
Captain
They are of Norway, sir.
HAMLET
How purposed, sir, I pray you?
Captain
Against some part of Poland.
HAMLET
Who commands them, sir?
Captain
The nephews to old Norway, Fortinbras.
HAMLET
Goes it against the main of Poland, sir,
Or for some frontier?
Captain
Truly to speak, and with no addition,
We go to gain a little patch of ground
That hath in it no profit but the name.
To pay five ducats, five, I would not farm it;
Nor will it yield to Norway or the Pole
A ranker rate, should it be sold in fee.
HAMLET
Why, then the Polack never will defend it.
Captain
Yes, it is already garrison'd.
HAMLET
Two thousand souls and twenty thousand ducats
Will not debate the question of this straw:
This is the imposthume of much wealth and peace,
That inward breaks, and shows no cause without
Why the man dies. I humbly thank you, sir.
Captain
God be wi' you, sir.
Exit
ROSENCRANTZ
Wilt please you go, my lord?
HAMLET
I'll be with you straight go a little before.
Exeunt all except HAMLET
How all occasions do inform against me,
And spur my dull revenge! What is a man,
If his chief good and market of his time
Be but to sleep and feed? a beast, no more.
Sure, he that made us with such large discourse,
Looking before and after, gave us not
That capability and god-like reason
To fust in us unused. Now, whether it be
Bestial oblivion, or some craven scruple
Of thinking too precisely on the event,
A thought which, quarter'd, hath but one part wisdom
And ever three parts coward, I do not know
Why yet I live to say 'This thing's to do;'
Sith I have cause and will and strength and means
To do't. Examples gross as earth exhort me:
Witness this army of such mass and charge
Led by a delicate and tender prince,
Whose spirit with divine ambition puff'd
Makes mouths at the invisible event,
Exposing what is mortal and unsure
To all that fortune, death and danger dare,
Even for an egg-****l. Rightly to be great
Is not to stir without great argument,
But greatly to find quarrel in a straw
When honour's at the stake. How stand I then,
That have a father kill'd, a mother stain'd,
Excitements of my reason and my blood,
And let all sleep? while, to my shame, I see
The imminent death of twenty thousand men,
That, for a fantasy and trick of fame,
Go to their graves like beds, fight for a plot
Whereon the numbers cannot try the cause,
Which is not tomb enough and continent
To hide the slain? O, from this time forth,
My thoughts be bloody, or be nothing worth!
Exit
SCENE V. Elsinore. A room in the castle.
Enter QUEEN GERTRUDE, HORATIO, and a Gentleman
QUEEN GERTRUDE
I will not speak with her.
Gentleman
She is importunate, indeed distract:
Her mood will needs be pitied.
QUEEN GERTRUDE
What would she have?
Gentleman
She speaks much of her father; says she hears
There's tricks i' the world; and hems, and beats her heart;
Spurns enviously at straws; speaks things in doubt,
That carry but half sense: her speech is nothing,
Yet the unshaped use of it doth move
The hearers to collection; they aim at it,
And botch the words up fit to their own thoughts;
Which, as her winks, and nods, and gestures
yield them,
Indeed would make one think there might be thought,
Though nothing sure, yet much unhappily.
HORATIO
'Twere good she were spoken with; for she may strew
Dangerous conjectures in ill-breeding minds.
QUEEN GERTRUDE
Let her come in.
Exit HORATIO
To my sick soul, as sin's true nature is,
Each toy seems prologue to some great amiss:
So full of artless jealousy is guilt,
It spills itself in fearing to be spilt.
Re-enter HORATIO, with OPHELIA
OPHELIA
Where is the beauteous majesty of Denmark?
QUEEN GERTRUDE
How now, Ophelia!
OPHELIA
[Sings]
How should I your true love know
From another one?
By his cockle hat and staff,
And his sandal shoon.
QUEEN GERTRUDE
Alas, sweet lady, what imports this song?
OPHELIA
Say you? nay, pray you, mark.
Sings
He is dead and gone, lady,
He is dead and gone;
At his head a grass-green turf,
At his heels a stone.
QUEEN GERTRUDE
Nay, but, Ophelia,--
OPHELIA
Pray you, mark.
Sings
White his shroud as the mountain snow,--
Enter KING CLAUDIUS
QUEEN GERTRUDE
Alas, look here, my lord.
OPHELIA
[Sings]
Larded with sweet flowers
Which bewept to the grave did go
With true-love showers.
KING CLAUDIUS
How do you, pretty lady?
OPHELIA
Well, God 'ild you! They say the owl was a baker's
daughter. Lord, we know what we are, but know not
what we may be. God be at your table!
KING CLAUDIUS
Conceit upon her father.
OPHELIA
Pray you, let's have no words of this; but when they
ask you what it means, say you this:
Sings
To-morrow is Saint Valentine's day,
All in the morning betime,
And I a maid at your window,
To be your Valentine.
Then up he rose, and donn'd his clothes,
And dupp'd the chamber-door;
Let in the maid, that out a maid
Never departed more.
KING CLAUDIUS
Pretty Ophelia!
OPHELIA
Indeed, la, without an oath, I'll make an end on't:
Sings
By Gis and by Saint Charity,
Alack, and fie for shame!
Young men will do't, if they come to't;
By cock, they are to blame.
Quoth she, before you tumbled me,
You promised me to wed.
So would I ha' done, by yonder sun,
An thou hadst not come to my bed.
KING CLAUDIUS
How long hath she been thus?
OPHELIA
I hope all will be well. We must be patient: but I
cannot choose but weep, to think they should lay him
i' the cold ground. My brother shall know of it:
and so I thank you for your good counsel. Come, my
coach! Good night, ladies; good night, sweet ladies;
good night, good night.
Exit
KING CLAUDIUS
Follow her close; give her good watch,
I pray you.
Exit HORATIO
O, this is the poison of deep grief; it springs
All from her father's death. O Gertrude, Gertrude,
When sorrows come, they come not single spies
But in battalions. First, her father slain:
Next, your son gone; and he most violent author
Of his own just remove: the people muddied,
Thick and unwholesome in their thoughts and whispers,
For good Polonius' death; and we have done but greenly,
In hugger-mugger to inter him: poor Ophelia
Divided from herself and her fair judgment,
Without the which we are pictures, or mere beasts:
Last, and as much containing as all these,
Her brother is in secret come from France;
Feeds on his wonder, keeps himself in clouds,
And wants not buzzers to infect his ear
With pestilent speeches of his father's death;
Wherein necessity, of matter beggar'd,
Will nothing stick our person to arraign
In ear and ear. O my dear Gertrude, this,
Like to a murdering-piece, in many places
Gives me superfluous death.
A noise within
QUEEN GERTRUDE
Alack, what noise is this?
KING CLAUDIUS
Where are my Switzers? Let them guard the door.
Enter another Gentleman
What is the matter?
Gentleman
Save yourself, my lord:
The ocean, overpeering of his list,
Eats not the flats with more impetuous haste
Than young Laertes, in a riotous head,
O'erbears your officers. The rabble call him lord;
And, as the world were now but to begin,
Antiquity forgot, custom not known,
The ratifiers and props of every word,
They cry 'Choose we: Laertes shall be king:'
Caps, hands, and tongues, applaud it to the clouds:
'Laertes shall be king, Laertes king!'
QUEEN GERTRUDE
How cheerfully on the false trail they cry!
O, this is counter, you false Danish dogs!
KING CLAUDIUS
The doors are broke.
Noise within
Enter LAERTES, armed; Danes following
LAERTES
Where is this king? Sirs, stand you all without.
Danes
No, let's come in.
LAERTES
I pray you, give me leave.
Danes
We will, we will.
They retire without the door
LAERTES
I thank you: keep the door. O thou vile king,
Give me my father!
QUEEN GERTRUDE
Calmly, good Laertes.
LAERTES
That drop of blood that's calm proclaims me bastard,
Cries cuckold to my father, brands the harlot
Even here, between the chaste unsmirched brow
Of my true mother.
KING CLAUDIUS
What is the cause, Laertes,
That thy rebellion looks so giant-like?
Let him go, Gertrude; do not fear our person:
There's such divinity doth hedge a king,
That treason can but peep to what it would,
Acts little of his will. Tell me, Laertes,
Why thou art thus incensed. Let him go, Gertrude.
Speak, man.
LAERTES
Where is my father?
KING CLAUDIUS
Dead.
QUEEN GERTRUDE
But not by him.
KING CLAUDIUS
Let him demand his fill.
LAERTES
How came he dead? I'll not be juggled with:
To hell, allegiance! vows, to the blackest devil!
Conscience and grace, to the profoundest pit!
I dare damnation. To this point I stand,
That both the worlds I give to negligence,
Let come what comes; only I'll be revenged
Most thoroughly for my father.
KING CLAUDIUS
Who shall stay you?
LAERTES
My will, not all the world:
And for my means, I'll husband them so well,
They shall go far with little.
KING CLAUDIUS
Good Laertes,
If you desire to know the certainty
Of your dear father's death, is't writ in your revenge,
That, swoopstake, you will draw both friend and foe,
Winner and loser?
LAERTES
None but his enemies.
KING CLAUDIUS
Will you know them then?
LAERTES
To his good friends thus wide I'll ope my arms;
And like the kind life-rendering pelican,
Repast them with my blood.
KING CLAUDIUS
Why, now you speak
Like a good child and a true gentleman.
That I am guiltless of your father's death,
And am most sensible in grief for it,
It shall as level to your judgment pierce
As day does to your eye.
Danes
[Within] Let her come in.
LAERTES
How now! what noise is that?
Re-enter OPHELIA
O heat, dry up my brains! tears seven times salt,
Burn out the sense and virtue of mine eye!
By heaven, thy madness shall be paid by weight,
Till our scale turn the beam. O rose of May!
Dear maid, kind sister, sweet Ophelia!
O heavens! is't possible, a young maid's wits
Should be as moral as an old man's life?
Nature is fine in love, and where 'tis fine,
It sends some precious instance of itself
After the thing it loves.
OPHELIA
[Sings]
They bore him barefaced on the bier;
Hey non nonny, nonny, hey nonny;
And in his grave rain'd many a tear:--
Fare you well, my dove!
LAERTES
Hadst thou thy wits, and didst persuade revenge,
It could not move thus.
OPHELIA
[Sings]
You must sing a-down a-down,
An you call him a-down-a.
O, how the wheel becomes it! It is the false
steward, that stole his master's daughter.
LAERTES
This nothing's more than matter.
OPHELIA
There's rosemary, that's for remembrance; pray,
love, remember: and there is pansies. that's for thoughts.
LAERTES
A ******** in madness, thoughts and remembrance fitted.
OPHELIA
There's fennel for you, and columbines: there's rue
for you; and here's some for me: we may call it
herb-grace o' Sundays: O you must wear your rue with
a difference. There's a daisy: I would give you
some violets, but they withered all when my father
died: they say he made a good end,--
Sings
For bonny sweet Robin is all my joy.
LAERTES
Thought and affliction, passion, hell itself,
She turns to favour and to prettiness.
OPHELIA
[Sings]
And will he not come again?
And will he not come again?
No, no, he is dead:
Go to thy death-bed:
He never will come again.
His beard was as white as snow,
All flaxen was his poll:
He is gone, he is gone,
And we cast away moan:
God ha' mercy on his soul!
And of all Christian souls, I pray God. God be wi' ye.
Exit


أرب جمـال 5 - 11 - 2009 06:10 PM

Hamlet: Entire PlayLAERTES
Do you see this, O God?
KING CLAUDIUS
Laertes, I must commune with your grief,
Or you deny me right. Go but apart,
Make choice of whom your wisest friends you will.
And they shall hear and judge 'twixt you and me:
If by direct or by collateral hand
They find us touch'd, we will our kingdom give,
Our crown, our life, and all that we can ours,
To you in satisfaction; but if not,
Be you ******* to lend your patience to us,
And we shall jointly labour with your soul
To give it due *******.
LAERTES
Let this be so;
His means of death, his obscure funeral--
No trophy, sword, nor hatchment o'er his bones,
No noble rite nor formal ostentation--
Cry to be heard, as 'twere from heaven to earth,
That I must call't in question.
KING CLAUDIUS
So you shall;
And where the offence is let the great axe fall.
I pray you, go with me.
Exeunt
SCENE VI. Another room in the castle.
Enter HORATIO and a Servant
HORATIO
What are they that would speak with me?
Servant
Sailors, sir: they say they have letters for you.
HORATIO
Let them come in.
Exit Servant
I do not know from what part of the world
I should be greeted, if not from Lord Hamlet.
Enter Sailors
First Sailor
God bless you, sir.
HORATIO
Let him bless thee too.
First Sailor
He shall, sir, an't please him. There's a letter for
you, sir; it comes from the ambassador that was
bound for England; if your name be Horatio, as I am
let to know it is.
HORATIO
[Reads] 'Horatio, when thou shalt have overlooked
this, give these fellows some means to the king:
they have letters for him. Ere we were two days old
at sea, a pirate of very warlike appointment gave us
chase. Finding ourselves too slow of sail, we put on
a compelled valour, and in the grapple I boarded
them: on the instant they got clear of our ship; so
I alone became their prisoner. They have dealt with
me like thieves of mercy: but they knew what they
did; I am to do a good turn for them. Let the king
have the letters I have sent; and repair thou to me
with as much speed as thou wouldst fly death. I
have words to speak in thine ear will make thee
dumb; yet are they much too light for the bore of
the matter. These good fellows will bring thee
where I am. Rosencrantz and Guildenstern hold their
course for England: of them I have much to tell
thee. Farewell.
'He that thou knowest thine, HAMLET.'
Come, I will make you way for these your letters;
And do't the speedier, that you may direct me
To him from whom you brought them.
Exeunt
SCENE VII. Another room in the castle.
Enter KING CLAUDIUS and LAERTES
KING CLAUDIUS
Now must your conscience my acquaintance seal,
And you must put me in your heart for friend,
Sith you have heard, and with a knowing ear,
That he which hath your noble father slain
Pursued my life.
LAERTES
It well appears: but tell me
Why you proceeded not against these feats,
So crimeful and so capital in nature,
As by your safety, wisdom, all things else,
You mainly were stirr'd up.
KING CLAUDIUS
O, for two special reasons;
Which may to you, perhaps, seem much unsinew'd,
But yet to me they are strong. The queen his mother
Lives almost by his looks; and for myself--
My virtue or my plague, be it either which--
She's so conjunctive to my life and soul,
That, as the star moves not but in his sphere,
I could not but by her. The other motive,
Why to a public count I might not go,
Is the great love the general gender bear him;
Who, dipping all his faults in their affection,
Would, like the spring that turneth wood to stone,
Convert his gyves to graces; so that my arrows,
Too slightly timber'd for so loud a wind,
Would have reverted to my bow again,
And not where I had aim'd them.
LAERTES
And so have I a noble father lost;
A sister driven into desperate terms,
Whose worth, if praises may go back again,
Stood challenger on mount of all the age
For her perfections: but my revenge will come.
KING CLAUDIUS
Break not your sleeps for that: you must not think
That we are made of stuff so flat and dull
That we can let our beard be shook with danger
And think it pastime. You shortly shall hear more:
I loved your father, and we love ourself;
And that, I hope, will teach you to imagine--
Enter a Messenger
How now! what news?
Messenger
Letters, my lord, from Hamlet:
This to your majesty; this to the queen.
KING CLAUDIUS
From Hamlet! who brought them?
Messenger
Sailors, my lord, they say; I saw them not:
They were given me by Claudio; he received them
Of him that brought them.
KING CLAUDIUS
Laertes, you shall hear them. Leave us.
Exit Messenger
Reads
'High and mighty, You shall know I am set naked on
your kingdom. To-morrow shall I beg leave to see
your kingly eyes: when I shall, first asking your
pardon thereunto, recount the occasion of my sudden
and more strange return. 'HAMLET.'
What should this mean? Are all the rest come back?
Or is it some abuse, and no such thing?
LAERTES
Know you the hand?
KING CLAUDIUS
'Tis Hamlets character. 'Naked!
And in a post****** here, he says 'alone.'
Can you advise me?
LAERTES
I'm lost in it, my lord. But let him come;
It warms the very sickness in my heart,
That I shall live and tell him to his teeth,
'Thus didest thou.'
KING CLAUDIUS
If it be so, Laertes--
As how should it be so? how otherwise?--
Will you be ruled by me?
LAERTES
Ay, my lord;
So you will not o'errule me to a peace.
KING CLAUDIUS
To thine own peace. If he be now return'd,
As checking at his voyage, and that he means
No more to undertake it, I will work him
To an exploit, now ripe in my device,
Under the which he shall not choose but fall:
And for his death no wind of blame shall breathe,
But even his mother shall uncharge the practise
And call it accident.
LAERTES
My lord, I will be ruled;
The rather, if you could devise it so
That I might be the organ.
KING CLAUDIUS
It falls right.
You have been talk'd of since your travel much,
And that in Hamlet's hearing, for a quality
Wherein, they say, you shine: your sum of parts
Did not together pluck such envy from him
As did that one, and that, in my regard,
Of the unworthiest siege.
LAERTES
What part is that, my lord?
KING CLAUDIUS
A very riband in the cap of youth,
Yet needful too; for youth no less becomes
The light and careless livery that it wears
Than settled age his sables and his weeds,
Importing health and graveness. Two months since,
Here was a gentleman of Normandy:--
I've seen myself, and served against, the French,
And they can well on horseback: but this gallant
Had witchcraft in't; he grew unto his seat;
And to such wondrous doing brought his horse,
As he had been incorpsed and demi-natured
With the brave beast: so far he topp'd my thought,
That I, in forgery of shapes and tricks,
Come short of what he did.
LAERTES
A Norman was't?
KING CLAUDIUS
A Norman.
LAERTES
Upon my life, Lamond.
KING CLAUDIUS
The very same.
LAERTES
I know him well: he is the brooch indeed
And gem of all the nation.
KING CLAUDIUS
He made confession of you,
And gave you such a masterly report
For art and exercise in your defence
And for your rapier most especially,
That he cried out, 'twould be a sight indeed,
If one could match you: the scrimers of their nation,
He swore, had had neither motion, guard, nor eye,
If you opposed them. Sir, this report of his
Did Hamlet so envenom with his envy
That he could nothing do but wish and beg
Your sudden coming o'er, to play with him.
Now, out of this,--
LAERTES
What out of this, my lord?
KING CLAUDIUS
Laertes, was your father dear to you?
Or are you like the painting of a sorrow,
A face without a heart?
LAERTES
Why ask you this?
KING CLAUDIUS
Not that I think you did not love your father;
But that I know love is begun by time;
And that I see, in passages of proof,
Time qualifies the spark and fire of it.
There lives within the very flame of love
A kind of wick or snuff that will abate it;
And nothing is at a like goodness still;
For goodness, growing to a plurisy,
Dies in his own too much: that we would do
We should do when we would; for this 'would' changes
And hath abatements and delays as many
As there are tongues, are hands, are accidents;
And then this 'should' is like a spendthrift sigh,
That hurts by easing. But, to the quick o' the ulcer:--
Hamlet comes back: what would you undertake,
To show yourself your father's son in deed
More than in words?
LAERTES
To cut his throat i' the church.
KING CLAUDIUS
No place, indeed, should murder sanctuarize;
Revenge should have no bounds. But, good Laertes,
Will you do this, keep close within your chamber.
Hamlet return'd shall know you are come home:
We'll put on those shall praise your excellence
And set a double varnish on the fame
The Frenchman gave you, bring you in fine together
And wager on your heads: he, being remiss,
Most generous and free from all contriving,
Will not peruse the foils; so that, with ease,
Or with a little shuffling, you may choose
A sword unbated, and in a pass of practise
Requite him for your father.
LAERTES
I will do't:
And, for that purpose, I'll anoint my sword.
I bought an unction of a mountebank,
So mortal that, but dip a knife in it,
Where it draws blood no cataplasm so rare,
Collected from all simples that have virtue
Under the moon, can save the thing from death
That is but scratch'd withal: I'll touch my point
With this contagion, that, if I gall him slightly,
It may be death.
KING CLAUDIUS
Let's further think of this;
Weigh what convenience both of time and means
May fit us to our shape: if this should fail,
And that our drift look through our bad performance,
'Twere better not assay'd: therefore this project
Should have a back or second, that might hold,
If this should blast in proof. Soft! let me see:
We'll make a solemn wager on your cunnings: I ha't.
When in your motion you are hot and dry--
As make your bouts more violent to that end--
And that he calls for drink, I'll have prepared him
A chalice for the nonce, whereon but sipping,
If he by chance escape your venom'd stuck,
Our purpose may hold there.
Enter QUEEN GERTRUDE


أرب جمـال 5 - 11 - 2009 06:11 PM

Hamlet: Entire Play
How now, sweet queen!
QUEEN GERTRUDE
One woe doth tread upon another's heel,
So fast they follow; your sister's drown'd, Laertes.
LAERTES
Drown'd! O, where?
QUEEN GERTRUDE
There is a willow grows aslant a brook,
That shows his hoar leaves in the glassy stream;
There with fantastic garlands did she come
Of crow-flowers, nettles, daisies, and long purples
That liberal shepherds give a grosser name,
But our cold maids do dead men's fingers call them:
There, on the pendent boughs her coronet weeds
Clambering to hang, an envious sliver broke;
When down her weedy trophies and herself
Fell in the weeping brook. Her clothes spread wide;
And, mermaid-like, awhile they bore her up:
Which time she chanted snatches of old tunes;
As one incapable of her own distress,
Or like a creature native and indued
Unto that element: but long it could not be
Till that her garments, heavy with their drink,
Pull'd the poor wretch from her melodious lay
To muddy death.
LAERTES
Alas, then, she is drown'd?
QUEEN GERTRUDE
Drown'd, drown'd.
LAERTES
Too much of water hast thou, poor Ophelia,
And therefore I forbid my tears: but yet
It is our trick; nature her custom holds,
Let shame say what it will: when these are gone,
The woman will be out. Adieu, my lord:
I have a speech of fire, that fain would blaze,
But that this folly douts it.
Exit
KING CLAUDIUS
Let's follow, Gertrude:
How much I had to do to calm his rage!
Now fear I this will give it start again;
Therefore let's follow.
Exeunt
ACT V

SCENE I. A churchyard.
Enter two Clowns, with spades, & c
First Clown
Is she to be buried in Christian burial that
wilfully seeks her own salvation?
Second Clown
I tell thee she is: and therefore make her grave
straight: the crowner hath sat on her, and finds it
Christian burial.
First Clown
How can that be, unless she drowned herself in her
own defence?
Second Clown
Why, 'tis found so.
First Clown
It must be 'se offendendo;' it cannot be else. For
here lies the point: if I drown myself wittingly,
it argues an act: and an act hath three branches: it
is, to act, to do, to perform: argal, she drowned
herself wittingly.
Second Clown
Nay, but hear you, goodman delver,--
First Clown
Give me leave. Here lies the water; good: here
stands the man; good; if the man go to this water,
and drown himself, it is, will he, nill he, he
goes,--mark you that; but if the water come to him
and drown him, he drowns not himself: argal, he
that is not guilty of his own death shortens not his own life.
Second Clown
But is this law?
First Clown
Ay, marry, is't; crowner's quest law.
Second Clown
Will you ha' the truth on't? If this had not been
a gentlewoman, she should have been buried out o'
Christian burial.
First Clown
Why, there thou say'st: and the more pity that
great folk should have countenance in this world to
drown or hang themselves, more than their even
Christian. Come, my spade. There is no ancient
gentleman but gardeners, ditchers, and grave-makers:
they hold up Adam's profession.
Second Clown
Was he a gentleman?
First Clown
He was the first that ever bore arms.
Second Clown
Why, he had none.
First Clown
What, art a heathen? How dost thou understand the
******ure? The ******ure says 'Adam digged:'
could he dig without arms? I'll put another
question to thee: if thou answerest me not to the
purpose, confess thyself--
Second Clown
Go to.
First Clown
What is he that builds stronger than either the
mason, the shipwright, or the carpenter?
Second Clown
The gallows-maker; for that frame outlives a
thousand tenants.
First Clown
I like thy wit well, in good faith: the gallows
does well; but how does it well? it does well to
those that do in: now thou dost ill to say the
gallows is built stronger than the church: argal,
the gallows may do well to thee. To't again, come.
Second Clown
'Who builds stronger than a mason, a shipwright, or
a carpenter?'
First Clown
Ay, tell me that, and unyoke.
Second Clown
Marry, now I can tell.
First Clown
To't.
Second Clown
Mass, I cannot tell.
Enter HAMLET and HORATIO, at a distance
First Clown
Cudgel thy brains no more about it, for your dull
ass will not mend his pace with beating; and, when
you are asked this question next, say 'a
grave-maker: 'the houses that he makes last till
doomsday. Go, get thee to Yaughan: fetch me a
stoup of liquor.
Exit Second Clown
He digs and sings
In youth, when I did love, did love,
Methought it was very sweet,
To contract, O, the time, for, ah, my behove,
O, methought, there was nothing meet.
HAMLET
Has this fellow no feeling of his business, that he
sings at grave-making?
HORATIO
Custom hath made it in him a property of easiness.
HAMLET
'Tis e'en so: the hand of little employment hath
the daintier sense.
First Clown
[Sings]
But age, with his stealing steps,
Hath claw'd me in his clutch,
And hath shipped me intil the land,
As if I had never been such.
Throws up a skull
HAMLET
That skull had a tongue in it, and could sing once:
how the knave jowls it to the ground, as if it were
Cain's jaw-bone, that did the first murder! It
might be the pate of a politician, which this ass
now o'er-reaches; one that would circumvent God,
might it not?
HORATIO
It might, my lord.
HAMLET
Or of a courtier; which could say 'Good morrow,
sweet lord! How dost thou, good lord?' This might
be my lord such-a-one, that praised my lord
such-a-one's horse, when he meant to beg it; might it not?
HORATIO
Ay, my lord.
HAMLET
Why, e'en so: and now my Lady Worm's; chapless, and
knocked about the mazzard with a sexton's spade:
here's fine revolution, an we had the trick to
see't. Did these bones cost no more the breeding,
but to play at loggats with 'em? mine ache to think on't.
First Clown
[Sings]
A pick-axe, and a spade, a spade,
For and a shrouding sheet:
O, a pit of clay for to be made
For such a guest is meet.
Throws up another skull
HAMLET
There's another: why may not that be the skull of a
lawyer? Where be his quiddities now, his quillets,
his cases, his tenures, and his tricks? why does he
suffer this rude knave now to knock him about the
sconce with a dirty shovel, and will not tell him of
his action of battery? Hum! This fellow might be
in's time a great buyer of land, with his statutes,
his recognizances, his fines, his double vouchers,
his recoveries: is this the fine of his fines, and
the recovery of his recoveries, to have his fine
pate full of fine dirt? will his vouchers vouch him
no more of his purchases, and double ones too, than
the length and breadth of a pair of indentures? The
very conveyances of his lands will hardly lie in
this box; and must the inheritor himself have no more, ha?
HORATIO
Not a jot more, my lord.
HAMLET
Is not parchment made of sheepskins?
HORATIO
Ay, my lord, and of calf-skins too.
HAMLET
They are sheep and calves which seek out assurance
in that. I will speak to this fellow. Whose
grave's this, sirrah?
First Clown
Mine, sir.
Sings
O, a pit of clay for to be made
For such a guest is meet.
HAMLET
I think it be thine, indeed; for thou liest in't.
First Clown
You lie out on't, sir, and therefore it is not
yours: for my part, I do not lie in't, and yet it is mine.
HAMLET
'Thou dost lie in't, to be in't and say it is thine:
'tis for the dead, not for the quick; therefore thou liest.
First Clown
'Tis a quick lie, sir; 'twill away gain, from me to
you.
HAMLET
What man dost thou dig it for?
First Clown
For no man, sir.
HAMLET
What woman, then?
First Clown
For none, neither.
HAMLET
Who is to be buried in't?
First Clown
One that was a woman, sir; but, rest her soul, she's dead.
HAMLET
How absolute the knave is! we must speak by the
card, or equivocation will undo us. By the Lord,
Horatio, these three years I have taken a note of
it; the age is grown so picked that the toe of the
peasant comes so near the heel of the courtier, he
gaffs his kibe. How long hast thou been a
grave-maker?
First Clown
Of all the days i' the year, I came to't that day
that our last king Hamlet overcame Fortinbras.
HAMLET
How long is that since?
First Clown
Cannot you tell that? every fool can tell that: it
was the very day that young Hamlet was born; he that
is mad, and sent into England.
HAMLET
Ay, marry, why was he sent into England?
First Clown
Why, because he was mad: he shall recover his wits
there; or, if he do not, it's no great matter there.
HAMLET
Why?
First Clown
'Twill, a not be seen in him there; there the men
are as mad as he.
HAMLET
How came he mad?
First Clown
Very strangely, they say.
HAMLET
How strangely?
First Clown
Faith, e'en with losing his wits.
HAMLET
Upon what ground?
First Clown
Why, here in Denmark: I have been sexton here, man
and boy, thirty years.
HAMLET
How long will a man lie i' the earth ere he rot?
First Clown
I' faith, if he be not rotten before he die--as we
have many pocky corses now-a-days, that will scarce
hold the laying in--he will last you some eight year
or nine year: a tanner will last you nine year.
HAMLET
Why he more than another?
First Clown
Why, sir, his hide is so tanned with his trade, that
he will keep out water a great while; and your water
is a sore decayer of your whoreson dead body.
Here's a skull now; this skull has lain in the earth
three and twenty years.
HAMLET
Whose was it?
First Clown
A whoreson mad fellow's it was: whose do you think it was?
HAMLET
Nay, I know not.
First Clown
A pestilence on him for a mad rogue! a' poured a
flagon of Rhenish on my head once. This same skull,
sir, was Yorick's skull, the king's jester.
HAMLET
This?
First Clown
E'en that.
HAMLET
Let me see.


أرب جمـال 5 - 11 - 2009 06:12 PM

Hamlet: Entire Play
Takes the skull
Alas, poor Yorick! I knew him, Horatio: a fellow
of infinite jest, of most excellent fancy: he hath
borne me on his back a thousand times; and now, how
abhorred in my imagination it is! my gorge rims at
it. Here hung those lips that I have kissed I know
not how oft. Where be your gibes now? your
gambols? your songs? your flashes of merriment,
that were wont to set the table on a roar? Not one
now, to mock your own grinning? quite chap-fallen?
Now get you to my lady's chamber, and tell her, let
her paint an inch thick, to this favour she must
come; make her laugh at that. Prithee, Horatio, tell
me one thing.
HORATIO
What's that, my lord?
HAMLET
Dost thou think Alexander looked o' this fashion i'
the earth?
HORATIO
E'en so.
HAMLET
And smelt so? pah!
Puts down the skull
HORATIO
E'en so, my lord.
HAMLET
To what base uses we may return, Horatio! Why may
not imagination trace the noble dust of Alexander,
till he find it stopping a bung-hole?
HORATIO
'Twere to consider too curiously, to consider so.
HAMLET
No, faith, not a jot; but to follow him thither with
modesty enough, and likelihood to lead it: as
thus: Alexander died, Alexander was buried,
Alexander returneth into dust; the dust is earth; of
earth we make loam; and why of that loam, whereto he
was converted, might they not stop a beer-barrel?
Imperious Caesar, dead and turn'd to clay,
Might stop a hole to keep the wind away:
O, that that earth, which kept the world in awe,
Should patch a wall to expel the winter flaw!
But soft! but soft! aside: here comes the king.
Enter Priest, & c. in procession; the Corpse of OPHELIA, LAERTES and Mourners following; KING CLAUDIUS, QUEEN GERTRUDE, their trains, & c
The queen, the courtiers: who is this they follow?
And with such maimed rites? This doth betoken
The corse they follow did with desperate hand
Fordo its own life: 'twas of some estate.
Couch we awhile, and mark.
Retiring with HORATIO
LAERTES
What ceremony else?
HAMLET
That is Laertes,
A very noble youth: mark.
LAERTES
What ceremony else?
First Priest
Her obsequies have been as far enlarged
As we have warrantise: her death was doubtful;
And, but that great command o'ersways the order,
She should in ground unsanctified have lodged
Till the last trumpet: for charitable prayers,
Shards, flints and pebbles should be thrown on her;
Yet here she is allow'd her virgin crants,
Her maiden strewments and the bringing home
Of bell and burial.
LAERTES
Must there no more be done?
First Priest
No more be done:
We should profane the service of the dead
To sing a requiem and such rest to her
As to peace-parted souls.
LAERTES
Lay her i' the earth:
And from her fair and unpolluted flesh
May violets spring! I tell thee, churlish priest,
A ministering angel shall my sister be,
When thou liest howling.
HAMLET
What, the fair Ophelia!
QUEEN GERTRUDE
Sweets to the sweet: farewell!
Scattering flowers
I hoped thou shouldst have been my Hamlet's wife;
I thought thy bride-bed to have deck'd, sweet maid,
And not have strew'd thy grave.
LAERTES
O, treble woe
Fall ten times treble on that cursed head,
Whose wicked deed thy most ingenious sense
Deprived thee of! Hold off the earth awhile,
Till I have caught her once more in mine arms:
Leaps into the grave
Now pile your dust upon the quick and dead,
Till of this flat a mountain you have made,
To o'ertop old Pelion, or the skyish head
Of blue Olympus.
HAMLET
[Advancing] What is he whose grief
Bears such an emphasis? whose phrase of sorrow
Conjures the wandering stars, and makes them stand
Like wonder-wounded hearers? This is I,
Hamlet the Dane.
Leaps into the grave
LAERTES
The devil take thy soul!
Grappling with him
HAMLET
Thou pray'st not well.
I prithee, take thy fingers from my throat;
For, though I am not splenitive and rash,
Yet have I something in me dangerous,
Which let thy wiseness fear: hold off thy hand.
KING CLAUDIUS
Pluck them asunder.
QUEEN GERTRUDE
Hamlet, Hamlet!
All
Gentlemen,--
HORATIO
Good my lord, be quiet.
The Attendants part them, and they come out of the grave
HAMLET
Why I will fight with him upon this theme
Until my eyelids will no longer wag.
QUEEN GERTRUDE
O my son, what theme?
HAMLET
I loved Ophelia: forty thousand brothers
Could not, with all their quantity of love,
Make up my sum. What wilt thou do for her?
KING CLAUDIUS
O, he is mad, Laertes.
QUEEN GERTRUDE
For love of God, forbear him.
HAMLET
'Swounds, show me what thou'lt do:
Woo't weep? woo't fight? woo't fast? woo't tear thyself?
Woo't drink up eisel? eat a crocodile?
I'll do't. Dost thou come here to whine?
To outface me with leaping in her grave?
Be buried quick with her, and so will I:
And, if thou prate of mountains, let them throw
Millions of acres on us, till our ground,
Singeing his pate against the burning zone,
Make Ossa like a wart! Nay, an thou'lt mouth,
I'll rant as well as thou.
QUEEN GERTRUDE
This is mere madness:
And thus awhile the fit will work on him;
Anon, as patient as the female dove,
When that her golden couplets are disclosed,
His silence will sit drooping.
HAMLET
Hear you, sir;
What is the reason that you use me thus?
I loved you ever: but it is no matter;
Let Hercules himself do what he may,
The cat will mew and dog will have his day.
Exit
KING CLAUDIUS
I pray you, good Horatio, wait upon him.
Exit HORATIO
To LAERTES
Strengthen your patience in our last night's speech;
We'll put the matter to the present push.
Good Gertrude, set some watch over your son.
This grave shall have a living monument:
An hour of quiet shortly shall we see;
Till then, in patience our proceeding be.
Exeunt
SCENE II. A hall in the castle.
Enter HAMLET and HORATIO
HAMLET
So much for this, sir: now shall you see the other;
You do remember all the circumstance?
HORATIO
Remember it, my lord?
HAMLET
Sir, in my heart there was a kind of fighting,
That would not let me sleep: methought I lay
Worse than the mutines in the bilboes. Rashly,
And praised be rashness for it, let us know,
Our indiscretion sometimes serves us well,
When our deep plots do pall: and that should teach us
There's a divinity that shapes our ends,
Rough-hew them how we will,--
HORATIO
That is most certain.
HAMLET
Up from my cabin,
My sea-gown scarf'd about me, in the dark
Groped I to find out them; had my desire.
Finger'd their packet, and in fine withdrew
To mine own room again; making so bold,
My fears forgetting manners, to unseal
Their grand commission; where I found, Horatio,--
O royal knavery!--an exact command,
Larded with many several sorts of reasons
Importing Denmark's health and England's too,
With, ho! such bugs and goblins in my life,
That, on the supervise, no leisure bated,
No, not to stay the grinding of the axe,
My head should be struck off.
HORATIO
Is't possible?
HAMLET
Here's the commission: read it at more leisure.
But wilt thou hear me how I did proceed?
HORATIO
I beseech you.
HAMLET
Being thus be-netted round with villanies,--
Ere I could make a prologue to my brains,
They had begun the play--I sat me down,
Devised a new commission, wrote it fair:
I once did hold it, as our statists do,
A baseness to write fair and labour'd much
How to forget that learning, but, sir, now
It did me yeoman's service: wilt thou know
The effect of what I wrote?
HORATIO
Ay, good my lord.
HAMLET
An earnest conjuration from the king,
As England was his faithful tributary,
As love between them like the palm might flourish,
As peace should stiff her wheaten garland wear
And stand a comma 'tween their amities,
And many such-like 'As'es of great charge,
That, on the view and knowing of these *******s,
Without debatement further, more or less,
He should the bearers put to sudden death,
Not shriving-time allow'd.
HORATIO
How was this seal'd?
HAMLET
Why, even in that was heaven ordinant.
I had my father's signet in my purse,
Which was the model of that Danish seal;
Folded the writ up in form of the other,
Subscribed it, gave't the impression, placed it safely,
The changeling never known. Now, the next day
Was our sea-fight; and what to this was sequent
Thou know'st already.
HORATIO
So Guildenstern and Rosencrantz go to't.
HAMLET
Why, man, they did make love to this employment;
They are not near my conscience; their defeat
Does by their own insinuation grow:
'Tis dangerous when the baser nature comes
Between the pass and fell incensed points
Of mighty opposites.
HORATIO
Why, what a king is this!
HAMLET
Does it not, think'st thee, stand me now upon--
He that hath kill'd my king and whored my mother,
Popp'd in between the election and my hopes,
Thrown out his angle for my proper life,
And with such cozenage--is't not perfect conscience,
To quit him with this arm? and is't not to be damn'd,
To let this canker of our nature come
In further evil?
HORATIO
It must be shortly known to him from England
What is the issue of the business there.
HAMLET
It will be short: the interim is mine;
And a man's life's no more than to say 'One.'
But I am very sorry, good Horatio,
That to Laertes I forgot myself;
For, by the image of my cause, I see
The portraiture of his: I'll court his favours.
But, sure, the bravery of his grief did put me
Into a towering passion.
HORATIO
Peace! who comes here?
Enter OSRIC
OSRIC
Your lordship is right welcome back to Denmark.
HAMLET
I humbly thank you, sir. Dost know this water-fly?
HORATIO
No, my good lord.
HAMLET
Thy state is the more gracious; for 'tis a vice to
know him. He hath much land, and fertile: let a
beast be lord of beasts, and his crib shall stand at
the king's mess: 'tis a chough; but, as I say,
spacious in the possession of dirt.
OSRIC
Sweet lord, if your lordship were at leisure, I
should impart a thing to you from his majesty.
HAMLET
I will receive it, sir, with all diligence of
spirit. Put your bonnet to his right use; 'tis for the head.
OSRIC
I thank your lordship, it is very hot.
HAMLET
No, believe me, 'tis very cold; the wind is
northerly.
OSRIC
It is indifferent cold, my lord, indeed.
HAMLET
But yet methinks it is very sultry and hot for my
complexion.
OSRIC
Exceedingly, my lord; it is very sultry,--as
'twere,--I cannot tell how. But, my lord, his
majesty bade me signify to you that he has laid a
great wager on your head: sir, this is the matter,--
HAMLET
I beseech you, remember--
HAMLET moves him to put on his hat
OSRIC
Nay, good my lord; for mine ease, in good faith.
Sir, here is newly come to court Laertes; believe
me, an absolute gentleman, full of most excellent
differences, of very soft society and great showing:
indeed, to speak feelingly of him, he is the card or
calendar of gentry, for you shall find in him the
continent of what part a gentleman would see.
HAMLET
Sir, his definement suffers no perdition in you;
though, I know, to divide him inventorially would
dizzy the arithmetic of memory, and yet but yaw
neither, in respect of his quick sail. But, in the
verity of extolment, I take him to be a soul of
great article; and his infusion of such dearth and
rareness, as, to make true diction of him, his
semblable is his mirror; and who else would trace
him, his umbrage, nothing more.
OSRIC
Your lordship speaks most infallibly of him.
HAMLET
The concernancy, sir? why do we wrap the gentleman
in our more rawer breath?
OSRIC
Sir?
HORATIO
Is't not possible to understand in another tongue?
You will do't, sir, really.
HAMLET
What imports the nomination of this gentleman?
OSRIC
Of Laertes?
HORATIO
His purse is empty already; all's golden words are spent.
HAMLET
Of him, sir.
OSRIC
I know you are not ignorant--
HAMLET
I would you did, sir; yet, in faith, if you did,
it would not much approve me. Well, sir?
OSRIC
You are not ignorant of what excellence Laertes is--
HAMLET
I dare not confess that, lest I should compare with
him in excellence; but, to know a man well, were to
know himself.
OSRIC
I mean, sir, for his weapon; but in the imputation
laid on him by them, in his meed he's unfellowed.
HAMLET
What's his weapon?
OSRIC
Rapier and dagger.
HAMLET
That's two of his weapons: but, well.
OSRIC
The king, sir, hath wagered with him six Barbary
horses: against the which he has imponed, as I take
it, six French rapiers and poniards, with their
assigns, as girdle, hangers, and so: three of the
carriages, in faith, are very dear to fancy, very
responsive to the hilts, most delicate carriages,
and of very liberal conceit.
HAMLET
What call you the carriages?
HORATIO
I knew you must be edified by the margent ere you had done.
OSRIC
The carriages, sir, are the hangers.
HAMLET
The phrase would be more german to the matter, if we
could carry cannon by our sides: I would it might
be hangers till then. But, on: six Barbary horses
against six French swords, their assigns, and three
liberal-conceited carriages; that's the French bet
against the Danish. Why is this 'imponed,' as you call it?
OSRIC
The king, sir, hath laid, that in a dozen passes
between yourself and him, he shall not exceed you
three hits: he hath laid on twelve for nine; and it
would come to immediate trial, if your lordship
would vouchsafe the answer.
HAMLET
How if I answer 'no'?
OSRIC
I mean, my lord, the opposition of your person in trial.
HAMLET
Sir, I will walk here in the hall: if it please his
majesty, 'tis the breathing time of day with me; let
the foils be brought, the gentleman willing, and the
king hold his purpose, I will win for him an I can;
if not, I will gain nothing but my shame and the odd hits.
OSRIC
Shall I re-deliver you e'en so?
HAMLET
To this effect, sir; after what flourish your nature will.
OSRIC
I commend my duty to your lordship.
HAMLET
Yours, yours.
Exit OSRIC
He does well to commend it himself; there are no
tongues else for's turn.
HORATIO
This lapwing runs away with the ****l on his head.
HAMLET
He did comply with his dug, before he sucked it.
Thus has he--and many more of the same bevy that I
know the dressy age dotes on--only got the tune of
the time and outward habit of encounter; a kind of
yesty collection, which carries them through and
through the most fond and winnowed opinions; and do
but blow them to their trial, the bubbles are out.
Enter a Lord
Lord
My lord, his majesty commended him to you by young
Osric, who brings back to him that you attend him in
the hall: he sends to know if your pleasure hold to
play with Laertes, or that you will take longer time.
HAMLET
I am constant to my purpose; they follow the king's
pleasure: if his fitness speaks, mine is ready; now
or whensoever, provided I be so able as now.
Lord
The king and queen and all are coming down.
HAMLET
In happy time.
Lord
The queen desires you to use some gentle
entertainment to Laertes before you fall to play.
HAMLET
She well instructs me.
Exit Lord
HORATIO
You will lose this wager, my lord.
HAMLET
I do not think so: since he went into France, I
have been in continual practise: I shall win at the
odds. But thou wouldst not think how ill all's here
about my heart: but it is no matter.
HORATIO
Nay, good my lord,--
HAMLET
It is but foolery; but it is such a kind of
gain-giving, as would perhaps trouble a woman.
HORATIO
If your mind dislike any thing, obey it: I will
forestall their repair hither, and say you are not
fit.
HAMLET
Not a whit, we defy augury: there's a special
providence in the fall of a sparrow. If it be now,
'tis not to come; if it be not to come, it will be
now; if it be not now, yet it will come: the
readiness is all: since no man has aught of what he
leaves, what is't to leave betimes?
Enter KING CLAUDIUS, QUEEN GERTRUDE, LAERTES, Lords, OSRIC, and Attendants with foils, & c
KING CLAUDIUS
Come, Hamlet, come, and take this hand from me.
KING CLAUDIUS puts LAERTES' hand into HAMLET's
HAMLET
Give me your pardon, sir: I've done you wrong;
But pardon't, as you are a gentleman.
This presence knows,
And you must needs have heard, how I am punish'd
With sore distraction. What I have done,
That might your nature, honour and exception
Roughly awake, I here proclaim was madness.
Was't Hamlet wrong'd Laertes? Never Hamlet:
If Hamlet from himself be ta'en away,
And when he's not himself does wrong Laertes,
Then Hamlet does it not, Hamlet denies it.
Who does it, then? His madness: if't be so,
Hamlet is of the faction that is wrong'd;
His madness is poor Hamlet's enemy.
Sir, in this audience,
Let my disclaiming from a purposed evil
Free me so far in your most generous thoughts,
That I have shot mine arrow o'er the house,
And hurt my brother.
LAERTES
I am satisfied in nature,
Whose motive, in this case, should stir me most
To my revenge: but in my terms of honour
I stand aloof; and will no reconcilement,
Till by some elder masters, of known honour,
I have a voice and precedent of peace,
To keep my name ungored. But till that time,
I do receive your offer'd love like love,
And will not wrong it.
HAMLET
I embrace it freely;
And will this brother's wager frankly play.
Give us the foils. Come on.
LAERTES
Come, one for me.
HAMLET
I'll be your foil, Laertes: in mine ignorance
Your skill shall, like a star i' the darkest night,
Stick fiery off indeed.
LAERTES
You mock me, sir.
HAMLET
No, by this hand.
KING CLAUDIUS
Give them the foils, young Osric. Cousin Hamlet,
You know the wager?
HAMLET
Very well, my lord
Your grace hath laid the odds o' the weaker side.
KING CLAUDIUS
I do not fear it; I have seen you both:
But since he is better'd, we have therefore odds.
LAERTES
This is too heavy, let me see another.
HAMLET
This likes me well. These foils have all a length?
They prepare to play
OSRIC
Ay, my good lord.
KING CLAUDIUS
Set me the stoops of wine upon that table.
If Hamlet give the first or second hit,
Or quit in answer of the third exchange,
Let all the battlements their ordnance fire:
The king shall drink to Hamlet's better breath;
And in the cup an union shall he throw,
Richer than that which four successive kings
In Denmark's crown have worn. Give me the cups;
And let the kettle to the trumpet speak,
The trumpet to the cannoneer without,
The cannons to the heavens, the heavens to earth,
'Now the king dunks to Hamlet.' Come, begin:
And you, the judges, bear a wary eye.
HAMLET
Come on, sir.
LAERTES
Come, my lord.
They play
HAMLET
One.
LAERTES
No.
HAMLET
Judgment.
OSRIC
A hit, a very palpable hit.
LAERTES
Well; again.
KING CLAUDIUS
Stay; give me drink. Hamlet, this pearl is thine;
Here's to thy health.
Trumpets sound, and cannon shot off within
Give him the cup.
HAMLET
I'll play this bout first; set it by awhile. Come.
They play
Another hit; what say you?
LAERTES
A touch, a touch, I do confess.
KING CLAUDIUS
Our son shall win.
QUEEN GERTRUDE
He's fat, and scant of breath.
Here, Hamlet, take my napkin, rub thy brows;
The queen carouses to thy fortune, Hamlet.
HAMLET
Good madam!
KING CLAUDIUS
Gertrude, do not drink.
QUEEN GERTRUDE
I will, my lord; I pray you, pardon me.
KING CLAUDIUS
[Aside] It is the poison'd cup: it is too late.
HAMLET
I dare not drink yet, madam; by and by.
QUEEN GERTRUDE
Come, let me wipe thy face.
LAERTES
My lord, I'll hit him now.
KING CLAUDIUS
I do not think't.
LAERTES
[Aside] And yet 'tis almost 'gainst my conscience.
HAMLET
Come, for the third, Laertes: you but dally;
I pray you, pass with your best violence;
I am afeard you make a wanton of me.
LAERTES
Say you so? come on.
They play
OSRIC
Nothing, neither way.
LAERTES
Have at you now!
LAERTES wounds HAMLET; then in scuffling, they change rapiers, and HAMLET wounds LAERTES
KING CLAUDIUS
Part them; they are incensed.
HAMLET
Nay, come, again.
QUEEN GERTRUDE falls
OSRIC
Look to the queen there, ho!
HORATIO
They bleed on both sides. How is it, my lord?
OSRIC
How is't, Laertes?
LAERTES
Why, as a woodcock to mine own springe, Osric;
I am justly kill'd with mine own treachery.
HAMLET
How does the queen?
KING CLAUDIUS
She swounds to see them bleed.
QUEEN GERTRUDE
No, no, the drink, the drink,--O my dear Hamlet,--
The drink, the drink! I am poison'd.
Dies
HAMLET
O villany! Ho! let the door be lock'd:
Treachery! Seek it out.
LAERTES
It is here, Hamlet: Hamlet, thou art slain;
No medicine in the world can do thee good;
In thee there is not half an hour of life;
The treacherous instrument is in thy hand,
Unbated and envenom'd: the foul practise
Hath turn'd itself on me lo, here I lie,
Never to rise again: thy mother's poison'd:
I can no more: the king, the king's to blame.
HAMLET
The point!--envenom'd too!
Then, venom, to thy work.
Stabs KING CLAUDIUS
All
Treason! treason!
KING CLAUDIUS
O, yet defend me, friends; I am but hurt.
HAMLET
Here, thou incestuous, murderous, damned Dane,
Drink off this potion. Is thy union here?
Follow my mother.
KING CLAUDIUS dies
LAERTES
He is justly served;
It is a poison temper'd by himself.
Exchange forgiveness with me, noble Hamlet:
Mine and my father's death come not upon thee,
Nor thine on me.
Dies
HAMLET
Heaven make thee free of it! I follow thee.
I am dead, Horatio. Wretched queen, adieu!
You that look pale and tremble at this chance,
That are but mutes or audience to this act,
Had I but time--as this fell sergeant, death,
Is strict in his arrest--O, I could tell you--
But let it be. Horatio, I am dead;
Thou livest; report me and my cause aright
To the unsatisfied.
HORATIO
Never believe it:
I am more an antique Roman than a Dane:
Here's yet some liquor left.
HAMLET
As thou'rt a man,
Give me the cup: let go; by heaven, I'll have't.
O good Horatio, what a wounded name,
Things standing thus unknown, shall live behind me!
If thou didst ever hold me in thy heart
Absent thee from felicity awhile,
And in this harsh world draw thy breath in pain,
To tell my story.
March afar off, and shot within
What warlike noise is this?
OSRIC
Young Fortinbras, with conquest come from Poland,
To the ambassadors of England gives
This warlike volley.
HAMLET
O, I die, Horatio;
The potent poison quite o'er-crows my spirit:
I cannot live to hear the news from England;
But I do prophesy the election lights
On Fortinbras: he has my dying voice;
So tell him, with the occurrents, more and less,
Which have solicited. The rest is silence.
Dies
HORATIO
Now cracks a noble heart. Good night sweet prince:
And flights of angels sing thee to thy rest!
Why does the drum come hither?
March within
Enter FORTINBRAS, the English Ambassadors, and others
PRINCE FORTINBRAS
Where is this sight?
HORATIO
What is it ye would see?
If aught of woe or wonder, cease your search.
PRINCE FORTINBRAS
This quarry cries on havoc. O proud death,
What feast is toward in thine eternal cell,
That thou so many princes at a shot
So bloodily hast struck?
First Ambassador
The sight is dismal;
And our affairs from England come too late:
The ears are senseless that should give us hearing,
To tell him his commandment is fulfill'd,
That Rosencrantz and Guildenstern are dead:
Where should we have our thanks?
HORATIO
Not from his mouth,
Had it the ability of life to thank you:
He never gave commandment for their death.
But since, so jump upon this bloody question,
You from the Polack wars, and you from England,
Are here arrived give order that these bodies
High on a stage be placed to the view;
And let me speak to the yet unknowing world
How these things came about: so shall you hear
Of carnal, bloody, and unnatural acts,
Of accidental judgments, casual slaughters,
Of deaths put on by cunning and forced cause,
And, in this upshot, purposes mistook
Fall'n on the inventors' reads: all this can I
Truly deliver.
PRINCE FORTINBRAS
Let us haste to hear it,
And call the noblest to the audience.
For me, with sorrow I embrace my fortune:
I have some rights of memory in this kingdom,
Which now to claim my vantage doth invite me.
HORATIO
Of that I shall have also cause to speak,
And from his mouth whose voice will draw on more;
But let this same be presently perform'd,
Even while men's minds are wild; lest more mischance
On plots and errors, happen.
PRINCE FORTINBRAS
Let four captains
Bear Hamlet, like a soldier, to the stage;
For he was likely, had he been put on,
To have proved most royally: and, for his passage,
The soldiers' music and the rites of war
Speak loudly for him.
Take up the bodies: such a sight as this
Becomes the field, but here shows much amiss.
Go, bid the soldiers shoot.
A dead march. Exeunt, bearing off the dead bodies; after which a peal of ordnance is shot off


أرب جمـال 5 - 11 - 2009 06:12 PM

King Lear

King Lear: Entire PlayACT I

SCENE I. King Lear's palace.
Enter KENT, GLOUCESTER, and EDMUND
KENT
I thought the king had more affected the Duke of
Albany than Cornwall.
GLOUCESTER
It did always seem so to us: but now, in the
division of the kingdom, it appears not which of
the dukes he values most; for equalities are so
weighed, that curiosity in neither can make choice
of either's moiety.
KENT
Is not this your son, my lord?
GLOUCESTER
His breeding, sir, hath been at my charge: I have
so often blushed to acknowledge him, that now I am
brazed to it.
KENT
I cannot conceive you.
GLOUCESTER
Sir, this young fellow's mother could: whereupon
she grew round-wombed, and had, indeed, sir, a son
for her cradle ere she had a husband for her bed.
Do you smell a fault?
KENT
I cannot wish the fault undone, the issue of it
being so proper.
GLOUCESTER
But I have, sir, a son by order of law, some year
elder than this, who yet is no dearer in my account:
though this knave came something saucily into the
world before he was sent for, yet was his mother
fair; there was good sport at his making, and the
whoreson must be acknowledged. Do you know this
noble gentleman, Edmund?
EDMUND
No, my lord.
GLOUCESTER
My lord of Kent: remember him hereafter as my
honourable friend.
EDMUND
My services to your lordship.
KENT
I must love you, and sue to know you better.
EDMUND
Sir, I shall study deserving.
GLOUCESTER
He hath been out nine years, and away he shall
again. The king is coming.
Sennet. Enter KING LEAR, CORNWALL, ALBANY, GONERIL, REGAN, CORDELIA, and Attendants
KING LEAR
Attend the lords of France and Burgundy, Gloucester.
GLOUCESTER
I shall, my liege.
Exeunt GLOUCESTER and EDMUND
KING LEAR
Meantime we shall express our darker purpose.
Give me the map there. Know that we have divided
In three our kingdom: and 'tis our fast intent
To shake all cares and business from our age;
Conferring them on younger strengths, while we
Unburthen'd crawl toward death. Our son of Cornwall,
And you, our no less loving son of Albany,
We have this hour a constant will to publish
Our daughters' several dowers, that future strife
May be prevented now. The princes, France and Burgundy,
Great rivals in our youngest daughter's love,
Long in our court have made their amorous sojourn,
And here are to be answer'd. Tell me, my daughters,--
Since now we will divest us both of rule,
Interest of territory, cares of state,--
Which of you shall we say doth love us most?
That we our largest bounty may extend
Where nature doth with merit challenge. Goneril,
Our eldest-born, speak first.
GONERIL
Sir, I love you more than words can wield the matter;
Dearer than eye-sight, space, and liberty;
Beyond what can be valued, rich or rare;
No less than life, with grace, health, beauty, honour;
As much as child e'er loved, or father found;
A love that makes breath poor, and speech unable;
Beyond all manner of so much I love you.
CORDELIA
[Aside] What shall Cordelia do?
Love, and be silent.
LEAR
Of all these bounds, even from this line to this,
With shadowy forests and with champains rich'd,
With plenteous rivers and wide-skirted meads,
We make thee lady: to thine and Albany's issue
Be this perpetual. What says our second daughter,
Our dearest Regan, wife to Cornwall? Speak.
REGAN
Sir, I am made
Of the self-same ****l that my sister is,
And prize me at her worth. In my true heart
I find she names my very deed of love;
Only she comes too short: that I profess
Myself an enemy to all other joys,
Which the most precious square of sense possesses;
And find I am alone felicitate
In your dear highness' love.
CORDELIA
[Aside] Then poor Cordelia!
And yet not so; since, I am sure, my love's
More richer than my tongue.
KING LEAR
To thee and thine hereditary ever
Remain this ample third of our fair kingdom;
No less in space, validity, and pleasure,
Than that conferr'd on Goneril. Now, our joy,
Although the last, not least; to whose young love
The vines of France and milk of Burgundy
Strive to be interess'd; what can you say to draw
A third more opulent than your sisters? Speak.
CORDELIA
Nothing, my lord.
KING LEAR
Nothing!
CORDELIA
Nothing.
KING LEAR
Nothing will come of nothing: speak again.
CORDELIA
Unhappy that I am, I cannot heave
My heart into my mouth: I love your majesty
According to my bond; nor more nor less.
KING LEAR
How, how, Cordelia! mend your speech a little,
Lest it may mar your fortunes.
CORDELIA
Good my lord,
You have begot me, bred me, loved me: I
Return those duties back as are right fit,
Obey you, love you, and most honour you.
Why have my sisters husbands, if they say
They love you all? Haply, when I shall wed,
That lord whose hand must take my plight shall carry
Half my love with him, half my care and duty:
Sure, I shall never marry like my sisters,
To love my father all.
KING LEAR
But goes thy heart with this?
CORDELIA
Ay, good my lord.
KING LEAR
So young, and so untender?
CORDELIA
So young, my lord, and true.
KING LEAR
Let it be so; thy truth, then, be thy dower:
For, by the sacred radiance of the sun,
The mysteries of Hecate, and the night;
By all the operation of the orbs
From whom we do exist, and cease to be;
Here I disclaim all my paternal care,
Propinquity and property of blood,
And as a stranger to my heart and me
Hold thee, from this, for ever. The barbarous Scythian,
Or he that makes his generation messes
To gorge his appetite, shall to my bosom
Be as well neighbour'd, pitied, and relieved,
As thou my sometime daughter.
KENT
Good my liege,--
KING LEAR
Peace, Kent!
Come not between the dragon and his wrath.
I loved her most, and thought to set my rest
On her kind nursery. Hence, and avoid my sight!
So be my grave my peace, as here I give
Her father's heart from her! Call France; who stirs?
Call Burgundy. Cornwall and Albany,
With my two daughters' dowers digest this third:
Let pride, which she calls plainness, marry her.
I do invest you jointly with my power,
Pre-eminence, and all the large effects
That troop with majesty. Ourself, by monthly course,
With reservation of an hundred knights,
By you to be sustain'd, shall our abode
Make with you by due turns. Only we still retain
The name, and all the additions to a king;
The sway, revenue, execution of the rest,
Beloved sons, be yours: which to confirm,
This coronet part betwixt you.
Giving the crown
KENT
Royal Lear,
Whom I have ever honour'd as my king,
Loved as my father, as my master follow'd,
As my great patron thought on in my prayers,--
KING LEAR
The bow is bent and drawn, make from the shaft.
KENT
Let it fall rather, though the fork invade
The region of my heart: be Kent unmannerly,
When Lear is mad. What wilt thou do, old man?
Think'st thou that duty shall have dread to speak,
When power to flattery bows? To plainness honour's bound,
When majesty stoops to folly. Reverse thy doom;
And, in thy best consideration, cheque
This hideous rashness: answer my life my judgment,
Thy youngest daughter does not love thee least;
Nor are those empty-hearted whose low sound
Reverbs no hollowness.
KING LEAR
Kent, on thy life, no more.
KENT
My life I never held but as a pawn
To wage against thy enemies; nor fear to lose it,
Thy safety being the motive.
KING LEAR
Out of my sight!
KENT
See better, Lear; and let me still remain
The true blank of thine eye.
KING LEAR
Now, by Apollo,--
KENT
Now, by Apollo, king,
Thou swear'st thy gods in vain.
KING LEAR
O, vassal! miscreant!
Laying his hand on his sword
ALBANY CORNWALL
Dear sir, forbear.
KENT
Do:
Kill thy physician, and the fee bestow
Upon thy foul disease. Revoke thy doom;
Or, whilst I can vent clamour from my throat,
I'll tell thee thou dost evil.
KING LEAR
Hear me, recreant!
On thine allegiance, hear me!
Since thou hast sought to make us break our vow,
Which we durst never yet, and with strain'd pride
To come between our sentence and our power,
Which nor our nature nor our place can bear,
Our potency made good, take thy reward.
Five days we do allot thee, for provision
To shield thee from diseases of the world;
And on the sixth to turn thy hated back
Upon our kingdom: if, on the tenth day following,
Thy banish'd trunk be found in our dominions,
The moment is thy death. Away! by Jupiter,
This shall not be revoked.
KENT
Fare thee well, king: sith thus thou wilt appear,
Freedom lives hence, and banishment is here.
To CORDELIA
The gods to their dear ****ter take thee, maid,
That justly think'st, and hast most rightly said!
To REGAN and GONERIL
And your large speeches may your deeds approve,
That good effects may spring from words of love.
Thus Kent, O princes, bids you all adieu;
He'll shape his old course in a country new.
Exit


أرب جمـال 5 - 11 - 2009 06:12 PM

King Lear: Entire Play
Flourish. Re-enter GLOUCESTER, with KING OF FRANCE, BURGUNDY, and Attendants
GLOUCESTER
Here's France and Burgundy, my noble lord.
KING LEAR
My lord of Burgundy.
We first address towards you, who with this king
Hath rivall'd for our daughter: what, in the least,
Will you require in present dower with her,
Or cease your quest of love?
BURGUNDY
Most royal majesty,
I crave no more than what your highness offer'd,
Nor will you tender less.
KING LEAR
Right noble Burgundy,
When she was dear to us, we did hold her so;
But now her price is fall'n. Sir, there she stands:
If aught within that little seeming substance,
Or all of it, with our displeasure pieced,
And nothing more, may fitly like your grace,
She's there, and she is yours.
BURGUNDY
I know no answer.
KING LEAR
Will you, with those infirmities she owes,
Unfriended, new-adopted to our hate,
Dower'd with our curse, and stranger'd with our oath,
Take her, or leave her?
BURGUNDY
Pardon me, royal sir;
Election makes not up on such conditions.
KING LEAR
Then leave her, sir; for, by the power that made me,
I tell you all her wealth.
To KING OF FRANCE
For you, great king,
I would not from your love make such a stray,
To match you where I hate; therefore beseech you
To avert your liking a more worthier way
Than on a wretch whom nature is ashamed
Almost to acknowledge hers.
KING OF FRANCE
This is most strange,
That she, that even but now was your best object,
The argument of your praise, balm of your age,
Most best, most dearest, should in this trice of time
Commit a thing so monstrous, to dismantle
So many folds of favour. Sure, her offence
Must be of such unnatural degree,
That monsters it, or your fore-vouch'd affection
Fall'n into taint: which to believe of her,
Must be a faith that reason without miracle
Could never plant in me.
CORDELIA
I yet beseech your majesty,--
If for I want that glib and oily art,
To speak and purpose not; since what I well intend,
I'll do't before I speak,--that you make known
It is no vicious blot, murder, or foulness,
No unchaste action, or dishonour'd step,
That hath deprived me of your grace and favour;
But even for want of that for which I am richer,
A still-soliciting eye, and such a tongue
As I am glad I have not, though not to have it
Hath lost me in your liking.
KING LEAR
Better thou
Hadst not been born than not to have pleased me better.
KING OF FRANCE
Is it but this,--a tardiness in nature
Which often leaves the history unspoke
That it intends to do? My lord of Burgundy,
What say you to the lady? Love's not love
When it is mingled with regards that stand
Aloof from the entire point. Will you have her?
She is herself a dowry.
BURGUNDY
Royal Lear,
Give but that portion which yourself proposed,
And here I take Cordelia by the hand,
Duchess of Burgundy.
KING LEAR
Nothing: I have sworn; I am firm.
BURGUNDY
I am sorry, then, you have so lost a father
That you must lose a husband.
CORDELIA
Peace be with Burgundy!
Since that respects of fortune are his love,
I shall not be his wife.
KING OF FRANCE
Fairest Cordelia, that art most rich, being poor;
Most choice, forsaken; and most loved, despised!
Thee and thy virtues here I seize upon:
Be it lawful I take up what's cast away.
Gods, gods! 'tis strange that from their cold'st neglect
My love should kindle to inflamed respect.
Thy dowerless daughter, king, thrown to my chance,
Is queen of us, of ours, and our fair France:
Not all the dukes of waterish Burgundy
Can buy this unprized precious maid of me.
Bid them farewell, Cordelia, though unkind:
Thou losest here, a better where to find.
KING LEAR
Thou hast her, France: let her be thine; for we
Have no such daughter, nor shall ever see
That face of hers again. Therefore be gone
Without our grace, our love, our benison.
Come, noble Burgundy.
Flourish. Exeunt all but KING OF FRANCE, GONERIL, REGAN, and CORDELIA
KING OF FRANCE
Bid farewell to your sisters.
CORDELIA
The jewels of our father, with wash'd eyes
Cordelia leaves you: I know you what you are;
And like a sister am most loath to call
Your faults as they are named. Use well our father:
To your professed bosoms I commit him
But yet, alas, stood I within his grace,
I would prefer him to a better place.
So, farewell to you both.
REGAN
Prescribe not us our duties.
GONERIL
Let your study
Be to ******* your lord, who hath received you
At fortune's alms. You have obedience scanted,
And well are worth the want that you have wanted.
CORDELIA
Time shall unfold what plaited cunning hides:
Who cover faults, at last shame them derides.
Well may you prosper!
KING OF FRANCE
Come, my fair Cordelia.
Exeunt KING OF FRANCE and CORDELIA


أرب جمـال 5 - 11 - 2009 06:13 PM

King Lear: Entire PlayGONERIL
Sister, it is not a little I have to say of what
most nearly appertains to us both. I think our
father will hence to-night.
REGAN
That's most certain, and with you; next month with us.
GONERIL
You see how full of changes his age is; the
observation we have made of it hath not been
little: he always loved our sister most; and
with what poor judgment he hath now cast her off
appears too grossly.
REGAN
'Tis the infirmity of his age: yet he hath ever
but slenderly known himself.
GONERIL
The best and soundest of his time hath been but
rash; then must we look to receive from his age,
not alone the imperfections of long-engraffed
condition, but therewithal the unruly waywardness
that infirm and choleric years bring with them.
REGAN
Such unconstant starts are we like to have from
him as this of Kent's banishment.
GONERIL
There is further compliment of leavetaking
between France and him. Pray you, let's hit
together: if our father carry authority with
such dispositions as he bears, this last
surrender of his will but offend us.
REGAN
We shall further think on't.
GONERIL
We must do something, and i' the heat.
Exeunt
SCENE II. The Earl of Gloucester's castle.
Enter EDMUND, with a letter
EDMUND
Thou, nature, art my goddess; to thy law
My services are bound. Wherefore should I
Stand in the plague of custom, and permit
The curiosity of nations to deprive me,
For that I am some twelve or fourteen moon-shines
Lag of a brother? Why bastard? wherefore base?
When my dimensions are as well compact,
My mind as generous, and my shape as true,
As honest madam's issue? Why brand they us
With base? with baseness? bastardy? base, base?
Who, in the lusty stealth of nature, take
More composition and fierce quality
Than doth, within a dull, stale, tired bed,
Go to the creating a whole tribe of fops,
Got 'tween asleep and wake? Well, then,
Legitimate Edgar, I must have your land:
Our father's love is to the bastard Edmund
As to the legitimate: fine word,--legitimate!
Well, my legitimate, if this letter speed,
And my invention thrive, Edmund the base
Shall top the legitimate. I grow; I prosper:
Now, gods, stand up for bastards!
Enter GLOUCESTER
GLOUCESTER
Kent banish'd thus! and France in choler parted!
And the king gone to-night! subscribed his power!
Confined to exhibition! All this done
Upon the gad! Edmund, how now! what news?
EDMUND
So please your lordship, none.
Putting up the letter
GLOUCESTER
Why so earnestly seek you to put up that letter?
EDMUND
I know no news, my lord.
GLOUCESTER
What paper were you reading?
EDMUND
Nothing, my lord.
GLOUCESTER
No? What needed, then, that terrible dispatch of
it into your pocket? the quality of nothing hath
not such need to hide itself. Let's see: come,
if it be nothing, I shall not need spectacles.
EDMUND
I beseech you, sir, pardon me: it is a letter
from my brother, that I have not all o'er-read;
and for so much as I have perused, I find it not
fit for your o'er-looking.
GLOUCESTER
Give me the letter, sir.
EDMUND
I shall offend, either to detain or give it. The
*******s, as in part I understand them, are to blame.
GLOUCESTER
Let's see, let's see.
EDMUND
I hope, for my brother's justification, he wrote
this but as an essay or taste of my virtue.
GLOUCESTER
[Reads] 'This policy and reverence of age makes
the world bitter to the best of our times; keeps
our fortunes from us till our oldness cannot relish
them. I begin to find an idle and fond bondage
in the oppression of aged tyranny; who sways, not
as it hath power, but as it is suffered. Come to
me, that of this I may speak more. If our father
would sleep till I waked him, you should half his
revenue for ever, and live the beloved of your
brother, EDGAR.'
Hum--conspiracy!--'Sleep till I waked him,--you
should enjoy half his revenue,'--My son Edgar!
Had he a hand to write this? a heart and brain
to breed it in?--When came this to you? who
brought it?
EDMUND
It was not brought me, my lord; there's the
cunning of it; I found it thrown in at the
casement of my closet.
GLOUCESTER
You know the character to be your brother's?
EDMUND
If the matter were good, my lord, I durst swear
it were his; but, in respect of that, I would
fain think it were not.
GLOUCESTER
It is his.
EDMUND
It is his hand, my lord; but I hope his heart is
not in the *******s.
GLOUCESTER
Hath he never heretofore sounded you in this business?
EDMUND
Never, my lord: but I have heard him oft
maintain it to be fit, that, sons at perfect age,
and fathers declining, the father should be as
ward to the son, and the son manage his revenue.
GLOUCESTER
O villain, villain! His very opinion in the
letter! Abhorred villain! Unnatural, detested,
brutish villain! worse than brutish! Go, sirrah,
seek him; I'll apprehend him: abominable villain!
Where is he?
EDMUND
I do not well know, my lord. If it shall please
you to suspend your indignation against my
brother till you can derive from him better
testimony of his intent, you shall run a certain
course; where, if you violently proceed against
him, mistaking his purpose, it would make a great
gap in your own honour, and shake in pieces the
heart of his obedience. I dare pawn down my life
for him, that he hath wrote this to feel my
affection to your honour, and to no further
pretence of danger.
GLOUCESTER
Think you so?
EDMUND
If your honour judge it meet, I will place you
where you shall hear us confer of this, and by an
auricular assurance have your satisfaction; and
that without any further delay than this very evening.
GLOUCESTER
He cannot be such a monster--
EDMUND
Nor is not, sure.
GLOUCESTER
To his father, that so tenderly and entirely
loves him. Heaven and earth! Edmund, seek him
out: wind me into him, I pray you: frame the
business after your own wisdom. I would unstate
myself, to be in a due resolution.
EDMUND
I will seek him, sir, presently: convey the
business as I shall find means and acquaint you withal.
GLOUCESTER
These late eclipses in the sun and moon portend
no good to us: though the wisdom of nature can
reason it thus and thus, yet nature finds itself
scourged by the sequent effects: love cools,
friendship falls off, brothers divide: in
cities, mutinies; in countries, discord; in
palaces, treason; and the bond cracked 'twixt son
and father. This villain of mine comes under the
prediction; there's son against father: the king
falls from bias of nature; there's father against
child. We have seen the best of our time:
machinations, hollowness, treachery, and all
ruinous disorders, follow us disquietly to our
graves. Find out this villain, Edmund; it shall
lose thee nothing; do it carefully. And the
noble and true-hearted Kent banished! his
offence, honesty! 'Tis strange.
Exit


أرب جمـال 5 - 11 - 2009 06:13 PM

King Lear: Entire PlayEDMUND
This is the excellent foppery of the world, that,
when we are sick in fortune,--often the surfeit
of our own behavior,--we make guilty of our
disasters the sun, the moon, and the stars: as
if we were villains by necessity; fools by
heavenly compulsion; knaves, thieves, and
treachers, by spherical predominance; drunkards,
liars, and adulterers, by an enforced obedience of
planetary influence; and all that we are evil in,
by a divine thrusting on: an admirable evasion
of whoremaster man, to lay his goatish
disposition to the charge of a star! My
father compounded with my mother under the
dragon's tail; and my nativity was under Ursa
major; so that it follows, I am rough and
lecherous. Tut, I should have been that I am,
had the maidenliest star in the firmament
twinkled on my bastardizing. Edgar--
Enter EDGAR
And pat he comes like the catastrophe of the old
comedy: my cue is villanous melancholy, with a
sigh like Tom o' Bedlam. O, these eclipses do
portend these divisions! fa, sol, la, mi.
EDGAR
How now, brother Edmund! what serious
contemplation are you in?
EDMUND
I am thinking, brother, of a prediction I read
this other day, what should follow these eclipses.
EDGAR
Do you busy yourself about that?
EDMUND
I promise you, the effects he writes of succeed
unhappily; as of unnaturalness between the child
and the parent; death, dearth, dissolutions of
ancient amities; divisions in state, menaces and
maledictions against king and nobles; needless
diffidences, banishment of friends, dissipation
of cohorts, nuptial breaches, and I know not what.
EDGAR
How long have you been a sectary astronomical?
EDMUND
Come, come; when saw you my father last?
EDGAR
Why, the night gone by.
EDMUND
Spake you with him?
EDGAR
Ay, two hours together.
EDMUND
Parted you in good terms? Found you no
displeasure in him by word or countenance?
EDGAR
None at all.
EDMUND
Bethink yourself wherein you may have offended
him: and at my entreaty forbear his presence
till some little time hath qualified the heat of
his displeasure; which at this instant so rageth
in him, that with the mischief of your person it
would scarcely allay.
EDGAR
Some villain hath done me wrong.
EDMUND
That's my fear. I pray you, have a continent
forbearance till the spied of his rage goes
slower; and, as I say, retire with me to my
lodging, from whence I will fitly bring you to
hear my lord speak: pray ye, go; there's my key:
if you do stir abroad, go armed.
EDGAR
Armed, brother!
EDMUND
Brother, I advise you to the best; go armed: I
am no honest man if there be any good meaning
towards you: I have told you what I have seen
and heard; but faintly, nothing like the image
and horror of it: pray you, away.
EDGAR
Shall I hear from you anon?
EDMUND
I do serve you in this business.
Exit EDGAR
A credulous father! and a brother noble,
Whose nature is so far from doing harms,
That he suspects none: on whose foolish honesty
My practises ride easy! I see the business.
Let me, if not by birth, have lands by wit:
All with me's meet that I can fashion fit.
Exit
SCENE III. The Duke of Albany's palace.
Enter GONERIL, and OSWALD, her steward
GONERIL
Did my father strike my gentleman for chiding of his fool?
OSWALD
Yes, madam.
GONERIL
By day and night he wrongs me; every hour
He flashes into one gross crime or other,
That sets us all at odds: I'll not endure it:
His knights grow riotous, and himself upbraids us
On every trifle. When he returns from hunting,
I will not speak with him; say I am sick:
If you come slack of former services,
You shall do well; the fault of it I'll answer.
OSWALD
He's coming, madam; I hear him.
Horns within
GONERIL
Put on what weary negligence you please,
You and your fellows; I'll have it come to question:
If he dislike it, let him to our sister,
Whose mind and mine, I know, in that are one,
Not to be over-ruled. Idle old man,
That still would manage those authorities
That he hath given away! Now, by my life,
Old fools are babes again; and must be used
With cheques as flatteries,--when they are seen abused.
Remember what I tell you.
OSWALD
Well, madam.
GONERIL
And let his knights have colder looks among you;
What grows of it, no matter; advise your fellows so:
I would breed from hence occasions, and I shall,
That I may speak: I'll write straight to my sister,
To hold my very course. Prepare for dinner.
Exeunt
SCENE IV. A hall in the same.
Enter KENT, disguised
KENT
If but as well I other accents borrow,
That can my speech defuse, my good intent
May carry through itself to that full issue
For which I razed my likeness. Now, banish'd Kent,
If thou canst serve where thou dost stand condemn'd,
So may it come, thy master, whom thou lovest,
Shall find thee full of labours.
Horns within. Enter KING LEAR, Knights, and Attendants
KING LEAR
Let me not stay a jot for dinner; go get it ready.
Exit an Attendant
How now! what art thou?
KENT
A man, sir.
KING LEAR
What dost thou profess? what wouldst thou with us?
KENT
I do profess to be no less than I seem; to serve
him truly that will put me in trust: to love him
that is honest; to converse with him that is wise,
and says little; to fear judgment; to fight when I
cannot choose; and to eat no fish.
KING LEAR
What art thou?
KENT
A very honest-hearted fellow, and as poor as the king.
KING LEAR
If thou be as poor for a subject as he is for a
king, thou art poor enough. What wouldst thou?
KENT
Service.
KING LEAR
Who wouldst thou serve?
KENT
You.
KING LEAR
Dost thou know me, fellow?
KENT
No, sir; but you have that in your countenance
which I would fain call master.
KING LEAR
What's that?
KENT
Authority.
KING LEAR
What services canst thou do?
KENT
I can keep honest counsel, ride, run, mar a curious
tale in telling it, and deliver a plain message
bluntly: that which ordinary men are fit for, I am
qualified in; and the best of me is diligence.
KING LEAR
How old art thou?
KENT
Not so young, sir, to love a woman for singing, nor
so old to dote on her for any thing: I have years
on my back forty eight.
KING LEAR
Follow me; thou shalt serve me: if I like thee no
worse after dinner, I will not part from thee yet.
Dinner, ho, dinner! Where's my knave? my fool?
Go you, and call my fool hither.
Exit an Attendant


أرب جمـال 5 - 11 - 2009 06:13 PM

King Lear: Entire Play
Enter OSWALD
You, you, sirrah, where's my daughter?
OSWALD
So please you,--
Exit
KING LEAR
What says the fellow there? Call the clotpoll back.
Exit a Knight
Where's my fool, ho? I think the world's asleep.
Re-enter Knight
How now! where's that mongrel?
Knight
He says, my lord, your daughter is not well.
KING LEAR
Why came not the slave back to me when I called him.
Knight
Sir, he answered me in the roundest manner, he would
not.
KING LEAR
He would not!
Knight
My lord, I know not what the matter is; but, to my
judgment, your highness is not entertained with that
ceremonious affection as you were wont; there's a
great abatement of kindness appears as well in the
general dependants as in the duke himself also and
your daughter.
KING LEAR
Ha! sayest thou so?
Knight
I beseech you, pardon me, my lord, if I be mistaken;
for my duty cannot be silent when I think your
highness wronged.
KING LEAR
Thou but rememberest me of mine own conception: I
have perceived a most faint neglect of late; which I
have rather blamed as mine own jealous curiosity
than as a very pretence and purpose of unkindness:
I will look further into't. But where's my fool? I
have not seen him this two days.
Knight
Since my young lady's going into France, sir, the
fool hath much pined away.
KING LEAR
No more of that; I have noted it well. Go you, and
tell my daughter I would speak with her.
Exit an Attendant
Go you, call hither my fool.
Exit an Attendant
Re-enter OSWALD
O, you sir, you, come you hither, sir: who am I,
sir?
OSWALD
My lady's father.
KING LEAR
'My lady's father'! my lord's knave: your
whoreson dog! you slave! you cur!
OSWALD
I am none of these, my lord; I beseech your pardon.
KING LEAR
Do you bandy looks with me, you rascal?
Striking him
OSWALD
I'll not be struck, my lord.
KENT
Nor tripped neither, you base football player.
Tripping up his heels
KING LEAR
I thank thee, fellow; thou servest me, and I'll
love thee.
KENT
Come, sir, arise, away! I'll teach you differences:
away, away! if you will measure your lubber's
length again, tarry: but away! go to; have you
wisdom? so.
Pushes OSWALD out
KING LEAR
Now, my friendly knave, I thank thee: there's
earnest of thy service.
Giving KENT money
Enter Fool
Fool
Let me hire him too: here's my coxcomb.
Offering KENT his cap
KING LEAR
How now, my pretty knave! how dost thou?
Fool
Sirrah, you were best take my coxcomb.
KENT
Why, fool?
Fool
Why, for taking one's part that's out of favour:
nay, an thou canst not smile as the wind sits,
thou'lt catch cold shortly: there, take my coxcomb:
why, this fellow has banished two on's daughters,
and did the third a blessing against his will; if
thou follow him, thou must needs wear my coxcomb.
How now, nuncle! Would I had two coxcombs and two daughters!
KING LEAR
Why, my boy?
Fool
If I gave them all my living, I'ld keep my coxcombs
myself. There's mine; beg another of thy daughters.
KING LEAR
Take heed, sirrah; the whip.
Fool
Truth's a dog must to kennel; he must be whipped
out, when Lady the brach may stand by the fire and stink.
KING LEAR
A pestilent gall to me!
Fool
Sirrah, I'll teach thee a speech.
KING LEAR
Do.
Fool
Mark it, nuncle:
Have more than thou showest,
Speak less than thou knowest,
Lend less than thou owest,
Ride more than thou goest,
Learn more than thou trowest,
Set less than thou throwest;
Leave thy drink and thy whore,
And keep in-a-door,
And thou shalt have more
Than two tens to a score.
KENT
This is nothing, fool.
Fool
Then 'tis like the breath of an unfee'd lawyer; you
gave me nothing for't. Can you make no use of
nothing, nuncle?
KING LEAR
Why, no, boy; nothing can be made out of nothing.
Fool
[To KENT] Prithee, tell him, so much the rent of
his land comes to: he will not believe a fool.
KING LEAR
A bitter fool!
Fool
Dost thou know the difference, my boy, between a
bitter fool and a sweet fool?
KING LEAR
No, lad; teach me.
Fool
That lord that counsell'd thee
To give away thy land,
Come place him here by me,
Do thou for him stand:
The sweet and bitter fool
Will presently appear;
The one in motley here,
The other found out there.
KING LEAR
Dost thou call me fool, boy?
Fool
All thy other titles thou hast given away; that
thou wast born with.
KENT
This is not altogether fool, my lord.
Fool
No, faith, lords and great men will not let me; if
I had a monopoly out, they would have part on't:
and ladies too, they will not let me have all fool
to myself; they'll be snatching. Give me an egg,
nuncle, and I'll give thee two crowns.
KING LEAR
What two crowns shall they be?
Fool
Why, after I have cut the egg i' the middle, and eat
up the meat, the two crowns of the egg. When thou
clovest thy crown i' the middle, and gavest away
both parts, thou borest thy ass on thy back o'er
the dirt: thou hadst little wit in thy bald crown,
when thou gavest thy golden one away. If I speak
like myself in this, let him be whipped that first
finds it so.
Singing
Fools had ne'er less wit in a year;
For wise men are grown foppish,
They know not how their wits to wear,
Their manners are so apish.
KING LEAR
When were you wont to be so full of songs, sirrah?
Fool
I have used it, nuncle, ever since thou madest thy
daughters thy mothers: for when thou gavest them
the rod, and put'st down thine own breeches,
Singing
Then they for sudden joy did weep,
And I for sorrow sung,
That such a king should play bo-peep,
And go the fools among.
Prithee, nuncle, keep a schoolmaster that can teach
thy fool to lie: I would fain learn to lie.
KING LEAR
An you lie, sirrah, we'll have you whipped.
Fool
I marvel what kin thou and thy daughters are:
they'll have me whipped for speaking true, thou'lt
have me whipped for lying; and sometimes I am
whipped for holding my peace. I had rather be any
kind o' thing than a fool: and yet I would not be
thee, nuncle; thou hast pared thy wit o' both sides,
and left nothing i' the middle: here comes one o'
the parings.
Enter GONERIL


أرب جمـال 5 - 11 - 2009 06:14 PM

King Lear: Entire PlayKING LEAR
How now, daughter! what makes that frontlet on?
Methinks you are too much of late i' the frown.
Fool
Thou wast a pretty fellow when thou hadst no need to
care for her frowning; now thou art an O without a
figure: I am better than thou art now; I am a fool,
thou art nothing.
To GONERIL
Yes, forsooth, I will hold my tongue; so your face
bids me, though you say nothing. Mum, mum,
He that keeps nor crust nor crum,
Weary of all, shall want some.
Pointing to KING LEAR
That's a shealed peascod.
GONERIL
Not only, sir, this your all-licensed fool,
But other of your insolent retinue
Do hourly carp and quarrel; breaking forth
In rank and not-to-be endured riots. Sir,
I had thought, by making this well known unto you,
To have found a safe redress; but now grow fearful,
By what yourself too late have spoke and done.
That you protect this course, and put it on
By your allowance; which if you should, the fault
Would not 'scape censure, nor the redresses sleep,
Which, in the tender of a wholesome weal,
Might in their working do you that offence,
Which else were shame, that then necessity
Will call discreet proceeding.
Fool
For, you trow, nuncle,
The hedge-sparrow fed the cuckoo so long,
That it's had it head bit off by it young.
So, out went the candle, and we were left darkling.
KING LEAR
Are you our daughter?
GONERIL
Come, sir,
I would you would make use of that good wisdom,
Whereof I know you are fraught; and put away
These dispositions, that of late transform you
From what you rightly are.
Fool
May not an ass know when the cart
draws the horse? Whoop, Jug! I love thee.
KING LEAR
Doth any here know me? This is not Lear:
Doth Lear walk thus? speak thus? Where are his eyes?
Either his notion weakens, his discernings
Are lethargied--Ha! waking? 'tis not so.
Who is it that can tell me who I am?
Fool
Lear's shadow.
KING LEAR
I would learn that; for, by the
marks of sovereignty, knowledge, and reason,
I should be false persuaded I had daughters.
Fool
Which they will make an obedient father.
KING LEAR
Your name, fair gentlewoman?
GONERIL
This admiration, sir, is much o' the savour
Of other your new pranks. I do beseech you
To understand my purposes aright:
As you are old and reverend, you should be wise.
Here do you keep a hundred knights and squires;
Men so disorder'd, so debosh'd and bold,
That this our court, infected with their manners,
Shows like a riotous inn: epicurism and lust
Make it more like a tavern or a brothel
Than a graced palace. The shame itself doth speak
For instant remedy: be then desired
By her, that else will take the thing she begs,
A little to disquantity your train;
And the remainder, that shall still depend,
To be such men as may besort your age,
And know themselves and you.
KING LEAR
Darkness and devils!
Saddle my horses; call my train together:
Degenerate bastard! I'll not trouble thee.
Yet have I left a daughter.
GONERIL
You strike my people; and your disorder'd rabble
Make servants of their betters.
Enter ALBANY
KING LEAR
Woe, that too late repents,--
To ALBANY
O, sir, are you come?
Is it your will? Speak, sir. Prepare my horses.
Ingratitude, thou marble-hearted fiend,
More hideous when thou show'st thee in a child
Than the sea-monster!
ALBANY
Pray, sir, be patient.
KING LEAR
[To GONERIL] Detested kite! thou liest.
My train are men of choice and rarest parts,
That all particulars of duty know,
And in the most exact regard support
The worships of their name. O most small fault,
How ugly didst thou in Cordelia show!
That, like an engine, wrench'd my frame of nature
From the fix'd place; drew from heart all love,
And added to the gall. O Lear, Lear, Lear!
Beat at this gate, that let thy folly in,
Striking his head
And thy dear judgment out! Go, go, my people.
ALBANY
My lord, I am guiltless, as I am ignorant
Of what hath moved you.
KING LEAR
It may be so, my lord.
Hear, nature, hear; dear goddess, hear!
Suspend thy purpose, if thou didst intend
To make this creature fruitful!
Into her womb convey sterility!
Dry up in her the organs of increase;
And from her derogate body never spring
A babe to honour her! If she must teem,
Create her child of spleen; that it may live,
And be a thwart disnatured torment to her!
Let it stamp wrinkles in her brow of youth;
With cadent tears fret channels in her cheeks;
Turn all her mother's pains and benefits
To laughter and contempt; that she may feel
How sharper than a serpent's tooth it is
To have a thankless child! Away, away!
Exit
ALBANY
Now, gods that we adore, whereof comes this?
GONERIL
Never afflict yourself to know the cause;
But let his disposition have that scope
That dotage gives it.
Re-enter KING LEAR
KING LEAR
What, fifty of my followers at a clap!
Within a fortnight!
ALBANY
What's the matter, sir?
KING LEAR
I'll tell thee:
To GONERIL
Life and death! I am ashamed
That thou hast power to shake my manhood thus;
That these hot tears, which break from me perforce,
Should make thee worth them. Blasts and fogs upon thee!
The untented woundings of a father's curse
Pierce every sense about thee! Old fond eyes,
Beweep this cause again, I'll pluck ye out,
And cast you, with the waters that you lose,
To temper clay. Yea, it is come to this?
Let is be so: yet have I left a daughter,
Who, I am sure, is kind and comfortable:
When she shall hear this of thee, with her nails
She'll flay thy wolvish visage. Thou shalt find
That I'll resume the shape which thou dost think
I have cast off for ever: thou shalt,
I warrant thee.
Exeunt KING LEAR, KENT, and Attendants
GONERIL
Do you mark that, my lord?
ALBANY
I cannot be so partial, Goneril,
To the great love I bear you,--
GONERIL
Pray you, *******. What, Oswald, ho!
To the Fool
You, sir, more knave than fool, after your master.
Fool
Nuncle Lear, nuncle Lear, tarry and take the fool
with thee.
A fox, when one has caught her,
And such a daughter,
Should sure to the slaughter,
If my cap would buy a halter:
So the fool follows after.
Exit


أرب جمـال 5 - 11 - 2009 06:14 PM

King Lear: Entire PlayGONERIL
This man hath had good counsel:--a hundred knights!
'Tis politic and safe to let him keep
At point a hundred knights: yes, that, on every dream,
Each buzz, each fancy, each complaint, dislike,
He may enguard his dotage with their powers,
And hold our lives in mercy. Oswald, I say!
ALBANY
Well, you may fear too far.
GONERIL
Safer than trust too far:
Let me still take away the harms I fear,
Not fear still to be taken: I know his heart.
What he hath utter'd I have writ my sister
If she sustain him and his hundred knights
When I have show'd the unfitness,--
Re-enter OSWALD
How now, Oswald!
What, have you writ that letter to my sister?
OSWALD
Yes, madam.
GONERIL
Take you some company, and away to horse:
Inform her full of my particular fear;
And thereto add such reasons of your own
As may compact it more. Get you gone;
And hasten your return.
Exit OSWALD
No, no, my lord,
This milky gentleness and course of yours
Though I condemn not, yet, under pardon,
You are much more attask'd for want of wisdom
Than praised for harmful mildness.
ALBANY
How far your eyes may pierce I can not tell:
Striving to better, oft we mar what's well.
GONERIL
Nay, then--
ALBANY
Well, well; the event.
Exeunt
SCENE V. Court before the same.
Enter KING LEAR, KENT, and Fool
KING LEAR
Go you before to Gloucester with these letters.
Acquaint my daughter no further with any thing you
know than comes from her demand out of the letter.
If your diligence be not speedy, I shall be there afore you.
KENT
I will not sleep, my lord, till I have delivered
your letter.
Exit
Fool
If a man's brains were in's heels, were't not in
danger of kibes?
KING LEAR
Ay, boy.
Fool
Then, I prithee, be merry; thy wit shall ne'er go
slip-shod.
KING LEAR
Ha, ha, ha!
Fool
Shalt see thy other daughter will use thee kindly;
for though she's as like this as a crab's like an
apple, yet I can tell what I can tell.
KING LEAR
Why, what canst thou tell, my boy?
Fool
She will taste as like this as a crab does to a
crab. Thou canst tell why one's nose stands i'
the middle on's face?
KING LEAR
No.
Fool
Why, to keep one's eyes of either side's nose; that
what a man cannot smell out, he may spy into.
KING LEAR
I did her wrong--
Fool
Canst tell how an oyster makes his ****l?
KING LEAR
No.
Fool
Nor I neither; but I can tell why a snail has a house.
KING LEAR
Why?
Fool
Why, to put his head in; not to give it away to his
daughters, and leave his horns without a case.
KING LEAR
I will forget my nature. So kind a father! Be my
horses ready?
Fool
Thy asses are gone about 'em. The reason why the
seven stars are no more than seven is a pretty reason.
KING LEAR
Because they are not eight?
Fool
Yes, indeed: thou wouldst make a good fool.
KING LEAR
To take 't again perforce! Monster ingratitude!
Fool
If thou wert my fool, nuncle, I'ld have thee beaten
for being old before thy time.
KING LEAR
How's that?
Fool
Thou shouldst not have been old till thou hadst
been wise.
KING LEAR
O, let me not be mad, not mad, sweet heaven
Keep me in temper: I would not be mad!
Enter Gentleman
How now! are the horses ready?
Gentleman
Ready, my lord.
KING LEAR
Come, boy.
Fool
She that's a maid now, and laughs at my departure,
Shall not be a maid long, unless things be cut shorter.
Exeunt
ACT II

SCENE I. GLOUCESTER's castle.
Enter EDMUND, and CURAN meets him
EDMUND
Save thee, Curan.
CURAN
And you, sir. I have been with your father, and
given him notice that the Duke of Cornwall and Regan
his duchess will be here with him this night.
EDMUND
How comes that?
CURAN
Nay, I know not. You have heard of the news abroad;
I mean the whispered ones, for they are yet but
ear-kissing arguments?
EDMUND
Not I pray you, what are they?
CURAN
Have you heard of no likely wars toward, 'twixt the
Dukes of Cornwall and Albany?
EDMUND
Not a word.
CURAN
You may do, then, in time. Fare you well, sir.
Exit
EDMUND
The duke be here to-night? The better! best!
This weaves itself perforce into my business.
My father hath set guard to take my brother;
And I have one thing, of a queasy question,
Which I must act: briefness and fortune, work!
Brother, a word; descend: brother, I say!
Enter EDGAR
My father watches: O sir, fly this place;
Intelligence is given where you are hid;
You have now the good advantage of the night:
Have you not spoken 'gainst the Duke of Cornwall?
He's coming hither: now, i' the night, i' the haste,
And Regan with him: have you nothing said
Upon his party 'gainst the Duke of Albany?
Advise yourself.
EDGAR
I am sure on't, not a word.
EDMUND
I hear my father coming: pardon me:
In cunning I must draw my sword upon you
Draw; seem to defend yourself; now quit you well.
Yield: come before my father. Light, ho, here!
Fly, brother. Torches, torches! So, farewell.
Exit EDGAR
Some blood drawn on me would beget opinion.
Wounds his arm
Of my more fierce endeavour: I have seen drunkards
Do more than this in sport. Father, father!
Stop, stop! No help?
Enter GLOUCESTER, and Servants with torches
GLOUCESTER
Now, Edmund, where's the villain?
EDMUND
Here stood he in the dark, his sharp sword out,
Mumbling of wicked charms, conjuring the moon
To stand auspicious mistress,--
GLOUCESTER
But where is he?
EDMUND
Look, sir, I bleed.
GLOUCESTER
Where is the villain, Edmund?
EDMUND
Fled this way, sir. When by no means he could--
GLOUCESTER
Pursue him, ho! Go after.
Exeunt some Servants
By no means what?
EDMUND
Persuade me to the murder of your lordship;
But that I told him, the revenging gods
'Gainst parricides did all their thunders bend;
Spoke, with how manifold and strong a bond
The child was bound to the father; sir, in fine,
Seeing how loathly opposite I stood
To his unnatural purpose, in fell motion,
With his prepared sword, he charges home
My unprovided body, lanced mine arm:
But when he saw my best alarum'd spirits,
Bold in the quarrel's right, roused to the encounter,
Or whether gasted by the noise I made,
Full suddenly he fled.
GLOUCESTER
Let him fly far:
Not in this land shall he remain uncaught;
And found--dispatch. The noble duke my master,
My worthy arch and patron, comes to-night:
By his authority I will proclaim it,
That he which finds him shall deserve our thanks,
Bringing the murderous coward to the stake;
He that conceals him, death.
EDMUND
When I dissuaded him from his intent,
And found him pight to do it, with curst speech
I threaten'd to discover him: he replied,
'Thou unpossessing bastard! dost thou think,
If I would stand against thee, would the reposal
Of any trust, virtue, or worth in thee
Make thy words faith'd? No: what I should deny,--
As this I would: ay, though thou didst produce
My very character,--I'ld turn it all
To thy suggestion, plot, and damned practise:
And thou must make a dullard of the world,
If they not thought the profits of my death
Were very pregnant and potential spurs
To make thee seek it.'
GLOUCESTER
Strong and fasten'd villain
Would he deny his letter? I never got him.
Tucket within
Hark, the duke's trumpets! I know not why he comes.
All ports I'll bar; the villain shall not 'scape;
The duke must grant me that: besides, his picture
I will send far and near, that all the kingdom
May have the due note of him; and of my land,
Loyal and natural boy, I'll work the means
To make thee capable.
Enter CORNWALL, REGAN, and Attendants
CORNWALL
How now, my noble friend! since I came hither,
Which I can call but now, I have heard strange news.
REGAN
If it be true, all vengeance comes too short
Which can pursue the offender. How dost, my lord?
GLOUCESTER
O, madam, my old heart is crack'd, it's crack'd!
REGAN
What, did my father's godson seek your life?
He whom my father named? your Edgar?
GLOUCESTER
O, lady, lady, shame would have it hid!
REGAN
Was he not companion with the riotous knights
That tend upon my father?
GLOUCESTER
I know not, madam: 'tis too bad, too bad.
EDMUND
Yes, madam, he was of that consort.
REGAN
No marvel, then, though he were ill affected:
'Tis they have put him on the old man's death,
To have the expense and waste of his revenues.
I have this present evening from my sister
Been well inform'd of them; and with such cautions,
That if they come to sojourn at my house,
I'll not be there.
CORNWALL
Nor I, assure thee, Regan.
Edmund, I hear that you have shown your father
A child-like office.
EDMUND
'Twas my duty, sir.
GLOUCESTER
He did bewray his practise; and received
This hurt you see, striving to apprehend him.
CORNWALL
Is he pursued?
GLOUCESTER
Ay, my good lord.
CORNWALL
If he be taken, he shall never more
Be fear'd of doing harm: make your own purpose,
How in my strength you please. For you, Edmund,
Whose virtue and obedience doth this instant
So much commend itself, you shall be ours:
Natures of such deep trust we shall much need;
You we first seize on.
EDMUND
I shall serve you, sir,
Truly, however else.
GLOUCESTER
For him I thank your grace.
CORNWALL
You know not why we came to visit you,--
REGAN
Thus out of season, threading dark-eyed night:
Occasions, noble Gloucester, of some poise,
Wherein we must have use of your advice:
Our father he hath writ, so hath our sister,
Of differences, which I least thought it fit
To answer from our home; the several messengers
From hence attend dispatch. Our good old friend,
Lay comforts to your bosom; and bestow
Your needful counsel to our business,
Which craves the instant use.
GLOUCESTER
I serve you, madam:
Your graces are right welcome.
Exeunt
SCENE II. Before Gloucester's castle.
Enter KENT and OSWALD, severally
OSWALD
Good dawning to thee, friend: art of this house?
KENT
Ay.
OSWALD
Where may we set our horses?
KENT
I' the mire.
OSWALD
Prithee, if thou lovest me, tell me.
KENT
I love thee not.
OSWALD
Why, then, I care not for thee.
KENT
If I had thee in Lipsbury pinfold, I would make thee
care for me.
OSWALD
Why dost thou use me thus? I know thee not.
KENT
Fellow, I know thee.
OSWALD
What dost thou know me for?
KENT
A knave; a rascal; an eater of broken meats; a
base, proud, shallow, beggarly, three-suited,
hundred-pound, filthy, worsted-stocking knave; a
lily-livered, action-taking knave, a whoreson,
glass-gazing, super-serviceable finical rogue;
one-trunk-inheriting slave; one that wouldst be a
bawd, in way of good service, and art nothing but
the composition of a knave, beggar, coward, pandar,
and the son and heir of a mongrel bitch: one whom I
will beat into clamorous whining, if thou deniest
the least syllable of thy addition.
OSWALD
Why, what a monstrous fellow art thou, thus to rail
on one that is neither known of thee nor knows thee!
KENT
What a brazen-faced varlet art thou, to deny thou
knowest me! Is it two days ago since I tripped up
thy heels, and beat thee before the king? Draw, you
rogue: for, though it be night, yet the moon
shines; I'll make a sop o' the moonshine of you:
draw, you whoreson cullionly barber-monger, draw.
Drawing his sword
OSWALD
Away! I have nothing to do with thee.
KENT
Draw, you rascal: you come with letters against the
king; and take vanity the puppet's part against the
royalty of her father: draw, you rogue, or I'll so
carbonado your shanks: draw, you rascal; come your ways.
OSWALD
Help, ho! murder! help!
KENT
Strike, you slave; stand, rogue, stand; you neat
slave, strike.
Beating him
OSWALD
Help, ho! murder! murder!


أرب جمـال 5 - 11 - 2009 06:15 PM

King Lear: Entire Play
Enter EDMUND, with his rapier drawn, CORNWALL, REGAN, GLOUCESTER, and Servants
EDMUND
How now! What's the matter?
KENT
With you, goodman boy, an you please: come, I'll
flesh ye; come on, young master.
GLOUCESTER
Weapons! arms! What 's the matter here?
CORNWALL
Keep peace, upon your lives:
He dies that strikes again. What is the matter?
REGAN
The messengers from our sister and the king.
CORNWALL
What is your difference? speak.
OSWALD
I am scarce in breath, my lord.
KENT
No marvel, you have so bestirred your valour. You
cowardly rascal, nature disclaims in thee: a
tailor made thee.
CORNWALL
Thou art a strange fellow: a tailor make a man?
KENT
Ay, a tailor, sir: a stone-cutter or painter could
not have made him so ill, though he had been but two
hours at the trade.
CORNWALL
Speak yet, how grew your quarrel?
OSWALD
This ancient ruffian, sir, whose life I have spared
at suit of his gray beard,--
KENT
Thou whoreson zed! thou unnecessary letter! My
lord, if you will give me leave, I will tread this
unbolted villain into mortar, and daub the wall of
a jakes with him. Spare my gray beard, you wagtail?
CORNWALL
Peace, sirrah!
You beastly knave, know you no reverence?
KENT
Yes, sir; but anger hath a privilege.
CORNWALL
Why art thou angry?
KENT
That such a slave as this should wear a sword,
Who wears no honesty. Such smiling rogues as these,
Like rats, oft bite the holy cords a-twain
Which are too intrinse t' unloose; smooth every passion
That in the natures of their lords rebel;
Bring oil to fire, snow to their colder moods;
Renege, affirm, and turn their halcyon beaks
With every gale and vary of their masters,
Knowing nought, like dogs, but following.
A plague upon your epileptic visage!
Smile you my speeches, as I were a fool?
Goose, if I had you upon Sarum plain,
I'ld drive ye cackling home to Camelot.
CORNWALL
Why, art thou mad, old fellow?
GLOUCESTER
How fell you out? say that.
KENT
No contraries hold more antipathy
Than I and such a knave.
CORNWALL
Why dost thou call him a knave? What's his offence?
KENT
His countenance likes me not.
CORNWALL
No more, perchance, does mine, nor his, nor hers.
KENT
Sir, 'tis my occupation to be plain:
I have seen better faces in my time
Than stands on any shoulder that I see
Before me at this instant.
CORNWALL
This is some fellow,
Who, having been praised for bluntness, doth affect
A saucy roughness, and constrains the garb
Quite from his nature: he cannot flatter, he,
An honest mind and plain, he must speak truth!
An they will take it, so; if not, he's plain.
These kind of knaves I know, which in this plainness
Harbour more craft and more corrupter ends
Than twenty silly ducking observants
That stretch their duties nicely.
KENT
Sir, in good sooth, in sincere verity,
Under the allowance of your great aspect,
Whose influence, like the wreath of radiant fire
On flickering Phoebus' front,--
CORNWALL
What mean'st by this?
KENT
To go out of my dialect, which you
discommend so much. I know, sir, I am no
flatterer: he that beguiled you in a plain
accent was a plain knave; which for my part
I will not be, though I should win your displeasure
to entreat me to 't.
CORNWALL
What was the offence you gave him?
OSWALD
I never gave him any:
It pleased the king his master very late
To strike at me, upon his misconstruction;
When he, conjunct and flattering his displeasure,
Tripp'd me behind; being down, insulted, rail'd,
And put upon him such a deal of man,
That worthied him, got praises of the king
For him attempting who was self-subdued;
And, in the fleshment of this dread exploit,
Drew on me here again.
KENT
None of these rogues and cowards
But Ajax is their fool.
CORNWALL
Fetch forth the stocks!
You stubborn ancient knave, you reverend braggart,
We'll teach you--
KENT
Sir, I am too old to learn:
Call not your stocks for me: I serve the king;
On whose employment I was sent to you:
You shall do small respect, show too bold malice
Against the grace and person of my master,
Stocking his messenger.
CORNWALL
Fetch forth the stocks! As I have life and honour,
There shall he sit till noon.
REGAN
Till noon! till night, my lord; and all night too.
KENT
Why, madam, if I were your father's dog,
You should not use me so.
REGAN
Sir, being his knave, I will.
CORNWALL
This is a fellow of the self-same colour
Our sister speaks of. Come, bring away the stocks!
Stocks brought out
GLOUCESTER
Let me beseech your grace not to do so:
His fault is much, and the good king his master
Will cheque him for 't: your purposed low correction
Is such as basest and contemned'st wretches
For pilferings and most common trespasses
Are punish'd with: the king must take it ill,
That he's so slightly valued in his messenger,
Should have him thus restrain'd.
CORNWALL
I'll answer that.
REGAN
My sister may receive it much more worse,
To have her gentleman abused, assaulted,
For following her affairs. Put in his legs.
KENT is put in the stocks
Come, my good lord, away.
Exeunt all but GLOUCESTER and KENT
GLOUCESTER
I am sorry for thee, friend; 'tis the duke's pleasure,
Whose disposition, all the world well knows,
Will not be rubb'd nor stopp'd: I'll entreat for thee.
KENT
Pray, do not, sir: I have watched and travell'd hard;
Some time I shall sleep out, the rest I'll whistle.
A good man's fortune may grow out at heels:
Give you good morrow!
GLOUCESTER
The duke's to blame in this; 'twill be ill taken.
Exit
KENT
Good king, that must approve the common saw,
Thou out of heaven's benediction comest
To the warm sun!
Approach, thou beacon to this under globe,
That by thy comfortable beams I may
Peruse this letter! Nothing almost sees miracles
But misery: I know 'tis from Cordelia,
Who hath most fortunately been inform'd
Of my obscured course; and shall find time
From this enormous state, seeking to give
Losses their remedies. All weary and o'erwatch'd,
Take vantage, heavy eyes, not to behold
This shameful lodging.
Fortune, good night: smile once more: turn thy wheel!
Sleeps
SCENE III. A wood.
Enter EDGAR
EDGAR
I heard myself proclaim'd;
And by the happy hollow of a tree
Escaped the hunt. No port is free; no place,
That guard, and most unusual vigilance,
Does not attend my taking. Whiles I may 'scape,
I will preserve myself: and am bethought
To take the basest and most poorest shape
That ever penury, in contempt of man,
Brought near to beast: my face I'll grime with filth;
Blanket my loins: elf all my hair in knots;
And with presented nakedness out-face
The winds and persecutions of the sky.
The country gives me proof and precedent
Of Bedlam beggars, who, with roaring voices,
Strike in their numb'd and mortified bare arms
Pins, wooden pricks, nails, sprigs of rosemary;
And with this horrible object, from low farms,
Poor pelting villages, sheep-cotes, and mills,
Sometime with lunatic bans, sometime with prayers,
Enforce their charity. Poor Turlygod! poor Tom!
That's something yet: Edgar I nothing am.
Exit
SCENE IV. Before GLOUCESTER's castle. KENT in the stocks.
Enter KING LEAR, Fool, and Gentleman
KING LEAR
'Tis strange that they should so depart from home,
And not send back my messenger.
Gentleman
As I learn'd,
The night before there was no purpose in them
Of this remove.
KENT
Hail to thee, noble master!
KING LEAR
Ha!
Makest thou this shame thy pastime?
KENT
No, my lord.
Fool
Ha, ha! he wears cruel garters. Horses are tied
by the heads, dogs and bears by the neck, monkeys by
the loins, and men by the legs: when a man's
over-lusty at legs, then he wears wooden
nether-stocks.
KING LEAR
What's he that hath so much thy place mistook
To set thee here?
KENT
It is both he and she;
Your son and daughter.
KING LEAR
No.
KENT
Yes.
KING LEAR
No, I say.
KENT
I say, yea.
KING LEAR
No, no, they would not.
KENT
Yes, they have.
KING LEAR
By Jupiter, I swear, no.
KENT
By Juno, I swear, ay.
KING LEAR
They durst not do 't;
They could not, would not do 't; 'tis worse than murder,
To do upon respect such violent outrage:
Resolve me, with all modest haste, which way
Thou mightst deserve, or they impose, this usage,
Coming from us.
KENT
My lord, when at their home
I did commend your highness' letters to them,
Ere I was risen from the place that show'd
My duty kneeling, came there a reeking post,
Stew'd in his haste, half breathless, panting forth
From Goneril his mistress salutations;
Deliver'd letters, spite of intermission,
Which presently they read: on whose *******s,
They summon'd up their meiny, straight took horse;
Commanded me to follow, and attend
The leisure of their answer; gave me cold looks:
And meeting here the other messenger,
Whose welcome, I perceived, had poison'd mine,--
Being the very fellow that of late
Display'd so saucily against your highness,--
Having more man than wit about me, drew:
He raised the house with loud and coward cries.
Your son and daughter found this trespass worth
The shame which here it suffers.
Fool
Winter's not gone yet, if the wild-geese fly that way.
Fathers that wear rags
Do make their children blind;
But fathers that bear bags
Shall see their children kind.
Fortune, that arrant whore,
Ne'er turns the key to the poor.
But, for all this, thou shalt have as many dolours
for thy daughters as thou canst tell in a year.
KING LEAR
O, how this mother swells up toward my heart!
Hysterica passio, down, thou climbing sorrow,
Thy element's below! Where is this daughter?
KENT
With the earl, sir, here within.
KING LEAR
Follow me not;
Stay here.
Exit
Gentleman
Made you no more offence but what you speak of?
KENT
None.
How chance the king comes with so small a train?
Fool
And thou hadst been set i' the stocks for that
question, thou hadst well deserved it.
KENT
Why, fool?
Fool
We'll set thee to school to an ant, to teach thee
there's no labouring i' the winter. All that follow
their noses are led by their eyes but blind men; and
there's not a nose among twenty but can smell him
that's stinking. Let go thy hold when a great wheel
runs down a hill, lest it break thy neck with
following it: but the great one that goes up the
hill, let him draw thee after. When a wise man
gives thee better counsel, give me mine again: I
would have none but knaves follow it, since a fool gives it.
That sir which serves and seeks for gain,
And follows but for form,
Will pack when it begins to rain,
And leave thee in the storm,
But I will tarry; the fool will stay,
And let the wise man fly:
The knave turns fool that runs away;
The fool no knave, perdy.
KENT
Where learned you this, fool?
Fool
Not i' the stocks, fool.
Re-enter KING LEAR with GLOUCESTER
KING LEAR
Deny to speak with me? They are sick? they are weary?
They have travell'd all the night? Mere fetches;
The images of revolt and flying off.
Fetch me a better answer.
GLOUCESTER
My dear lord,
You know the fiery quality of the duke;
How unremoveable and fix'd he is
In his own course.
KING LEAR
Vengeance! plague! death! confusion!
Fiery? what quality? Why, Gloucester, Gloucester,
I'ld speak with the Duke of Cornwall and his wife.
GLOUCESTER
Well, my good lord, I have inform'd them so.
KING LEAR
Inform'd them! Dost thou understand me, man?
GLOUCESTER
Ay, my good lord.
KING LEAR
The king would speak with Cornwall; the dear father
Would with his daughter speak, commands her service:
Are they inform'd of this? My breath and blood!
Fiery? the fiery duke? Tell the hot duke that--
No, but not yet: may be he is not well:
Infirmity doth still neglect all office
Whereto our health is bound; we are not ourselves
When nature, being oppress'd, commands the mind
To suffer with the body: I'll forbear;
And am fall'n out with my more headier will,
To take the indisposed and sickly fit
For the sound man. Death on my state! wherefore
Looking on KENT
Should he sit here? This act persuades me
That this remotion of the duke and her
Is practise only. Give me my servant forth.
Go tell the duke and 's wife I'ld speak with them,
Now, presently: bid them come forth and hear me,
Or at their chamber-door I'll beat the drum
Till it cry sleep to death.
GLOUCESTER
I would have all well betwixt you.
Exit


أرب جمـال 5 - 11 - 2009 06:16 PM

King Lear: Entire PlayKING LEAR
O me, my heart, my rising heart! but, down!
Fool
Cry to it, nuncle, as the cockney did to the eels
when she put 'em i' the paste alive; she knapped 'em
o' the coxcombs with a stick, and cried 'Down,
wantons, down!' 'Twas her brother that, in pure
kindness to his horse, buttered his hay.
Enter CORNWALL, REGAN, GLOUCESTER, and Servants
KING LEAR
Good morrow to you both.
CORNWALL
Hail to your grace!
KENT is set at liberty
REGAN
I am glad to see your highness.
KING LEAR
Regan, I think you are; I know what reason
I have to think so: if thou shouldst not be glad,
I would divorce me from thy mother's tomb,
Sepulchring an adultress.
To KENT
O, are you free?
Some other time for that. Beloved Regan,
Thy sister's naught: O Regan, she hath tied
Sharp-tooth'd unkindness, like a vulture, here:
Points to his heart
I can scarce speak to thee; thou'lt not believe
With how depraved a quality--O Regan!
REGAN
I pray you, sir, take patience: I have hope.
You less know how to value her desert
Than she to scant her duty.
KING LEAR
Say, how is that?
REGAN
I cannot think my sister in the least
Would fail her obligation: if, sir, perchance
She have restrain'd the riots of your followers,
'Tis on such ground, and to such wholesome end,
As clears her from all blame.
KING LEAR
My curses on her!
REGAN
O, sir, you are old.
Nature in you stands on the very verge
Of her confine: you should be ruled and led
By some discretion, that discerns your state
Better than you yourself. Therefore, I pray you,
That to our sister you do make return;
Say you have wrong'd her, sir.
KING LEAR
Ask her forgiveness?
Do you but mark how this becomes the house:
'Dear daughter, I confess that I am old;
Kneeling
Age is unnecessary: on my knees I beg
That you'll vouchsafe me raiment, bed, and food.'
REGAN
Good sir, no more; these are unsightly tricks:
Return you to my sister.
KING LEAR
[Rising] Never, Regan:
She hath abated me of half my train;
Look'd black upon me; struck me with her tongue,
Most serpent-like, upon the very heart:
All the stored vengeances of heaven fall
On her ingrateful top! Strike her young bones,
You taking airs, with lameness!
CORNWALL
Fie, sir, fie!
KING LEAR
You nimble lightnings, dart your blinding flames
Into her scornful eyes! Infect her beauty,
You fen-suck'd fogs, drawn by the powerful sun,
To fall and blast her pride!
REGAN
O the blest gods! so will you wish on me,
When the rash mood is on.
KING LEAR
No, Regan, thou shalt never have my curse:
Thy tender-hefted nature shall not give
Thee o'er to harshness: her eyes are fierce; but thine
Do comfort and not burn. 'Tis not in thee
To grudge my pleasures, to cut off my train,
To bandy hasty words, to scant my sizes,
And in conclusion to oppose the bolt
Against my coming in: thou better know'st
The offices of nature, bond of childhood,
Effects of courtesy, dues of gratitude;
Thy half o' the kingdom hast thou not forgot,
Wherein I thee endow'd.
REGAN
Good sir, to the purpose.
KING LEAR
Who put my man i' the stocks?
Tucket within
CORNWALL
What trumpet's that?
REGAN
I know't, my sister's: this approves her letter,
That she would soon be here.
Enter OSWALD
Is your lady come?
KING LEAR
This is a slave, whose easy-borrow'd pride
Dwells in the fickle grace of her he follows.
Out, varlet, from my sight!
CORNWALL
What means your grace?
KING LEAR
Who stock'd my servant? Regan, I have good hope
Thou didst not know on't. Who comes here? O heavens,
Enter GONERIL
If you do love old men, if your sweet sway
Allow obedience, if yourselves are old,
Make it your cause; send down, and take my part!
To GONERIL
Art not ashamed to look upon this beard?
O Regan, wilt thou take her by the hand?
GONERIL
Why not by the hand, sir? How have I offended?
All's not offence that indiscretion finds
And dotage terms so.
KING LEAR
O sides, you are too tough;
Will you yet hold? How came my man i' the stocks?
CORNWALL
I set him there, sir: but his own disorders
Deserved much less advancement.
KING LEAR
You! did you?
REGAN
I pray you, father, being weak, seem so.
If, till the expiration of your month,
You will return and sojourn with my sister,
Dismissing half your train, come then to me:
I am now from home, and out of that provision
Which shall be needful for your entertainment.
KING LEAR
Return to her, and fifty men dismiss'd?
No, rather I abjure all roofs, and choose
To wage against the enmity o' the air;
To be a comrade with the wolf and owl,--
Necessity's sharp pinch! Return with her?
Why, the hot-blooded France, that dowerless took
Our youngest born, I could as well be brought
To knee his throne, and, squire-like; pension beg
To keep base life afoot. Return with her?
Persuade me rather to be slave and sumpter
To this detested groom.
Pointing at OSWALD
GONERIL
At your choice, sir.
KING LEAR
I prithee, daughter, do not make me mad:
I will not trouble thee, my child; farewell:
We'll no more meet, no more see one another:
But yet thou art my flesh, my blood, my daughter;
Or rather a disease that's in my flesh,
Which I must needs call mine: thou art a boil,
A plague-sore, an embossed carbuncle,
In my corrupted blood. But I'll not chide thee;
Let shame come when it will, I do not call it:
I do not bid the thunder-bearer shoot,
Nor tell tales of thee to high-judging Jove:
Mend when thou canst; be better at thy leisure:
I can be patient; I can stay with Regan,
I and my hundred knights.
REGAN
Not altogether so:
I look'd not for you yet, nor am provided
For your fit welcome. Give ear, sir, to my sister;
For those that mingle reason with your passion
Must be ******* to think you old, and so--
But she knows what she does.
KING LEAR
Is this well spoken?
REGAN
I dare avouch it, sir: what, fifty followers?
Is it not well? What should you need of more?
Yea, or so many, sith that both charge and danger
Speak 'gainst so great a number? How, in one house,
Should many people, under two commands,
Hold amity? 'Tis hard; almost impossible.
GONERIL
Why might not you, my lord, receive attendance
From those that she calls servants or from mine?
REGAN
Why not, my lord? If then they chanced to slack you,
We could control them. If you will come to me,--
For now I spy a danger,--I entreat you
To bring but five and twenty: to no more
Will I give place or notice.
KING LEAR
I gave you all--
REGAN
And in good time you gave it.
KING LEAR
Made you my guardians, my depositaries;
But kept a reservation to be follow'd
With such a number. What, must I come to you
With five and twenty, Regan? said you so?
REGAN
And speak't again, my lord; no more with me.
KING LEAR
Those wicked creatures yet do look well-favour'd,
When others are more wicked: not being the worst
Stands in some rank of praise.
To GONERIL
I'll go with thee:
Thy fifty yet doth double five and twenty,
And thou art twice her love.
GONERIL
Hear me, my lord;
What need you five and twenty, ten, or five,
To follow in a house where twice so many
Have a command to tend you?
REGAN
What need one?
KING LEAR
O, reason not the need: our basest beggars
Are in the poorest thing superfluous:
Allow not nature more than nature needs,
Man's life's as cheap as beast's: thou art a lady;
If only to go warm were gorgeous,
Why, nature needs not what thou gorgeous wear'st,
Which scarcely keeps thee warm. But, for true need,--
You heavens, give me that patience, patience I need!
You see me here, you gods, a poor old man,
As full of grief as age; wretched in both!
If it be you that stir these daughters' hearts
Against their father, fool me not so much
To bear it tamely; touch me with noble anger,
And let not women's weapons, water-drops,
Stain my man's cheeks! No, you unnatural hags,
I will have such revenges on you both,
That all the world shall--I will do such things,--
What they are, yet I know not: but they shall be
The terrors of the earth. You think I'll weep
No, I'll not weep:
I have full cause of weeping; but this heart
Shall break into a hundred thousand flaws,
Or ere I'll weep. O fool, I shall go mad!
Exeunt KING LEAR, GLOUCESTER, KENT, and Fool
Storm and tempest
CORNWALL
Let us withdraw; 'twill be a storm.
REGAN
This house is little: the old man and his people
Cannot be well bestow'd.
GONERIL
'Tis his own blame; hath put himself from rest,
And must needs taste his folly.
REGAN
For his particular, I'll receive him gladly,
But not one follower.
GONERIL
So am I purposed.
Where is my lord of Gloucester?
CORNWALL
Follow'd the old man forth: he is return'd.
Re-enter GLOUCESTER
GLOUCESTER
The king is in high rage.
CORNWALL
Whither is he going?
GLOUCESTER
He calls to horse; but will I know not whither.
CORNWALL
'Tis best to give him way; he leads himself.
GONERIL
My lord, entreat him by no means to stay.
GLOUCESTER
Alack, the night comes on, and the bleak winds
Do sorely ruffle; for many miles a bout
There's scarce a bush.
REGAN
O, sir, to wilful men,
The injuries that they themselves procure
Must be their schoolmasters. Shut up your doors:
He is attended with a desperate train;
And what they may incense him to, being apt
To have his ear abused, wisdom bids fear.
CORNWALL
Shut up your doors, my lord; 'tis a wild night:
My Regan counsels well; come out o' the storm.
Exeunt
ACT III

SCENE I. A heath.
Storm still. Enter KENT and a Gentleman, meeting
KENT
Who's there, besides foul weather?
Gentleman
One minded like the weather, most unquietly.
KENT
I know you. Where's the king?
Gentleman
Contending with the fretful element:
Bids the winds blow the earth into the sea,
Or swell the curled water 'bove the main,
That things might change or cease; tears his white hair,
Which the impetuous blasts, with eyeless rage,
Catch in their fury, and make nothing of;
Strives in his little world of man to out-scorn
The to-and-fro-conflicting wind and rain.
This night, wherein the cub-drawn bear would couch,
The lion and the belly-pinched wolf
Keep their fur dry, unbonneted he runs,
And bids what will take all.
KENT
But who is with him?
Gentleman
None but the fool; who labours to out-jest
His heart-struck injuries.
KENT
Sir, I do know you;
And dare, upon the warrant of my note,
Commend a dear thing to you. There is division,
Although as yet the face of it be cover'd
With mutual cunning, 'twixt Albany and Cornwall;
Who have--as who have not, that their great stars
Throned and set high?--servants, who seem no less,
Which are to France the spies and speculations
Intelligent of our state; what hath been seen,
Either in snuffs and packings of the dukes,
Or the hard rein which both of them have borne
Against the old kind king; or something deeper,
Whereof perchance these are but furnishings;
But, true it is, from France there comes a power
Into this scatter'd kingdom; who already,
Wise in our negligence, have secret feet
In some of our best ports, and are at point
To show their open banner. Now to you:
If on my credit you dare build so far
To make your speed to Dover, you shall find
Some that will thank you, making just report
Of how unnatural and bemadding sorrow
The king hath cause to plain.
I am a gentleman of blood and breeding;
And, from some knowledge and assurance, offer
This office to you.
Gentleman
I will talk further with you.
KENT
No, do not.
For confirmation that I am much more
Than my out-wall, open this purse, and take
What it contains. If you shall see Cordelia,--
As fear not but you shall,--show her this ring;
And she will tell you who your fellow is
That yet you do not know. Fie on this storm!
I will go seek the king.
Gentleman
Give me your hand: have you no more to say?
KENT
Few words, but, to effect, more than all yet;
That, when we have found the king,--in which your pain
That way, I'll this,--he that first lights on him
Holla the other.
Exeunt severally
SCENE II. Another part of the heath. Storm still.
Enter KING LEAR and Fool
KING LEAR
Blow, winds, and crack your cheeks! rage! blow!
You cataracts and hurricanoes, spout
Till you have drench'd our steeples, drown'd the cocks!
You sulphurous and thought-executing fires,
Vaunt-couriers to oak-cleaving thunderbolts,
Singe my white head! And thou, all-shaking thunder,
Smite flat the thick rotundity o' the world!
Crack nature's moulds, an germens spill at once,
That make ingrateful man!
Fool
O nuncle, court holy-water in a dry
house is better than this rain-water out o' door.
Good nuncle, in, and ask thy daughters' blessing:
here's a night pities neither wise man nor fool.
KING LEAR
Rumble thy bellyful! Spit, fire! spout, rain!
Nor rain, wind, thunder, fire, are my daughters:
I tax not you, you elements, with unkindness;
I never gave you kingdom, call'd you children,
You owe me no sub******ion: then let fall
Your horrible pleasure: here I stand, your slave,
A poor, infirm, weak, and despised old man:
But yet I call you servile ministers,
That have with two pernicious daughters join'd
Your high engender'd battles 'gainst a head
So old and white as this. O! O! 'tis foul!
Fool
He that has a house to put's head in has a good
head-piece.
The cod-piece that will house
Before the head has any,
The head and he shall louse;
So beggars marry many.
The man that makes his toe
What he his heart should make
Shall of a corn cry woe,
And turn his sleep to wake.
For there was never yet fair woman but she made
mouths in a glass.
KING LEAR
No, I will be the pattern of all patience;
I will say nothing.
Enter KENT
KENT
Who's there?
Fool
Marry, here's grace and a cod-piece; that's a wise
man and a fool.
KENT
Alas, sir, are you here? things that love night
Love not such nights as these; the wrathful skies
Gallow the very wanderers of the dark,
And make them keep their caves: since I was man,
Such sheets of fire, such bursts of horrid thunder,
Such groans of roaring wind and rain, I never
Remember to have heard: man's nature cannot carry
The affliction nor the fear.
KING LEAR
Let the great gods,
That keep this dreadful pother o'er our heads,
Find out their enemies now. Tremble, thou wretch,
That hast within thee undivulged crimes,
Unwhipp'd of justice: hide thee, thou bloody hand;
Thou perjured, and thou simular man of virtue
That art incestuous: caitiff, to pieces shake,
That under covert and convenient seeming
Hast practised on man's life: close pent-up guilts,
Rive your concealing continents, and cry
These dreadful summoners grace. I am a man
More sinn'd against than sinning.
KENT
Alack, bare-headed!
Gracious my lord, hard by here is a hovel;
Some friendship will it lend you 'gainst the tempest:
Repose you there; while I to this hard house--
More harder than the stones whereof 'tis raised;
Which even but now, demanding after you,
Denied me to come in--return, and force
Their scanted courtesy.
KING LEAR
My wits begin to turn.
Come on, my boy: how dost, my boy? art cold?
I am cold myself. Where is this straw, my fellow?
The art of our necessities is strange,
That can make vile things precious. Come,
your hovel.
Poor fool and knave, I have one part in my heart
That's sorry yet for thee.
Fool
[Singing]
He that has and a little tiny wit--
With hey, ho, the wind and the rain,--
Must make ******* with his fortunes fit,
For the rain it raineth every day.
KING LEAR
True, my good boy. Come, bring us to this hovel.
Exeunt KING LEAR and KENT
Fool
This is a brave night to cool a courtezan.
I'll speak a prophecy ere I go:
When priests are more in word than matter;
When brewers mar their malt with water;
When nobles are their tailors' tutors;
No heretics burn'd, but wenches' suitors;
When every case in law is right;
No squire in debt, nor no poor knight;
When slanders do not live in tongues;
Nor cutpurses come not to throngs;
When usurers tell their gold i' the field;
And bawds and whores do churches build;
Then shall the realm of Albion
Come to great confusion:
Then comes the time, who lives to see't,
That going shall be used with feet.
This prophecy Merlin shall make; for I live before his time.
Exit


أرب جمـال 5 - 11 - 2009 06:16 PM

King Lear: Entire PlaySCENE III. Gloucester's castle.
Enter GLOUCESTER and EDMUND
GLOUCESTER
Alack, alack, Edmund, I like not this unnatural
dealing. When I desire their leave that I might
pity him, they took from me the use of mine own
house; charged me, on pain of their perpetual
displeasure, neither to speak of him, entreat for
him, nor any way sustain him.
EDMUND
Most savage and unnatural!
GLOUCESTER
Go to; say you nothing. There's a division betwixt
the dukes; and a worse matter than that: I have
received a letter this night; 'tis dangerous to be
spoken; I have locked the letter in my closet:
these injuries the king now bears will be revenged
home; there's part of a power already footed: we
must incline to the king. I will seek him, and
privily relieve him: go you and maintain talk with
the duke, that my charity be not of him perceived:
if he ask for me. I am ill, and gone to bed.
Though I die for it, as no less is threatened me,
the king my old master must be relieved. There is
some strange thing toward, Edmund; pray you, be careful.
Exit
EDMUND
This courtesy, forbid thee, shall the duke
Instantly know; and of that letter too:
This seems a fair deserving, and must draw me
That which my father loses; no less than all:
The younger rises when the old doth fall.
Exit
SCENE IV. The heath. Before a hovel.
Enter KING LEAR, KENT, and Fool
KENT
Here is the place, my lord; good my lord, enter:
The tyranny of the open night's too rough
For nature to endure.
Storm still
KING LEAR
Let me alone.
KENT
Good my lord, enter here.
KING LEAR
Wilt break my heart?
KENT
I had rather break mine own. Good my lord, enter.
KING LEAR
Thou think'st 'tis much that this *******ious storm
Invades us to the skin: so 'tis to thee;
But where the greater malady is fix'd,
The lesser is scarce felt. Thou'ldst shun a bear;
But if thy flight lay toward the raging sea,
Thou'ldst meet the bear i' the mouth. When the
mind's free,
The body's delicate: the tempest in my mind
Doth from my senses take all feeling else
Save what beats there. Filial ingratitude!
Is it not as this mouth should tear this hand
For lifting food to't? But I will punish home:
No, I will weep no more. In such a night
To shut me out! Pour on; I will endure.
In such a night as this! O Regan, Goneril!
Your old kind father, whose frank heart gave all,--
O, that way madness lies; let me shun that;
No more of that.
KENT
Good my lord, enter here.
KING LEAR
Prithee, go in thyself: seek thine own ease:
This tempest will not give me leave to ponder
On things would hurt me more. But I'll go in.
To the Fool
In, boy; go first. You houseless poverty,--
Nay, get thee in. I'll pray, and then I'll sleep.
Fool goes in
Poor naked wretches, whereso'er you are,
That bide the pelting of this pitiless storm,
How shall your houseless heads and unfed sides,
Your loop'd and window'd raggedness, defend you
From seasons such as these? O, I have ta'en
Too little care of this! Take physic, pomp;
Expose thyself to feel what wretches feel,
That thou mayst shake the superflux to them,
And show the heavens more just.
EDGAR
[Within] Fathom and half, fathom and half! Poor Tom!
The Fool runs out from the hovel
Fool
Come not in here, nuncle, here's a spirit
Help me, help me!
KENT
Give me thy hand. Who's there?
Fool
A spirit, a spirit: he says his name's poor Tom.
KENT
What art thou that dost grumble there i' the straw?
Come forth.
Enter EDGAR disguised as a mad man
EDGAR
Away! the foul fiend follows me!
Through the sharp hawthorn blows the cold wind.
Hum! go to thy cold bed, and warm thee.
KING LEAR
Hast thou given all to thy two daughters?
And art thou come to this?
EDGAR
Who gives any thing to poor Tom? whom the foul
fiend hath led through fire and through flame, and
through ford and whirlipool e'er bog and quagmire;
that hath laid knives under his pillow, and halters
in his pew; set ratsbane by his porridge; made film
proud of heart, to ride on a bay trotting-horse over
four-inched bridges, to course his own shadow for a
traitor. Bless thy five wits! Tom's a-cold,--O, do
de, do de, do de. Bless thee from whirlwinds,
star-blasting, and taking! Do poor Tom some
charity, whom the foul fiend vexes: there could I
have him now,--and there,--and there again, and there.
Storm still
KING LEAR
What, have his daughters brought him to this pass?
Couldst thou save nothing? Didst thou give them all?
Fool
Nay, he reserved a blanket, else we had been all shamed.
KING LEAR
Now, all the plagues that in the pendulous air
Hang fated o'er men's faults light on thy daughters!
KENT
He hath no daughters, sir.
KING LEAR
Death, traitor! nothing could have subdued nature
To such a lowness but his unkind daughters.
Is it the fashion, that discarded fathers
Should have thus little mercy on their flesh?
Judicious punishment! 'twas this flesh begot
Those pelican daughters.
EDGAR
Pillicock sat on Pillicock-hill:
Halloo, halloo, loo, loo!
Fool
This cold night will turn us all to fools and madmen.
EDGAR
Take heed o' the foul fiend: obey thy parents;
keep thy word justly; swear not; commit not with
man's sworn spouse; set not thy sweet heart on proud
array. Tom's a-cold.
KING LEAR
What hast thou been?
EDGAR
A serving-man, proud in heart and mind; that curled
my hair; wore gloves in my cap; served the lust of
my mistress' heart, and did the act of darkness with
her; swore as many oaths as I spake words, and
broke them in the sweet face of heaven: one that
slept in the contriving of lust, and waked to do it:
wine loved I deeply, dice dearly: and in woman
out-paramoured the Turk: false of heart, light of
ear, bloody of hand; hog in sloth, fox in stealth,
wolf in greediness, dog in madness, lion in prey.
Let not the creaking of shoes nor the rustling of
silks betray thy poor heart to woman: keep thy foot
out of brothels, thy hand out of plackets, thy pen
from lenders' books, and defy the foul fiend.
Still through the hawthorn blows the cold wind:
Says suum, mun, ha, no, nonny.
Dolphin my boy, my boy, sessa! let him trot by.
Storm still
KING LEAR
Why, thou wert better in thy grave than to answer
with thy uncovered body this extremity of the skies.
Is man no more than this? Consider him well. Thou
owest the worm no silk, the beast no hide, the sheep
no wool, the cat no perfume. Ha! here's three on
's are sophisticated! Thou art the thing itself:
unaccommodated man is no more but such a poor bare,
forked animal as thou art. Off, off, you lendings!
come unbutton here.
Tearing off his clothes
Fool
Prithee, nuncle, be *******ed; 'tis a naughty night
to swim in. Now a little fire in a wild field were
like an old lecher's heart; a small spark, all the
rest on's body cold. Look, here comes a walking fire.
Enter GLOUCESTER, with a torch
EDGAR
This is the foul fiend Flibbertigibbet: he begins
at curfew, and walks till the first cock; he gives
the *** and the pin, squints the eye, and makes the
hare-lip; mildews the white wheat, and hurts the
poor creature of earth.
S. Withold footed thrice the old;
He met the night-mare, and her nine-fold;
Bid her alight,
And her troth plight,
And, aroint thee, witch, aroint thee!
KENT
How fares your grace?
KING LEAR
What's he?
KENT
Who's there? What is't you seek?
GLOUCESTER
What are you there? Your names?
EDGAR
Poor Tom; that eats the swimming frog, the toad,
the tadpole, the wall-newt and the water; that in
the fury of his heart, when the foul fiend rages,
eats cow-dung for sallets; swallows the old rat and
the ditch-dog; drinks the green mantle of the
standing pool; who is whipped from tithing to
tithing, and stock- punished, and imprisoned; who
hath had three suits to his back, six shirts to his
body, horse to ride, and weapon to wear;
But mice and rats, and such small deer,
Have been Tom's food for seven long year.
Beware my follower. Peace, Smulkin; peace, thou fiend!
GLOUCESTER
What, hath your grace no better company?
EDGAR
The prince of darkness is a gentleman:
Modo he's call'd, and Mahu.
GLOUCESTER
Our flesh and blood is grown so vile, my lord,
That it doth hate what gets it.
EDGAR
Poor Tom's a-cold.
GLOUCESTER
Go in with me: my duty cannot suffer
To obey in all your daughters' hard commands:
Though their injunction be to bar my doors,
And let this tyrannous night take hold upon you,
Yet have I ventured to come seek you out,
And bring you where both fire and food is ready.
KING LEAR
First let me talk with this philosopher.
What is the cause of thunder?
KENT
Good my lord, take his offer; go into the house.
KING LEAR
I'll talk a word with this same learned Theban.
What is your study?
EDGAR
How to prevent the fiend, and to kill vermin.
KING LEAR
Let me ask you one word in private.
KENT
Importune him once more to go, my lord;
His wits begin to unsettle.
GLOUCESTER
Canst thou blame him?
Storm still
His daughters seek his death: ah, that good Kent!
He said it would be thus, poor banish'd man!
Thou say'st the king grows mad; I'll tell thee, friend,
I am almost mad myself: I had a son,
Now outlaw'd from my blood; he sought my life,
But lately, very late: I loved him, friend;
No father his son dearer: truth to tell thee,
The grief hath crazed my wits. What a night's this!
I do beseech your grace,--
KING LEAR
O, cry your mercy, sir.
Noble philosopher, your company.
EDGAR
Tom's a-cold.
GLOUCESTER
In, fellow, there, into the hovel: keep thee warm.
KING LEAR
Come let's in all.
KENT
This way, my lord.
KING LEAR
With him;
I will keep still with my philosopher.
KENT
Good my lord, soothe him; let him take the fellow.
GLOUCESTER
Take him you on.
KENT
Sirrah, come on; go along with us.
KING LEAR
Come, good Athenian.
GLOUCESTER
No words, no words: hush.
EDGAR
Child Rowland to the dark tower came,
His word was still,--Fie, foh, and fum,
I smell the blood of a British man.
Exeunt
SCENE V. Gloucester's castle.
Enter CORNWALL and EDMUND
CORNWALL
I will have my revenge ere I depart his house.
EDMUND
How, my lord, I may be censured, that nature thus
gives way to loyalty, something fears me to think
of.
CORNWALL
I now perceive, it was not altogether your
brother's evil disposition made him seek his death;
but a provoking merit, set a-work by a reprovable
badness in himself.
EDMUND
How malicious is my fortune, that I must repent to
be just! This is the letter he spoke of, which
approves him an intelligent party to the advantages
of France: O heavens! that this treason were not,
or not I the detector!
CORNWALL
o with me to the duchess.
EDMUND
If the matter of this paper be certain, you have
mighty business in hand.
CORNWALL
True or false, it hath made thee earl of
Gloucester. Seek out where thy father is, that he
may be ready for our apprehension.
EDMUND
[Aside] If I find him comforting the king, it will
stuff his suspicion more fully.--I will persevere in
my course of loyalty, though the conflict be sore
between that and my blood.
CORNWALL
I will lay trust upon thee; and thou shalt find a
dearer father in my love.
Exeunt
SCENE VI. A chamber in a farmhouse adjoining the castle.
Enter GLOUCESTER, KING LEAR, KENT, Fool, and EDGAR
GLOUCESTER
Here is better than the open air; take it
thankfully. I will piece out the comfort with what
addition I can: I will not be long from you.
KENT
All the power of his wits have given way to his
impatience: the gods reward your kindness!
Exit GLOUCESTER
EDGAR
Frateretto calls me; and tells me
Nero is an angler in the lake of darkness.
Pray, innocent, and beware the foul fiend.
Fool
Prithee, nuncle, tell me whether a madman be a
gentleman or a yeoman?
KING LEAR
A king, a king!
Fool
No, he's a yeoman that has a gentleman to his son;
for he's a mad yeoman that sees his son a gentleman
before him.
KING LEAR
To have a thousand with red burning spits
Come hissing in upon 'em,--
EDGAR
The foul fiend bites my back.
Fool
He's mad that trusts in the tameness of a wolf, a
horse's health, a boy's love, or a whore's oath.
KING LEAR
It shall be done; I will arraign them straight.
To EDGAR
Come, sit thou here, most learned justicer;
To the Fool
Thou, sapient sir, sit here. Now, you she foxes!
EDGAR
Look, where he stands and glares!
Wantest thou eyes at trial, madam?
Come o'er the bourn, Bessy, to me,--
Fool
Her boat hath a leak,
And she must not speak
Why she dares not come over to thee.
EDGAR
The foul fiend haunts poor Tom in the voice of a
nightingale. Hopdance cries in Tom's belly for two
white herring. Croak not, black angel; I have no
food for thee.
KENT
How do you, sir? Stand you not so amazed:
Will you lie down and rest upon the cushions?
KING LEAR
I'll see their trial first. Bring in the evidence.
To EDGAR
Thou robed man of justice, take thy place;
To the Fool
And thou, his yoke-fellow of equity,
Bench by his side:
To KENT
you are o' the commission,
Sit you too.
EDGAR
Let us deal justly.
Sleepest or wakest thou, jolly shepherd?
Thy sheep be in the corn;
And for one blast of thy minikin mouth,
Thy sheep shall take no harm.
Pur! the cat is gray.
KING LEAR
Arraign her first; 'tis Goneril. I here take my
oath before this honourable assembly, she kicked the
poor king her father.
Fool
Come hither, mistress. Is your name Goneril?
KING LEAR
She cannot deny it.
Fool
Cry you mercy, I took you for a joint-stool.
KING LEAR
And here's another, whose warp'd looks proclaim
What store her heart is made on. Stop her there!
Arms, arms, sword, fire! Corruption in the place!
False justicer, why hast thou let her 'scape?
EDGAR
Bless thy five wits!
KENT
O pity! Sir, where is the patience now,
That thou so oft have boasted to retain?
EDGAR
[Aside] My tears begin to take his part so much,
They'll mar my counterfeiting.
KING LEAR
The little dogs and all, Tray, Blanch, and
Sweet-heart, see, they bark at me.
EDGAR
Tom will throw his head at them. Avaunt, you curs!
Be thy mouth or black or white,
Tooth that poisons if it bite;
Mastiff, grey-hound, mongrel grim,
Hound or spaniel, brach or lym,
Or bobtail tike or trundle-tail,
Tom will make them weep and wail:
For, with throwing thus my head,
Dogs leap the hatch, and all are fled.
Do de, de, de. Sessa! Come, march to wakes and
fairs and market-towns. Poor Tom, thy horn is dry.
KING LEAR
Then let them anatomize Regan; see what breeds
about her heart. Is there any cause in nature that
makes these hard hearts?
To EDGAR
You, sir, I entertain for one of my hundred; only I
do not like the fashion of your garments: you will
say they are Persian attire: but let them be changed.
KENT
Now, good my lord, lie here and rest awhile.
KING LEAR
Make no noise, make no noise; draw the curtains:
so, so, so. We'll go to supper i' he morning. So, so, so.
Fool
And I'll go to bed at noon.
Re-enter GLOUCESTER


أرب جمـال 5 - 11 - 2009 06:17 PM

King Lear: Entire PlayGLOUCESTER
Come hither, friend: where is the king my master?
KENT
Here, sir; but trouble him not, his wits are gone.
GLOUCESTER
Good friend, I prithee, take him in thy arms;
I have o'erheard a plot of death upon him:
There is a litter ready; lay him in 't,
And drive towards Dover, friend, where thou shalt meet
Both welcome and protection. Take up thy master:
If thou shouldst dally half an hour, his life,
With thine, and all that offer to defend him,
Stand in assured loss: take up, take up;
And follow me, that will to some provision
Give thee quick conduct.
KENT
Oppressed nature sleeps:
This rest might yet have balm'd thy broken senses,
Which, if convenience will not allow,
Stand in hard cure.
To the Fool
Come, help to bear thy master;
Thou must not stay behind.
GLOUCESTER
Come, come, away.
Exeunt all but EDGAR
EDGAR
When we our betters see bearing our woes,
We scarcely think our miseries our foes.
Who alone suffers suffers most i' the mind,
Leaving free things and happy shows behind:
But then the mind much sufferance doth o'er skip,
When grief hath mates, and bearing fellowship.
How light and portable my pain seems now,
When that which makes me bend makes the king bow,
He childed as I father'd! Tom, away!
Mark the high noises; and thyself bewray,
When false opinion, whose wrong thought defiles thee,
In thy just proof, repeals and reconciles thee.
What will hap more to-night, safe 'scape the king!
Lurk, lurk.
Exit
SCENE VII. Gloucester's castle.
Enter CORNWALL, REGAN, GONERIL, EDMUND, and Servants
CORNWALL
Post speedily to my lord your husband; show him
this letter: the army of France is landed. Seek
out the villain Gloucester.
Exeunt some of the Servants
REGAN
Hang him instantly.
GONERIL
Pluck out his eyes.
CORNWALL
Leave him to my displeasure. Edmund, keep you our
sister company: the revenges we are bound to take
upon your traitorous father are not fit for your
beholding. Advise the duke, where you are going, to
a most festinate preparation: we are bound to the
like. Our posts shall be swift and intelligent
betwixt us. Farewell, dear sister: farewell, my
lord of Gloucester.
Enter OSWALD
How now! where's the king?
OSWALD
My lord of Gloucester hath convey'd him hence:
Some five or six and thirty of his knights,
Hot questrists after him, met him at gate;
Who, with some other of the lords dependants,
Are gone with him towards Dover; where they boast
To have well-armed friends.
CORNWALL
Get horses for your mistress.
GONERIL
Farewell, sweet lord, and sister.
CORNWALL
Edmund, farewell.
Exeunt GONERIL, EDMUND, and OSWALD
Go seek the traitor Gloucester,
Pinion him like a thief, bring him before us.
Exeunt other Servants
Though well we may not pass upon his life
Without the form of justice, yet our power
Shall do a courtesy to our wrath, which men
May blame, but not control. Who's there? the traitor?
Enter GLOUCESTER, brought in by two or three
REGAN
Ingrateful fox! 'tis he.
CORNWALL
Bind fast his corky arms.
GLOUCESTER
What mean your graces? Good my friends, consider
You are my guests: do me no foul play, friends.
CORNWALL
Bind him, I say.
Servants bind him
REGAN
Hard, hard. O filthy traitor!
GLOUCESTER
Unmerciful lady as you are, I'm none.
CORNWALL
To this chair bind him. Villain, thou shalt find--
REGAN plucks his beard
GLOUCESTER
By the kind gods, 'tis most ignobly done
To pluck me by the beard.
REGAN
So white, and such a traitor!
GLOUCESTER
Naughty lady,
These hairs, which thou dost ravish from my chin,
Will quicken, and accuse thee: I am your host:
With robbers' hands my hospitable favours
You should not ruffle thus. What will you do?
CORNWALL
Come, sir, what letters had you late from France?
REGAN
Be simple answerer, for we know the truth.
CORNWALL
And what confederacy have you with the traitors
Late footed in the kingdom?
REGAN
To whose hands have you sent the lunatic king? Speak.
GLOUCESTER
I have a letter guessingly set down,
Which came from one that's of a neutral heart,
And not from one opposed.
CORNWALL
Cunning.
REGAN
And false.
CORNWALL
Where hast thou sent the king?
GLOUCESTER
To Dover.
REGAN
Wherefore to Dover? Wast thou not charged at peril--
CORNWALL
Wherefore to Dover? Let him first answer that.
GLOUCESTER
I am tied to the stake, and I must stand the course.
REGAN
Wherefore to Dover, sir?
GLOUCESTER
Because I would not see thy cruel nails
Pluck out his poor old eyes; nor thy fierce sister
In his anointed flesh stick boarish fangs.
The sea, with such a storm as his bare head
In hell-black night endured, would have buoy'd up,
And quench'd the stelled fires:
Yet, poor old heart, he holp the heavens to rain.
If wolves had at thy gate howl'd that stern time,
Thou shouldst have said 'Good porter, turn the key,'
All cruels else subscribed: but I shall see
The winged vengeance overtake such children.
CORNWALL
See't shalt thou never. Fellows, hold the chair.
Upon these eyes of thine I'll set my foot.
GLOUCESTER
He that will think to live till he be old,
Give me some help! O cruel! O you gods!
REGAN
One side will mock another; the other too.
CORNWALL
If you see vengeance,--
First Servant
Hold your hand, my lord:
I have served you ever since I was a child;
But better service have I never done you
Than now to bid you hold.
REGAN
How now, you dog!
First Servant
If you did wear a beard upon your chin,
I'd shake it on this quarrel. What do you mean?
CORNWALL
My villain!
They draw and fight
First Servant
Nay, then, come on, and take the chance of anger.
REGAN
Give me thy sword. A peasant stand up thus!
Takes a sword, and runs at him behind
First Servant
O, I am slain! My lord, you have one eye left
To see some mischief on him. O!
Dies
CORNWALL
Lest it see more, prevent it. Out, vile jelly!
Where is thy lustre now?
GLOUCESTER
All dark and comfortless. Where's my son Edmund?
Edmund, enkindle all the sparks of nature,
To quit this horrid act.
REGAN
Out, treacherous villain!
Thou call'st on him that hates thee: it was he
That made the overture of thy treasons to us;
Who is too good to pity thee.
GLOUCESTER
O my follies! then Edgar was abused.
Kind gods, forgive me that, and prosper him!
REGAN
Go thrust him out at gates, and let him smell
His way to Dover.
Exit one with GLOUCESTER
How is't, my lord? how look you?
CORNWALL
I have received a hurt: follow me, lady.
Turn out that eyeless villain; throw this slave
Upon the dunghill. Regan, I bleed apace:
Untimely comes this hurt: give me your arm.
Exit CORNWALL, led by REGAN
Second Servant
I'll never care what wickedness I do,
If this man come to good.
Third Servant
If she live long,
And in the end meet the old course of death,
Women will all turn monsters.
Second Servant
Let's follow the old earl, and get the Bedlam
To lead him where he would: his roguish madness
Allows itself to any thing.
Third Servant
Go thou: I'll fetch some flax and whites of eggs
To apply to his bleeding face. Now, heaven help him!
Exeunt severally
ACT IV

SCENE I. The heath.
Enter EDGAR
EDGAR
Yet better thus, and known to be contemn'd,
Than still contemn'd and flatter'd. To be worst,
The lowest and most dejected thing of fortune,
Stands still in esperance, lives not in fear:
The lamentable change is from the best;
The worst returns to laughter. Welcome, then,
Thou unsubstantial air that I embrace!
The wretch that thou hast blown unto the worst
Owes nothing to thy blasts. But who comes here?
Enter GLOUCESTER, led by an Old Man
My father, poorly led? World, world, O world!
But that thy strange mutations make us hate thee,
Lie would not yield to age.
Old Man
O, my good lord, I have been your tenant, and
your father's tenant, these fourscore years.
GLOUCESTER
Away, get thee away; good friend, be gone:
Thy comforts can do me no good at all;
Thee they may hurt.
Old Man
Alack, sir, you cannot see your way.
GLOUCESTER
I have no way, and therefore want no eyes;
I stumbled when I saw: full oft 'tis seen,
Our means secure us, and our mere defects
Prove our commodities. O dear son Edgar,
The food of thy abused father's wrath!
Might I but live to see thee in my touch,
I'ld say I had eyes again!
Old Man
How now! Who's there?
EDGAR
[Aside] O gods! Who is't can say 'I am at
the worst'?
I am worse than e'er I was.
Old Man
'Tis poor mad Tom.
EDGAR
[Aside] And worse I may be yet: the worst is not
So long as we can say 'This is the worst.'
Old Man
Fellow, where goest?
GLOUCESTER
Is it a beggar-man?
Old Man
Madman and beggar too.
GLOUCESTER
He has some reason, else he could not beg.
I' the last night's storm I such a fellow saw;
Which made me think a man a worm: my son
Came then into my mind; and yet my mind
Was then scarce friends with him: I have heard
more since.
As flies to wanton boys, are we to the gods.
They kill us for their sport.
EDGAR
[Aside] How should this be?
Bad is the trade that must play fool to sorrow,
Angering itself and others.--Bless thee, master!
GLOUCESTER
Is that the naked fellow?
Old Man
Ay, my lord.
GLOUCESTER
Then, prithee, get thee gone: if, for my sake,
Thou wilt o'ertake us, hence a mile or twain,
I' the way toward Dover, do it for ancient love;
And bring some covering for this naked soul,
Who I'll entreat to lead me.
Old Man
Alack, sir, he is mad.
GLOUCESTER
'Tis the times' plague, when madmen lead the blind.
Do as I bid thee, or rather do thy pleasure;
Above the rest, be gone.
Old Man
I'll bring him the best 'parel that I have,
Come on't what will.
Exit
GLOUCESTER
Sirrah, naked fellow,--
EDGAR
Poor Tom's a-cold.
Aside
I cannot daub it further.
GLOUCESTER
Come hither, fellow.
EDGAR
[Aside] And yet I must.--Bless thy sweet eyes, they bleed.
GLOUCESTER
Know'st thou the way to Dover?
EDGAR
Both stile and gate, horse-way and foot-path. Poor
Tom hath been scared out of his good wits: bless
thee, good man's son, from the foul fiend! five
fiends have been in poor Tom at once; of lust, as
Obidicut; Hobbididence, prince of dumbness; Mahu, of
stealing; Modo, of murder; Flibbertigibbet, of
mopping and mowing, who since possesses chambermaids
and waiting-women. So, bless thee, master!
GLOUCESTER
Here, take this purse, thou whom the heavens' plagues
Have humbled to all strokes: that I am wretched
Makes thee the happier: heavens, deal so still!
Let the superfluous and lust-dieted man,
That slaves your ordinance, that will not see
Because he doth not feel, feel your power quickly;
So distribution should undo excess,
And each man have enough. Dost thou know Dover?
EDGAR
Ay, master.
GLOUCESTER
There is a cliff, whose high and bending head
Looks fearfully in the confined deep:
Bring me but to the very brim of it,
And I'll repair the misery thou dost bear
With something rich about me: from that place
I shall no leading need.
EDGAR
Give me thy arm:
Poor Tom shall lead thee.
Exeunt
SCENE II. Before ALBANY's palace.
Enter GONERIL and EDMUND
GONERIL
Welcome, my lord: I marvel our mild husband
Not met us on the way.
Enter OSWALD
Now, where's your master'?
OSWALD
Madam, within; but never man so changed.
I told him of the army that was landed;
He smiled at it: I told him you were coming:
His answer was 'The worse:' of Gloucester's treachery,
And of the loyal service of his son,
When I inform'd him, then he call'd me sot,
And told me I had turn'd the wrong side out:
What most he should dislike seems pleasant to him;
What like, offensive.
GONERIL
[To EDMUND] Then shall you go no further.
It is the cowish terror of his spirit,
That dares not undertake: he'll not feel wrongs
Which tie him to an answer. Our wishes on the way
May prove effects. Back, Edmund, to my brother;
Hasten his musters and conduct his powers:
I must change arms at home, and give the distaff
Into my husband's hands. This trusty servant
Shall pass between us: ere long you are like to hear,
If you dare venture in your own behalf,
A mistress's command. Wear this; spare speech;
Giving a favour
Decline your head: this kiss, if it durst speak,
Would stretch thy spirits up into the air:
Conceive, and fare thee well.
EDMUND
Yours in the ranks of death.
GONERIL
My most dear Gloucester!
Exit EDMUND
O, the difference of man and man!
To thee a woman's services are due:
My fool usurps my body.
OSWALD
Madam, here comes my lord.
Exit
Enter ALBANY
GONERIL
I have been worth the whistle.
ALBANY
O Goneril!
You are not worth the dust which the rude wind
Blows in your face. I fear your disposition:
That nature, which contemns its origin,
Cannot be border'd certain in itself;
She that herself will sliver and disbranch
From her material sap, perforce must wither
And come to deadly use.
GONERIL
No more; the **** is foolish.
ALBANY
Wisdom and goodness to the vile seem vile:
Filths savour but themselves. What have you done?
Tigers, not daughters, what have you perform'd?
A father, and a gracious aged man,
Whose reverence even the head-lugg'd bear would lick,
Most barbarous, most degenerate! have you madded.
Could my good brother suffer you to do it?
A man, a prince, by him so benefited!
If that the heavens do not their visible spirits
Send quickly down to tame these vile offences,
It will come,
Humanity must perforce prey on itself,
Like monsters of the deep.
GONERIL
Milk-liver'd man!
That bear'st a cheek for blows, a head for wrongs;
Who hast not in thy brows an eye discerning
Thine honour from thy suffering; that not know'st
Fools do those villains pity who are punish'd
Ere they have done their mischief. Where's thy drum?
France spreads his banners in our noiseless land;
With plumed helm thy slayer begins threats;
Whiles thou, a moral fool, sit'st still, and criest
'Alack, why does he so?'
ALBANY
See thyself, devil!
Proper deformity seems not in the fiend
So horrid as in woman.
GONERIL
O vain fool!
ALBANY
Thou changed and self-cover'd thing, for shame,
Be-monster not thy feature. Were't my fitness
To let these hands obey my blood,
They are apt enough to dislocate and tear
Thy flesh and bones: howe'er thou art a fiend,
A woman's shape doth shield thee.
GONERIL
Marry, your manhood now--
Enter a Messenger
ALBANY
What news?
Messenger
O, my good lord, the Duke of Cornwall's dead:
Slain by his servant, going to put out
The other eye of Gloucester.
ALBANY
Gloucester's eye!
Messenger
A servant that he bred, thrill'd with remorse,
Opposed against the act, bending his sword
To his great master; who, thereat enraged,
Flew on him, and amongst them fell'd him dead;
But not without that harmful stroke, which since
Hath pluck'd him after.
ALBANY
This shows you are above,
You justicers, that these our nether crimes
So speedily can venge! But, O poor Gloucester!
Lost he his other eye?
Messenger
Both, both, my lord.
This letter, madam, craves a speedy answer;
'Tis from your sister.
GONERIL
[Aside] One way I like this well;
But being widow, and my Gloucester with her,
May all the building in my fancy pluck
Upon my hateful life: another way,
The news is not so tart.--I'll read, and answer.
Exit


أرب جمـال 5 - 11 - 2009 06:19 PM

King Lear: Entire PlayALBANY
Where was his son when they did take his eyes?
Messenger
Come with my lady hither.
ALBANY
He is not here.
Messenger
No, my good lord; I met him back again.
ALBANY
Knows he the wickedness?
Messenger
Ay, my good lord; 'twas he inform'd against him;
And quit the house on purpose, that their punishment
Might have the freer course.
ALBANY
Gloucester, I live
To thank thee for the love thou show'dst the king,
And to revenge thine eyes. Come hither, friend:
Tell me what more thou know'st.
Exeunt
SCENE III. The French camp near Dover.
Enter KENT and a Gentleman
KENT
Why the King of France is so suddenly gone back
know you the reason?
Gentleman
Something he left imperfect in the
state, which since his coming forth is thought
of; which imports to the kingdom so much
fear and danger, that his personal return was
most required and necessary.
KENT
Who hath he left behind him general?
Gentleman
The Marshal of France, Monsieur La Far.
KENT
Did your letters pierce the queen to any
demonstration of grief?
Gentleman
Ay, sir; she took them, read them in my presence;
And now and then an ample tear trill'd down
Her delicate cheek: it seem'd she was a queen
Over her passion; who, most rebel-like,
Sought to be king o'er her.
KENT
O, then it moved her.
Gentleman
Not to a rage: patience and sorrow strove
Who should express her goodliest. You have seen
Sunshine and rain at once: her smiles and tears
Were like a better way: those happy smilets,
That play'd on her ripe lip, seem'd not to know
What guests were in her eyes; which parted thence,
As pearls from diamonds dropp'd. In brief,
Sorrow would be a rarity most beloved,
If all could so become it.
KENT
Made she no verbal question?
Gentleman
'Faith, once or twice she heaved the name of 'father'
Pantingly forth, as if it press'd her heart:
Cried 'Sisters! sisters! Shame of ladies! sisters!
Kent! father! sisters! What, i' the storm? i' the night?
Let pity not be believed!' There she shook
The holy water from her heavenly eyes,
And clamour moisten'd: then away she started
To deal with grief alone.
KENT
It is the stars,
The stars above us, govern our conditions;
Else one self mate and mate could not beget
Such different issues. You spoke not with her since?
Gentleman
No.
KENT
Was this before the king return'd?
Gentleman
No, since.
KENT
Well, sir, the poor distressed Lear's i' the town;
Who sometime, in his better tune, remembers
What we are come about, and by no means
Will yield to see his daughter.
Gentleman
Why, good sir?
KENT
A sovereign shame so elbows him: his own unkindness,
That stripp'd her from his benediction, turn'd her
To foreign casualties, gave her dear rights
To his dog-hearted daughters, these things sting
His mind so venomously, that burning shame
Detains him from Cordelia.
Gentleman
Alack, poor gentleman!
KENT
Of Albany's and Cornwall's powers you heard not?
Gentleman
'Tis so, they are afoot.
KENT
Well, sir, I'll bring you to our master Lear,
And leave you to attend him: some dear cause
Will in concealment wrap me up awhile;
When I am known aright, you shall not grieve
Lending me this acquaintance. I pray you, go
Along with me.
Exeunt
SCENE IV. The same. A tent.
Enter, with drum and colours, CORDELIA, Doctor, and Soldiers
CORDELIA
Alack, 'tis he: why, he was met even now
As mad as the vex'd sea; singing aloud;
Crown'd with rank fumiter and furrow-weeds,
With bur-docks, hemlock, nettles, cuckoo-flowers,
Darnel, and all the idle weeds that grow
In our sustaining corn. A century send forth;
Search every acre in the high-grown field,
And bring him to our eye.
Exit an Officer
What can man's wisdom
In the restoring his bereaved sense?
He that helps him take all my outward worth.
Doctor
There is means, madam:
Our foster-nurse of nature is repose,
The which he lacks; that to provoke in him,
Are many simples operative, whose power
Will close the eye of anguish.
CORDELIA
All blest secrets,
All you unpublish'd virtues of the earth,
Spring with my tears! be aidant and remediate
In the good man's distress! Seek, seek for him;
Lest his ungovern'd rage dissolve the life
That wants the means to lead it.
Enter a Messenger
Messenger
News, madam;
The British powers are marching hitherward.
CORDELIA
'Tis known before; our preparation stands
In expectation of them. O dear father,
It is thy business that I go about;
Therefore great France
My mourning and important tears hath pitied.
No blown ambition doth our arms incite,
But love, dear love, and our aged father's right:
Soon may I hear and see him!
Exeunt
SCENE V. Gloucester's castle.
Enter REGAN and OSWALD
REGAN
But are my brother's powers set forth?
OSWALD
Ay, madam.
REGAN
Himself in person there?
OSWALD
Madam, with much ado:
Your sister is the better soldier.
REGAN
Lord Edmund spake not with your lord at home?
OSWALD
No, madam.
REGAN
What might import my sister's letter to him?
OSWALD
I know not, lady.
REGAN
'Faith, he is posted hence on serious matter.
It was great ignorance, Gloucester's eyes being out,
To let him live: where he arrives he moves
All hearts against us: Edmund, I think, is gone,
In pity of his misery, to dispatch
His nighted life: moreover, to descry
The strength o' the enemy.
OSWALD
I must needs after him, madam, with my letter.
REGAN
Our troops set forth to-morrow: stay with us;
The ways are dangerous.
OSWALD
I may not, madam:
My lady charged my duty in this business.
REGAN
Why should she write to Edmund? Might not you
Transport her purposes by word? Belike,
Something--I know not what: I'll love thee much,
Let me unseal the letter.
OSWALD
Madam, I had rather--
REGAN
I know your lady does not love her husband;
I am sure of that: and at her late being here
She gave strange oeillades and most speaking looks
To noble Edmund. I know you are of her bosom.
OSWALD
I, madam?
REGAN
I speak in understanding; you are; I know't:
Therefore I do advise you, take this note:
My lord is dead; Edmund and I have talk'd;
And more convenient is he for my hand
Than for your lady's: you may gather more.
If you do find him, pray you, give him this;
And when your mistress hears thus much from you,
I pray, desire her call her wisdom to her.
So, fare you well.
If you do chance to hear of that blind traitor,
Preferment falls on him that cuts him off.
OSWALD
Would I could meet him, madam! I should show
What party I do follow.
REGAN
Fare thee well.
Exeunt
SCENE VI. Fields near Dover.
Enter GLOUCESTER, and EDGAR dressed like a peasant
GLOUCESTER
When shall we come to the top of that same hill?
EDGAR
You do climb up it now: look, how we labour.
GLOUCESTER
Methinks the ground is even.
EDGAR
Horrible steep.
Hark, do you hear the sea?
GLOUCESTER
No, truly.
EDGAR
Why, then, your other senses grow imperfect
By your eyes' anguish.
GLOUCESTER
So may it be, indeed:
Methinks thy voice is alter'd; and thou speak'st
In better phrase and matter than thou didst.
EDGAR
You're much deceived: in nothing am I changed
But in my garments.
GLOUCESTER
Methinks you're better spoken.
EDGAR
Come on, sir; here's the place: stand still. How fearful
And dizzy 'tis, to cast one's eyes so low!
The crows and choughs that wing the midway air
Show scarce so gross as beetles: half way down
Hangs one that gathers samphire, dreadful trade!
Methinks he seems no bigger than his head:
The fishermen, that walk upon the beach,
Appear like mice; and yond tall anchoring bark,
Diminish'd to her cock; her cock, a buoy
Almost too small for sight: the murmuring surge,
That on the unnumber'd idle pebbles chafes,
Cannot be heard so high. I'll look no more;
Lest my brain turn, and the deficient sight
Topple down headlong.
GLOUCESTER
Set me where you stand.
EDGAR
Give me your hand: you are now within a foot
Of the extreme verge: for all beneath the moon
Would I not leap upright.
GLOUCESTER
Let go my hand.
Here, friend, 's another purse; in it a jewel
Well worth a poor man's taking: fairies and gods
Prosper it with thee! Go thou farther off;
Bid me farewell, and let me hear thee going.
EDGAR
Now fare you well, good sir.
GLOUCESTER
With all my heart.
EDGAR
Why I do trifle thus with his despair
Is done to cure it.
GLOUCESTER
[Kneeling] O you mighty gods!
This world I do renounce, and, in your sights,
Shake patiently my great affliction off:
If I could bear it longer, and not fall
To quarrel with your great opposeless wills,
My snuff and loathed part of nature should
Burn itself out. If Edgar live, O, bless him!
Now, fellow, fare thee well.
He falls forward
EDGAR
Gone, sir: farewell.
And yet I know not how conceit may rob
The treasury of life, when life itself
Yields to the theft: had he been where he thought,
By this, had thought been past. Alive or dead?
Ho, you sir! friend! Hear you, sir! speak!
Thus might he pass indeed: yet he revives.
What are you, sir?
GLOUCESTER
Away, and let me die.
EDGAR
Hadst thou been aught but gossamer, feathers, air,
So many fathom down precipitating,
Thou'dst shiver'd like an egg: but thou dost breathe;
Hast heavy substance; bleed'st not; speak'st; art sound.
Ten masts at each make not the altitude
Which thou hast perpendicularly fell:
Thy life's a miracle. Speak yet again.
GLOUCESTER
But have I fall'n, or no?
EDGAR
From the dread summit of this chalky bourn.
Look up a-height; the shrill-gorged lark so far
Cannot be seen or heard: do but look up.
GLOUCESTER
Alack, I have no eyes.
Is wretchedness deprived that benefit,
To end itself by death? 'Twas yet some comfort,
When misery could beguile the tyrant's rage,
And frustrate his proud will.
EDGAR
Give me your arm:
Up: so. How is 't? Feel you your legs? You stand.
GLOUCESTER
Too well, too well.
EDGAR
This is above all strangeness.
Upon the crown o' the cliff, what thing was that
Which parted from you?
GLOUCESTER
A poor unfortunate beggar.
EDGAR
As I stood here below, methought his eyes
Were two full moons; he had a thousand noses,
Horns whelk'd and waved like the enridged sea:
It was some fiend; therefore, thou happy father,
Think that the clearest gods, who make them honours
Of men's impossibilities, have preserved thee.
GLOUCESTER
I do remember now: henceforth I'll bear
Affliction till it do cry out itself
'Enough, enough,' and die. That thing you speak of,
I took it for a man; often 'twould say
'The fiend, the fiend:' he led me to that place.
EDGAR
Bear free and patient thoughts. But who comes here?
Enter KING LEAR, fantastically dressed with wild flowers
The safer sense will ne'er accommodate
His master thus.
KING LEAR
No, they cannot touch me for coining; I am the
king himself.
EDGAR
O thou side-piercing sight!
KING LEAR
Nature's above art in that respect. There's your
press-money. That fellow handles his bow like a
crow-keeper: draw me a clothier's yard. Look,
look, a mouse! Peace, peace; this piece of toasted
cheese will do 't. There's my gauntlet; I'll prove
it on a giant. Bring up the brown bills. O, well
flown, bird! i' the clout, i' the clout: hewgh!
Give the word.
EDGAR
Sweet marjoram.
KING LEAR
Pass.
GLOUCESTER
I know that voice.
KING LEAR
Ha! Goneril, with a white beard! They flattered
me like a dog; and told me I had white hairs in my
beard ere the black ones were there. To say 'ay'
and 'no' to every thing that I said!--'Ay' and 'no'
too was no good divinity. When the rain came to
wet me once, and the wind to make me chatter; when
the thunder would not peace at my bidding; there I
found 'em, there I smelt 'em out. Go to, they are
not men o' their words: they told me I was every
thing; 'tis a lie, I am not ague-proof.
GLOUCESTER
The trick of that voice I do well remember:
Is 't not the king?
KING LEAR
Ay, every inch a king:
When I do stare, see how the subject quakes.
I pardon that man's life. What was thy cause? Adultery?
Thou shalt not die: die for adultery! No:
The wren goes to 't, and the small gilded fly
Does lecher in my sight.
Let copulation thrive; for Gloucester's bastard son
Was kinder to his father than my daughters
Got 'tween the lawful sheets.
To 't, luxury, pell-mell! for I lack soldiers.
Behold yond simpering dame,
Whose face between her forks presages snow;
That minces virtue, and does shake the head
To hear of pleasure's name;
The fitchew, nor the soiled horse, goes to 't
With a more riotous appetite.
Down from the waist they are Centaurs,
Though women all above:
But to the girdle do the gods inherit,
Beneath is all the fiends';
There's hell, there's darkness, there's the
sulphurous pit,
Burning, scalding, stench, consumption; fie,
fie, fie! pah, pah! Give me an ounce of civet,
good apothecary, to sweeten my imagination:
there's money for thee.
GLOUCESTER
O, let me kiss that hand!
KING LEAR
Let me wipe it first; it smells of mortality.
GLOUCESTER
O ruin'd piece of nature! This great world
Shall so wear out to nought. Dost thou know me?
KING LEAR
I remember thine eyes well enough. Dost thou squiny
at me? No, do thy worst, blind Cupid! I'll not
love. Read thou this challenge; mark but the
penning of it.
GLOUCESTER
Were all the letters suns, I could not see one.
EDGAR
I would not take this from report; it is,
And my heart breaks at it.
KING LEAR
Read.
GLOUCESTER
What, with the case of eyes?
KING LEAR
O, ho, are you there with me? No eyes in your
head, nor no money in your purse? Your eyes are in
a heavy case, your purse in a light; yet you see how
this world goes.
GLOUCESTER
I see it feelingly.
KING LEAR
What, art mad? A man may see how this world goes
with no eyes. Look with thine ears: see how yond
justice rails upon yond simple thief. Hark, in
thine ear: change places; and, handy-dandy, which
is the justice, which is the thief? Thou hast seen
a farmer's dog bark at a beggar?
GLOUCESTER
Ay, sir.
KING LEAR
And the creature run from the cur? There thou
mightst behold the great image of authority: a
dog's obeyed in office.
Thou rascal beadle, hold thy bloody hand!
Why dost thou lash that whore? Strip thine own back;
Thou hotly lust'st to use her in that kind
For which thou whipp'st her. The usurer hangs the cozener.
Through tatter'd clothes small vices do appear;
Robes and furr'd gowns hide all. Plate sin with gold,
And the strong lance of justice hurtless breaks:
Arm it in rags, a pigmy's straw does pierce it.
None does offend, none, I say, none; I'll able 'em:
Take that of me, my friend, who have the power
To seal the accuser's lips. Get thee glass eyes;
And like a scurvy politician, seem
To see the things thou dost not. Now, now, now, now:
Pull off my boots: harder, harder: so.
EDGAR
O, matter and impertinency mix'd! Reason in madness!
KING LEAR
If thou wilt weep my fortunes, take my eyes.
I know thee well enough; thy name is Gloucester:
Thou must be patient; we came crying hither:
Thou know'st, the first time that we smell the air,
We wawl and cry. I will preach to thee: mark.
GLOUCESTER
Alack, alack the day!
KING LEAR
When we are born, we cry that we are come
To this great stage of fools: this a good block;
It were a delicate stratagem, to shoe
A troop of horse with felt: I'll put 't in proof;
And when I have stol'n upon these sons-in-law,
Then, kill, kill, kill, kill, kill, kill!
Enter a Gentleman, with Attendants
Gentleman
O, here he is: lay hand upon him. Sir,
Your most dear daughter--
KING LEAR
No rescue? What, a prisoner? I am even
The natural fool of fortune. Use me well;
You shall have ransom. Let me have surgeons;
I am cut to the brains.
Gentleman
You shall have any thing.


أرب جمـال 5 - 11 - 2009 06:20 PM

King Lear: Entire PlayKING LEAR
No seconds? all myself?
Why, this would make a man a man of salt,
To use his eyes for garden water-pots,
Ay, and laying autumn's dust.
Gentleman
Good sir,--
KING LEAR
I will die bravely, like a bridegroom. What!
I will be jovial: come, come; I am a king,
My masters, know you that.
Gentleman
You are a royal one, and we obey you.
KING LEAR
Then there's life in't. Nay, if you get it, you
shall get it with running. Sa, sa, sa, sa.
Exit running; Attendants follow
Gentleman
A sight most pitiful in the meanest wretch,
Past speaking of in a king! Thou hast one daughter,
Who redeems nature from the general curse
Which twain have brought her to.
EDGAR
Hail, gentle sir.
Gentleman
Sir, speed you: what's your will?
EDGAR
Do you hear aught, sir, of a battle toward?
Gentleman
Most sure and vulgar: every one hears that,
Which can distinguish sound.
EDGAR
But, by your favour,
How near's the other army?
Gentleman
Near and on speedy foot; the main descry
Stands on the hourly thought.
EDGAR
I thank you, sir: that's all.
Gentleman
Though that the queen on special cause is here,
Her army is moved on.
EDGAR
I thank you, sir.
Exit Gentleman
GLOUCESTER
You ever-gentle gods, take my breath from me:
Let not my worser spirit tempt me again
To die before you please!
EDGAR
Well pray you, father.
GLOUCESTER
Now, good sir, what are you?
EDGAR
A most poor man, made tame to fortune's blows;
Who, by the art of known and feeling sorrows,
Am pregnant to good pity. Give me your hand,
I'll lead you to some biding.
GLOUCESTER
Hearty thanks:
The bounty and the benison of heaven
To boot, and boot!
Enter OSWALD
OSWALD
A proclaim'd prize! Most happy!
That eyeless head of thine was first framed flesh
To raise my fortunes. Thou old unhappy traitor,
Briefly thyself remember: the sword is out
That must destroy thee.
GLOUCESTER
Now let thy friendly hand
Put strength enough to't.
EDGAR interposes
OSWALD
Wherefore, bold peasant,
Darest thou support a publish'd traitor? Hence;
Lest that the infection of his fortune take
Like hold on thee. Let go his arm.
EDGAR
Ch'ill not let go, zir, without vurther 'casion.
OSWALD
Let go, slave, or thou diest!
EDGAR
Good gentleman, go your gait, and let poor volk
pass. An chud ha' bin zwaggered out of my life,
'twould not ha' bin zo long as 'tis by a vortnight.
Nay, come not near th' old man; keep out, che vor
ye, or ise try whether your costard or my ballow be
the harder: ch'ill be plain with you.
OSWALD
Out, dunghill!
EDGAR
Ch'ill pick your teeth, zir: come; no matter vor
your foins.
They fight, and EDGAR knocks him down
OSWALD
Slave, thou hast slain me: villain, take my purse:
If ever thou wilt thrive, bury my body;
And give the letters which thou find'st about me
To Edmund earl of Gloucester; seek him out
Upon the British party: O, untimely death!
Dies
EDGAR
I know thee well: a serviceable villain;
As duteous to the vices of thy mistress
As badness would desire.
GLOUCESTER
What, is he dead?
EDGAR
Sit you down, father; rest you
Let's see these pockets: the letters that he speaks of
May be my friends. He's dead; I am only sorry
He had no other death's-man. Let us see:
Leave, gentle wax; and, manners, blame us not:
To know our enemies' minds, we'ld rip their hearts;
Their papers, is more lawful.
Reads
'Let our reciprocal vows be remembered. You have
many opportunities to cut him off: if your will
want not, time and place will be fruitfully offered.
There is nothing done, if he return the conqueror:
then am I the prisoner, and his bed my goal; from
the loathed warmth whereof deliver me, and supply
the place for your labour.
'Your--wife, so I would say--
'Affectionate servant,
'GONERIL.'
O undistinguish'd space of woman's will!
A plot upon her virtuous husband's life;
And the exchange my brother! Here, in the sands,
Thee I'll rake up, the post unsanctified
Of murderous lechers: and in the mature time
With this ungracious paper strike the sight
Of the death practised duke: for him 'tis well
That of thy death and business I can tell.
GLOUCESTER
The king is mad: how stiff is my vile sense,
That I stand up, and have ingenious feeling
Of my huge sorrows! Better I were distract:
So should my thoughts be sever'd from my griefs,
And woes by wrong imaginations lose
The knowledge of themselves.
EDGAR
Give me your hand:
Drum afar off
Far off, methinks, I hear the beaten drum:
Come, father, I'll bestow you with a friend.
Exeunt
SCENE VII. A tent in the French camp. LEAR on a bed asleep,
soft music playing; Gentleman, and others attending.
Enter CORDELIA, KENT, and Doctor
CORDELIA
O thou good Kent, how shall I live and work,
To match thy goodness? My life will be too short,
And every measure fail me.
KENT
To be acknowledged, madam, is o'erpaid.
All my reports go with the modest truth;
Nor more nor clipp'd, but so.
CORDELIA
Be better suited:
These weeds are memories of those worser hours:
I prithee, put them off.
KENT
Pardon me, dear madam;
Yet to be known shortens my made intent:
My boon I make it, that you know me not
Till time and I think meet.
CORDELIA
Then be't so, my good lord.
To the Doctor
How does the king?
Doctor
Madam, sleeps still.
CORDELIA
O you kind gods,
Cure this great breach in his abused nature!
The untuned and jarring senses, O, wind up
Of this child-changed father!
Doctor
So please your majesty
That we may wake the king: he hath slept long.
CORDELIA
Be govern'd by your knowledge, and proceed
I' the sway of your own will. Is he array'd?
Gentleman
Ay, madam; in the heaviness of his sleep
We put fresh garments on him.
Doctor
Be by, good madam, when we do awake him;
I doubt not of his temperance.
CORDELIA
Very well.
Doctor
Please you, draw near. Louder the music there!
CORDELIA
O my dear father! Restoration hang
Thy medicine on my lips; and let this kiss
Repair those violent harms that my two sisters
Have in thy reverence made!
KENT
Kind and dear princess!
CORDELIA
Had you not been their father, these white flakes
Had challenged pity of them. Was this a face
To be opposed against the warring winds?
To stand against the deep dread-bolted thunder?
In the most terrible and nimble stroke
Of quick, cross lightning? to watch--poor perdu!--
With this thin helm? Mine enemy's dog,
Though he had bit me, should have stood that night
Against my fire; and wast thou fain, poor father,
To hovel thee with swine, and rogues forlorn,
In short and musty straw? Alack, alack!
'Tis wonder that thy life and wits at once
Had not concluded all. He wakes; speak to him.
Doctor
Madam, do you; 'tis fittest.
CORDELIA
How does my royal lord? How fares your majesty?
KING LEAR
You do me wrong to take me out o' the grave:
Thou art a soul in bliss; but I am bound
Upon a wheel of fire, that mine own tears
Do scald like moulten lead.
CORDELIA
Sir, do you know me?
KING LEAR
You are a spirit, I know: when did you die?
CORDELIA
Still, still, far wide!
Doctor
He's scarce awake: let him alone awhile.
KING LEAR
Where have I been? Where am I? Fair daylight?
I am mightily abused. I should e'en die with pity,
To see another thus. I know not what to say.
I will not swear these are my hands: let's see;
I feel this pin prick. Would I were assured
Of my condition!
CORDELIA
O, look upon me, sir,
And hold your hands in benediction o'er me:
No, sir, you must not kneel.
KING LEAR
Pray, do not mock me:
I am a very foolish fond old man,
Fourscore and upward, not an hour more nor less;
And, to deal plainly,
I fear I am not in my perfect mind.
Methinks I should know you, and know this man;
Yet I am doubtful for I am mainly ignorant
What place this is; and all the skill I have
Remembers not these garments; nor I know not
Where I did lodge last night. Do not laugh at me;
For, as I am a man, I think this lady
To be my child Cordelia.
CORDELIA
And so I am, I am.
KING LEAR
Be your tears wet? yes, 'faith. I pray, weep not:
If you have poison for me, I will drink it.
I know you do not love me; for your sisters
Have, as I do remember, done me wrong:
You have some cause, they have not.
CORDELIA
No cause, no cause.
KING LEAR
Am I in France?
KENT
In your own kingdom, sir.
KING LEAR
Do not abuse me.
Doctor
Be comforted, good madam: the great rage,
You see, is kill'd in him: and yet it is danger
To make him even o'er the time he has lost.
Desire him to go in; trouble him no more
Till further settling.
CORDELIA
Will't please your highness walk?
KING LEAR
You must bear with me:
Pray you now, forget and forgive: I am old and foolish.
Exeunt all but KENT and Gentleman
Gentleman
Holds it true, sir, that the Duke of Cornwall was so slain?
KENT
Most certain, sir.
Gentleman
Who is conductor of his people?
KENT
As 'tis said, the bastard son of Gloucester.
Gentleman
They say Edgar, his banished son, is with the Earl
of Kent in Germany.
KENT
Report is changeable. 'Tis time to look about; the
powers of the kingdom approach apace.
Gentleman
The arbitrement is like to be bloody. Fare you
well, sir.
Exit
KENT
My point and period will be throughly wrought,
Or well or ill, as this day's battle's fought.
Exit
ACT V

SCENE I. The British camp, near Dover.
Enter, with drum and colours, EDMUND, REGAN, Gentlemen, and Soldiers.
EDMUND
Know of the duke if his last purpose hold,
Or whether since he is advised by aught
To change the course: he's full of alteration
And self-reproving: bring his constant pleasure.
To a Gentleman, who goes out
REGAN
Our sister's man is certainly miscarried.
EDMUND
'Tis to be doubted, madam.
REGAN
Now, sweet lord,
You know the goodness I intend upon you:
Tell me--but truly--but then speak the truth,
Do you not love my sister?
EDMUND
In honour'd love.
REGAN
But have you never found my brother's way
To the forfended place?
EDMUND
That thought abuses you.
REGAN
I am doubtful that you have been conjunct
And bosom'd with her, as far as we call hers.
EDMUND
No, by mine honour, madam.
REGAN
I never shall endure her: dear my lord,
Be not familiar with her.
EDMUND
Fear me not:
She and the duke her husband!
Enter, with drum and colours, ALBANY, GONERIL, and Soldiers
GONERIL
[Aside] I had rather lose the battle than that sister
Should loosen him and me.
ALBANY
Our very loving sister, well be-met.
Sir, this I hear; the king is come to his daughter,
With others whom the rigor of our state
Forced to cry out. Where I could not be honest,
I never yet was valiant: for this business,
It toucheth us, as France invades our land,
Not bolds the king, with others, whom, I fear,
Most just and heavy causes make oppose.
EDMUND
Sir, you speak nobly.
REGAN
Why is this reason'd?
GONERIL
Combine together 'gainst the enemy;
For these domestic and particular broils
Are not the question here.
ALBANY
Let's then determine
With the ancient of war on our proceedings.
EDMUND
I shall attend you presently at your tent.
REGAN
Sister, you'll go with us?
GONERIL
No.
REGAN
'Tis most convenient; pray you, go with us.
GONERIL
[Aside] O, ho, I know the riddle.--I will go.
As they are going out, enter EDGAR disguised
EDGAR
If e'er your grace had speech with man so poor,
Hear me one word.
ALBANY
I'll overtake you. Speak.
Exeunt all but ALBANY and EDGAR
EDGAR
Before you fight the battle, ope this letter.
If you have victory, let the trumpet sound
For him that brought it: wretched though I seem,
I can produce a champion that will prove
What is avouched there. If you miscarry,
Your business of the world hath so an end,
And machination ceases. Fortune love you.
ALBANY
Stay till I have read the letter.
EDGAR
I was forbid it.
When time shall serve, let but the herald cry,
And I'll appear again.
ALBANY
Why, fare thee well: I will o'erlook thy paper.
Exit EDGAR
Re-enter EDMUND
EDMUND
The enemy's in view; draw up your powers.
Here is the guess of their true strength and forces
By diligent discovery; but your haste
Is now urged on you.
ALBANY
We will greet the time.
Exit
EDMUND
To both these sisters have I sworn my love;
Each jealous of the other, as the stung
Are of the adder. Which of them shall I take?
Both? one? or neither? Neither can be enjoy'd,
If both remain alive: to take the widow
Exasperates, makes mad her sister Goneril;
And hardly shall I carry out my side,
Her husband being alive. Now then we'll use
His countenance for the battle; which being done,
Let her who would be rid of him devise
His speedy taking off. As for the mercy
Which he intends to Lear and to Cordelia,
The battle done, and they within our power,
Shall never see his pardon; for my state
Stands on me to defend, not to debate.
Exit
SCENE II. A field between the two camps.
Alarum within. Enter, with drum and colours, KING LEAR, CORDELIA, and Soldiers, over the stage; and exeunt
Enter EDGAR and GLOUCESTER
EDGAR
Here, father, take the shadow of this tree
For your good host; pray that the right may thrive:
If ever I return to you again,
I'll bring you comfort.
GLOUCESTER
Grace go with you, sir!
Exit EDGAR
Alarum and retreat within. Re-enter EDGAR
EDGAR
Away, old man; give me thy hand; away!
King Lear hath lost, he and his daughter ta'en:
Give me thy hand; come on.
GLOUCESTER
No farther, sir; a man may rot even here.
EDGAR
What, in ill thoughts again? Men must endure
Their going hence, even as their coming hither;
Ripeness is all: come on.
GLOUCESTER
And that's true too.
Exeunt
SCENE III. The British camp near Dover.
Enter, in conquest, with drum and colours, EDMUND, KING LEAR and CORDELIA, prisoners; Captain, Soldiers, & c
EDMUND
Some officers take them away: good guard,
Until their greater pleasures first be known
That are to censure them.
CORDELIA
We are not the first
Who, with best meaning, have incurr'd the worst.
For thee, oppressed king, am I cast down;
Myself could else out-frown false fortune's frown.
Shall we not see these daughters and these sisters?
KING LEAR
No, no, no, no! Come, let's away to prison:
We two alone will sing like birds i' the cage:
When thou dost ask me blessing, I'll kneel down,
And ask of thee forgiveness: so we'll live,
And pray, and sing, and tell old tales, and laugh
At gilded butterflies, and hear poor rogues
Talk of court news; and we'll talk with them too,
Who loses and who wins; who's in, who's out;
And take upon's the mystery of things,
As if we were God's spies: and we'll wear out,
In a wall'd prison, packs and sects of great ones,
That ebb and flow by the moon.
EDMUND
Take them away.
KING LEAR
Upon such sacrifices, my Cordelia,
The gods themselves throw incense. Have I caught thee?
He that parts us shall bring a brand from heaven,
And fire us hence like foxes. Wipe thine eyes;
The good-years shall devour them, flesh and fell,
Ere they shall make us weep: we'll see 'em starve
first. Come.
Exeunt KING LEAR and CORDELIA, guarded
EDMUND
Come hither, captain; hark.
Take thou this note;
Giving a paper
go follow them to prison:
One step I have advanced thee; if thou dost
As this instructs thee, thou dost make thy way
To noble fortunes: know thou this, that men
Are as the time is: to be tender-minded
Does not become a sword: thy great employment
Will not bear question; either say thou'lt do 't,
Or thrive by other means.
Captain
I'll do 't, my lord.
EDMUND
About it; and write happy when thou hast done.
Mark, I say, instantly; and carry it so
As I have set it down.
Captain
I cannot draw a cart, nor eat dried oats;
If it be man's work, I'll do 't.
Exit
Flourish. Enter ALBANY, GONERIL, REGAN, another Captain, and Soldiers
ALBANY
Sir, you have shown to-day your valiant strain,
And fortune led you well: you have the captives
That were the opposites of this day's strife:
We do require them of you, so to use them
As we shall find their merits and our safety
May equally determine.
EDMUND
Sir, I thought it fit
To send the old and miserable king
To some retention and appointed guard;
Whose age has charms in it, whose title more,
To pluck the common bosom on his side,
An turn our impress'd lances in our eyes
Which do command them. With him I sent the queen;
My reason all the same; and they are ready
To-morrow, or at further space, to appear
Where you shall hold your session. At this time
We sweat and bleed: the friend hath lost his friend;
And the best quarrels, in the heat, are cursed
By those that feel their sharpness:
The question of Cordelia and her father
Requires a fitter place.
ALBANY
Sir, by your patience,
I hold you but a subject of this war,
Not as a brother.
REGAN
That's as we list to grace him.
Methinks our pleasure might have been demanded,
Ere you had spoke so far. He led our powers;
Bore the commission of my place and person;
The which immediacy may well stand up,
And call itself your brother.
GONERIL
Not so hot:
In his own grace he doth exalt himself,
More than in your addition.
REGAN
In my rights,
By me invested, he compeers the best.
GONERIL
That were the most, if he should husband you.
REGAN
Jesters do oft prove prophets.
GONERIL
Holla, holla!
That eye that told you so look'd but a-squint.
REGAN
Lady, I am not well; else I should answer
From a full-flowing stomach. General,
Take thou my soldiers, prisoners, patrimony;
Dispose of them, of me; the walls are thine:
Witness the world, that I create thee here
My lord and master.
GONERIL
Mean you to enjoy him?
ALBANY
The let-alone lies not in your good will.
EDMUND
Nor in thine, lord.
ALBANY
Half-blooded fellow, yes.
REGAN
[To EDMUND] Let the drum strike, and prove my title thine.
ALBANY
Stay yet; hear reason. Edmund, I arrest thee
On capital treason; and, in thine attaint,
This gilded serpent
Pointing to Goneril
For your claim, fair sister,
I bar it in the interest of my wife:
'Tis she is sub-contracted to this lord,
And I, her husband, contradict your bans.
If you will marry, make your loves to me,
My lady is bespoke.
GONERIL
An interlude!
ALBANY
Thou art arm'd, Gloucester: let the trumpet sound:
If none appear to prove upon thy head
Thy heinous, manifest, and many treasons,
There is my pledge;
Throwing down a glove
I'll prove it on thy heart,
Ere I taste bread, thou art in nothing less
Than I have here proclaim'd thee.
REGAN
Sick, O, sick!
GONERIL
[Aside] If not, I'll ne'er trust medicine.
EDMUND
There's my exchange:
Throwing down a glove
what in the world he is
That names me traitor, villain-like he lies:
Call by thy trumpet: he that dares approach,
On him, on you, who not? I will maintain
My truth and honour firmly.
ALBANY
A herald, ho!
EDMUND
A herald, ho, a herald!
ALBANY
Trust to thy single virtue; for thy soldiers,
All levied in my name, have in my name
Took their discharge.
REGAN
My sickness grows upon me.
ALBANY
She is not well; convey her to my tent.
Exit Regan, led
Enter a Herald
Come hither, herald,--Let the trumpet sound,
And read out this.
Captain
Sound, trumpet!
A trumpet sounds
Herald
[Reads] 'If any man of quality or degree within
the lists of the army will maintain upon Edmund,
supposed Earl of Gloucester, that he is a manifold
traitor, let him appear by the third sound of the
trumpet: he is bold in his defence.'
EDMUND
Sound!
First trumpet
Herald
Again!
Second trumpet
Herald
Again!
Third trumpet
Trumpet answers within
Enter EDGAR, at the third sound, armed, with a trumpet before him
ALBANY
Ask him his purposes, why he appears
Upon this call o' the trumpet.
Herald
What are you?
Your name, your quality? and why you answer
This present summons?
EDGAR
Know, my name is lost;
By treason's tooth bare-gnawn and canker-bit:
Yet am I noble as the adversary
I come to cope.
ALBANY
Which is that adversary?
EDGAR
What's he that speaks for Edmund Earl of Gloucester?
EDMUND
Himself: what say'st thou to him?
EDGAR
Draw thy sword,
That, if my speech offend a noble heart,
Thy arm may do thee justice: here is mine.
Behold, it is the privilege of mine honours,
My oath, and my profession: I protest,
Maugre thy strength, youth, place, and eminence,
Despite thy victor sword and fire-new fortune,
Thy valour and thy heart, thou art a traitor;
False to thy gods, thy brother, and thy father;
Conspirant 'gainst this high-illustrious prince;
And, from the extremest upward of thy head
To the descent and dust below thy foot,
A most toad-spotted traitor. Say thou 'No,'
This sword, this arm, and my best spirits, are bent
To prove upon thy heart, whereto I speak,
Thou liest.
EDMUND
In wisdom I should ask thy name;
But, since thy outside looks so fair and warlike,
And that thy tongue some say of breeding breathes,
What safe and nicely I might well delay
By rule of knighthood, I disdain and spurn:
Back do I toss these treasons to thy head;
With the hell-hated lie o'erwhelm thy heart;
Which, for they yet glance by and scarcely bruise,
This sword of mine shall give them instant way,
Where they shall rest for ever. Trumpets, speak!
Alarums. They fight. EDMUND falls
ALBANY
Save him, save him!
GONERIL
This is practise, Gloucester:
By the law of arms thou wast not bound to answer
An unknown opposite; thou art not vanquish'd,
But cozen'd and beguiled.
ALBANY
Shut your mouth, dame,
Or with this paper shall I stop it: Hold, sir:
Thou worse than any name, read thine own evil:
No tearing, lady: I perceive you know it.
Gives the letter to EDMUND
GONERIL
Say, if I do, the laws are mine, not thine:
Who can arraign me for't.
ALBANY
Most monstrous! oh!
Know'st thou this paper?
GONERIL
Ask me not what I know.
Exit
ALBANY
Go after her: she's desperate; govern her.
EDMUND
What you have charged me with, that have I done;
And more, much more; the time will bring it out:
'Tis past, and so am I. But what art thou
That hast this fortune on me? If thou'rt noble,
I do forgive thee.
EDGAR
Let's exchange charity.
I am no less in blood than thou art, Edmund;
If more, the more thou hast wrong'd me.
My name is Edgar, and thy father's son.
The gods are just, and of our pleasant vices
Make instruments to plague us:
The dark and vicious place where thee he got
Cost him his eyes.
EDMUND
Thou hast spoken right, 'tis true;
The wheel is come full circle: I am here.
ALBANY
Methought thy very gait did prophesy
A royal nobleness: I must embrace thee:
Let sorrow split my heart, if ever I
Did hate thee or thy father!
EDGAR
Worthy prince, I know't.
ALBANY
Where have you hid yourself?
How have you known the miseries of your father?
EDGAR
By nursing them, my lord. List a brief tale;
And when 'tis told, O, that my heart would burst!
The bloody proclamation to escape,
That follow'd me so near,--O, our lives' sweetness!
That we the pain of death would hourly die
Rather than die at once!--taught me to shift
Into a madman's rags; to assume a semblance
That very dogs disdain'd: and in this habit
Met I my father with his bleeding rings,
Their precious stones new lost: became his guide,
Led him, begg'd for him, saved him from despair;
Never,--O fault!--reveal'd myself unto him,
Until some half-hour past, when I was arm'd:
Not sure, though hoping, of this good success,
I ask'd his blessing, and from first to last
Told him my pilgrimage: but his flaw'd heart,
Alack, too weak the conflict to support!
'Twixt two extremes of passion, joy and grief,
Burst smilingly.
EDMUND
This speech of yours hath moved me,
And shall perchance do good: but speak you on;
You look as you had something more to say.
ALBANY
If there be more, more woeful, hold it in;
For I am almost ready to dissolve,
Hearing of this.
EDGAR
This would have seem'd a period
To such as love not sorrow; but another,
To amplify too much, would make much more,
And top extremity.
Whilst I was big in clamour came there in a man,
Who, having seen me in my worst estate,
Shunn'd my abhorr'd society; but then, finding
Who 'twas that so endured, with his strong arms
He fastened on my neck, and bellow'd out
As he'ld burst heaven; threw him on my father;
Told the most piteous tale of Lear and him
That ever ear received: which in recounting
His grief grew puissant and the strings of life
Began to crack: twice then the trumpets sounded,
And there I left him tranced.
ALBANY
But who was this?
EDGAR
Kent, sir, the banish'd Kent; who in disguise
Follow'd his enemy king, and did him service
Improper for a slave.
Enter a Gentleman, with a bloody knife
Gentleman
Help, help, O, help!
EDGAR
What kind of help?
ALBANY
Speak, man.
EDGAR
What means that bloody knife?
Gentleman
'Tis hot, it smokes;
It came even from the heart of--O, she's dead!
ALBANY
Who dead? speak, man.
Gentleman
Your lady, sir, your lady: and her sister
By her is poisoned; she hath confess'd it.
EDMUND
I was contracted to them both: all three
Now marry in an instant.
EDGAR
Here comes Kent.
ALBANY
Produce their bodies, be they alive or dead:
This judgment of the heavens, that makes us tremble,
Touches us not with pity.
Exit Gentleman
Enter KENT
O, is this he?
The time will not allow the compliment
Which very manners urges.
KENT
I am come
To bid my king and master aye good night:
Is he not here?
ALBANY
Great thing of us forgot!
Speak, Edmund, where's the king? and where's Cordelia?
See'st thou this object, Kent?
The bodies of GONERIL and REGAN are brought in
KENT
Alack, why thus?
EDMUND
Yet Edmund was beloved:
The one the other poison'd for my sake,
And after slew herself.
ALBANY
Even so. Cover their faces.
EDMUND
I pant for life: some good I mean to do,
Despite of mine own nature. Quickly send,
Be brief in it, to the castle; for my writ
Is on the life of Lear and on Cordelia:
Nay, send in time.
ALBANY
Run, run, O, run!
EDGAR
To who, my lord? Who hath the office? send
Thy token of reprieve.
EDMUND
Well thought on: take my sword,
Give it the captain.
ALBANY
Haste thee, for thy life.
Exit EDGAR
EDMUND
He hath commission from thy wife and me
To hang Cordelia in the prison, and
To lay the blame upon her own despair,
That she fordid herself.


أرب جمـال 5 - 11 - 2009 06:20 PM

King Lear: Entire PlayALBANY
The gods defend her! Bear him hence awhile.
EDMUND is borne off
Re-enter KING LEAR, with CORDELIA dead in his arms; EDGAR, Captain, and others following
KING LEAR
Howl, howl, howl, howl! O, you are men of stones:
Had I your tongues and eyes, I'ld use them so
That heaven's vault should crack. She's gone for ever!
I know when one is dead, and when one lives;
She's dead as earth. Lend me a looking-glass;
If that her breath will mist or stain the stone,
Why, then she lives.
KENT
Is this the promised end
EDGAR
Or image of that horror?
ALBANY
Fall, and cease!
KING LEAR
This feather stirs; she lives! if it be so,
It is a chance which does redeem all sorrows
That ever I have felt.
KENT
[Kneeling] O my good master!
KING LEAR
Prithee, away.
EDGAR
'Tis noble Kent, your friend.
KING LEAR
A plague upon you, murderers, traitors all!
I might have saved her; now she's gone for ever!
Cordelia, Cordelia! stay a little. Ha!
What is't thou say'st? Her voice was ever soft,
Gentle, and low, an excellent thing in woman.
I kill'd the slave that was a-hanging thee.
Captain
'Tis true, my lords, he did.
KING LEAR
Did I not, fellow?
I have seen the day, with my good biting falchion
I would have made them skip: I am old now,
And these same crosses spoil me. Who are you?
Mine eyes are not o' the best: I'll tell you straight.
KENT
If fortune brag of two she loved and hated,
One of them we behold.
KING LEAR
This is a dull sight. Are you not Kent?
KENT
The same,
Your servant Kent: Where is your servant Caius?
KING LEAR
He's a good fellow, I can tell you that;
He'll strike, and quickly too: he's dead and rotten.
KENT
No, my good lord; I am the very man,--
KING LEAR
I'll see that straight.
KENT
That, from your first of difference and decay,
Have follow'd your sad steps.
KING LEAR
You are welcome hither.
KENT
Nor no man else: all's cheerless, dark, and deadly.
Your eldest daughters have fordone them selves,
And desperately are dead.
KING LEAR
Ay, so I think.
ALBANY
He knows not what he says: and vain it is
That we present us to him.
EDGAR
Very bootless.
Enter a Captain
Captain
Edmund is dead, my lord.
ALBANY
That's but a trifle here.
You lords and noble friends, know our intent.
What comfort to this great decay may come
Shall be applied: for us we will resign,
During the life of this old majesty,
To him our absolute power:
To EDGAR and KENT
you, to your rights:
With boot, and such addition as your honours
Have more than merited. All friends shall taste
The wages of their virtue, and all foes
The cup of their deservings. O, see, see!
KING LEAR
And my poor fool is hang'd! No, no, no life!
Why should a dog, a horse, a rat, have life,
And thou no breath at all? Thou'lt come no more,
Never, never, never, never, never!
Pray you, undo this button: thank you, sir.
Do you see this? Look on her, look, her lips,
Look there, look there!
Dies
EDGAR
He faints! My lord, my lord!
KENT
Break, heart; I prithee, break!
EDGAR
Look up, my lord.
KENT
Vex not his ghost: O, let him pass! he hates him much
That would upon the rack of this tough world
Stretch him out longer.
EDGAR
He is gone, indeed.
KENT
The wonder is, he hath endured so long:
He but usurp'd his life.
ALBANY
Bear them from hence. Our present business
Is general woe.
To KENT and EDGAR
Friends of my soul, you twain
Rule in this realm, and the gored state sustain.
KENT
I have a journey, sir, shortly to go;
My master calls me, I must not say no.
ALBANY
The weight of this sad time we must obey;
Speak what we feel, not what we ought to say.
The oldest hath borne most: we that are young
Shall never see so much, nor live so long.
Exeunt, with a dead march


أرب جمـال 5 - 11 - 2009 06:21 PM

The Tragedy of Macbeth -Shakespeare

Macbeth: Entire PlayACT I

SCENE I. A desert place.
Thunder and lightning. Enter three Witches
First Witch
When shall we three meet again
In thunder, lightning, or in rain?
Second Witch
When the hurlyburly's done,
When the battle's lost and won.
Third Witch
That will be ere the set of sun.
First Witch
Where the place?
Second Witch
Upon the heath.
Third Witch
There to meet with Macbeth.
First Witch
I come, Graymalkin!
Second Witch
Paddock calls.
Third Witch
Anon.
ALL
Fair is foul, and foul is fair:
Hover through the fog and filthy air.
Exeunt
SCENE II. A camp near Forres.
Alarum within. Enter DUNCAN, MALCOLM, DONALBAIN, LENNOX, with Attendants, meeting a bleeding Sergeant
DUNCAN
What bloody man is that? He can report,
As seemeth by his plight, of the revolt
The newest state.
MALCOLM
This is the sergeant
Who like a good and hardy soldier fought
'Gainst my captivity. Hail, brave friend!
Say to the king the knowledge of the broil
As thou didst leave it.
Sergeant
Doubtful it stood;
As two spent swimmers, that do cling together
And choke their art. The merciless Macdonwald--
Worthy to be a rebel, for to that
The multiplying villanies of nature
Do swarm upon him--from the western isles
Of kerns and gallowglasses is supplied;
And fortune, on his damned quarrel smiling,
Show'd like a rebel's whore: but all's too weak:
For brave Macbeth--well he deserves that name--
Disdaining fortune, with his brandish'd steel,
Which smoked with bloody execution,
Like valour's minion carved out his passage
Till he faced the slave;
Which ne'er shook hands, nor bade farewell to him,
Till he unseam'd him from the nave to the chaps,
And fix'd his head upon our battlements.
DUNCAN
O valiant cousin! worthy gentleman!
Sergeant
As whence the sun 'gins his reflection
Shipwrecking storms and direful thunders break,
So from that spring whence comfort seem'd to come
Discomfort swells. Mark, king of Scotland, mark:
No sooner justice had with valour arm'd
Compell'd these skipping kerns to trust their heels,
But the Norweyan lord surveying vantage,
With furbish'd arms and new supplies of men
Began a fresh assault.
DUNCAN
Dismay'd not this
Our captains, Macbeth and Banquo?
Sergeant
Yes;
As sparrows eagles, or the hare the lion.
If I say sooth, I must report they were
As cannons overcharged with double cracks, so they
Doubly redoubled strokes upon the foe:
Except they meant to bathe in reeking wounds,
Or memorise another Golgotha,
I cannot tell.
But I am faint, my gashes cry for help.
DUNCAN
So well thy words become thee as thy wounds;
They smack of honour both. Go get him surgeons.
Exit Sergeant, attended
Who comes here?
Enter ROSS
MALCOLM
The worthy thane of Ross.
LENNOX
What a haste looks through his eyes! So should he look
That seems to speak things strange.
ROSS
God save the king!
DUNCAN
Whence camest thou, worthy thane?
ROSS
From Fife, great king;
Where the Norweyan banners flout the sky
And fan our people cold. Norway himself,
With terrible numbers,
Assisted by that most disloyal traitor
The thane of Cawdor, began a dismal conflict;
Till that Bellona's bridegroom, lapp'd in proof,
Confronted him with self-comparisons,
Point against point rebellious, arm 'gainst arm.
Curbing his lavish spirit: and, to conclude,
The victory fell on us.
DUNCAN
Great happiness!
ROSS
That now
Sweno, the Norways' king, craves composition:
Nor would we deign him burial of his men
Till he disbursed at Saint Colme's inch
Ten thousand dollars to our general use.
DUNCAN
No more that thane of Cawdor shall deceive
Our bosom interest: go pronounce his present death,
And with his former title greet Macbeth.
ROSS
I'll see it done.
DUNCAN
What he hath lost noble Macbeth hath won.
Exeunt
SCENE III. A heath near Forres.
Thunder. Enter the three Witches
First Witch
Where hast thou been, sister?
Second Witch
Killing swine.
Third Witch
Sister, where thou?
First Witch
A sailor's wife had chestnuts in her lap,
And munch'd, and munch'd, and munch'd:--
'Give me,' quoth I:
'Aroint thee, witch!' the rump-fed ronyon cries.
Her husband's to Aleppo gone, master o' the Tiger:
But in a sieve I'll thither sail,
And, like a rat without a tail,
I'll do, I'll do, and I'll do.
Second Witch
I'll give thee a wind.
First Witch
Thou'rt kind.
Third Witch
And I another.
First Witch
I myself have all the other,
And the very ports they blow,
All the quarters that they know
I' the shipman's card.
I will drain him dry as hay:
Sleep shall neither night nor day
Hang upon his pent-house lid;
He shall live a man forbid:
Weary se'nnights nine times nine
Shall he dwindle, peak and pine:
Though his bark cannot be lost,
Yet it shall be tempest-tost.
Look what I have.
Second Witch
Show me, show me.
First Witch
Here I have a pilot's thumb,
Wreck'd as homeward he did come.
Drum within
Third Witch
A drum, a drum!
Macbeth doth come.
ALL
The weird sisters, hand in hand,
Posters of the sea and land,
Thus do go about, about:
Thrice to thine and thrice to mine
And thrice again, to make up nine.
Peace! the charm's wound up.
Enter MACBETH and BANQUO
MACBETH
So foul and fair a day I have not seen.
BANQUO
How far is't call'd to Forres? What are these
So wither'd and so wild in their attire,
That look not like the inhabitants o' the earth,
And yet are on't? Live you? or are you aught
That man may question? You seem to understand me,
By each at once her chappy finger laying
Upon her skinny lips: you should be women,
And yet your beards forbid me to interpret
That you are so.
MACBETH
Speak, if you can: what are you?
First Witch
All hail, Macbeth! hail to thee, thane of Glamis!
Second Witch
All hail, Macbeth, hail to thee, thane of Cawdor!
Third Witch
All hail, Macbeth, thou shalt be king hereafter!
BANQUO
Good sir, why do you start; and seem to fear
Things that do sound so fair? I' the name of truth,
Are ye fantastical, or that indeed
Which outwardly ye show? My noble partner
You greet with present grace and great prediction
Of noble having and of royal hope,
That he seems rapt withal: to me you speak not.
If you can look into the seeds of time,
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear
Your favours nor your hate.
First Witch
Hail!
Second Witch
Hail!
Third Witch
Hail!
First Witch
Lesser than Macbeth, and greater.
Second Witch
Not so happy, yet much happier.
Third Witch
Thou shalt get kings, though thou be none:
So all hail, Macbeth and Banquo!
First Witch
Banquo and Macbeth, all hail!
MACBETH
Stay, you imperfect speakers, tell me more:
By Sinel's death I know I am thane of Glamis;
But how of Cawdor? the thane of Cawdor lives,
A prosperous gentleman; and to be king
Stands not within the prospect of belief,
No more than to be Cawdor. Say from whence
You owe this strange intelligence? or why
Upon this blasted heath you stop our way
With such prophetic greeting? Speak, I charge you.
Witches vanish
BANQUO
The earth hath bubbles, as the water has,
And these are of them. Whither are they vanish'd?
MACBETH
Into the air; and what seem'd corporal melted
As breath into the wind. Would they had stay'd!
BANQUO
Were such things here as we do speak about?
Or have we eaten on the insane root
That takes the reason prisoner?
MACBETH
Your children shall be kings.
BANQUO
You shall be king.
MACBETH
And thane of Cawdor too: went it not so?
BANQUO
To the selfsame tune and words. Who's here?
Enter ROSS and ANGUS
ROSS
The king hath happily received, Macbeth,
The news of thy success; and when he reads
Thy personal venture in the rebels' fight,
His wonders and his praises do contend
Which should be thine or his: silenced with that,
In viewing o'er the rest o' the selfsame day,
He finds thee in the stout Norweyan ranks,
Nothing afeard of what thyself didst make,
Strange images of death. As thick as hail
Came post with post; and every one did bear
Thy praises in his kingdom's great defence,
And pour'd them down before him.
ANGUS
We are sent
To give thee from our royal master thanks;
Only to herald thee into his sight,
Not pay thee.
ROSS
And, for an earnest of a greater honour,
He bade me, from him, call thee thane of Cawdor:
In which addition, hail, most worthy thane!
For it is thine.
BANQUO
What, can the devil speak true?
MACBETH
The thane of Cawdor lives: why do you dress me
In borrow'd robes?
ANGUS
Who was the thane lives yet;
But under heavy judgment bears that life
Which he deserves to lose. Whether he was combined
With those of Norway, or did line the rebel
With hidden help and vantage, or that with both
He labour'd in his country's wreck, I know not;
But treasons capital, confess'd and proved,
Have overthrown him.
MACBETH
[Aside] Glamis, and thane of Cawdor!
The greatest is behind.
To ROSS and ANGUS
Thanks for your pains.
To BANQUO
Do you not hope your children shall be kings,
When those that gave the thane of Cawdor to me
Promised no less to them?
BANQUO
That trusted home
Might yet enkindle you unto the crown,
Besides the thane of Cawdor. But 'tis strange:
And oftentimes, to win us to our harm,
The instruments of darkness tell us truths,
Win us with honest trifles, to betray's
In deepest consequence.
Cousins, a word, I pray you.
MACBETH
[Aside] Two truths are told,
As happy prologues to the swelling act
Of the imperial theme.--I thank you, gentlemen.
Aside
Cannot be ill, cannot be good: if ill,
Why hath it given me earnest of success,
Commencing in a truth? I am thane of Cawdor:
If good, why do I yield to that suggestion
Whose horrid image doth unfix my hair
And make my seated heart knock at my ribs,
Against the use of nature? Present fears
Are less than horrible imaginings:
My thought, whose murder yet is but fantastical,
Shakes so my single state of man that function
Is smother'd in surmise, and nothing is
But what is not.
BANQUO
Look, how our partner's rapt.
MACBETH
[Aside] If chance will have me king, why, chance may crown me,
Without my stir.
BANQUO
New horrors come upon him,
Like our strange garments, cleave not to their mould
But with the aid of use.
MACBETH
[Aside] Come what come may,
Time and the hour runs through the roughest day.
BANQUO
Worthy Macbeth, we stay upon your leisure.
MACBETH
Give me your favour: my dull brain was wrought
With things forgotten. Kind gentlemen, your pains
Are register'd where every day I turn
The leaf to read them. Let us toward the king.
Think upon what hath chanced, and, at more time,
The interim having weigh'd it, let us speak
Our free hearts each to other.
BANQUO
Very gladly.
MACBETH
Till then, enough. Come, friends.
Exeunt
SCENE IV. Forres. The palace.
Flourish. Enter DUNCAN, MALCOLM, DONALBAIN, LENNOX, and Attendants
DUNCAN
Is execution done on Cawdor? Are not
Those in commission yet return'd?
MALCOLM
My liege,
They are not yet come back. But I have spoke
With one that saw him die: who did report
That very frankly he confess'd his treasons,
Implored your highness' pardon and set forth
A deep repentance: nothing in his life
Became him like the leaving it; he died
As one that had been studied in his death
To throw away the dearest thing he owed,
As 'twere a careless trifle.
DUNCAN
There's no art
To find the mind's construction in the face:
He was a gentleman on whom I built
An absolute trust.
Enter MACBETH, BANQUO, ROSS, and ANGUS
O worthiest cousin!
The sin of my ingratitude even now
Was heavy on me: thou art so far before
That swiftest wing of recompense is slow
To overtake thee. Would thou hadst less deserved,
That the proportion both of thanks and payment
Might have been mine! only I have left to say,
More is thy due than more than all can pay.
MACBETH
The service and the loyalty I owe,
In doing it, pays itself. Your highness' part
Is to receive our duties; and our duties
Are to your throne and state children and servants,
Which do but what they should, by doing every thing
Safe toward your love and honour.
DUNCAN
Welcome hither:
I have begun to plant thee, and will labour
To make thee full of growing. Noble Banquo,
That hast no less deserved, nor must be known
No less to have done so, let me enfold thee
And hold thee to my heart.
BANQUO
There if I grow,
The harvest is your own.
DUNCAN
My plenteous joys,
Wanton in fulness, seek to hide themselves
In drops of sorrow. Sons, kinsmen, thanes,
And you whose places are the nearest, know
We will establish our estate upon
Our eldest, Malcolm, whom we name hereafter
The Prince of Cumberland; which honour must
Not unaccompanied invest him only,
But signs of nobleness, like stars, shall shine
On all deservers. From hence to Inverness,
And bind us further to you.
MACBETH
The rest is labour, which is not used for you:
I'll be myself the harbinger and make joyful
The hearing of my wife with your approach;
So humbly take my leave.
DUNCAN
My worthy Cawdor!
MACBETH
[Aside] The Prince of Cumberland! that is a step
On which I must fall down, or else o'erleap,
For in my way it lies. Stars, hide your fires;
Let not light see my black and deep desires:
The eye wink at the hand; yet let that be,
Which the eye fears, when it is done, to see.
Exit
DUNCAN
True, worthy Banquo; he is full so valiant,
And in his commendations I am fed;
It is a banquet to me. Let's after him,
Whose care is gone before to bid us welcome:
It is a peerless kinsman.
Flourish. Exeunt
SCENE V. Inverness. Macbeth's castle.
Enter LADY MACBETH, reading a letter
LADY MACBETH
'They met me in the day of success: and I have
learned by the perfectest report, they have more in
them than mortal knowledge. When I burned in desire
to question them further, they made themselves air,
into which they vanished. Whiles I stood rapt in
the wonder of it, came missives from the king, who
all-hailed me 'Thane of Cawdor;' by which title,
before, these weird sisters saluted me, and referred
me to the coming on of time, with 'Hail, king that
shalt be!' This have I thought good to deliver
thee, my dearest partner of greatness, that thou
mightst not lose the dues of rejoicing, by being
ignorant of what greatness is promised thee. Lay it
to thy heart, and farewell.'
Glamis thou art, and Cawdor; and shalt be
What thou art promised: yet do I fear thy nature;
It is too full o' the milk of human kindness
To catch the nearest way: thou wouldst be great;
Art not without ambition, but without
The illness should attend it: what thou wouldst highly,
That wouldst thou holily; wouldst not play false,
And yet wouldst wrongly win: thou'ldst have, great Glamis,
That which cries 'Thus thou must do, if thou have it;
And that which rather thou dost fear to do
Than wishest should be undone.' Hie thee hither,
That I may pour my spirits in thine ear;
And chastise with the valour of my tongue
All that impedes thee from the golden round,
Which fate and ****physical aid doth seem
To have thee crown'd withal.
Enter a Messenger
What is your tidings?
Messenger
The king comes here to-night.
LADY MACBETH
Thou'rt mad to say it:
Is not thy master with him? who, were't so,
Would have inform'd for preparation.
Messenger
So please you, it is true: our thane is coming:
One of my fellows had the speed of him,
Who, almost dead for breath, had scarcely more
Than would make up his message.
LADY MACBETH
Give him tending;
He brings great news.
Exit Messenger
The raven himself is hoarse
That croaks the fatal entrance of Duncan
Under my battlements. Come, you spirits
That tend on mortal thoughts, unsex me here,
And fill me from the crown to the toe top-full
Of direst cruelty! make thick my blood;
Stop up the access and passage to remorse,
That no compunctious visitings of nature
Shake my fell purpose, nor keep peace between
The effect and it! Come to my woman's breasts,
And take my milk for gall, you murdering ministers,
Wherever in your sightless substances
You wait on nature's mischief! Come, thick night,
And pall thee in the dunnest smoke of hell,
That my keen knife see not the wound it makes,
Nor heaven peep through the blanket of the dark,
To cry 'Hold, hold!'
Enter MACBETH
Great Glamis! worthy Cawdor!
Greater than both, by the all-hail hereafter!
Thy letters have transported me beyond
This ignorant present, and I feel now
The future in the instant.
MACBETH
My dearest love,
Duncan comes here to-night.
LADY MACBETH
And when goes hence?
MACBETH
To-morrow, as he purposes.
LADY MACBETH
O, never
Shall sun that morrow see!
Your face, my thane, is as a book where men
May read strange matters. To beguile the time,
Look like the time; bear welcome in your eye,
Your hand, your tongue: look like the innocent flower,
But be the serpent under't. He that's coming
Must be provided for: and you shall put
This night's great business into my dispatch;
Which shall to all our nights and days to come
Give solely sovereign sway and masterdom.
MACBETH
We will speak further.
LADY MACBETH
Only look up clear;
To alter favour ever is to fear:
Leave all the rest to me.
Exeunt
SCENE VI. Before Macbeth's castle.
Hautboys and torches. Enter DUNCAN, MALCOLM, DONALBAIN, BANQUO, LENNOX, MACDUFF, ROSS, ANGUS, and Attendants
DUNCAN
This castle hath a pleasant seat; the air
Nimbly and sweetly recommends itself
Unto our gentle senses.
BANQUO
This guest of summer,
The temple-haunting martlet, does approve,
By his loved mansionry, that the heaven's breath
Smells wooingly here: no jutty, frieze,
Buttress, nor coign of vantage, but this bird
Hath made his pendent bed and procreant cradle:
Where they most breed and haunt, I have observed,
The air is delicate.
Enter LADY MACBETH
DUNCAN
See, see, our honour'd hostess!
The love that follows us sometime is our trouble,
Which still we thank as love. Herein I teach you
How you shall bid God 'ild us for your pains,
And thank us for your trouble.
LADY MACBETH
All our service
In every point twice done and then done double
Were poor and single business to contend
Against those honours deep and broad wherewith
Your majesty loads our house: for those of old,
And the late dignities heap'd up to them,
We rest your hermits.
DUNCAN
Where's the thane of Cawdor?
We coursed him at the heels, and had a purpose
To be his purveyor: but he rides well;
And his great love, sharp as his spur, hath holp him
To his home before us. Fair and noble hostess,
We are your guest to-night.
LADY MACBETH
Your servants ever
Have theirs, themselves and what is theirs, in compt,
To make their audit at your highness' pleasure,
Still to return your own.
DUNCAN
Give me your hand;
Conduct me to mine host: we love him highly,
And shall continue our graces towards him.
By your leave, hostess.
Exeunt
SCENE VII. Macbeth's castle.
Hautboys and torches. Enter a Sewer, and divers Servants with dishes and service, and pass over the stage. Then enter MACBETH
MACBETH
If it were done when 'tis done, then 'twere well
It were done quickly: if the assassination
Could trammel up the consequence, and catch
With his surcease success; that but this blow
Might be the be-all and the end-all here,
But here, upon this bank and shoal of time,
We'ld jump the life to come. But in these cases
We still have judgment here; that we but teach
Bloody instructions, which, being taught, return
To plague the inventor: this even-handed justice
Commends the ingredients of our poison'd chalice
To our own lips. He's here in double trust;
First, as I am his kinsman and his subject,
Strong both against the deed; then, as his host,
Who should against his murderer shut the door,
Not bear the knife myself. Besides, this Duncan
Hath borne his faculties so meek, hath been
So clear in his great office, that his virtues
Will plead like angels, trumpet-tongued, against
The deep damnation of his taking-off;
And pity, like a naked new-born babe,
Striding the blast, or heaven's cherubim, horsed
Upon the sightless couriers of the air,
Shall blow the horrid deed in every eye,
That tears shall drown the wind. I have no spur
To prick the sides of my intent, but only
Vaulting ambition, which o'erleaps itself
And falls on the other.
Enter LADY MACBETH
How now! what news?
LADY MACBETH
He has almost supp'd: why have you left the chamber?
MACBETH
Hath he ask'd for me?
LADY MACBETH
Know you not he has?
MACBETH
We will proceed no further in this business:
He hath honour'd me of late; and I have bought
Golden opinions from all sorts of people,
Which would be worn now in their newest gloss,
Not cast aside so soon.
LADY MACBETH
Was the hope drunk
Wherein you dress'd yourself? hath it slept since?
And wakes it now, to look so green and pale
At what it did so freely? From this time
Such I account thy love. Art thou afeard
To be the same in thine own act and valour
As thou art in desire? Wouldst thou have that
Which thou esteem'st the ornament of life,
And live a coward in thine own esteem,
Letting 'I dare not' wait upon 'I would,'
Like the poor cat i' the adage?
MACBETH
Prithee, peace:
I dare do all that may become a man;
Who dares do more is none.
LADY MACBETH
What beast was't, then,
That made you break this enterprise to me?
When you durst do it, then you were a man;
And, to be more than what you were, you would
Be so much more the man. Nor time nor place
Did then adhere, and yet you would make both:
They have made themselves, and that their fitness now
Does unmake you. I have given suck, and know
How tender 'tis to love the babe that milks me:
I would, while it was smiling in my face,
Have pluck'd my nipple from his boneless gums,
And dash'd the brains out, had I so sworn as you
Have done to this.
MACBETH
If we should fail?
LADY MACBETH
We fail!
But screw your courage to the sticking-place,
And we'll not fail. When Duncan is asleep--
Whereto the rather shall his day's hard journey
Soundly invite him--his two chamberlains
Will I with wine and wassail so convince
That memory, the warder of the brain,
Shall be a fume, and the receipt of reason
A limbeck only: when in swinish sleep
Their drenched natures lie as in a death,
What cannot you and I perform upon
The unguarded Duncan? what not put upon
His spongy officers, who shall bear the guilt
Of our great quell?
MACBETH
Bring forth men-children only;
For thy undaunted mettle should compose
Nothing but males. Will it not be received,
When we have mark'd with blood those sleepy two
Of his own chamber and used their very daggers,
That they have done't?
LADY MACBETH
Who dares receive it other,
As we shall make our griefs and clamour roar
Upon his death?
MACBETH
I am settled, and bend up
Each corporal agent to this terrible feat.
Away, and mock the time with fairest show:
False face must hide what the false heart doth know.
Exeunt


أرب جمـال 5 - 11 - 2009 06:21 PM

Macbeth: Entire PlayACT II

SCENE I. Court of Macbeth's castle.
Enter BANQUO, and FLEANCE bearing a torch before him
BANQUO
How goes the night, boy?
FLEANCE
The moon is down; I have not heard the clock.
BANQUO
And she goes down at twelve.
FLEANCE
I take't, 'tis later, sir.
BANQUO
Hold, take my sword. There's husbandry in heaven;
Their candles are all out. Take thee that too.
A heavy summons lies like lead upon me,
And yet I would not sleep: merciful powers,
Restrain in me the cursed thoughts that nature
Gives way to in repose!
Enter MACBETH, and a Servant with a torch
Give me my sword.
Who's there?
MACBETH
A friend.
BANQUO
What, sir, not yet at rest? The king's a-bed:
He hath been in unusual pleasure, and
Sent forth great largess to your offices.
This diamond he greets your wife withal,
By the name of most kind hostess; and shut up
In measureless *******.
MACBETH
Being unprepared,
Our will became the servant to defect;
Which else should free have wrought.
BANQUO
All's well.
I dreamt last night of the three weird sisters:
To you they have show'd some truth.
MACBETH
I think not of them:
Yet, when we can entreat an hour to serve,
We would spend it in some words upon that business,
If you would grant the time.
BANQUO
At your kind'st leisure.
MACBETH
If you shall cleave to my consent, when 'tis,
It shall make honour for you.
BANQUO
So I lose none
In seeking to augment it, but still keep
My bosom franchised and allegiance clear,
I shall be counsell'd.
MACBETH
Good repose the while!
BANQUO
Thanks, sir: the like to you!
Exeunt BANQUO and FLEANCE
MACBETH
Go bid thy mistress, when my drink is ready,
She strike upon the bell. Get thee to bed.
Exit Servant
Is this a dagger which I see before me,
The handle toward my hand? Come, let me clutch thee.
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling as to sight? or art thou but
A dagger of the mind, a false creation,
Proceeding from the heat-oppressed brain?
I see thee yet, in form as palpable
As this which now I draw.
Thou marshall'st me the way that I was going;
And such an instrument I was to use.
Mine eyes are made the fools o' the other senses,
Or else worth all the rest; I see thee still,
And on thy blade and dudgeon gouts of blood,
Which was not so before. There's no such thing:
It is the bloody business which informs
Thus to mine eyes. Now o'er the one halfworld
Nature seems dead, and wicked dreams abuse
The curtain'd sleep; witchcraft celebrates
Pale Hecate's offerings, and wither'd murder,
Alarum'd by his sentinel, the wolf,
Whose howl's his watch, thus with his stealthy pace.
With Tarquin's ravishing strides, towards his design
Moves like a ghost. Thou sure and firm-set earth,
Hear not my steps, which way they walk, for fear
Thy very stones prate of my whereabout,
And take the present horror from the time,
Which now suits with it. Whiles I threat, he lives:
Words to the heat of deeds too cold breath gives.
A bell rings
I go, and it is done; the bell invites me.
Hear it not, Duncan; for it is a knell
That summons thee to heaven or to hell.
Exit
SCENE II. The same.
Enter LADY MACBETH
LADY MACBETH
That which hath made them drunk hath made me bold;
What hath quench'd them hath given me fire.
Hark! Peace!
It was the owl that shriek'd, the fatal bellman,
Which gives the stern'st good-night. He is about it:
The doors are open; and the surfeited grooms
Do mock their charge with snores: I have drugg'd
their possets,
That death and nature do contend about them,
Whether they live or die.
MACBETH
[Within] Who's there? what, ho!
LADY MACBETH
Alack, I am afraid they have awaked,
And 'tis not done. The attempt and not the deed
Confounds us. Hark! I laid their daggers ready;
He could not miss 'em. Had he not resembled
My father as he slept, I had done't.
Enter MACBETH
My husband!
MACBETH
I have done the deed. Didst thou not hear a noise?
LADY MACBETH
I heard the owl scream and the crickets cry.
Did not you speak?
MACBETH
When?
LADY MACBETH
Now.
MACBETH
As I descended?
LADY MACBETH
Ay.
MACBETH
Hark!
Who lies i' the second chamber?
LADY MACBETH
Donalbain.
MACBETH
This is a sorry sight.
Looking on his hands
LADY MACBETH
A foolish thought, to say a sorry sight.
MACBETH
There's one did laugh in's sleep, and one cried
'Murder!'
That they did wake each other: I stood and heard them:
But they did say their prayers, and address'd them
Again to sleep.
LADY MACBETH
There are two lodged together.
MACBETH
One cried 'God bless us!' and 'Amen' the other;
As they had seen me with these hangman's hands.
Listening their fear, I could not say 'Amen,'
When they did say 'God bless us!'
LADY MACBETH
Consider it not so deeply.
MACBETH
But wherefore could not I pronounce 'Amen'?
I had most need of blessing, and 'Amen'
Stuck in my throat.
LADY MACBETH
These deeds must not be thought
After these ways; so, it will make us mad.
MACBETH
Methought I heard a voice cry 'Sleep no more!
Macbeth does murder sleep', the innocent sleep,
Sleep that knits up the ravell'd sleeve of care,
The death of each day's life, sore labour's bath,
Balm of hurt minds, great nature's second course,
Chief nourisher in life's feast,--
LADY MACBETH
What do you mean?
MACBETH
Still it cried 'Sleep no more!' to all the house:
'Glamis hath murder'd sleep, and therefore Cawdor
Shall sleep no more; Macbeth shall sleep no more.'
LADY MACBETH
Who was it that thus cried? Why, worthy thane,
You do unbend your noble strength, to think
So brainsickly of things. Go get some water,
And wash this filthy witness from your hand.
Why did you bring these daggers from the place?
They must lie there: go carry them; and smear
The sleepy grooms with blood.
MACBETH
I'll go no more:
I am afraid to think what I have done;
Look on't again I dare not.
LADY MACBETH
Infirm of purpose!
Give me the daggers: the sleeping and the dead
Are but as pictures: 'tis the eye of childhood
That fears a painted devil. If he do bleed,
I'll gild the faces of the grooms withal;
For it must seem their guilt.
Exit. Knocking within
MACBETH
Whence is that knocking?
How is't with me, when every noise appals me?
What hands are here? ha! they pluck out mine eyes.
Will all great Neptune's ocean wash this blood
Clean from my hand? No, this my hand will rather
The multitudinous seas in incarnadine,
Making the green one red.
Re-enter LADY MACBETH
LADY MACBETH
My hands are of your colour; but I shame
To wear a heart so white.
Knocking within
I hear a knocking
At the south entry: retire we to our chamber;
A little water clears us of this deed:
How easy is it, then! Your constancy
Hath left you unattended.
Knocking within
Hark! more knocking.
Get on your nightgown, lest occasion call us,
And show us to be watchers. Be not lost
So poorly in your thoughts.
MACBETH
To know my deed, 'twere best not know myself.
Knocking within
Wake Duncan with thy knocking! I would thou couldst!
Exeunt
SCENE III. The same.
Knocking within. Enter a Porter
Porter
Here's a knocking indeed! If a
man were porter of hell-gate, he should have
old turning the key.
Knocking within
Knock,
knock, knock! Who's there, i' the name of
Beelzebub? Here's a farmer, that hanged
himself on the expectation of plenty: come in
time; have napkins enow about you; here
you'll sweat for't.
Knocking within
Knock,
knock! Who's there, in the other devil's
name? Faith, here's an equivocator, that could
swear in both the scales against either scale;
who committed treason enough for God's sake,
yet could not equivocate to heaven: O, come
in, equivocator.
Knocking within
Knock,
knock, knock! Who's there? Faith, here's an
English tailor come hither, for stealing out of
a French hose: come in, tailor; here you may
roast your goose.
Knocking within
Knock,
knock; never at quiet! What are you? But
this place is too cold for hell. I'll devil-porter
it no further: I had thought to have let in
some of all professions that go the primrose
way to the everlasting bonfire.
Knocking within
Anon, anon! I pray you, remember the porter.
Opens the gate
Enter MACDUFF and LENNOX
MACDUFF
Was it so late, friend, ere you went to bed,
That you do lie so late?
Porter
'Faith sir, we were carousing till the
second cock: and drink, sir, is a great
provoker of three things.
MACDUFF
What three things does drink especially provoke?
Porter
Marry, sir, nose-painting, sleep, and
urine. Lechery, sir, it provokes, and unprovokes;
it provokes the desire, but it takes
away the performance: therefore, much drink
may be said to be an equivocator with lechery:
it makes him, and it mars him; it sets
him on, and it takes him off; it persuades him,
and disheartens him; makes him stand to, and
not stand to; in conclusion, equivocates him
in a sleep, and, giving him the lie, leaves him.
MACDUFF
I believe drink gave thee the lie last night.
Porter
That it did, sir, i' the very throat on
me: but I requited him for his lie; and, I
think, being too strong for him, though he took
up my legs sometime, yet I made a shift to cast
him.
MACDUFF
Is thy master stirring?
Enter MACBETH
Our knocking has awaked him; here he comes.
LENNOX
Good morrow, noble sir.
MACBETH
Good morrow, both.
MACDUFF
Is the king stirring, worthy thane?
MACBETH
Not yet.
MACDUFF
He did command me to call timely on him:
I have almost slipp'd the hour.
MACBETH
I'll bring you to him.
MACDUFF
I know this is a joyful trouble to you;
But yet 'tis one.
MACBETH
The labour we delight in physics pain.
This is the door.
MACDUFF
I'll make so bold to call,
For 'tis my limited service.
Exit


أرب جمـال 5 - 11 - 2009 06:22 PM

Macbeth: Entire PlayLENNOX
Goes the king hence to-day?
MACBETH
He does: he did appoint so.
LENNOX
The night has been unruly: where we lay,
Our chimneys were blown down; and, as they say,
Lamentings heard i' the air; strange screams of death,
And prophesying with accents terrible
Of dire combustion and confused events
New hatch'd to the woeful time: the obscure bird
Clamour'd the livelong night: some say, the earth
Was feverous and did shake.
MACBETH
'Twas a rough night.
LENNOX
My young remembrance cannot parallel
A fellow to it.
Re-enter MACDUFF
MACDUFF
O horror, horror, horror! Tongue nor heart
Cannot conceive nor name thee!
MACBETH LENNOX
What's the matter.
MACDUFF
Confusion now hath made his masterpiece!
Most sacrilegious murder hath broke ope
The Lord's anointed temple, and stole thence
The life o' the building!
MACBETH
What is 't you say? the life?
LENNOX
Mean you his majesty?
MACDUFF
Approach the chamber, and destroy your sight
With a new Gorgon: do not bid me speak;
See, and then speak yourselves.
Exeunt MACBETH and LENNOX
Awake, awake!
Ring the alarum-bell. Murder and treason!
Banquo and Donalbain! Malcolm! awake!
Shake off this downy sleep, death's counterfeit,
And look on death itself! up, up, and see
The great doom's image! Malcolm! Banquo!
As from your graves rise up, and walk like sprites,
To countenance this horror! Ring the bell.
Bell rings
Enter LADY MACBETH
LADY MACBETH
What's the business,
That such a hideous trumpet calls to parley
The sleepers of the house? speak, speak!
MACDUFF
O gentle lady,
'Tis not for you to hear what I can speak:
The repetition, in a woman's ear,
Would murder as it fell.
Enter BANQUO
O Banquo, Banquo,
Our royal master 's murder'd!
LADY MACBETH
Woe, alas!
What, in our house?
BANQUO
Too cruel any where.
Dear Duff, I prithee, contradict thyself,
And say it is not so.
Re-enter MACBETH and LENNOX, with ROSS
MACBETH
Had I but died an hour before this chance,
I had lived a blessed time; for, from this instant,
There 's nothing serious in mortality:
All is but toys: renown and grace is dead;
The wine of life is drawn, and the mere lees
Is left this vault to brag of.
Enter MALCOLM and DONALBAIN
DONALBAIN
What is amiss?
MACBETH
You are, and do not know't:
The spring, the head, the fountain of your blood
Is stopp'd; the very source of it is stopp'd.
MACDUFF
Your royal father 's murder'd.
MALCOLM
O, by whom?
LENNOX
Those of his chamber, as it seem'd, had done 't:
Their hands and faces were an badged with blood;
So were their daggers, which unwiped we found
Upon their pillows:
They stared, and were distracted; no man's life
Was to be trusted with them.
MACBETH
O, yet I do repent me of my fury,
That I did kill them.
MACDUFF
Wherefore did you so?
MACBETH
Who can be wise, amazed, temperate and furious,
Loyal and neutral, in a moment? No man:
The expedition my violent love
Outrun the pauser, reason. Here lay Duncan,
His silver skin laced with his golden blood;
And his gash'd stabs look'd like a breach in nature
For ruin's wasteful entrance: there, the murderers,
Steep'd in the colours of their trade, their daggers
Unmannerly breech'd with gore: who could refrain,
That had a heart to love, and in that heart
Courage to make 's love kno wn?
LADY MACBETH
Help me hence, ho!
MACDUFF
Look to the lady.
MALCOLM
[Aside to DONALBAIN] Why do we hold our tongues,
That most may claim this argument for ours?
DONALBAIN
[Aside to MALCOLM] What should be spoken here,
where our fate,
Hid in an auger-hole, may rush, and seize us?
Let 's away;
Our tears are not yet brew'd.
MALCOLM
[Aside to DONALBAIN] Nor our strong sorrow
Upon the foot of motion.
BANQUO
Look to the lady:
LADY MACBETH is carried out
And when we have our naked frailties hid,
That suffer in exposure, let us meet,
And question this most bloody piece of work,
To know it further. Fears and scruples shake us:
In the great hand of God I stand; and thence
Against the undivulged pretence I fight
Of treasonous malice.
MACDUFF
And so do I.
ALL
So all.
MACBETH
Let's briefly put on manly readiness,
And meet i' the hall together.
ALL
Well *******ed.
Exeunt all but Malcolm and Donalbain.


أرب جمـال 5 - 11 - 2009 06:22 PM

Macbeth: Entire PlayMALCOLM
What will you do? Let's not consort with them:
To show an unfelt sorrow is an office
Which the false man does easy. I'll to England.
DONALBAIN
To Ireland, I; our separated fortune
Shall keep us both the safer: where we are,
There's daggers in men's smiles: the near in blood,
The nearer bloody.
MALCOLM
This murderous shaft that's shot
Hath not yet lighted, and our safest way
Is to avoid the aim. Therefore, to horse;
And let us not be dainty of leave-taking,
But shift away: there's warrant in that theft
Which steals itself, when there's no mercy left.
Exeunt
SCENE IV. Outside Macbeth's castle.
Enter ROSS and an old Man
Old Man
Threescore and ten I can remember well:
Within the volume of which time I have seen
Hours dreadful and things strange; but this sore night
Hath trifled former knowings.
ROSS
Ah, good father,
Thou seest, the heavens, as troubled with man's act,
Threaten his bloody stage: by the clock, 'tis day,
And yet dark night strangles the travelling lamp:
Is't night's predominance, or the day's shame,
That darkness does the face of earth entomb,
When living light should kiss it?
Old Man
'Tis unnatural,
Even like the deed that's done. On Tuesday last,
A falcon, towering in her pride of place,
Was by a mousing owl hawk'd at and kill'd.
ROSS
And Duncan's horses--a thing most strange and certain--
Beauteous and swift, the minions of their race,
Turn'd wild in nature, broke their stalls, flung out,
Contending 'gainst obedience, as they would make
War with mankind.
Old Man
'Tis said they eat each other.
ROSS
They did so, to the amazement of mine eyes
That look'd upon't. Here comes the good Macduff.
Enter MACDUFF
How goes the world, sir, now?
MACDUFF
Why, see you not?
ROSS
Is't known who did this more than bloody deed?
MACDUFF
Those that Macbeth hath slain.
ROSS
Alas, the day!
What good could they pretend?
MACDUFF
They were suborn'd:
Malcolm and Donalbain, the king's two sons,
Are stol'n away and fled; which puts upon them
Suspicion of the deed.
ROSS
'Gainst nature still!
Thriftless ambition, that wilt ravin up
Thine own life's means! Then 'tis most like
The sovereignty will fall upon Macbeth.
MACDUFF
He is already named, and gone to Scone
To be invested.
ROSS
Where is Duncan's body?
MACDUFF
Carried to Colmekill,
The sacred storehouse of his predecessors,
And guardian of their bones.
ROSS
Will you to Scone?
MACDUFF
No, cousin, I'll to Fife.
ROSS
Well, I will thither.
MACDUFF
Well, may you see things well done there: adieu!
Lest our old robes sit easier than our new!
ROSS
Farewell, father.
Old Man
God's benison go with you; and with those
That would make good of bad, and friends of foes!
Exeunt
ACT III

SCENE I. Forres. The palace.
Enter BANQUO
BANQUO
Thou hast it now: king, Cawdor, Glamis, all,
As the weird women promised, and, I fear,
Thou play'dst most foully for't: yet it was said
It should not stand in thy posterity,
But that myself should be the root and father
Of many kings. If there come truth from them--
As upon thee, Macbeth, their speeches shine--
Why, by the verities on thee made good,
May they not be my oracles as well,
And set me up in hope? But hush! no more.
Sennet sounded. Enter MACBETH, as king, LADY MACBETH, as queen, LENNOX, ROSS, Lords, Ladies, and Attendants
MACBETH
Here's our chief guest.
LADY MACBETH
If he had been forgotten,
It had been as a gap in our great feast,
And all-thing unbecoming.
MACBETH
To-night we hold a solemn supper sir,
And I'll request your presence.
BANQUO
Let your highness
Command upon me; to the which my duties
Are with a most indissoluble tie
For ever knit.
MACBETH
Ride you this afternoon?
BANQUO
Ay, my good lord.
MACBETH
We should have else desired your good advice,
Which still hath been both grave and prosperous,
In this day's council; but we'll take to-morrow.
Is't far you ride?
BANQUO
As far, my lord, as will fill up the time
'Twixt this and supper: go not my horse the better,
I must become a borrower of the night
For a dark hour or twain.
MACBETH
Fail not our feast.
BANQUO
My lord, I will not.
MACBETH
We hear, our bloody cousins are bestow'd
In England and in Ireland, not confessing
Their cruel parricide, filling their hearers
With strange invention: but of that to-morrow,
When therewithal we shall have cause of state
Craving us jointly. Hie you to horse: adieu,
Till you return at night. Goes Fleance with you?
BANQUO
Ay, my good lord: our time does call upon 's.
MACBETH
I wish your horses swift and sure of foot;
And so I do commend you to their backs. Farewell.
Exit BANQUO
Let every man be master of his time
Till seven at night: to make society
The sweeter welcome, we will keep ourself
Till supper-time alone: while then, God be with you!
Exeunt all but MACBETH, and an attendant
Sirrah, a word with you: attend those men
Our pleasure?
ATTENDANT
They are, my lord, without the palace gate.
MACBETH
Bring them before us.
Exit Attendant
To be thus is nothing;
But to be safely thus.--Our fears in Banquo
Stick deep; and in his royalty of nature
Reigns that which would be fear'd: 'tis much he dares;
And, to that dauntless temper of his mind,
He hath a wisdom that doth guide his valour
To act in safety. There is none but he
Whose being I do fear: and, under him,
My Genius is rebuked; as, it is said,
Mark Antony's was by Caesar. He chid the sisters
When first they put the name of king upon me,
And bade them speak to him: then prophet-like
They hail'd him father to a line of kings:
Upon my head they placed a fruitless crown,
And put a barren sceptre in my gripe,
Thence to be wrench'd with an unlineal hand,
No son of mine succeeding. If 't be so,
For Banquo's issue have I filed my mind;
For them the gracious Duncan have I murder'd;
Put rancours in the vessel of my peace
Only for them; and mine eternal jewel
Given to the common enemy of man,
To make them kings, the seed of Banquo kings!
Rather than so, come fate into the list.
And champion me to the utterance! Who's there!
Re-enter Attendant, with two Murderers
Now go to the door, and stay there till we call.
Exit Attendant
Was it not yesterday we spoke together?
First Murderer
It was, so please your highness.
MACBETH
Well then, now
Have you consider'd of my speeches? Know
That it was he in the times past which held you
So under fortune, which you thought had been
Our innocent self: this I made good to you
In our last conference, pass'd in probation with you,
How you were borne in hand, how cross'd,
the instruments,
Who wrought with them, and all things else that might
To half a soul and to a notion crazed
Say 'Thus did Banquo.'
First Murderer
You made it known to us.
MACBETH
I did so, and went further, which is now
Our point of second meeting. Do you find
Your patience so predominant in your nature
That you can let this go? Are you so gospell'd
To pray for this good man and for his issue,
Whose heavy hand hath bow'd you to the grave
And beggar'd yours for ever?
First Murderer
We are men, my liege.
MACBETH
Ay, in the catalogue ye go for men;
As hounds and greyhounds, mongrels, spaniels, curs,
Shoughs, water-rugs and demi-wolves, are clept
All by the name of dogs: the valued file
Distinguishes the swift, the slow, the subtle,
The housekeeper, the hunter, every one
According to the gift which bounteous nature
Hath in him closed; whereby he does receive
Particular addition. from the bill
That writes them all alike: and so of men.
Now, if you have a station in the file,
Not i' the worst rank of manhood, say 't;
And I will put that business in your bosoms,
Whose execution takes your enemy off,
Grapples you to the heart and love of us,
Who wear our health but sickly in his life,
Which in his death were perfect.
Second Murderer
I am one, my liege,
Whom the vile blows and buffets of the world
Have so incensed that I am reckless what
I do to spite the world.
First Murderer
And I another
So weary with disasters, tugg'd with fortune,
That I would set my lie on any chance,
To mend it, or be rid on't.
MACBETH
Both of you
Know Banquo was your enemy.
Both Murderers
True, my lord.
MACBETH
So is he mine; and in such bloody distance,
That every minute of his being thrusts
Against my near'st of life: and though I could
With barefaced power sweep him from my sight
And bid my will avouch it, yet I must not,
For certain friends that are both his and mine,
Whose loves I may not drop, but wail his fall
Who I myself struck down; and thence it is,
That I to your assistance do make love,
Masking the business from the common eye
For sundry weighty reasons.
Second Murderer
We shall, my lord,
Perform what you command us.
First Murderer
Though our lives--
MACBETH
Your spirits shine through you. Within this hour at most
I will advise you where to plant yourselves;
Acquaint you with the perfect spy o' the time,
The moment on't; for't must be done to-night,
And something from the palace; always thought
That I require a clearness: and with him--
To leave no rubs nor botches in the work--
Fleance his son, that keeps him company,
Whose absence is no less material to me
Than is his father's, must embrace the fate
Of that dark hour. Resolve yourselves apart:
I'll come to you anon.
Both Murderers
We are resolved, my lord.
MACBETH
I'll call upon you straight: abide within.
Exeunt Murderers
It is concluded. Banquo, thy soul's flight,
If it find heaven, must find it out to-night.
Exit
SCENE II. The palace.
Enter LADY MACBETH and a Servant
LADY MACBETH
Is Banquo gone from court?
Servant
Ay, madam, but returns again to-night.
LADY MACBETH
Say to the king, I would attend his leisure
For a few words.
Servant
Madam, I will.
Exit


أرب جمـال 5 - 11 - 2009 06:23 PM

Macbeth: Entire PlayLADY MACBETH
Nought's had, all's spent,
Where our desire is got without *******:
'Tis safer to be that which we destroy
Than by destruction dwell in doubtful joy.
Enter MACBETH
How now, my lord! why do you keep alone,
Of sorriest fancies your companions making,
Using those thoughts which should indeed have died
With them they think on? Things without all remedy
Should be without regard: what's done is done.
MACBETH
We have scotch'd the snake, not kill'd it:
She'll close and be herself, whilst our poor malice
Remains in danger of her former tooth.
But let the frame of things disjoint, both the
worlds suffer,
Ere we will eat our meal in fear and sleep
In the affliction of these terrible dreams
That shake us nightly: better be with the dead,
Whom we, to gain our peace, have sent to peace,
Than on the torture of the mind to lie
In restless ecstasy. Duncan is in his grave;
After life's fitful fever he sleeps well;
Treason has done his worst: nor steel, nor poison,
Malice domestic, foreign levy, nothing,
Can touch him further.
LADY MACBETH
Come on;
Gentle my lord, sleek o'er your rugged looks;
Be bright and jovial among your guests to-night.
MACBETH
So shall I, love; and so, I pray, be you:
Let your remembrance apply to Banquo;
Present him eminence, both with eye and tongue:
Unsafe the while, that we
Must lave our honours in these flattering streams,
And make our faces vizards to our hearts,
Disguising what they are.
LADY MACBETH
You must leave this.
MACBETH
O, full of scorpions is my mind, dear wife!
Thou know'st that Banquo, and his Fleance, lives.
LADY MACBETH
But in them nature's copy's not eterne.
MACBETH
There's comfort yet; they are assailable;
Then be thou jocund: ere the bat hath flown
His cloister'd flight, ere to black Hecate's summons
The shard-borne beetle with his drowsy hums
Hath rung night's yawning peal, there shall be done
A deed of dreadful note.
LADY MACBETH
What's to be done?
MACBETH
Be innocent of the knowledge, dearest chuck,
Till thou applaud the deed. Come, seeling night,
Scarf up the tender eye of pitiful day;
And with thy bloody and invisible hand
Cancel and tear to pieces that great bond
Which keeps me pale! Light thickens; and the crow
Makes wing to the rooky wood:
Good things of day begin to droop and drowse;
While night's black agents to their preys do rouse.
Thou marvell'st at my words: but hold thee still;
Things bad begun make strong themselves by ill.
So, prithee, go with me.
Exeunt
SCENE III. A park near the palace.
Enter three Murderers
First Murderer
But who did bid thee join with us?
Third Murderer
Macbeth.
Second Murderer
He needs not our mistrust, since he delivers
Our offices and what we have to do
To the direction just.
First Murderer
Then stand with us.
The west yet glimmers with some streaks of day:
Now spurs the lated traveller apace
To gain the timely inn; and near approaches
The subject of our watch.
Third Murderer
Hark! I hear horses.
BANQUO
[Within] Give us a light there, ho!
Second Murderer
Then 'tis he: the rest
That are within the note of expectation
Already are i' the court.
First Murderer
His horses go about.
Third Murderer
Almost a mile: but he does usually,
So all men do, from hence to the palace gate
Make it their walk.
Second Murderer
A light, a light!
Enter BANQUO, and FLEANCE with a torch
Third Murderer
'Tis he.
First Murderer
Stand to't.
BANQUO
It will be rain to-night.
First Murderer
Let it come down.
They set upon BANQUO
BANQUO
O, treachery! Fly, good Fleance, fly, fly, fly!
Thou mayst revenge. O slave!
Dies. FLEANCE escapes
Third Murderer
Who did strike out the light?
First Murderer
Wast not the way?
Third Murderer
There's but one down; the son is fled.
Second Murderer
We have lost
Best half of our affair.
First Murderer
Well, let's away, and say how much is done.
Exeunt
SCENE IV. The same. Hall in the palace.
A banquet prepared. Enter MACBETH, LADY MACBETH, ROSS, LENNOX, Lords, and Attendants
MACBETH
You know your own degrees; sit down: at first
And last the hearty welcome.
Lords
Thanks to your majesty.
MACBETH
Ourself will mingle with society,
And play the humble host.
Our hostess keeps her state, but in best time
We will require her welcome.
LADY MACBETH
Pronounce it for me, sir, to all our friends;
For my heart speaks they are welcome.
First Murderer appears at the door
MACBETH
See, they encounter thee with their hearts' thanks.
Both sides are even: here I'll sit i' the midst:
Be large in mirth; anon we'll drink a measure
The table round.
Approaching the door
There's blood on thy face.
First Murderer
'Tis Banquo's then.
MACBETH
'Tis better thee without than he within.
Is he dispatch'd?
First Murderer
My lord, his throat is cut; that I did for him.
MACBETH
Thou art the best o' the cut-throats: yet he's good
That did the like for Fleance: if thou didst it,
Thou art the nonpareil.
First Murderer
Most royal sir,
Fleance is 'scaped.
MACBETH
Then comes my fit again: I had else been perfect,
Whole as the marble, founded as the rock,
As broad and general as the casing air:
But now I am cabin'd, cribb'd, confined, bound in
To saucy doubts and fears. But Banquo's safe?
First Murderer
Ay, my good lord: safe in a ditch he bides,
With twenty trenched gashes on his head;
The least a death to nature.
MACBETH
Thanks for that:
There the grown serpent lies; the worm that's fled
Hath nature that in time will venom breed,
No teeth for the present. Get thee gone: to-morrow
We'll hear, ourselves, again.
Exit Murderer
LADY MACBETH
My royal lord,
You do not give the cheer: the feast is sold
That is not often vouch'd, while 'tis a-making,
'Tis given with welcome: to feed were best at home;
From thence the sauce to meat is ceremony;
Meeting were bare without it.
MACBETH
Sweet remembrancer!
Now, good digestion wait on appetite,
And health on both!
LENNOX
May't please your highness sit.
The GHOST OF BANQUO enters, and sits in MACBETH's place
MACBETH
Here had we now our country's honour roof'd,
Were the graced person of our Banquo present;
Who may I rather challenge for unkindness
Than pity for mischance!
ROSS
His absence, sir,
Lays blame upon his promise. Please't your highness
To grace us with your royal company.
MACBETH
The table's full.
LENNOX
Here is a place reserved, sir.
MACBETH
Where?
LENNOX
Here, my good lord. What is't that moves your highness?
MACBETH
Which of you have done this?
Lords
What, my good lord?
MACBETH
Thou canst not say I did it: never shake
Thy gory locks at me.
ROSS
Gentlemen, rise: his highness is not well.
LADY MACBETH
Sit, worthy friends: my lord is often thus,
And hath been from his youth: pray you, keep seat;
The fit is momentary; upon a thought
He will again be well: if much you note him,
You shall offend him and extend his passion:
Feed, and regard him not. Are you a man?
MACBETH
Ay, and a bold one, that dare look on that
Which might appal the devil.
LADY MACBETH
O proper stuff!
This is the very painting of your fear:
This is the air-drawn dagger which, you said,
Led you to Duncan. O, these flaws and starts,
Impostors to true fear, would well become
A woman's story at a winter's fire,
Authorized by her grandam. Shame itself!
Why do you make such faces? When all's done,
You look but on a stool.
MACBETH
Prithee, see there! behold! look! lo!
how say you?
Why, what care I? If thou canst nod, speak too.
If charnel-houses and our graves must send
Those that we bury back, our monuments
Shall be the maws of kites.
GHOST OF BANQUO vanishes
LADY MACBETH
What, quite unmann'd in folly?
MACBETH
If I stand here, I saw him.
LADY MACBETH
Fie, for shame!
MACBETH
Blood hath been shed ere now, i' the olden time,
Ere human statute purged the gentle weal;
Ay, and since too, murders have been perform'd
Too terrible for the ear: the times have been,
That, when the brains were out, the man would die,
And there an end; but now they rise again,
With twenty mortal murders on their crowns,
And push us from our stools: this is more strange
Than such a murder is.
LADY MACBETH
My worthy lord,
Your noble friends do lack you.
MACBETH
I do forget.
Do not muse at me, my most worthy friends,
I have a strange infirmity, which is nothing
To those that know me. Come, love and health to all;
Then I'll sit down. Give me some wine; fill full.
I drink to the general joy o' the whole table,
And to our dear friend Banquo, whom we miss;
Would he were here! to all, and him, we thirst,
And all to all.
Lords
Our duties, and the pledge.
Re-enter GHOST OF BANQUO
MACBETH
Avaunt! and quit my sight! let the earth hide thee!
Thy bones are marrowless, thy blood is cold;
Thou hast no speculation in those eyes
Which thou dost glare with!
LADY MACBETH
Think of this, good peers,
But as a thing of custom: 'tis no other;
Only it spoils the pleasure of the time.
MACBETH
What man dare, I dare:
Approach thou like the rugged Russian bear,
The arm'd rhinoceros, or the Hyrcan tiger;
Take any shape but that, and my firm nerves
Shall never tremble: or be alive again,
And dare me to the desert with thy sword;
If trembling I inhabit then, protest me
The baby of a girl. Hence, horrible shadow!
Unreal mockery, hence!
GHOST OF BANQUO vanishes
Why, so: being gone,
I am a man again. Pray you, sit still.
LADY MACBETH
You have displaced the mirth, broke the good meeting,
With most admired disorder.
MACBETH
Can such things be,
And overcome us like a summer's cloud,
Without our special wonder? You make me strange
Even to the disposition that I owe,
When now I think you can behold such sights,
And keep the natural ruby of your cheeks,
When mine is blanched with fear.
ROSS
What sights, my lord?
LADY MACBETH
I pray you, speak not; he grows worse and worse;
Question enrages him. At once, good night:
Stand not upon the order of your going,
But go at once.
LENNOX
Good night; and better health
Attend his majesty!
LADY MACBETH
A kind good night to all!
Exeunt all but MACBETH and LADY MACBETH
MACBETH
It will have blood; they say, blood will have blood:
Stones have been known to move and trees to speak;
Augurs and understood relations have
By magot-pies and choughs and rooks brought forth
The secret'st man of blood. What is the night?
LADY MACBETH
Almost at odds with morning, which is which.
MACBETH
How say'st thou, that Macduff denies his person
At our great bidding?
LADY MACBETH
Did you send to him, sir?
MACBETH
I hear it by the way; but I will send:
There's not a one of them but in his house
I keep a servant fee'd. I will to-morrow,
And betimes I will, to the weird sisters:
More shall they speak; for now I am bent to know,
By the worst means, the worst. For mine own good,
All causes shall give way: I am in blood
Stepp'd in so far that, should I wade no more,
Returning were as tedious as go o'er:
Strange things I have in head, that will to hand;
Which must be acted ere they may be scann'd.
LADY MACBETH
You lack the season of all natures, sleep.
MACBETH
Come, we'll to sleep. My strange and self-abuse
Is the initiate fear that wants hard use:
We are yet but young in deed.
Exeunt


أرب جمـال 5 - 11 - 2009 06:24 PM

Macbeth: Entire PlaySCENE V. A Heath.
Thunder. Enter the three Witches meeting HECATE
First Witch
Why, how now, Hecate! you look angerly.
HECATE
Have I not reason, beldams as you are,
Saucy and overbold? How did you dare
To trade and traffic with Macbeth
In riddles and affairs of death;
And I, the mistress of your charms,
The close contriver of all harms,
Was never call'd to bear my part,
Or show the glory of our art?
And, which is worse, all you have done
Hath been but for a wayward son,
Spiteful and wrathful, who, as others do,
Loves for his own ends, not for you.
But make amends now: get you gone,
And at the pit of Acheron
Meet me i' the morning: thither he
Will come to know his destiny:
Your vessels and your spells provide,
Your charms and every thing beside.
I am for the air; this night I'll spend
Unto a dismal and a fatal end:
Great business must be wrought ere noon:
Upon the corner of the moon
There hangs a vaporous drop profound;
I'll catch it ere it come to ground:
And that distill'd by magic sleights
Shall raise such artificial sprites
As by the strength of their illusion
Shall draw him on to his confusion:
He shall spurn fate, scorn death, and bear
He hopes 'bove wisdom, grace and fear:
And you all know, security
Is mortals' chiefest enemy.
Music and a song within: 'Come away, come away,' & c
Hark! I am call'd; my little spirit, see,
Sits in a foggy cloud, and stays for me.
Exit
First Witch
Come, let's make haste; she'll soon be back again.
Exeunt
SCENE VI. Forres. The palace.
Enter LENNOX and another Lord
LENNOX
My former speeches have but hit your thoughts,
Which can interpret further: only, I say,
Things have been strangely borne. The
gracious Duncan
Was pitied of Macbeth: marry, he was dead:
And the right-valiant Banquo walk'd too late;
Whom, you may say, if't please you, Fleance kill'd,
For Fleance fled: men must not walk too late.
Who cannot want the thought how monstrous
It was for Malcolm and for Donalbain
To kill their gracious father? damned fact!
How it did grieve Macbeth! did he not straight
In pious rage the two delinquents tear,
That were the slaves of drink and thralls of sleep?
Was not that nobly done? Ay, and wisely too;
For 'twould have anger'd any heart alive
To hear the men deny't. So that, I say,
He has borne all things well: and I do think
That had he Duncan's sons under his key--
As, an't please heaven, he shall not--they
should find
What 'twere to kill a father; so should Fleance.
But, peace! for from broad words and 'cause he fail'd
His presence at the tyrant's feast, I hear
Macduff lives in disgrace: sir, can you tell
Where he bestows himself?
Lord
The son of Duncan,
From whom this tyrant holds the due of birth
Lives in the English court, and is received
Of the most pious Edward with such grace
That the malevolence of fortune nothing
Takes from his high respect: thither Macduff
Is gone to pray the holy king, upon his aid
To wake Northumberland and warlike Siward:
That, by the help of these--with Him above
To ratify the work--we may again
Give to our tables meat, sleep to our nights,
Free from our feasts and banquets bloody knives,
Do faithful homage and receive free honours:
All which we pine for now: and this report
Hath so exasperate the king that he
Prepares for some attempt of war.
LENNOX
Sent he to Macduff?
Lord
He did: and with an absolute 'Sir, not I,'
The cloudy messenger turns me his back,
And hums, as who should say 'You'll rue the time
That clogs me with this answer.'
LENNOX
And that well might
Advise him to a caution, to hold what distance
His wisdom can provide. Some holy angel
Fly to the court of England and unfold
His message ere he come, that a swift blessing
May soon return to this our suffering country
Under a hand accursed!
Lord
I'll send my prayers with him.
Exeunt
ACT IV

SCENE I. A cavern. In the middle, a boiling cauldron.
Thunder. Enter the three Witches
First Witch
Thrice the brinded cat hath mew'd.
Second Witch
Thrice and once the hedge-pig whined.
Third Witch
Harpier cries 'Tis time, 'tis time.
First Witch
Round about the cauldron go;
In the poison'd entrails throw.
Toad, that under cold stone
Days and nights has thirty-one
Swelter'd venom sleeping got,
Boil thou first i' the charmed pot.
ALL
Double, double toil and trouble;
Fire burn, and cauldron bubble.
Second Witch
Fillet of a fenny snake,
In the cauldron boil and bake;
Eye of newt and toe of frog,
Wool of bat and tongue of dog,
Adder's fork and blind-worm's sting,
Lizard's leg and owlet's wing,
For a charm of powerful trouble,
Like a hell-broth boil and bubble.
ALL
Double, double toil and trouble;
Fire burn and cauldron bubble.
Third Witch
Scale of dragon, tooth of wolf,
Witches' mummy, maw and gulf
Of the ravin'd salt-sea shark,
Root of hemlock digg'd i' the dark,
Liver of blaspheming Jew,
Gall of goat, and slips of yew
Silver'd in the moon's eclipse,
Nose of Turk and Tartar's lips,
Finger of birth-strangled babe
Ditch-deliver'd by a drab,
Make the gruel thick and slab:
Add thereto a tiger's chaudron,
For the ingredients of our cauldron.
ALL
Double, double toil and trouble;
Fire burn and cauldron bubble.
Second Witch
Cool it with a baboon's blood,
Then the charm is firm and good.
Enter HECATE to the other three Witches
HECATE
O well done! I commend your pains;
And every one shall share i' the gains;
And now about the cauldron sing,
Live elves and fairies in a ring,
Enchanting all that you put in.
Music and a song: 'Black spirits,' & c
HECATE retires
Second Witch
By the pricking of my thumbs,
Something wicked this way comes.
Open, locks,
Whoever knocks!
Enter MACBETH
MACBETH
How now, you secret, black, and midnight hags!
What is't you do?
ALL
A deed without a name.
MACBETH
I conjure you, by that which you profess,
Howe'er you come to know it, answer me:
Though you untie the winds and let them fight
Against the churches; though the yesty waves
Confound and swallow navigation up;
Though bladed corn be lodged and trees blown down;
Though castles topple on their warders' heads;
Though palaces and pyramids do slope
Their heads to their foundations; though the treasure
Of nature's germens tumble all together,
Even till destruction sicken; answer me
To what I ask you.
First Witch
Speak.
Second Witch
Demand.
Third Witch
We'll answer.
First Witch
Say, if thou'dst rather hear it from our mouths,
Or from our masters?
MACBETH
Call 'em; let me see 'em.
First Witch
Pour in sow's blood, that hath eaten
Her nine farrow; grease that's sweaten
From the murderer's gibbet throw
Into the flame.
ALL
Come, high or low;
Thyself and office deftly show!
Thunder. First Apparition: an armed Head
MACBETH
Tell me, thou unknown power,--
First Witch
He knows thy thought:
Hear his speech, but say thou nought.
First Apparition
Macbeth! Macbeth! Macbeth! beware Macduff;
Beware the thane of Fife. Dismiss me. Enough.
Descends
MACBETH
Whate'er thou art, for thy good caution, thanks;
Thou hast harp'd my fear aright: but one
word more,--
First Witch
He will not be commanded: here's another,
More potent than the first.
Thunder. Second Apparition: A bloody Child
Second Apparition
Macbeth! Macbeth! Macbeth!
MACBETH
Had I three ears, I'ld hear thee.
Second Apparition
Be bloody, bold, and resolute; laugh to scorn
The power of man, for none of woman born
Shall harm Macbeth.
Descends
MACBETH
Then live, Macduff: what need I fear of thee?
But yet I'll make assurance double sure,
And take a bond of fate: thou shalt not live;
That I may tell pale-hearted fear it lies,
And sleep in spite of thunder.
Thunder. Third Apparition: a Child crowned, with a tree in his hand
What is this
That rises like the issue of a king,
And wears upon his baby-brow the round
And top of sovereignty?
ALL
Listen, but speak not to't.
Third Apparition
Be lion-mettled, proud; and take no care
Who chafes, who frets, or where conspirers are:
Macbeth shall never vanquish'd be until
Great Birnam wood to high Dunsinane hill
Shall come against him.
Descends
MACBETH
That will never be
Who can impress the forest, bid the tree
Unfix his earth-bound root? Sweet bodements! good!
Rebellion's head, rise never till the wood
Of Birnam rise, and our high-placed Macbeth
Shall live the lease of nature, pay his breath
To time and mortal custom. Yet my heart
Throbs to know one thing: tell me, if your art
Can tell so much: shall Banquo's issue ever
Reign in this kingdom?
ALL
Seek to know no more.
MACBETH
I will be satisfied: deny me this,
And an eternal curse fall on you! Let me know.
Why sinks that cauldron? and what noise is this?
Hautboys
First Witch
Show!
Second Witch
Show!
Third Witch
Show!
ALL
Show his eyes, and grieve his heart;
Come like shadows, so depart!
A show of Eight Kings, the last with a glass in his hand; GHOST OF BANQUO following
MACBETH
Thou art too like the spirit of Banquo: down!
Thy crown does sear mine eye-balls. And thy hair,
Thou other gold-bound brow, is like the first.
A third is like the former. Filthy hags!
Why do you show me this? A fourth! Start, eyes!
What, will the line stretch out to the crack of doom?
Another yet! A seventh! I'll see no more:
And yet the eighth appears, who bears a glass
Which shows me many more; and some I see
That two-fold balls and treble scepters carry:
Horrible sight! Now, I see, 'tis true;
For the blood-bolter'd Banquo smiles upon me,
And points at them for his.
Apparitions vanish
What, is this so?
First Witch
Ay, sir, all this is so: but why
Stands Macbeth thus amazedly?
Come, sisters, cheer we up his sprites,
And show the best of our delights:
I'll charm the air to give a sound,
While you perform your antic round:
That this great king may kindly say,
Our duties did his welcome pay.
Music. The witches dance and then vanish, with HECATE
MACBETH
Where are they? Gone? Let this pernicious hour
Stand aye accursed in the calendar!
Come in, without there!
Enter LENNOX
LENNOX
What's your grace's will?
MACBETH
Saw you the weird sisters?
LENNOX
No, my lord.
MACBETH
Came they not by you?
LENNOX
No, indeed, my lord.
MACBETH
Infected be the air whereon they ride;
And damn'd all those that trust them! I did hear
The galloping of horse: who was't came by?
LENNOX
'Tis two or three, my lord, that bring you word
Macduff is fled to England.
MACBETH
Fled to England!
LENNOX
Ay, my good lord.
MACBETH
Time, thou anticipatest my dread exploits:
The flighty purpose never is o'ertook
Unless the deed go with it; from this moment
The very firstlings of my heart shall be
The firstlings of my hand. And even now,
To crown my thoughts with acts, be it thought and done:
The castle of Macduff I will surprise;
Seize upon Fife; give to the edge o' the sword
His wife, his babes, and all unfortunate souls
That trace him in his line. No boasting like a fool;
This deed I'll do before this purpose cool.
But no more sights!--Where are these gentlemen?
Come, bring me where they are.
Exeunt


أرب جمـال 5 - 11 - 2009 06:25 PM

Macbeth: Entire PlaySCENE II. Fife. Macduff's castle.
Enter LADY MACDUFF, her Son, and ROSS
LADY MACDUFF
What had he done, to make him fly the land?
ROSS
You must have patience, madam.
LADY MACDUFF
He had none:
His flight was madness: when our actions do not,
Our fears do make us traitors.
ROSS
You know not
Whether it was his wisdom or his fear.
LADY MACDUFF
Wisdom! to leave his wife, to leave his babes,
His mansion and his titles in a place
From whence himself does fly? He loves us not;
He wants the natural touch: for the poor wren,
The most diminutive of birds, will fight,
Her young ones in her nest, against the owl.
All is the fear and nothing is the love;
As little is the wisdom, where the flight
So runs against all reason.
ROSS
My dearest coz,
I pray you, school yourself: but for your husband,
He is noble, wise, judicious, and best knows
The fits o' the season. I dare not speak
much further;
But cruel are the times, when we are traitors
And do not know ourselves, when we hold rumour
From what we fear, yet know not what we fear,
But float upon a wild and violent sea
Each way and move. I take my leave of you:
Shall not be long but I'll be here again:
Things at the worst will cease, or else climb upward
To what they were before. My pretty cousin,
Blessing upon you!
LADY MACDUFF
Father'd he is, and yet he's fatherless.
ROSS
I am so much a fool, should I stay longer,
It would be my disgrace and your discomfort:
I take my leave at once.
Exit
LADY MACDUFF
Sirrah, your father's dead;
And what will you do now? How will you live?
Son
As birds do, mother.
LADY MACDUFF
What, with worms and flies?
Son
With what I get, I mean; and so do they.
LADY MACDUFF
Poor bird! thou'ldst never fear the net nor lime,
The pitfall nor the gin.
Son
Why should I, mother? Poor birds they are not set for.
My father is not dead, for all your saying.
LADY MACDUFF
Yes, he is dead; how wilt thou do for a father?
Son
Nay, how will you do for a husband?
LADY MACDUFF
Why, I can buy me twenty at any market.
Son
Then you'll buy 'em to sell again.
LADY MACDUFF
Thou speak'st with all thy wit: and yet, i' faith,
With wit enough for thee.
Son
Was my father a traitor, mother?
LADY MACDUFF
Ay, that he was.
Son
What is a traitor?
LADY MACDUFF
Why, one that swears and lies.
Son
And be all traitors that do so?
LADY MACDUFF
Every one that does so is a traitor, and must be hanged.
Son
And must they all be hanged that swear and lie?
LADY MACDUFF
Every one.
Son
Who must hang them?
LADY MACDUFF
Why, the honest men.
Son
Then the liars and swearers are fools,
for there are liars and swearers enow to beat
the honest men and hang up them.
LADY MACDUFF
Now, God help thee, poor monkey!
But how wilt thou do for a father?
Son
If he were dead, you'ld weep for
him: if you would not, it were a good sign
that I should quickly have a new father.
LADY MACDUFF
Poor prattler, how thou talk'st!
Enter a Messenger
Messenger
Bless you, fair dame! I am not to you known,
Though in your state of honour I am perfect.
I doubt some danger does approach you nearly:
If you will take a homely man's advice,
Be not found here; hence, with your little ones.
To fright you thus, methinks, I am too savage;
To do worse to you were fell cruelty,
Which is too nigh your person. Heaven preserve you!
I dare abide no longer.
Exit
LADY MACDUFF
Whither should I fly?
I have done no harm. But I remember now
I am in this earthly world; where to do harm
Is often laudable, to do good sometime
Accounted dangerous folly: why then, alas,
Do I put up that womanly defence,
To say I have done no harm?
Enter Murderers
What are these faces?
First Murderer
Where is your husband?
LADY MACDUFF
I hope, in no place so unsanctified
Where such as thou mayst find him.
First Murderer
He's a traitor.
Son
Thou liest, thou shag-hair'd villain!
First Murderer
What, you egg!
Stabbing him
Young fry of treachery!
Son
He has kill'd me, mother:
Run away, I pray you!
Dies
Exit LADY MACDUFF, crying 'Murder!' Exeunt Murderers, following her
SCENE III. England. Before the King's palace.
Enter MALCOLM and MACDUFF
MALCOLM
Let us seek out some desolate shade, and there
Weep our sad bosoms empty.
MACDUFF
Let us rather
Hold fast the mortal sword, and like good men
Bestride our down-fall'n birthdom: each new morn
New widows howl, new orphans cry, new sorrows
Strike heaven on the face, that it resounds
As if it felt with Scotland and yell'd out
Like syllable of dolour.
MALCOLM
What I believe I'll wail,
What know believe, and what I can redress,
As I shall find the time to friend, I will.
What you have spoke, it may be so perchance.
This tyrant, whose sole name blisters our tongues,
Was once thought honest: you have loved him well.
He hath not touch'd you yet. I am young;
but something
You may deserve of him through me, and wisdom
To offer up a weak poor innocent lamb
To appease an angry god.
MACDUFF
I am not treacherous.
MALCOLM
But Macbeth is.
A good and virtuous nature may recoil
In an imperial charge. But I shall crave
your pardon;
That which you are my thoughts cannot transpose:
Angels are bright still, though the brightest fell;
Though all things foul would wear the brows of grace,
Yet grace must still look so.
MACDUFF
I have lost my hopes.
MALCOLM
Perchance even there where I did find my doubts.
Why in that rawness left you wife and child,
Those precious motives, those strong knots of love,
Without leave-taking? I pray you,
Let not my jealousies be your dishonours,
But mine own safeties. You may be rightly just,
Whatever I shall think.
MACDUFF
Bleed, bleed, poor country!
Great tyranny! lay thou thy basis sure,
For goodness dare not cheque thee: wear thou
thy wrongs;
The title is affeer'd! Fare thee well, lord:
I would not be the villain that thou think'st
For the whole space that's in the tyrant's grasp,
And the rich East to boot.
MALCOLM
Be not offended:
I speak not as in absolute fear of you.
I think our country sinks beneath the yoke;
It weeps, it bleeds; and each new day a gash
Is added to her wounds: I think withal
There would be hands uplifted in my right;
And here from gracious England have I offer
Of goodly thousands: but, for all this,
When I shall tread upon the tyrant's head,
Or wear it on my sword, yet my poor country
Shall have more vices than it had before,
More suffer and more sundry ways than ever,
By him that shall succeed.
MACDUFF
What should he be?
MALCOLM
It is myself I mean: in whom I know
All the particulars of vice so grafted
That, when they shall be open'd, black Macbeth
Will seem as pure as snow, and the poor state
Esteem him as a lamb, being compared
With my confineless harms.
MACDUFF
Not in the legions
Of horrid hell can come a devil more damn'd
In evils to top Macbeth.
MALCOLM
I grant him bloody,
Luxurious, avaricious, false, deceitful,
Sudden, malicious, smacking of every sin
That has a name: but there's no bottom, none,
In my voluptuousness: your wives, your daughters,
Your matrons and your maids, could not fill up
The cistern of my lust, and my desire
All continent impediments would o'erbear
That did oppose my will: better Macbeth
Than such an one to reign.
MACDUFF
Boundless intemperance
In nature is a tyranny; it hath been
The untimely emptying of the happy throne
And fall of many kings. But fear not yet
To take upon you what is yours: you may
Convey your pleasures in a spacious plenty,
And yet seem cold, the time you may so hoodwink.
We have willing dames enough: there cannot be
That vulture in you, to devour so many
As will to greatness dedicate themselves,
Finding it so inclined.
MALCOLM
With this there grows
In my most ill-composed affection such
A stanchless avarice that, were I king,
I should cut off the nobles for their lands,
Desire his jewels and this other's house:
And my more-having would be as a sauce
To make me hunger more; that I should forge
Quarrels unjust against the good and loyal,
Destroying them for wealth.
MACDUFF
This avarice
Sticks deeper, grows with more pernicious root
Than summer-seeming lust, and it hath been
The sword of our slain kings: yet do not fear;
Scotland hath foisons to fill up your will.
Of your mere own: all these are portable,
With other graces weigh'd.
MALCOLM
But I have none: the king-becoming graces,
As justice, verity, temperance, stableness,
Bounty, perseverance, mercy, lowliness,
Devotion, patience, courage, fortitude,
I have no relish of them, but abound
In the division of each several crime,
Acting it many ways. Nay, had I power, I should
Pour the sweet milk of concord into hell,
Uproar the universal peace, confound
All unity on earth.
MACDUFF
O Scotland, Scotland!
MALCOLM
If such a one be fit to govern, speak:
I am as I have spoken.
MACDUFF
Fit to govern!
No, not to live. O nation miserable,
With an untitled tyrant bloody-scepter'd,
When shalt thou see thy wholesome days again,
Since that the truest issue of thy throne
By his own interdiction stands accursed,
And does blaspheme his breed? Thy royal father
Was a most sainted king: the queen that bore thee,
Oftener upon her knees than on her feet,
Died every day she lived. Fare thee well!
These evils thou repeat'st upon thyself
Have banish'd me from Scotland. O my breast,
Thy hope ends here!
MALCOLM
Macduff, this noble passion,
Child of integrity, hath from my soul
Wiped the black scruples, reconciled my thoughts
To thy good truth and honour. Devilish Macbeth
By many of these trains hath sought to win me
Into his power, and modest wisdom plucks me
From over-credulous haste: but God above
Deal between thee and me! for even now
I put myself to thy direction, and
Unspeak mine own detraction, here abjure
The taints and blames I laid upon myself,
For strangers to my nature. I am yet
Unknown to woman, never was forsworn,
Scarcely have coveted what was mine own,
At no time broke my faith, would not betray
The devil to his fellow and delight
No less in truth than life: my first false speaking
Was this upon myself: what I am truly,
Is thine and my poor country's to command:
Whither indeed, before thy here-approach,
Old Siward, with ten thousand warlike men,
Already at a point, was setting forth.
Now we'll together; and the chance of goodness
Be like our warranted quarrel! Why are you silent?
MACDUFF
Such welcome and unwelcome things at once
'Tis hard to reconcile.
Enter a Doctor
MALCOLM
Well; more anon.--Comes the king forth, I pray you?
Doctor
Ay, sir; there are a crew of wretched souls
That stay his cure: their malady convinces
The great assay of art; but at his touch--
Such sanctity hath heaven given his hand--
They presently amend.
MALCOLM
I thank you, doctor.
Exit Doctor
MACDUFF
What's the disease he means?
MALCOLM
'Tis call'd the evil:
A most miraculous work in this good king;
Which often, since my here-remain in England,
I have seen him do. How he solicits heaven,
Himself best knows: but strangely-visited people,
All swoln and ulcerous, pitiful to the eye,
The mere despair of surgery, he cures,
Hanging a golden stamp about their necks,
Put on with holy prayers: and 'tis spoken,
To the succeeding royalty he leaves
The healing benediction. With this strange virtue,
He hath a heavenly gift of prophecy,
And sundry blessings hang about his throne,
That speak him full of grace.
Enter ROSS
MACDUFF
See, who comes here?
MALCOLM
My countryman; but yet I know him not.
MACDUFF
My ever-gentle cousin, welcome hither.
MALCOLM
I know him now. Good God, betimes remove
The means that makes us strangers!
ROSS
Sir, amen.
MACDUFF
Stands Scotland where it did?
ROSS
Alas, poor country!
Almost afraid to know itself. It cannot
Be call'd our mother, but our grave; where nothing,
But who knows nothing, is once seen to smile;
Where sighs and groans and shrieks that rend the air
Are made, not mark'd; where violent sorrow seems
A modern ecstasy; the dead man's knell
Is there scarce ask'd for who; and good men's lives
Expire before the flowers in their caps,
Dying or ere they sicken.
MACDUFF
O, relation
Too nice, and yet too true!
MALCOLM
What's the newest grief?
ROSS
That of an hour's age doth hiss the speaker:
Each minute teems a new one.
MACDUFF
How does my wife?
ROSS
Why, well.
MACDUFF
And all my children?
ROSS
Well too.
MACDUFF
The tyrant has not batter'd at their peace?
ROSS
No; they were well at peace when I did leave 'em.
MACDUFF
But not a niggard of your speech: how goes't?
ROSS
When I came hither to transport the tidings,
Which I have heavily borne, there ran a rumour
Of many worthy fellows that were out;
Which was to my belief witness'd the rather,
For that I saw the tyrant's power a-foot:
Now is the time of help; your eye in Scotland
Would create soldiers, make our women fight,
To doff their dire distresses.
MALCOLM
Be't their comfort
We are coming thither: gracious England hath
Lent us good Siward and ten thousand men;
An older and a better soldier none
That Christendom gives out.
ROSS
Would I could answer
This comfort with the like! But I have words
That would be howl'd out in the desert air,
Where hearing should not latch them.
MACDUFF
What concern they?
The general cause? or is it a fee-grief
Due to some single breast?
ROSS
No mind that's honest
But in it shares some woe; though the main part
Pertains to you alone.
MACDUFF
If it be mine,
Keep it not from me, quickly let me have it.
ROSS
Let not your ears despise my tongue for ever,
Which shall possess them with the heaviest sound
That ever yet they heard.
MACDUFF
Hum! I guess at it.
ROSS
Your castle is surprised; your wife and babes
Savagely slaughter'd: to relate the manner,
Were, on the quarry of these murder'd deer,
To add the death of you.
MALCOLM
Merciful heaven!
What, man! ne'er pull your hat upon your brows;
Give sorrow words: the grief that does not speak
Whispers the o'er-fraught heart and bids it break.
MACDUFF
My children too?
ROSS
Wife, children, servants, all
That could be found.
MACDUFF
And I must be from thence!
My wife kill'd too?
ROSS
I have said.
MALCOLM
Be comforted:
Let's make us medicines of our great revenge,
To cure this deadly grief.
MACDUFF
He has no children. All my pretty ones?
Did you say all? O hell-kite! All?
What, all my pretty chickens and their dam
At one fell swoop?
MALCOLM
Dispute it like a man.
MACDUFF
I shall do so;
But I must also feel it as a man:
I cannot but remember such things were,
That were most precious to me. Did heaven look on,
And would not take their part? Sinful Macduff,
They were all struck for thee! naught that I am,
Not for their own demerits, but for mine,
Fell slaughter on their souls. Heaven rest them now!
MALCOLM
Be this the whetstone of your sword: let grief
Convert to anger; blunt not the heart, enrage it.
MACDUFF
O, I could play the woman with mine eyes
And braggart with my tongue! But, gentle heavens,
Cut short all intermission; front to front
Bring thou this fiend of Scotland and myself;
Within my sword's length set him; if he 'scape,
Heaven forgive him too!
MALCOLM
This tune goes manly.
Come, go we to the king; our power is ready;
Our lack is nothing but our leave; Macbeth
Is ripe for shaking, and the powers above
Put on their instruments. Receive what cheer you may:
The night is long that never finds the day.
Exeunt


أرب جمـال 5 - 11 - 2009 06:26 PM

Macbeth: Entire PlayACT V

SCENE I. Dunsinane. Ante-room in the castle.
Enter a Doctor of Physic and a Waiting-Gentlewoman
Doctor
I have two nights watched with you, but can perceive
no truth in your report. When was it she last walked?
Gentlewoman
Since his majesty went into the field, I have seen
her rise from her bed, throw her night-gown upon
her, unlock her closet, take forth paper, fold it,
write upon't, read it, afterwards seal it, and again
return to bed; yet all this while in a most fast sleep.
Doctor
A great perturbation in nature, to receive at once
the benefit of sleep, and do the effects of
watching! In this slumbery agitation, besides her
walking and other actual performances, what, at any
time, have you heard her say?
Gentlewoman
That, sir, which I will not report after her.
Doctor
You may to me: and 'tis most meet you should.
Gentlewoman
Neither to you nor any one; having no witness to
confirm my speech.
Enter LADY MACBETH, with a taper
Lo you, here she comes! This is her very guise;
and, upon my life, fast asleep. Observe her; stand close.
Doctor
How came she by that light?
Gentlewoman
Why, it stood by her: she has light by her
continually; 'tis her command.
Doctor
You see, her eyes are open.
Gentlewoman
Ay, but their sense is shut.
Doctor
What is it she does now? Look, how she rubs her hands.
Gentlewoman
It is an accustomed action with her, to seem thus
washing her hands: I have known her continue in
this a quarter of an hour.
LADY MACBETH
Yet here's a spot.
Doctor
Hark! she speaks: I will set down what comes from
her, to satisfy my remembrance the more strongly.
LADY MACBETH
Out, damned spot! out, I say!--One: two: why,
then, 'tis time to do't.--Hell is murky!--Fie, my
lord, fie! a soldier, and afeard? What need we
fear who knows it, when none can call our power to
account?--Yet who would have thought the old man
to have had so much blood in him.
Doctor
Do you mark that?
LADY MACBETH
The thane of Fife had a wife: where is she now?--
What, will these hands ne'er be clean?--No more o'
that, my lord, no more o' that: you mar all with
this starting.
Doctor
Go to, go to; you have known what you should not.
Gentlewoman
She has spoke what she should not, I am sure of
that: heaven knows what she has known.
LADY MACBETH
Here's the smell of the blood still: all the
perfumes of Arabia will not sweeten this little
hand. Oh, oh, oh!
Doctor
What a sigh is there! The heart is sorely charged.
Gentlewoman
I would not have such a heart in my bosom for the
dignity of the whole body.
Doctor
Well, well, well,--
Gentlewoman
Pray God it be, sir.
Doctor
This disease is beyond my practise: yet I have known
those which have walked in their sleep who have died
holily in their beds.
LADY MACBETH
Wash your hands, put on your nightgown; look not so
pale.--I tell you yet again, Banquo's buried; he
cannot come out on's grave.
Doctor
Even so?
LADY MACBETH
To bed, to bed! there's knocking at the gate:
come, come, come, come, give me your hand. What's
done cannot be undone.--To bed, to bed, to bed!
Exit
Doctor
Will she go now to bed?
Gentlewoman
Directly.
Doctor
Foul whisperings are abroad: unnatural deeds
Do breed unnatural troubles: infected minds
To their deaf pillows will discharge their secrets:
More needs she the divine than the physician.
God, God forgive us all! Look after her;
Remove from her the means of all annoyance,
And still keep eyes upon her. So, good night:
My mind she has mated, and amazed my sight.
I think, but dare not speak.
Gentlewoman
Good night, good doctor.
Exeunt
SCENE II. The country near Dunsinane.
Drum and colours. Enter MENTEITH, CAITHNESS, ANGUS, LENNOX, and Soldiers
MENTEITH
The English power is near, led on by Malcolm,
His uncle Siward and the good Macduff:
Revenges burn in them; for their dear causes
Would to the bleeding and the grim alarm
Excite the mortified man.
ANGUS
Near Birnam wood
Shall we well meet them; that way are they coming.
CAITHNESS
Who knows if Donalbain be with his brother?
LENNOX
For certain, sir, he is not: I have a file
Of all the gentry: there is Siward's son,
And many unrough youths that even now
Protest their first of manhood.
MENTEITH
What does the tyrant?
CAITHNESS
Great Dunsinane he strongly fortifies:
Some say he's mad; others that lesser hate him
Do call it valiant fury: but, for certain,
He cannot buckle his distemper'd cause
Within the belt of rule.
ANGUS
Now does he feel
His secret murders sticking on his hands;
Now minutely revolts upbraid his faith-breach;
Those he commands move only in command,
Nothing in love: now does he feel his title
Hang loose about him, like a giant's robe
Upon a dwarfish thief.
MENTEITH
Who then shall blame
His pester'd senses to recoil and start,
When all that is within him does condemn
Itself for being there?
CAITHNESS
Well, march we on,
To give obedience where 'tis truly owed:
Meet we the medicine of the sickly weal,
And with him pour we in our country's purge
Each drop of us.
LENNOX
Or so much as it needs,
To dew the sovereign flower and drown the weeds.
Make we our march towards Birnam.
Exeunt, marching
SCENE III. Dunsinane. A room in the castle.
Enter MACBETH, Doctor, and Attendants
MACBETH
Bring me no more reports; let them fly all:
Till Birnam wood remove to Dunsinane,
I cannot taint with fear. What's the boy Malcolm?
Was he not born of woman? The spirits that know
All mortal consequences have pronounced me thus:
'Fear not, Macbeth; no man that's born of woman
Shall e'er have power upon thee.' Then fly,
false thanes,
And mingle with the English epicures:
The mind I sway by and the heart I bear
Shall never sag with doubt nor shake with fear.
Enter a Servant
The devil damn thee black, thou cream-faced loon!
Where got'st thou that goose look?
Servant
There is ten thousand--
MACBETH
Geese, villain!
Servant
Soldiers, sir.
MACBETH
Go prick thy face, and over-red thy fear,
Thou lily-liver'd boy. What soldiers, patch?
Death of thy soul! those linen cheeks of thine
Are counsellors to fear. What soldiers, whey-face?
Servant
The English force, so please you.
MACBETH
Take thy face hence.
Exit Servant
Seyton!--I am sick at heart,
When I behold--Seyton, I say!--This push
Will cheer me ever, or disseat me now.
I have lived long enough: my way of life
Is fall'n into the sear, the yellow leaf;
And that which should accompany old age,
As honour, love, obedience, troops of friends,
I must not look to have; but, in their stead,
Curses, not loud but deep, mouth-honour, breath,
Which the poor heart would fain deny, and dare not. Seyton!
Enter SEYTON
SEYTON
What is your gracious pleasure?
MACBETH
What news more?
SEYTON
All is confirm'd, my lord, which was reported.
MACBETH
I'll fight till from my bones my flesh be hack'd.
Give me my armour.
SEYTON
'Tis not needed yet.
MACBETH
I'll put it on.
Send out more horses; skirr the country round;
Hang those that talk of fear. Give me mine armour.
How does your patient, doctor?
Doctor
Not so sick, my lord,
As she is troubled with thick coming fancies,
That keep her from her rest.
MACBETH
Cure her of that.
Canst thou not minister to a mind diseased,
Pluck from the memory a rooted sorrow,
Raze out the written troubles of the brain
And with some sweet oblivious antidote
Cleanse the stuff'd bosom of that perilous stuff
Which weighs upon the heart?
Doctor
Therein the patient
Must minister to himself.
MACBETH
Throw physic to the dogs; I'll none of it.
Come, put mine armour on; give me my staff.
Seyton, send out. Doctor, the thanes fly from me.
Come, sir, dispatch. If thou couldst, doctor, cast
The water of my land, find her disease,
And purge it to a sound and pristine health,
I would applaud thee to the very echo,
That should applaud again.--Pull't off, I say.--
What rhubarb, cyme, or what purgative drug,
Would scour these English hence? Hear'st thou of them?
Doctor
Ay, my good lord; your royal preparation
Makes us hear something.
MACBETH
Bring it after me.
I will not be afraid of death and bane,
Till Birnam forest come to Dunsinane.
Doctor
[Aside] Were I from Dunsinane away and clear,
Profit again should hardly draw me here.
Exeunt
SCENE IV. Country near Birnam wood.
Drum and colours. Enter MALCOLM, SIWARD and YOUNG SIWARD, MACDUFF, MENTEITH, CAITHNESS, ANGUS, LENNOX, ROSS, and Soldiers, marching
MALCOLM
Cousins, I hope the days are near at hand
That chambers will be safe.
MENTEITH
We doubt it nothing.
SIWARD
What wood is this before us?
MENTEITH
The wood of Birnam.
MALCOLM
Let every soldier hew him down a bough
And bear't before him: thereby shall we shadow
The numbers of our host and make discovery
Err in report of us.
Soldiers
It shall be done.
SIWARD
We learn no other but the confident tyrant
Keeps still in Dunsinane, and will endure
Our setting down before 't.
MALCOLM
'Tis his main hope:
For where there is advantage to be given,
Both more and less have given him the revolt,
And none serve with him but constrained things
Whose hearts are absent too.
MACDUFF
Let our just censures
Attend the true event, and put we on
Industrious soldiership.
SIWARD
The time approaches
That will with due decision make us know
What we shall say we have and what we owe.
Thoughts speculative their unsure hopes relate,
But certain issue strokes must arbitrate:
Towards which advance the war.
Exeunt, marching
SCENE V. Dunsinane. Within the castle.
Enter MACBETH, SEYTON, and Soldiers, with drum and colours
MACBETH
Hang out our banners on the outward walls;
The cry is still 'They come:' our castle's strength
Will laugh a siege to scorn: here let them lie
Till famine and the ague eat them up:
Were they not forced with those that should be ours,
We might have met them dareful, beard to beard,
And beat them backward home.
A cry of women within
What is that noise?
SEYTON
It is the cry of women, my good lord.
Exit
MACBETH
I have almost forgot the taste of fears;
The time has been, my senses would have cool'd
To hear a night-shriek; and my fell of hair
Would at a dismal treatise rouse and stir
As life were in't: I have supp'd full with horrors;
Direness, familiar to my slaughterous thoughts
Cannot once start me.
Re-enter SEYTON
Wherefore was that cry?
SEYTON
The queen, my lord, is dead.
MACBETH
She should have died hereafter;
There would have been a time for such a word.
To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more: it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
Enter a Messenger
Thou comest to use thy tongue; thy story quickly.
Messenger
Gracious my lord,
I should report that which I say I saw,
But know not how to do it.
MACBETH
Well, say, sir.
Messenger
As I did stand my watch upon the hill,
I look'd toward Birnam, and anon, methought,
The wood began to move.
MACBETH
Liar and slave!
Messenger
Let me endure your wrath, if't be not so:
Within this three mile may you see it coming;
I say, a moving grove.
MACBETH
If thou speak'st false,
Upon the next tree shalt thou hang alive,
Till famine cling thee: if thy speech be sooth,
I care not if thou dost for me as much.
I pull in resolution, and begin
To doubt the equivocation of the fiend
That lies like truth: 'Fear not, till Birnam wood
Do come to Dunsinane:' and now a wood
Comes toward Dunsinane. Arm, arm, and out!
If this which he avouches does appear,
There is nor flying hence nor tarrying here.
I gin to be aweary of the sun,
And wish the estate o' the world were now undone.
Ring the alarum-bell! Blow, wind! come, wrack!
At least we'll die with harness on our back.
Exeunt
SCENE VI. Dunsinane. Before the castle.
Drum and colours. Enter MALCOLM, SIWARD, MACDUFF, and their Army, with boughs
MALCOLM
Now near enough: your leafy screens throw down.
And show like those you are. You, worthy uncle,
Shall, with my cousin, your right-noble son,
Lead our first battle: worthy Macduff and we
Shall take upon 's what else remains to do,
According to our order.
SIWARD
Fare you well.
Do we but find the tyrant's power to-night,
Let us be beaten, if we cannot fight.
MACDUFF
Make all our trumpets speak; give them all breath,
Those clamorous harbingers of blood and death.
Exeunt
SCENE VII. Another part of the field.
Alarums. Enter MACBETH
MACBETH
They have tied me to a stake; I cannot fly,
But, bear-like, I must fight the course. What's he
That was not born of woman? Such a one
Am I to fear, or none.
Enter YOUNG SIWARD
YOUNG SIWARD
What is thy name?
MACBETH
Thou'lt be afraid to hear it.
YOUNG SIWARD
No; though thou call'st thyself a hotter name
Than any is in hell.
MACBETH
My name's Macbeth.
YOUNG SIWARD
The devil himself could not pronounce a title
More hateful to mine ear.
MACBETH
No, nor more fearful.
YOUNG SIWARD
Thou liest, abhorred tyrant; with my sword
I'll prove the lie thou speak'st.
They fight and YOUNG SIWARD is slain
MACBETH
Thou wast born of woman
But swords I smile at, weapons laugh to scorn,
Brandish'd by man that's of a woman born.
Exit
Alarums. Enter MACDUFF
MACDUFF
That way the noise is. Tyrant, show thy face!
If thou be'st slain and with no stroke of mine,
My wife and children's ghosts will haunt me still.
I cannot strike at wretched kerns, whose arms
Are hired to bear their staves: either thou, Macbeth,
Or else my sword with an unbatter'd edge
I sheathe again undeeded. There thou shouldst be;
By this great clatter, one of greatest note
Seems bruited. Let me find him, fortune!
And more I beg not.
Exit. Alarums
Enter MALCOLM and SIWARD
SIWARD
This way, my lord; the castle's gently render'd:
The tyrant's people on both sides do fight;
The noble thanes do bravely in the war;
The day almost itself professes yours,
And little is to do.
MALCOLM
We have met with foes
That strike beside us.
SIWARD
Enter, sir, the castle.
Exeunt. Alarums
SCENE VIII. Another part of the field.
Enter MACBETH
MACBETH
Why should I play the Roman fool, and die
On mine own sword? whiles I see lives, the gashes
Do better upon them.
Enter MACDUFF
MACDUFF
Turn, hell-hound, turn!
MACBETH
Of all men else I have avoided thee:
But get thee back; my soul is too much charged
With blood of thine already.
MACDUFF
I have no words:
My voice is in my sword: thou bloodier villain
Than terms can give thee out!
They fight
MACBETH
Thou losest labour:
As easy mayst thou the intrenchant air
With thy keen sword impress as make me bleed:
Let fall thy blade on vulnerable crests;
I bear a charmed life, which must not yield,
To one of woman born.
MACDUFF
Despair thy charm;
And let the angel whom thou still hast served
Tell thee, Macduff was from his mother's womb
Untimely ripp'd.
MACBETH
Accursed be that tongue that tells me so,
For it hath cow'd my better part of man!
And be these juggling fiends no more believed,
That palter with us in a double sense;
That keep the word of promise to our ear,
And break it to our hope. I'll not fight with thee.
MACDUFF
Then yield thee, coward,
And live to be the show and gaze o' the time:
We'll have thee, as our rarer monsters are,
Painted on a pole, and underwrit,
'Here may you see the tyrant.'
MACBETH
I will not yield,
To kiss the ground before young Malcolm's feet,
And to be baited with the rabble's curse.
Though Birnam wood be come to Dunsinane,
And thou opposed, being of no woman born,
Yet I will try the last. Before my body
I throw my warlike shield. Lay on, Macduff,
And damn'd be him that first cries, 'Hold, enough!'
Exeunt, fighting. Alarums
Retreat. Flourish. Enter, with drum and colours, MALCOLM, SIWARD, ROSS, the other Thanes, and Soldiers
MALCOLM
I would the friends we miss were safe arrived.
SIWARD
Some must go off: and yet, by these I see,
So great a day as this is cheaply bought.
MALCOLM
Macduff is missing, and your noble son.
ROSS
Your son, my lord, has paid a soldier's debt:
He only lived but till he was a man;
The which no sooner had his prowess confirm'd
In the unshrinking station where he fought,
But like a man he died.
SIWARD
Then he is dead?
ROSS
Ay, and brought off the field: your cause of sorrow
Must not be measured by his worth, for then
It hath no end.
SIWARD
Had he his hurts before?
ROSS
Ay, on the front.
SIWARD
Why then, God's soldier be he!
Had I as many sons as I have hairs,
I would not wish them to a fairer death:
And so, his knell is knoll'd.
MALCOLM
He's worth more sorrow,
And that I'll spend for him.
SIWARD
He's worth no more
They say he parted well, and paid his score:
And so, God be with him! Here comes newer comfort.
Re-enter MACDUFF, with MACBETH's head
MACDUFF
Hail, king! for so thou art: behold, where stands
The usurper's cursed head: the time is free:
I see thee compass'd with thy kingdom's pearl,
That speak my salutation in their minds;
Whose voices I desire aloud with mine:
Hail, King of Scotland!
ALL
Hail, King of Scotland!
Flourish
MALCOLM
We shall not spend a large expense of time
Before we reckon with your several loves,
And make us even with you. My thanes and kinsmen,
Henceforth be earls, the first that ever Scotland
In such an honour named. What's more to do,
Which would be planted newly with the time,
As calling home our exiled friends abroad
That fled the snares of watchful tyranny;
Producing forth the cruel ministers
Of this dead butcher and his fiend-like queen,
Who, as 'tis thought, by self and violent hands
Took off her life; this, and what needful else
That calls upon us, by the grace of Grace,
We will perform in measure, time and place:
So, thanks to all at once and to each one,
Whom we invite to see us crown'd at Scone.
Flourish. Exeunt


أرب جمـال 5 - 11 - 2009 06:26 PM

A Midsummer Night's Dream

Midsummer Night's Dream: Entire PlayACT I

SCENE I. Athens. The palace of THESEUS.
Enter THESEUS, HIPPOLYTA, PHILOSTRATE, and Attendants
THESEUS
Now, fair Hippolyta, our nuptial hour
Draws on apace; four happy days bring in
Another moon: but, O, methinks, how slow
This old moon wanes! she lingers my desires,
Like to a step-dame or a dowager
Long withering out a young man revenue.
HIPPOLYTA
Four days will quickly steep themselves in night;
Four nights will quickly dream away the time;
And then the moon, like to a silver bow
New-bent in heaven, shall behold the night
Of our solemnities.
THESEUS
Go, Philostrate,
Stir up the Athenian youth to merriments;
Awake the pert and nimble spirit of mirth;
Turn melancholy forth to funerals;
The pale companion is not for our pomp.
Exit PHILOSTRATE
Hippolyta, I woo'd thee with my sword,
And won thy love, doing thee injuries;
But I will wed thee in another key,
With pomp, with triumph and with revelling.
Enter EGEUS, HERMIA, LYSANDER, and DEMETRIUS
EGEUS
Happy be Theseus, our renowned duke!
THESEUS
Thanks, good Egeus: what's the news with thee?
EGEUS
Full of vexation come I, with complaint
Against my child, my daughter Hermia.
Stand forth, Demetrius. My noble lord,
This man hath my consent to marry her.
Stand forth, Lysander: and my gracious duke,
This man hath bewitch'd the bosom of my child;
Thou, thou, Lysander, thou hast given her rhymes,
And interchanged love-tokens with my child:
Thou hast by moonlight at her window sung,
With feigning voice verses of feigning love,
And stolen the impression of her fantasy
With bracelets of thy hair, rings, gawds, conceits,
Knacks, trifles, nosegays, sweetmeats, messengers
Of strong prevailment in unharden'd youth:
With cunning hast thou filch'd my daughter's heart,
Turn'd her obedience, which is due to me,
To stubborn harshness: and, my gracious duke,
Be it so she; will not here before your grace
Consent to marry with Demetrius,
I beg the ancient privilege of Athens,
As she is mine, I may dispose of her:
Which shall be either to this gentleman
Or to her death, according to our law
Immediately provided in that case.
THESEUS
What say you, Hermia? be advised fair maid:
To you your father should be as a god;
One that composed your beauties, yea, and one
To whom you are but as a form in wax
By him imprinted and within his power
To leave the figure or disfigure it.
Demetrius is a worthy gentleman.
HERMIA
So is Lysander.
THESEUS
In himself he is;
But in this kind, wanting your father's voice,
The other must be held the worthier.
HERMIA
I would my father look'd but with my eyes.
THESEUS
Rather your eyes must with his judgment look.
HERMIA
I do entreat your grace to pardon me.
I know not by what power I am made bold,
Nor how it may concern my modesty,
In such a presence here to plead my thoughts;
But I beseech your grace that I may know
The worst that may befall me in this case,
If I refuse to wed Demetrius.
THESEUS
Either to die the death or to abjure
For ever the society of men.
Therefore, fair Hermia, question your desires;
Know of your youth, examine well your blood,
Whether, if you yield not to your father's choice,
You can endure the livery of a nun,
For aye to be in shady cloister mew'd,
To live a barren sister all your life,
Chanting faint hymns to the cold fruitless moon.
Thrice-blessed they that master so their blood,
To undergo such maiden pilgrimage;
But earthlier happy is the rose distill'd,
Than that which withering on the virgin thorn
Grows, lives and dies in single blessedness.
HERMIA
So will I grow, so live, so die, my lord,
Ere I will my virgin patent up
Unto his lordship, whose unwished yoke
My soul consents not to give sovereignty.
THESEUS
Take time to pause; and, by the nest new moon--
The sealing-day betwixt my love and me,
For everlasting bond of fellowship--
Upon that day either prepare to die
For disobedience to your father's will,
Or else to wed Demetrius, as he would;
Or on Diana's altar to protest
For aye austerity and single life.
DEMETRIUS
Relent, sweet Hermia: and, Lysander, yield
Thy crazed title to my certain right.
LYSANDER
You have her father's love, Demetrius;
Let me have Hermia's: do you marry him.
EGEUS
Scornful Lysander! true, he hath my love,
And what is mine my love shall render him.
And she is mine, and all my right of her
I do estate unto Demetrius.
LYSANDER
I am, my lord, as well derived as he,
As well possess'd; my love is more than his;
My fortunes every way as fairly rank'd,
If not with vantage, as Demetrius';
And, which is more than all these boasts can be,
I am beloved of beauteous Hermia:
Why should not I then prosecute my right?
Demetrius, I'll avouch it to his head,
Made love to Nedar's daughter, Helena,
And won her soul; and she, sweet lady, dotes,
Devoutly dotes, dotes in idolatry,
Upon this spotted and inconstant man.
THESEUS
I must confess that I have heard so much,
And with Demetrius thought to have spoke thereof;
But, being over-full of self-affairs,
My mind did lose it. But, Demetrius, come;
And come, Egeus; you shall go with me,
I have some private schooling for you both.
For you, fair Hermia, look you arm yourself
To fit your fancies to your father's will;
Or else the law of Athens yields you up--
Which by no means we may extenuate--
To death, or to a vow of single life.
Come, my Hippolyta: what cheer, my love?
Demetrius and Egeus, go along:
I must employ you in some business
Against our nuptial and confer with you
Of something nearly that concerns yourselves.
EGEUS
With duty and desire we follow you.
Exeunt all but LYSANDER and HERMIA
LYSANDER
How now, my love! why is your cheek so pale?
How chance the roses there do fade so fast?
HERMIA
Belike for want of rain, which I could well
Beteem them from the tempest of my eyes.
LYSANDER
Ay me! for aught that I could ever read,
Could ever hear by tale or history,
The course of true love never did run smooth;
But, either it was different in blood,--
HERMIA
O cross! too high to be enthrall'd to low.
LYSANDER
Or else misgraffed in respect of years,--
HERMIA
O spite! too old to be engaged to young.
LYSANDER
Or else it stood upon the choice of friends,--
HERMIA
O hell! to choose love by another's eyes.
LYSANDER
Or, if there were a sympathy in choice,
War, death, or sickness did lay siege to it,
Making it momentany as a sound,
Swift as a shadow, short as any dream;
Brief as the lightning in the collied night,
That, in a spleen, unfolds both heaven and earth,
And ere a man hath power to say 'Behold!'
The jaws of darkness do devour it up:
So quick bright things come to confusion.
HERMIA
If then true lovers have been ever cross'd,
It stands as an edict in destiny:
Then let us teach our trial patience,
Because it is a customary cross,
As due to love as thoughts and dreams and sighs,
Wishes and tears, poor fancy's followers.
LYSANDER
A good persuasion: therefore, hear me, Hermia.
I have a widow aunt, a dowager
Of great revenue, and she hath no child:
From Athens is her house remote seven leagues;
And she respects me as her only son.
There, gentle Hermia, may I marry thee;
And to that place the sharp Athenian law
Cannot pursue us. If thou lovest me then,
Steal forth thy father's house to-morrow night;
And in the wood, a league without the town,
Where I did meet thee once with Helena,
To do observance to a morn of May,
There will I stay for thee.
HERMIA
My good Lysander!
I swear to thee, by Cupid's strongest bow,
By his best arrow with the golden head,
By the simplicity of Venus' doves,
By that which knitteth souls and prospers loves,
And by that fire which burn'd the Carthage queen,
When the false Troyan under sail was seen,
By all the vows that ever men have broke,
In number more than ever women spoke,
In that same place thou hast appointed me,
To-morrow truly will I meet with thee.
LYSANDER
Keep promise, love. Look, here comes Helena.
Enter HELENA
HERMIA
God speed fair Helena! whither away?
HELENA
Call you me fair? that fair again unsay.
Demetrius loves your fair: O happy fair!
Your eyes are lode-stars; and your tongue's sweet air
More tuneable than lark to shepherd's ear,
When wheat is green, when hawthorn buds appear.
Sickness is catching: O, were favour so,
Yours would I catch, fair Hermia, ere I go;
My ear should catch your voice, my eye your eye,
My tongue should catch your tongue's sweet melody.
Were the world mine, Demetrius being bated,
The rest I'd give to be to you translated.
O, teach me how you look, and with what art
You sway the motion of Demetrius' heart.
HERMIA
I frown upon him, yet he loves me still.
HELENA
O that your frowns would teach my smiles such skill!
HERMIA
I give him curses, yet he gives me love.
HELENA
O that my prayers could such affection move!
HERMIA
The more I hate, the more he follows me.
HELENA
The more I love, the more he hateth me.
HERMIA
His folly, Helena, is no fault of mine.
HELENA
None, but your beauty: would that fault were mine!
HERMIA
Take comfort: he no more shall see my face;
Lysander and myself will fly this place.
Before the time I did Lysander see,
Seem'd Athens as a paradise to me:
O, then, what graces in my love do dwell,
That he hath turn'd a heaven unto a hell!
LYSANDER
Helen, to you our minds we will unfold:
To-morrow night, when Phoebe doth behold
Her silver visage in the watery glass,
Decking with liquid pearl the bladed grass,
A time that lovers' flights doth still conceal,
Through Athens' gates have we devised to steal.
HERMIA
And in the wood, where often you and I
Upon faint primrose-beds were wont to lie,
Emptying our bosoms of their counsel sweet,
There my Lysander and myself shall meet;
And thence from Athens turn away our eyes,
To seek new friends and stranger companies.
Farewell, sweet playfellow: pray thou for us;
And good luck grant thee thy Demetrius!
Keep word, Lysander: we must starve our sight
From lovers' food till morrow deep midnight.
LYSANDER
I will, my Hermia.
Exit HERMIA
Helena, adieu:
As you on him, Demetrius dote on you!
Exit
HELENA
How happy some o'er other some can be!
Through Athens I am thought as fair as she.
But what of that? Demetrius thinks not so;
He will not know what all but he do know:
And as he errs, doting on Hermia's eyes,
So I, admiring of his qualities:
Things base and vile, folding no quantity,
Love can transpose to form and dignity:
Love looks not with the eyes, but with the mind;
And therefore is wing'd Cupid painted blind:
Nor hath Love's mind of any judgement taste;
Wings and no eyes figure unheedy haste:
And therefore is Love said to be a child,
Because in choice he is so oft beguiled.
As waggish boys in game themselves forswear,
So the boy Love is perjured every where:
For ere Demetrius look'd on Hermia's eyne,
He hail'd down oaths that he was only mine;
And when this hail some heat from Hermia felt,
So he dissolved, and showers of oaths did melt.
I will go tell him of fair Hermia's flight:
Then to the wood will he to-morrow night
Pursue her; and for this intelligence
If I have thanks, it is a dear expense:
But herein mean I to enrich my pain,
To have his sight thither and back again.
Exit
SCENE II. Athens. QUINCE'S house.
Enter QUINCE, SNUG, BOTTOM, FLUTE, SNOUT, and STARVELING
QUINCE
Is all our company here?
BOTTOM
You were best to call them generally, man by man,
according to the scrip.
QUINCE
Here is the scroll of every man's name, which is
thought fit, through all Athens, to play in our
interlude before the duke and the duchess, on his
wedding-day at night.
BOTTOM
First, good Peter Quince, say what the play treats
on, then read the names of the actors, and so grow
to a point.
QUINCE
Marry, our play is, The most lamentable comedy, and
most cruel death of Pyramus and Thisby.
BOTTOM
A very good piece of work, I assure you, and a
merry. Now, good Peter Quince, call forth your
actors by the scroll. Masters, spread yourselves.
QUINCE
Answer as I call you. Nick Bottom, the weaver.
BOTTOM
Ready. Name what part I am for, and proceed.
QUINCE
You, Nick Bottom, are set down for Pyramus.
BOTTOM
What is Pyramus? a lover, or a tyrant?
QUINCE
A lover, that kills himself most gallant for love.
BOTTOM
That will ask some tears in the true performing of
it: if I do it, let the audience look to their
eyes; I will move storms, I will condole in some
measure. To the rest: yet my chief humour is for a
tyrant: I could play Ercles rarely, or a part to
tear a cat in, to make all split.
The raging rocks
And shivering shocks
Shall break the locks
Of prison gates;
And Phibbus' car
Shall shine from far
And make and mar
The foolish Fates.
This was lofty! Now name the rest of the players.
This is Ercles' vein, a tyrant's vein; a lover is
more condoling.
QUINCE
Francis Flute, the bellows-mender.
FLUTE
Here, Peter Quince.
QUINCE
Flute, you must take Thisby on you.
FLUTE
What is Thisby? a wandering knight?
QUINCE
It is the lady that Pyramus must love.
FLUTE
Nay, faith, let me not play a woman; I have a beard coming.
QUINCE
That's all one: you shall play it in a mask, and
you may speak as small as you will.
BOTTOM
An I may hide my face, let me play Thisby too, I'll
speak in a monstrous little voice. 'Thisne,
Thisne;' 'Ah, Pyramus, lover dear! thy Thisby dear,
and lady dear!'
QUINCE
No, no; you must play Pyramus: and, Flute, you Thisby.
BOTTOM
Well, proceed.
QUINCE
Robin Starveling, the tailor.
STARVELING
Here, Peter Quince.
QUINCE
Robin Starveling, you must play Thisby's mother.
Tom Snout, the tinker.
SNOUT
Here, Peter Quince.
QUINCE
You, Pyramus' father: myself, Thisby's father:
Snug, the joiner; you, the lion's part: and, I
hope, here is a play fitted.
SNUG
Have you the lion's part written? pray you, if it
be, give it me, for I am slow of study.
QUINCE
You may do it extempore, for it is nothing but roaring.
BOTTOM
Let me play the lion too: I will roar, that I will
do any man's heart good to hear me; I will roar,
that I will make the duke say 'Let him roar again,
let him roar again.'
QUINCE
An you should do it too terribly, you would fright
the duchess and the ladies, that they would shriek;
and that were enough to hang us all.
ALL
That would hang us, every mother's son.
BOTTOM
I grant you, friends, if that you should fright the
ladies out of their wits, they would have no more
discretion but to hang us: but I will aggravate my
voice so that I will roar you as gently as any
sucking dove; I will roar you an 'twere any
nightingale.
QUINCE
You can play no part but Pyramus; for Pyramus is a
sweet-faced man; a proper man, as one shall see in a
summer's day; a most lovely gentleman-like man:
therefore you must needs play Pyramus.
BOTTOM
Well, I will undertake it. What beard were I best
to play it in?
QUINCE
Why, what you will.
BOTTOM
I will discharge it in either your straw-colour
beard, your orange-tawny beard, your purple-in-grain
beard, or your French-crown-colour beard, your
perfect yellow.
QUINCE
Some of your French crowns have no hair at all, and
then you will play bare-faced. But, masters, here
are your parts: and I am to entreat you, request
you and desire you, to con them by to-morrow night;
and meet me in the palace wood, a mile without the
town, by moonlight; there will we rehearse, for if
we meet in the city, we shall be dogged with
company, and our devices known. In the meantime I
will draw a bill of properties, such as our play
wants. I pray you, fail me not.
BOTTOM
We will meet; and there we may rehearse most
obscenely and courageously. Take pains; be perfect: adieu.
QUINCE


أرب جمـال 5 - 11 - 2009 06:27 PM

Midsummer Night's Dream: Entire PlayQUINCE
At the duke's oak we meet.
BOTTOM
Enough; hold or cut bow-strings.
Exeunt
ACT II

SCENE I. A wood near Athens.
Enter, from opposite sides, a Fairy, and PUCK
PUCK
How now, spirit! whither wander you?
Fairy
Over hill, over dale,
Thorough bush, thorough brier,
Over park, over pale,
Thorough flood, thorough fire,
I do wander everywhere,
Swifter than the moon's sphere;
And I serve the fairy queen,
To dew her orbs upon the green.
The cowslips tall her pensioners be:
In their gold coats spots you see;
Those be rubies, fairy favours,
In those freckles live their savours:
I must go seek some dewdrops here
And hang a pearl in every cowslip's ear.
Farewell, thou lob of spirits; I'll be gone:
Our queen and all our elves come here anon.
PUCK
The king doth keep his revels here to-night:
Take heed the queen come not within his sight;
For Oberon is passing fell and wrath,
Because that she as her attendant hath
A lovely boy, stolen from an Indian king;
She never had so sweet a changeling;
And jealous Oberon would have the child
Knight of his train, to trace the forests wild;
But she perforce withholds the loved boy,
Crowns him with flowers and makes him all her joy:
And now they never meet in grove or green,
By fountain clear, or spangled starlight sheen,
But, they do square, that all their elves for fear
Creep into acorn-cups and hide them there.
Fairy
Either I mistake your shape and making quite,
Or else you are that shrewd and knavish sprite
Call'd Robin Goodfellow: are not you he
That frights the maidens of the villagery;
Skim milk, and sometimes labour in the quern
And bootless make the breathless housewife churn;
And sometime make the drink to bear no barm;
Mislead night-wanderers, laughing at their harm?
Those that Hobgoblin call you and sweet Puck,
You do their work, and they shall have good luck:
Are not you he?
PUCK
Thou speak'st aright;
I am that merry wanderer of the night.
I jest to Oberon and make him smile
When I a fat and bean-fed horse beguile,
Neighing in likeness of a filly foal:
And sometime lurk I in a gossip's bowl,
In very likeness of a roasted crab,
And when she drinks, against her lips I bob
And on her wither'd dewlap pour the ale.
The wisest aunt, telling the saddest tale,
Sometime for three-foot stool mistaketh me;
Then slip I from her bum, down topples she,
And 'tailor' cries, and falls into a cough;
And then the whole quire hold their hips and laugh,
And waxen in their mirth and neeze and swear
A merrier hour was never wasted there.
But, room, fairy! here comes Oberon.
Fairy
And here my mistress. Would that he were gone!
Enter, from one side, OBERON, with his train; from the other, TITANIA, with hers
OBERON
Ill met by moonlight, proud Titania.
TITANIA
What, jealous Oberon! Fairies, skip hence:
I have forsworn his bed and company.
OBERON
Tarry, rash wanton: am not I thy lord?
TITANIA
Then I must be thy lady: but I know
When thou hast stolen away from fairy land,
And in the shape of Corin sat all day,
Playing on pipes of corn and versing love
To amorous Phillida. Why art thou here,
Come from the farthest Steppe of India?
But that, forsooth, the bouncing Amazon,
Your buskin'd mistress and your warrior love,
To Theseus must be wedded, and you come
To give their bed joy and prosperity.
OBERON
How canst thou thus for shame, Titania,
Glance at my credit with Hippolyta,
Knowing I know thy love to Theseus?
Didst thou not lead him through the glimmering night
From Perigenia, whom he ravished?
And make him with fair AEgle break his faith,
With Ariadne and Antiopa?
TITANIA
These are the forgeries of jealousy:
And never, since the middle summer's spring,
Met we on hill, in dale, forest or mead,
By paved fountain or by rushy brook,
Or in the beached margent of the sea,
To dance our ringlets to the whistling wind,
But with thy brawls thou hast disturb'd our sport.
Therefore the winds, piping to us in vain,
As in revenge, have suck'd up from the sea
Contagious fogs; which falling in the land
Have every pelting river made so proud
That they have overborne their continents:
The ox hath therefore stretch'd his yoke in vain,
The ploughman lost his sweat, and the green corn
Hath rotted ere his youth attain'd a beard;
The fold stands empty in the drowned field,
And crows are fatted with the murrion flock;
The nine men's morris is fill'd up with mud,
And the quaint mazes in the wanton green
For lack of tread are undistinguishable:
The human mortals want their winter here;
No night is now with hymn or carol blest:
Therefore the moon, the governess of floods,
Pale in her anger, washes all the air,
That rheumatic diseases do abound:
And thorough this distemperature we see
The seasons alter: hoary-headed frosts
Far in the fresh lap of the crimson rose,
And on old Hiems' thin and icy crown
An odorous chaplet of sweet summer buds
Is, as in mockery, set: the spring, the summer,
The childing autumn, angry winter, change
Their wonted liveries, and the mazed world,
By their increase, now knows not which is which:
And this same progeny of evils comes
From our debate, from our dissension;
We are their parents and original.
OBERON
Do you amend it then; it lies in you:
Why should Titania cross her Oberon?
I do but beg a little changeling boy,
To be my henchman.
TITANIA
Set your heart at rest:
The fairy land buys not the child of me.
His mother was a votaress of my order:
And, in the spiced Indian air, by night,
Full often hath she gossip'd by my side,
And sat with me on Neptune's yellow sands,
Marking the embarked traders on the flood,
When we have laugh'd to see the sails conceive
And grow big-bellied with the wanton wind;
Which she, with pretty and with swimming gait
Following,--her womb then rich with my young squire,--
Would imitate, and sail upon the land,
To fetch me trifles, and return again,
As from a voyage, rich with merchandise.
But she, being mortal, of that boy did die;
And for her sake do I rear up her boy,
And for her sake I will not part with him.
OBERON
How long within this wood intend you stay?
TITANIA
Perchance till after Theseus' wedding-day.
If you will patiently dance in our round
And see our moonlight revels, go with us;
If not, shun me, and I will spare your haunts.
OBERON
Give me that boy, and I will go with thee.
TITANIA
Not for thy fairy kingdom. Fairies, away!
We shall chide downright, if I longer stay.
Exit TITANIA with her train
OBERON
Well, go thy way: thou shalt not from this grove
Till I torment thee for this injury.
My gentle Puck, come hither. Thou rememberest
Since once I sat upon a promontory,
And heard a mermaid on a dolphin's back
Uttering such dulcet and harmonious breath
That the rude sea grew civil at her song
And certain stars shot madly from their spheres,
To hear the sea-maid's music.
PUCK
I remember.
OBERON
That very time I saw, but thou couldst not,
Flying between the cold moon and the earth,
Cupid all arm'd: a certain aim he took
At a fair vestal throned by the west,
And loosed his love-shaft smartly from his bow,
As it should pierce a hundred thousand hearts;
But I might see young Cupid's fiery shaft
Quench'd in the chaste beams of the watery moon,
And the imperial votaress passed on,
In maiden meditation, fancy-free.
Yet mark'd I where the bolt of Cupid fell:
It fell upon a little western flower,
Before milk-white, now purple with love's wound,
And maidens call it love-in-idleness.
Fetch me that flower; the herb I shew'd thee once:
The juice of it on sleeping eye-lids laid
Will make or man or woman madly dote
Upon the next live creature that it sees.
Fetch me this herb; and be thou here again
Ere the leviathan can swim a league.
PUCK
I'll put a girdle round about the earth
In forty minutes.
Exit
OBERON
Having once this juice,
I'll watch Titania when she is asleep,
And drop the liquor of it in her eyes.
The next thing then she waking looks upon,
Be it on lion, bear, or wolf, or bull,
On meddling monkey, or on busy ape,
She shall pursue it with the soul of love:
And ere I take this charm from off her sight,
As I can take it with another herb,
I'll make her render up her page to me.
But who comes here? I am invisible;
And I will overhear their conference.
Enter DEMETRIUS, HELENA, following him
DEMETRIUS
I love thee not, therefore pursue me not.
Where is Lysander and fair Hermia?
The one I'll slay, the other slayeth me.
Thou told'st me they were stolen unto this wood;
And here am I, and wode within this wood,
Because I cannot meet my Hermia.
Hence, get thee gone, and follow me no more.
HELENA
You draw me, you hard-hearted adamant;
But yet you draw not iron, for my heart
Is true as steel: leave you your power to draw,
And I shall have no power to follow you.
DEMETRIUS
Do I entice you? do I speak you fair?
Or, rather, do I not in plainest truth
Tell you, I do not, nor I cannot love you?
HELENA
And even for that do I love you the more.
I am your spaniel; and, Demetrius,
The more you beat me, I will fawn on you:
Use me but as your spaniel, spurn me, strike me,
Neglect me, lose me; only give me leave,
Unworthy as I am, to follow you.
What worser place can I beg in your love,--
And yet a place of high respect with me,--
Than to be used as you use your dog?
DEMETRIUS
Tempt not too much the hatred of my spirit;
For I am sick when I do look on thee.
HELENA
And I am sick when I look not on you.
DEMETRIUS
You do impeach your modesty too much,
To leave the city and commit yourself
Into the hands of one that loves you not;
To trust the opportunity of night
And the ill counsel of a desert place
With the rich worth of your virginity.
HELENA
Your virtue is my privilege: for that
It is not night when I do see your face,
Therefore I think I am not in the night;
Nor doth this wood lack worlds of company,
For you in my respect are all the world:
Then how can it be said I am alone,
When all the world is here to look on me?
DEMETRIUS
I'll run from thee and hide me in the brakes,
And leave thee to the mercy of wild beasts.
HELENA
The wildest hath not such a heart as you.
Run when you will, the story shall be changed:
Apollo flies, and Daphne holds the chase;
The dove pursues the griffin; the mild hind
Makes speed to catch the tiger; bootless speed,
When cowardice pursues and valour flies.
DEMETRIUS
I will not stay thy questions; let me go:
Or, if thou follow me, do not believe
But I shall do thee mischief in the wood.
HELENA
Ay, in the temple, in the town, the field,
You do me mischief. Fie, Demetrius!
Your wrongs do set a scandal on my sex:
We cannot fight for love, as men may do;
We should be wood and were not made to woo.
Exit DEMETRIUS
I'll follow thee and make a heaven of hell,
To die upon the hand I love so well.
Exit
OBERON
Fare thee well, nymph: ere he do leave this grove,
Thou shalt fly him and he shall seek thy love.
Re-enter PUCK
Hast thou the flower there? Welcome, wanderer.
PUCK
Ay, there it is.
OBERON
I pray thee, give it me.
I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine:
There sleeps Titania sometime of the night,
Lull'd in these flowers with dances and delight;
And there the snake throws her enamell'd skin,
Weed wide enough to wrap a fairy in:
And with the juice of this I'll streak her eyes,
And make her full of hateful fantasies.
Take thou some of it, and seek through this grove:
A sweet Athenian lady is in love
With a disdainful youth: anoint his eyes;
But do it when the next thing he espies
May be the lady: thou shalt know the man
By the Athenian garments he hath on.
Effect it with some care, that he may prove
More fond on her than she upon her love:
And look thou meet me ere the first cock crow.
PUCK
Fear not, my lord, your servant shall do so.
Exeunt


أرب جمـال 5 - 11 - 2009 06:29 PM

Midsummer Night's Dream: Entire PlayQUINCE
At the duke's oak we meet.
BOTTOM
Enough; hold or cut bow-strings.
Exeunt
ACT II

SCENE I. A wood near Athens.
Enter, from opposite sides, a Fairy, and PUCK
PUCK
How now, spirit! whither wander you?
Fairy
Over hill, over dale,
Thorough bush, thorough brier,
Over park, over pale,
Thorough flood, thorough fire,
I do wander everywhere,
Swifter than the moon's sphere;
And I serve the fairy queen,
To dew her orbs upon the green.
The cowslips tall her pensioners be:
In their gold coats spots you see;
Those be rubies, fairy favours,
In those freckles live their savours:
I must go seek some dewdrops here
And hang a pearl in every cowslip's ear.
Farewell, thou lob of spirits; I'll be gone:
Our queen and all our elves come here anon.
PUCK
The king doth keep his revels here to-night:
Take heed the queen come not within his sight;
For Oberon is passing fell and wrath,
Because that she as her attendant hath
A lovely boy, stolen from an Indian king;
She never had so sweet a changeling;
And jealous Oberon would have the child
Knight of his train, to trace the forests wild;
But she perforce withholds the loved boy,
Crowns him with flowers and makes him all her joy:
And now they never meet in grove or green,
By fountain clear, or spangled starlight sheen,
But, they do square, that all their elves for fear
Creep into acorn-cups and hide them there.
Fairy
Either I mistake your shape and making quite,
Or else you are that shrewd and knavish sprite
Call'd Robin Goodfellow: are not you he
That frights the maidens of the villagery;
Skim milk, and sometimes labour in the quern
And bootless make the breathless housewife churn;
And sometime make the drink to bear no barm;
Mislead night-wanderers, laughing at their harm?
Those that Hobgoblin call you and sweet Puck,
You do their work, and they shall have good luck:
Are not you he?
PUCK
Thou speak'st aright;
I am that merry wanderer of the night.
I jest to Oberon and make him smile
When I a fat and bean-fed horse beguile,
Neighing in likeness of a filly foal:
And sometime lurk I in a gossip's bowl,
In very likeness of a roasted crab,
And when she drinks, against her lips I bob
And on her wither'd dewlap pour the ale.
The wisest aunt, telling the saddest tale,
Sometime for three-foot stool mistaketh me;
Then slip I from her bum, down topples she,
And 'tailor' cries, and falls into a cough;
And then the whole quire hold their hips and laugh,
And waxen in their mirth and neeze and swear
A merrier hour was never wasted there.
But, room, fairy! here comes Oberon.
Fairy
And here my mistress. Would that he were gone!
Enter, from one side, OBERON, with his train; from the other, TITANIA, with hers
OBERON
Ill met by moonlight, proud Titania.
TITANIA
What, jealous Oberon! Fairies, skip hence:
I have forsworn his bed and company.
OBERON
Tarry, rash wanton: am not I thy lord?
TITANIA
Then I must be thy lady: but I know
When thou hast stolen away from fairy land,
And in the shape of Corin sat all day,
Playing on pipes of corn and versing love
To amorous Phillida. Why art thou here,
Come from the farthest Steppe of India?
But that, forsooth, the bouncing Amazon,
Your buskin'd mistress and your warrior love,
To Theseus must be wedded, and you come
To give their bed joy and prosperity.
OBERON
How canst thou thus for shame, Titania,
Glance at my credit with Hippolyta,
Knowing I know thy love to Theseus?
Didst thou not lead him through the glimmering night
From Perigenia, whom he ravished?
And make him with fair AEgle break his faith,
With Ariadne and Antiopa?
TITANIA
These are the forgeries of jealousy:
And never, since the middle summer's spring,
Met we on hill, in dale, forest or mead,
By paved fountain or by rushy brook,
Or in the beached margent of the sea,
To dance our ringlets to the whistling wind,
But with thy brawls thou hast disturb'd our sport.
Therefore the winds, piping to us in vain,
As in revenge, have suck'd up from the sea
Contagious fogs; which falling in the land
Have every pelting river made so proud
That they have overborne their continents:
The ox hath therefore stretch'd his yoke in vain,
The ploughman lost his sweat, and the green corn
Hath rotted ere his youth attain'd a beard;
The fold stands empty in the drowned field,
And crows are fatted with the murrion flock;
The nine men's morris is fill'd up with mud,
And the quaint mazes in the wanton green
For lack of tread are undistinguishable:
The human mortals want their winter here;
No night is now with hymn or carol blest:
Therefore the moon, the governess of floods,
Pale in her anger, washes all the air,
That rheumatic diseases do abound:
And thorough this distemperature we see
The seasons alter: hoary-headed frosts
Far in the fresh lap of the crimson rose,
And on old Hiems' thin and icy crown
An odorous chaplet of sweet summer buds
Is, as in mockery, set: the spring, the summer,
The childing autumn, angry winter, change
Their wonted liveries, and the mazed world,
By their increase, now knows not which is which:
And this same progeny of evils comes
From our debate, from our dissension;
We are their parents and original.
OBERON
Do you amend it then; it lies in you:
Why should Titania cross her Oberon?
I do but beg a little changeling boy,
To be my henchman.
TITANIA
Set your heart at rest:
The fairy land buys not the child of me.
His mother was a votaress of my order:
And, in the spiced Indian air, by night,
Full often hath she gossip'd by my side,
And sat with me on Neptune's yellow sands,
Marking the embarked traders on the flood,
When we have laugh'd to see the sails conceive
And grow big-bellied with the wanton wind;
Which she, with pretty and with swimming gait
Following,--her womb then rich with my young squire,--
Would imitate, and sail upon the land,
To fetch me trifles, and return again,
As from a voyage, rich with merchandise.
But she, being mortal, of that boy did die;
And for her sake do I rear up her boy,
And for her sake I will not part with him.
OBERON
How long within this wood intend you stay?
TITANIA
Perchance till after Theseus' wedding-day.
If you will patiently dance in our round
And see our moonlight revels, go with us;
If not, shun me, and I will spare your haunts.
OBERON
Give me that boy, and I will go with thee.
TITANIA
Not for thy fairy kingdom. Fairies, away!
We shall chide downright, if I longer stay.
Exit TITANIA with her train
OBERON
Well, go thy way: thou shalt not from this grove
Till I torment thee for this injury.
My gentle Puck, come hither. Thou rememberest
Since once I sat upon a promontory,
And heard a mermaid on a dolphin's back
Uttering such dulcet and harmonious breath
That the rude sea grew civil at her song
And certain stars shot madly from their spheres,
To hear the sea-maid's music.
PUCK
I remember.
OBERON
That very time I saw, but thou couldst not,
Flying between the cold moon and the earth,
Cupid all arm'd: a certain aim he took
At a fair vestal throned by the west,
And loosed his love-shaft smartly from his bow,
As it should pierce a hundred thousand hearts;
But I might see young Cupid's fiery shaft
Quench'd in the chaste beams of the watery moon,
And the imperial votaress passed on,
In maiden meditation, fancy-free.
Yet mark'd I where the bolt of Cupid fell:
It fell upon a little western flower,
Before milk-white, now purple with love's wound,
And maidens call it love-in-idleness.
Fetch me that flower; the herb I shew'd thee once:
The juice of it on sleeping eye-lids laid
Will make or man or woman madly dote
Upon the next live creature that it sees.
Fetch me this herb; and be thou here again
Ere the leviathan can swim a league.
PUCK
I'll put a girdle round about the earth
In forty minutes.
Exit
OBERON
Having once this juice,
I'll watch Titania when she is asleep,
And drop the liquor of it in her eyes.
The next thing then she waking looks upon,
Be it on lion, bear, or wolf, or bull,
On meddling monkey, or on busy ape,
She shall pursue it with the soul of love:
And ere I take this charm from off her sight,
As I can take it with another herb,
I'll make her render up her page to me.
But who comes here? I am invisible;
And I will overhear their conference.
Enter DEMETRIUS, HELENA, following him
DEMETRIUS
I love thee not, therefore pursue me not.
Where is Lysander and fair Hermia?
The one I'll slay, the other slayeth me.
Thou told'st me they were stolen unto this wood;
And here am I, and wode within this wood,
Because I cannot meet my Hermia.
Hence, get thee gone, and follow me no more.
HELENA
You draw me, you hard-hearted adamant;
But yet you draw not iron, for my heart
Is true as steel: leave you your power to draw,
And I shall have no power to follow you.
DEMETRIUS
Do I entice you? do I speak you fair?
Or, rather, do I not in plainest truth
Tell you, I do not, nor I cannot love you?
HELENA
And even for that do I love you the more.
I am your spaniel; and, Demetrius,
The more you beat me, I will fawn on you:
Use me but as your spaniel, spurn me, strike me,
Neglect me, lose me; only give me leave,
Unworthy as I am, to follow you.
What worser place can I beg in your love,--
And yet a place of high respect with me,--
Than to be used as you use your dog?
DEMETRIUS
Tempt not too much the hatred of my spirit;
For I am sick when I do look on thee.
HELENA
And I am sick when I look not on you.
DEMETRIUS
You do impeach your modesty too much,
To leave the city and commit yourself
Into the hands of one that loves you not;
To trust the opportunity of night
And the ill counsel of a desert place
With the rich worth of your virginity.
HELENA
Your virtue is my privilege: for that
It is not night when I do see your face,
Therefore I think I am not in the night;
Nor doth this wood lack worlds of company,
For you in my respect are all the world:
Then how can it be said I am alone,
When all the world is here to look on me?
DEMETRIUS
I'll run from thee and hide me in the brakes,
And leave thee to the mercy of wild beasts.
HELENA
The wildest hath not such a heart as you.
Run when you will, the story shall be changed:
Apollo flies, and Daphne holds the chase;
The dove pursues the griffin; the mild hind
Makes speed to catch the tiger; bootless speed,
When cowardice pursues and valour flies.
DEMETRIUS
I will not stay thy questions; let me go:
Or, if thou follow me, do not believe
But I shall do thee mischief in the wood.
HELENA
Ay, in the temple, in the town, the field,
You do me mischief. Fie, Demetrius!
Your wrongs do set a scandal on my sex:
We cannot fight for love, as men may do;
We should be wood and were not made to woo.
Exit DEMETRIUS
I'll follow thee and make a heaven of hell,
To die upon the hand I love so well.
Exit
OBERON
Fare thee well, nymph: ere he do leave this grove,
Thou shalt fly him and he shall seek thy love.
Re-enter PUCK
Hast thou the flower there? Welcome, wanderer.
PUCK
Ay, there it is.
OBERON
I pray thee, give it me.
I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine:
There sleeps Titania sometime of the night,
Lull'd in these flowers with dances and delight;
And there the snake throws her enamell'd skin,
Weed wide enough to wrap a fairy in:
And with the juice of this I'll streak her eyes,
And make her full of hateful fantasies.
Take thou some of it, and seek through this grove:
A sweet Athenian lady is in love
With a disdainful youth: anoint his eyes;
But do it when the next thing he espies
May be the lady: thou shalt know the man
By the Athenian garments he hath on.
Effect it with some care, that he may prove
More fond on her than she upon her love:
And look thou meet me ere the first cock crow.
PUCK
Fear not, my lord, your servant shall do so.
Exeunt



Midsummer Night's Dream: Entire PlayFLUTE
Must I speak now?
QUINCE
Ay, marry, must you; for you must understand he goes
but to see a noise that he heard, and is to come again.
FLUTE
Most radiant Pyramus, most lily-white of hue,
Of colour like the red rose on triumphant brier,
Most brisky juvenal and eke most lovely Jew,
As true as truest horse that yet would never tire,
I'll meet thee, Pyramus, at Ninny's tomb.
QUINCE
'Ninus' tomb,' man: why, you must not speak that
yet; that you answer to Pyramus: you speak all your
part at once, cues and all Pyramus enter: your cue
is past; it is, 'never tire.'
FLUTE
O,--As true as truest horse, that yet would
never tire.
Re-enter PUCK, and BOTTOM with an ass's head
BOTTOM
If I were fair, Thisby, I were only thine.
QUINCE
O monstrous! O strange! we are haunted. Pray,
masters! fly, masters! Help!
Exeunt QUINCE, SNUG, FLUTE, SNOUT, and STARVELING
PUCK
I'll follow you, I'll lead you about a round,
Through bog, through bush, through brake, through brier:
Sometime a horse I'll be, sometime a hound,
A hog, a headless bear, sometime a fire;
And neigh, and bark, and grunt, and roar, and burn,
Like horse, hound, hog, bear, fire, at every turn.
Exit
BOTTOM
Why do they run away? this is a knavery of them to
make me afeard.
Re-enter SNOUT
SNOUT
O Bottom, thou art changed! what do I see on thee?
BOTTOM
What do you see? you see an asshead of your own, do
you?
Exit SNOUT
Re-enter QUINCE
QUINCE
Bless thee, Bottom! bless thee! thou art
translated.
Exit
BOTTOM
I see their knavery: this is to make an ass of me;
to fright me, if they could. But I will not stir
from this place, do what they can: I will walk up
and down here, and I will sing, that they shall hear
I am not afraid.
Sings
The ousel cock so black of hue,
With orange-tawny bill,
The throstle with his note so true,
The wren with little quill,--
TITANIA
[Awaking] What angel wakes me from my flowery bed?
BOTTOM
[Sings]
The finch, the sparrow and the lark,
The plain-song cuckoo gray,
Whose note full many a man doth mark,
And dares not answer nay;--
for, indeed, who would set his wit to so foolish
a bird? who would give a bird the lie, though he cry
'cuckoo' never so?
TITANIA
I pray thee, gentle mortal, sing again:
Mine ear is much enamour'd of thy note;
So is mine eye enthralled to thy shape;
And thy fair virtue's force perforce doth move me
On the first view to say, to swear, I love thee.
BOTTOM
Methinks, mistress, you should have little reason
for that: and yet, to say the truth, reason and
love keep little company together now-a-days; the
more the pity that some honest neighbours will not
make them friends. Nay, I can gleek upon occasion.
TITANIA
Thou art as wise as thou art beautiful.
BOTTOM
Not so, neither: but if I had wit enough to get out
of this wood, I have enough to serve mine own turn.
TITANIA
Out of this wood do not desire to go:
Thou shalt remain here, whether thou wilt or no.
I am a spirit of no common rate;
The summer still doth tend upon my state;
And I do love thee: therefore, go with me;
I'll give thee fairies to attend on thee,
And they shall fetch thee jewels from the deep,
And sing while thou on pressed flowers dost sleep;
And I will purge thy mortal grossness so
That thou shalt like an airy spirit go.
Peaseblossom! Cob***! Moth! and Mustardseed!
Enter PEASEBLOSSOM, COB***, MOTH, and MUSTARDSEED
PEASEBLOSSOM
Ready.
COB***
And I.
MOTH
And I.
MUSTARDSEED
And I.
ALL
Where shall we go?
TITANIA
Be kind and courteous to this gentleman;
Hop in his walks and gambol in his eyes;
Feed him with apricocks and dewberries,
With purple grapes, green figs, and mulberries;
The honey-bags steal from the humble-bees,
And for night-tapers crop their waxen thighs
And light them at the fiery glow-worm's eyes,
To have my love to bed and to arise;
And pluck the wings from Painted butterflies
To fan the moonbeams from his sleeping eyes:
Nod to him, elves, and do him courtesies.
PEASEBLOSSOM
Hail, mortal!
COB***
Hail!
MOTH
Hail!
MUSTARDSEED
Hail!
BOTTOM
I cry your worship's mercy, heartily: I beseech your
worship's name.
COB***
Cob***.
BOTTOM
I shall desire you of more acquaintance, good Master
Cob***: if I cut my finger, I shall make bold with
you. Your name, honest gentleman?
PEASEBLOSSOM
Peaseblossom.
BOTTOM
I pray you, commend me to Mistress Squash, your
mother, and to Master Peascod, your father. Good
Master Peaseblossom, I shall desire you of more
acquaintance too. Your name, I beseech you, sir?
MUSTARDSEED
Mustardseed.
BOTTOM
Good Master Mustardseed, I know your patience well:
that same cowardly, giant-like ox-beef hath
devoured many a gentleman of your house: I promise
you your kindred had made my eyes water ere now. I
desire your more acquaintance, good Master
Mustardseed.
TITANIA
Come, wait upon him; lead him to my bower.
The moon methinks looks with a watery eye;
And when she weeps, weeps every little flower,
Lamenting some enforced chastity.
Tie up my love's tongue bring him silently.
Exeunt
SCENE II. Another part of the wood.
Enter OBERON
OBERON
I wonder if Titania be awaked;
Then, what it was that next came in her eye,
Which she must dote on in extremity.
Enter PUCK
Here comes my messenger.
How now, mad spirit!
What night-rule now about this haunted grove?
PUCK
My mistress with a monster is in love.
Near to her close and consecrated bower,
While she was in her dull and sleeping hour,
A crew of patches, rude mechanicals,
That work for bread upon Athenian stalls,
Were met together to rehearse a play
Intended for great Theseus' nuptial-day.
The shallowest thick-skin of that barren sort,
Who Pyramus presented, in their sport
Forsook his scene and enter'd in a brake
When I did him at this advantage take,
An ass's nole I fixed on his head:
Anon his Thisbe must be answered,
And forth my mimic comes. When they him spy,
As wild geese that the creeping fowler eye,
Or russet-pated choughs, many in sort,
Rising and cawing at the gun's report,
Sever themselves and madly sweep the sky,
So, at his sight, away his fellows fly;
And, at our stamp, here o'er and o'er one falls;
He murder cries and help from Athens calls.
Their sense thus weak, lost with their fears
thus strong,
Made senseless things begin to do them wrong;
For briers and thorns at their apparel snatch;
Some sleeves, some hats, from yielders all
things catch.
I led them on in this distracted fear,
And left sweet Pyramus translated there:
When in that moment, so it came to pass,
Titania waked and straightway loved an ass.
OBERON
This falls out better than I could devise.
But hast thou yet latch'd the Athenian's eyes
With the love-juice, as I did bid thee do?
PUCK
I took him sleeping,--that is finish'd too,--
And the Athenian woman by his side:
That, when he waked, of force she must be eyed.
Enter HERMIA and DEMETRIUS
OBERON
Stand close: this is the same Athenian.
PUCK
This is the woman, but not this the man.
DEMETRIUS
O, why rebuke you him that loves you so?
Lay breath so bitter on your bitter foe.
HERMIA
Now I but chide; but I should use thee worse,
For thou, I fear, hast given me cause to curse,
If thou hast slain Lysander in his sleep,
Being o'er shoes in blood, plunge in the deep,
And kill me too.
The sun was not so true unto the day
As he to me: would he have stolen away
From sleeping Hermia? I'll believe as soon
This whole earth may be bored and that the moon
May through the centre creep and so displease
Her brother's noontide with Antipodes.
It cannot be but thou hast murder'd him;
So should a murderer look, so dead, so grim.
DEMETRIUS
So should the murder'd look, and so should I,
Pierced through the heart with your stern cruelty:
Yet you, the murderer, look as bright, as clear,
As yonder Venus in her glimmering sphere.
HERMIA
What's this to my Lysander? where is he?
Ah, good Demetrius, wilt thou give him me?
DEMETRIUS
I had rather give his carcass to my hounds.
HERMIA
Out, dog! out, cur! thou drivest me past the bounds
Of maiden's patience. Hast thou slain him, then?
Henceforth be never number'd among men!
O, once tell true, tell true, even for my sake!
Durst thou have look'd upon him being awake,
And hast thou kill'd him sleeping? O brave touch!
Could not a worm, an adder, do so much?
An adder did it; for with doubler tongue
Than thine, thou serpent, never adder stung.
DEMETRIUS
You spend your passion on a misprised mood:
I am not guilty of Lysander's blood;
Nor is he dead, for aught that I can tell.
HERMIA
I pray thee, tell me then that he is well.
DEMETRIUS
An if I could, what should I get therefore?
HERMIA
A privilege never to see me more.
And from thy hated presence part I so:
See me no more, whether he be dead or no.
Exit
DEMETRIUS
There is no following her in this fierce vein:
Here therefore for a while I will remain.
So sorrow's heaviness doth heavier grow
For debt that bankrupt sleep doth sorrow owe:
Which now in some slight measure it will pay,
If for his tender here I make some stay.
Lies down and sleeps
OBERON
What hast thou done? thou hast mistaken quite
And laid the love-juice on some true-love's sight:
Of thy misprision must perforce ensue
Some true love turn'd and not a false turn'd true.
PUCK
Then fate o'er-rules, that, one man holding troth,
A million fail, confounding oath on oath.
OBERON
About the wood go swifter than the wind,
And Helena of Athens look thou find:
All fancy-sick she is and pale of cheer,
With sighs of love, that costs the fresh blood dear:
By some illusion see thou bring her here:
I'll charm his eyes against she do appear.
PUCK
I go, I go; look how I go,
Swifter than arrow from the Tartar's bow.
Exit
OBERON
Flower of this purple dye,
Hit with Cupid's archery,
Sink in apple of his eye.
When his love he doth espy,
Let her shine as gloriously
As the Venus of the sky.
When thou wakest, if she be by,
Beg of her for remedy.
Re-enter PUCK
PUCK
Captain of our fairy band,
Helena is here at hand;
And the youth, mistook by me,
Pleading for a lover's fee.
Shall we their fond pageant see?
Lord, what fools these mortals be!
OBERON
Stand aside: the noise they make
Will cause Demetrius to awake.
PUCK
Then will two at once woo one;
That must needs be sport alone;
And those things do best please me
That befal preposterously.
Enter LYSANDER and HELENA
LYSANDER
Why should you think that I should woo in scorn?
Scorn and derision never come in tears:
Look, when I vow, I weep; and vows so born,
In their nativity all truth appears.
How can these things in me seem scorn to you,
Bearing the badge of faith, to prove them true?
HELENA
You do advance your cunning more and more.
When truth kills truth, O devilish-holy fray!
These vows are Hermia's: will you give her o'er?
Weigh oath with oath, and you will nothing weigh:
Your vows to her and me, put in two scales,
Will even weigh, and both as light as tales.
LYSANDER
I had no judgment when to her I swore.
HELENA
Nor none, in my mind, now you give her o'er.
LYSANDER
Demetrius loves her, and he loves not you.
DEMETRIUS
[Awaking] O Helena, goddess, nymph, perfect, divine!
To what, my love, shall I compare thine eyne?
Crystal is muddy. O, how ripe in show
Thy lips, those kissing cherries, tempting grow!
That pure congealed white, high Taurus snow,
Fann'd with the eastern wind, turns to a crow
When thou hold'st up thy hand: O, let me kiss
This princess of pure white, this seal of bliss!
HELENA
O spite! O hell! I see you all are bent
To set against me for your merriment:
If you we re civil and knew courtesy,
You would not do me thus much injury.
Can you not hate me, as I know you do,
But you must join in souls to mock me too?
If you were men, as men you are in show,
You would not use a gentle lady so;
To vow, and swear, and superpraise my parts,
When I am sure you hate me with your hearts.
You both are rivals, and love Hermia;
And now both rivals, to mock Helena:
A trim exploit, a manly enterprise,
To conjure tears up in a poor maid's eyes
With your derision! none of noble sort
Would so offend a virgin, and extort
A poor soul's patience, all to make you sport.
LYSANDER
You are unkind, Demetrius; be not so;
For you love Hermia; this you know I know:
And here, with all good will, with all my heart,
In Hermia's love I yield you up my part;
And yours of Helena to me bequeath,
Whom I do love and will do till my death.
HELENA
Never did mockers waste more idle breath.
DEMETRIUS
Lysander, keep thy Hermia; I will none:
If e'er I loved her, all that love is gone.
My heart to her but as guest-wise sojourn'd,
And now to Helen is it home return'd,
There to remain.
LYSANDER
Helen, it is not so.
DEMETRIUS
Disparage not the faith thou dost not know,
Lest, to thy peril, thou aby it dear.
Look, where thy love comes; yonder is thy dear.
Re-enter HERMIA
HERMIA
Dark night, that from the eye his function takes,
The ear more quick of apprehension makes;
Wherein it doth impair the seeing sense,
It pays the hearing double recompense.
Thou art not by mine eye, Lysander, found;
Mine ear, I thank it, brought me to thy sound
But why unkindly didst thou leave me so?
LYSANDER
Why should he stay, whom love doth press to go?
HERMIA
What love could press Lysander from my side?
LYSANDER
Lysander's love, that would not let him bide,
Fair Helena, who more engilds the night
Than all you fiery oes and eyes of light.
Why seek'st thou me? could not this make thee know,
The hate I bear thee made me leave thee so?
HERMIA
You speak not as you think: it cannot be.
HELENA
Lo, she is one of this confederacy!
Now I perceive they have conjoin'd all three
To fashion this false sport, in spite of me.
Injurious Hermia! most ungrateful maid!
Have you conspired, have you with these contrived
To bait me with this foul derision?
Is all the counsel that we two have shared,
The sisters' vows, the hours that we have spent,
When we have chid the hasty-footed time
For parting us,--O, is it all forgot?
All school-days' friendship, childhood innocence?
We, Hermia, like two artificial gods,
Have with our needles created both one flower,
Both on one sampler, sitting on one cushion,
Both warbling of one song, both in one key,
As if our hands, our sides, voices and minds,
Had been incorporate. So we grow together,
Like to a double cherry, seeming parted,
But yet an union in partition;
Two lovely berries moulded on one stem;
So, with two seeming bodies, but one heart;
Two of the first, like coats in heraldry,
Due but to one and crowned with one crest.
And will you rent our ancient love asunder,
To join with men in scorning your poor friend?
It is not friendly, 'tis not maidenly:
Our sex, as well as I, may chide you for it,
Though I alone do feel the injury.
HERMIA
I am amazed at your passionate words.
I scorn you not: it seems that you scorn me.
HELENA
Have you not set Lysander, as in scorn,
To follow me and praise my eyes and face?
And made your other love, Demetrius,
Who even but now did spurn me with his foot,
To call me goddess, nymph, divine and rare,
Precious, celestial? Wherefore speaks he this
To her he hates? and wherefore doth Lysander
Deny your love, so rich within his soul,
And tender me, forsooth, affection,
But by your setting on, by your consent?
What thought I be not so in grace as you,
So hung upon with love, so fortunate,
But miserable most, to love unloved?
This you should pity rather than despise.
HERNIA
I understand not what you mean by this.
HELENA
Ay, do, persever, counterfeit sad looks,
Make mouths upon me when I turn my back;
Wink each at other; hold the sweet jest up:
This sport, well carried, shall be chronicled.
If you have any pity, grace, or manners,
You would not make me such an argument.
But fare ye well: 'tis partly my own fault;
Which death or absence soon shall remedy.
LYSANDER
Stay, gentle Helena; hear my excuse:
My love, my life my soul, fair Helena!
HELENA
O excellent!
HERMIA
Sweet, do not scorn her so.
DEMETRIUS
If she cannot entreat, I can compel.


أرب جمـال 5 - 11 - 2009 06:30 PM

Midsummer Night's Dream: Entire PlayLYSANDER
Thou canst compel no more than she entreat:
Thy threats have no more strength than her weak prayers.
Helen, I love thee; by my life, I do:
I swear by that which I will lose for thee,
To prove him false that says I love thee not.
DEMETRIUS
I say I love thee more than he can do.
LYSANDER
If thou say so, withdraw, and prove it too.
DEMETRIUS
Quick, come!
HERMIA
Lysander, whereto tends all this?
LYSANDER
Away, you Ethiope!
DEMETRIUS
No, no; he'll [ ]
Seem to break loose; take on as you would follow,
But yet come not: you are a tame man, go!
LYSANDER
Hang off, thou cat, thou burr! vile thing, let loose,
Or I will shake thee from me like a serpent!
HERMIA
Why are you grown so rude? what change is this?
Sweet love,--
LYSANDER
Thy love! out, tawny Tartar, out!
Out, loathed medicine! hated potion, hence!
HERMIA
Do you not jest?
HELENA
Yes, sooth; and so do you.
LYSANDER
Demetrius, I will keep my word with thee.
DEMETRIUS
I would I had your bond, for I perceive
A weak bond holds you: I'll not trust your word.
LYSANDER
What, should I hurt her, strike her, kill her dead?
Although I hate her, I'll not harm her so.
HERMIA
What, can you do me greater harm than hate?
Hate me! wherefore? O me! what news, my love!
Am not I Hermia? are not you Lysander?
I am as fair now as I was erewhile.
Since night you loved me; yet since night you left
me:
Why, then you left me--O, the gods forbid!--
In earnest, shall I say?
LYSANDER
Ay, by my life;
And never did desire to see thee more.
Therefore be out of hope, of question, of doubt;
Be certain, nothing truer; 'tis no jest
That I do hate thee and love Helena.
HERMIA
O me! you juggler! you canker-blossom!
You thief of love! what, have you come by night
And stolen my love's heart from him?
HELENA
Fine, i'faith!
Have you no modesty, no maiden shame,
No touch of bashfulness? What, will you tear
Impatient answers from my gentle tongue?
Fie, fie! you counterfeit, you puppet, you!
HERMIA
Puppet? why so? ay, that way goes the game.
Now I perceive that she hath made compare
Between our statures; she hath urged her height;
And with her personage, her tall personage,
Her height, forsooth, she hath prevail'd with him.
And are you grown so high in his esteem;
Because I am so dwarfish and so low?
How low am I, thou painted maypole? speak;
How low am I? I am not yet so low
But that my nails can reach unto thine eyes.
HELENA
I pray you, though you mock me, gentlemen,
Let her not hurt me: I was never curst;
I have no gift at all in shrewishness;
I am a right maid for my cowardice:
Let her not strike me. You perhaps may think,
Because she is something lower than myself,
That I can match her.
HERMIA
Lower! hark, again.
HELENA
Good Hermia, do not be so bitter with me.
I evermore did love you, Hermia,
Did ever keep your counsels, never wrong'd you;
Save that, in love unto Demetrius,
I told him of your stealth unto this wood.
He follow'd you; for love I follow'd him;
But he hath chid me hence and threaten'd me
To strike me, spurn me, nay, to kill me too:
And now, so you will let me quiet go,
To Athens will I bear my folly back
And follow you no further: let me go:
You see how simple and how fond I am.
HERMIA
Why, get you gone: who is't that hinders you?
HELENA
A foolish heart, that I leave here behind.
HERMIA
What, with Lysander?
HELENA
With Demetrius.
LYSANDER
Be not afraid; she shall not harm thee, Helena.
DEMETRIUS
No, sir, she shall not, though you take her part.
HELENA
O, when she's angry, she is keen and shrewd!
She was a vixen when she went to school;
And though she be but little, she is fierce.
HERMIA
'Little' again! nothing but 'low' and 'little'!
Why will you suffer her to flout me thus?
Let me come to her.
LYSANDER
Get you gone, you dwarf;
You minimus, of hindering knot-grass made;
You bead, you acorn.
DEMETRIUS
You are too officious
In her behalf that scorns your services.
Let her alone: speak not of Helena;
Take not her part; for, if thou dost intend
Never so little show of love to her,
Thou shalt aby it.
LYSANDER
Now she holds me not;
Now follow, if thou darest, to try whose right,
Of thine or mine, is most in Helena.
DEMETRIUS
Follow! nay, I'll go with thee, cheek by jole.
Exeunt LYSANDER and DEMETRIUS
HERMIA
You, mistress, all this coil is 'long of you:
Nay, go not back.
HELENA
I will not trust you, I,
Nor longer stay in your curst company.
Your hands than mine are quicker for a fray,
My legs are longer though, to run away.
Exit
HERMIA
I am amazed, and know not what to say.
Exit
OBERON
This is thy negligence: still thou mistakest,
Or else committ'st thy knaveries wilfully.
PUCK
Believe me, king of shadows, I mistook.
Did not you tell me I should know the man
By the Athenian garment be had on?
And so far blameless proves my enterprise,
That I have 'nointed an Athenian's eyes;
And so far am I glad it so did sort
As this their jangling I esteem a sport.
OBERON
Thou see'st these lovers seek a place to fight:
Hie therefore, Robin, overcast the night;
The starry welkin cover thou anon
With drooping fog as black as Acheron,
And lead these testy rivals so astray
As one come not within another's way.
Like to Lysander sometime frame thy tongue,
Then stir Demetrius up with bitter wrong;
And sometime rail thou like Demetrius;
And from each other look thou lead them thus,
Till o'er their brows death-counterfeiting sleep
With leaden legs and batty wings doth creep:
Then crush this herb into Lysander's eye;
Whose liquor hath this virtuous property,
To take from thence all error with his might,
And make his eyeballs roll with wonted sight.
When they next wake, all this derision
Shall seem a dream and fruitless vision,
And back to Athens shall the lovers wend,
With league whose date till death shall never end.
Whiles I in this affair do thee employ,
I'll to my queen and beg her Indian boy;
And then I will her charmed eye release
From monster's view, and all things shall be peace.
PUCK
My fairy lord, this must be done with haste,
For night's swift dragons cut the clouds full fast,
And yonder shines Aurora's harbinger;
At whose approach, ghosts, wandering here and there,
Troop home to churchyards: damned spirits all,
That in crossways and floods have burial,
Already to their wormy beds are gone;
For fear lest day should look their shames upon,
They willfully themselves exile from light
And must for aye consort with black-brow'd night.
OBERON
But we are spirits of another sort:
I with the morning's love have oft made sport,
And, like a forester, the groves may tread,
Even till the eastern gate, all fiery-red,
Opening on Neptune with fair blessed beams,
Turns into yellow gold his salt green streams.
But, notwithstanding, haste; make no delay:
We may effect this business yet ere day.
Exit
PUCK
Up and down, up and down,
I will lead them up and down:
I am fear'd in field and town:
Goblin, lead them up and down.
Here comes one.
Re-enter LYSANDER
LYSANDER
Where art thou, proud Demetrius? speak thou now.
PUCK
Here, villain; drawn and ready. Where art thou?
LYSANDER
I will be with thee straight.
PUCK
Follow me, then,
To plainer ground.
Exit LYSANDER, as following the voice
Re-enter DEMETRIUS
DEMETRIUS
Lysander! speak again:
Thou runaway, thou coward, art thou fled?
Speak! In some bush? Where dost thou hide thy head?
PUCK
Thou coward, art thou bragging to the stars,
Telling the bushes that thou look'st for wars,
And wilt not come? Come, recreant; come, thou child;
I'll whip thee with a rod: he is defiled
That draws a sword on thee.
DEMETRIUS
Yea, art thou there?
PUCK
Follow my voice: we'll try no manhood here.
Exeunt
Re-enter LYSANDER
LYSANDER
He goes before me and still dares me on:
When I come where he calls, then he is gone.
The villain is much lighter-heel'd than I:
I follow'd fast, but faster he did fly;
That fallen am I in dark uneven way,
And here will rest me.
Lies down
Come, thou gentle day!
For if but once thou show me thy grey light,
I'll find Demetrius and revenge this spite.
Sleeps
Re-enter PUCK and DEMETRIUS
PUCK
Ho, ho, ho! Coward, why comest thou not?
DEMETRIUS
Abide me, if thou darest; for well I wot
Thou runn'st before me, shifting every place,
And darest not stand, nor look me in the face.
Where art thou now?
PUCK
Come hither: I am here.
DEMETRIUS
Nay, then, thou mock'st me. Thou shalt buy this dear,
If ever I thy face by daylight see:
Now, go thy way. Faintness constraineth me
To measure out my length on this cold bed.
By day's approach look to be visited.
Lies down and sleeps
Re-enter HELENA
HELENA
O weary night, O long and tedious night,
Abate thy hour! Shine comforts from the east,
That I may back to Athens by daylight,
From these that my poor company detest:
And sleep, that sometimes shuts up sorrow's eye,
Steal me awhile from mine own company.
Lies down and sleeps
PUCK
Yet but three? Come one more;
Two of both kinds make up four.
Here she comes, curst and sad:
Cupid is a knavish lad,
Thus to make poor females mad.
Re-enter HERMIA
HERMIA
Never so weary, never so in woe,
Bedabbled with the dew and torn with briers,
I can no further crawl, no further go;
My legs can keep no pace with my desires.
Here will I rest me till the break of day.
Heavens shield Lysander, if they mean a fray!
Lies down and sleeps
PUCK
On the ground
Sleep sound:
I'll apply
To your eye,
Gentle lover, remedy.
Squeezing the juice on LYSANDER's eyes
When thou wakest,
Thou takest
True delight
In the sight
Of thy former lady's eye:
And the country proverb known,
That every man should take his own,
In your waking shall be shown:
Jack shall have Jill;
Nought shall go ill;
The man shall have his mare again, and all shall be well.
Exit
ACT IV

SCENE I. The same. LYSANDER, DEMETRIUS, HELENA, and HERMIA
lying asleep.
Enter TITANIA and BOTTOM; PEASEBLOSSOM, COB***, MOTH, MUSTARDSEED, and other Fairies attending; OBERON behind unseen
TITANIA
Come, sit thee down upon this flowery bed,
While I thy amiable cheeks do coy,
And stick musk-roses in thy sleek smooth head,
And kiss thy fair large ears, my gentle joy.
BOTTOM
Where's Peaseblossom?
PEASEBLOSSOM
Ready.
BOTTOM
Scratch my head Peaseblossom. Where's Mounsieur Cob***?
COB***
Ready.
BOTTOM
Mounsieur Cob***, good mounsieur, get you your
weapons in your hand, and kill me a red-hipped
humble-bee on the top of a thistle; and, good
mounsieur, bring me the honey-bag. Do not fret
yourself too much in the action, mounsieur; and,
good mounsieur, have a care the honey-bag break not;
I would be loath to have you overflown with a
honey-bag, signior. Where's Mounsieur Mustardseed?
MUSTARDSEED
Ready.
BOTTOM
Give me your neaf, Mounsieur Mustardseed. Pray you,
leave your courtesy, good mounsieur.
MUSTARDSEED
What's your Will?
BOTTOM
Nothing, good mounsieur, but to help Cavalery Cob***
to scratch. I must to the barber's, monsieur; for
methinks I am marvellous hairy about the face; and I
am such a tender ass, if my hair do but tickle me,
I must scratch.
TITANIA
What, wilt thou hear some music,
my sweet love?
BOTTOM
I have a reasonable good ear in music. Let's have
the tongs and the bones.
TITANIA
Or say, sweet love, what thou desirest to eat.
BOTTOM
Truly, a peck of provender: I could munch your good
dry oats. Methinks I have a great desire to a bottle
of hay: good hay, sweet hay, hath no fellow.
TITANIA
I have a venturous fairy that shall seek
The squirrel's hoard, and fetch thee new nuts.
BOTTOM
I had rather have a handful or two of dried peas.
But, I pray you, let none of your people stir me: I
have an exposition of sleep come upon me.
TITANIA
Sleep thou, and I will wind thee in my arms.
Fairies, begone, and be all ways away.
Exeunt fairies
So doth the woodbine the sweet honeysuckle
Gently entwist; the female ivy so
Enrings the barky fingers of the elm.
O, how I love thee! how I dote on thee!
They sleep
Enter PUCK
OBERON
[Advancing] Welcome, good Robin.
See'st thou this sweet sight?
Her dotage now I do begin to pity:
For, meeting her of late behind the wood,
Seeking sweet favours from this hateful fool,
I did upbraid her and fall out with her;
For she his hairy temples then had rounded
With a coronet of fresh and fragrant flowers;
And that same dew, which sometime on the buds
Was wont to swell like round and orient pearls,
Stood now within the pretty flowerets' eyes
Like tears that did their own disgrace bewail.
When I had at my pleasure taunted her
And she in mild terms begg'd my patience,
I then did ask of her her changeling child;
Which straight she gave me, and her fairy sent
To bear him to my bower in fairy land.
And now I have the boy, I will undo
This hateful imperfection of her eyes:
And, gentle Puck, take this transformed scalp
From off the head of this Athenian swain;
That, he awaking when the other do,
May all to Athens back again repair
And think no more of this night's accidents
But as the fierce vexation of a dream.
But first I will release the fairy queen.
Be as thou wast wont to be;
See as thou wast wont to see:
Dian's bud o'er Cupid's flower
Hath such force and blessed power.
Now, my Titania; wake you, my sweet queen.
TITANIA


أرب جمـال 5 - 11 - 2009 06:30 PM

Midsummer Night's Dream: Entire PlayTITANIA
My Oberon! what visions have I seen!
Methought I was enamour'd of an ass.
OBERON
There lies your love.
TITANIA
How came these things to pass?
O, how mine eyes do loathe his visage now!
OBERON
Silence awhile. Robin, take off this head.
Titania, music call; and strike more dead
Than common sleep of all these five the sense.
TITANIA
Music, ho! music, such as charmeth sleep!
Music, still
PUCK
Now, when thou wakest, with thine
own fool's eyes peep.
OBERON
Sound, music! Come, my queen, take hands with me,
And rock the ground whereon these sleepers be.
Now thou and I are new in amity,
And will to-morrow midnight solemnly
Dance in Duke Theseus' house triumphantly,
And bless it to all fair prosperity:
There shall the pairs of faithful lovers be
Wedded, with Theseus, all in jollity.
PUCK
Fairy king, attend, and mark:
I do hear the morning lark.
OBERON
Then, my queen, in silence sad,
Trip we after the night's shade:
We the globe can compass soon,
Swifter than the wandering moon.
TITANIA
Come, my lord, and in our flight
Tell me how it came this night
That I sleeping here was found
With these mortals on the ground.
Exeunt
Horns winded within
Enter THESEUS, HIPPOLYTA, EGEUS, and train
THESEUS
Go, one of you, find out the forester;
For now our observation is perform'd;
And since we have the vaward of the day,
My love shall hear the music of my hounds.
Uncouple in the western valley; let them go:
Dispatch, I say, and find the forester.
Exit an Attendant
We will, fair queen, up to the mountain's top,
And mark the musical confusion
Of hounds and echo in conjunction.
HIPPOLYTA
I was with Hercules and Cadmus once,
When in a wood of Crete they bay'd the bear
With hounds of Sparta: never did I hear
Such gallant chiding: for, besides the groves,
The skies, the fountains, every region near
Seem'd all one mutual cry: I never heard
So musical a discord, such sweet thunder.
THESEUS
My hounds are bred out of the Spartan kind,
So flew'd, so sanded, and their heads are hung
With ears that sweep away the morning dew;
Crook-knee'd, and dew-lapp'd like Thessalian bulls;
Slow in pursuit, but match'd in mouth like bells,
Each under each. A cry more tuneable
Was never holla'd to, nor cheer'd with horn,
In Crete, in Sparta, nor in Thessaly:
Judge when you hear. But, soft! what nymphs are these?
EGEUS
My lord, this is my daughter here asleep;
And this, Lysander; this Demetrius is;
This Helena, old Nedar's Helena:
I wonder of their being here together.
THESEUS
No doubt they rose up early to observe
The rite of May, and hearing our intent,
Came here in grace our solemnity.
But speak, Egeus; is not this the day
That Hermia should give answer of her choice?
EGEUS
It is, my lord.
THESEUS
Go, bid the huntsmen wake them with their horns.
Horns and shout within. LYSANDER, DEMETRIUS, HELENA, and HERMIA wake and start up
Good morrow, friends. Saint Valentine is past:
Begin these wood-birds but to couple now?
LYSANDER
Pardon, my lord.
THESEUS
I pray you all, stand up.
I know you two are rival enemies:
How comes this gentle concord in the world,
That hatred is so far from jealousy,
To sleep by hate, and fear no enmity?
LYSANDER
My lord, I shall reply amazedly,
Half sleep, half waking: but as yet, I swear,
I cannot truly say how I came here;
But, as I think,--for truly would I speak,
And now do I bethink me, so it is,--
I came with Hermia hither: our intent
Was to be gone from Athens, where we might,
Without the peril of the Athenian law.
EGEUS
Enough, enough, my lord; you have enough:
I beg the law, the law, upon his head.
They would have stolen away; they would, Demetrius,
Thereby to have defeated you and me,
You of your wife and me of my consent,
Of my consent that she should be your wife.
DEMETRIUS
My lord, fair Helen told me of their stealth,
Of this their purpose hither to this wood;
And I in fury hither follow'd them,
Fair Helena in fancy following me.
But, my good lord, I wot not by what power,--
But by some power it is,--my love to Hermia,
Melted as the snow, seems to me now
As the remembrance of an idle gaud
Which in my childhood I did dote upon;
And all the faith, the virtue of my heart,
The object and the pleasure of mine eye,
Is only Helena. To her, my lord,
Was I betroth'd ere I saw Hermia:
But, like in sickness, did I loathe this food;
But, as in health, come to my natural taste,
Now I do wish it, love it, long for it,
And will for evermore be true to it.
THESEUS
Fair lovers, you are fortunately met:
Of this discourse we more will hear anon.
Egeus, I will overbear your will;
For in the temple by and by with us
These couples shall eternally be knit:
And, for the morning now is something worn,
Our purposed hunting shall be set aside.
Away with us to Athens; three and three,
We'll hold a feast in great solemnity.
Come, Hippolyta.
Exeunt THESEUS, HIPPOLYTA, EGEUS, and train
DEMETRIUS
These things seem small and undistinguishable,
HERMIA
Methinks I see these things with parted eye,
When every thing seems double.
HELENA
So methinks:
And I have found Demetrius like a jewel,
Mine own, and not mine own.
DEMETRIUS
Are you sure
That we are awake? It seems to me
That yet we sleep, we dream. Do not you think
The duke was here, and bid us follow him?
HERMIA
Yea; and my father.
HELENA
And Hippolyta.
LYSANDER
And he did bid us follow to the temple.
DEMETRIUS
Why, then, we are awake: let's follow him
And by the way let us recount our dreams.
Exeunt
BOTTOM
[Awaking] When my cue comes, call me, and I will
answer: my next is, 'Most fair Pyramus.' Heigh-ho!
Peter Quince! Flute, the bellows-mender! Snout,
the tinker! Starveling! God's my life, stolen
hence, and left me asleep! I have had a most rare
vision. I have had a dream, past the wit of man to
say what dream it was: man is but an ass, if he go
about to expound this dream. Methought I was--there
is no man can tell what. Methought I was,--and
methought I had,--but man is but a patched fool, if
he will offer to say what methought I had. The eye
of man hath not heard, the ear of man hath not
seen, man's hand is not able to taste, his tongue
to conceive, nor his heart to report, what my dream
was. I will get Peter Quince to write a ballad of
this dream: it shall be called Bottom's Dream,
because it hath no bottom; and I will sing it in the
latter end of a play, before the duke:
peradventure, to make it the more gracious, I shall
sing it at her death.
Exit
SCENE II. Athens. QUINCE'S house.
Enter QUINCE, FLUTE, SNOUT, and STARVELING
QUINCE
Have you sent to Bottom's house ? is he come home yet?
STARVELING
He cannot be heard of. Out of doubt he is
transported.
FLUTE
If he come not, then the play is marred: it goes
not forward, doth it?
QUINCE
It is not possible: you have not a man in all
Athens able to discharge Pyramus but he.
FLUTE
No, he hath simply the best wit of any handicraft
man in Athens.
QUINCE
Yea and the best person too; and he is a very
paramour for a sweet voice.
FLUTE
You must say 'paragon:' a paramour is, God bless us,
a thing of naught.
Enter SNUG
SNUG
Masters, the duke is coming from the temple, and
there is two or three lords and ladies more married:
if our sport had gone forward, we had all been made
men.
FLUTE
O sweet bully Bottom! Thus hath he lost sixpence a
day during his life; he could not have 'scaped
sixpence a day: an the duke had not given him
sixpence a day for playing Pyramus, I'll be hanged;
he would have deserved it: sixpence a day in
Pyramus, or nothing.
Enter BOTTOM
BOTTOM
Where are these lads? where are these hearts?
QUINCE
Bottom! O most courageous day! O most happy hour!
BOTTOM
Masters, I am to discourse wonders: but ask me not
what; for if I tell you, I am no true Athenian. I
will tell you every thing, right as it fell out.
QUINCE
Let us hear, sweet Bottom.
BOTTOM
Not a word of me. All that I will tell you is, that
the duke hath dined. Get your apparel together,
good strings to your beards, new ribbons to your
pumps; meet presently at the palace; every man look
o'er his part; for the short and the long is, our
play is preferred. In any case, let Thisby have
clean linen; and let not him that plays the lion
pair his nails, for they shall hang out for the
lion's claws. And, most dear actors, eat no onions
nor garlic, for we are to utter sweet breath; and I
do not doubt but to hear them say, it is a sweet
comedy. No more words: away! go, away!
Exeunt
ACT V

SCENE I. Athens. The palace of THESEUS.
Enter THESEUS, HIPPOLYTA, PHILOSTRATE, Lords and Attendants
HIPPOLYTA
'Tis strange my Theseus, that these
lovers speak of.
THESEUS
More strange than true: I never may believe
These antique fables, nor these fairy toys.
Lovers and madmen have such seething brains,
Such shaping fantasies, that apprehend
More than cool reason ever comprehends.
The lunatic, the lover and the poet
Are of imagination all compact:
One sees more devils than vast hell can hold,
That is, the madman: the lover, all as frantic,
Sees Helen's beauty in a brow of Egypt:
The poet's eye, in fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name.
Such tricks hath strong imagination,
That if it would but apprehend some joy,
It comprehends some bringer of that joy;
Or in the night, imagining some fear,
How easy is a bush supposed a bear!
HIPPOLYTA
But all the story of the night told over,
And all their minds transfigured so together,
More witnesseth than fancy's images
And grows to something of great constancy;
But, howsoever, strange and admirable.
THESEUS
Here come the lovers, full of joy and mirth.
Enter LYSANDER, DEMETRIUS, HERMIA, and HELENA
Joy, gentle friends! joy and fresh days of love
Accompany your hearts!
LYSANDER
More than to us
Wait in your royal walks, your board, your bed!
THESEUS
Come now; what masques, what dances shall we have,
To wear away this long age of three hours
Between our after-supper and bed-time?
Where is our usual manager of mirth?
What revels are in hand? Is there no play,
To ease the anguish of a torturing hour?
Call Philostrate.
PHILOSTRATE
Here, mighty Theseus.
THESEUS
Say, what abridgement have you for this evening?
What masque? what music? How shall we beguile
The lazy time, if not with some delight?
PHILOSTRATE
There is a brief how many sports are ripe:
Make choice of which your highness will see first.
Giving a paper


أرب جمـال 5 - 11 - 2009 06:31 PM

Midsummer Night's Dream: Entire PlayTHESEUS
[Reads] 'The battle with the Centaurs, to be sung
By an Athenian eunuch to the harp.'
We'll none of that: that have I told my love,
In glory of my kinsman Hercules.
Reads
'The riot of the tipsy Bacchanals,
Tearing the Thracian singer in their rage.'
That is an old device; and it was play'd
When I from Thebes came last a conqueror.
Reads
'The thrice three Muses mourning for the death
Of Learning, late deceased in beggary.'
That is some satire, keen and critical,
Not sorting with a nuptial ceremony.
Reads
'A tedious brief scene of young Pyramus
And his love Thisbe; very tragical mirth.'
Merry and tragical! tedious and brief!
That is, hot ice and wondrous strange snow.
How shall we find the concord of this discord?
PHILOSTRATE
A play there is, my lord, some ten words long,
Which is as brief as I have known a play;
But by ten words, my lord, it is too long,
Which makes it tedious; for in all the play
There is not one word apt, one player fitted:
And tragical, my noble lord, it is;
For Pyramus therein doth kill himself.
Which, when I saw rehearsed, I must confess,
Made mine eyes water; but more merry tears
The passion of loud laughter never shed.
THESEUS
What are they that do play it?
PHILOSTRATE
Hard-handed men that work in Athens here,
Which never labour'd in their minds till now,
And now have toil'd their unbreathed memories
With this same play, against your nuptial.
THESEUS
And we will hear it.
PHILOSTRATE
No, my noble lord;
It is not for you: I have heard it over,
And it is nothing, nothing in the world;
Unless you can find sport in their intents,
Extremely stretch'd and conn'd with cruel pain,
To do you service.
THESEUS
I will hear that play;
For never anything can be amiss,
When simpleness and duty tender it.
Go, bring them in: and take your places, ladies.
Exit PHILOSTRATE
HIPPOLYTA
I love not to see wretchedness o'er charged
And duty in his service perishing.
THESEUS
Why, gentle sweet, you shall see no such thing.
HIPPOLYTA
He says they can do nothing in this kind.
THESEUS
The kinder we, to give them thanks for nothing.
Our sport shall be to take what they mistake:
And what poor duty cannot do, noble respect
Takes it in might, not merit.
Where I have come, great clerks have purposed
To greet me with premeditated welcomes;
Where I have seen them shiver and look pale,
Make periods in the midst of sentences,
Throttle their practised accent in their fears
And in conclusion dumbly have broke off,
Not paying me a welcome. Trust me, sweet,
Out of this silence yet I pick'd a welcome;
And in the modesty of fearful duty
I read as much as from the rattling tongue
Of saucy and audacious eloquence.
Love, therefore, and tongue-tied simplicity
In least speak most, to my capacity.
Re-enter PHILOSTRATE
PHILOSTRATE
So please your grace, the Prologue is address'd.
THESEUS
Let him approach.
Flourish of trumpets
Enter QUINCE for the Prologue
Prologue
If we offend, it is with our good will.
That you should think, we come not to offend,
But with good will. To show our simple skill,
That is the true beginning of our end.
Consider then we come but in despite.
We do not come as minding to contest you,
Our true intent is. All for your delight
We are not here. That you should here repent you,
The actors are at hand and by their show
You shall know all that you are like to know.
THESEUS
This fellow doth not stand upon points.
LYSANDER
He hath rid his prologue like a rough colt; he knows
not the stop. A good moral, my lord: it is not
enough to speak, but to speak true.
HIPPOLYTA
Indeed he hath played on his prologue like a child
on a recorder; a sound, but not in government.
THESEUS
His speech, was like a tangled chain; nothing
impaired, but all disordered. Who is next?
Enter Pyramus and Thisbe, Wall, Moonshine, and Lion
Prologue
Gentles, perchance you wonder at this show;
But wonder on, till truth make all things plain.
This man is Pyramus, if you would know;
This beauteous lady Thisby is certain.
This man, with lime and rough-cast, doth present
Wall, that vile Wall which did these lovers sunder;
And through Wall's chink, poor souls, they are *******
To whisper. At the which let no man wonder.
This man, with lanthorn, dog, and bush of thorn,
Presenteth Moonshine; for, if you will know,
By moonshine did these lovers think no scorn
To meet at Ninus' tomb, there, there to woo.
This grisly beast, which Lion hight by name,
The trusty Thisby, coming first by night,
Did scare away, or rather did affright;
And, as she fled, her mantle she did fall,
Which Lion vile with bloody mouth did stain.
Anon comes Pyramus, sweet youth and tall,
And finds his trusty Thisby's mantle slain:
Whereat, with blade, with bloody blameful blade,
He bravely broach'd is boiling bloody breast;
And Thisby, tarrying in mulberry shade,
His dagger drew, and died. For all the rest,
Let Lion, Moonshine, Wall, and lovers twain
At large discourse, while here they do remain.
Exeunt Prologue, Thisbe, Lion, and Moonshine
THESEUS
I wonder if the lion be to speak.
DEMETRIUS
No wonder, my lord: one lion may, when many asses do.
Wall
In this same interlude it doth befall
That I, one Snout by name, present a wall;
And such a wall, as I would have you think,
That had in it a crannied hole or chink,
Through which the lovers, Pyramus and Thisby,
Did whisper often very secretly.
This loam, this rough-cast and this stone doth show
That I am that same wall; the truth is so:
And this the cranny is, right and sinister,
Through which the fearful lovers are to whisper.
THESEUS
Would you desire lime and hair to speak better?
DEMETRIUS
It is the wittiest partition that ever I heard
discourse, my lord.
Enter Pyramus
THESEUS
Pyramus draws near the wall: silence!
Pyramus
O grim-look'd night! O night with hue so black!
O night, which ever art when day is not!
O night, O night! alack, alack, alack,
I fear my Thisby's promise is forgot!
And thou, O wall, O sweet, O lovely wall,
That stand'st between her father's ground and mine!
Thou wall, O wall, O sweet and lovely wall,
Show me thy chink, to blink through with mine eyne!
Wall holds up his fingers
Thanks, courteous wall: Jove shield thee well for this!
But what see I? No Thisby do I see.
O wicked wall, through whom I see no bliss!
Cursed be thy stones for thus deceiving me!
THESEUS
The wall, methinks, being sensible, should curse again.
Pyramus
No, in truth, sir, he should not. 'Deceiving me'
is Thisby's cue: she is to enter now, and I am to
spy her through the wall. You shall see, it will
fall pat as I told you. Yonder she comes.
Enter Thisbe
Thisbe
O wall, full often hast thou heard my moans,
For parting my fair Pyramus and me!
My cherry lips have often kiss'd thy stones,
Thy stones with lime and hair knit up in thee.
Pyramus
I see a voice: now will I to the chink,
To spy an I can hear my Thisby's face. Thisby!
Thisbe
My love thou art, my love I think.
Pyramus
Think what thou wilt, I am thy lover's grace;
And, like Limander, am I trusty still.
Thisbe
And I like Helen, till the Fates me kill.
Pyramus
Not Shafalus to Procrus was so true.
Thisbe
As Shafalus to Procrus, I to you.
Pyramus
O kiss me through the hole of this vile wall!
Thisbe
I kiss the wall's hole, not your lips at all.
Pyramus
Wilt thou at Ninny's tomb meet me straightway?
Thisbe
'Tide life, 'tide death, I come without delay.
Exeunt Pyramus and Thisbe
Wall
Thus have I, Wall, my part discharged so;
And, being done, thus Wall away doth go.
Exit
THESEUS
Now is the mural down between the two neighbours.
DEMETRIUS
No remedy, my lord, when walls are so wilful to hear
without warning.
HIPPOLYTA
This is the silliest stuff that ever I heard.
THESEUS
The best in this kind are but shadows; and the worst
are no worse, if imagination amend them.
HIPPOLYTA
It must be your imagination then, and not theirs.
THESEUS
If we imagine no worse of them than they of
themselves, they may pass for excellent men. Here
come two noble beasts in, a man and a lion.
Enter Lion and Moonshine
Lion
You, ladies, you, whose gentle hearts do fear
The smallest monstrous mouse that creeps on floor,
May now perchance both quake and tremble here,
When lion rough in wildest rage doth roar.
Then know that I, one Snug the joiner, am
A lion-fell, nor else no lion's dam;
For, if I should as lion come in strife
Into this place, 'twere pity on my life.
THESEUS
A very gentle beast, of a good conscience.
DEMETRIUS
The very best at a beast, my lord, that e'er I saw.
LYSANDER
This lion is a very fox for his valour.
THESEUS
True; and a goose for his discretion.
DEMETRIUS
Not so, my lord; for his valour cannot carry his
discretion; and the fox carries the goose.
THESEUS
His discretion, I am sure, cannot carry his valour;
for the goose carries not the fox. It is well:
leave it to his discretion, and let us listen to the moon.
Moonshine
This lanthorn doth the horned moon present;--
DEMETRIUS
He should have worn the horns on his head.
THESEUS
He is no crescent, and his horns are
invisible within the circumference.
Moonshine
This lanthorn doth the horned moon present;
Myself the man i' the moon do seem to be.
THESEUS
This is the greatest error of all the rest: the man
should be put into the lanthorn. How is it else the
man i' the moon?
DEMETRIUS
He dares not come there for the candle; for, you
see, it is already in snuff.
HIPPOLYTA
I am aweary of this moon: would he would change!
THESEUS
It appears, by his small light of discretion, that
he is in the wane; but yet, in courtesy, in all
reason, we must stay the time.
LYSANDER
Proceed, Moon.
Moonshine
All that I have to say, is, to tell you that the
lanthorn is the moon; I, the man in the moon; this
thorn-bush, my thorn-bush; and this dog, my dog.
DEMETRIUS
Why, all these should be in the lanthorn; for all
these are in the moon. But, silence! here comes Thisbe.
Enter Thisbe
Thisbe
This is old Ninny's tomb. Where is my love?
Lion
[Roaring] Oh--
Thisbe runs off
DEMETRIUS
Well roared, Lion.
THESEUS
Well run, Thisbe.
HIPPOLYTA
Well shone, Moon. Truly, the moon shines with a
good grace.
The Lion shakes Thisbe's mantle, and exit
THESEUS
Well moused, Lion.
LYSANDER
And so the lion vanished.
DEMETRIUS
And then came Pyramus.
Enter Pyramus
Pyramus
Sweet Moon, I thank thee for thy sunny beams;
I thank thee, Moon, for shining now so bright;
For, by thy gracious, golden, glittering gleams,
I trust to take of truest Thisby sight.
But stay, O spite!
But mark, poor knight,
What dreadful dole is here!
Eyes, do you see?
How can it be?
O dainty duck! O dear!
Thy mantle good,
What, stain'd with blood!
Approach, ye Furies fell!
O Fates, come, come,
Cut thread and thrum;
Quail, crush, conclude, and quell!
THESEUS
This passion, and the death of a dear friend, would
go near to make a man look sad.
HIPPOLYTA
Beshrew my heart, but I pity the man.
Pyramus
O wherefore, Nature, didst thou lions frame?
Since lion vile hath here deflower'd my dear:
Which is--no, no--which was the fairest dame
That lived, that loved, that liked, that look'd
with cheer.
Come, tears, confound;
Out, sword, and wound
The pap of Pyramus;
Ay, that left pap,
Where heart doth hop:
Stabs himself
Thus die I, thus, thus, thus.
Now am I dead,
Now am I fled;
My soul is in the sky:
Tongue, lose thy light;
Moon take thy flight:
Exit Moonshine
Now die, die, die, die, die.
Dies
DEMETRIUS
No die, but an ace, for him; for he is but one.
LYSANDER
Less than an ace, man; for he is dead; he is nothing.
THESEUS
With the help of a surgeon he might yet recover, and
prove an ass.
HIPPOLYTA
How chance Moonshine is gone before Thisbe comes
back and finds her lover?
THESEUS
She will find him by starlight. Here she comes; and
her passion ends the play.
Re-enter Thisbe
HIPPOLYTA
Methinks she should not use a long one for such a
Pyramus: I hope she will be brief.
DEMETRIUS
A mote will turn the balance, which Pyramus, which
Thisbe, is the better; he for a man, God warrant us;
she for a woman, God bless us.
LYSANDER
She hath spied him already with those sweet eyes.
DEMETRIUS
And thus she means, videlicet:--
Thisbe
Asleep, my love?
What, dead, my dove?
O Pyramus, arise!
Speak, speak. Quite dumb?
Dead, dead? A tomb
Must cover thy sweet eyes.
These My lips,
This cherry nose,
These yellow cowslip cheeks,
Are gone, are gone:
Lovers, make moan:
His eyes were green as leeks.
O Sisters Three,
Come, come to me,
With hands as pale as milk;
Lay them in gore,
Since you have shore
With shears his thread of silk.
Tongue, not a word:
Come, trusty sword;
Come, blade, my breast imbrue:
Stabs herself
And, farewell, friends;
Thus Thisby ends:
Adieu, adieu, adieu.
Dies
THESEUS
Moonshine and Lion are left to bury the dead.
DEMETRIUS
Ay, and Wall too.
BOTTOM
[Starting up] No assure you; the wall is down that
parted their fathers. Will it please you to see the
epilogue, or to hear a Bergomask dance between two
of our company?
THESEUS
No epilogue, I pray you; for your play needs no
excuse. Never excuse; for when the players are all
dead, there needs none to be blamed. Marry, if he
that writ it had played Pyramus and hanged himself
in Thisbe's garter, it would have been a fine
tragedy: and so it is, truly; and very notably
discharged. But come, your Bergomask: let your
epilogue alone.
A dance
The iron tongue of midnight hath told twelve:
Lovers, to bed; 'tis almost fairy time.
I fear we shall out-sleep the coming morn
As much as we this night have overwatch'd.
This palpable-gross play hath well beguiled
The heavy gait of night. Sweet friends, to bed.
A fortnight hold we this solemnity,
In nightly revels and new jollity.
Exeunt
Enter PUCK
PUCK
Now the hungry lion roars,
And the wolf behowls the moon;
Whilst the heavy ploughman snores,
All with weary task fordone.
Now the wasted brands do glow,
Whilst the screech-owl, screeching loud,
Puts the wretch that lies in woe
In remembrance of a shroud.
Now it is the time of night
That the graves all gaping wide,
Every one lets forth his sprite,
In the church-way paths to glide:
And we fairies, that do run
By the triple Hecate's team,
From the presence of the sun,
Following darkness like a dream,
Now are frolic: not a mouse
Shall disturb this hallow'd house:
I am sent with broom before,
To sweep the dust behind the door.
Enter OBERON and TITANIA with their train
OBERON
Through the house give gathering light,
By the dead and drowsy fire:
Every elf and fairy sprite
Hop as light as bird from brier;
And this ditty, after me,
Sing, and dance it trippingly.
TITANIA
First, rehearse your song by rote
To each word a warbling note:
Hand in hand, with fairy grace,
Will we sing, and bless this place.
Song and dance
OBERON
Now, until the break of day,
Through this house each fairy stray.
To the best bride-bed will we,
Which by us shall blessed be;
And the issue there create
Ever shall be fortunate.
So shall all the couples three
Ever true in loving be;
And the blots of Nature's hand
Shall not in their issue stand;
Never mole, hare lip, nor scar,
Nor mark prodigious, such as are
Despised in nativity,
Shall upon their children be.
With this field-dew consecrate,
Every fairy take his gait;
And each several chamber bless,
Through this palace, with sweet peace;
And the owner of it blest
Ever shall in safety rest.
Trip away; make no stay;
Meet me all by break of day.
Exeunt OBERON, TITANIA, and train
PUCK
If we shadows have offended,
Think but this, and all is mended,
That you have but slumber'd here
While these visions did appear.
And this weak and idle theme,
No more yielding but a dream,
Gentles, do not reprehend:
if you pardon, we will mend:
And, as I am an honest Puck,
If we have unearned luck
Now to 'scape the serpent's tongue,
We will make amends ere long;
Else the Puck a liar call;
So, good night unto you all.
Give me your hands, if we be friends,
And Robin shall restore amends.


أرب جمـال 5 - 11 - 2009 06:32 PM

Antony and Cleopatra

Antony and Cleopatra: Entire PlayACT I

SCENE I. Alexandria. A room in CLEOPATRA's palace.
Enter DEMETRIUS and PHILO
PHILO
Nay, but this dotage of our general's
O'erflows the measure: those his goodly eyes,
That o'er the files and musters of the war
Have glow'd like plated Mars, now bend, now turn,
The office and devotion of their view
Upon a tawny front: his captain's heart,
Which in the scuffles of great fights hath burst
The buckles on his breast, reneges all temper,
And is become the bellows and the fan
To cool a gipsy's lust.
Flourish. Enter ANTONY, CLEOPATRA, her Ladies, the Train, with Eunuchs fanning her
Look, where they come:
Take but good note, and you shall see in him.
The triple pillar of the world transform'd
Into a strumpet's fool: behold and see.
CLEOPATRA
If it be love indeed, tell me how much.
MARK ANTONY
There's beggary in the love that can be reckon'd.
CLEOPATRA
I'll set a bourn how far to be beloved.
MARK ANTONY
Then must thou needs find out new heaven, new earth.
Enter an Attendant
Attendant
News, my good lord, from Rome.
MARK ANTONY
Grates me: the sum.
CLEOPATRA
Nay, hear them, Antony:
Fulvia perchance is angry; or, who knows
If the scarce-bearded Caesar have not sent
His powerful mandate to you, 'Do this, or this;
Take in that kingdom, and enfranchise that;
Perform 't, or else we damn thee.'
MARK ANTONY
How, my love!
CLEOPATRA
Perchance! nay, and most like:
You must not stay here longer, your dismission
Is come from Caesar; therefore hear it, Antony.
Where's Fulvia's process? Caesar's I would say? both?
Call in the messengers. As I am Egypt's queen,
Thou blushest, Antony; and that blood of thine
Is Caesar's homager: else so thy cheek pays shame
When shrill-tongued Fulvia scolds. The messengers!
MARK ANTONY
Let Rome in Tiber melt, and the wide arch
Of the ranged empire fall! Here is my space.
Kingdoms are clay: our dungy earth alike
Feeds beast as man: the nobleness of life
Is to do thus; when such a mutual pair
Embracing
And such a twain can do't, in which I bind,
On pain of punishment, the world to weet
We stand up peerless.
CLEOPATRA
Excellent falsehood!
Why did he marry Fulvia, and not love her?
I'll seem the fool I am not; Antony
Will be himself.
MARK ANTONY
But stirr'd by Cleopatra.
Now, for the love of Love and her soft hours,
Let's not confound the time with conference harsh:
There's not a minute of our lives should stretch
Without some pleasure now. What sport tonight?
CLEOPATRA
Hear the ambassadors.
MARK ANTONY
Fie, wrangling queen!
Whom every thing becomes, to chide, to laugh,
To weep; whose every passion fully strives
To make itself, in thee, fair and admired!
No messenger, but thine; and all alone
To-night we'll wander through the streets and note
The qualities of people. Come, my queen;
Last night you did desire it: speak not to us.
Exeunt MARK ANTONY and CLEOPATRA with their train
DEMETRIUS
Is Caesar with Antonius prized so slight?
PHILO
Sir, sometimes, when he is not Antony,
He comes too short of that great property
Which still should go with Antony.
DEMETRIUS
I am full sorry
That he approves the common liar, who
Thus speaks of him at Rome: but I will hope
Of better deeds to-morrow. Rest you happy!
Exeunt
SCENE II. The same. Another room.
Enter CHARMIAN, IRAS, ALEXAS, and a Soothsayer
CHARMIAN
Lord Alexas, sweet Alexas, most any thing Alexas,
almost most absolute Alexas, where's the soothsayer
that you praised so to the queen? O, that I knew
this husband, which, you say, must charge his horns
with garlands!
ALEXAS
Soothsayer!
Soothsayer
Your will?
CHARMIAN
Is this the man? Is't you, sir, that know things?
Soothsayer
In nature's infinite book of secrecy
A little I can read.
ALEXAS
Show him your hand.
Enter DOMITIUS ENOBARBUS
DOMITIUS ENOBARBUS
Bring in the banquet quickly; wine enough
Cleopatra's health to drink.
CHARMIAN
Good sir, give me good fortune.
Soothsayer
I make not, but foresee.
CHARMIAN
Pray, then, foresee me one.
Soothsayer
You shall be yet far fairer than you are.
CHARMIAN
He means in flesh.
IRAS
No, you shall paint when you are old.
CHARMIAN
Wrinkles forbid!
ALEXAS
Vex not his prescience; be attentive.
CHARMIAN
Hush!
Soothsayer
You shall be more beloving than beloved.
CHARMIAN
I had rather heat my liver with drinking.
ALEXAS
Nay, hear him.
CHARMIAN
Good now, some excellent fortune! Let me be married
to three kings in a forenoon, and widow them all:
let me have a child at fifty, to whom Herod of Jewry
may do homage: find me to marry me with Octavius
Caesar, and companion me with my mistress.
Soothsayer
You shall outlive the lady whom you serve.
CHARMIAN
O excellent! I love long life better than figs.
Soothsayer
You have seen and proved a fairer former fortune
Than that which is to approach.
CHARMIAN
Then belike my children shall have no names:
prithee, how many boys and wenches must I have?
Soothsayer
If every of your wishes had a womb.
And fertile every wish, a million.
CHARMIAN
Out, fool! I forgive thee for a witch.
ALEXAS
You think none but your sheets are privy to your wishes.
CHARMIAN
Nay, come, tell Iras hers.
ALEXAS
We'll know all our fortunes.
DOMITIUS ENOBARBUS
Mine, and most of our fortunes, to-night, shall
be--drunk to bed.
IRAS
There's a palm presages chastity, if nothing else.
CHARMIAN
E'en as the o'erflowing Nilus presageth famine.
IRAS
Go, you wild bedfellow, you cannot soothsay.
CHARMIAN
Nay, if an oily palm be not a fruitful
prognostication, I cannot scratch mine ear. Prithee,
tell her but a worky-day fortune.
Soothsayer
Your fortunes are alike.
IRAS
But how, but how? give me particulars.
Soothsayer
I have said.
IRAS
Am I not an inch of fortune better than she?
CHARMIAN
Well, if you were but an inch of fortune better than
I, where would you choose it?
IRAS
Not in my husband's nose.
CHARMIAN
Our worser thoughts heavens mend! Alexas,--come,
his fortune, his fortune! O, let him marry a woman
that cannot go, sweet Isis, I beseech thee! and let
her die too, and give him a worse! and let worst
follow worse, till the worst of all follow him
laughing to his grave, fifty-fold a cuckold! Good
Isis, hear me this prayer, though thou deny me a
matter of more weight; good Isis, I beseech thee!
IRAS
Amen. Dear goddess, hear that prayer of the people!
for, as it is a heartbreaking to see a handsome man
loose-wived, so it is a deadly sorrow to behold a
foul knave uncuckolded: therefore, dear Isis, keep
decorum, and fortune him accordingly!
CHARMIAN
Amen.
ALEXAS
Lo, now, if it lay in their hands to make me a
cuckold, they would make themselves whores, but
they'ld do't!
DOMITIUS ENOBARBUS
Hush! here comes Antony.
CHARMIAN
Not he; the queen.
Enter CLEOPATRA
CLEOPATRA
Saw you my lord?
DOMITIUS ENOBARBUS
No, lady.
CLEOPATRA
Was he not here?
CHARMIAN
No, madam.
CLEOPATRA
He was disposed to mirth; but on the sudden
A Roman thought hath struck him. Enobarbus!
DOMITIUS ENOBARBUS
Madam?
CLEOPATRA
Seek him, and bring him hither.
Where's Alexas?
ALEXAS
Here, at your service. My lord approaches.
CLEOPATRA
We will not look upon him: go with us.
Exeunt


أرب جمـال 5 - 11 - 2009 06:33 PM

Antony and Cleopatra: Entire Play
Enter MARK ANTONY with a Messenger and Attendants
Messenger
Fulvia thy wife first came into the field.
MARK ANTONY
Against my brother Lucius?
Messenger
Ay:
But soon that war had end, and the time's state
Made friends of them, joining their force 'gainst Caesar;
Whose better issue in the war, from Italy,
Upon the first encounter, drave them.
MARK ANTONY
Well, what worst?
Messenger
The nature of bad news infects the teller.
MARK ANTONY
When it concerns the fool or coward. On:
Things that are past are done with me. 'Tis thus:
Who tells me true, though in his tale lie death,
I hear him as he flatter'd.
Messenger
Labienus--
This is stiff news--hath, with his Parthian force,
Extended Asia from Euphrates;
His conquering banner shook from Syria
To Lydia and to Ionia; Whilst--
MARK ANTONY
Antony, thou wouldst say,--
Messenger
O, my lord!
MARK ANTONY
Speak to me home, mince not the general tongue:
Name Cleopatra as she is call'd in Rome;
Rail thou in Fulvia's phrase; and taunt my faults
With such full licence as both truth and malice
Have power to utter. O, then we bring forth weeds,
When our quick minds lie still; and our ills told us
Is as our earing. Fare thee well awhile.
Messenger
At your noble pleasure.
Exit
MARK ANTONY
From Sicyon, ho, the news! Speak there!
First Attendant
The man from Sicyon,--is there such an one?
Second Attendant
He stays upon your will.
MARK ANTONY
Let him appear.
These strong Egyptian fetters I must break,
Or lose myself in dotage.
Enter another Messenger
What are you?
Second Messenger
Fulvia thy wife is dead.
MARK ANTONY
Where died she?
Second Messenger
In Sicyon:
Her length of sickness, with what else more serious
Importeth thee to know, this bears.
Gives a letter
MARK ANTONY
Forbear me.
Exit Second Messenger
There's a great spirit gone! Thus did I desire it:
What our contempt doth often hurl from us,
We wish it ours again; the present pleasure,
By revolution lowering, does become
The opposite of itself: she's good, being gone;
The hand could pluck her back that shoved her on.
I must from this enchanting queen break off:
Ten thousand harms, more than the ills I know,
My idleness doth hatch. How now! Enobarbus!
Re-enter DOMITIUS ENOBARBUS
DOMITIUS ENOBARBUS
What's your pleasure, sir?
MARK ANTONY
I must with haste from hence.
DOMITIUS ENOBARBUS
Why, then, we kill all our women:
we see how mortal an unkindness is to them;
if they suffer our departure, death's the word.
MARK ANTONY
I must be gone.
DOMITIUS ENOBARBUS
Under a compelling occasion, let women die; it were
pity to cast them away for nothing; though, between
them and a great cause, they should be esteemed
nothing. Cleopatra, catching but the least noise of
this, dies instantly; I have seen her die twenty
times upon far poorer moment: I do think there is
mettle in death, which commits some loving act upon
her, she hath such a celerity in dying.
MARK ANTONY
She is cunning past man's thought.
Exit ALEXAS
DOMITIUS ENOBARBUS
Alack, sir, no; her passions are made of nothing but
the finest part of pure love: we cannot call her
winds and waters sighs and tears; they are greater
storms and tempests than almanacs can report: this
cannot be cunning in her; if it be, she makes a
shower of rain as well as Jove.
MARK ANTONY
Would I had never seen her.
DOMITIUS ENOBARBUS
O, sir, you had then left unseen a wonderful piece
of work; which not to have been blest withal would
have discredited your travel.
MARK ANTONY
Fulvia is dead.
DOMITIUS ENOBARBUS
Sir?
MARK ANTONY
Fulvia is dead.
DOMITIUS ENOBARBUS
Fulvia!
MARK ANTONY
Dead.
DOMITIUS ENOBARBUS
Why, sir, give the gods a thankful sacrifice. When
it pleaseth their deities to take the wife of a man
from him, it shows to man the tailors of the earth;
comforting therein, that when old robes are worn
out, there are members to make new. If there were
no more women but Fulvia, then had you indeed a cut,
and the case to be lamented: this grief is crowned
with consolation; your old smock brings forth a new
petticoat: and indeed the tears live in an onion
that should water this sorrow.
MARK ANTONY
The business she hath broached in the state
Cannot endure my absence.
DOMITIUS ENOBARBUS
And the business you have broached here cannot be
without you; especially that of Cleopatra's, which
wholly depends on your abode.
MARK ANTONY
No more light answers. Let our officers
Have notice what we purpose. I shall break
The cause of our expedience to the queen,
And get her leave to part. For not alone
The death of Fulvia, with more urgent touches,
Do strongly speak to us; but the letters too
Of many our contriving friends in Rome
Petition us at home: Sextus Pompeius
Hath given the dare to Caesar, and commands
The empire of the sea: our slippery people,
Whose love is never link'd to the deserver
Till his deserts are past, begin to throw
Pompey the Great and all his dignities
Upon his son; who, high in name and power,
Higher than both in blood and life, stands up
For the main soldier: whose quality, going on,
The sides o' the world may danger: much is breeding,
Which, like the courser's hair, hath yet but life,
And not a serpent's poison. Say, our pleasure,
To such whose place is under us, requires
Our quick remove from hence.
DOMITIUS ENOBARBUS
I shall do't.
Exeunt
SCENE III. The same. Another room.
Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
CLEOPATRA
Where is he?
CHARMIAN
I did not see him since.
CLEOPATRA
See where he is, who's with him, what he does:
I did not send you: if you find him sad,
Say I am dancing; if in mirth, report
That I am sudden sick: quick, and return.
Exit ALEXAS
CHARMIAN
Madam, methinks, if you did love him dearly,
You do not hold the method to enforce
The like from him.
CLEOPATRA
What should I do, I do not?
CHARMIAN
In each thing give him way, cross him nothing.
CLEOPATRA
Thou teachest like a fool; the way to lose him.
CHARMIAN
Tempt him not so too far; I wish, forbear:
In time we hate that which we often fear.
But here comes Antony.
Enter MARK ANTONY
CLEOPATRA
I am sick and sullen.
MARK ANTONY
I am sorry to give breathing to my purpose,--
CLEOPATRA
Help me away, dear Charmian; I shall fall:
It cannot be thus long, the sides of nature
Will not sustain it.
MARK ANTONY
Now, my dearest queen,--
CLEOPATRA
Pray you, stand further from me.
MARK ANTONY
What's the matter?
CLEOPATRA
I know, by that same eye, there's some good news.
What says the married woman? You may go:
Would she had never given you leave to come!
Let her not say 'tis I that keep you here:
I have no power upon you; hers you are.
MARK ANTONY
The gods best know,--
CLEOPATRA
O, never was there queen
So mightily betray'd! yet at the first
I saw the treasons planted.
MARK ANTONY
Cleopatra,--
CLEOPATRA
Why should I think you can be mine and true,
Though you in swearing shake the throned gods,
Who have been false to Fulvia? Riotous madness,
To be entangled with those mouth-made vows,
Which break themselves in swearing!
MARK ANTONY
Most sweet queen,--
CLEOPATRA
Nay, pray you, seek no colour for your going,
But bid farewell, and go: when you sued staying,
Then was the time for words: no going then;
Eternity was in our lips and eyes,
Bliss in our brows' bent; none our parts so poor,
But was a race of heaven: they are so still,
Or thou, the greatest soldier of the world,
Art turn'd the greatest liar.
MARK ANTONY
How now, lady!
CLEOPATRA
I would I had thy inches; thou shouldst know
There were a heart in Egypt.
MARK ANTONY
Hear me, queen:
The strong necessity of time commands
Our services awhile; but my full heart
Remains in use with you. Our Italy
Shines o'er with civil swords: Sextus Pompeius
Makes his approaches to the port of Rome:
Equality of two domestic powers
Breed scrupulous faction: the hated, grown to strength,
Are newly grown to love: the condemn'd Pompey,
Rich in his father's honour, creeps apace,
Into the hearts of such as have not thrived
Upon the present state, whose numbers threaten;
And quietness, grown sick of rest, would purge
By any desperate change: my more particular,
And that which most with you should safe my going,
Is Fulvia's death.
CLEOPATRA
Though age from folly could not give me freedom,
It does from childishness: can Fulvia die?
MARK ANTONY
She's dead, my queen:
Look here, and at thy sovereign leisure read
The garboils she awaked; at the last, best:
See when and where she died.
CLEOPATRA
O most false love!
Where be the sacred vials thou shouldst fill
With sorrowful water? Now I see, I see,
In Fulvia's death, how mine received shall be.
MARK ANTONY
Quarrel no more, but be prepared to know
The purposes I bear; which are, or cease,
As you shall give the advice. By the fire
That quickens Nilus' slime, I go from hence
Thy soldier, servant; making peace or war
As thou affect'st.
CLEOPATRA
Cut my lace, Charmian, come;
But let it be: I am quickly ill, and well,
So Antony loves.
MARK ANTONY
My precious queen, forbear;
And give true evidence to his love, which stands
An honourable trial.
CLEOPATRA
So Fulvia told me.
I prithee, turn aside and weep for her,
Then bid adieu to me, and say the tears
Belong to Egypt: good now, play one scene
Of excellent dissembling; and let it look
Life perfect honour.
MARK ANTONY
You'll heat my blood: no more.
CLEOPATRA
You can do better yet; but this is meetly.
MARK ANTONY
Now, by my sword,--
CLEOPATRA
And target. Still he mends;
But this is not the best. Look, prithee, Charmian,
How this Herculean Roman does become
The carriage of his chafe.
MARK ANTONY
I'll leave you, lady.
CLEOPATRA
Courteous lord, one word.
Sir, you and I must part, but that's not it:
Sir, you and I have loved, but there's not it;
That you know well: something it is I would,
O, my oblivion is a very Antony,
And I am all forgotten.
MARK ANTONY
But that your royalty
Holds idleness your subject, I should take you
For idleness itself.
CLEOPATRA
'Tis sweating labour
To bear such idleness so near the heart
As Cleopatra this. But, sir, forgive me;
Since my becomings kill me, when they do not
Eye well to you: your honour calls you hence;
Therefore be deaf to my unpitied folly.
And all the gods go with you! upon your sword
Sit laurel victory! and smooth success
Be strew'd before your feet!
MARK ANTONY
Let us go. Come;
Our separation so abides, and flies,
That thou, residing here, go'st yet with me,
And I, hence fleeting, here remain with thee. Away!
Exeunt
SCENE IV. Rome. OCTAVIUS CAESAR's house.
Enter OCTAVIUS CAESAR, reading a letter, LEPIDUS, and their Train
OCTAVIUS CAESAR
You may see, Lepidus, and henceforth know,
It is not Caesar's natural vice to hate
Our great competitor: from Alexandria
This is the news: he fishes, drinks, and wastes
The lamps of night in revel; is not more man-like
Than Cleopatra; nor the queen of Ptolemy
More womanly than he; hardly gave audience, or
Vouchsafed to think he had partners: you shall find there
A man who is the abstract of all faults
That all men follow.
LEPIDUS
I must not think there are
Evils enow to darken all his goodness:
His faults in him seem as the spots of heaven,
More fiery by night's blackness; hereditary,
Rather than purchased; what he cannot change,
Than what he chooses.
OCTAVIUS CAESAR
You are too indulgent. Let us grant, it is not
Amiss to tumble on the bed of Ptolemy;
To give a kingdom for a mirth; to sit
And keep the turn of tippling with a slave;
To reel the streets at noon, and stand the buffet
With knaves that smell of sweat: say this
becomes him,--
As his composure must be rare indeed
Whom these things cannot blemish,--yet must Antony
No way excuse his soils, when we do bear
So great weight in his lightness. If he fill'd
His vacancy with his voluptuousness,
Full surfeits, and the dryness of his bones,
Call on him for't: but to confound such time,
That drums him from his sport, and speaks as loud
As his own state and ours,--'tis to be chid
As we rate boys, who, being mature in knowledge,
Pawn their experience to their present pleasure,
And so rebel to judgment.
Enter a Messenger
LEPIDUS
Here's more news.
Messenger
Thy biddings have been done; and every hour,
Most noble Caesar, shalt thou have report
How 'tis abroad. Pompey is strong at sea;
And it appears he is beloved of those
That only have fear'd Caesar: to the ports
The dis*******s repair, and men's reports
Give him much wrong'd.
OCTAVIUS CAESAR
I should have known no less.
It hath been taught us from the primal state,
That he which is was wish'd until he were;
And the ebb'd man, ne'er loved till ne'er worth love,
Comes dear'd by being lack'd. This common body,
Like to a vagabond flag upon the stream,
Goes to and back, lackeying the varying tide,
To rot itself with motion.
Messenger
Caesar, I bring thee word,
Menecrates and Menas, famous pirates,
Make the sea serve them, which they ear and wound
With keels of every kind: many hot inroads
They make in Italy; the borders maritime
Lack blood to think on't, and flush youth revolt:
No vessel can peep forth, but 'tis as soon
Taken as seen; for Pompey's name strikes more
Than could his war resisted.
OCTAVIUS CAESAR
Antony,
Leave thy lascivious wassails. When thou once
Wast beaten from Modena, where thou slew'st
Hirtius and Pansa, consuls, at thy heel
Did famine follow; whom thou fought'st against,
Though daintily brought up, with patience more
Than savages could suffer: thou didst drink
The stale of horses, and the gilded puddle
Which beasts would cough at: thy palate then did deign
The roughest berry on the rudest hedge;
Yea, like the stag, when snow the pasture sheets,
The barks of trees thou browsed'st; on the Alps
It is reported thou didst eat strange flesh,
Which some did die to look on: and all this--
It wounds thine honour that I speak it now--
Was borne so like a soldier, that thy cheek
So much as lank'd not.
LEPIDUS
'Tis pity of him.
OCTAVIUS CAESAR
Let his shames quickly
Drive him to Rome: 'tis time we twain
Did show ourselves i' the field; and to that end
Assemble we immediate council: Pompey
Thrives in our idleness.
LEPIDUS
To-morrow, Caesar,
I shall be furnish'd to inform you rightly
Both what by sea and land I can be able
To front this present time.
OCTAVIUS CAESAR
Till which encounter,
It is my business too. Farewell.
LEPIDUS
Farewell, my lord: what you shall know meantime
Of stirs abroad, I shall beseech you, sir,
To let me be partaker.
OCTAVIUS CAESAR
Doubt not, sir;
I knew it for my bond.
Exeunt
SCENE V. Alexandria. CLEOPATRA's palace.
Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN
CLEOPATRA
Charmian!
CHARMIAN
Madam?
CLEOPATRA
Ha, ha!
Give me to drink mandragora.
CHARMIAN
Why, madam?
CLEOPATRA
That I might sleep out this great gap of time
My Antony is away.
CHARMIAN
You think of him too much.
CLEOPATRA
O, 'tis treason!
CHARMIAN
Madam, I trust, not so.
CLEOPATRA
Thou, eunuch Mardian!
MARDIAN
What's your highness' pleasure?
CLEOPATRA
Not now to hear thee sing; I take no pleasure
In aught an eunuch has: 'tis well for thee,
That, being unseminar'd, thy freer thoughts
May not fly forth of Egypt. Hast thou affections?
MARDIAN
Yes, gracious madam.
CLEOPATRA
Indeed!
MARDIAN
Not in deed, madam; for I can do nothing
But what indeed is honest to be done:
Yet have I fierce affections, and think
What Venus did with Mars.
CLEOPATRA
O Charmian,
Where think'st thou he is now? Stands he, or sits he?
Or does he walk? or is he on his horse?
O happy horse, to bear the weight of Antony!
Do bravely, horse! for wot'st thou whom thou movest?
The demi-Atlas of this earth, the arm
And burgonet of men. He's speaking now,
Or murmuring 'Where's my serpent of old Nile?'
For so he calls me: now I feed myself
With most delicious poison. Think on me,
That am with Phoebus' amorous pinches black,
And wrinkled deep in time? Broad-fronted Caesar,
When thou wast here above the ground, I was
A morsel for a monarch: and great Pompey
Would stand and make his eyes grow in my brow;
There would he anchor his aspect and die
With looking on his life.
Enter ALEXAS, from OCTAVIUS CAESAR
ALEXAS
Sovereign of Egypt, hail!
CLEOPATRA
How much unlike art thou Mark Antony!
Yet, coming from him, that great medicine hath
With his tinct gilded thee.
How goes it with my brave Mark Antony?
ALEXAS
Last thing he did, dear queen,
He kiss'd,--the last of many doubled kisses,--
This orient pearl. His speech sticks in my heart.
CLEOPATRA
Mine ear must pluck it thence.
ALEXAS
'Good friend,' quoth he,
'Say, the firm Roman to great Egypt sends
This treasure of an oyster; at whose foot,
To mend the petty present, I will piece
Her opulent throne with kingdoms; all the east,
Say thou, shall call her mistress.' So he nodded,
And soberly did mount an arm-gaunt steed,
Who neigh'd so high, that what I would have spoke
Was beastly dumb'd by him.
CLEOPATRA
What, was he sad or merry?
ALEXAS
Like to the time o' the year between the extremes
Of hot and cold, he was nor sad nor merry.
CLEOPATRA
O well-divided disposition! Note him,
Note him good Charmian, 'tis the man; but note him:
He was not sad, for he would shine on those
That make their looks by his; he was not merry,
Which seem'd to tell them his remembrance lay
In Egypt with his joy; but between both:
O heavenly mingle! Be'st thou sad or merry,
The violence of either thee becomes,
So does it no man else. Met'st thou my posts?
ALEXAS
Ay, madam, twenty several messengers:
Why do you send so thick?
CLEOPATRA
Who's born that day
When I forget to send to Antony,
Shall die a beggar. Ink and paper, Charmian.
Welcome, my good Alexas. Did I, Charmian,
Ever love Caesar so?
CHARMIAN
O that brave Caesar!
CLEOPATRA
Be choked with such another emphasis!
Say, the brave Antony.
CHARMIAN
The valiant Caesar!
CLEOPATRA
By Isis, I will give thee bloody teeth,
If thou with Caesar paragon again
My man of men.
CHARMIAN
By your most gracious pardon,
I sing but after you.
CLEOPATRA
My salad days,
When I was green in judgment: cold in blood,
To say as I said then! But, come, away;
Get me ink and paper:
He shall have every day a several greeting,
Or I'll unpeople Egypt.
Exeunt


أرب جمـال 5 - 11 - 2009 06:33 PM

Antony and Cleopatra: Entire PlayACT II

SCENE I. Messina. POMPEY's house.
Enter POMPEY, MENECRATES, and MENAS, in warlike manner
POMPEY
If the great gods be just, they shall assist
The deeds of justest men.
MENECRATES
Know, worthy Pompey,
That what they do delay, they not deny.
POMPEY
Whiles we are suitors to their throne, decays
The thing we sue for.
MENECRATES
We, ignorant of ourselves,
Beg often our own harms, which the wise powers
Deny us for our good; so find we profit
By losing of our prayers.
POMPEY
I shall do well:
The people love me, and the sea is mine;
My powers are crescent, and my auguring hope
Says it will come to the full. Mark Antony
In Egypt sits at dinner, and will make
No wars without doors: Caesar gets money where
He loses hearts: Lepidus flatters both,
Of both is flatter'd; but he neither loves,
Nor either cares for him.
MENAS
Caesar and Lepidus
Are in the field: a mighty strength they carry.
POMPEY
Where have you this? 'tis false.
MENAS
From Silvius, sir.
POMPEY
He dreams: I know they are in Rome together,
Looking for Antony. But all the charms of love,
Salt Cleopatra, soften thy waned lip!
Let witchcraft join with beauty, lust with both!
Tie up the libertine in a field of feasts,
Keep his brain fuming; Epicurean ****s
Sharpen with cloyless sauce his appetite;
That sleep and feeding may prorogue his honour
Even till a Lethe'd dulness!
Enter VARRIUS
How now, Varrius!
VARRIUS
This is most certain that I shall deliver:
Mark Antony is every hour in Rome
Expected: since he went from Egypt 'tis
A space for further travel.
POMPEY
I could have given less matter
A better ear. Menas, I did not think
This amorous surfeiter would have donn'd his helm
For such a petty war: his soldiership
Is twice the other twain: but let us rear
The higher our opinion, that our stirring
Can from the lap of Egypt's widow pluck
The ne'er-lust-wearied Antony.
MENAS
I cannot hope
Caesar and Antony shall well greet together:
His wife that's dead did trespasses to Caesar;
His brother warr'd upon him; although, I think,
Not moved by Antony.
POMPEY
I know not, Menas,
How lesser enmities may give way to greater.
Were't not that we stand up against them all,
'Twere pregnant they should square between
themselves;
For they have entertained cause enough
To draw their swords: but how the fear of us
May cement their divisions and bind up
The petty difference, we yet not know.
Be't as our gods will have't! It only stands
Our lives upon to use our strongest hands.
Come, Menas.
Exeunt
SCENE II. Rome. The house of LEPIDUS.
Enter DOMITIUS ENOBARBUS and LEPIDUS
LEPIDUS
Good Enobarbus, 'tis a worthy deed,
And shall become you well, to entreat your captain
To soft and gentle speech.
DOMITIUS ENOBARBUS
I shall entreat him
To answer like himself: if Caesar move him,
Let Antony look over Caesar's head
And speak as loud as Mars. By Jupiter,
Were I the wearer of Antonius' beard,
I would not shave't to-day.
LEPIDUS
'Tis not a time
For private stomaching.
DOMITIUS ENOBARBUS
Every time
Serves for the matter that is then born in't.
LEPIDUS
But small to greater matters must give way.
DOMITIUS ENOBARBUS
Not if the small come first.
LEPIDUS
Your speech is passion:
But, pray you, stir no embers up. Here comes
The noble Antony.
Enter MARK ANTONY and VENTIDIUS
DOMITIUS ENOBARBUS
And yonder, Caesar.
Enter OCTAVIUS CAESAR, MECAENAS, and AGRIPPA
MARK ANTONY
If we compose well here, to Parthia:
Hark, Ventidius.
OCTAVIUS CAESAR
I do not know,
Mecaenas; ask Agrippa.
LEPIDUS
Noble friends,
That which combined us was most great, and let not
A leaner action rend us. What's amiss,
May it be gently heard: when we debate
Our trivial difference loud, we do commit
Murder in healing wounds: then, noble partners,
The rather, for I earnestly beseech,
Touch you the sourest points with sweetest terms,
Nor curstness grow to the matter.
MARK ANTONY
'Tis spoken well.
Were we before our armies, and to fight.
I should do thus.
Flourish
OCTAVIUS CAESAR
Welcome to Rome.
MARK ANTONY
Thank you.
OCTAVIUS CAESAR
Sit.
MARK ANTONY
Sit, sir.
OCTAVIUS CAESAR
Nay, then.
MARK ANTONY
I learn, you take things ill which are not so,
Or being, concern you not.
OCTAVIUS CAESAR
I must be laugh'd at,
If, or for nothing or a little, I
Should say myself offended, and with you
Chiefly i' the world; more laugh'd at, that I should
Once name you derogately, when to sound your name
It not concern'd me.
MARK ANTONY
My being in Egypt, Caesar,
What was't to you?
OCTAVIUS CAESAR
No more than my residing here at Rome
Might be to you in Egypt: yet, if you there
Did practise on my state, your being in Egypt
Might be my question.
MARK ANTONY
How intend you, practised?
OCTAVIUS CAESAR
You may be pleased to catch at mine intent
By what did here befal me. Your wife and brother
Made wars upon me; and their contestation
Was theme for you, you were the word of war.
MARK ANTONY
You do mistake your business; my brother never
Did urge me in his act: I did inquire it;
And have my learning from some true reports,
That drew their swords with you. Did he not rather
Discredit my authority with yours;
And make the wars alike against my stomach,
Having alike your cause? Of this my letters
Before did satisfy you. If you'll patch a quarrel,
As matter whole you have not to make it with,
It must not be with this.
OCTAVIUS CAESAR
You praise yourself
By laying defects of judgment to me; but
You patch'd up your excuses.
MARK ANTONY
Not so, not so;
I know you could not lack, I am certain on't,
Very necessity of this thought, that I,
Your partner in the cause 'gainst which he fought,
Could not with graceful eyes attend those wars
Which fronted mine own peace. As for my wife,
I would you had her spirit in such another:
The third o' the world is yours; which with a snaffle
You may pace easy, but not such a wife.
DOMITIUS ENOBARBUS
Would we had all such wives, that the men might go
to wars with the women!
MARK ANTONY
So much uncurbable, her garboils, Caesar
Made out of her impatience, which not wanted
Shrewdness of policy too, I grieving grant
Did you too much disquiet: for that you must
But say, I could not help it.
OCTAVIUS CAESAR
I wrote to you
When rioting in Alexandria; you
Did pocket up my letters, and with taunts
Did gibe my missive out of audience.
MARK ANTONY
Sir,
He fell upon me ere admitted: then
Three kings I had newly feasted, and did want
Of what I was i' the morning: but next day
I told him of myself; which was as much
As to have ask'd him pardon. Let this fellow
Be nothing of our strife; if we contend,
Out of our question wipe him.
OCTAVIUS CAESAR
You have broken
The article of your oath; which you shall never
Have tongue to charge me with.
LEPIDUS
Soft, Caesar!
MARK ANTONY
No,
Lepidus, let him speak:
The honour is sacred which he talks on now,
Supposing that I lack'd it. But, on, Caesar;
The article of my oath.
OCTAVIUS CAESAR
To lend me arms and aid when I required them;
The which you both denied.
MARK ANTONY
Neglected, rather;
And then when poison'd hours had bound me up
From mine own knowledge. As nearly as I may,
I'll play the penitent to you: but mine honesty
Shall not make poor my greatness, nor my power
Work without it. Truth is, that Fulvia,
To have me out of Egypt, made wars here;
For which myself, the ignorant motive, do
So far ask pardon as befits mine honour
To stoop in such a case.
LEPIDUS
'Tis noble spoken.
MECAENAS
If it might please you, to enforce no further
The griefs between ye: to forget them quite
Were to remember that the present need
Speaks to atone you.
LEPIDUS
Worthily spoken, Mecaenas.
DOMITIUS ENOBARBUS
Or, if you borrow one another's love for the
instant, you may, when you hear no more words of
Pompey, return it again: you shall have time to
wrangle in when you have nothing else to do.
MARK ANTONY
Thou art a soldier only: speak no more.
DOMITIUS ENOBARBUS
That truth should be silent I had almost forgot.
MARK ANTONY
You wrong this presence; therefore speak no more.
DOMITIUS ENOBARBUS
Go to, then; your considerate stone.
OCTAVIUS CAESAR
I do not much dislike the matter, but
The manner of his speech; for't cannot be
We shall remain in friendship, our conditions
So differing in their acts. Yet if I knew
What hoop should hold us stanch, from edge to edge
O' the world I would pursue it.
AGRIPPA
Give me leave, Caesar,--
OCTAVIUS CAESAR
Speak, Agrippa.
AGRIPPA
Thou hast a sister by the mother's side,
Admired Octavia: great Mark Antony
Is now a widower.
OCTAVIUS CAESAR
Say not so, Agrippa:
If Cleopatra heard you, your reproof
Were well deserved of rashness.
MARK ANTONY
I am not married, Caesar: let me hear
Agrippa further speak.
AGRIPPA
To hold you in perpetual amity,
To make you brothers, and to knit your hearts
With an unslipping knot, take Antony
Octavia to his wife; whose beauty claims
No worse a husband than the best of men;
Whose virtue and whose general graces speak
That which none else can utter. By this marriage,
All little jealousies, which now seem great,
And all great fears, which now import their dangers,
Would then be nothing: truths would be tales,
Where now half tales be truths: her love to both
Would, each to other and all loves to both,
Draw after her. Pardon what I have spoke;
For 'tis a studied, not a present thought,
By duty ruminated.
MARK ANTONY
Will Caesar speak?
OCTAVIUS CAESAR
Not till he hears how Antony is touch'd
With what is spoke already.
MARK ANTONY
What power is in Agrippa,
If I would say, 'Agrippa, be it so,'
To make this good?
OCTAVIUS CAESAR
The power of Caesar, and
His power unto Octavia.
MARK ANTONY
May I never
To this good purpose, that so fairly shows,
Dream of impediment! Let me have thy hand:
Further this act of grace: and from this hour
The heart of brothers govern in our loves
And sway our great designs!
OCTAVIUS CAESAR
There is my hand.
A sister I bequeath you, whom no brother
Did ever love so dearly: let her live
To join our kingdoms and our hearts; and never
Fly off our loves again!
LEPIDUS
Happily, amen!
MARK ANTONY
I did not think to draw my sword 'gainst Pompey;
For he hath laid strange courtesies and great
Of late upon me: I must thank him only,
Lest my remembrance suffer ill report;
At heel of that, defy him.
LEPIDUS
Time calls upon's:
Of us must Pompey presently be sought,
Or else he seeks out us.
MARK ANTONY
Where lies he?
OCTAVIUS CAESAR
About the mount Misenum.
MARK ANTONY
What is his strength by land?
OCTAVIUS CAESAR
Great and increasing: but by sea
He is an absolute master.
MARK ANTONY
So is the fame.
Would we had spoke together! Haste we for it:
Yet, ere we put ourselves in arms, dispatch we
The business we have talk'd of.
OCTAVIUS CAESAR
With most gladness:
And do invite you to my sister's view,
Whither straight I'll lead you.
MARK ANTONY
Let us, Lepidus,
Not lack your company.
LEPIDUS
Noble Antony,
Not sickness should detain me.
Flourish. Exeunt OCTAVIUS CAESAR, MARK ANTONY, and LEPIDUS
MECAENAS
Welcome from Egypt, sir.
DOMITIUS ENOBARBUS
Half the heart of Caesar, worthy Mecaenas! My
honourable friend, Agrippa!
AGRIPPA
Good Enobarbus!
MECAENAS
We have cause to be glad that matters are so well
digested. You stayed well by 't in Egypt.
DOMITIUS ENOBARBUS
Ay, sir; we did sleep day out of countenance, and
made the night light with drinking.
MECAENAS
Eight wild-boars roasted whole at a breakfast, and
but twelve persons there; is this true?
DOMITIUS ENOBARBUS
This was but as a fly by an eagle: we had much more
monstrous matter of feast, which worthily deserved noting.
MECAENAS
She's a most triumphant lady, if report be square to
her.
DOMITIUS ENOBARBUS
When she first met Mark Antony, she pursed up
his heart, upon the river of Cydnus.
AGRIPPA
There she appeared indeed; or my reporter devised
well for her.
DOMITIUS ENOBARBUS
I will tell you.
The barge she sat in, like a burnish'd throne,
Burn'd on the water: the poop was beaten gold;
Purple the sails, and so perfumed that
The winds were love-sick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggar'd all de******ion: she did lie
In her pavilion--cloth-of-gold of tissue--
O'er-picturing that Venus where we see
The fancy outwork nature: on each side her
Stood pretty dimpled boys, like smiling Cupids,
With divers-colour'd fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.
AGRIPPA
O, rare for Antony!
DOMITIUS ENOBARBUS
Her gentlewomen, like the Nereides,
So many mermaids, tended her i' the eyes,
And made their bends adornings: at the helm
A seeming mermaid steers: the silken tackle
Swell with the touches of those flower-soft hands,
That yarely frame the office. From the barge
A strange invisible perfume hits the sense
Of the adjacent wharfs. The city cast
Her people out upon her; and Antony,
Enthroned i' the market-place, did sit alone,
Whistling to the air; which, but for vacancy,
Had gone to gaze on Cleopatra too,
And made a gap in nature.
AGRIPPA
Rare Egyptian!
DOMITIUS ENOBARBUS
Upon her landing, Antony sent to her,
Invited her to supper: she replied,
It should be better he became her guest;
Which she entreated: our courteous Antony,
Whom ne'er the word of 'No' woman heard speak,
Being barber'd ten times o'er, goes to the feast,
And for his ordinary pays his heart
For what his eyes eat only.
AGRIPPA
Royal wench!
She made great Caesar lay his sword to bed:
He plough'd her, and she cropp'd.
DOMITIUS ENOBARBUS
I saw her once
Hop forty paces through the public street;
And having lost her breath, she spoke, and panted,
That she did make defect perfection,
And, breathless, power breathe forth.
MECAENAS
Now Antony must leave her utterly.
DOMITIUS ENOBARBUS
Never; he will not:
Age cannot wither her, nor custom stale
Her infinite variety: other women cloy
The appetites they feed: but she makes hungry
Where most she satisfies; for vilest things
Become themselves in her: that the holy priests
Bless her when she is riggish.
MECAENAS
If beauty, wisdom, modesty, can settle
The heart of Antony, Octavia is
A blessed lottery to him.
AGRIPPA
Let us go.
Good Enobarbus, make yourself my guest
Whilst you abide here.
DOMITIUS ENOBARBUS
Humbly, sir, I thank you.
Exeunt
SCENE III. The same. OCTAVIUS CAESAR's house.
Enter MARK ANTONY, OCTAVIUS CAESAR, OCTAVIA between them, and Attendants
MARK ANTONY
The world and my great office will sometimes
Divide me from your bosom.
OCTAVIA
All which time
Before the gods my knee shall bow my prayers
To them for you.
MARK ANTONY
Good night, sir. My Octavia,
Read not my blemishes in the world's report:
I have not kept my square; but that to come
Shall all be done by the rule. Good night, dear lady.
Good night, sir.
OCTAVIUS CAESAR
Good night.
Exeunt OCTAVIUS CAESAR and OCTAVIA
Enter Soothsayer


أرب جمـال 5 - 11 - 2009 06:34 PM

Antony and Cleopatra: Entire PlayMARK ANTONY
Now, sirrah; you do wish yourself in Egypt?
Soothsayer
Would I had never come from thence, nor you Thither!
MARK ANTONY
If you can, your reason?
Soothsayer
I see it in
My motion, have it not in my tongue: but yet
Hie you to Egypt again.
MARK ANTONY
Say to me,
Whose fortunes shall rise higher, Caesar's or mine?
Soothsayer
Caesar's.
Therefore, O Antony, stay not by his side:
Thy demon, that's thy spirit which keeps thee, is
Noble, courageous high, unmatchable,
Where Caesar's is not; but, near him, thy angel
Becomes a fear, as being o'erpower'd: therefore
Make space enough between you.
MARK ANTONY
Speak this no more.
Soothsayer
To none but thee; no more, but when to thee.
If thou dost play with him at any game,
Thou art sure to lose; and, of that natural luck,
He beats thee 'gainst the odds: thy lustre thickens,
When he shines by: I say again, thy spirit
Is all afraid to govern thee near him;
But, he away, 'tis noble.
MARK ANTONY
Get thee gone:
Say to Ventidius I would speak with him:
Exit Soothsayer
He shall to Parthia. Be it art or hap,
He hath spoken true: the very dice obey him;
And in our sports my better cunning faints
Under his chance: if we draw lots, he speeds;
His cocks do win the battle still of mine,
When it is all to nought; and his quails ever
Beat mine, inhoop'd, at odds. I will to Egypt:
And though I make this marriage for my peace,
I' the east my pleasure lies.
Enter VENTIDIUS
O, come, Ventidius,
You must to Parthia: your commission's ready;
Follow me, and receive't.
Exeunt
SCENE IV. The same. A street.
Enter LEPIDUS, MECAENAS, and AGRIPPA
LEPIDUS
Trouble yourselves no further: pray you, hasten
Your generals after.
AGRIPPA
Sir, Mark Antony
Will e'en but kiss Octavia, and we'll follow.
LEPIDUS
Till I shall see you in your soldier's dress,
Which will become you both, farewell.
MECAENAS
We shall,
As I conceive the journey, be at the Mount
Before you, Lepidus.
LEPIDUS
Your way is shorter;
My purposes do draw me much about:
You'll win two days upon me.
MECAENAS AGRIPPA
Sir, good success!
LEPIDUS
Farewell.
Exeunt
SCENE V. Alexandria. CLEOPATRA's palace.
Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
CLEOPATRA
Give me some music; music, moody food
Of us that trade in love.
Attendants
The music, ho!
Enter MARDIAN
CLEOPATRA
Let it alone; let's to billiards: come, Charmian.
CHARMIAN
My arm is sore; best play with Mardian.
CLEOPATRA
As well a woman with an eunuch play'd
As with a woman. Come, you'll play with me, sir?
MARDIAN
As well as I can, madam.
CLEOPATRA
And when good will is show'd, though't come
too short,
The actor may plead pardon. I'll none now:
Give me mine angle; we'll to the river: there,
My music playing far off, I will betray
Tawny-finn'd fishes; my bended hook shall pierce
Their slimy jaws; and, as I draw them up,
I'll think them every one an Antony,
And say 'Ah, ha! you're caught.'
CHARMIAN
'Twas merry when
You wager'd on your angling; when your diver
Did hang a salt-fish on his hook, which he
With fervency drew up.
CLEOPATRA
That time,--O times!--
I laugh'd him out of patience; and that night
I laugh'd him into patience; and next morn,
Ere the ninth hour, I drunk him to his bed;
Then put my tires and mantles on him, whilst
I wore his sword Philippan.
Enter a Messenger
O, from Italy
Ram thou thy fruitful tidings in mine ears,
That long time have been barren.
Messenger
Madam, madam,--
CLEOPATRA
Antonius dead!--If thou say so, villain,
Thou kill'st thy mistress: but well and free,
If thou so yield him, there is gold, and here
My bluest veins to kiss; a hand that kings
Have lipp'd, and trembled kissing.
Messenger
First, madam, he is well.
CLEOPATRA
Why, there's more gold.
But, sirrah, mark, we use
To say the dead are well: bring it to that,
The gold I give thee will I melt and pour
Down thy ill-uttering throat.
Messenger
Good madam, hear me.
CLEOPATRA
Well, go to, I will;
But there's no goodness in thy face: if Antony
Be free and healthful,--so tart a favour
To trumpet such good tidings! If not well,
Thou shouldst come like a Fury crown'd with snakes,
Not like a formal man.
Messenger
Will't please you hear me?
CLEOPATRA
I have a mind to strike thee ere thou speak'st:
Yet if thou say Antony lives, is well,
Or friends with Caesar, or not captive to him,
I'll set thee in a shower of gold, and hail
Rich pearls upon thee.
Messenger
Madam, he's well.
CLEOPATRA
Well said.
Messenger
And friends with Caesar.
CLEOPATRA
Thou'rt an honest man.
Messenger
Caesar and he are greater friends than ever.
CLEOPATRA
Make thee a fortune from me.
Messenger
But yet, madam,--
CLEOPATRA
I do not like 'But yet,' it does allay
The good precedence; fie upon 'But yet'!
'But yet' is as a gaoler to bring forth
Some monstrous malefactor. Prithee, friend,
Pour out the pack of matter to mine ear,
The good and bad together: he's friends with Caesar:
In state of health thou say'st; and thou say'st free.
Messenger
Free, madam! no; I made no such report:
He's bound unto Octavia.
CLEOPATRA
For what good turn?
Messenger
For the best turn i' the bed.
CLEOPATRA
I am pale, Charmian.
Messenger
Madam, he's married to Octavia.
CLEOPATRA
The most infectious pestilence upon thee!
Strikes him down
Messenger
Good madam, patience.
CLEOPATRA
What say you? Hence,
Strikes him again
Horrible villain! or I'll spurn thine eyes
Like balls before me; I'll unhair thy head:
She hales him up and down
Thou shalt be whipp'd with wire, and stew'd in brine,
Smarting in lingering pickle.
Messenger
Gracious madam,
I that do bring the news made not the match.
CLEOPATRA
Say 'tis not so, a province I will give thee,
And make thy fortunes proud: the blow thou hadst
Shall make thy peace for moving me to rage;
And I will boot thee with what gift beside
Thy modesty can beg.
Messenger
He's married, madam.
CLEOPATRA
Rogue, thou hast lived too long.
Draws a knife
Messenger
Nay, then I'll run.
What mean you, madam? I have made no fault.
Exit
CHARMIAN
Good madam, keep yourself within yourself:
The man is innocent.
CLEOPATRA
Some innocents 'scape not the thunderbolt.
Melt Egypt into Nile! and kindly creatures
Turn all to serpents! Call the slave again:
Though I am mad, I will not bite him: call.
CHARMIAN
He is afeard to come.
CLEOPATRA
I will not hurt him.
Exit CHARMIAN
These hands do lack nobility, that they strike
A meaner than myself; since I myself
Have given myself the cause.
Re-enter CHARMIAN and Messenger
Come hither, sir.
Though it be honest, it is never good
To bring bad news: give to a gracious message.
An host of tongues; but let ill tidings tell
Themselves when they be felt.
Messenger
I have done my duty.
CLEOPATRA
Is he married?
I cannot hate thee worser than I do,
If thou again say 'Yes.'
Messenger
He's married, madam.
CLEOPATRA
The gods confound thee! dost thou hold there still?
Messenger
Should I lie, madam?
CLEOPATRA
O, I would thou didst,
So half my Egypt were submerged and made
A cistern for scaled snakes! Go, get thee hence:
Hadst thou Narcissus in thy face, to me
Thou wouldst appear most ugly. He is married?
Messenger
I crave your highness' pardon.
CLEOPATRA
He is married?
Messenger
Take no offence that I would not offend you:
To punish me for what you make me do.
Seems much unequal: he's married to Octavia.
CLEOPATRA
O, that his fault should make a knave of thee,
That art not what thou'rt sure of! Get thee hence:
The merchandise which thou hast brought from Rome
Are all too dear for me: lie they upon thy hand,
And be undone by 'em!
Exit Messenger
CHARMIAN
Good your highness, patience.
CLEOPATRA
In praising Antony, I have dispraised Caesar.
CHARMIAN
Many times, madam.
CLEOPATRA
I am paid for't now.
Lead me from hence:
I faint: O Iras, Charmian! 'tis no matter.
Go to the fellow, good Alexas; bid him
Report the feature of Octavia, her years,
Her inclination, let him not leave out
The colour of her hair: bring me word quickly.
Exit ALEXAS
Let him for ever go:--let him not--Charmian,
Though he be painted one way like a Gorgon,
The other way's a Mars. Bid you Alexas
To MARDIAN
Bring me word how tall she is. Pity me, Charmian,
But do not speak to me. Lead me to my chamber.
Exeunt
SCENE VI. Near Misenum.
Flourish. Enter POMPEY and MENAS at one door, with drum and trumpet: at another, OCTAVIUS CAESAR, MARK ANTONY, LEPIDUS, DOMITIUS ENOBARBUS, MECAENAS, with Soldiers marching
POMPEY
Your hostages I have, so have you mine;
And we shall talk before we fight.
OCTAVIUS CAESAR
Most meet
That first we come to words; and therefore have we
Our written purposes before us sent;
Which, if thou hast consider'd, let us know
If 'twill tie up thy dis*******ed sword,
And carry back to Sicily much tall youth
That else must perish here.
POMPEY
To you all three,
The senators alone of this great world,
Chief factors for the gods, I do not know
Wherefore my father should revengers want,
Having a son and friends; since Julius Caesar,
Who at Philippi the good Brutus ghosted,
There saw you labouring for him. What was't
That moved pale Cassius to conspire; and what
Made the all-honour'd, honest Roman, Brutus,
With the arm'd rest, courtiers and beauteous freedom,
To drench the Capitol; but that they would
Have one man but a man? And that is it
Hath made me rig my navy; at whose burthen
The anger'd ocean foams; with which I meant
To scourge the ingratitude that despiteful Rome
Cast on my noble father.
OCTAVIUS CAESAR
Take your time.
MARK ANTONY
Thou canst not fear us, Pompey, with thy sails;
We'll speak with thee at sea: at land, thou know'st
How much we do o'er-count thee.
POMPEY
At land, indeed,
Thou dost o'er-count me of my father's house:
But, since the cuckoo builds not for himself,
Remain in't as thou mayst.
LEPIDUS
Be pleased to tell us--
For this is from the present--how you take
The offers we have sent you.
OCTAVIUS CAESAR
There's the point.
MARK ANTONY
Which do not be entreated to, but weigh
What it is worth embraced.
OCTAVIUS CAESAR
And what may follow,
To try a larger fortune.
POMPEY
You have made me offer
Of Sicily, Sardinia; and I must
Rid all the sea of pirates; then, to send
Measures of wheat to Rome; this 'greed upon
To part with unhack'd edges, and bear back
Our targes undinted.
OCTAVIUS CAESAR MARK ANTONY LEPIDUS
That's our offer.
POMPEY
Know, then,
I came before you here a man prepared
To take this offer: but Mark Antony
Put me to some impatience: though I lose
The praise of it by telling, you must know,
When Caesar and your brother were at blows,
Your mother came to Sicily and did find
Her welcome friendly.
MARK ANTONY
I have heard it, Pompey;
And am well studied for a liberal thanks
Which I do owe you.
POMPEY
Let me have your hand:
I did not think, sir, to have met you here.
MARK ANTONY
The beds i' the east are soft; and thanks to you,
That call'd me timelier than my purpose hither;
For I have gain'd by 't.
OCTAVIUS CAESAR
Since I saw you last,
There is a change upon you.
POMPEY
Well, I know not
What counts harsh fortune casts upon my face;
But in my bosom shall she never come,
To make my heart her vassal.
LEPIDUS
Well met here.
POMPEY
I hope so, Lepidus. Thus we are agreed:
I crave our composition may be written,
And seal'd between us.
OCTAVIUS CAESAR
That's the next to do.
POMPEY
We'll feast each other ere we part; and let's
Draw lots who shall begin.
MARK ANTONY
That will I, Pompey.
POMPEY
No, Antony, take the lot: but, first
Or last, your fine Egyptian ****ery
Shall have the fame. I have heard that Julius Caesar
Grew fat with feasting there.
MARK ANTONY
You have heard much.
POMPEY
I have fair meanings, sir.
MARK ANTONY
And fair words to them.
POMPEY
Then so much have I heard:
And I have heard, Apollodorus carried--
DOMITIUS ENOBARBUS
No more of that: he did so.
POMPEY
What, I pray you?
DOMITIUS ENOBARBUS
A certain queen to Caesar in a mattress.
POMPEY
I know thee now: how farest thou, soldier?
DOMITIUS ENOBARBUS
Well;
And well am like to do; for, I perceive,
Four feasts are toward.
POMPEY
Let me shake thy hand;
I never hated thee: I have seen thee fight,
When I have envied thy behavior.
DOMITIUS ENOBARBUS
Sir,
I never loved you much; but I ha' praised ye,
When you have well deserved ten times as much
As I have said you did.
POMPEY
Enjoy thy plainness,
It nothing ill becomes thee.
Aboard my galley I invite you all:
Will you lead, lords?
OCTAVIUS CAESAR MARK ANTONY LEPIDUS
Show us the way, sir.
POMPEY
Come.
Exeunt all but MENAS and ENOBARBUS


أرب جمـال 5 - 11 - 2009 06:34 PM

Antony and Cleopatra: Entire PlayMENAS
[Aside] Thy father, Pompey, would ne'er have
made this treaty.--You and I have known, sir.
DOMITIUS ENOBARBUS
At sea, I think.
MENAS
We have, sir.
DOMITIUS ENOBARBUS
You have done well by water.
MENAS
And you by land.
DOMITIUS ENOBARBUS
I will praise any man that will praise me; though it
cannot be denied what I have done by land.
MENAS
Nor what I have done by water.
DOMITIUS ENOBARBUS
Yes, something you can deny for your own
safety: you have been a great thief by sea.
MENAS
And you by land.
DOMITIUS ENOBARBUS
There I deny my land service. But give me your
hand, Menas: if our eyes had authority, here they
might take two thieves kissing.
MENAS
All men's faces are true, whatsome'er their hands are.
DOMITIUS ENOBARBUS
But there is never a fair woman has a true face.
MENAS
No slander; they steal hearts.
DOMITIUS ENOBARBUS
We came hither to fight with you.
MENAS
For my part, I am sorry it is turned to a drinking.
Pompey doth this day laugh away his fortune.
DOMITIUS ENOBARBUS
If he do, sure, he cannot weep't back again.
MENAS
You've said, sir. We looked not for Mark Antony
here: pray you, is he married to Cleopatra?
DOMITIUS ENOBARBUS
Caesar's sister is called Octavia.
MENAS
True, sir; she was the wife of Caius Marcellus.
DOMITIUS ENOBARBUS
But she is now the wife of Marcus Antonius.
MENAS
Pray ye, sir?
DOMITIUS ENOBARBUS
'Tis true.
MENAS
Then is Caesar and he for ever knit together.
DOMITIUS ENOBARBUS
If I were bound to divine of this unity, I would
not prophesy so.
MENAS
I think the policy of that purpose made more in the
marriage than the love of the parties.
DOMITIUS ENOBARBUS
I think so too. But you shall find, the band that
seems to tie their friendship together will be the
very strangler of their amity: Octavia is of a
holy, cold, and still conversation.
MENAS
Who would not have his wife so?
DOMITIUS ENOBARBUS
Not he that himself is not so; which is Mark Antony.
He will to his Egyptian dish again: then shall the
sighs of Octavia blow the fire up in Caesar; and, as
I said before, that which is the strength of their
amity shall prove the immediate author of their
variance. Antony will use his affection where it is:
he married but his occasion here.
MENAS
And thus it may be. Come, sir, will you aboard?
I have a health for you.
DOMITIUS ENOBARBUS
I shall take it, sir: we have used our throats in Egypt.
MENAS
Come, let's away.
Exeunt
SCENE VII. On board POMPEY's galley, off Misenum.
Music plays. Enter two or three Servants with a banquet
First Servant
Here they'll be, man. Some o' their plants are
ill-rooted already: the least wind i' the world
will blow them down.
Second Servant
Lepidus is high-coloured.
First Servant
They have made him drink alms-drink.
Second Servant
As they pinch one another by the disposition, he
cries out 'No more;' reconciles them to his
entreaty, and himself to the drink.
First Servant
But it raises the greater war between him and
his discretion.
Second Servant
Why, this is to have a name in great men's
fellowship: I had as lief have a reed that will do
me no service as a partisan I could not heave.
First Servant
To be called into a huge sphere, and not to be seen
to move in't, are the holes where eyes should be,
which pitifully disaster the cheeks.
A sennet sounded. Enter OCTAVIUS CAESAR, MARK ANTONY, LEPIDUS, POMPEY, AGRIPPA, MECAENAS, DOMITIUS ENOBARBUS, MENAS, with other captains
MARK ANTONY
[To OCTAVIUS CAESAR] Thus do they, sir: they take
the flow o' the Nile
By certain scales i' the pyramid; they know,
By the height, the lowness, or the mean, if dearth
Or foison follow: the higher Nilus swells,
The more it promises: as it ebbs, the seedsman
Upon the slime and ooze scatters his grain,
And shortly comes to harvest.
LEPIDUS
You've strange serpents there.
MARK ANTONY
Ay, Lepidus.
LEPIDUS
Your serpent of Egypt is bred now of your mud by the
operation of your sun: so is your crocodile.
MARK ANTONY
They are so.
POMPEY
Sit,--and some wine! A health to Lepidus!
LEPIDUS
I am not so well as I should be, but I'll ne'er out.
DOMITIUS ENOBARBUS
Not till you have slept; I fear me you'll be in till then.
LEPIDUS
Nay, certainly, I have heard the Ptolemies'
pyramises are very goodly things; without
contradiction, I have heard that.
MENAS
[Aside to POMPEY] Pompey, a word.
POMPEY
[Aside to MENAS] Say in mine ear:
what is't?
MENAS
[Aside to POMPEY] Forsake thy seat, I do beseech
thee, captain,
And hear me speak a word.
POMPEY
[Aside to MENAS] Forbear me till anon.
This wine for Lepidus!
LEPIDUS
What manner o' thing is your crocodile?
MARK ANTONY
It is shaped, sir, like itself; and it is as broad
as it hath breadth: it is just so high as it is,
and moves with its own organs: it lives by that
which nourisheth it; and the elements once out of
it, it transmigrates.
LEPIDUS
What colour is it of?
MARK ANTONY
Of it own colour too.
LEPIDUS
'Tis a strange serpent.
MARK ANTONY
'Tis so. And the tears of it are wet.
OCTAVIUS CAESAR
Will this de******ion satisfy him?
MARK ANTONY
With the health that Pompey gives him, else he is a
very epicure.
POMPEY
[Aside to MENAS] Go hang, sir, hang! Tell me of
that? away!
Do as I bid you. Where's this cup I call'd for?
MENAS
[Aside to POMPEY] If for the sake of merit thou
wilt hear me,
Rise from thy stool.
POMPEY
[Aside to MENAS] I think thou'rt mad.
The matter?
Rises, and walks aside
MENAS
I have ever held my cap off to thy fortunes.
POMPEY
Thou hast served me with much faith. What's else to say?
Be jolly, lords.
MARK ANTONY
These quick-sands, Lepidus,
Keep off them, for you sink.
MENAS
Wilt thou be lord of all the world?
POMPEY
What say'st thou?
MENAS
Wilt thou be lord of the whole world? That's twice.
POMPEY
How should that be?
MENAS
But entertain it,
And, though thou think me poor, I am the man
Will give thee all the world.
POMPEY
Hast thou drunk well?
MENAS
Now, Pompey, I have kept me from the cup.
Thou art, if thou darest be, the earthly Jove:
Whate'er the ocean pales, or sky inclips,
Is thine, if thou wilt ha't.
POMPEY
Show me which way.
MENAS
These three world-sharers, these competitors,
Are in thy vessel: let me cut the cable;
And, when we are put off, fall to their throats:
All there is thine.
POMPEY
Ah, this thou shouldst have done,
And not have spoke on't! In me 'tis villany;
In thee't had been good service. Thou must know,
'Tis not my profit that does lead mine honour;
Mine honour, it. Repent that e'er thy tongue
Hath so betray'd thine act: being done unknown,
I should have found it afterwards well done;
But must condemn it now. Desist, and drink.
MENAS
[Aside] For this,
I'll never follow thy pall'd fortunes more.
Who seeks, and will not take when once 'tis offer'd,
Shall never find it more.
POMPEY
This health to Lepidus!
MARK ANTONY
Bear him ashore. I'll pledge it for him, Pompey.
DOMITIUS ENOBARBUS
Here's to thee, Menas!
MENAS
Enobarbus, welcome!
POMPEY
Fill till the cup be hid.
DOMITIUS ENOBARBUS
There's a strong fellow, Menas.
Pointing to the Attendant who carries off LEPIDUS
MENAS
Why?
DOMITIUS ENOBARBUS
A' bears the third part of the world, man; see'st
not?
MENAS
The third part, then, is drunk: would it were all,
That it might go on wheels!
DOMITIUS ENOBARBUS
Drink thou; increase the reels.
MENAS
Come.
POMPEY
This is not yet an Alexandrian feast.
MARK ANTONY
It ripens towards it. Strike the vessels, ho?
Here is to Caesar!
OCTAVIUS CAESAR
I could well forbear't.
It's monstrous labour, when I wash my brain,
And it grows fouler.
MARK ANTONY
Be a child o' the time.
OCTAVIUS CAESAR
Possess it, I'll make answer:
But I had rather fast from all four days
Than drink so much in one.
DOMITIUS ENOBARBUS
Ha, my brave emperor!
To MARK ANTONY
Shall we dance now the Egyptian Bacchanals,
And celebrate our drink?
POMPEY
Let's ha't, good soldier.
MARK ANTONY
Come, let's all take hands,
Till that the conquering wine hath steep'd our sense
In soft and delicate Lethe.
DOMITIUS ENOBARBUS
All take hands.
Make battery to our ears with the loud music:
The while I'll place you: then the boy shall sing;
The holding every man shall bear as loud
As his strong sides can volley.
Music plays. DOMITIUS ENOBARBUS places them hand in hand
THE SONG.
Come, thou monarch of the vine,
Plumpy Bacchus with pink eyne!
In thy fats our cares be drown'd,
With thy grapes our hairs be crown'd:
Cup us, till the world go round,
Cup us, till the world go round!
OCTAVIUS CAESAR
What would you more? Pompey, good night. Good brother,
Let me request you off: our graver business
Frowns at this levity. Gentle lords, let's part;
You see we have burnt our cheeks: strong Enobarb
Is weaker than the wine; and mine own tongue
Splits what it speaks: the wild disguise hath almost
Antick'd us all. What needs more words? Good night.
Good Antony, your hand.
POMPEY
I'll try you on the shore.
MARK ANTONY
And shall, sir; give's your hand.
POMPEY
O Antony,
You have my father's house,--But, what? we are friends.
Come, down into the boat.
DOMITIUS ENOBARBUS
Take heed you fall not.
Exeunt all but DOMITIUS ENOBARBUS and MENAS
Menas, I'll not on shore.
MENAS
No, to my cabin.
These drums! these trumpets, flutes! what!
Let Neptune hear we bid a loud farewell
To these great fellows: sound and be hang'd, sound out!
Sound a flourish, with drums
DOMITIUS ENOBARBUS
Ho! says a' There's my cap.
MENAS
Ho! Noble captain, come.
Exeunt
ACT III

SCENE I. A plain in Syria.
Enter VENTIDIUS as it were in triumph, with SILIUS, and other Romans, Officers, and Soldiers; the dead body of PACORUS borne before him
VENTIDIUS
Now, darting Parthia, art thou struck; and now
Pleased fortune does of Marcus Crassus' death
Make me revenger. Bear the king's son's body
Before our army. Thy Pacorus, Orodes,
Pays this for Marcus Crassus.
SILIUS
Noble Ventidius,
Whilst yet with Parthian blood thy sword is warm,
The fugitive Parthians follow; spur through Media,
Mesopotamia, and the ****ters whither
The routed fly: so thy grand captain Antony
Shall set thee on triumphant chariots and
Put garlands on thy head.
VENTIDIUS
O Silius, Silius,
I have done enough; a lower place, note well,
May make too great an act: for learn this, Silius;
Better to leave undone, than by our deed
Acquire too high a fame when him we serve's away.
Caesar and Antony have ever won
More in their officer than person: Sossius,
One of my place in Syria, his lieutenant,
For quick accumulation of renown,
Which he achieved by the minute, lost his favour.
Who does i' the wars more than his captain can
Becomes his captain's captain: and ambition,
The soldier's virtue, rather makes choice of loss,
Than gain which darkens him.
I could do more to do Antonius good,
But 'twould offend him; and in his offence
Should my performance perish.
SILIUS
Thou hast, Ventidius,
that
Without the which a soldier, and his sword,
Grants scarce distinction. Thou wilt write to Antony!
VENTIDIUS
I'll humbly signify what in his name,
That magical word of war, we have effected;
How, with his banners and his well-paid ranks,
The ne'er-yet-beaten horse of Parthia
We have jaded out o' the field.
SILIUS
Where is he now?
VENTIDIUS
He purposeth to Athens: whither, with what haste
The weight we must convey with's will permit,
We shall appear before him. On there; pass along!
Exeunt
SCENE II. Rome. An ante-chamber in OCTAVIUS CAESAR's house.
Enter AGRIPPA at one door, DOMITIUS ENOBARBUS at another
AGRIPPA
What, are the brothers parted?
DOMITIUS ENOBARBUS
They have dispatch'd with Pompey, he is gone;
The other three are sealing. Octavia weeps
To part from Rome; Caesar is sad; and Lepidus,
Since Pompey's feast, as Menas says, is troubled
With the green sickness.
AGRIPPA
'Tis a noble Lepidus.
DOMITIUS ENOBARBUS
A very fine one: O, how he loves Caesar!
AGRIPPA
Nay, but how dearly he adores Mark Antony!
DOMITIUS ENOBARBUS
Caesar? Why, he's the Jupiter of men.
AGRIPPA
What's Antony? The god of Jupiter.
DOMITIUS ENOBARBUS
Spake you of Caesar? How! the non-pareil!
AGRIPPA
O Antony! O thou Arabian bird!
DOMITIUS ENOBARBUS
Would you praise Caesar, say 'Caesar:' go no further.
AGRIPPA
Indeed, he plied them both with excellent praises.
DOMITIUS ENOBARBUS
But he loves Caesar best; yet he loves Antony:
Ho! hearts, tongues, figures, scribes, bards,
poets, cannot
Think, speak, cast, write, sing, number, ho!
His love to Antony. But as for Caesar,
Kneel down, kneel down, and wonder.
AGRIPPA
Both he loves.
DOMITIUS ENOBARBUS
They are his shards, and he their beetle.
Trumpets within
So;
This is to horse. Adieu, noble Agrippa.
AGRIPPA
Good fortune, worthy soldier; and farewell.
Enter OCTAVIUS CAESAR, MARK ANTONY, LEPIDUS, and OCTAVIA
MARK ANTONY
No further, sir.
OCTAVIUS CAESAR
You take from me a great part of myself;
Use me well in 't. Sister, prove such a wife
As my thoughts make thee, and as my farthest band
Shall pass on thy approof. Most noble Antony,
Let not the piece of virtue, which is set
Betwixt us as the cement of our love,
To keep it builded, be the ram to batter
The fortress of it; for better might we
Have loved without this mean, if on both parts
This be not cherish'd.
MARK ANTONY
Make me not offended
In your distrust.
OCTAVIUS CAESAR
I have said.
MARK ANTONY
You shall not find,
Though you be therein curious, the least cause
For what you seem to fear: so, the gods keep you,
And make the hearts of Romans serve your ends!
We will here part.
OCTAVIUS CAESAR
Farewell, my dearest sister, fare thee well:
The elements be kind to thee, and make
Thy spirits all of comfort! fare thee well.
OCTAVIA
My noble brother!
MARK ANTONY
The April 's in her eyes: it is love's spring,
And these the showers to bring it on. Be cheerful.
OCTAVIA
Sir, look well to my husband's house; and--
OCTAVIUS CAESAR
What, Octavia?
OCTAVIA
I'll tell you in your ear.
MARK ANTONY
Her tongue will not obey her heart, nor can
Her heart inform her tongue,--the swan's
down-feather,
That stands upon the swell at full of tide,
And neither way inclines.


أرب جمـال 5 - 11 - 2009 06:35 PM

Antony and Cleopatra: Entire PlayDOMITIUS ENOBARBUS
[Aside to AGRIPPA] Will Caesar weep?
AGRIPPA
[Aside to DOMITIUS ENOBARBUS] He has a cloud in 's face.
DOMITIUS ENOBARBUS
[Aside to AGRIPPA] He were the worse for that,
were he a horse;
So is he, being a man.
AGRIPPA
[Aside to DOMITIUS ENOBARBUS] Why, Enobarbus,
When Antony found Julius Caesar dead,
He cried almost to roaring; and he wept
When at Philippi he found Brutus slain.
DOMITIUS ENOBARBUS
[Aside to AGRIPPA] That year, indeed, he was
troubled with a rheum;
What willingly he did confound he wail'd,
Believe't, till I wept too.
OCTAVIUS CAESAR
No, sweet Octavia,
You shall hear from me still; the time shall not
Out-go my thinking on you.
MARK ANTONY
Come, sir, come;
I'll wrestle with you in my strength of love:
Look, here I have you; thus I let you go,
And give you to the gods.
OCTAVIUS CAESAR
Adieu; be happy!
LEPIDUS
Let all the number of the stars give light
To thy fair way!
OCTAVIUS CAESAR
Farewell, fa rewell!
Kisses OCTAVIA
MARK ANTONY
Farewell!
Trumpets sound. Exeunt
SCENE III. Alexandria. CLEOPATRA's palace.
Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
CLEOPATRA
Where is the fellow?
ALEXAS
Half afeard to come.
CLEOPATRA
Go to, go to.
Enter the Messenger as before
Come hither, sir.
ALEXAS
Good majesty,
Herod of Jewry dare not look upon you
But when you are well pleased.
CLEOPATRA
That Herod's head
I'll have: but how, when Antony is gone
Through whom I might command it? Come thou near.
Messenger
Most gracious majesty,--
CLEOPATRA
Didst thou behold Octavia?
Messenger
Ay, dread queen.
CLEOPATRA
Where?
Messenger
Madam, in Rome;
I look'd her in the face, and saw her led
Between her brother and Mark Antony.
CLEOPATRA
Is she as tall as me?
Messenger
She is not, madam.
CLEOPATRA
Didst hear her speak? is she shrill-tongued or low?
Messenger
Madam, I heard her speak; she is low-voiced.
CLEOPATRA
That's not so good: he cannot like her long.
CHARMIAN
Like her! O Isis! 'tis impossible.
CLEOPATRA
I think so, Charmian: dull of tongue, and dwarfish!
What majesty is in her gait? Remember,
If e'er thou look'dst on majesty.
Messenger
She creeps:
Her motion and her station are as one;
She shows a body rather than a life,
A statue than a breather.
CLEOPATRA
Is this certain?
Messenger
Or I have no observance.
CHARMIAN
Three in Egypt
Cannot make better note.
CLEOPATRA
He's very knowing;
I do perceive't: there's nothing in her yet:
The fellow has good judgment.
CHARMIAN
Excellent.
CLEOPATRA
Guess at her years, I prithee.
Messenger
Madam,
She was a widow,--
CLEOPATRA
Widow! Charmian, hark.
Messenger
And I do think she's thirty.
CLEOPATRA
Bear'st thou her face in mind? is't long or round?
Messenger
Round even to faultiness.
CLEOPATRA
For the most part, too, they are foolish that are so.
Her hair, what colour?
Messenger
Brown, madam: and her forehead
As low as she would wish it.
CLEOPATRA
There's gold for thee.
Thou must not take my former sharpness ill:
I will employ thee back again; I find thee
Most fit for business: go make thee ready;
Our letters are prepared.
Exit Messenger
CHARMIAN
A proper man.
CLEOPATRA
Indeed, he is so: I repent me much
That so I harried him. Why, methinks, by him,
This creature's no such thing.
CHARMIAN
Nothing, madam.
CLEOPATRA
The man hath seen some majesty, and should know.
CHARMIAN
Hath he seen majesty? Isis else defend,
And serving you so long!
CLEOPATRA
I have one thing more to ask him yet, good Charmian:
But 'tis no matter; thou shalt bring him to me
Where I will write. All may be well enough.
CHARMIAN
I warrant you, madam.
Exeunt
SCENE IV. Athens. A room in MARK ANTONY's house.
Enter MARK ANTONY and OCTAVIA
MARK ANTONY
Nay, nay, Octavia, not only that,--
That were excusable, that, and thousands more
Of semblable import,--but he hath waged
New wars 'gainst Pompey; made his will, and read it
To public ear:
Spoke scantly of me: when perforce he could not
But pay me terms of honour, cold and sickly
He vented them; most narrow measure lent me:
When the best hint was given him, he not took't,
Or did it from his teeth.
OCTAVIA
O my good lord,
Believe not all; or, if you must believe,
Stomach not all. A more unhappy lady,
If this division chance, ne'er stood between,
Praying for both parts:
The good gods me presently,
When I shall pray, 'O bless my lord and husband!'
Undo that prayer, by crying out as loud,
'O, bless my brother!' Husband win, win brother,
Prays, and destroys the prayer; no midway
'Twixt these extremes at all.
MARK ANTONY
Gentle Octavia,
Let your best love draw to that point, which seeks
Best to preserve it: if I lose mine honour,
I lose myself: better I were not yours
Than yours so branchless. But, as you requested,
Yourself shall go between 's: the mean time, lady,
I'll raise the preparation of a war
Shall stain your brother: make your soonest haste;
So your desires are yours.
OCTAVIA
Thanks to my lord.
The Jove of power make me most weak, most weak,
Your reconciler! Wars 'twixt you twain would be
As if the world should cleave, and that slain men
Should solder up the rift.
MARK ANTONY
When it appears to you where this begins,
Turn your displeasure that way: for our faults
Can never be so equal, that your love
Can equally move with them. Provide your going;
Choose your own company, and command what cost
Your heart has mind to.
Exeunt
SCENE V. The same. Another room.
Enter DOMITIUS ENOBARBUS and EROS, meeting
DOMITIUS ENOBARBUS
How now, friend Eros!
EROS
There's strange news come, sir.
DOMITIUS ENOBARBUS
What, man?
EROS
Caesar and Lepidus have made wars upon Pompey.
DOMITIUS ENOBARBUS
This is old: what is the success?
EROS
Caesar, having made use of him in the wars 'gainst
Pompey, presently denied him rivality; would not let
him partake in the glory of the action: and not
resting here, accuses him of letters he had formerly
wrote to Pompey; upon his own appeal, seizes him: so
the poor third is up, till death enlarge his confine.
DOMITIUS ENOBARBUS
Then, world, thou hast a pair of chaps, no more;
And throw between them all the food thou hast,
They'll grind the one the other. Where's Antony?
EROS
He's walking in the garden--thus; and spurns
The rush that lies before him; cries, 'Fool Lepidus!'
And threats the throat of that his officer
That murder'd Pompey.
DOMITIUS ENOBARBUS
Our great navy's rigg'd.
EROS
For Italy and Caesar. More, Domitius;
My lord desires you presently: my news
I might have told hereafter.
DOMITIUS ENOBARBUS
'Twill be naught:
But let it be. Bring me to Antony.
EROS
Come, sir.
Exeunt
SCENE VI. Rome. OCTAVIUS CAESAR's house.
Enter OCTAVIUS CAESAR, AGRIPPA, and MECAENAS
OCTAVIUS CAESAR
Contemning Rome, he has done all this, and more,
In Alexandria: here's the manner of 't:
I' the market-place, on a tribunal silver'd,
Cleopatra and himself in chairs of gold
Were publicly enthroned: at the feet sat
Caesarion, whom they call my father's son,
And all the unlawful issue that their lust
Since then hath made between them. Unto her
He gave the stablishment of Egypt; made her
Of lower Syria, Cyprus, Lydia,
Absolute queen.
MECAENAS
This in the public eye?
OCTAVIUS CAESAR
I' the common show-place, where they exercise.
His sons he there proclaim'd the kings of kings:
Great Media, Parthia, and Armenia.
He gave to Alexander; to Ptolemy he assign'd
Syria, Cilicia, and Phoenicia: she
In the habiliments of the goddess Isis
That day appear'd; and oft before gave audience,
As 'tis reported, so.
MECAENAS
Let Rome be thus Inform'd.
AGRIPPA
Who, queasy with his insolence
Already, will their good thoughts call from him.
OCTAVIUS CAESAR
The people know it; and have now received
His accusations.
AGRIPPA
Who does he accuse?
OCTAVIUS CAESAR
Caesar: and that, having in Sicily
Sextus Pompeius spoil'd, we had not rated him
His part o' the isle: then does he say, he lent me
Some shipping unrestored: lastly, he frets
That Lepidus of the triumvirate
Should be deposed; and, being, that we detain
All his revenue.
AGRIPPA
Sir, this should be answer'd.
OCTAVIUS CAESAR
'Tis done already, and the messenger gone.
I have told him, Lepidus was grown too cruel;
That he his high authority abused,
And did deserve his change: for what I have conquer'd,
I grant him part; but then, in his Armenia,
And other of his conquer'd kingdoms, I
Demand the like.
MECAENAS
He'll never yield to that.
OCTAVIUS CAESAR
Nor must not then be yielded to in this.
Enter OCTAVIA with her train
OCTAVIA
Hail, Caesar, and my lord! hail, most dear Caesar!
OCTAVIUS CAESAR
That ever I should call thee castaway!
OCTAVIA
You have not call'd me so, nor have you cause.
OCTAVIUS CAESAR
Why have you stol'n upon us thus! You come not
Like Caesar's sister: the wife of Antony
Should have an army for an usher, and
The neighs of horse to tell of her approach
Long ere she did appear; the trees by the way
Should have borne men; and expectation fainted,
Longing for what it had not; nay, the dust
Should have ascended to the roof of heaven,
Raised by your populous troops: but you are come
A market-maid to Rome; and have prevented
The ostentation of our love, which, left unshown,
Is often left unloved; we should have met you
By sea and land; supplying every stage
With an augmented greeting.
OCTAVIA
Good my lord,
To come thus was I not constrain'd, but did
On my free will. My lord, Mark Antony,
Hearing that you prepared for war, acquainted
My grieved ear withal; whereon, I begg'd
His pardon for return.
OCTAVIUS CAESAR
Which soon he granted,
Being an obstruct 'tween his lust and him.
OCTAVIA
Do not say so, my lord.
OCTAVIUS CAESAR
I have eyes upon him,
And his affairs come to me on the wind.
Where is he now?
OCTAVIA
My lord, in Athens.
OCTAVIUS CAESAR
No, my most wronged sister; Cleopatra
Hath nodded him to her. He hath given his empire
Up to a whore; who now are levying
The kings o' the earth for war; he hath assembled
Bocchus, the king of Libya; Archelaus,
Of Cappadocia; Philadelphos, king
Of Paphlagonia; the Thracian king, Adallas;
King Malchus of Arabia; King of Pont;
Herod of Jewry; Mithridates, king
Of Comagene; Polemon and Amyntas,
The kings of Mede and Lycaonia,
With a more larger list of sceptres.
OCTAVIA
Ay me, most wretched,
That have my heart parted betwixt two friends
That do afflict each other!
OCTAVIUS CAESAR
Welcome hither:
Your letters did withhold our breaking forth;
Till we perceived, both how you were wrong led,
And we in negligent danger. Cheer your heart;
Be you not troubled with the time, which drives
O'er your ******* these strong necessities;
But let determined things to destiny
Hold unbewail'd their way. Welcome to Rome;
Nothing more dear to me. You are abused
Beyond the mark of thought: and the high gods,
To do you justice, make them ministers
Of us and those that love you. Best of comfort;
And ever welcome to us.
AGRIPPA
Welcome, lady.
MECAENAS
Welcome, dear madam.
Each heart in Rome does love and pity you:
Only the adulterous Antony, most large
In his abominations, turns you off;
And gives his potent regiment to a trull,
That noises it against us.
OCTAVIA
Is it so, sir?
OCTAVIUS CAESAR
Most certain. Sister, welcome: pray you,
Be ever known to patience: my dear'st sister!
Exeunt
SCENE VII. Near Actium. MARK ANTONY's camp.
Enter CLEOPATRA and DOMITIUS ENOBARBUS
CLEOPATRA
I will be even with thee, doubt it not.
DOMITIUS ENOBARBUS
But why, why, why?
CLEOPATRA
Thou hast forspoke my being in these wars,
And say'st it is not fit.
DOMITIUS ENOBARBUS
Well, is it, is it?
CLEOPATRA
If not denounced against us, why should not we
Be there in person?
DOMITIUS ENOBARBUS
[Aside] Well, I could reply:
If we should serve with horse and mares together,
The horse were merely lost; the mares would bear
A soldier and his horse.
CLEOPATRA
What is't you say?
DOMITIUS ENOBARBUS
Your presence needs must puzzle Antony;
Take from his heart, take from his brain,
from's time,
What should not then be spared. He is already
Traduced for levity; and 'tis said in Rome
That Photinus an eunuch and your maids
Manage this war.
CLEOPATRA
Sink Rome, and their tongues rot
That speak against us! A charge we bear i' the war,
And, as the president of my kingdom, will
Appear there for a man. Speak not against it:
I will not stay behind.
DOMITIUS ENOBARBUS
Nay, I have done.
Here comes the emperor.
Enter MARK ANTONY and CANIDIUS
MARK ANTONY
Is it not strange, Canidius,
That from Tarentum and Brundusium
He could so quickly cut the Ionian sea,
And take in Toryne? You have heard on't, sweet?
CLEOPATRA
Celerity is never more admired
Than by the negligent.
MARK ANTONY
A good rebuke,
Which might have well becomed the best of men,
To taunt at slackness. Canidius, we
Will fight with him by sea.
CLEOPATRA
By sea! what else?
CANIDIUS
Why will my lord do so?
MARK ANTONY
For that he dares us to't.
DOMITIUS ENOBARBUS
So hath my lord dared him to single fight.
CANIDIUS
Ay, and to wage this battle at Pharsalia.
Where Caesar fought with Pompey: but these offers,
Which serve not for his vantage, be shakes off;
And so should you.
DOMITIUS ENOBARBUS
Your ships are not well mann'd;
Your mariners are muleters, reapers, people
Ingross'd by swift impress; in Caesar's fleet
Are those that often have 'gainst Pompey fought:
Their ships are yare; yours, heavy: no disgrace
Shall fall you for refusing him at sea,
Being prepared for land.
MARK ANTONY
By sea, by sea.
DOMITIUS ENOBARBUS
Most worthy sir, you therein throw away
The absolute soldiership you have by land;
Distract your army, which doth most consist
Of war-mark'd footmen; leave unexecuted
Your own renowned knowledge; quite forego
The way which promises assurance; and
Give up yourself merely to chance and hazard,
From firm security.
MARK ANTONY
I'll fight at sea.
CLEOPATRA
I have sixty sails, Caesar none better.
MARK ANTONY
Our overplus of shipping will we burn;
And, with the rest full-mann'd, from the head of Actium
Beat the approaching Caesar. But if we fail,
We then can do't at land.
Enter a Messenger
Thy business?
Messenger
The news is true, my lord; he is descried;
Caesar has taken Toryne.
MARK ANTONY
Can he be there in person? 'tis impossible;
Strange that power should be. Canidius,
Our nineteen legions thou shalt hold by land,
And our twelve thousand horse. We'll to our ship:
Away, my Thetis!
Enter a Soldier
How now, worthy soldier?
Soldier
O noble emperor, do not fight by sea;
Trust not to rotten planks: do you misdoubt
This sword and these my wounds? Let the Egyptians
And the Phoenicians go a-ducking; we
Have used to conquer, standing on the earth,
And fighting foot to foot.
MARK ANTONY
Well, well: away!
Exeunt MARK ANTONY, QUEEN CLEOPATRA, and DOMITIUS ENOBARBUS
Soldier
By Hercules, I think I am i' the right.
CANIDIUS
Soldier, thou art: but his whole action grows
Not in the power on't: so our leader's led,
And we are women's men.
Soldier
You keep by land
The legions and the horse whole, do you not?
CANIDIUS
Marcus Octavius, Marcus Justeius,
Publicola, and Caelius, are for sea:
But we keep whole by land. This speed of Caesar's
Carries beyond belief.
Soldier
While he was yet in Rome,
His power went out in such distractions as
Beguiled all spies.
CANIDIUS
Who's his lieutenant, hear you?
Soldier
They say, one Taurus.
CANIDIUS
Well I know the man.
Enter a Messenger
Messenger


أرب جمـال 5 - 11 - 2009 06:35 PM

Antony and Cleopatra: Entire Play
The emperor calls Canidius.
CANIDIUS
With news the time's with labour, and throes forth,
Each minute, some.
Exeunt
SCENE VIII. A plain near Actium.
Enter OCTAVIUS CAESAR, and TAURUS, with his army, marching
OCTAVIUS CAESAR
Taurus!
TAURUS
My lord?
OCTAVIUS CAESAR
Strike not by land; keep whole: provoke not battle,
Till we have done at sea. Do not exceed
The pre****** of this scroll: our fortune lies
Upon this jump.
Exeunt
SCENE IX. Another part of the plain.
Enter MARK ANTONY and DOMITIUS ENOBARBUS
MARK ANTONY
Set we our squadrons on yond side o' the hill,
In eye of Caesar's battle; from which place
We may the number of the ships behold,
And so proceed accordingly.
Exeunt
SCENE X. Another part of the plain.
CANIDIUS marcheth with his land army one way over the stage; and TAURUS, the lieutenant of OCTAVIUS CAESAR, the other way. After their going in, is heard the noise of a sea-fight
Alarum. Enter DOMITIUS ENOBARBUS
DOMITIUS ENOBARBUS
Naught, naught all, naught! I can behold no longer:
The Antoniad, the Egyptian admiral,
With all their sixty, fly and turn the rudder:
To see't mine eyes are blasted.
Enter SCARUS
SCARUS
Gods and goddesses,
All the whole synod of them!
DOMITIUS ENOBARBUS
What's thy passion!
SCARUS
The greater cantle of the world is lost
With very ignorance; we have kiss'd away
Kingdoms and provinces.
DOMITIUS ENOBARBUS
How appears the fight?
SCARUS
On our side like the token'd pestilence,
Where death is sure. Yon ribaudred nag of Egypt,--
Whom leprosy o'ertake!--i' the midst o' the fight,
When vantage like a pair of twins appear'd,
Both as the same, or rather ours the elder,
The breese upon her, like a cow in June,
Hoists sails and flies.
DOMITIUS ENOBARBUS
That I beheld:
Mine eyes did sicken at the sight, and could not
Endure a further view.
SCARUS
She once being loof'd,
The noble ruin of her magic, Antony,
Claps on his sea-wing, and, like a doting mallard,
Leaving the fight in height, flies after her:
I never saw an action of such shame;
Experience, manhood, honour, ne'er before
Did violate so itself.
DOMITIUS ENOBARBUS
Alack, alack!
Enter CANIDIUS
CANIDIUS
Our fortune on the sea is out of breath,
And sinks most lamentably. Had our general
Been what he knew himself, it had gone well:
O, he has given example for our flight,
Most grossly, by his own!
DOMITIUS ENOBARBUS
Ay, are you thereabouts?
Why, then, good night indeed.
CANIDIUS
Toward Peloponnesus are they fled.
SCARUS
'Tis easy to't; and there I will attend
What further comes.
CANIDIUS
To Caesar will I render
My legions and my horse: six kings already
Show me the way of yielding.
DOMITIUS ENOBARBUS
I'll yet follow
The wounded chance of Antony, though my reason
Sits in the wind against me.
Exeunt
SCENE XI. Alexandria. CLEOPATRA's palace.
Enter MARK ANTONY with Attendants
MARK ANTONY
Hark! the land bids me tread no more upon't;
It is ashamed to bear me! Friends, come hither:
I am so lated in the world, that I
Have lost my way for ever: I have a ship
Laden with gold; take that, divide it; fly,
And make your peace with Caesar.
All
Fly! not we.
MARK ANTONY
I have fled myself; and have instructed cowards
To run and show their shoulders. Friends, be gone;
I have myself resolved upon a course
Which has no need of you; be gone:
My treasure's in the harbour, take it. O,
I follow'd that I blush to look upon:
My very hairs do mutiny; for the white
Reprove the brown for rashness, and they them
For fear and doting. Friends, be gone: you shall
Have letters from me to some friends that will
Sweep your way for you. Pray you, look not sad,
Nor make replies of loathness: take the hint
Which my despair proclaims; let that be left
Which leaves itself: to the sea-side straightway:
I will possess you of that ship and treasure.
Leave me, I pray, a little: pray you now:
Nay, do so; for, indeed, I have lost command,
Therefore I pray you: I'll see you by and by.
Sits down
Enter CLEOPATRA led by CHARMIAN and IRAS; EROS following
EROS
Nay, gentle madam, to him, comfort him.
IRAS
Do, most dear queen.
CHARMIAN
Do! why: what else?
CLEOPATRA
Let me sit down. O Juno!
MARK ANTONY
No, no, no, no, no.
EROS
See you here, sir?
MARK ANTONY
O fie, fie, fie!
CHARMIAN
Madam!
IRAS
Madam, O good empress!
EROS
Sir, sir,--
MARK ANTONY
Yes, my lord, yes; he at Philippi kept
His sword e'en like a dancer; while I struck
The lean and wrinkled Cassius; and 'twas I
That the mad Brutus ended: he alone
Dealt on lieutenantry, and no practise had
In the brave squares of war: yet now--No matter.
CLEOPATRA
Ah, stand by.
EROS
The queen, my lord, the queen.
IRAS
Go to him, madam, speak to him:
He is unqualitied with very shame.
CLEOPATRA
Well then, sustain him: O!
EROS
Most noble sir, arise; the queen approaches:
Her head's declined, and death will seize her, but
Your comfort makes the rescue.
MARK ANTONY
I have offended reputation,
A most unnoble swerving.
EROS
Sir, the queen.
MARK ANTONY
O, whither hast thou led me, Egypt? See,
How I convey my shame out of thine eyes
By looking back what I have left behind
'Stroy'd in dishonour.
CLEOPATRA
O my lord, my lord,
Forgive my fearful sails! I little thought
You would have follow'd.
MARK ANTONY
Egypt, thou knew'st too well
My heart was to thy rudder tied by the strings,
And thou shouldst tow me after: o'er my spirit
Thy full supremacy thou knew'st, and that
Thy beck might from the bidding of the gods
Command me.
CLEOPATRA
O, my pardon!
MARK ANTONY
Now I must
To the young man send humble treaties, dodge
And palter in the shifts of lowness; who
With half the bulk o' the world play'd as I pleased,
Making and marring fortunes. You did know
How much you were my conqueror; and that
My sword, made weak by my affection, would
Obey it on all cause.
CLEOPATRA
Pardon, pardon!
MARK ANTONY
Fall not a tear, I say; one of them rates
All that is won and lost: give me a kiss;
Even this repays me. We sent our schoolmaster;
Is he come back? Love, I am full of lead.
Some wine, within there, and our viands! Fortune knows
We scorn her most when most she offers blows.
Exeunt
SCENE XII. Egypt. OCTAVIUS CAESAR's camp.
Enter OCTAVIUS CAESAR, DOLABELLA, THYREUS, with others
OCTAVIUS CAESAR
Let him appear that's come from Antony.
Know you him?
DOLABELLA
Caesar, 'tis his schoolmaster:
An argument that he is pluck'd, when hither
He sends so poor a pinion off his wing,
Which had superfluous kings for messengers
Not many moons gone by.
Enter EUPHRONIUS, ambassador from MARK ANTONY
OCTAVIUS CAESAR
Approach, and speak.
EUPHRONIUS
Such as I am, I come from Antony:
I was of late as petty to his ends
As is the morn-dew on the myrtle-leaf
To his grand sea.
OCTAVIUS CAESAR
Be't so: declare thine office.
EUPHRONIUS
Lord of his fortunes he salutes thee, and
Requires to live in Egypt: which not granted,
He lessens his requests; and to thee sues
To let him breathe between the heavens and earth,
A private man in Athens: this for him.
Next, Cleopatra does confess thy greatness;
Submits her to thy might; and of thee craves
The circle of the Ptolemies for her heirs,
Now hazarded to thy grace.
OCTAVIUS CAESAR
For Antony,
I have no ears to his request. The queen
Of audience nor desire shall fail, so she
From Egypt drive her all-disgraced friend,
Or take his life there: this if she perform,
She shall not sue unheard. So to them both.
EUPHRONIUS
Fortune pursue thee!
OCTAVIUS CAESAR
Bring him through the bands.
Exit EUPHRONIUS
To THYREUS
From Antony win Cleopatra: promise,
And in our name, what she requires; add more,
From thine invention, offers: women are not
In their best fortunes strong; but want will perjure
The ne'er touch'd vestal: try thy cunning, Thyreus;
Make thine own edict for thy pains, which we
Will answer as a law.
THYREUS
Caesar, I go.
OCTAVIUS CAESAR
Observe how Antony becomes his flaw,
And what thou think'st his very action speaks
In every power that moves.
THYREUS
Caesar, I shall.
Exeunt
SCENE XIII. Alexandria. CLEOPATRA's palace.
Enter CLEOPATRA, DOMITIUS ENOBARBUS, CHARMIAN, and IRAS
CLEOPATRA
What shall we do, Enobarbus?
DOMITIUS ENOBARBUS
Think, and die.
CLEOPATRA
Is Antony or we in fault for this?
DOMITIUS ENOBARBUS
Antony only, that would make his will
Lord of his reason. What though you fled
From that great face of war, whose several ranges
Frighted each other? why should he follow?
The itch of his affection should not then
Have nick'd his captainship; at such a point,
When half to half the world opposed, he being
The meered question: 'twas a shame no less
Than was his loss, to course your flying flags,
And leave his navy gazing.
CLEOPATRA
Prithee, peace.
Enter MARK ANTONY with EUPHRONIUS, the Ambassador
MARK ANTONY
Is that his answer?
EUPHRONIUS
Ay, my lord.
MARK ANTONY
The queen shall then have courtesy, so she
Will yield us up.
EUPHRONIUS
He says so.
MARK ANTONY
Let her know't.
To the boy Caesar send this grizzled head,
And he will fill thy wishes to the brim
With principalities.
CLEOPATRA
That head, my lord?
MARK ANTONY
To him again: tell him he wears the rose
Of youth upon him; from which the world should note
Something particular: his coin, ships, legions,
May be a coward's; whose ministers would prevail
Under the service of a child as soon
As i' the command of Caesar: I dare him therefore
To lay his gay comparisons apart,
And answer me declined, sword against sword,
Ourselves alone. I'll write it: follow me.
Exeunt MARK ANTONY and EUPHRONIUS
DOMITIUS ENOBARBUS
[Aside] Yes, like enough, high-battled Caesar will
Unstate his happiness, and be staged to the show,
Against a sworder! I see men's judgments are
A parcel of their fortunes; and things outward
Do draw the inward quality after them,
To suffer all alike. That he should dream,
Knowing all measures, the full Caesar will
Answer his emptiness! Caesar, thou hast subdued
His judgment too.
Enter an Attendant
Attendant
A messenger from CAESAR.
CLEOPATRA
What, no more ceremony? See, my women!
Against the blown rose may they stop their nose
That kneel'd unto the buds. Admit him, sir.
Exit Attendant
DOMITIUS ENOBARBUS
[Aside] Mine honesty and I begin to square.
The loyalty well held to fools does make
Our faith mere folly: yet he that can endure
To follow with allegiance a fall'n lord
Does conquer him that did his master conquer
And earns a place i' the story.
Enter THYREUS
CLEOPATRA
Caesar's will?
THYREUS
Hear it apart.
CLEOPATRA
None but friends: say boldly.
THYREUS
So, haply, are they friends to Antony.
DOMITIUS ENOBARBUS
He needs as many, sir, as Caesar has;
Or needs not us. If Caesar please, our master
Will leap to be his friend: for us, you know,
Whose he is we are, and that is, Caesar's.
THYREUS
So.
Thus then, thou most renown'd: Caesar entreats,
Not to consider in what case thou stand'st,
Further than he is Caesar.
CLEOPATRA
Go on: right royal.
THYREUS
He knows that you embrace not Antony
As you did love, but as you fear'd him.
CLEOPATRA
O!
THYREUS
The scars upon your honour, therefore, he
Does pity, as constrained blemishes,
Not as deserved.
CLEOPATRA
He is a god, and knows
What is most right: mine honour was not yielded,
But conquer'd merely.
DOMITIUS ENOBARBUS
[Aside] To be sure of that,
I will ask Antony. Sir, sir, thou art so leaky,
That we must leave thee to thy sinking, for
Thy dearest quit thee.
Exit
THYREUS
Shall I say to Caesar
What you require of him? for he partly begs
To be desired to give. It much would please him,
That of his fortunes you should make a staff
To lean upon: but it would warm his spirits,
To hear from me you had left Antony,
And put yourself under his shrowd,
The universal landlord.
CLEOPATRA
What's your name?
THYREUS
My name is Thyreus.
CLEOPATRA
Most kind messenger,
Say to great Caesar this: in deputation
I kiss his conquering hand: tell him, I am prompt
To lay my crown at 's feet, and there to kneel:
Tell him from his all-obeying breath I hear
The doom of Egypt.
THYREUS
'Tis your noblest course.
Wisdom and fortune combating together,
If that the former dare but what it can,
No chance may shake it. Give me grace to lay
My duty on your hand.
CLEOPATRA
Your Caesar's father oft,
When he hath mused of taking kingdoms in,
Bestow'd his lips on that unworthy place,
As it rain'd kisses.
Re-enter MARK ANTONY and DOMITIUS ENOBARBUS
MARK ANTONY
Favours, by Jove that thunders!
What art thou, fellow?
THYREUS
One that but performs
The bidding of the fullest man, and worthiest
To have command obey'd.
DOMITIUS ENOBARBUS
[Aside] You will be whipp'd.
MARK ANTONY
Approach, there! Ah, you kite! Now, gods
and devils!
Authority melts from me: of late, when I cried 'Ho!'
Like boys unto a muss, kings would start forth,
And cry 'Your will?' Have you no ears? I am
Antony yet.
Enter Attendants
Take hence this Jack, and whip him.
DOMITIUS ENOBARBUS
[Aside] 'Tis better playing with a lion's whelp
Than with an old one dying.
MARK ANTONY
Moon and stars!
Whip him. Were't twenty of the greatest tributaries
That do acknowledge Caesar, should I find them
So saucy with the hand of she here,--what's her name,
Since she was Cleopatra? Whip him, fellows,
Till, like a boy, you see him cringe his face,
And whine aloud for mercy: take him hence.
THYREUS
Mark Antony!
MARK ANTONY
Tug him away: being whipp'd,
Bring him again: this Jack of Caesar's shall
Bear us an errand to him.
Exeunt Attendants with THYREUS
You were half blasted ere I knew you: ha!
Have I my pillow left unpress'd in Rome,
Forborne the getting of a lawful race,
And by a gem of women, to be abused
By one that looks on feeders?
CLEOPATRA
Good my lord,--
MARK ANTONY
You have been a boggler ever:
But when we in our viciousness grow hard--
O misery on't!--the wise gods seel our eyes;
In our own filth drop our clear judgments; make us
Adore our errors; laugh at's, while we strut
To our confusion.
CLEOPATRA
O, is't come to this?
MARK ANTONY
I found you as a morsel cold upon
Dead Caesar's trencher; nay, you were a fragment
Of Cneius Pompey's; besides what hotter hours,
Unregister'd in vulgar fame, you have
Luxuriously pick'd out: for, I am sure,
Though you can guess what temperance should be,
You know not what it is.
CLEOPATRA
Wherefore is this?
MARK ANTONY
To let a fellow that will take rewards
And say 'God quit you!' be familiar with
My playfellow, your hand; this kingly seal
And plighter of high hearts! O, that I were
Upon the hill of Basan, to outroar
The horned herd! for I have savage cause;
And to proclaim it civilly, were like
A halter'd neck which does the hangman thank
For being yare about him.



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