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أرب جمـال 5 - 11 - 2009 10:51 PM

SCENE II. Padua. Before HORTENSIO'S house.SCENE II. Padua. Before HORTENSIO'S house.
Enter PETRUCHIO and his man GRUMIO
PETRUCHIO
Verona, for a while I take my leave,
To see my friends in Padua, but of all
My best beloved and approved friend,
Hortensio; and I trow this is his house.
Here, sirrah Grumio; knock, I say.
GRUMIO
Knock, sir! whom should I knock? is there man has
rebused your worship?
PETRUCHIO
Villain, I say, knock me here soundly.
GRUMIO
Knock you here, sir! why, sir, what am I, sir, that
I should knock you here, sir?
PETRUCHIO
Villain, I say, knock me at this gate
And rap me well, or I'll knock your knave's pate.
GRUMIO
My master is grown quarrelsome. I should knock
you first,
And then I know after who comes by the worst.
PETRUCHIO
Will it not be?
Faith, sirrah, an you'll not knock, I'll ring it;
I'll try how you can sol, fa, and sing it.
He wrings him by the ears
GRUMIO
Help, masters, help! my master is mad.
PETRUCHIO
Now, knock when I bid you, sirrah villain!
Enter HORTENSIO
HORTENSIO
How now! what's the matter? My old friend Grumio!
and my good friend Petruchio! How do you all at Verona?
PETRUCHIO
Signior Hortensio, come you to part the fray?
'Con tutto il cuore, ben trovato,' may I say.
HORTENSIO
'Alla nostra casa ben venuto, molto honorato signor
mio Petruchio.' Rise, Grumio, rise: we will compound
this quarrel.
GRUMIO
Nay, 'tis no matter, sir, what he 'leges in Latin.
if this be not a lawful case for me to leave his
service, look you, sir, he bid me knock him and rap
him soundly, sir: well, was it fit for a servant to
use his master so, being perhaps, for aught I see,
two and thirty, a pip out? Whom would to God I had
well knock'd at first, Then had not Grumio come by the worst.
PETRUCHIO
A senseless villain! Good Hortensio,
I bade the rascal knock upon your gate
And could not get him for my heart to do it.
GRUMIO
Knock at the gate! O heavens! Spake you not these
words plain, 'Sirrah, knock me here, rap me here,
knock me well, and knock me soundly'? And come you
now with, 'knocking at the gate'?
PETRUCHIO
Sirrah, be gone, or talk not, I advise you.
HORTENSIO
Petruchio, patience; I am Grumio's pledge:
Why, this's a heavy chance 'twixt him and you,
Your ancient, trusty, pleasant servant Grumio.
And tell me now, sweet friend, what happy gale
Blows you to Padua here from old Verona?
PETRUCHIO
Such wind as scatters young men through the world,
To seek their fortunes farther than at home
Where small experience grows. But in a few,
Signior Hortensio, thus it stands with me:
Antonio, my father, is deceased;
And I have thrust myself into this maze,
Haply to wive and thrive as best I may:
Crowns in my purse I have and goods at home,
And so am come abroad to see the world.
HORTENSIO
Petruchio, shall I then come roundly to thee
And wish thee to a shrewd ill-favour'd wife?
Thou'ldst thank me but a little for my counsel:
And yet I'll promise thee she shall be rich
And very rich: but thou'rt too much my friend,
And I'll not wish thee to her.
PETRUCHIO
Signior Hortensio, 'twixt such friends as we
Few words suffice; and therefore, if thou know
One rich enough to be Petruchio's wife,
As wealth is burden of my wooing dance,
Be she as foul as was Florentius' love,
As old as Sibyl and as curst and shrewd
As Socrates' Xanthippe, or a worse,
She moves me not, or not removes, at least,
Affection's edge in me, were she as rough
As are the swelling Adriatic seas:
I come to wive it wealthily in Padua;
If wealthily, then happily in Padua.
GRUMIO
Nay, look you, sir, he tells you flatly what his
mind is: Why give him gold enough and marry him to
a puppet or an aglet-baby; or an old trot with ne'er
a tooth in her head, though she have as many diseases
as two and fifty horses: why, nothing comes amiss,
so money comes withal.
HORTENSIO
Petruchio, since we are stepp'd thus far in,
I will continue that I broach'd in jest.
I can, Petruchio, help thee to a wife
With wealth enough and young and beauteous,
Brought up as best becomes a gentlewoman:
Her only fault, and that is faults enough,
Is that she is intolerable curst
And shrewd and froward, so beyond all measure
That, were my state far worser than it is,
I would not wed her for a mine of gold.
PETRUCHIO
Hortensio, peace! thou know'st not gold's effect:
Tell me her father's name and 'tis enough;
For I will board her, though she chide as loud
As thunder when the clouds in autumn crack.
HORTENSIO
Her father is Baptista Minola,
An affable and courteous gentleman:
Her name is Katharina Minola,
Renown'd in Padua for her scolding tongue.
PETRUCHIO
I know her father, though I know not her;
And he knew my deceased father well.
I will not sleep, Hortensio, till I see her;
And therefore let me be thus bold with you
To give you over at this first encounter,
Unless you will accompany me thither.
GRUMIO
I pray you, sir, let him go while the humour lasts.
O' my word, an she knew him as well as I do, she
would think scolding would do little good upon him:
she may perhaps call him half a score knaves or so:
why, that's nothing; an he begin once, he'll rail in
his rope-tricks. I'll tell you what sir, an she
stand him but a little, he will throw a figure in
her face and so disfigure her with it that she
shall have no more eyes to see withal than a cat.
You know him not, sir.
HORTENSIO
Tarry, Petruchio, I must go with thee,
For in Baptista's keep my treasure is:
He hath the jewel of my life in hold,
His youngest daughter, beautiful Binaca,
And her withholds from me and other more,
Suitors to her and rivals in my love,
Supposing it a thing impossible,
For those defects I have before rehearsed,
That ever Katharina will be woo'd;
Therefore this order hath Baptista ta'en,
That none shall have access unto Bianca
Till Katharina the curst have got a husband.
GRUMIO
Katharina the curst!
A title for a maid of all titles the worst.
HORTENSIO
Now shall my friend Petruchio do me grace,
And offer me disguised in sober robes
To old Baptista as a schoolmaster
Well seen in music, to instruct Bianca;
That so I may, by this device, at least
Have leave and leisure to make love to her
And unsuspected court her by herself.
GRUMIO
Here's no knavery! See, to beguile the old folks,
how the young folks lay their heads together!
Enter GREMIO, and LUCENTIO disguised
Master, master, look about you: who goes there, ha?
HORTENSIO
Peace, Grumio! it is the rival of my love.
Petruchio, stand by a while.
GRUMIO
A proper stripling and an amorous!
GREMIO
O, very well; I have perused the note.
Hark you, sir: I'll have them very fairly bound:
All books of love, see that at any hand;
And see you read no other lectures to her:
You understand me: over and beside
Signior Baptista's liberality,
I'll mend it with a largess. Take your paper too,
And let me have them very well perfumed
For she is sweeter than perfume itself
To whom they go to. What will you read to her?
LUCENTIO
Whate'er I read to her, I'll plead for you
As for my patron, stand you so assured,
As firmly as yourself were still in place:
Yea, and perhaps with more successful words
Than you, unless you were a scholar, sir.
GREMIO
O this learning, what a thing it is!
GRUMIO
O this woodcock, what an ass it is!
PETRUCHIO
Peace, sirrah!
HORTENSIO
Grumio, mum! God save you, Signior Gremio.
GREMIO
And you are well met, Signior Hortensio.
Trow you whither I am going? To Baptista Minola.
I promised to inquire carefully
About a schoolmaster for the fair Bianca:
And by good fortune I have lighted well
On this young man, for learning and behavior
Fit for her turn, well read in poetry
And other books, good ones, I warrant ye.
HORTENSIO
'Tis well; and I have met a gentleman
Hath promised me to help me to another,
A fine musician to instruct our mistress;
So shall I no whit be behind in duty
To fair Bianca, so beloved of me.
GREMIO
Beloved of me; and that my deeds shall prove.
GRUMIO
And that his bags shall prove.
HORTENSIO
Gremio, 'tis now no time to vent our love:
Listen to me, and if you speak me fair,
I'll tell you news indifferent good for either.
Here is a gentleman whom by chance I met,
Upon agreement from us to his liking,
Will undertake to woo curst Katharina,
Yea, and to marry her, if her dowry please.
GREMIO
So said, so done, is well.
Hortensio, have you told him all her faults?
PETRUCHIO
I know she is an irksome brawling scold:
If that be all, masters, I hear no harm.
GREMIO
No, say'st me so, friend? What countryman?
PETRUCHIO
Born in Verona, old Antonio's son:
My father dead, my fortune lives for me;
And I do hope good days and long to see.
GREMIO
O sir, such a life, with such a wife, were strange!
But if you have a stomach, to't i' God's name:
You shall have me assisting you in all.
But will you woo this wild-cat?
PETRUCHIO
Will I live?
GRUMIO
Will he woo her? ay, or I'll hang her.
PETRUCHIO
Why came I hither but to that intent?
Think you a little din can daunt mine ears?
Have I not in my time heard lions roar?
Have I not heard the sea puff'd up with winds
Rage like an angry boar chafed with sweat?
Have I not heard great ordnance in the field,
And heaven's artillery thunder in the skies?
Have I not in a pitched battle heard
Loud 'larums, neighing steeds, and trumpets' clang?
And do you tell me of a woman's tongue,
That gives not half so great a blow to hear
As will a chestnut in a farmer's fire?
Tush, tush! fear boys with bugs.
GRUMIO
For he fears none.
GREMIO
Hortensio, hark:
This gentleman is happily arrived,
My mind presumes, for his own good and ours.
HORTENSIO
I promised we would be contributors
And bear his charging of wooing, whatsoe'er.
GREMIO
And so we will, provided that he win her.
GRUMIO
I would I were as sure of a good dinner.
Enter TRANIO brave, and BIONDELLO
TRANIO
Gentlemen, God save you. If I may be bold,
Tell me, I beseech you, which is the readiest way
To the house of Signior Baptista Minola?
BIONDELLO
He that has the two fair daughters: is't he you mean?
TRANIO
Even he, Biondello.
GREMIO
Hark you, sir; you mean not her to--
TRANIO
Perhaps, him and her, sir: what have you to do?
PETRUCHIO
Not her that chides, sir, at any hand, I pray.
TRANIO
I love no chiders, sir. Biondello, let's away.
LUCENTIO
Well begun, Tranio.
HORTENSIO
Sir, a word ere you go;
Are you a suitor to the maid you talk of, yea or no?
TRANIO
And if I be, sir, is it any offence?
GREMIO
No; if without more words you will get you hence.
TRANIO
Why, sir, I pray, are not the streets as free
For me as for you?
GREMIO
But so is not she.
TRANIO
For what reason, I beseech you?
GREMIO
For this reason, if you'll know,
That she's the choice love of Signior Gremio.
HORTENSIO
That she's the chosen of Signior Hortensio.
TRANIO
Softly, my masters! if you be gentlemen,
Do me this right; hear me with patience.
Baptista is a noble gentleman,
To whom my father is not all unknown;
And were his daughter fairer than she is,
She may more suitors have and me for one.
Fair Leda's daughter had a thousand wooers;
Then well one more may fair Bianca have:
And so she shall; Lucentio shall make one,
Though Paris came in hope to speed alone.
GREMIO
What! this gentleman will out-talk us all.
LUCENTIO
Sir, give him head: I know he'll prove a jade.
PETRUCHIO
Hortensio, to what end are all these words?
HORTENSIO
Sir, let me be so bold as ask you,
Did you yet ever see Baptista's daughter?
TRANIO
No, sir; but hear I do that he hath two,
The one as famous for a scolding tongue
As is the other for beauteous modesty.
PETRUCHIO
Sir, sir, the first's for me; let her go by.
GREMIO
Yea, leave that labour to great Hercules;
And let it be more than Alcides' twelve.
PETRUCHIO
Sir, understand you this of me in sooth:
The younges t daughter whom you hearken for
Her father keeps from all access of suitors,
And will not promise her to any man
Until the elder sister first be wed:
The younger then is free and not before.
TRANIO
If it be so, sir, that you are the man
Must stead us all and me amongst the rest,
And if you break the ice and do this feat,
Achieve the elder, set the younger free
For our access, whose hap shall be to have her
Will not so graceless be to be ingrate.
HORTENSIO
Sir, you say well and well you do conceive;
And since you do profess to be a suitor,
You must, as we do, gratify this gentleman,
To whom we all rest generally beholding.
TRANIO
Sir, I shall not be slack: in sign whereof,
Please ye we may contrive this afternoon,
And quaff carouses to our mistress' health,
And do as adversaries do in law,
Strive mightily, but eat and drink as friends.
GRUMIO BIONDELLO
O excellent motion! Fellows, let's be gone.
HORTENSIO
The motion's good indeed and be it so,
Petruchio, I shall be your ben venuto.
Exeunt


أرب جمـال 5 - 11 - 2009 10:52 PM

SCENE I. Padua. A room in BAPTISTA'S house.SCENE I. Padua. A room in BAPTISTA'S house.
Enter KATHARINA and BIANCA
BIANCA
Good sister, wrong me not, nor wrong yourself,
To make a bondmaid and a slave of me;
That I disdain: but for these other gawds,
Unbind my hands, I'll pull them off myself,
Yea, all my raiment, to my petticoat;
Or what you will command me will I do,
So well I know my duty to my elders.
KATHARINA
Of all thy suitors, here I charge thee, tell
Whom thou lovest best: see thou dissemble not.
BIANCA
Believe me, sister, of all the men alive
I never yet beheld that special face
Which I could fancy more than any other.
KATHARINA
Minion, thou liest. Is't not Hortensio?
BIANCA
If you affect him, sister, here I swear
I'll plead for you myself, but you shall have
him.
KATHARINA
O then, belike, you fancy riches more:
You will have Gremio to keep you fair.
BIANCA
Is it for him you do envy me so?
Nay then you jest, and now I well perceive
You have but jested with me all this while:
I prithee, sister Kate, untie my hands.
KATHARINA
If that be jest, then all the rest was so.
Strikes her
Enter BAPTISTA
BAPTISTA
Why, how now, dame! whence grows this insolence?
Bianca, stand aside. Poor girl! she weeps.
Go ply thy needle; meddle not with her.
For shame, thou helding of a devilish spirit,
Why dost thou wrong her that did ne'er wrong thee?
When did she cross thee with a bitter word?
KATHARINA
Her silence flouts me, and I'll be revenged.
Flies after BIANCA
BAPTISTA
What, in my sight? Bianca, get thee in.
Exit BIANCA
KATHARINA
What, will you not suffer me? Nay, now I see
She is your treasure, she must have a husband;
I must dance bare-foot on her wedding day
And for your love to her lead apes in hell.
Talk not to me: I will go sit and weep
Till I can find occasion of revenge.
Exit
BAPTISTA
Was ever gentleman thus grieved as I?
But who comes here?
Enter GREMIO, LUCENTIO in the habit of a mean man; PETRUCHIO, with HORTENSIO as a musician; and TRANIO, with BIONDELLO bearing a lute and books
GREMIO
Good morrow, neighbour Baptista.
BAPTISTA
Good morrow, neighbour Gremio.
God save you, gentlemen!
PETRUCHIO
And you, good sir! Pray, have you not a daughter
Call'd Katharina, fair and virtuous?
BAPTISTA
I have a daughter, sir, called Katharina.
GREMIO
You are too blunt: go to it orderly.
PETRUCHIO
You wrong me, Signior Gremio: give me leave.
I am a gentleman of Verona, sir,
That, hearing of her beauty and her wit,
Her affability and bashful modesty,
Her wondrous qualities and mild behavior,
Am bold to show myself a forward guest
Within your house, to make mine eye the witness
Of that report which I so oft have heard.
And, for an entrance to my entertainment,
I do present you with a man of mine,
Presenting HORTENSIO
Cunning in music and the mathematics,
To instruct her fully in those sciences,
Whereof I know she is not ignorant:
Accept of him, or else you do me wrong:
His name is Licio, born in Mantua.
BAPTISTA
You're welcome, sir; and he, for your good sake.
But for my daughter Katharina, this I know,
She is not for your turn, the more my grief.
PETRUCHIO
I see you do not mean to part with her,
Or else you like not of my company.
BAPTISTA
Mistake me not; I speak but as I find.
Whence are you, sir? what may I call your name?
PETRUCHIO
Petruchio is my name; Antonio's son,
A man well known throughout all Italy.
BAPTISTA
I know him well: you are welcome for his sake.
GREMIO
Saving your tale, Petruchio, I pray,
Let us, that are poor petitioners, speak too:
Baccare! you are marvellous forward.
PETRUCHIO
O, pardon me, Signior Gremio; I would fain be doing.
GREMIO
I doubt it not, sir; but you will curse your
wooing. Neighbour, this is a gift very grateful, I am
sure of it. To express the like kindness, myself,
that have been more kindly beholding to you than
any, freely give unto you this young scholar,
Presenting LUCENTIO
that hath been long studying at Rheims; as cunning
in Greek, Latin, and other ********s, as the other
in music and mathematics: his name is Cambio; pray,
accept his service.
BAPTISTA
A thousand thanks, Signior Gremio.
Welcome, good Cambio.
To TRANIO
But, gentle sir, methinks you walk like a stranger:
may I be so bold to know the cause of your coming?
TRANIO
Pardon me, sir, the boldness is mine own,
That, being a stranger in this city here,
Do make myself a suitor to your daughter,
Unto Bianca, fair and virtuous.
Nor is your firm resolve unknown to me,
In the preferment of the eldest sister.
This liberty is all that I request,
That, upon knowledge of my parentage,
I may have welcome 'mongst the rest that woo
And free access and favour as the rest:
And, toward the education of your daughters,
I here bestow a simple instrument,
And this small packet of Greek and Latin books:
If you accept them, then their worth is great.
BAPTISTA
Lucentio is your name; of whence, I pray?
TRANIO
Of Pisa, sir; son to Vincentio.
BAPTISTA
A mighty man of Pisa; by report
I know him well: you are very welcome, sir,
Take you the lute, and you the set of books;
You shall go see your pupils presently.
Holla, within!
Enter a Servant
Sirrah, lead these gentlemen
To my daughters; and tell them both,
These are their tutors: bid them use them well.
Exit Servant, with LUCENTIO and HORTENSIO, BIONDELLO following
We will go walk a little in the orchard,
And then to dinner. You are passing welcome,
And so I pray you all to think yourselves.
PETRUCHIO
Signior Baptista, my business asketh haste,
And every day I cannot come to woo.
You knew my father well, and in him me,
Left solely heir to all his lands and goods,
Which I have better'd rather than decreased:
Then tell me, if I get your daughter's love,
What dowry shall I have with her to wife?
BAPTISTA
After my death the one half of my lands,
And in possession twenty thousand crowns.
PETRUCHIO
And, for that dowry, I'll assure her of
Her widowhood, be it that she survive me,
In all my lands and leases whatsoever:
Let specialties be therefore drawn between us,
That covenants may be kept on either hand.
BAPTISTA
Ay, when the special thing is well obtain'd,
That is, her love; for that is all in all.
PETRUCHIO
Why, that is nothing: for I tell you, father,
I am as peremptory as she proud-minded;
And where two raging fires meet together
They do consume the thing that feeds their fury:
Though little fire grows great with little wind,
Yet extreme gusts will blow out fire and all:
So I to her and so she yields to me;
For I am rough and woo not like a babe.
BAPTISTA
Well mayst thou woo, and happy be thy speed!
But be thou arm'd for some unhappy words.
PETRUCHIO
Ay, to the proof; as mountains are for winds,
That shake not, though they blow perpetually.
Re-enter HORTENSIO, with his head broke
BAPTISTA
How now, my friend! why dost thou look so pale?
HORTENSIO
For fear, I promise you, if I look pale.
BAPTISTA
What, will my daughter prove a good musician?
HORTENSIO
I think she'll sooner prove a soldier
Iron may hold with her, but never lutes.
BAPTISTA
Why, then thou canst not break her to the lute?
HORTENSIO
Why, no; for she hath broke the lute to me.
I did but tell her she mistook her frets,
And bow'd her hand to teach her fingering;
When, with a most impatient devilish spirit,
'Frets, call you these?' quoth she; 'I'll fume
with them:'
And, with that word, she struck me on the head,
And through the instrument my pate made way;
And there I stood amazed for a while,
As on a pillory, looking through the lute;
While she did call me rascal fiddler
And twangling Jack; with twenty such vile terms,
As had she studied to misuse me so.
PETRUCHIO
Now, by the world, it is a lusty wench;
I love her ten times more than e'er I did:
O, how I long to have some chat with her!
BAPTISTA
Well, go with me and be not so discomfited:
Proceed in practise with my younger daughter;
She's apt to learn and thankful for good turns.
Signior Petruchio, will you go with us,
Or shall I send my daughter Kate to you?
PETRUCHIO
I pray you do.
Exeunt all but PETRUCHIO
I will attend her here,
And woo her with some spirit when she comes.
Say that she rail; why then I'll tell her plain
She sings as sweetly as a nightingale:
Say that she frown, I'll say she looks as clear
As morning roses newly wash'd with dew:
Say she be mute and will not speak a word;
Then I'll commend her volubility,
And say she uttereth piercing eloquence:
If she do bid me pack, I'll give her thanks,
As though she bid me stay by her a week:
If she deny to wed, I'll crave the day
When I shall ask the banns and when be married.
But here she comes; and now, Petruchio, speak.
Enter KATHARINA
Good morrow, Kate; for that's your name, I hear.
KATHARINA
Well have you heard, but something hard of hearing:
They call me Katharina that do talk of me.
PETRUCHIO
You lie, in faith; for you are call'd plain Kate,
And bonny Kate and sometimes Kate the curst;
But Kate, the prettiest Kate in Christendom
Kate of Kate Hall, my super-dainty Kate,
For dainties are all Kates, and therefore, Kate,
Take this of me, Kate of my consolation;
Hearing thy mildness praised in every town,
Thy virtues spoke of, and thy beauty sounded,
Yet not so deeply as to thee belongs,
Myself am moved to woo thee for my wife.
KATHARINA
Moved! in good time: let him that moved you hither
Remove you hence: I knew you at the first
You were a moveable.
PETRUCHIO
Why, what's a moveable?
KATHARINA
A join'd-stool.
PETRUCHIO
Thou hast hit it: come, sit on me.
KATHARINA
Asses are made to bear, and so are you.
PETRUCHIO
Women are made to bear, and so are you.
KATHARINA
No such jade as you, if me you mean.
PETRUCHIO
Alas! good Kate, I will not burden thee;
For, knowing thee to be but young and light--
KATHARINA
Too light for such a swain as you to catch;
And yet as heavy as my weight should be.
PETRUCHIO
Should be! should--buzz!
KATHARINA
Well ta'en, and like a buzzard.
PETRUCHIO
O slow-wing'd turtle! shall a buzzard take thee?
KATHARINA
Ay, for a turtle, as he takes a buzzard.
PETRUCHIO
Come, come, you wasp; i' faith, you are too angry.
KATHARINA
If I be waspish, best beware my sting.
PETRUCHIO
My remedy is then, to pluck it out.
KATHARINA
Ay, if the fool could find it where it lies,
PETRUCHIO
Who knows not where a wasp does
wear his sting? In his tail.
KATHARINA
In his tongue.
PETRUCHIO
Whose tongue?
KATHARINA
Yours, if you talk of tails: and so farewell.
PETRUCHIO
What, with my tongue in your tail? nay, come again,
Good Kate; I am a gentleman.
KATHARINA
That I'll try.
She strikes him
PETRUCHIO
I swear I'll cuff you, if you strike again.
KATHARINA
So may you lose your arms:
If you strike me, you are no gentleman;
And if no gentleman, why then no arms.
PETRUCHIO
A herald, Kate? O, put me in thy books!
KATHARINA
What is your crest? a coxcomb?
PETRUCHIO
A combless cock, so Kate will be my hen.
KATHARINA
No cock of mine; you crow too like a craven.
PETRUCHIO
Nay, come, Kate, come; you must not look so sour.
KATHARINA
It is my fashion, when I see a crab.
PETRUCHIO
Why, here's no crab; and therefore look not sour.
KATHARINA
There is, there is.
PETRUCHIO
Then show it me.
KATHARINA
Had I a glass, I would.
PETRUCHIO
What, you mean my face?
KATHARINA
Well aim'd of such a young one.
PETRUCHIO
Now, by Saint George, I am too young for you.
KATHARINA
Yet you are wither'd.
PETRUCHIO
'Tis with cares.
KATHARINA
I care not.
PETRUCHIO
Nay, hear you, Kate: in sooth you scape not so.
KATHARINA
I chafe you, if I tarry: let me go.
PETRUCHIO
No, not a whit: I find you passing gentle.
'Twas told me you were rough and coy and sullen,
And now I find report a very liar;
For thou are pleasant, gamesome, passing courteous,
But slow in speech, yet sweet as spring-time flowers:
Thou canst not frown, thou canst not look askance,
Nor bite the lip, as angry wenches will,
Nor hast thou pleasure to be cross in talk,
But thou with mildness entertain'st thy wooers,
With gentle conference, soft and affable.
Why does the world report that Kate doth limp?
O slanderous world! Kate like the hazel-twig
Is straight and slender and as brown in hue
As hazel nuts and sweeter than the kernels.
O, let me see thee walk: thou dost not halt.
KATHARINA
Go, fool, and whom thou keep'st command.
PETRUCHIO
Did ever Dian so become a grove
As Kate this chamber with her princely gait?
O, be thou Dian, and let her be Kate;
And then let Kate be chaste and Dian sportful!
KATHARINA
Where did you study all this goodly speech?
PETRUCHIO
It is extempore, from my mother-wit.
KATHARINA
A witty mother! witless else her son.
PETRUCHIO
Am I not wise?
KATHARINA
Yes; keep you warm.
PETRUCHIO
Marry, so I mean, sweet Katharina, in thy bed:
And therefore, setting all this chat aside,
Thus in plain terms: your father hath consented
That you shall be my wife; your dowry 'greed on;
And, Will you, nill you, I will marry you.
Now, Kate, I am a husband for your turn;
For, by this light, whereby I see thy beauty,
Thy beauty, that doth make me like thee well,
Thou must be married to no man but me;
For I am he am born to tame you Kate,
And bring you from a wild Kate to a Kate
Conformable as other household Kates.
Here comes your father: never make denial;
I must and will have Katharina to my wife.
Re-enter BAPTISTA, GREMIO, and TRANIO
BAPTISTA
Now, Signior Petruchio, how speed you with my daughter?
PETRUCHIO
How but well, sir? how but well?
It were impossible I should speed amiss.
BAPTISTA
Why, how now, daughter Katharina! in your dumps?
KATHARINA
Call you me daughter? now, I promise you
You have show'd a tender fatherly regard,
To wish me wed to one half lunatic;
A mad-cup ruffian and a swearing Jack,
That thinks with oaths to face the matter out.
PETRUCHIO
Father, 'tis thus: yourself and all the world,
That talk'd of her, have talk'd amiss of her:
If she be curst, it is for policy,
For she's not froward, but modest as the dove;
She is not hot, but temperate as the morn;
For patience she will prove a second Grissel,
And Roman Lucrece for her chastity:
And to conclude, we have 'greed so well together,
That upon Sunday is the wedding-day.
KATHARINA
I'll see thee hang'd on Sunday first.
GREMIO
Hark, Petruchio; she says she'll see thee
hang'd first.
TRANIO
Is this your speeding? nay, then, good night our part!
PETRUCHIO
Be patient, gentlemen; I choose her for myself:
If she and I be pleased, what's that to you?
'Tis bargain'd 'twixt us twain, being alone,
That she shall still be curst in company.
I tell you, 'tis incredible to believe
How much she loves me: O, the kindest Kate!
She hung about my neck; and kiss on kiss
She vied so fast, protesting oath on oath,
That in a twink she won me to her love.
O, you are novices! 'tis a world to see,
How tame, when men and women are alone,
A meacock wretch can make the curstest shrew.
Give me thy hand, Kate: I will unto Venice,
To buy apparel 'gainst the wedding-day.
Provide the feast, father, and bid the guests;
I will be sure my Katharina shall be fine.
BAPTISTA
I know not what to say: but give me your hands;
God send you joy, Petruchio! 'tis a match.
GREMIO TRANIO
Amen, say we: we will be witnesses.
PETRUCHIO
Father, and wife, and gentlemen, adieu;
I will to Venice; Sunday comes apace:
We will have rings and things and fine array;
And kiss me, Kate, we will be married o'Sunday.
Exeunt PETRUCHIO and KATHARINA severally
GREMIO
Was ever match clapp'd up so suddenly?
BAPTISTA
Faith, gentlemen, now I play a merchant's part,
And venture madly on a desperate mart.
TRANIO
'Twas a commodity lay fretting by you:
'Twill bring you gain, or perish on the seas.
BAPTISTA
The gain I seek is, quiet in the match.
GREMIO
No doubt but he hath got a quiet catch.
But now, Baptists, to your younger daughter:
Now is the day we long have looked for:
I am your neighbour, and was suitor first.
TRANIO
And I am one that love Bianca more
Than words can witness, or your thoughts can guess.
GREMIO
Youngling, thou canst not love so dear as I.
TRANIO
Graybeard, thy love doth freeze.
GREMIO
But thine doth fry.
Skipper, stand back: 'tis age that nourisheth.
TRANIO
But youth in ladies' eyes that flourisheth.
BAPTISTA
******* you, gentlemen: I will compound this strife:
'Tis deeds must win the prize; and he of both
That can assure my daughter greatest dower
Shall have my Bianca's love.
Say, Signior Gremio, What can you assure her?
GREMIO
First, as you know, my house within the city
Is richly furnished with plate and gold;
Basins and ewers to lave her dainty hands;
My hangings all of Tyrian tapestry;
In ivory coffers I have stuff'd my crowns;
In cypress chests my arras counterpoints,
Costly apparel, tents, and canopies,
Fine linen, Turkey cushions boss'd with pearl,
Valance of Venice gold in needlework,
Pewter and brass and all things that belong
To house or housekeeping: then, at my farm
I have a hundred milch-kine to the pail,
Sixscore fat oxen standing in my stalls,
And all things answerable to this portion.
Myself am struck in years, I must confess;
And if I die to-morrow, this is hers,
If whilst I live she will be only mine.
TRANIO
That 'only' came well in. Sir, list to me:
I am my father's heir and only son:
If I may have your daughter to my wife,
I'll leave her houses three or four as good,
Within rich Pisa walls, as any one
Old Signior Gremio has in Padua;
Besides two thousand ducats by the year
Of fruitful land, all which shall be her jointure.
What, have I pinch'd you, Signior Gremio?
GREMIO
Two thousand ducats by the year of land!
My land amounts not to so much in all:
That she shall have; besides an argosy
That now is lying in Marseilles' road.
What, have I choked you with an argosy?
TRANIO
Gremio, 'tis known my father hath no less
Than three great argosies; besides two galliases,
And twelve tight galleys: these I will assure her,
And twice as much, whate'er thou offer'st next.
GREMIO
Nay, I have offer'd all, I have no more;
And she can have no more than all I have:
If you like me, she shall have me and mine.
TRANIO
Why, then the maid is mine from all the world,
By your firm promise: Gremio is out-vied.
BAPTISTA
I must confess your offer is the best;
And, let your father make her the assurance,
She is your own; else, you must pardon me,
if you should die before him, where's her dower?
TRANIO
That's but a cavil: he is old, I young.
GREMIO
And may not young men die, as well as old?
BAPTISTA
Well, gentlemen,
I am thus resolved: on Sunday next you know
My daughter Katharina is to be married:
Now, on the Sunday following, shall Bianca
Be bride to you, if you this assurance;
If not, Signior Gremio:
And so, I take my leave, and thank you both.
GREMIO
Adieu, good neighbour.
Exit BAPTISTA
Now I fear thee not:
Sirrah young gamester, your father were a fool
To give thee all, and in his waning age
Set foot under thy table: tut, a toy!
An old Italian fox is not so kind, my boy.
Exit
TRANIO
A vengeance on your crafty wither'd hide!
Yet I have faced it with a card of ten.
'Tis in my head to do my master good:
I see no reason but supposed Lucentio
Must get a father, call'd 'supposed Vincentio;'
And that's a wonder: fathers commonly
Do get their children; but in this case of wooing,
A child shall get a sire, if I fail not of my cunning.
Exit


أرب جمـال 5 - 11 - 2009 10:52 PM

SCENE I. Padua. BAPTISTA'S house.SCENE I. Padua. BAPTISTA'S house.
Enter LUCENTIO, HORTENSIO, and BIANCA
LUCENTIO
Fiddler, forbear; you grow too forward, sir:
Have you so soon forgot the entertainment
Her sister Katharina welcomed you withal?
HORTENSIO
But, wrangling pedant, this is
The patroness of heavenly harmony:
Then give me leave to have prerogative;
And when in music we have spent an hour,
Your lecture shall have leisure for as much.
LUCENTIO
Preposterous ass, that never read so far
To know the cause why music was ordain'd!
Was it not to refresh the mind of man
After his studies or his usual pain?
Then give me leave to read philosophy,
And while I pause, serve in your harmony.
HORTENSIO
Sirrah, I will not bear these braves of thine.
BIANCA
Why, gentlemen, you do me double wrong,
To strive for that which resteth in my choice:
I am no breeching scholar in the schools;
I'll not be tied to hours nor 'pointed times,
But learn my lessons as I please myself.
And, to cut off all strife, here sit we down:
Take you your instrument, play you the whiles;
His lecture will be done ere you have tuned.
HORTENSIO
You'll leave his lecture when I am in tune?
LUCENTIO
That will be never: tune your instrument.
BIANCA
Where left we last?
LUCENTIO
Here, madam:
'Hic ibat Simois; hic est Sigeia tellus;
Hic steterat Priami regia celsa senis.'
BIANCA
Construe them.
LUCENTIO
'Hic ibat,' as I told you before, 'Simois,' I am
Lucentio, 'hic est,' son unto Vincentio of Pisa,
'Sigeia tellus,' disguised thus to get your love;
'Hic steterat,' and that Lucentio that comes
a-wooing, 'Priami,' is my man Tranio, 'regia,'
bearing my port, 'celsa senis,' that we might
beguile the old pantaloon.
HORTENSIO
Madam, my instrument's in tune.
BIANCA
Let's hear. O fie! the treble jars.
LUCENTIO
Spit in the hole, man, and tune again.
BIANCA
Now let me see if I can construe it: 'Hic ibat
Simois,' I know you not, 'hic est Sigeia tellus,' I
trust you not; 'Hic steterat Priami,' take heed
he hear us not, 'regia,' presume not, 'celsa senis,'
despair not.
HORTENSIO
Madam, 'tis now in tune.
LUCENTIO
All but the base.
HORTENSIO
The base is right; 'tis the base knave that jars.
Aside
How fiery and forward our pedant is!
Now, for my life, the knave doth court my love:
Pedascule, I'll watch you better yet.
BIANCA
In time I may believe, yet I mistrust.
LUCENTIO
Mistrust it not: for, sure, AEacides
Was Ajax, call'd so from his grandfather.
BIANCA
I must believe my master; else, I promise you,
I should be arguing still upon that doubt:
But let it rest. Now, Licio, to you:
Good masters, take it not unkindly, pray,
That I have been thus pleasant with you both.
HORTENSIO
You may go walk, and give me leave a while:
My lessons make no music in three parts.
LUCENTIO
Are you so formal, sir? well, I must wait,
Aside
And watch withal; for, but I be deceived,
Our fine musician groweth amorous.
HORTENSIO
Madam, before you touch the instrument,
To learn the order of my fingering,
I must begin with rudiments of art;
To teach you gamut in a briefer sort,
More pleasant, pithy and effectual,
Than hath been taught by any of my trade:
And there it is in writing, fairly drawn.
BIANCA
Why, I am past my gamut long ago.
HORTENSIO
Yet read the gamut of Hortensio.
BIANCA
[Reads] ''Gamut' I am, the ground of all accord,
'A re,' to Plead Hortensio's passion;
'B mi,' Bianca, take him for thy lord,
'C fa ut,' that loves with all affection:
'D sol re,' one clef, two notes have I:
'E la mi,' show pity, or I die.'
Call you this gamut? tut, I like it not:
Old fashions please me best; I am not so nice,
To change true rules for old inventions.
Enter a Servant
Servant
Mistress, your father prays you leave your books
And help to dress your sister's chamber up:
You know to-morrow is the wedding-day.
BIANCA
Farewell, sweet masters both; I must be gone.
Exeunt BIANCA and Servant
LUCENTIO
Faith, mistress, then I have no cause to stay.
Exit
HORTENSIO
But I have cause to pry into this pedant:
Methinks he looks as though he were in love:
Yet if thy thoughts, Bianca, be so humble
To cast thy wandering eyes on every stale,
Seize thee that list: if once I find thee ranging,
Hortensio will be quit with thee by changing.
Exit


أرب جمـال 5 - 11 - 2009 10:53 PM

SCENE II. Padua. Before BAPTISTA'S house.SCENE II. Padua. Before BAPTISTA'S house.
Enter BAPTISTA, GREMIO, TRANIO, KATHARINA, BIANCA, LUCENTIO, and others, attendants
BAPTISTA
[To TRANIO] Signior Lucentio, this is the
'pointed day.
That Katharina and Petruchio should be married,
And yet we hear not of our son-in-law.
What will be said? what mockery will it be,
To want the bridegroom when the priest attends
To speak the ceremonial rites of marriage!
What says Lucentio to this shame of ours?
KATHARINA
No shame but mine: I must, forsooth, be forced
To give my hand opposed against my heart
Unto a mad-brain rudesby full of spleen;
Who woo'd in haste and means to wed at leisure.
I told you, I, he was a frantic fool,
Hiding his bitter jests in blunt behavior:
And, to be noted for a merry man,
He'll woo a thousand, 'point the day of marriage,
Make feasts, invite friends, and proclaim the banns;
Yet never means to wed where he hath woo'd.
Now must the world point at poor Katharina,
And say, 'Lo, there is mad Petruchio's wife,
If it would please him come and marry her!'
TRANIO
Patience, good Katharina, and Baptista too.
Upon my life, Petruchio means but well,
Whatever fortune stays him from his word:
Though he be blunt, I know him passing wise;
Though he be merry, yet withal he's honest.
KATHARINA
Would Katharina had never seen him though!
Exit weeping, followed by BIANCA and others
BAPTISTA
Go, girl; I cannot blame thee now to weep;
For such an injury would vex a very saint,
Much more a shrew of thy impatient humour.
Enter BIONDELLO
BIONDELLO
Master, master! news, old news, and such news as
you never heard of!
BAPTISTA
Is it new and old too? how may that be?
BIONDELLO
Why, is it not news, to hear of Petruchio's coming?
BAPTISTA
Is he come?
BIONDELLO
Why, no, sir.
BAPTISTA
What then?
BIONDELLO
He is coming.
BAPTISTA
When will he be here?
BIONDELLO
When he stands where I am and sees you there.
TRANIO
But say, what to thine old news?
BIONDELLO
Why, Petruchio is coming in a new hat and an old
jerkin, a pair of old breeches thrice turned, a pair
of boots that have been candle-cases, one buckled,
another laced, an old rusty sword ta'en out of the
town-armory, with a broken hilt, and chapeless;
with two broken points: his horse hipped with an
old mothy saddle and stirrups of no kindred;
besides, possessed with the glanders and like to mose
in the chine; troubled with the lampass, infected
with the fashions, full of wingdalls, sped with
spavins, rayed with yellows, past cure of the fives,
stark spoiled with the staggers, begnawn with the
bots, swayed in the back and shoulder-shotten;
near-legged before and with, a half-chequed bit
and a head-stall of sheeps leather which, being
restrained to keep him from stumbling, hath been
often burst and now repaired with knots; one girth
six time pieced and a woman's crupper of velure,
which hath two letters for her name fairly set down
in studs, and here and there pieced with packthread.
BAPTISTA
Who comes with him?
BIONDELLO
O, sir, his lackey, for all the world caparisoned
like the horse; with a linen stock on one leg and a
kersey boot-hose on the other, gartered with a red
and blue list; an old hat and 'the humour of forty
fancies' pricked in't for a feather: a monster, a
very monster in apparel, and not like a Christian
footboy or a gentleman's lackey.
TRANIO
'Tis some odd humour pricks him to this fashion;
Yet oftentimes he goes but mean-apparell'd.
BAPTISTA
I am glad he's come, howsoe'er he comes.
BIONDELLO
Why, sir, he comes not.
BAPTISTA
Didst thou not say he comes?
BIONDELLO
Who? that Petruchio came?
BAPTISTA
Ay, that Petruchio came.
BIONDELLO
No, sir, I say his horse comes, with him on his back.
BAPTISTA
Why, that's all one.
BIONDELLO
Nay, by Saint Jamy,
I hold you a penny,
A horse and a man
Is more than one,
And yet not many.
Enter PETRUCHIO and GRUMIO
PETRUCHIO
Come, where be these gallants? who's at home?
BAPTISTA
You are welcome, sir.
PETRUCHIO
And yet I come not well.
BAPTISTA
And yet you halt not.
TRANIO
Not so well apparell'd
As I wish you were.
PETRUCHIO
Were it better, I should rush in thus.
But where is Kate? where is my lovely bride?
How does my father? Gentles, methinks you frown:
And wherefore gaze this goodly company,
As if they saw some wondrous monument,
Some comet or unusual prodigy?
BAPTISTA
Why, sir, you know this is your wedding-day:
First were we sad, fearing you would not come;
Now sadder, that you come so unprovided.
Fie, doff this habit, shame to your estate,
An eye-sore to our solemn festival!
TRANIO
And tells us, what occasion of import
Hath all so long detain'd you from your wife,
And sent you hither so unlike yourself?
PETRUCHIO
Tedious it were to tell, and harsh to hear:
Sufficeth I am come to keep my word,
Though in some part enforced to digress;
Which, at more leisure, I will so excuse
As you shall well be satisfied withal.
But where is Kate? I stay too long from her:
The morning wears, 'tis time we were at church.
TRANIO
See not your bride in these unreverent robes:
Go to my chamber; Put on clothes of mine.
PETRUCHIO
Not I, believe me: thus I'll visit her.
BAPTISTA
But thus, I trust, you will not marry her.
PETRUCHIO
Good sooth, even thus; therefore ha' done with words:
To me she's married, not unto my clothes:
Could I repair what she will wear in me,
As I can change these poor accoutrements,
'Twere well for Kate and better for myself.
But what a fool am I to chat with you,
When I should bid good morrow to my bride,
And seal the title with a lovely kiss!
Exeunt PETRUCHIO and GRUMIO
TRANIO
He hath some meaning in his mad attire:
We will persuade him, be it possible,
To put on better ere he go to church.
BAPTISTA
I'll after him, and see the event of this.
Exeunt BAPTISTA, GREMIO, and attendants
TRANIO
But to her love concerneth us to add
Her father's liking: which to bring to pass,
As I before unparted to your worship,
I am to get a man,--whate'er he be,
It skills not much. we'll fit him to our turn,--
And he shall be Vincentio of Pisa;
And make assurance here in Padua
Of greater sums than I have promised.
So shall you quietly enjoy your hope,
And marry sweet Bianca with consent.
LUCENTIO
Were it not that my fellow-school-master
Doth watch Bianca's steps so narrowly,
'Twere good, methinks, to steal our marriage;
Which once perform'd, let all the world say no,
I'll keep mine own, despite of all the world.
TRANIO
That by degrees we mean to look into,
And watch our vantage in this business:
We'll over-reach the greybeard, Gremio,
The narrow-prying father, Minola,
The quaint musician, amorous Licio;
All for my master's sake, Lucentio.
Re-enter GREMIO
Signior Gremio, came you from the church?
GREMIO
As willingly as e'er I came from school.
TRANIO
And is the bride and bridegroom coming home?
GREMIO
A bridegroom say you? 'tis a groom indeed,
A grumbling groom, and that the girl shall find.
TRANIO
Curster than she? why, 'tis impossible.
GREMIO
Why he's a devil, a devil, a very fiend.
TRANIO
Why, she's a devil, a devil, the devil's dam.
GREMIO
Tut, she's a lamb, a dove, a fool to him!
I'll tell you, Sir Lucentio: when the priest
Should ask, if Katharina should be his wife,
'Ay, by gogs-wouns,' quoth he; and swore so loud,
That, all-amazed, the priest let fall the book;
And, as he stoop'd again to take it up,
The mad-brain'd bridegroom took him such a cuff
That down fell priest and book and book and priest:
'Now take them up,' quoth he, 'if any list.'
TRANIO
What said the wench when he rose again?
GREMIO
Trembled and shook; for why, he stamp'd and swore,
As if the vicar meant to cozen him.
But after many ceremonies done,
He calls for wine: 'A health!' quoth he, as if
He had been aboard, carousing to his mates
After a storm; quaff'd off the muscadel
And threw the sops all in the sexton's face;
Having no other reason
But that his beard grew thin and hungerly
And seem'd to ask him sops as he was drinking.
This done, he took the bride about the neck
And kiss'd her lips with such a clamorous smack
That at the parting all the church did echo:
And I seeing this came thence for very shame;
And after me, I know, the rout is coming.
Such a mad marriage never was before:
Hark, hark! I hear the minstrels play.
Music
Re-enter PETRUCHIO, KATHARINA, BIANCA, BAPTISTA, HORTENSIO, GRUMIO, and Train
PETRUCHIO
Gentlemen and friends, I thank you for your pains:
I know you think to dine with me to-day,
And have prepared great store of wedding cheer;
But so it is, my haste doth call me hence,
And therefore here I mean to take my leave.
BAPTISTA
Is't possible you will away to-night?
PETRUCHIO
I must away to-day, before night come:
Make it no wonder; if you knew my business,
You would entreat me rather go than stay.
And, honest company, I thank you all,
That have beheld me give away myself
To this most patient, sweet and virtuous wife:
Dine with my father, drink a health to me;
For I must hence; and farewell to you all.
TRANIO
Let us entreat you stay till after dinner.
PETRUCHIO
It may not be.
GREMIO
Let me entreat you.
PETRUCHIO
It cannot be.
KATHARINA
Let me entreat you.
PETRUCHIO
I am *******.
KATHARINA
Are you ******* to stay?
PETRUCHIO
I am ******* you shall entreat me stay;
But yet not stay, entreat me how you can.
KATHARINA
Now, if you love me, stay.
PETRUCHIO
Grumio, my horse.
GRUMIO
Ay, sir, they be ready: the oats have eaten the horses.
KATHARINA
Nay, then,
Do what thou canst, I will not go to-day;
No, nor to-morrow, not till I please myself.
The door is open, sir; there lies your way;
You may be jogging whiles your boots are green;
For me, I'll not be gone till I please myself:
'Tis like you'll prove a jolly surly groom,
That take it on you at the first so roundly.
PETRUCHIO
O Kate, ******* thee; prithee, be not angry.
KATHARINA
I will be angry: what hast thou to do?
Father, be quiet; he shall stay my leisure.
GREMIO
Ay, marry, sir, now it begins to work.
KATARINA
Gentlemen, forward to the bridal dinner:
I see a woman may be made a fool,
If she had not a spirit to resist.
PETRUCHIO
They shall go forward, Kate, at thy command.
Obey the bride, you that attend on her;
Go to the feast, revel and domineer,
Carouse full measure to her maidenhead,
Be mad and merry, or go hang yourselves:
But for my bonny Kate, she must with me.
Nay, look not big, nor stamp, nor stare, nor fret;
I will be master of what is mine own:
She is my goods, my chattels; she is my house,
My household stuff, my field, my barn,
My horse, my ox, my ass, my any thing;
And here she stands, touch her whoever dare;
I'll bring mine action on the proudest he
That stops my way in Padua. Grumio,
Draw forth thy weapon, we are beset with thieves;
Rescue thy mistress, if thou be a man.
Fear not, sweet wench, they shall not touch
thee, Kate:
I'll buckler thee against a million.
Exeunt PETRUCHIO, KATHARINA, and GRUMIO
BAPTISTA
Nay, let them go, a couple of quiet ones.
GREMIO
Went they not quickly, I should die with laughing.
TRANIO
Of all mad matches never was the like.
LUCENTIO
Mistress, what's your opinion of your sister?
BIANCA
That, being mad herself, she's madly mated.
GREMIO
I warrant him, Petruchio is Kated.
BAPTISTA
Neighbours and friends, though bride and
bridegroom wants
For to supply the places at the table,
You know there wants no junkets at the feast.
Lucentio, you shall supply the bridegroom's place:
And let Bianca take her sister's room.
TRANIO
Shall sweet Bianca practise how to bride it?
BAPTISTA
She shall, Lucentio. Come, gentlemen, let's go.
Exeunt


أرب جمـال 5 - 11 - 2009 10:53 PM

SCENE I. PETRUCHIO'S country house.SCENE I. PETRUCHIO'S country house.
Enter GRUMIO
GRUMIO
Fie, fie on all tired jades, on all mad masters, and
all foul ways! Was ever man so beaten? was ever
man so rayed? was ever man so weary? I am sent
before to make a fire, and they are coming after to
warm them. Now, were not I a little pot and soon
hot, my very lips might freeze to my teeth, my
tongue to the roof of my mouth, my heart in my
belly, ere I should come by a fire to thaw me: but
I, with blowing the fire, shall warm myself; for,
considering the weather, a taller man than I will
take cold. Holla, ho! Curtis.
Enter CURTIS
CURTIS
Who is that calls so coldly?
GRUMIO
A piece of ice: if thou doubt it, thou mayst slide
from my shoulder to my heel with no greater a run
but my head and my neck. A fire good Curtis.
CURTIS
Is my master and his wife coming, Grumio?
GRUMIO
O, ay, Curtis, ay: and therefore fire, fire; cast
on no water.
CURTIS
Is she so hot a shrew as she's reported?
GRUMIO
She was, good Curtis, before this frost: but, thou
knowest, winter tames man, woman and beast; for it
hath tamed my old master and my new mistress and
myself, fellow Curtis.
CURTIS
Away, you three-inch fool! I am no beast.
GRUMIO
Am I but three inches? why, thy horn is a foot; and
so long am I at the least. But wilt thou make a
fire, or shall I complain on thee to our mistress,
whose hand, she being now at hand, thou shalt soon
feel, to thy cold comfort, for being slow in thy hot office?
CURTIS
I prithee, good Grumio, tell me, how goes the world?
GRUMIO
A cold world, Curtis, in every office but thine; and
therefore fire: do thy duty, and have thy duty; for
my master and mistress are almost frozen to death.
CURTIS
There's fire ready; and therefore, good Grumio, the news.
GRUMIO
Why, 'Jack, boy! ho! boy!' and as much news as
will thaw.
CURTIS
Come, you are so full of cony-catching!
GRUMIO
Why, therefore fire; for I have caught extreme cold.
Where's the ****? is supper ready, the house
trimmed, rushes strewed, cob***s swept; the
serving-men in their new fustian, their white
stockings, and every officer his wedding-garment on?
Be the jacks fair within, the jills fair without,
the carpets laid, and every thing in order?
CURTIS
All ready; and therefore, I pray thee, news.
GRUMIO
First, know, my horse is tired; my master and
mistress fallen out.
CURTIS
How?
GRUMIO
Out of their saddles into the dirt; and thereby
hangs a tale.
CURTIS
Let's ha't, good Grumio.
GRUMIO
Lend thine ear.
CURTIS
Here.
GRUMIO
There.
Strikes him
CURTIS
This is to feel a tale, not to hear a tale.
GRUMIO
And therefore 'tis called a sensible tale: and this
cuff was but to knock at your ear, and beseech
listening. Now I begin: Imprimis, we came down a
foul hill, my master riding behind my mistress,--
CURTIS
Both of one horse?
GRUMIO
What's that to thee?
CURTIS
Why, a horse.
GRUMIO
Tell thou the tale: but hadst thou not crossed me,
thou shouldst have heard how her horse fell and she
under her horse; thou shouldst have heard in how
miry a place, how she was bemoiled, how he left her
with the horse upon her, how he beat me because
her horse stumbled, how she waded through the dirt
to pluck him off me, how he swore, how she prayed,
that never prayed before, how I cried, how the
horses ran away, how her bridle was burst, how I
lost my crupper, with many things of worthy memory,
which now shall die in oblivion and thou return
unexperienced to thy grave.
CURTIS
By this reckoning he is more shrew than she.
GRUMIO
Ay; and that thou and the proudest of you all shall
find when he comes home. But what talk I of this?
Call forth Nathaniel, Joseph, Nicholas, Philip,
Walter, Sugarsop and the rest: let their heads be
sleekly combed their blue coats brushed and their
garters of an indifferent knit: let them curtsy
with their left legs and not presume to touch a hair
of my master's horse-tail till they kiss their
hands. Are they all ready?
CURTIS
They are.
GRUMIO
Call them forth.
CURTIS
Do you hear, ho? you must meet my master to
countenance my mistress.
GRUMIO
Why, she hath a face of her own.
CURTIS
Who knows not that?
GRUMIO
Thou, it seems, that calls for company to
countenance her.
CURTIS
I call them forth to credit her.
GRUMIO
Why, she comes to borrow nothing of them.
Enter four or five Serving-men
NATHANIEL
Welcome home, Grumio!
PHILIP
How now, Grumio!
JOSEPH
What, Grumio!
NICHOLAS
Fellow Grumio!
NATHANIEL
How now, old lad?
GRUMIO
Welcome, you;--how now, you;-- what, you;--fellow,
you;--and thus much for greeting. Now, my spruce
companions, is all ready, and all things neat?
NATHANIEL
All things is ready. How near is our master?
GRUMIO
E'en at hand, alighted by this; and therefore be
not--Cock's passion, silence! I hear my master.
Enter PETRUCHIO and KATHARINA
PETRUCHIO
Where be these knaves? What, no man at door
To hold my stirrup nor to take my horse!
Where is Nathaniel, Gregory, Philip?
ALL SERVING-MEN Here, here, sir; here, sir.
PETRUCHIO
Here, sir! here, sir! here, sir! here, sir!
You logger-headed and unpolish'd grooms!
What, no attendance? no regard? no duty?
Where is the foolish knave I sent before?
GRUMIO
Here, sir; as foolish as I was before.
PETRUCHIO
You peasant swain! you whoreson malt-horse drudge!
Did I not bid thee meet me in the park,
And bring along these rascal knaves with thee?
GRUMIO
Nathaniel's coat, sir, was not fully made,
And Gabriel's pumps were all unpink'd i' the heel;
There was no link to colour Peter's hat,
And Walter's dagger was not come from sheathing:
There were none fine but Adam, Ralph, and Gregory;
The rest were ragged, old, and beggarly;
Yet, as they are, here are they come to meet you.
PETRUCHIO
Go, rascals, go, and fetch my supper in.
Exeunt Servants
Singing
Where is the life that late I led--
Where are those--Sit down, Kate, and welcome.--
Sound, sound, sound, sound!
Re-enter Servants with supper
Why, when, I say? Nay, good sweet Kate, be merry.
Off with my boots, you rogues! you villains, when?
Sings
It was the friar of orders grey,
As he forth walked on his way:--
Out, you rogue! you pluck my foot awry:
Take that, and mend the plucking off the other.
Strikes him
Be merry, Kate. Some water, here; what, ho!
Where's my spaniel Troilus? Sirrah, get you hence,
And bid my cousin Ferdinand come hither:
One, Kate, that you must kiss, and be acquainted with.
Where are my slippers? Shall I have some water?
Enter one with water
Come, Kate, and wash, and welcome heartily.
You whoreson villain! will you let it fall?
Strikes him
KATHARINA
Patience, I pray you; 'twas a fault unwilling.
PETRUCHIO
A whoreson beetle-headed, flap-ear'd knave!
Come, Kate, sit down; I know you have a stomach.
Will you give thanks, sweet Kate; or else shall I?
What's this? mutton?
First Servant
Ay.
PETRUCHIO
Who brought it?
PETER
I.
PETRUCHIO
'Tis burnt; and so is all the meat.
What dogs are these! Where is the rascal ****?
How durst you, villains, bring it from the dresser,
And serve it thus to me that love it not?
Theretake it to you, trenchers, cups, and all;
Throws the meat, & c. about the stage
You heedless joltheads and unmanner'd slaves!
What, do you grumble? I'll be with you straight.
KATHARINA
I pray you, husband, be not so disquiet:
The meat was well, if you were so *******ed.
PETRUCHIO
I tell thee, Kate, 'twas burnt and dried away;
And I expressly am forbid to touch it,
For it engenders choler, planteth anger;
And better 'twere that both of us did fast,
Since, of ourselves, ourselves are choleric,
Than feed it with such over-roasted flesh.
Be patient; to-morrow 't shall be mended,
And, for this night, we'll fast for company:
Come, I will bring thee to thy bridal chamber.
Exeunt
Re-enter Servants severally
NATHANIEL
Peter, didst ever see the like?
PETER
He kills her in her own humour.
Re-enter CURTIS
GRUMIO
Where is he?
CURTIS
In her chamber, making a sermon of continency to her;
And rails, and swears, and rates, that she, poor soul,
Knows not which way to stand, to look, to speak,
And sits as one new-risen from a dream.
Away, away! for he is coming hither.
Exeunt
Re-enter PETRUCHIO
PETRUCHIO
Thus have I politicly begun my reign,
And 'tis my hope to end successfully.
My falcon now is sharp and passing empty;
And till she stoop she must not be full-gorged,
For then she never looks upon her lure.
Another way I have to man my haggard,
To make her come and know her keeper's call,
That is, to watch her, as we watch these kites
That bate and beat and will not be obedient.
She eat no meat to-day, nor none shall eat;
Last night she slept not, nor to-night she shall not;
As with the meat, some undeserved fault
I'll find about the making of the bed;
And here I'll fling the pillow, there the bolster,
This way the coverlet, another way the sheets:
Ay, and amid this hurly I intend
That all is done in reverend care of her;
And in conclusion she shall watch all night:
And if she chance to nod I'll rail and brawl
And with the clamour keep her still awake.
This is a way to kill a wife with kindness;
And thus I'll curb her mad and headstrong humour.
He that knows better how to tame a shrew,
Now let him speak: 'tis charity to show.
Exit


أرب جمـال 5 - 11 - 2009 10:54 PM

SCENE II. Padua. Before BAPTISTA'S house.SCENE II. Padua. Before BAPTISTA'S house.
Enter TRANIO and HORTENSIO
TRANIO
Is't possible, friend Licio, that Mistress Bianca
Doth fancy any other but Lucentio?
I tell you, sir, she bears me fair in hand.
HORTENSIO
Sir, to satisfy you in what I have said,
Stand by and mark the manner of his teaching.
Enter BIANCA and LUCENTIO
LUCENTIO
Now, mistress, profit you in what you read?
BIANCA
What, master, read you? first resolve me that.
LUCENTIO
I read that I profess, the Art to Love.
BIANCA
And may you prove, sir, master of your art!
LUCENTIO
While you, sweet dear, prove mistress of my heart!
HORTENSIO
Quick proceeders, marry! Now, tell me, I pray,
You that durst swear at your mistress Bianca
Loved none in the world so well as Lucentio.
TRANIO
O despiteful love! unconstant womankind!
I tell thee, Licio, this is wonderful.
HORTENSIO
Mistake no more: I am not Licio,
Nor a musician, as I seem to be;
But one that scorn to live in this disguise,
For such a one as leaves a gentleman,
And makes a god of such a cullion:
Know, sir, that I am call'd Hortensio.
TRANIO
Signior Hortensio, I have often heard
Of your entire affection to Bianca;
And since mine eyes are witness of her lightness,
I will with you, if you be so *******ed,
Forswear Bianca and her love for ever.
HORTENSIO
See, how they kiss and court! Signior Lucentio,
Here is my hand, and here I firmly vow
Never to woo her no more, but do forswear her,
As one unworthy all the former favours
That I have fondly flatter'd her withal.
TRANIO
And here I take the unfeigned oath,
Never to marry with her though she would entreat:
Fie on her! see, how beastly she doth court him!
HORTENSIO
Would all the world but he had quite forsworn!
For me, that I may surely keep mine oath,
I will be married to a wealthy widow,
Ere three days pass, which hath as long loved me
As I have loved this proud disdainful haggard.
And so farewell, Signior Lucentio.
Kindness in women, not their beauteous looks,
Shall win my love: and so I take my leave,
In resolution as I swore before.
Exit
TRANIO
Mistress Bianca, bless you with such grace
As 'longeth to a lover's blessed case!
Nay, I have ta'en you napping, gentle love,
And have forsworn you with Hortensio.
BIANCA
Tranio, you jest: but have you both forsworn me?
TRANIO
Mistress, we have.
LUCENTIO
Then we are rid of Licio.
TRANIO
I' faith, he'll have a lusty widow now,
That shall be wood and wedded in a day.
BIANCA
God give him joy!
TRANIO
Ay, and he'll tame her.
BIANCA
He says so, Tranio.
TRANIO
Faith, he is gone unto the taming-school.
BIANCA
The taming-school! what, is there such a place?
TRANIO
Ay, mistress, and Petruchio is the master;
That teacheth tricks eleven and twenty long,
To tame a shrew and charm her chattering tongue.
Enter BIONDELLO
BIONDELLO
O master, master, I have watch'd so long
That I am dog-weary: but at last I spied
An ancient angel coming down the hill,
Will serve the turn.
TRANIO
What is he, Biondello?
BIONDELLO
Master, a mercatante, or a pedant,
I know not what; but format in apparel,
In gait and countenance surely like a father.
LUCENTIO
And what of him, Tranio?
TRANIO
If he be credulous and trust my tale,
I'll make him glad to seem Vincentio,
And give assurance to Baptista Minola,
As if he were the right Vincentio
Take in your love, and then let me alone.
Exeunt LUCENTIO and BIANCA
Enter a Pedant
Pedant
God save you, sir!
TRANIO
And you, sir! you are welcome.
Travel you far on, or are you at the farthest?
Pedant
Sir, at the farthest for a week or two:
But then up farther, and as for as Rome;
And so to Tripoli, if God lend me life.
TRANIO
What countryman, I pray?
Pedant
Of Mantua.
TRANIO
Of Mantua, sir? marry, God forbid!
And come to Padua, careless of your life?
Pedant
My life, sir! how, I pray? for that goes hard.
TRANIO
'Tis death for any one in Mantua
To come to Padua. Know you not the cause?
Your ships are stay'd at Venice, and the duke,
For private quarrel 'twixt your duke and him,
Hath publish'd and proclaim'd it openly:
'Tis, marvel, but that you are but newly come,
You might have heard it else proclaim'd about.
Pedant
Alas! sir, it is worse for me than so;
For I have bills for money by exchange
From Florence and must here deliver them.
TRANIO
Well, sir, to do you courtesy,
This will I do, and this I will advise you:
First, tell me, have you ever been at Pisa?
Pedant
Ay, sir, in Pisa have I often been,
Pisa renowned for grave citizens.
TRANIO
Among them know you one Vincentio?
Pedant
I know him not, but I have heard of him;
A merchant of incomparable wealth.
TRANIO
He is my father, sir; and, sooth to say,
In countenance somewhat doth resemble you.
BIONDELLO
[Aside] As much as an apple doth an oyster,
and all one.
TRANIO
To save your life in this extremity,
This favour will I do you for his sake;
And think it not the worst of an your fortunes
That you are like to Sir Vincentio.
His name and credit shall you undertake,
And in my house you shall be friendly lodged:
Look that you take upon you as you should;
You understand me, sir: so shall you stay
Till you have done your business in the city:
If this be courtesy, sir, accept of it.
Pedant
O sir, I do; and will repute you ever
The patron of my life and liberty.
TRANIO
Then go with me to make the matter good.
This, by the way, I let you understand;
my father is here look'd for every day,
To pass assurance of a dower in marriage
'Twixt me and one Baptista's daughter here:
In all these circumstances I'll instruct you:
Go with me to clothe you as becomes you.
Exeunt


أرب جمـال 5 - 11 - 2009 10:55 PM

SCENE III. A room in PETRUCHIO'S house.SCENE III. A room in PETRUCHIO'S house.
Enter KATHARINA and GRUMIO
GRUMIO
No, no, forsooth; I dare not for my life.
KATHARINA
The more my wrong, the more his spite appears:
What, did he marry me to famish me?
Beggars, that come unto my father's door,
Upon entreaty have a present aims;
If not, elsewhere they meet with charity:
But I, who never knew how to entreat,
Nor never needed that I should entreat,
Am starved for meat, giddy for lack of sleep,
With oath kept waking and with brawling fed:
And that which spites me more than all these wants,
He does it under name of perfect love;
As who should say, if I should sleep or eat,
'Twere deadly sickness or else present death.
I prithee go and get me some repast;
I care not what, so it be wholesome food.
GRUMIO
What say you to a neat's foot?
KATHARINA
'Tis passing good: I prithee let me have it.
GRUMIO
I fear it is too choleric a meat.
How say you to a fat tripe finely broil'd?
KATHARINA
I like it well: good Grumio, fetch it me.
GRUMIO
I cannot tell; I fear 'tis choleric.
What say you to a piece of beef and mustard?
KATHARINA
A dish that I do love to feed upon.
GRUMIO
Ay, but the mustard is too hot a little.
KATHARINA
Why then, the beef, and let the mustard rest.
GRUMIO
Nay then, I will not: you shall have the mustard,
Or else you get no beef of Grumio.
KATHARINA
Then both, or one, or any thing thou wilt.
GRUMIO
Why then, the mustard without the beef.
KATHARINA
Go, get thee gone, thou false deluding slave,
Beats him
That feed'st me with the very name of meat:
Sorrow on thee and all the pack of you,
That triumph thus upon my misery!
Go, get thee gone, I say.
Enter PETRUCHIO and HORTENSIO with meat
PETRUCHIO
How fares my Kate? What, sweeting, all amort?
HORTENSIO
Mistress, what cheer?
KATHARINA
Faith, as cold as can be.
PETRUCHIO
Pluck up thy spirits; look cheerfully upon me.
Here love; thou see'st how diligent I am
To dress thy meat myself and bring it thee:
I am sure, sweet Kate, this kindness merits thanks.
What, not a word? Nay, then thou lovest it not;
And all my pains is sorted to no proof.
Here, take away this dish.
KATHARINA
I pray you, let it stand.
PETRUCHIO
The poorest service is repaid with thanks;
And so shall mine, before you touch the meat.
KATHARINA
I thank you, sir.
HORTENSIO
Signior Petruchio, fie! you are to blame.
Come, mistress Kate, I'll bear you company.
PETRUCHIO
[Aside] Eat it up all, Hortensio, if thou lovest me.
Much good do it unto thy gentle heart!
Kate, eat apace: and now, my honey love,
Will we return unto thy father's house
And revel it as bravely as the best,
With silken coats and caps and golden rings,
With ruffs and cuffs and fardingales and things;
With scarfs and fans and double change of bravery,
With amber bracelets, beads and all this knavery.
What, hast thou dined? The tailor stays thy leisure,
To deck thy body with his ruffling treasure.
Enter Tailor
Come, tailor, let us see these ornaments;
Lay forth the gown.
Enter Haberdasher
What news with you, sir?
Haberdasher
Here is the cap your worship did bespeak.
PETRUCHIO
Why, this was moulded on a porringer;
A velvet dish: fie, fie! 'tis lewd and filthy:
Why, 'tis a cockle or a walnut-****l,
A knack, a toy, a trick, a baby's cap:
Away with it! come, let me have a bigger.
KATHARINA
I'll have no bigger: this doth fit the time,
And gentlewomen wear such caps as these
PETRUCHIO
When you are gentle, you shall have one too,
And not till then.
HORTENSIO
[Aside] That will not be in haste.
KATHARINA
Why, sir, I trust I may have leave to speak;
And speak I will; I am no child, no babe:
Your betters have endured me say my mind,
And if you cannot, best you stop your ears.
My tongue will tell the anger of my heart,
Or else my heart concealing it will break,
And rather than it shall, I will be free
Even to the uttermost, as I please, in words.
PETRUCHIO
Why, thou say'st true; it is a paltry cap,
A custard-coffin, a bauble, a silken pie:
I love thee well, in that thou likest it not.
KATHARINA
Love me or love me not, I like the cap;
And it I will have, or I will have none.
Exit Haberdasher
PETRUCHIO
Thy gown? why, ay: come, tailor, let us see't.
O mercy, God! what masquing stuff is here?
What's this? a sleeve? 'tis like a demi-cannon:
What, up and down, carved like an apple-tart?
Here's snip and nip and cut and slish and slash,
Like to a censer in a barber's shop:
Why, what, i' devil's name, tailor, call'st thou this?
HORTENSIO
[Aside] I see she's like to have neither cap nor gown.
Tailor
You bid me make it orderly and well,
According to the fashion and the time.
PETRUCHIO
Marry, and did; but if you be remember'd,
I did not bid you mar it to the time.
Go, hop me over every kennel home,
For you shall hop without my custom, sir:
I'll none of it: hence! make your best of it.
KATHARINA
I never saw a better-fashion'd gown,
More quaint, more pleasing, nor more commendable:
Belike you mean to make a puppet of me.
PETRUCHIO
Why, true; he means to make a puppet of thee.
Tailor
She says your worship means to make
a puppet of her.
PETRUCHIO
O monstrous arrogance! Thou liest, thou thread,
thou thimble,
Thou yard, three-quarters, half-yard, quarter, nail!
Thou flea, thou nit, thou winter-cricket thou!
Braved in mine own house with a skein of thread?
Away, thou rag, thou quantity, thou remnant;
Or I shall so be-mete thee with thy yard
As thou shalt think on prating whilst thou livest!
I tell thee, I, that thou hast marr'd her gown.
Tailor
Your worship is deceived; the gown is made
Just as my master had direction:
Grumio gave order how it should be done.
GRUMIO
I gave him no order; I gave him the stuff.
Tailor
But how did you desire it should be made?
GRUMIO
Marry, sir, with needle and thread.
Tailor
But did you not request to have it cut?
GRUMIO
Thou hast faced many things.
Tailor
I have.
GRUMIO
Face not me: thou hast braved many men; brave not
me; I will neither be faced nor braved. I say unto
thee, I bid thy master cut out the gown; but I did
not bid him cut it to pieces: ergo, thou liest.
Tailor
Why, here is the note of the fashion to testify
PETRUCHIO
Read it.
GRUMIO
The note lies in's throat, if he say I said so.
Tailor
[Reads] 'Imprimis, a loose-bodied gown:'
GRUMIO
Master, if ever I said loose-bodied gown, sew me in
the skirts of it, and beat me to death with a bottom
of brown thread: I said a gown.
PETRUCHIO
Proceed.
Tailor
[Reads] 'With a small compassed cape:'
GRUMIO
I confess the cape.
Tailor
[Reads] 'With a trunk sleeve:'
GRUMIO
I confess two sleeves.
Tailor
[Reads] 'The sleeves curiously cut.'
PETRUCHIO
Ay, there's the villany.
GRUMIO
Error i' the bill, sir; error i' the bill.
I commanded the sleeves should be cut out and
sewed up again; and that I'll prove upon thee,
though thy little finger be armed in a thimble.
Tailor
This is true that I say: an I had thee
in place where, thou shouldst know it.
GRUMIO
I am for thee straight: take thou the
bill, give me thy mete-yard, and spare not me.
HORTENSIO
God-a-mercy, Grumio! then he shall have no odds.
PETRUCHIO
Well, sir, in brief, the gown is not for me.
GRUMIO
You are i' the right, sir: 'tis for my mistress.
PETRUCHIO
Go, take it up unto thy master's use.
GRUMIO
Villain, not for thy life: take up my mistress'
gown for thy master's use!
PETRUCHIO
Why, sir, what's your conceit in that?
GRUMIO
O, sir, the conceit is deeper than you think for:
Take up my mistress' gown to his master's use!
O, fie, fie, fie!
PETRUCHIO
[Aside] Hortensio, say thou wilt see the tailor paid.
Go take it hence; be gone, and say no more.
HORTENSIO
Tailor, I'll pay thee for thy gown tomorrow:
Take no unkindness of his hasty words:
Away! I say; commend me to thy master.
Exit Tailor
PETRUCHIO
Well, come, my Kate; we will unto your father's
Even in these honest mean habiliments:
Our purses shall be proud, our garments poor;
For 'tis the mind that makes the body rich;
And as the sun breaks through the darkest clouds,
So honour peereth in the meanest habit.
What is the jay more precious than the lark,
Because his fathers are more beautiful?
Or is the adder better than the eel,
Because his painted skin *******s the eye?
O, no, good Kate; neither art thou the worse
For this poor furniture and mean array.
if thou account'st it shame. lay it on me;
And therefore frolic: we will hence forthwith,
To feast and sport us at thy father's house.
Go, call my men, and let us straight to him;
And bring our horses unto Long-lane end;
There will we mount, and thither walk on foot
Let's see; I think 'tis now some seven o'clock,
And well we may come there by dinner-time.
KATHARINA
I dare assure you, sir, 'tis almost two;
And 'twill be supper-time ere you come there.
PETRUCHIO
It shall be seven ere I go to horse:
Look, what I speak, or do, or think to do,
You are still crossing it. Sirs, let't alone:
I will not go to-day; and ere I do,
It shall be what o'clock I say it is.
HORTENSIO
[Aside] Why, so this gallant will command the sun.
Exeunt


أرب جمـال 5 - 11 - 2009 10:55 PM

SCENE IV. Padua. Before BAPTISTA'S house.SCENE IV. Padua. Before BAPTISTA'S house.
Enter TRANIO, and the Pedant dressed like VINCENTIO
TRANIO
Sir, this is the house: please it you that I call?
Pedant
Ay, what else? and but I be deceived
Signior Baptista may remember me,
Near twenty years ago, in Genoa,
Where we were lodgers at the Pegasus.
TRANIO
'Tis well; and hold your own, in any case,
With such austerity as 'longeth to a father.
Pedant
I warrant you.
Enter BIONDELLO
But, sir, here comes your boy;
'Twere good he were school'd.
TRANIO
Fear you not him. Sirrah Biondello,
Now do your duty throughly, I advise you:
Imagine 'twere the right Vincentio.
BIONDELLO
Tut, fear not me.
TRANIO
But hast thou done thy errand to Baptista?
BIONDELLO
I told him that your father was at Venice,
And that you look'd for him this day in Padua.
TRANIO
Thou'rt a tall fellow: hold thee that to drink.
Here comes Baptista: set your countenance, sir.
Enter BAPTISTA and LUCENTIO
Signior Baptista, you are happily met.
To the Pedant
Sir, this is the gentleman I told you of:
I pray you stand good father to me now,
Give me Bianca for my patrimony.
Pedant
Soft son!
Sir, by your leave: having come to Padua
To gather in some debts, my son Lucentio
Made me acquainted with a weighty cause
Of love between your daughter and himself:
And, for the good report I hear of you
And for the love he beareth to your daughter
And she to him, to stay him not too long,
I am *******, in a good father's care,
To have him match'd; and if you please to like
No worse than I, upon some agreement
Me shall you find ready and willing
With one consent to have her so bestow'd;
For curious I cannot be with you,
Signior Baptista, of whom I hear so well.
BAPTISTA
Sir, pardon me in what I have to say:
Your plainness and your shortness please me well.
Right true it is, your son Lucentio here
Doth love my daughter and she loveth him,
Or both dissemble deeply their affections:
And therefore, if you say no more than this,
That like a father you will deal with him
And pass my daughter a sufficient dower,
The match is made, and all is done:
Your son shall have my daughter with consent.
TRANIO
I thank you, sir. Where then do you know best
We be affied and such assurance ta'en
As shall with either part's agreement stand?
BAPTISTA
Not in my house, Lucentio; for, you know,
Pitchers have ears, and I have many servants:
Besides, old Gremio is hearkening still;
And happily we might be interrupted.
TRANIO
Then at my lodging, an it like you:
There doth my father lie; and there, this night,
We'll pass the business privately and well.
Send for your daughter by your servant here:
My boy shall fetch the scrivener presently.
The worst is this, that, at so slender warning,
You are like to have a thin and slender pittance.
BAPTISTA
It likes me well. Biondello, hie you home,
And bid Bianca make her ready straight;
And, if you will, tell what hath happened,
Lucentio's father is arrived in Padua,
And how she's like to be Lucentio's wife.
BIONDELLO
I pray the gods she may with all my heart!
TRANIO
Dally not with the gods, but get thee gone.
Exit BIONDELLO
Signior Baptista, shall I lead the way?
Welcome! one mess is like to be your cheer:
Come, sir; we will better it in Pisa.
BAPTISTA
I follow you.
Exeunt TRANIO, Pedant, and BAPTISTA
Re-enter BIONDELLO
BIONDELLO
Cambio!
LUCENTIO
What sayest thou, Biondello?
BIONDELLO
You saw my master wink and laugh upon you?
LUCENTIO
Biondello, what of that?
BIONDELLO
Faith, nothing; but has left me here behind, to
expound the meaning or moral of his signs and tokens.
LUCENTIO
I pray thee, moralize them.
BIONDELLO
Then thus. Baptista is safe, talking with the
deceiving father of a deceitful son.
LUCENTIO
And what of him?
BIONDELLO
His daughter is to be brought by you to the supper.
LUCENTIO
And then?
BIONDELLO
The old priest of Saint Luke's church is at your
command at all hours.
LUCENTIO
And what of all this?
BIONDELLO
I cannot tell; expect they are busied about a
counterfeit assurance: take you assurance of her,
'cum privilegio ad imprimendum solum:' to the
church; take the priest, clerk, and some sufficient
honest witnesses: If this be not that you look for,
I have no more to say, But bid Bianca farewell for
ever and a day.
LUCENTIO
Hearest thou, Biondello?
BIONDELLO
I cannot tarry: I knew a wench married in an
afternoon as she went to the garden for parsley to
stuff a rabbit; and so may you, sir: and so, adieu,
sir. My master hath appointed me to go to Saint
Luke's, to bid the priest be ready to come against
you come with your appendix.
Exit
LUCENTIO
I may, and will, if she be so *******ed:
She will be pleased; then wherefore should I doubt?
Hap what hap may, I'll roundly go about her:
It shall go hard if Cambio go without her.
Exit


أرب جمـال 5 - 11 - 2009 10:56 PM

SCENE V. A public road.SCENE V. A public road.
Enter PETRUCHIO, KATHARINA, HORTENSIO, and Servants
PETRUCHIO
Come on, i' God's name; once more toward our father's.
Good Lord, how bright and goodly shines the moon!
KATHARINA
The moon! the sun: it is not moonlight now.
PETRUCHIO
I say it is the moon that shines so bright.
KATHARINA
I know it is the sun that shines so bright.
PETRUCHIO
Now, by my mother's son, and that's myself,
It shall be moon, or star, or what I list,
Or ere I journey to your father's house.
Go on, and fetch our horses back again.
Evermore cross'd and cross'd; nothing but cross'd!
HORTENSIO
Say as he says, or we shall never go.
KATHARINA
Forward, I pray, since we have come so far,
And be it moon, or sun, or what you please:
An if you please to call it a rush-candle,
Henceforth I vow it shall be so for me.
PETRUCHIO
I say it is the moon.
KATHARINA
I know it is the moon.
PETRUCHIO
Nay, then you lie: it is the blessed sun.
KATHARINA
Then, God be bless'd, it is the blessed sun:
But sun it is not, when you say it is not;
And the moon changes even as your mind.
What you will have it named, even that it is;
And so it shall be so for Katharina.
HORTENSIO
Petruchio, go thy ways; the field is won.
PETRUCHIO
Well, forward, forward! thus the bowl should run,
And not unluckily against the bias.
But, soft! company is coming here.
Enter VINCENTIO
To VINCENTIO
Good morrow, gentle mistress: where away?
Tell me, sweet Kate, and tell me truly too,
Hast thou beheld a fresher gentlewoman?
Such war of white and red within her cheeks!
What stars do spangle heaven with such beauty,
As those two eyes become that heavenly face?
Fair lovely maid, once more good day to thee.
Sweet Kate, embrace her for her beauty's sake.
HORTENSIO
A' will make the man mad, to make a woman of him.
KATHARINA
Young budding virgin, fair and fresh and sweet,
Whither away, or where is thy abode?
Happy the parents of so fair a child;
Happier the man, whom favourable stars
Allot thee for his lovely bed-fellow!
PETRUCHIO
Why, how now, Kate! I hope thou art not mad:
This is a man, old, wrinkled, faded, wither'd,
And not a maiden, as thou say'st he is.
KATHARINA
Pardon, old father, my mistaking eyes,
That have been so bedazzled with the sun
That everything I look on seemeth green:
Now I perceive thou art a reverend father;
Pardon, I pray thee, for my mad mistaking.
PETRUCHIO
Do, good old grandsire; and withal make known
Which way thou travellest: if along with us,
We shall be joyful of thy company.
VINCENTIO
Fair sir, and you my merry mistress,
That with your strange encounter much amazed me,
My name is call'd Vincentio; my dwelling Pisa;
And bound I am to Padua; there to visit
A son of mine, which long I have not seen.
PETRUCHIO
What is his name?
VINCENTIO
Lucentio, gentle sir.
PETRUCHIO
Happily we met; the happier for thy son.
And now by law, as well as reverend age,
I may entitle thee my loving father:
The sister to my wife, this gentlewoman,
Thy son by this hath married. Wonder not,
Nor be grieved: she is of good esteem,
Her dowery wealthy, and of worthy birth;
Beside, so qualified as may beseem
The spouse of any noble gentleman.
Let me embrace with old Vincentio,
And wander we to see thy honest son,
Who will of thy arrival be full joyous.
VINCENTIO
But is it true? or else is it your pleasure,
Like pleasant travellers, to break a jest
Upon the company you overtake?
HORTENSIO
I do assure thee, father, so it is.
PETRUCHIO
Come, go along, and see the truth hereof;
For our first merriment hath made thee jealous.
Exeunt all but HORTENSIO
HORTENSIO
Well, Petruchio, this has put me in heart.
Have to my widow! and if she be froward,
Then hast thou taught Hortensio to be untoward.
Exit

SCENE I. Padua. Before LUCENTIO'S house.SCENE I. Padua. Before LUCENTIO'S house.
GREMIO discovered. Enter behind BIONDELLO, LUCENTIO, and BIANCA
BIONDELLO
Softly and swiftly, sir; for the priest is ready.
LUCENTIO
I fly, Biondello: but they may chance to need thee
at home; therefore leave us.
BIONDELLO
Nay, faith, I'll see the church o' your back; and
then come back to my master's as soon as I can.
Exeunt LUCENTIO, BIANCA, and BIONDELLO
GREMIO
I marvel Cambio comes not all this while.
Enter PETRUCHIO, KATHARINA, VINCENTIO, GRUMIO, with Attendants
PETRUCHIO
Sir, here's the door, this is Lucentio's house:
My father's bears more toward the market-place;
Thither must I, and here I leave you, sir.
VINCENTIO
You shall not choose but drink before you go:
I think I shall command your welcome here,
And, by all likelihood, some cheer is toward.
Knocks
GREMIO
They're busy within; you were best knock louder.
Pedant looks out of the window
Pedant
What's he that knocks as he would beat down the gate?
VINCENTIO
Is Signior Lucentio within, sir?
Pedant
He's within, sir, but not to be spoken withal.
VINCENTIO
What if a man bring him a hundred pound or two, to
make merry withal?
Pedant
Keep your hundred pounds to yourself: he shall
need none, so long as I live.
PETRUCHIO
Nay, I told you your son was well beloved in Padua.
Do you hear, sir? To leave frivolous circumstances,
I pray you, tell Signior Lucentio that his father is
come from Pisa, and is here at the door to speak with him.
Pedant
Thou liest: his father is come from Padua and here
looking out at the ********
VINCENTIO
Art thou his father?
Pedant
Ay, sir; so his mother says, if I may believe her.
PETRUCHIO
[To VINCENTIO] Why, how now, gentleman! why, this
is flat knavery, to take upon you another man's name.
Pedant
Lay hands on the villain: I believe a' means to
cozen somebody in this city under my countenance.
Re-enter BIONDELLO
BIONDELLO
I have seen them in the church together: God send
'em good shipping! But who is here? mine old
master Vincentio! now we are undone and brought to nothing.
VINCENTIO
[Seeing BIONDELLO]
Come hither, crack-hemp.
BIONDELLO
Hope I may choose, sir.
VINCENTIO
Come hither, you rogue. What, have you forgot me?
BIONDELLO
Forgot you! no, sir: I could not forget you, for I
never saw you before in all my life.
VINCENTIO
What, you notorious villain, didst thou never see
thy master's father, Vincentio?
BIONDELLO
What, my old worshipful old master? yes, marry, sir:
see where he looks out of the ********
VINCENTIO
Is't so, indeed.
Beats BIONDELLO
BIONDELLO
Help, help, help! here's a madman will murder me.
Exit
Pedant
Help, son! help, Signior Baptista!
Exit from above
PETRUCHIO
Prithee, Kate, let's stand aside and see the end of
this controversy.
They retire
Re-enter Pedant below; TRANIO, BAPTISTA, and Servants
TRANIO
Sir, what are you that offer to beat my servant?
VINCENTIO
What am I, sir! nay, what are you, sir? O immortal
gods! O fine villain! A silken doublet! a velvet
hose! a scarlet cloak! and a copatain hat! O, I
am undone! I am undone! while I play the good
husband at home, my son and my servant spend all at
the university.
TRANIO
How now! what's the matter?
BAPTISTA
What, is the man lunatic?
TRANIO
Sir, you seem a sober ancient gentleman by your
habit, but your words show you a madman. Why, sir,
what 'cerns it you if I wear pearl and gold? I
thank my good father, I am able to maintain it.
VINCENTIO
Thy father! O villain! he is a sailmaker in Bergamo.
BAPTISTA
You mistake, sir, you mistake, sir. Pray, what do
you think is his name?
VINCENTIO
His name! as if I knew not his name: I have brought
him up ever since he was three years old, and his
name is Tranio.
Pedant
Away, away, mad ass! his name is Lucentio and he is
mine only son, and heir to the lands of me, Signior Vincentio.
VINCENTIO
Lucentio! O, he hath murdered his master! Lay hold
on him, I charge you, in the duke's name. O, my
son, my son! Tell me, thou villain, where is my son Lucentio?
TRANIO
Call forth an officer.
Enter one with an Officer
Carry this mad knave to the gaol. Father Baptista,
I charge you see that he be forthcoming.
VINCENTIO
Carry me to the gaol!
GREMIO
Stay, officer: he shall not go to prison.
BAPTISTA
Talk not, Signior Gremio: I say he shall go to prison.
GREMIO
Take heed, Signior Baptista, lest you be
cony-catched in this business: I dare swear this
is the right Vincentio.
Pedant
Swear, if thou darest.
GREMIO
Nay, I dare not swear it.
TRANIO
Then thou wert best say that I am not Lucentio.
GREMIO
Yes, I know thee to be Signior Lucentio.
BAPTISTA
Away with the dotard! to the gaol with him!
VINCENTIO
Thus strangers may be hailed and abused: O
monstrous villain!
Re-enter BIONDELLO, with LUCENTIO and BIANCA
BIONDELLO
O! we are spoiled and--yonder he is: deny him,
forswear him, or else we are all undone.
LUCENTIO
[Kneeling] Pardon, sweet father.
VINCENTIO
Lives my sweet son?
Exeunt BIONDELLO, TRANIO, and Pedant, as fast as may be
BIANCA
Pardon, dear father.
BAPTISTA
How hast thou offended?
Where is Lucentio?
LUCENTIO
Here's Lucentio,
Right son to the right Vincentio;
That have by marriage made thy daughter mine,
While counterfeit supposes bleared thine eyne.
GREMIO
Here's packing, with a witness to deceive us all!
VINCENTIO
Where is that damned villain Tranio,
That faced and braved me in this matter so?
BAPTISTA
Why, tell me, is not this my Cambio?
BIANCA
Cambio is changed into Lucentio.
LUCENTIO
Love wrought these miracles. Bianca's love
Made me exchange my state with Tranio,
While he did bear my countenance in the town;
And happily I have arrived at the last
Unto the wished haven of my bliss.
What Tranio did, myself enforced him to;
Then pardon him, sweet father, for my sake.
VINCENTIO
I'll slit the villain's nose, that would have sent
me to the gaol.
BAPTISTA
But do you hear, sir? have you married my daughter
without asking my good will?
VINCENTIO
Fear not, Baptista; we will ******* you, go to: but
I will in, to be revenged for this villany.
Exit
BAPTISTA
And I, to sound the depth of this knavery.
Exit
LUCENTIO
Look not pale, Bianca; thy father will not frown.
Exeunt LUCENTIO and BIANCA
GREMIO
My cake is dough; but I'll in among the rest,
Out of hope of all, but my share of the feast.
Exit
KATHARINA
Husband, let's follow, to see the end of this ado.
PETRUCHIO
First kiss me, Kate, and we will.
KATHARINA
What, in the midst of the street?
PETRUCHIO
What, art thou ashamed of me?
KATHARINA
No, sir, God forbid; but ashamed to kiss.
PETRUCHIO
Why, then let's home again. Come, sirrah, let's away.
KATHARINA
Nay, I will give thee a kiss: now pray thee, love, stay.
PETRUCHIO
Is not this well? Come, my sweet Kate:
Better once than never, for never too late.
Exeunt


أرب جمـال 5 - 11 - 2009 10:56 PM

SCENE II. Padua. LUCENTIO'S house.SCENE II. Padua. LUCENTIO'S house.
Enter BAPTISTA, VINCENTIO, GREMIO, the Pedant, LUCENTIO, BIANCA, PETRUCHIO, KATHARINA, HORTENSIO, and Widow, TRANIO, BIONDELLO, and GRUMIO the Serving-men with Tranio bringing in a banquet
LUCENTIO
At last, though long, our jarring notes agree:
And time it is, when raging war is done,
To smile at scapes and perils overblown.
My fair Bianca, bid my father welcome,
While I with self-same kindness welcome thine.
Brother Petruchio, sister Katharina,
And thou, Hortensio, with thy loving widow,
Feast with the best, and welcome to my house:
My banquet is to close our stomachs up,
After our great good cheer. Pray you, sit down;
For now we sit to chat as well as eat.
PETRUCHIO
Nothing but sit and sit, and eat and eat!
BAPTISTA
Padua affords this kindness, son Petruchio.
PETRUCHIO
Padua affords nothing but what is kind.
HORTENSIO
For both our sakes, I would that word were true.
PETRUCHIO
Now, for my life, Hortensio fears his widow.
Widow
Then never trust me, if I be afeard.
PETRUCHIO
You are very sensible, and yet you miss my sense:
I mean, Hortensio is afeard of you.
Widow
He that is giddy thinks the world turns round.
PETRUCHIO
Roundly replied.
KATHARINA
Mistress, how mean you that?
Widow
Thus I conceive by him.
PETRUCHIO
Conceives by me! How likes Hortensio that?
HORTENSIO
My widow says, thus she conceives her tale.
PETRUCHIO
Very well mended. Kiss him for that, good widow.
KATHARINA
'He that is giddy thinks the world turns round:'
I pray you, tell me what you meant by that.
Widow
Your husband, being troubled with a shrew,
Measures my husband's sorrow by his woe:
And now you know my meaning,
KATHARINA
A very mean meaning.
Widow
Right, I mean you.
KATHARINA
And I am mean indeed, respecting you.
PETRUCHIO
To her, Kate!
HORTENSIO
To her, widow!
PETRUCHIO
A hundred marks, my Kate does put her down.
HORTENSIO
That's my office.
PETRUCHIO
Spoke like an officer; ha' to thee, lad!
Drinks to HORTENSIO
BAPTISTA
How likes Gremio these quick-witted folks?
GREMIO
Believe me, sir, they butt together well.
BIANCA
Head, and butt! an hasty-witted body
Would say your head and butt were head and horn.
VINCENTIO
Ay, mistress bride, hath that awaken'd you?
BIANCA
Ay, but not frighted me; therefore I'll sleep again.
PETRUCHIO
Nay, that you shall not: since you have begun,
Have at you for a bitter jest or two!
BIANCA
Am I your bird? I mean to shift my bush;
And then pursue me as you draw your bow.
You are welcome all.
Exeunt BIANCA, KATHARINA, and Widow
PETRUCHIO
She hath prevented me. Here, Signior Tranio.
This bird you aim'd at, though you hit her not;
Therefore a health to all that shot and miss'd.
TRANIO
O, sir, Lucentio slipp'd me like his greyhound,
Which runs himself and catches for his master.
PETRUCHIO
A good swift simile, but something currish.
TRANIO
'Tis well, sir, that you hunted for yourself:
'Tis thought your deer does hold you at a bay.
BAPTISTA
O ho, Petruchio! Tranio hits you now.
LUCENTIO
I thank thee for that gird, good Tranio.
HORTENSIO
Confess, confess, hath he not hit you here?
PETRUCHIO
A' has a little gall'd me, I confess;
And, as the jest did glance away from me,
'Tis ten to one it maim'd you two outright.
BAPTISTA
Now, in good sadness, son Petruchio,
I think thou hast the veriest shrew of all.
PETRUCHIO
Well, I say no: and therefore for assurance
Let's each one send unto his wife;
And he whose wife is most obedient
To come at first when he doth send for her,
Shall win the wager which we will propose.
HORTENSIO
*******. What is the wager?
LUCENTIO
Twenty crowns.
PETRUCHIO
Twenty crowns!
I'll venture so much of my hawk or hound,
But twenty times so much upon my wife.
LUCENTIO
A hundred then.
HORTENSIO
*******.
PETRUCHIO
A match! 'tis done.
HORTENSIO
Who shall begin?
LUCENTIO
That will I.
Go, Biondello, bid your mistress come to me.
BIONDELLO
I go.
Exit
BAPTISTA
Son, I'll be your half, Bianca comes.
LUCENTIO
I'll have no halves; I'll bear it all myself.
Re-enter BIONDELLO
How now! what news?
BIONDELLO
Sir, my mistress sends you word
That she is busy and she cannot come.
PETRUCHIO
How! she is busy and she cannot come!
Is that an answer?
GREMIO
Ay, and a kind one too:
Pray God, sir, your wife send you not a worse.
PETRUCHIO
I hope better.
HORTENSIO
Sirrah Biondello, go and entreat my wife
To come to me forthwith.
Exit BIONDELLO
PETRUCHIO
O, ho! entreat her!
Nay, then she must needs come.
HORTENSIO
I am afraid, sir,
Do what you can, yours will not be entreated.
Re-enter BIONDELLO
Now, where's my wife?
BIONDELLO
She says you have some goodly jest in hand:
She will not come: she bids you come to her.
PETRUCHIO
Worse and worse; she will not come! O vile,
Intolerable, not to be endured!
Sirrah Grumio, go to your mistress;
Say, I command her to come to me.
Exit GRUMIO
HORTENSIO
I know her answer.
PETRUCHIO
What?
HORTENSIO
She will not.
PETRUCHIO
The fouler fortune mine, and there an end.
BAPTISTA
Now, by my holidame, here comes Katharina!
Re-enter KATARINA
KATHARINA
What is your will, sir, that you send for me?
PETRUCHIO
Where is your sister, and Hortensio's wife?
KATHARINA
They sit conferring by the parlor fire.
PETRUCHIO
Go fetch them hither: if they deny to come.
Swinge me them soundly forth unto their husbands:
Away, I say, and bring them hither straight.
Exit KATHARINA
LUCENTIO
Here is a wonder, if you talk of a wonder.
HORTENSIO
And so it is: I wonder what it bodes.
PETRUCHIO
Marry, peace it bodes, and love and quiet life,
And awful rule and right supremacy;
And, to be short, what not, that's sweet and happy?
BAPTISTA
Now, fair befal thee, good Petruchio!
The wager thou hast won; and I will add
Unto their losses twenty thousand crowns;
Another dowry to another daughter,
For she is changed, as she had never been.
PETRUCHIO
Nay, I will win my wager better yet
And show more sign of her obedience,
Her new-built virtue and obedience.
See where she comes and brings your froward wives
As prisoners to her womanly persuasion.
Re-enter KATHARINA, with BIANCA and Widow
Katharina, that cap of yours becomes you not:
Off with that bauble, throw it under-foot.
Widow
Lord, let me never have a cause to sigh,
Till I be brought to such a silly pass!
BIANCA
Fie! what a foolish duty call you this?
LUCENTIO
I would your duty were as foolish too:
The wisdom of your duty, fair Bianca,
Hath cost me an hundred crowns since supper-time.
BIANCA
The more fool you, for laying on my duty.
PETRUCHIO
Katharina, I charge thee, tell these headstrong women
What duty they do owe their lords and husbands.
Widow
Come, come, you're mocking: we will have no telling.
PETRUCHIO
Come on, I say; and first begin with her.
Widow
She shall not.
PETRUCHIO
I say she shall: and first begin with her.
KATHARINA
Fie, fie! unknit that threatening unkind brow,
And dart not scornful glances from those eyes,
To wound thy lord, thy king, thy governor:
It blots thy beauty as frosts do bite the meads,
Confounds thy fame as whirlwinds shake fair buds,
And in no sense is meet or amiable.
A woman moved is like a fountain troubled,
Muddy, ill-seeming, thick, bereft of beauty;
And while it is so, none so dry or thirsty
Will deign to sip or touch one drop of it.
Thy husband is thy lord, thy life, thy keeper,
Thy head, thy sovereign; one that cares for thee,
And for thy maintenance commits his body
To painful labour both by sea and land,
To watch the night in storms, the day in cold,
Whilst thou liest warm at home, secure and safe;
And craves no other tribute at thy hands
But love, fair looks and true obedience;
Too little payment for so great a debt.
Such duty as the subject owes the prince
Even such a woman oweth to her husband;
And when she is froward, peevish, sullen, sour,
And not obedient to his honest will,
What is she but a foul contending rebel
And graceless traitor to her loving lord?
I am ashamed that women are so simple
To offer war where they should kneel for peace;
Or seek for rule, supremacy and sway,
When they are bound to serve, love and obey.
Why are our bodies soft and weak and smooth,
Unapt to toil and trouble in the world,
But that our soft conditions and our hearts
Should well agree with our external parts?
Come, come, you froward and unable worms!
My mind hath been as big as one of yours,
My heart as great, my reason haply more,
To bandy word for word and frown for frown;
But now I see our lances are but straws,
Our strength as weak, our weakness past compare,
That seeming to be most which we indeed least are.
Then vail your stomachs, for it is no boot,
And place your hands below your husband's foot:
In token of which duty, if he please,
My hand is ready; may it do him ease.
PETRUCHIO
Why, there's a wench! Come on, and kiss me, Kate.
LUCENTIO
Well, go thy ways, old lad; for thou shalt ha't.
VINCENTIO
'Tis a good hearing when children are toward.
LUCENTIO
But a harsh hearing when women are froward.
PETRUCHIO
Come, Kate, we'll to bed.
We three are married, but you two are sped.
To LUCENTIO
'Twas I won the wager, though you hit the white;
And, being a winner, God give you good night!
Exeunt PETRUCHIO and KATHARINA
HORTENSIO
Now, go thy ways; thou hast tamed a curst shrew.
LUCENTIO
'Tis a wonder, by your leave, she will be tamed so.
Exeunt


أرب جمـال 5 - 11 - 2009 10:57 PM

The Tempest

SCENE I. On a ship at sea: a tempestuous noiseSCENE I. On a ship at sea: a tempestuous noise
of thunder and lightning heard.
Enter a Master and a Boatswain
Master
Boatswain!
Boatswain
Here, master: what cheer?
Master
Good, speak to the mariners: fall to't, yarely,
or we run ourselves aground: bestir, bestir.
Exit
Enter Mariners
Boatswain
Heigh, my hearts! cheerly, cheerly, my hearts!
yare, yare! Take in the topsail. Tend to the
master's whistle. Blow, till thou burst thy wind,
if room enough!
Enter ALONSO, SEBASTIAN, ANTONIO, FERDINAND, GONZALO, and others
ALONSO
Good boatswain, have care. Where's the master?
Play the men.
Boatswain
I pray now, keep below.
ANTONIO
Where is the master, boatswain?
Boatswain
Do you not hear him? You mar our labour: keep your
cabins: you do assist the storm.
GONZALO
Nay, good, be patient.
Boatswain
When the sea is. Hence! What cares these roarers
for the name of king? To cabin: silence! trouble us not.
GONZALO
Good, yet remember whom thou hast aboard.
Boatswain
None that I more love than myself. You are a
counsellor; if you can command these elements to
silence, and work the peace of the present, we will
not hand a rope more; use your authority: if you
cannot, give thanks you have lived so long, and make
yourself ready in your cabin for the mischance of
the hour, if it so hap. Cheerly, good hearts! Out
of our way, I say.
Exit
GONZALO
I have great comfort from this fellow: methinks he
hath no drowning mark upon him; his complexion is
perfect gallows. Stand fast, good Fate, to his
hanging: make the rope of his destiny our cable,
for our own doth little advantage. If he be not
born to be hanged, our case is miserable.
Exeunt
Re-enter Boatswain
Boatswain
Down with the topmast! yare! lower, lower! Bring
her to try with main-course.
A cry within
A plague upon this howling! they are louder than
the weather or our office.
Re-enter SEBASTIAN, ANTONIO, and GONZALO
Yet again! what do you here? Shall we give o'er
and drown? Have you a mind to sink?
SEBASTIAN
A pox o' your throat, you bawling, blasphemous,
incharitable dog!
Boatswain
Work you then.
ANTONIO
Hang, cur! hang, you whoreson, insolent noisemaker!
We are less afraid to be drowned than thou art.
GONZALO
I'll warrant him for drowning; though the ship were
no stronger than a nut****l and as leaky as an
unstanched wench.
Boatswain
Lay her a-hold, a-hold! set her two courses off to
sea again; lay her off.
Enter Mariners wet
Mariners
All lost! to prayers, to prayers! all lost!
Boatswain
What, must our mouths be cold?
GONZALO
The king and prince at prayers! let's assist them,
For our case is as theirs.
SEBASTIAN
I'm out of patience.
ANTONIO
We are merely cheated of our lives by drunkards:
This wide-chapp'd rascal--would thou mightst lie drowning
The washing of ten tides!
GONZALO
He'll be hang'd yet,
Though every drop of water swear against it
And gape at widest to glut him.
A confused noise within: 'Mercy on us!'-- 'We split, we split!'--'Farewell, my wife and children!'-- 'Farewell, brother!'--'We split, we split, we split!'
ANTONIO
Let's all sink with the king.
SEBASTIAN
Let's take leave of him.
Exeunt ANTONIO and SEBASTIAN
GONZALO
Now would I give a thousand furlongs of sea for an
acre of barren ground, long heath, brown furze, any
thing. The wills above be done! but I would fain
die a dry death.
Exeunt


أرب جمـال 5 - 11 - 2009 10:58 PM

SCENE II. The island. Before PROSPERO'S cell.SCENE II. The island. Before PROSPERO'S cell.
Enter PROSPERO and MIRANDA
MIRANDA
If by your art, my dearest father, you have
Put the wild waters in this roar, allay them.
The sky, it seems, would pour down stinking pitch,
But that the sea, mounting to the welkin's cheek,
Dashes the fire out. O, I have suffered
With those that I saw suffer: a brave vessel,
Who had, no doubt, some noble creature in her,
Dash'd all to pieces. O, the cry did knock
Against my very heart. Poor souls, they perish'd.
Had I been any god of power, I would
Have sunk the sea within the earth or ere
It should the good ship so have swallow'd and
The fraughting souls within her.
PROSPERO
Be collected:
No more amazement: tell your piteous heart
There's no harm done.
MIRANDA
O, woe the day!
PROSPERO
No harm.
I have done nothing but in care of thee,
Of thee, my dear one, thee, my daughter, who
Art ignorant of what thou art, nought knowing
Of whence I am, nor that I am more better
Than Prospero, master of a full poor cell,
And thy no greater father.
MIRANDA
More to know
Did never meddle with my thoughts.
PROSPERO
'Tis time
I should inform thee farther. Lend thy hand,
And pluck my magic garment from me. So:
Lays down his mantle
Lie there, my art. Wipe thou thine eyes; have comfort.
The direful spectacle of the wreck, which touch'd
The very virtue of compassion in thee,
I have with such provision in mine art
So safely ordered that there is no soul--
No, not so much perdition as an hair
Betid to any creature in the vessel
Which thou heard'st cry, which thou saw'st sink. Sit down;
For thou must now know farther.
MIRANDA
You have often
Begun to tell me what I am, but stopp'd
And left me to a bootless inquisition,
Concluding 'Stay: not yet.'
PROSPERO
The hour's now come;
The very minute bids thee ope thine ear;
Obey and be attentive. Canst thou remember
A time before we came unto this cell?
I do not think thou canst, for then thou wast not
Out three years old.
MIRANDA
Certainly, sir, I can.
PROSPERO
By what? by any other house or person?
Of any thing the image tell me that
Hath kept with thy remembrance.
MIRANDA
'Tis far off
And rather like a dream than an assurance
That my remembrance warrants. Had I not
Four or five women once that tended me?
PROSPERO
Thou hadst, and more, Miranda. But how is it
That this lives in thy mind? What seest thou else
In the dark backward and abysm of time?
If thou remember'st aught ere thou camest here,
How thou camest here thou mayst.
MIRANDA
But that I do not.
PROSPERO
Twelve year since, Miranda, twelve year since,
Thy father was the Duke of Milan and
A prince of power.
MIRANDA
Sir, are not you my father?
PROSPERO
Thy mother was a piece of virtue, and
She said thou wast my daughter; and thy father
Was Duke of Milan; and thou his only heir
And princess no worse issued.
MIRANDA
O the heavens!
What foul play had we, that we came from thence?
Or blessed was't we did?
PROSPERO
Both, both, my girl:
By foul play, as thou say'st, were we heaved thence,
But blessedly holp hither.
MIRANDA
O, my heart bleeds
To think o' the teen that I have turn'd you to,
Which is from my remembrance! Please you, farther.
PROSPERO
My brother and thy uncle, call'd Antonio--
I pray thee, mark me--that a brother should
Be so perfidious!--he whom next thyself
Of all the world I loved and to him put
The manage of my state; as at that time
Through all the signories it was the first
And Prospero the prime duke, being so reputed
In dignity, and for the liberal arts
Without a parallel; those being all my study,
The government I cast upon my brother
And to my state grew stranger, being transported
And rapt in secret studies. Thy false uncle--
Dost thou attend me?
MIRANDA
Sir, most heedfully.
PROSPERO
Being once perfected how to grant suits,
How to deny them, who to advance and who
To trash for over-topping, new created
The creatures that were mine, I say, or changed 'em,
Or else new form'd 'em; having both the key
Of officer and office, set all hearts i' the state
To what tune pleased his ear; that now he was
The ivy which had hid my princely trunk,
And suck'd my verdure out on't. Thou attend'st not.
MIRANDA
O, good sir, I do.
PROSPERO
I pray thee, mark me.
I, thus neglecting worldly ends, all dedicated
To closeness and the bettering of my mind
With that which, but by being so retired,
O'er-prized all popular rate, in my false brother
Awaked an evil nature; and my trust,
Like a good parent, did beget of him
A falsehood in its contrary as great
As my trust was; which had indeed no limit,
A confidence sans bound. He being thus lorded,
Not only with what my revenue yielded,
But what my power might else exact, like one
Who having into truth, by telling of it,
Made such a sinner of his memory,
To credit his own lie, he did believe
He was indeed the duke; out o' the substitution
And executing the outward face of royalty,
With all prerogative: hence his ambition growing--
Dost thou hear?
MIRANDA
Your tale, sir, would cure deafness.
PROSPERO
To have no screen between this part he play'd
And him he play'd it for, he needs will be
Absolute Milan. Me, poor man, my library
Was dukedom large enough: of temporal royalties
He thinks me now incapable; confederates--
So dry he was for sway--wi' the King of Naples
To give him annual tribute, do him homage,
Subject his coronet to his crown and bend
The dukedom yet unbow'd--alas, poor Milan!--
To most ignoble stooping.
MIRANDA
O the heavens!
PROSPERO
Mark his condition and the event; then tell me
If this might be a brother.
MIRANDA
I should sin
To think but nobly of my grandmother:
Good wombs have borne bad sons.
PROSPERO
Now the condition.
The King of Naples, being an enemy
To me inveterate, hearkens my brother's suit;
Which was, that he, in lieu o' the premises
Of homage and I know not how much tribute,
Should presently extirpate me and mine
Out of the dukedom and confer fair Milan
With all the honours on my brother: whereon,
A treacherous army levied, one midnight
Fated to the purpose did Antonio open
The gates of Milan, and, i' the dead of darkness,
The ministers for the purpose hurried thence
Me and thy crying self.
MIRANDA
Alack, for pity!
I, not remembering how I cried out then,
Will cry it o'er again: it is a hint
That wrings mine eyes to't.
PROSPERO
Hear a little further
And then I'll bring thee to the present business
Which now's upon's; without the which this story
Were most impertinent.
MIRANDA
Wherefore did they not
That hour destroy us?
PROSPERO
Well demanded, wench:
My tale provokes that question. Dear, they durst not,
So dear the love my people bore me, nor set
A mark so bloody on the business, but
With colours fairer painted their foul ends.
In few, they hurried us aboard a bark,
Bore us some leagues to sea; where they prepared
A rotten carcass of a boat, not rigg'd,
Nor tackle, sail, nor mast; the very rats
Instinctively had quit it: there they hoist us,
To cry to the sea that roar'd to us, to sigh
To the winds whose pity, sighing back again,
Did us but loving wrong.
MIRANDA
Alack, what trouble
Was I then to you!
PROSPERO
O, a cherubim
Thou wast that did preserve me. Thou didst smile.
Infused with a fortitude from heaven,
When I have deck'd the sea with drops full salt,
Under my burthen groan'd; which raised in me
An undergoing stomach, to bear up
Against what should ensue.
MIRANDA
How came we ashore?
PROSPERO
By Providence divine.
Some food we had and some fresh water that
A noble Neapolitan, Gonzalo,
Out of his charity, being then appointed
Master of this design, did give us, with
Rich garments, linens, stuffs and necessaries,
Which since have steaded much; so, of his gentleness,
Knowing I loved my books, he furnish'd me
From mine own library with volumes that
I prize above my dukedom.
MIRANDA
Would I might
But ever see that man!
PROSPERO
Now I arise:
Resumes his mantle
Sit still, and hear the last of our sea-sorrow.
Here in this island we arrived; and here
Have I, thy schoolmaster, made thee more profit
Than other princesses can that have more time
For vainer hours and tutors not so careful.
MIRANDA
Heavens thank you for't! And now, I pray you, sir,
For still 'tis beating in my mind, your reason
For raising this sea-storm?
PROSPERO
Know thus far forth.
By accident most strange, bountiful Fortune,
Now my dear lady, hath mine enemies
Brought to this shore; and by my prescience
I find my zenith doth depend upon
A most auspicious star, whose influence
If now I court not but omit, my fortunes
Will ever after droop. Here cease more questions:
Thou art inclined to sleep; 'tis a good dulness,
And give it way: I know thou canst not choose.
MIRANDA sleeps
Come away, servant, come. I am ready now.
Approach, my Ariel, come.
Enter ARIEL
ARIEL
All hail, great master! grave sir, hail! I come
To answer thy best pleasure; be't to fly,
To swim, to dive into the fire, to ride
On the curl'd clouds, to thy strong bidding task
Ariel and all his quality.
PROSPERO
Hast thou, spirit,
Perform'd to point the tempest that I bade thee?
ARIEL
To every article.
I boarded the king's ship; now on the beak,
Now in the waist, the deck, in every cabin,
I flamed amazement: sometime I'ld divide,
And burn in many places; on the topmast,
The yards and bowsprit, would I flame distinctly,
Then meet and join. Jove's lightnings, the precursors
O' the dreadful thunder-claps, more momentary
And sight-outrunning were not; the fire and cracks
Of sulphurous roaring the most mighty Neptune
Seem to besiege and make his bold waves tremble,
Yea, his dread trident shake.
PROSPERO
My brave spirit!
Who was so firm, so constant, that this coil
Would not infect his reason?
ARIEL
Not a soul
But felt a fever of the mad and play'd
Some tricks of desperation. All but mariners
Plunged in the foaming brine and quit the vessel,
Then all afire with me: the king's son, Ferdinand,
With hair up-staring,--then like reeds, not hair,--
Was the first man that leap'd; cried, 'Hell is empty
And all the devils are here.'
PROSPERO
Why that's my spirit!
But was not this nigh shore?
ARIEL
Close by, my master.
PROSPERO
But are they, Ariel, safe?
ARIEL
Not a hair perish'd;
On their sustaining garments not a blemish,
But fresher than before: and, as thou badest me,
In troops I have dispersed them 'bout the isle.
The king's son have I landed by himself;
Whom I left cooling of the air with sighs
In an odd angle of the isle and sitting,
His arms in this sad knot.
PROSPERO
Of the king's ship
The mariners say how thou hast disposed
And all the rest o' the fleet.
ARIEL
Safely in harbour
Is the king's ship; in the deep nook, where once
Thou call'dst me up at midnight to fetch dew
From the still-vex'd Bermoothes, there she's hid:
The mariners all under hatches stow'd;
Who, with a charm join'd to their suffer'd labour,
I have left asleep; and for the rest o' the fleet
Which I dispersed, they all have met again
And are upon the Mediterranean flote,
Bound sadly home for Naples,
Supposing that they saw the king's ship wreck'd
And his great person perish.
PROSPERO
Ariel, thy charge
Exactly is perform'd: but there's more work.
What is the time o' the day?
ARIEL
Past the mid season.
PROSPERO
At least two glasses. The time 'twixt six and now
Must by us both be spent most preciously.
ARIEL
Is there more toil? Since thou dost give me pains,
Let me remember thee what thou hast promised,
Which is not yet perform'd me.
PROSPERO
How now? moody?
What is't thou canst demand?
ARIEL
My liberty.
PROSPERO
Before the time be out? no more!
ARIEL
I prithee,
Remember I have done thee worthy service;
Told thee no lies, made thee no mistakings, served
Without or grudge or grumblings: thou didst promise
To bate me a full year.
PROSPERO
Dost thou forget
From what a torment I did free thee?
ARIEL
No.
PROSPERO
Thou dost, and think'st it much to tread the ooze
Of the salt deep,
To run upon the sharp wind of the north,
To do me business in the veins o' the earth
When it is baked with frost.
ARIEL
I do not, sir.
PROSPERO
Thou liest, malignant thing! Hast thou forgot
The foul witch Sycorax, who with age and envy
Was grown into a hoop? hast thou forgot her?
ARIEL
No, sir.
PROSPERO
Thou hast. Where was she born? speak; tell me.
ARIEL
Sir, in Argier.
PROSPERO
O, was she so? I must
Once in a month recount what thou hast been,
Which thou forget'st. This damn'd witch Sycorax,
For mischiefs manifold and sorceries terrible
To enter human hearing, from Argier,
Thou know'st, was banish'd: for one thing she did
They would not take her life. Is not this true?
ARIEL
Ay, sir.
PROSPERO
This blue-eyed hag was hither brought with child
And here was left by the sailors. Thou, my slave,
As thou report'st thyself, wast then her servant;
And, for thou wast a spirit too delicate
To act her earthy and abhorr'd commands,
Refusing her grand hests, she did confine thee,
By help of her more potent ministers
And in her most unmitigable rage,
Into a cloven pine; within which rift
Imprison'd thou didst painfully remain
A dozen years; within which space she died
And left thee there; where thou didst vent thy groans
As fast as mill-wheels strike. Then was this island--
Save for the son that she did litter here,
A freckled whelp hag-born--not honour'd with
A human shape.
ARIEL
Yes, Caliban her son.
PROSPERO
Dull thing, I say so; he, that Caliban
Whom now I keep in service. Thou best know'st
What torment I did find thee in; thy groans
Did make wolves howl and penetrate the breasts
Of ever angry bears: it was a torment
To lay upon the damn'd, which Sycorax
Could not again undo: it was mine art,
When I arrived and heard thee, that made gape
The pine and let thee out.
ARIEL
I thank thee, master.
PROSPERO
If thou more murmur'st, I will rend an oak
And peg thee in his knotty entrails till
Thou hast howl'd away twelve winters.
ARIEL
Pardon, master;
I will be correspondent to command
And do my spiriting gently.
PROSPERO
Do so, and after two days
I will discharge thee.
ARIEL
That's my noble master!
What shall I do? say what; what shall I do?
PROSPERO
Go make thyself like a nymph o' the sea: be subject
To no sight but thine and mine, invisible
To every eyeball else. Go take this shape
And hither come in't: go, hence with diligence!
Exit ARIEL
Awake, dear heart, awake! thou hast slept well; Awake!
MIRANDA
The strangeness of your story put
Heaviness in me.
PROSPERO
Shake it off. Come on;
We'll visit Caliban my slave, who never
Yields us kind answer.
MIRANDA
'Tis a villain, sir,
I do not love to look on.
PROSPERO
But, as 'tis,
We cannot miss him: he does make our fire,
Fetch in our wood and serves in offices
That profit us. What, ho! slave! Caliban!
Thou earth, thou! speak.
CALIBAN
[Within] There's wood enough within.
PROSPERO
Come forth, I say! there's other business for thee:
Come, thou tortoise! when?
Re-enter ARIEL like a water-nymph
Fine apparition! My quaint Ariel,
Hark in thine ear.
ARIEL
My lord it shall be done.
Exit
PROSPERO
Thou poisonous slave, got by the devil himself
Upon thy wicked dam, come forth!
Enter CALIBAN
CALIBAN
As wicked dew as e'er my mother brush'd
With raven's feather from unwholesome fen
Drop on you both! a south-west blow on ye
And blister you all o'er!
PROSPERO
For this, be sure, to-night thou shalt have cramps,
Side-stitches that shall pen thy breath up; urchins
Shall, for that vast of night that they may work,
All exercise on thee; thou shalt be pinch'd
As thick as honeycomb, each pinch more stinging
Than bees that made 'em.
CALIBAN
I must eat my dinner.
This island's mine, by Sycorax my mother,
Which thou takest from me. When thou camest first,
Thou strokedst me and madest much of me, wouldst give me
Water with berries in't, and teach me how
To name the bigger light, and how the less,
That burn by day and night: and then I loved thee
And show'd thee all the qualities o' the isle,
The fresh springs, brine-pits, barren place and fertile:
Cursed be I that did so! All the charms
Of Sycorax, toads, beetles, bats, light on you!
For I am all the subjects that you have,
Which first was mine own king: and here you sty me
In this hard rock, whiles you do keep from me
The rest o' the island.
PROSPERO
Thou most lying slave,
Whom stripes may move, not kindness! I have used thee,
Filth as thou art, with human care, and lodged thee
In mine own cell, till thou didst seek to violate
The honour of my child.
CALIBAN
O ho, O ho! would't had been done!
Thou didst prevent me; I had peopled else
This isle with Calibans.
PROSPERO
Abhorred slave,
Which any print of goodness wilt not take,
Being capable of all ill! I pitied thee,
Took pains to make thee speak, taught thee each hour
One thing or other: when thou didst not, savage,
Know thine own meaning, but wouldst gabble like
A thing most brutish, I endow'd thy purposes
With words that made them known. But thy vile race,
Though thou didst learn, had that in't which
good natures
Could not abide to be with; therefore wast thou
Deservedly confined into this rock,
Who hadst deserved more than a prison.
CALIBAN
You taught me ********; and my profit on't
Is, I know how to curse. The red plague rid you
For learning me your ********!
PROSPERO
Hag-seed, hence!
Fetch us in fuel; and be quick, thou'rt best,
To answer other business. Shrug'st thou, malice?
If thou neglect'st or dost unwillingly
What I command, I'll rack thee with old cramps,
Fill all thy bones with aches, make thee roar
That beasts shall tremble at thy din.
CALIBAN
No, pray thee.
Aside
I must obey: his art is of such power,
It would control my dam's god, Setebos,
and make a vassal of him.
PROSPERO
So, slave; hence!
Exit CALIBAN
Re-enter ARIEL, invisible, playing and singing; FERDINAND following
ARIEL'S song.
Come unto these yellow sands,
And then take hands:
Courtsied when you have and kiss'd
The wild waves whist,
Foot it featly here and there;
And, sweet sprites, the burthen bear.
Hark, hark!
Burthen [dispersedly, within
The watch-dogs bark!
Burthen Bow-wow
Hark, hark! I hear
The strain of strutting chanticleer
Cry, Cock-a-diddle-dow.
FERDINAND
Where should this music be? i' the air or the earth?
It sounds no more: and sure, it waits upon
Some god o' the island. Sitting on a bank,
Weeping again the king my father's wreck,
This music crept by me upon the waters,
Allaying both their fury and my passion
With its sweet air: thence I have follow'd it,
Or it hath drawn me rather. But 'tis gone.
No, it begins again.
ARIEL sings
Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell
Burthen Ding-dong
Hark! now I hear them,--Ding-dong, bell.
FERDINAND
The ditty does remember my drown'd father.
This is no mortal business, nor no sound
That the earth owes. I hear it now above me.
PROSPERO
The fringed curtains of thine eye advance
And say what thou seest yond.
MIRANDA
What is't? a spirit?
Lord, how it looks about! Believe me, sir,
It carries a brave form. But 'tis a spirit.
PROSPERO
No, wench; it eats and sleeps and hath such senses
As we have, such. This gallant which thou seest
Was in the wreck; and, but he's something stain'd
With grief that's beauty's canker, thou mightst call him
A goodly person: he hath lost his fellows
And strays about to find 'em.
MIRANDA
I might call him
A thing divine, for nothing natural
I ever saw so noble.
PROSPERO
[Aside] It goes on, I see,
As my soul prompts it. Spirit, fine spirit! I'll free thee
Within two days for this.
FERDINAND
Most sure, the goddess
On whom these airs attend! Vouchsafe my prayer
May know if you remain upon this island;
And that you will some good instruction give
How I may bear me here: my prime request,
Which I do last pronounce, is, O you wonder!
If you be maid or no?
MIRANDA
No wonder, sir;
But certainly a maid.
FERDINAND
My ********! heavens!
I am the best of them that speak this speech,
Were I but where 'tis spoken.
PROSPERO
How? the best?
What wert thou, if the King of Naples heard thee?
FERDINAND
A single thing, as I am now, that wonders
To hear thee speak of Naples. He does hear me;
And that he does I weep: myself am Naples,
Who with mine eyes, never since at ebb, beheld
The king my father wreck'd.
MIRANDA
Alack, for mercy!
FERDINAND
Yes, faith, and all his lords; the Duke of Milan
And his brave son being twain.
PROSPERO
[Aside] The Duke of Milan
And his more braver daughter could control thee,
If now 'twere fit to do't. At the first sight
They have changed eyes. Delicate Ariel,
I'll set thee free for this.
To FERDINAND
A word, good sir;
I fear you have done yourself some wrong: a word.
MIRANDA
Why speaks my father so ungently? This
Is the third man that e'er I saw, the first
That e'er I sigh'd for: pity move my father
To be inclined my way!
FERDINAND
O, if a virgin,
And your affection not gone forth, I'll make you
The queen of Naples.
PROSPERO
Soft, sir! one word more.
Aside
They are both in either's powers; but this swift business
I must uneasy make, lest too light winning
Make the prize light.
To FERDINAND
One word more; I charge thee
That thou attend me: thou dost here usurp
The name thou owest not; and hast put thyself
Upon this island as a spy, to win it
From me, the lord on't.
FERDINAND
No, as I am a man.
MIRANDA
There's nothing ill can dwell in such a temple:
If the ill spirit have so fair a house,
Good things will strive to dwell with't.
PROSPERO
Follow me.
Speak not you for him; he's a traitor. Come;
I'll manacle thy neck and feet together:
Sea-water shalt thou drink; thy food shall be
The fresh-brook muscles, wither'd roots and husks
Wherein the acorn cradled. Follow.
FERDINAND
No;
I will resist such entertainment till
Mine enemy has more power.
Draws, and is charmed from moving
MIRANDA
O dear father,
Make not too rash a trial of him, for
He's gentle and not fearful.
PROSPERO
What? I say,
My foot my tutor? Put thy sword up, traitor;
Who makest a show but darest not strike, thy conscience
Is so possess'd with guilt: come from thy ward,
For I can here disarm thee with this stick
And make thy weapon drop.
MIRANDA
Beseech you, father.
PROSPERO
Hence! hang not on my garments.
MIRANDA
Sir, have pity;
I'll be his surety.
PROSPERO
Silence! one word more
Shall make me chide thee, if not hate thee. What!
An advocate for an imposter! hush!
Thou think'st there is no more such shapes as he,
Having seen but him and Caliban: foolish wench!
To the most of men this is a Caliban
And they to him are angels.
MIRANDA
My affections
Are then most humble; I have no ambition
To see a goodlier man.
PROSPERO
Come on; obey:
Thy nerves are in their infancy again
And have no vigour in them.
FERDINAND
So they are;
My spirits, as in a dream, are all bound up.
My father's loss, the weakness which I feel,
The wreck of all my friends, nor this man's threats,
To whom I am subdued, are but light to me,
Might I but through my prison once a day
Behold this maid: all corners else o' the earth
Let liberty make use of; space enough
Have I in such a prison.
PROSPERO
[Aside] It works.
To FERDINAND
Come on.
Thou hast done well, fine Ariel!
To FERDINAND
Follow me.
To ARIEL
Hark what thou else shalt do me.
MIRANDA
Be of comfort;
My father's of a better nature, sir,
Than he appears by speech: this is unwonted
Which now came from him.
PROSPERO
Thou shalt be free
As mountain winds: but then exactly do
All points of my command.
ARIEL
To the syllable.
PROSPERO
Come, follow. Speak not for him.
Exeunt


أرب جمـال 5 - 11 - 2009 10:59 PM

SCENE I. Another part of the island.SCENE I. Another part of the island.
Enter ALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO, and others
GONZALO
Beseech you, sir, be merry; you have cause,
So have we all, of joy; for our escape
Is much beyond our loss. Our hint of woe
Is common; every day some sailor's wife,
The masters of some merchant and the merchant
Have just our theme of woe; but for the miracle,
I mean our preservation, few in millions
Can speak like us: then wisely, good sir, weigh
Our sorrow with our comfort.
ALONSO
Prithee, peace.
SEBASTIAN
He receives comfort like cold porridge.
ANTONIO
The visitor will not give him o'er so.
SEBASTIAN
Look he's winding up the watch of his wit;
by and by it will strike.
GONZALO
Sir,--
SEBASTIAN
One: tell.
GONZALO
When every grief is entertain'd that's offer'd,
Comes to the entertainer--
SEBASTIAN
A dollar.
GONZALO
Dolour comes to him, indeed: you
have spoken truer than you purposed.
SEBASTIAN
You have taken it wiselier than I meant you should.
GONZALO
Therefore, my lord,--
ANTONIO
Fie, what a spendthrift is he of his tongue!
ALONSO
I prithee, spare.
GONZALO
Well, I have done: but yet,--
SEBASTIAN
He will be talking.
ANTONIO
Which, of he or Adrian, for a good
wager, first begins to crow?
SEBASTIAN
The old cock.
ANTONIO
The cockerel.
SEBASTIAN
Done. The wager?
ANTONIO
A laughter.
SEBASTIAN
A match!
ADRIAN
Though this island seem to be desert,--
SEBASTIAN
Ha, ha, ha! So, you're paid.
ADRIAN
Uninhabitable and almost inaccessible,--
SEBASTIAN
Yet,--
ADRIAN
Yet,--
ANTONIO
He could not miss't.
ADRIAN
It must needs be of subtle, tender and delicate
temperance.
ANTONIO
Temperance was a delicate wench.
SEBASTIAN
Ay, and a subtle; as he most learnedly delivered.
ADRIAN
The air breathes upon us here most sweetly.
SEBASTIAN
As if it had lungs and rotten ones.
ANTONIO
Or as 'twere perfumed by a fen.
GONZALO
Here is everything advantageous to life.
ANTONIO
True; save means to live.
SEBASTIAN
Of that there's none, or little.
GONZALO
How lush and lusty the grass looks! how green!
ANTONIO
The ground indeed is tawny.
SEBASTIAN
With an eye of green in't.
ANTONIO
He misses not much.
SEBASTIAN
No; he doth but mistake the truth totally.
GONZALO
But the rarity of it is,--which is indeed almost
beyond credit,--
SEBASTIAN
As many vouched rarities are.
GONZALO
That our garments, being, as they were, drenched in
the sea, hold notwithstanding their freshness and
glosses, being rather new-dyed than stained with
salt water.
ANTONIO
If but one of his pockets could speak, would it not
say he lies?
SEBASTIAN
Ay, or very falsely pocket up his report
GONZALO
Methinks our garments are now as fresh as when we
put them on first in Afric, at the marriage of
the king's fair daughter Claribel to the King of Tunis.
SEBASTIAN
'Twas a sweet marriage, and we prosper well in our return.
ADRIAN
Tunis was never graced before with such a paragon to
their queen.
GONZALO
Not since widow Dido's time.
ANTONIO
Widow! a pox o' that! How came that widow in?
widow Dido!
SEBASTIAN
What if he had said 'widower AEneas' too? Good Lord,
how you take it!
ADRIAN
'Widow Dido' said you? you make me study of that:
she was of Carthage, not of Tunis.
GONZALO
This Tunis, sir, was Carthage.
ADRIAN
Carthage?
GONZALO
I assure you, Carthage.
SEBASTIAN
His word is more than the miraculous harp; he hath
raised the wall and houses too.
ANTONIO
What impossible matter will he make easy next?
SEBASTIAN
I think he will carry this island home in his pocket
and give it his son for an apple.
ANTONIO
And, sowing the kernels of it in the sea, bring
forth more islands.
GONZALO
Ay.
ANTONIO
Why, in good time.
GONZALO
Sir, we were talking that our garments seem now
as fresh as when we were at Tunis at the marriage
of your daughter, who is now queen.
ANTONIO
And the rarest that e'er came there.
SEBASTIAN
Bate, I beseech you, widow Dido.
ANTONIO
O, widow Dido! ay, widow Dido.
GONZALO
Is not, sir, my doublet as fresh as the first day I
wore it? I mean, in a sort.
ANTONIO
That sort was well fished for.
GONZALO
When I wore it at your daughter's marriage?
ALONSO
You cram these words into mine ears against
The stomach of my sense. Would I had never
Married my daughter there! for, coming thence,
My son is lost and, in my rate, she too,
Who is so far from Italy removed
I ne'er again shall see her. O thou mine heir
Of Naples and of Milan, what strange fish
Hath made his meal on thee?
FRANCISCO
Sir, he may live:
I saw him beat the surges under him,
And ride upon their backs; he trod the water,
Whose enmity he flung aside, and breasted
The surge most swoln that met him; his bold head
'Bove the *******ious waves he kept, and oar'd
Himself with his good arms in lusty stroke
To the shore, that o'er his wave-worn basis bow'd,
As stooping to relieve him: I not doubt
He came alive to land.
ALONSO
No, no, he's gone.
SEBASTIAN
Sir, you may thank yourself for this great loss,
That would not bless our Europe with your daughter,
But rather lose her to an African;
Where she at least is banish'd from your eye,
Who hath cause to wet the grief on't.
ALONSO
Prithee, peace.
SEBASTIAN
You were kneel'd to and importuned otherwise
By all of us, and the fair soul herself
Weigh'd between loathness and obedience, at
Which end o' the beam should bow. We have lost your
son,
I fear, for ever: Milan and Naples have
More widows in them of this business' making
Than we bring men to comfort them:
The fault's your own.
ALONSO
So is the dear'st o' the loss.
GONZALO
My lord Sebastian,
The truth you speak doth lack some gentleness
And time to speak it in: you rub the sore,
When you should bring the plaster.
SEBASTIAN
Very well.
ANTONIO
And most chirurgeonly.
GONZALO
It is foul weather in us all, good sir,
When you are cloudy.
SEBASTIAN
Foul weather?
ANTONIO
Very foul.
GONZALO
Had I plantation of this isle, my lord,--
ANTONIO
He'ld sow't with nettle-seed.
SEBASTIAN
Or docks, or mallows.
GONZALO
And were the king on't, what would I do?
SEBASTIAN
'Scape being drunk for want of wine.
GONZALO
I' the commonwealth I would by contraries
Execute all things; for no kind of traffic
Would I admit; no name of magistrate;
Letters should not be known; riches, poverty,
And use of service, none; contract, succession,
Bourn, bound of land, tilth, vineyard, none;
No use of ****l, corn, or wine, or oil;
No occupation; all men idle, all;
And women too, but innocent and pure;
No sovereignty;--
SEBASTIAN
Yet he would be king on't.
ANTONIO
The latter end of his commonwealth forgets the
beginning.
GONZALO
All things in common nature should produce
Without sweat or endeavour: treason, felony,
Sword, pike, knife, gun, or need of any engine,
Would I not have; but nature should bring forth,
Of its own kind, all foison, all abundance,
To feed my innocent people.
SEBASTIAN
No marrying 'mong his subjects?
ANTONIO
None, man; all idle: whores and knaves.
GONZALO
I would with such perfection govern, sir,
To excel the golden age.
SEBASTIAN
God save his majesty!
ANTONIO
Long live Gonzalo!
GONZALO
And,--do you mark me, sir?
ALONSO
Prithee, no more: thou dost talk nothing to me.
GONZALO
I do well believe your highness; and
did it to minister occasion to these gentlemen,
who are of such sensible and nimble lungs that
they always use to laugh at nothing.
ANTONIO
'Twas you we laughed at.
GONZALO
Who in this kind of merry fooling am nothing
to you: so you may continue and laugh at
nothing still.
ANTONIO
What a blow was there given!
SEBASTIAN
An it had not fallen flat-long.
GONZALO
You are gentlemen of brave ****l; you would lift
the moon out of her sphere, if she would continue
in it five weeks without changing.
Enter ARIEL, invisible, playing solemn music
SEBASTIAN
We would so, and then go a bat-fowling.
ANTONIO
Nay, good my lord, be not angry.
GONZALO
No, I warrant you; I will not adventure
my discretion so weakly. Will you laugh
me asleep, for I am very heavy?
ANTONIO
Go sleep, and hear us.
All sleep except ALONSO, SEBASTIAN, and ANTONIO
ALONSO
What, all so soon asleep! I wish mine eyes
Would, with themselves, shut up my thoughts: I find
They are inclined to do so.
SEBASTIAN
Please you, sir,
Do not omit the heavy offer of it:
It seldom visits sorrow; when it doth,
It is a comforter.
ANTONIO
We two, my lord,
Will guard your person while you take your rest,
And watch your safety.
ALONSO
Thank you. Wondrous heavy.
ALONSO sleeps. Exit ARIEL
SEBASTIAN
What a strange drowsiness possesses them!
ANTONIO
It is the quality o' the climate.
SEBASTIAN
Why
Doth it not then our eyelids sink? I find not
Myself disposed to sleep.
ANTONIO
Nor I; my spirits are nimble.
They fell together all, as by consent;
They dropp'd, as by a thunder-stroke. What might,
Worthy Sebastian? O, what might?--No more:--
And yet me thinks I see it in thy face,
What thou shouldst be: the occasion speaks thee, and
My strong imagination sees a crown
Dropping upon thy head.
SEBASTIAN
What, art thou waking?
ANTONIO
Do you not hear me speak?
SEBASTIAN
I do; and surely
It is a sleepy ******** and thou speak'st
Out of thy sleep. What is it thou didst say?
This is a strange repose, to be asleep
With eyes wide open; standing, speaking, moving,
And yet so fast asleep.
ANTONIO
Noble Sebastian,
Thou let'st thy fortune sleep--die, rather; wink'st
Whiles thou art waking.
SEBASTIAN
Thou dost snore distinctly;
There's meaning in thy snores.
ANTONIO
I am more serious than my custom: you
Must be so too, if heed me; which to do
Trebles thee o'er.
SEBASTIAN
Well, I am standing water.
ANTONIO
I'll teach you how to flow.
SEBASTIAN
Do so: to ebb
Hereditary sloth instructs me.
ANTONIO
O,
If you but knew how you the purpose cherish
Whiles thus you mock it! how, in stripping it,
You more invest it! Ebbing men, indeed,
Most often do so near the bottom run
By their own fear or sloth.
SEBASTIAN
Prithee, say on:
The setting of thine eye and cheek proclaim
A matter from thee, and a birth indeed
Which throes thee much to yield.
ANTONIO
Thus, sir:
Although this lord of weak remembrance, this,
Who shall be of as little memory
When he is earth'd, hath here almost persuade,--
For he's a spirit of persuasion, only
Professes to persuade,--the king his son's alive,
'Tis as impossible that he's undrown'd
And he that sleeps here swims.
SEBASTIAN
I have no hope
That he's undrown'd.
ANTONIO
O, out of that 'no hope'
What great hope have you! no hope that way is
Another way so high a hope that even
Ambition cannot pierce a wink beyond,
But doubt discovery there. Will you grant with me
That Ferdinand is drown'd?
SEBASTIAN
He's gone.
ANTONIO
Then, tell me,
Who's the next heir of Naples?
SEBASTIAN
Claribel.
ANTONIO
She that is queen of Tunis; she that dwells
Ten leagues beyond man's life; she that from Naples
Can have no note, unless the sun were post--
The man i' the moon's too slow--till new-born chins
Be rough and razorable; she that--from whom?
We all were sea-swallow'd, though some cast again,
And by that destiny to perform an act
Whereof what's past is prologue, what to come
In yours and my discharge.
SEBASTIAN
What stuff is this! how say you?
'Tis true, my brother's daughter's queen of Tunis;
So is she heir of Naples; 'twixt which regions
There is some space.
ANTONIO
A space whose every cubit
Seems to cry out, 'How shall that Claribel
Measure us back to Naples? Keep in Tunis,
And let Sebastian wake.' Say, this were death
That now hath seized them; why, they were no worse
Than now they are. There be that can rule Naples
As well as he that sleeps; lords that can prate
As amply and unnecessarily
As this Gonzalo; I myself could make
A chough of as deep chat. O, that you bore
The mind that I do! what a sleep were this
For your advancement! Do you understand me?
SEBASTIAN
Methinks I do.
ANTONIO
And how does your *******
Tender your own good fortune?
SEBASTIAN
I remember
You did supplant your brother Prospero.
ANTONIO
True:
And look how well my garments sit upon me;
Much feater than before: my brother's servants
Were then my fellows; now they are my men.
SEBASTIAN
But, for your conscience?
ANTONIO
Ay, sir; where lies that? if 'twere a kibe,
'Twould put me to my slipper: but I feel not
This deity in my bosom: twenty consciences,
That stand 'twixt me and Milan, candied be they
And melt ere they molest! Here lies your brother,
No better than the earth he lies upon,
If he were that which now he's like, that's dead;
Whom I, with this obedient steel, three inches of it,
Can lay to bed for ever; whiles you, doing thus,
To the perpetual wink for aye might put
This ancient morsel, this Sir Prudence, who
Should not upbraid our course. For all the rest,
They'll take suggestion as a cat laps milk;
They'll tell the clock to any business that
We say befits the hour.
SEBASTIAN
Thy case, dear friend,
Shall be my precedent; as thou got'st Milan,
I'll come by Naples. Draw thy sword: one stroke
Shall free thee from the tribute which thou payest;
And I the king shall love thee.
ANTONIO
Draw together;
And when I rear my hand, do you the like,
To fall it on Gonzalo.
SEBASTIAN
O, but one word.
They talk apart
Re-enter ARIEL, invisible
ARIEL
My master through his art foresees the danger
That you, his friend, are in; and sends me forth--
For else his project dies--to keep them living.
Sings in GONZALO's ear
While you here do snoring lie,
Open-eyed conspiracy
His time doth take.
If of life you keep a care,
Shake off slumber, and beware:
Awake, awake!
ANTONIO
Then let us both be sudden.
GONZALO
Now, good angels
Preserve the king.
They wake
ALONSO
Why, how now? ho, awake! Why are you drawn?
Wherefore this ghastly looking?
GONZALO
What's the matter?
SEBASTIAN
Whiles we stood here securing your repose,
Even now, we heard a hollow burst of bellowing
Like bulls, or rather lions: did't not wake you?
It struck mine ear most terribly.
ALONSO
I heard nothing.
ANTONIO
O, 'twas a din to fright a monster's ear,
To make an earthquake! sure, it was the roar
Of a whole herd of lions.
ALONSO
Heard you this, Gonzalo?
GONZALO
Upon mine honour, sir, I heard a humming,
And that a strange one too, which did awake me:
I shaked you, sir, and cried: as mine eyes open'd,
I saw their weapons drawn: there was a noise,
That's verily. 'Tis best we stand upon our guard,
Or that we quit this place; let's draw our weapons.
ALONSO
Lead off this ground; and let's make further search
For my poor son.
GONZALO
Heavens keep him from these beasts!
For he is, sure, i' the island.
ALONSO
Lead away.
ARIEL
Prospero my lord shall know what I have done:
So, king, go safely on to seek thy son.
Exeunt


أرب جمـال 5 - 11 - 2009 11:00 PM

SCENE II. Another part of the island.SCENE II. Another part of the island.
Enter CALIBAN with a burden of wood. A noise of thunder heard
CALIBAN
All the infections that the sun sucks up
From bogs, fens, flats, on Prosper fall and make him
By inch-meal a disease! His spirits hear me
And yet I needs must curse. But they'll nor pinch,
Fright me with urchin--shows, pitch me i' the mire,
Nor lead me, like a firebrand, in the dark
Out of my way, unless he bid 'em; but
For every trifle are they set upon me;
Sometime like apes that mow and chatter at me
And after bite me, then like hedgehogs which
Lie tumbling in my barefoot way and mount
Their pricks at my footfall; sometime am I
All wound with adders who with cloven tongues
Do hiss me into madness.
Enter TRINCULO
Lo, now, lo!
Here comes a spirit of his, and to torment me
For bringing wood in slowly. I'll fall flat;
Perchance he will not mind me.
TRINCULO
Here's neither bush nor shrub, to bear off
any weather at all, and another storm brewing;
I hear it sing i' the wind: yond same black
cloud, yond huge one, looks like a foul
bombard that would shed his liquor. If it
should thunder as it did before, I know not
where to hide my head: yond same cloud cannot
choose but fall by pailfuls. What have we
here? a man or a fish? dead or alive? A fish:
he smells like a fish; a very ancient and fish-
like smell; a kind of not of the newest Poor-
John. A strange fish! Were I in England now,
as once I was, and had but this fish painted,
not a holiday fool there but would give a piece
of silver: there would this monster make a
man; any strange beast there makes a man:
when they will not give a doit to relieve a lame
beggar, they will lazy out ten to see a dead
Indian. Legged like a man and his fins like
arms! Warm o' my troth! I do now let loose
my opinion; hold it no longer: this is no fish,
but an islander, that hath lately suffered by a
thunderbolt.
Thunder
Alas, the storm is come again! my best way is to
creep under his gaberdine; there is no other
****ter hereabouts: misery acquaints a man with
strange bed-fellows. I will here shroud till the
dregs of the storm be past.
Enter STEPHANO, singing: a bottle in his hand
STEPHANO
I shall no more to sea, to sea,
Here shall I die ashore--
This is a very scurvy tune to sing at a man's
funeral: well, here's my comfort.
Drinks
Sings
The master, the swabber, the boatswain and I,
The gunner and his mate
Loved Mall, Meg and Marian and Margery,
But none of us cared for Kate;
For she had a tongue with a tang,
Would cry to a sailor, Go hang!
She loved not the savour of tar nor of pitch,
Yet a tailor might scratch her where'er she did itch:
Then to sea, boys, and let her go hang!
This is a scurvy tune too: but here's my comfort.
Drinks
CALIBAN
Do not torment me: Oh!
STEPHANO
What's the matter? Have we devils here? Do you put
tricks upon's with savages and men of Ind, ha? I
have not scaped drowning to be afeard now of your
four legs; for it hath been said, As proper a man as
ever went on four legs cannot make him give ground;
and it shall be said so again while Stephano
breathes at's nostrils.
CALIBAN
The spirit torments me; Oh!
STEPHANO
This is some monster of the isle with four legs, who
hath got, as I take it, an ague. Where the devil
should he learn our ********? I will give him some
relief, if it be but for that. if I can recover him
and keep him tame and get to Naples with him, he's a
present for any emperor that ever trod on neat's leather.
CALIBAN
Do not torment me, prithee; I'll bring my wood home faster.
STEPHANO
He's in his fit now and does not talk after the
wisest. He shall taste of my bottle: if he have
never drunk wine afore will go near to remove his
fit. If I can recover him and keep him tame, I will
not take too much for him; he shall pay for him that
hath him, and that soundly.
CALIBAN
Thou dost me yet but little hurt; thou wilt anon, I
know it by thy trembling: now Prosper works upon thee.
STEPHANO
Come on your ways; open your mouth; here is that
which will give ******** to you, cat: open your
mouth; this will shake your shaking, I can tell you,
and that soundly: you cannot tell who's your friend:
open your chaps again.
TRINCULO
I should know that voice: it should be--but he is
drowned; and these are devils: O defend me!
STEPHANO
Four legs and two voices: a most delicate monster!
His forward voice now is to speak well of his
friend; his backward voice is to utter foul speeches
and to detract. If all the wine in my bottle will
recover him, I will help his ague. Come. Amen! I
will pour some in thy other mouth.
TRINCULO
Stephano!
STEPHANO
Doth thy other mouth call me? Mercy, mercy! This is
a devil, and no monster: I will leave him; I have no
long spoon.
TRINCULO
Stephano! If thou beest Stephano, touch me and
speak to me: for I am Trinculo--be not afeard--thy
good friend Trinculo.
STEPHANO
If thou beest Trinculo, come forth: I'll pull thee
by the lesser legs: if any be Trinculo's legs,
these are they. Thou art very Trinculo indeed! How
camest thou to be the siege of this moon-calf? can
he vent Trinculos?
TRINCULO
I took him to be killed with a thunder-stroke. But
art thou not drowned, Stephano? I hope now thou art
not drowned. Is the storm overblown? I hid me
under the dead moon-calf's gaberdine for fear of
the storm. And art thou living, Stephano? O
Stephano, two Neapolitans 'scaped!
STEPHANO
Prithee, do not turn me about; my stomach is not constant.
CALIBAN
[Aside] These be fine things, an if they be
not sprites.
That's a brave god and bears celestial liquor.
I will kneel to him.
STEPHANO
How didst thou 'scape? How camest thou hither?
swear by this bottle how thou camest hither. I
escaped upon a butt of sack which the sailors
heaved o'erboard, by this bottle; which I made of
the bark of a tree with mine own hands since I was
cast ashore.
CALIBAN
I'll swear upon that bottle to be thy true subject;
for the liquor is not earthly.
STEPHANO
Here; swear then how thou escapedst.
TRINCULO
Swum ashore. man, like a duck: I can swim like a
duck, I'll be sworn.
STEPHANO
Here, kiss the book. Though thou canst swim like a
duck, thou art made like a goose.
TRINCULO
O Stephano. hast any more of this?
STEPHANO
The whole butt, man: my cellar is in a rock by the
sea-side where my wine is hid. How now, moon-calf!
how does thine ague?
CALIBAN
Hast thou not dropp'd from heaven?
STEPHANO
Out o' the moon, I do assure thee: I was the man i'
the moon when time was.
CALIBAN
I have seen thee in her and I do adore thee:
My mistress show'd me thee and thy dog and thy bush.
STEPHANO
Come, swear to that; kiss the book: I will furnish
it anon with new *******s swear.
TRINCULO
By this good light, this is a very shallow monster!
I afeard of him! A very weak monster! The man i'
the moon! A most poor credulous monster! Well
drawn, monster, in good sooth!
CALIBAN
I'll show thee every fertile inch o' th' island;
And I will kiss thy foot: I prithee, be my god.
TRINCULO
By this light, a most perfidious and drunken
monster! when 's god's asleep, he'll rob his bottle.
CALIBAN
I'll kiss thy foot; I'll swear myself thy subject.
STEPHANO
Come on then; down, and swear.
TRINCULO
I shall laugh myself to death at this puppy-headed
monster. A most scurvy monster! I could find in my
heart to beat him,--
STEPHANO
Come, kiss.
TRINCULO
But that the poor monster's in drink: an abominable monster!
CALIBAN
I'll show thee the best springs; I'll pluck thee berries;
I'll fish for thee and get thee wood enough.
A plague upon the tyrant that I serve!
I'll bear him no more sticks, but follow thee,
Thou wondrous man.
TRINCULO
A most ridiculous monster, to make a wonder of a
Poor drunkard!
CALIBAN
I prithee, let me bring thee where crabs grow;
And I with my long nails will dig thee pignuts;
Show thee a jay's nest and instruct thee how
To snare the nimble marmoset; I'll bring thee
To clustering filberts and sometimes I'll get thee
Young scamels from the rock. Wilt thou go with me?
STEPHANO
I prithee now, lead the way without any more
talking. Trinculo, the king and all our company
else being drowned, we will inherit here: here;
bear my bottle: fellow Trinculo, we'll fill him by
and by again.
CALIBAN
[Sings drunkenly]
Farewell master; farewell, farewell!
TRINCULO
A howling monster: a drunken monster!
CALIBAN
No more dams I'll make for fish
Nor fetch in firing
At requiring;
Nor scrape trencher, nor wash dish
'Ban, 'Ban, Cacaliban
Has a new master: get a new man.
Freedom, hey-day! hey-day, freedom! freedom,
hey-day, freedom!
STEPHANO
O brave monster! Lead the way.
Exeunt


أرب جمـال 5 - 11 - 2009 11:00 PM

SCENE II. Another part of the island.SCENE II. Another part of the island.
Enter CALIBAN with a burden of wood. A noise of thunder heard
CALIBAN
All the infections that the sun sucks up
From bogs, fens, flats, on Prosper fall and make him
By inch-meal a disease! His spirits hear me
And yet I needs must curse. But they'll nor pinch,
Fright me with urchin--shows, pitch me i' the mire,
Nor lead me, like a firebrand, in the dark
Out of my way, unless he bid 'em; but
For every trifle are they set upon me;
Sometime like apes that mow and chatter at me
And after bite me, then like hedgehogs which
Lie tumbling in my barefoot way and mount
Their pricks at my footfall; sometime am I
All wound with adders who with cloven tongues
Do hiss me into madness.
Enter TRINCULO
Lo, now, lo!
Here comes a spirit of his, and to torment me
For bringing wood in slowly. I'll fall flat;
Perchance he will not mind me.
TRINCULO
Here's neither bush nor shrub, to bear off
any weather at all, and another storm brewing;
I hear it sing i' the wind: yond same black
cloud, yond huge one, looks like a foul
bombard that would shed his liquor. If it
should thunder as it did before, I know not
where to hide my head: yond same cloud cannot
choose but fall by pailfuls. What have we
here? a man or a fish? dead or alive? A fish:
he smells like a fish; a very ancient and fish-
like smell; a kind of not of the newest Poor-
John. A strange fish! Were I in England now,
as once I was, and had but this fish painted,
not a holiday fool there but would give a piece
of silver: there would this monster make a
man; any strange beast there makes a man:
when they will not give a doit to relieve a lame
beggar, they will lazy out ten to see a dead
Indian. Legged like a man and his fins like
arms! Warm o' my troth! I do now let loose
my opinion; hold it no longer: this is no fish,
but an islander, that hath lately suffered by a
thunderbolt.
Thunder
Alas, the storm is come again! my best way is to
creep under his gaberdine; there is no other
****ter hereabouts: misery acquaints a man with
strange bed-fellows. I will here shroud till the
dregs of the storm be past.
Enter STEPHANO, singing: a bottle in his hand
STEPHANO
I shall no more to sea, to sea,
Here shall I die ashore--
This is a very scurvy tune to sing at a man's
funeral: well, here's my comfort.
Drinks
Sings
The master, the swabber, the boatswain and I,
The gunner and his mate
Loved Mall, Meg and Marian and Margery,
But none of us cared for Kate;
For she had a tongue with a tang,
Would cry to a sailor, Go hang!
She loved not the savour of tar nor of pitch,
Yet a tailor might scratch her where'er she did itch:
Then to sea, boys, and let her go hang!
This is a scurvy tune too: but here's my comfort.
Drinks
CALIBAN
Do not torment me: Oh!
STEPHANO
What's the matter? Have we devils here? Do you put
tricks upon's with savages and men of Ind, ha? I
have not scaped drowning to be afeard now of your
four legs; for it hath been said, As proper a man as
ever went on four legs cannot make him give ground;
and it shall be said so again while Stephano
breathes at's nostrils.
CALIBAN
The spirit torments me; Oh!
STEPHANO
This is some monster of the isle with four legs, who
hath got, as I take it, an ague. Where the devil
should he learn our ********? I will give him some
relief, if it be but for that. if I can recover him
and keep him tame and get to Naples with him, he's a
present for any emperor that ever trod on neat's leather.
CALIBAN
Do not torment me, prithee; I'll bring my wood home faster.
STEPHANO
He's in his fit now and does not talk after the
wisest. He shall taste of my bottle: if he have
never drunk wine afore will go near to remove his
fit. If I can recover him and keep him tame, I will
not take too much for him; he shall pay for him that
hath him, and that soundly.
CALIBAN
Thou dost me yet but little hurt; thou wilt anon, I
know it by thy trembling: now Prosper works upon thee.
STEPHANO
Come on your ways; open your mouth; here is that
which will give ******** to you, cat: open your
mouth; this will shake your shaking, I can tell you,
and that soundly: you cannot tell who's your friend:
open your chaps again.
TRINCULO
I should know that voice: it should be--but he is
drowned; and these are devils: O defend me!
STEPHANO
Four legs and two voices: a most delicate monster!
His forward voice now is to speak well of his
friend; his backward voice is to utter foul speeches
and to detract. If all the wine in my bottle will
recover him, I will help his ague. Come. Amen! I
will pour some in thy other mouth.
TRINCULO
Stephano!
STEPHANO
Doth thy other mouth call me? Mercy, mercy! This is
a devil, and no monster: I will leave him; I have no
long spoon.
TRINCULO
Stephano! If thou beest Stephano, touch me and
speak to me: for I am Trinculo--be not afeard--thy
good friend Trinculo.
STEPHANO
If thou beest Trinculo, come forth: I'll pull thee
by the lesser legs: if any be Trinculo's legs,
these are they. Thou art very Trinculo indeed! How
camest thou to be the siege of this moon-calf? can
he vent Trinculos?
TRINCULO
I took him to be killed with a thunder-stroke. But
art thou not drowned, Stephano? I hope now thou art
not drowned. Is the storm overblown? I hid me
under the dead moon-calf's gaberdine for fear of
the storm. And art thou living, Stephano? O
Stephano, two Neapolitans 'scaped!
STEPHANO
Prithee, do not turn me about; my stomach is not constant.
CALIBAN
[Aside] These be fine things, an if they be
not sprites.
That's a brave god and bears celestial liquor.
I will kneel to him.
STEPHANO
How didst thou 'scape? How camest thou hither?
swear by this bottle how thou camest hither. I
escaped upon a butt of sack which the sailors
heaved o'erboard, by this bottle; which I made of
the bark of a tree with mine own hands since I was
cast ashore.
CALIBAN
I'll swear upon that bottle to be thy true subject;
for the liquor is not earthly.
STEPHANO
Here; swear then how thou escapedst.
TRINCULO
Swum ashore. man, like a duck: I can swim like a
duck, I'll be sworn.
STEPHANO
Here, kiss the book. Though thou canst swim like a
duck, thou art made like a goose.
TRINCULO
O Stephano. hast any more of this?
STEPHANO
The whole butt, man: my cellar is in a rock by the
sea-side where my wine is hid. How now, moon-calf!
how does thine ague?
CALIBAN
Hast thou not dropp'd from heaven?
STEPHANO
Out o' the moon, I do assure thee: I was the man i'
the moon when time was.
CALIBAN
I have seen thee in her and I do adore thee:
My mistress show'd me thee and thy dog and thy bush.
STEPHANO
Come, swear to that; kiss the book: I will furnish
it anon with new *******s swear.
TRINCULO
By this good light, this is a very shallow monster!
I afeard of him! A very weak monster! The man i'
the moon! A most poor credulous monster! Well
drawn, monster, in good sooth!
CALIBAN
I'll show thee every fertile inch o' th' island;
And I will kiss thy foot: I prithee, be my god.
TRINCULO
By this light, a most perfidious and drunken
monster! when 's god's asleep, he'll rob his bottle.
CALIBAN
I'll kiss thy foot; I'll swear myself thy subject.
STEPHANO
Come on then; down, and swear.
TRINCULO
I shall laugh myself to death at this puppy-headed
monster. A most scurvy monster! I could find in my
heart to beat him,--
STEPHANO
Come, kiss.
TRINCULO
But that the poor monster's in drink: an abominable monster!
CALIBAN
I'll show thee the best springs; I'll pluck thee berries;
I'll fish for thee and get thee wood enough.
A plague upon the tyrant that I serve!
I'll bear him no more sticks, but follow thee,
Thou wondrous man.
TRINCULO
A most ridiculous monster, to make a wonder of a
Poor drunkard!
CALIBAN
I prithee, let me bring thee where crabs grow;
And I with my long nails will dig thee pignuts;
Show thee a jay's nest and instruct thee how
To snare the nimble marmoset; I'll bring thee
To clustering filberts and sometimes I'll get thee
Young scamels from the rock. Wilt thou go with me?
STEPHANO
I prithee now, lead the way without any more
talking. Trinculo, the king and all our company
else being drowned, we will inherit here: here;
bear my bottle: fellow Trinculo, we'll fill him by
and by again.
CALIBAN
[Sings drunkenly]
Farewell master; farewell, farewell!
TRINCULO
A howling monster: a drunken monster!
CALIBAN
No more dams I'll make for fish
Nor fetch in firing
At requiring;
Nor scrape trencher, nor wash dish
'Ban, 'Ban, Cacaliban
Has a new master: get a new man.
Freedom, hey-day! hey-day, freedom! freedom,
hey-day, freedom!
STEPHANO
O brave monster! Lead the way.
Exeunt


أرب جمـال 5 - 11 - 2009 11:01 PM

SCENE I. Before PROSPERO'S Cell.SCENE I. Before PROSPERO'S Cell.
Enter FERDINAND, bearing a log
FERDINAND
There be some sports are painful, and their labour
Delight in them sets off: some kinds of baseness
Are nobly undergone and most poor matters
Point to rich ends. This my mean task
Would be as heavy to me as odious, but
The mistress which I serve quickens what's dead
And makes my labours pleasures: O, she is
Ten times more gentle than her father's crabbed,
And he's composed of harshness. I must remove
Some thousands of these logs and pile them up,
Upon a sore injunction: my sweet mistress
Weeps when she sees me work, and says, such baseness
Had never like executor. I forget:
But these sweet thoughts do even refresh my labours,
Most busy lest, when I do it.
Enter MIRANDA; and PROSPERO at a distance, unseen
MIRANDA
Alas, now, pray you,
Work not so hard: I would the lightning had
Burnt up those logs that you are enjoin'd to pile!
Pray, set it down and rest you: when this burns,
'Twill weep for having wearied you. My father
Is hard at study; pray now, rest yourself;
He's safe for these three hours.
FERDINAND
O most dear mistress,
The sun will set before I shall discharge
What I must strive to do.
MIRANDA
If you'll sit down,
I'll bear your logs the while: pray, give me that;
I'll carry it to the pile.
FERDINAND
No, precious creature;
I had rather crack my sinews, break my back,
Than you should such dishonour undergo,
While I sit lazy by.
MIRANDA
It would become me
As well as it does you: and I should do it
With much more ease; for my good will is to it,
And yours it is against.
PROSPERO
Poor worm, thou art infected!
This visitation shows it.
MIRANDA
You look wearily.
FERDINAND
No, noble mistress;'tis fresh morning with me
When you are by at night. I do beseech you--
Chiefly that I might set it in my prayers--
What is your name?
MIRANDA
Miranda.--O my father,
I have broke your hest to say so!
FERDINAND
Admired Miranda!
Indeed the top of admiration! worth
What's dearest to the world! Full many a lady
I have eyed with best regard and many a time
The harmony of their tongues hath into bondage
Brought my too diligent ear: for several virtues
Have I liked several women; never any
With so fun soul, but some defect in her
Did quarrel with the noblest grace she owed
And put it to the foil: but you, O you,
So perfect and so peerless, are created
Of every creature's best!
MIRANDA
I do not know
One of my sex; no woman's face remember,
Save, from my glass, mine own; nor have I seen
More that I may call men than you, good friend,
And my dear father: how features are abroad,
I am skilless of; but, by my modesty,
The jewel in my dower, I would not wish
Any companion in the world but you,
Nor can imagination form a shape,
Besides yourself, to like of. But I prattle
Something too wildly and my father's precepts
I therein do forget.
FERDINAND
I am in my condition
A prince, Miranda; I do think, a king;
I would, not so!--and would no more endure
This wooden slavery than to suffer
The flesh-fly blow my mouth. Hear my soul speak:
The very instant that I saw you, did
My heart fly to your service; there resides,
To make me slave to it; and for your sake
Am I this patient log--man.
MIRANDA
Do you love me?
FERDINAND
O heaven, O earth, bear witness to this sound
And crown what I profess with kind event
If I speak true! if hollowly, invert
What best is boded me to mischief! I
Beyond all limit of what else i' the world
Do love, prize, honour you.
MIRANDA
I am a fool
To weep at what I am glad of.
PROSPERO
Fair encounter
Of two most rare affections! Heavens rain grace
On that which breeds between 'em!
FERDINAND
Wherefore weep you?
MIRANDA
At mine unworthiness that dare not offer
What I desire to give, and much less take
What I shall die to want. But this is trifling;
And all the more it seeks to hide itself,
The bigger bulk it shows. Hence, bashful cunning!
And prompt me, plain and holy innocence!
I am your wife, it you will marry me;
If not, I'll die your maid: to be your fellow
You may deny me; but I'll be your servant,
Whether you will or no.
FERDINAND
My mistress, dearest;
And I thus humble ever.
MIRANDA
My husband, then?
FERDINAND
Ay, with a heart as willing
As bondage e'er of freedom: here's my hand.
MIRANDA
And mine, with my heart in't; and now farewell
Till half an hour hence.
FERDINAND
A thousand thousand!
Exeunt FERDINAND and MIRANDA severally
PROSPERO
So glad of this as they I cannot be,
Who are surprised withal; but my rejoicing
At nothing can be more. I'll to my book,
For yet ere supper-time must I perform
Much business appertaining.
Exit


أرب جمـال 5 - 11 - 2009 11:01 PM

SCENE II. Another part of the island.SCENE II. Another part of the island.
Enter CALIBAN, STEPHANO, and TRINCULO
STEPHANO
Tell not me; when the butt is out, we will drink
water; not a drop before: therefore bear up, and
board 'em. Servant-monster, drink to me.
TRINCULO
Servant-monster! the folly of this island! They
say there's but five upon this isle: we are three
of them; if th' other two be brained like us, the
state totters.
STEPHANO
Drink, servant-monster, when I bid thee: thy eyes
are almost set in thy head.
TRINCULO
Where should they be set else? he were a brave
monster indeed, if they were set in his tail.
STEPHANO
My man-monster hath drown'd his tongue in sack:
for my part, the sea cannot drown me; I swam, ere I
could recover the shore, five and thirty leagues off
and on. By this light, thou shalt be my lieutenant,
monster, or my standard.
TRINCULO
Your lieutenant, if you list; he's no standard.
STEPHANO
We'll not run, Monsieur Monster.
TRINCULO
Nor go neither; but you'll lie like dogs and yet say
nothing neither.
STEPHANO
Moon-calf, speak once in thy life, if thou beest a
good moon-calf.
CALIBAN
How does thy honour? Let me lick thy shoe.
I'll not serve him; he's not valiant.
TRINCULO
Thou liest, most ignorant monster: I am in case to
justle a constable. Why, thou deboshed fish thou,
was there ever man a coward that hath drunk so much
sack as I to-day? Wilt thou tell a monstrous lie,
being but half a fish and half a monster?
CALIBAN
Lo, how he mocks me! wilt thou let him, my lord?
TRINCULO
'Lord' quoth he! That a monster should be such a natural!
CALIBAN
Lo, lo, again! bite him to death, I prithee.
STEPHANO
Trinculo, keep a good tongue in your head: if you
prove a mutineer,--the next tree! The poor monster's
my subject and he shall not suffer indignity.
CALIBAN
I thank my noble lord. Wilt thou be pleased to
hearken once again to the suit I made to thee?
STEPHANO
Marry, will I kneel and repeat it; I will stand,
and so shall Trinculo.
Enter ARIEL, invisible
CALIBAN
As I told thee before, I am subject to a tyrant, a
sorcerer, that by his cunning hath cheated me of the island.
ARIEL
Thou liest.
CALIBAN
Thou liest, thou jesting monkey, thou: I would my
valiant master would destroy thee! I do not lie.
STEPHANO
Trinculo, if you trouble him any more in's tale, by
this hand, I will supplant some of your teeth.
TRINCULO
Why, I said nothing.
STEPHANO
Mum, then, and no more. Proceed.
CALIBAN
I say, by sorcery he got this isle;
From me he got it. if thy greatness will
Revenge it on him,--for I know thou darest,
But this thing dare not,--
STEPHANO
That's most certain.
CALIBAN
Thou shalt be lord of it and I'll serve thee.
STEPHANO
How now shall this be compassed?
Canst thou bring me to the party?
CALIBAN
Yea, yea, my lord: I'll yield him thee asleep,
Where thou mayst knock a nail into his bead.
ARIEL
Thou liest; thou canst not.
CALIBAN
What a pied ninny's this! Thou scurvy patch!
I do beseech thy greatness, give him blows
And take his bottle from him: when that's gone
He shall drink nought but brine; for I'll not show him
Where the quick freshes are.
STEPHANO
Trinculo, run into no further danger:
interrupt the monster one word further, and,
by this hand, I'll turn my mercy out o' doors
and make a stock-fish of thee.
TRINCULO
Why, what did I? I did nothing. I'll go farther
off.
STEPHANO
Didst thou not say he lied?
ARIEL
Thou liest.
STEPHANO
Do I so? take thou that.
Beats TRINCULO
As you like this, give me the lie another time.
TRINCULO
I did not give the lie. Out o' your
wits and bearing too? A pox o' your bottle!
this can sack and drinking do. A murrain on
your monster, and the devil take your fingers!
CALIBAN
Ha, ha, ha!
STEPHANO
Now, forward with your tale. Prithee, stand farther
off.
CALIBAN
Beat him enough: after a little time
I'll beat him too.
STEPHANO
Stand farther. Come, proceed.
CALIBAN
Why, as I told thee, 'tis a custom with him,
I' th' afternoon to sleep: there thou mayst brain him,
Having first seized his books, or with a log
Batter his skull, or paunch him with a stake,
Or cut his wezand with thy knife. Remember
First to possess his books; for without them
He's but a sot, as I am, nor hath not
One spirit to command: they all do hate him
As rootedly as I. Burn but his books.
He has brave utensils,--for so he calls them--
Which when he has a house, he'll deck withal
And that most deeply to consider is
The beauty of his daughter; he himself
Calls her a nonpareil: I never saw a woman,
But only Sycorax my dam and she;
But she as far surpasseth Sycorax
As great'st does least.
STEPHANO
Is it so brave a lass?
CALIBAN
Ay, lord; she will become thy bed, I warrant.
And bring thee forth brave brood.
STEPHANO
Monster, I will kill this man: his daughter and I
will be king and queen--save our graces!--and
Trinculo and thyself shall be viceroys. Dost thou
like the plot, Trinculo?
TRINCULO
Excellent.
STEPHANO
Give me thy hand: I am sorry I beat thee; but,
while thou livest, keep a good tongue in thy head.
CALIBAN
Within this half hour will he be asleep:
Wilt thou destroy him then?
STEPHANO
Ay, on mine honour.
ARIEL
This will I tell my master.
CALIBAN
Thou makest me merry; I am full of pleasure:
Let us be jocund: will you troll the catch
You taught me but while-ere?
STEPHANO
At thy request, monster, I will do reason, any
reason. Come on, Trinculo, let us sing.
Sings
Flout 'em and scout 'em
And scout 'em and flout 'em
Thought is free.
CALIBAN
That's not the tune.
Ariel plays the tune on a tabour and pipe
STEPHANO
What is this same?
TRINCULO
This is the tune of our catch, played by the picture
of Nobody.
STEPHANO
If thou beest a man, show thyself in thy likeness:
if thou beest a devil, take't as thou list.
TRINCULO
O, forgive me my sins!
STEPHANO
He that dies pays all debts: I defy thee. Mercy upon us!
CALIBAN
Art thou afeard?
STEPHANO
No, monster, not I.
CALIBAN
Be not afeard; the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices
That, if I then had waked after long sleep,
Will make me sleep again: and then, in dreaming,
The clouds methought would open and show riches
Ready to drop upon me that, when I waked,
I cried to dream again.
STEPHANO
This will prove a brave kingdom to me, where I shall
have my music for nothing.
CALIBAN
When Prospero is destroyed.
STEPHANO
That shall be by and by: I remember the story.
TRINCULO
The sound is going away; let's follow it, and
after do our work.
STEPHANO
Lead, monster; we'll follow. I would I could see
this tabourer; he lays it on.
TRINCULO
Wilt come? I'll follow, Stephano.
Exeunt


أرب جمـال 5 - 11 - 2009 11:01 PM

SCENE III. Another part of the island.SCENE III. Another part of the island.
Enter ALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO, and others
GONZALO
By'r lakin, I can go no further, sir;
My old bones ache: here's a maze trod indeed
Through forth-rights and meanders! By your patience,
I needs must rest me.
ALONSO
Old lord, I cannot blame thee,
Who am myself attach'd with weariness,
To the dulling of my spirits: sit down, and rest.
Even here I will put off my hope and keep it
No longer for my flatterer: he is drown'd
Whom thus we stray to find, and the sea mocks
Our frustrate search on land. Well, let him go.
ANTONIO
[Aside to SEBASTIAN] I am right glad that he's so
out of hope.
Do not, for one repulse, forego the purpose
That you resolved to effect.
SEBASTIAN
[Aside to ANTONIO] The next advantage
Will we take throughly.
ANTONIO
[Aside to SEBASTIAN] Let it be to-night;
For, now they are oppress'd with travel, they
Will not, nor cannot, use such vigilance
As when they are fresh.
SEBASTIAN
[Aside to ANTONIO] I say, to-night: no more.
Solemn and strange music
ALONSO
What harmony is this? My good friends, hark!
GONZALO
Marvellous sweet music!
Enter PROSPERO above, invisible. Enter several strange Shapes, bringing in a banquet; they dance about it with gentle actions of salutation; and, inviting the King, & c. to eat, they depart
ALONSO
Give us kind keepers, heavens! What were these?
SEBASTIAN
A living drollery. Now I will believe
That there are unicorns, that in Arabia
There is one tree, the phoenix' throne, one phoenix
At this hour reigning there.
ANTONIO
I'll believe both;
And what does else want credit, come to me,
And I'll be sworn 'tis true: travellers ne'er did
lie,
Though fools at home condemn 'em.
GONZALO
If in Naples
I should report this now, would they believe me?
If I should say, I saw such islanders--
For, certes, these are people of the island--
Who, though they are of monstrous shape, yet, note,
Their manners are more gentle-kind than of
Our human generation you shall find
Many, nay, almost any.
PROSPERO
[Aside] Honest lord,
Thou hast said well; for some of you there present
Are worse than devils.
ALONSO
I cannot too much muse
Such shapes, such gesture and such sound, expressing,
Although they want the use of tongue, a kind
Of excellent dumb discourse.
PROSPERO
[Aside] Praise in departing.
FRANCISCO
They vanish'd strangely.
SEBASTIAN
No matter, since
They have left their viands behind; for we have stomachs.
Will't please you taste of what is here?
ALONSO
Not I.
GONZALO
Faith, sir, you need not fear. When we were boys,
Who would believe that there were mountaineers
Dew-lapp'd like bulls, whose throats had hanging at 'em
Wallets of flesh? or that there were such men
Whose heads stood in their breasts? which now we find
Each putter-out of five for one will bring us
Good warrant of.
ALONSO
I will stand to and feed,
Although my last: no matter, since I feel
The best is past. Brother, my lord the duke,
Stand to and do as we.
Thunder and lightning. Enter ARIEL, like a harpy; claps his wings upon the table; and, with a quaint device, the banquet vanishes
ARIEL
You are three men of sin, whom Destiny,
That hath to instrument this lower world
And what is in't, the never-surfeited sea
Hath caused to belch up you; and on this island
Where man doth not inhabit; you 'mongst men
Being most unfit to live. I have made you mad;
And even with such-like valour men hang and drown
Their proper selves.
ALONSO, SEBASTIAN & c. draw their swords
You fools! I and my fellows
Are ministers of Fate: the elements,
Of whom your swords are temper'd, may as well
Wound the loud winds, or with bemock'd-at stabs
Kill the still-closing waters, as diminish
One dowle that's in my plume: my fellow-ministers
Are like invulnerable. If you could hurt,
Your swords are now too massy for your strengths
And will not be uplifted. But remember--
For that's my business to you--that you three
From Milan did supplant good Prospero;
Exposed unto the sea, which hath requit it,
Him and his innocent child: for which foul deed
The powers, delaying, not forgetting, have
Incensed the seas and shores, yea, all the creatures,
Against your peace. Thee of thy son, Alonso,
They have bereft; and do pronounce by me:
Lingering perdition, worse than any death
Can be at once, shall step by step attend
You and your ways; whose wraths to guard you from--
Which here, in this most desolate isle, else falls
Upon your heads--is nothing but heart-sorrow
And a clear life ensuing.
He vanishes in thunder; then, to soft music enter the Shapes again, and dance, with mocks and mows, and carrying out the table
PROSPERO
Bravely the figure of this harpy hast thou
Perform'd, my Ariel; a grace it had, devouring:
Of my instruction hast thou nothing bated
In what thou hadst to say: so, with good life
And observation strange, my meaner ministers
Their several kinds have done. My high charms work
And these mine enemies are all knit up
In their distractions; they now are in my power;
And in these fits I leave them, while I visit
Young Ferdinand, whom they suppose is drown'd,
And his and mine loved darling.
Exit above
GONZALO
I' the name of something holy, sir, why stand you
In this strange stare?
ALONSO
O, it is monstrous, monstrous:
Methought the billows spoke and told me of it;
The winds did sing it to me, and the thunder,
That deep and dreadful organ-pipe, pronounced
The name of Prosper: it did bass my trespass.
Therefore my son i' the ooze is bedded, and
I'll seek him deeper than e'er plummet sounded
And with him there lie mudded.
Exit
SEBASTIAN
But one fiend at a time,
I'll fight their legions o'er.
ANTONIO
I'll be thy second.
Exeunt SEBASTIAN, and ANTONIO
GONZALO
All three of them are desperate: their great guilt,
Like poison given to work a great time after,
Now 'gins to bite the spirits. I do beseech you
That are of suppler joints, follow them swiftly
And hinder them from what this ecstasy
May now provoke them to.
ADRIAN
Follow, I pray you.
Exeunt


أرب جمـال 5 - 11 - 2009 11:02 PM

SCENE I. Before PROSPERO'S cell.SCENE I. Before PROSPERO'S cell.
Enter PROSPERO, FERDINAND, and MIRANDA
PROSPERO
If I have too austerely punish'd you,
Your compensation makes amends, for I
Have given you here a third of mine own life,
Or that for which I live; who once again
I tender to thy hand: all thy vexations
Were but my trials of thy love and thou
Hast strangely stood the test here, afore Heaven,
I ratify this my rich gift. O Ferdinand,
Do not smile at me that I boast her off,
For thou shalt find she will outstrip all praise
And make it halt behind her.
FERDINAND
I do believe it
Against an oracle.
PROSPERO
Then, as my gift and thine own acquisition
Worthily purchased take my daughter: but
If thou dost break her virgin-knot before
All sanctimonious ceremonies may
With full and holy rite be minister'd,
No sweet aspersion shall the heavens let fall
To make this contract grow: but barren hate,
Sour-eyed disdain and discord shall bestrew
The union of your bed with weeds so loathly
That you shall hate it both: therefore take heed,
As Hymen's lamps shall light you.
FERDINAND
As I hope
For quiet days, fair issue and long life,
With such love as 'tis now, the murkiest den,
The most opportune place, the strong'st suggestion.
Our worser genius can, shall never melt
Mine honour into lust, to take away
The edge of that day's celebration
When I shall think: or Phoebus' steeds are founder'd,
Or Night kept chain'd below.
PROSPERO
Fairly spoke.
Sit then and talk with her; she is thine own.
What, Ariel! my industrious servant, Ariel!
Enter ARIEL
ARIEL
What would my potent master? here I am.
PROSPERO
Thou and thy meaner fellows your last service
Did worthily perform; and I must use you
In such another trick. Go bring the rabble,
O'er whom I give thee power, here to this place:
Incite them to quick motion; for I must
Bestow upon the eyes of this young couple
Some vanity of mine art: it is my promise,
And they expect it from me.
ARIEL
Presently?
PROSPERO
Ay, with a twink.
ARIEL
Before you can say 'come' and 'go,'
And breathe twice and cry 'so, so,'
Each one, tripping on his toe,
Will be here with mop and mow.
Do you love me, master? no?
PROSPERO
Dearly my delicate Ariel. Do not approach
Till thou dost hear me call.
ARIEL
Well, I conceive.
Exit
PROSPERO
Look thou be true; do not give dalliance
Too much the rein: the strongest oaths are straw
To the fire i' the blood: be more abstemious,
Or else, good night your vow!
FERDINAND
I warrant you sir;
The white cold virgin snow upon my heart
Abates the ardour of my liver.
PROSPERO
Well.
Now come, my Ariel! bring a corollary,
Rather than want a spirit: appear and pertly!
No tongue! all eyes! be silent.
Soft music
Enter IRIS
IRIS
Ceres, most bounteous lady, thy rich leas
Of wheat, rye, barley, vetches, oats and pease;
Thy turfy mountains, where live nibbling sheep,
And flat meads thatch'd with stover, them to keep;
Thy banks with pioned and twilled brims,
Which spongy April at thy hest betrims,
To make cold nymphs chaste crowns; and thy broom -groves,
Whose shadow the dismissed bachelor loves,
Being lass-lorn: thy pole-clipt vineyard;
And thy sea-marge, sterile and rocky-hard,
Where thou thyself dost air;--the queen o' the sky,
Whose watery arch and messenger am I,
Bids thee leave these, and with her sovereign grace,
Here on this grass-plot, in this very place,
To come and sport: her peacocks fly amain:
Approach, rich Ceres, her to entertain.
Enter CERES
CERES
Hail, many-colour'd messenger, that ne'er
Dost disobey the wife of Jupiter;
Who with thy saffron wings upon my flowers
Diffusest honey-drops, refreshing showers,
And with each end of thy blue bow dost crown
My bosky acres and my unshrubb'd down,
Rich scarf to my proud earth; why hath thy queen
Summon'd me hither, to this short-grass'd green?
IRIS
A contract of true love to celebrate;
And some donation freely to estate
On the blest lovers.
CERES
Tell me, heavenly bow,
If Venus or her son, as thou dost know,
Do now attend the queen? Since they did plot
The means that dusky Dis my daughter got,
Her and her blind boy's scandal'd company
I have forsworn.
IRIS
Of her society
Be not afraid: I met her deity
Cutting the clouds towards Paphos and her son
Dove-drawn with her. Here thought they to have done
Some wanton charm upon this man and maid,
Whose vows are, that no bed-right shall be paid
Till Hymen's torch be lighted: but vain;
Mars's hot minion is returned again;
Her waspish-headed son has broke his arrows,
Swears he will shoot no more but play with sparrows
And be a boy right out.
CERES
High'st queen of state,
Great Juno, comes; I know her by her gait.
Enter JUNO
JUNO
How does my bounteous sister? Go with me
To bless this twain, that they may prosperous be
And honour'd in their issue.
They sing:
JUNO
Honour, riches, marriage-blessing,
Long continuance, and increasing,
Hourly joys be still upon you!
Juno sings her blessings upon you.
CERES
Earth's increase, foison plenty,
Barns and garners never empty,
Vines and clustering bunches growing,
Plants with goodly burthen bowing;
Spring come to you at the farthest
In the very end of harvest!
Scarcity and want shall shun you;
Ceres' blessing so is on you.
FERDINAND
This is a most majestic vision, and
Harmoniously charmingly. May I be bold
To think these spirits?
PROSPERO
Spirits, which by mine art
I have from their confines call'd to enact
My present fancies.
FERDINAND
Let me live here ever;
So rare a wonder'd father and a wife
Makes this place Paradise.
Juno and Ceres whisper, and send Iris on employment
PROSPERO
Sweet, now, silence!
Juno and Ceres whisper seriously;
There's something else to do: hush, and be mute,
Or else our spell is marr'd.
IRIS
You nymphs, call'd Naiads, of the windring brooks,
With your sedged crowns and ever-harmless looks,
Leave your crisp channels and on this green land
Answer your summons; Juno does command:
Come, temperate nymphs, and help to celebrate
A contract of true love; be not too late.
Enter certain Nymphs
You sunburnt sicklemen, of August weary,
Come hither from the furrow and be merry:
Make holiday; your rye-straw hats put on
And these fresh nymphs encounter every one
In country footing.
Enter certain Reapers, properly habited: they join with the Nymphs in a graceful dance; towards the end whereof PROSPERO starts suddenly, and speaks; after which, to a strange, hollow, and confused noise, they heavily vanish
PROSPERO
[Aside] I had forgot that foul conspiracy
Of the beast Caliban and his confederates
Against my life: the minute of their plot
Is almost come.
To the Spirits
Well done! avoid; no more!
FERDINAND
This is strange: your father's in some passion
That works him strongly.
MIRANDA
Never till this day
Saw I him touch'd with anger so distemper'd.
PROSPERO
You do look, my son, in a moved sort,
As if you were dismay'd: be cheerful, sir.
Our revels now are ended. These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air:
And, like the baseless fabric of this vision,
The cloud-capp'd towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Ye all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep. Sir, I am vex'd;
Bear with my weakness; my, brain is troubled:
Be not disturb'd with my infirmity:
If you be pleased, retire into my cell
And there repose: a turn or two I'll walk,
To still my beating mind.
FERDINAND MIRANDA
We wish your peace.
Exeunt
PROSPERO
Come with a thought I thank thee, Ariel: come.
Enter ARIEL
ARIEL
Thy thoughts I cleave to. What's thy pleasure?
PROSPERO
Spirit,
We must prepare to meet with Caliban.
ARIEL
Ay, my commander: when I presented Ceres,
I thought to have told thee of it, but I fear'd
Lest I might anger thee.
PROSPERO
Say again, where didst thou leave these varlets?
ARIEL
I told you, sir, they were red-hot with drinking;
So fun of valour that they smote the air
For breathing in their faces; beat the ground
For kissing of their feet; yet always bending
Towards their project. Then I beat my tabour;
At which, like unback'd colts, they prick'd
their ears,
Advanced their eyelids, lifted up their noses
As they smelt music: so I charm'd their ears
That calf-like they my lowing follow'd through
Tooth'd briers, sharp furzes, pricking goss and thorns,
Which entered their frail shins: at last I left them
I' the filthy-mantled pool beyond your cell,
There dancing up to the chins, that the foul lake
O'erstunk their feet.
PROSPERO
This was well done, my bird.
Thy shape invisible retain thou still:
The trumpery in my house, go bring it hither,
For stale to catch these thieves.
ARIEL
I go, I go.
Exit
PROSPERO
A devil, a born devil, on whose nature
Nurture can never stick; on whom my pains,
Humanely taken, all, all lost, quite lost;
And as with age his body uglier grows,
So his mind cankers. I will plague them all,
Even to roaring.
Re-enter ARIEL, loaden with glistering apparel, & c
Come, hang them on this line.
PROSPERO and ARIEL remain invisible. Enter CALIBAN, STEPHANO, and TRINCULO, all wet
CALIBAN
Pray you, tread softly, that the blind mole may not
Hear a foot fall: we now are near his cell.
STEPHANO
Monster, your fairy, which you say is
a harmless fairy, has done little better than
played the Jack with us.
TRINCULO
Monster, I do smell all horse-piss; at
which my nose is in great indignation.
STEPHANO
So is mine. Do you hear, monster? If I should take
a displeasure against you, look you,--
TRINCULO
Thou wert but a lost monster.
CALIBAN
Good my lord, give me thy favour still.
Be patient, for the prize I'll bring thee to
Shall hoodwink this mischance: therefore speak softly.
All's hush'd as midnight yet.
TRINCULO
Ay, but to lose our bottles in the pool,--
STEPHANO
There is not only disgrace and dishonour in that,
monster, but an infinite loss.
TRINCULO
That's more to me than my wetting: yet this is your
harmless fairy, monster.
STEPHANO
I will fetch off my bottle, though I be o'er ears
for my labour.
CALIBAN
Prithee, my king, be quiet. Seest thou here,
This is the mouth o' the cell: no noise, and enter.
Do that good mischief which may make this island
Thine own for ever, and I, thy Caliban,
For aye thy foot-licker.
STEPHANO
Give me thy hand. I do begin to have bloody thoughts.
TRINCULO
O king Stephano! O peer! O worthy Stephano! look
what a wardrobe here is for thee!
CALIBAN
Let it alone, thou fool; it is but trash.
TRINCULO
O, ho, monster! we know what belongs to a frippery.
O king Stephano!
STEPHANO
Put off that gown, Trinculo; by this hand, I'll have
that gown.
TRINCULO
Thy grace shall have it.
CALIBAN
The dropsy drown this fool I what do you mean
To dote thus on such luggage? Let's alone
And do the murder first: if he awake,
From toe to crown he'll fill our skins with pinches,
Make us strange stuff.
STEPHANO
Be you quiet, monster. Mistress line,
is not this my jerkin? Now is the jerkin under
the line: now, jerkin, you are like to lose your
hair and prove a bald jerkin.
TRINCULO
Do, do: we steal by line and level, an't like your grace.
STEPHANO
I thank thee for that jest; here's a garment for't:
wit shall not go unrewarded while I am king of this
country. 'Steal by line and level' is an excellent
pass of pate; there's another garment for't.
TRINCULO
Monster, come, put some lime upon your fingers, and
away with the rest.
CALIBAN
I will have none on't: we shall lose our time,
And all be turn'd to barnacles, or to apes
With foreheads villanous low.
STEPHANO
Monster, lay-to your fingers: help to bear this
away where my hogshead of wine is, or I'll turn you
out of my kingdom: go to, carry this.
TRINCULO
And this.
STEPHANO
Ay, and this.
A noise of hunters heard. Enter divers Spirits, in shape of dogs and hounds, and hunt them about, PROSPERO and ARIEL setting them on
PROSPERO
Hey, Mountain, hey!
ARIEL
Silver I there it goes, Silver!
PROSPERO
Fury, Fury! there, Tyrant, there! hark! hark!
CALIBAN, STEPHANO, and TRINCULO, are driven out
Go charge my goblins that they grind their joints
With dry convulsions, shorten up their sinews
With aged cramps, and more pinch-spotted make them
Than pard or cat o' mountain.
ARIEL
Hark, they roar!
PROSPERO
Let them be hunted soundly. At this hour
Lie at my mercy all mine enemies:
Shortly shall all my labours end, and thou
Shalt have the air at freedom: for a little
Follow, and do me service.
Exeunt


أرب جمـال 5 - 11 - 2009 11:03 PM

SCENE I. Before PROSPERO'S cell.SCENE I. Before PROSPERO'S cell.
Enter PROSPERO in his magic robes, and ARIEL
PROSPERO
Now does my project gather to a head:
My charms crack not; my spirits obey; and time
Goes upright with his carriage. How's the day?
ARIEL
On the sixth hour; at which time, my lord,
You said our work should cease.
PROSPERO
I did say so,
When first I raised the tempest. Say, my spirit,
How fares the king and's followers?
ARIEL
Confined together
In the same fashion as you gave in charge,
Just as you left them; all prisoners, sir,
In the line-grove which weather-fends your cell;
They cannot budge till your release. The king,
His brother and yours, abide all three distracted
And the remainder mourning over them,
Brimful of sorrow and dismay; but chiefly
Him that you term'd, sir, 'The good old lord Gonzalo;'
His tears run down his beard, like winter's drops
From eaves of reeds. Your charm so strongly works 'em
That if you now beheld them, your affections
Would become tender.
PROSPERO
Dost thou think so, spirit?
ARIEL
Mine would, sir, were I human.
PROSPERO
And mine shall.
Hast thou, which art but air, a touch, a feeling
Of their afflictions, and shall not myself,
One of their kind, that relish all as sharply,
Passion as they, be kindlier moved than thou art?
Though with their high wrongs I am struck to the quick,
Yet with my nobler reason 'gaitist my fury
Do I take part: the rarer action is
In virtue than in vengeance: they being penitent,
The sole drift of my purpose doth extend
Not a frown further. Go release them, Ariel:
My charms I'll break, their senses I'll restore,
And they shall be themselves.
ARIEL
I'll fetch them, sir.
Exit
PROSPERO
Ye elves of hills, brooks, standing lakes and groves,
And ye that on the sands with printless foot
Do chase the ebbing Neptune and do fly him
When he comes back; you demi-puppets that
By moonshine do the green sour ringlets make,
Whereof the ewe not bites, and you whose pastime
Is to make midnight mushrooms, that rejoice
To hear the solemn curfew; by whose aid,
Weak masters though ye be, I have bedimm'd
The noontide sun, call'd forth the mutinous winds,
And 'twixt the green sea and the azured vault
Set roaring war: to the dread rattling thunder
Have I given fire and rifted Jove's stout oak
With his own bolt; the strong-based promontory
Have I made shake and by the spurs pluck'd up
The pine and cedar: graves at my command
Have waked their sleepers, oped, and let 'em forth
By my so potent art. But this rough magic
I here abjure, and, when I have required
Some heavenly music, which even now I do,
To work mine end upon their senses that
This airy charm is for, I'll break my staff,
Bury it certain fathoms in the earth,
And deeper than did ever plummet sound
I'll drown my book.
Solemn music
Re-enter ARIEL before: then ALONSO, with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO they all enter the circle which PROSPERO had made, and there stand charmed; which PROSPERO observing, speaks:
A solemn air and the best comforter
To an unsettled fancy cure thy brains,
Now useless, boil'd within thy skull! There stand,
For you are spell-stopp'd.
Holy Gonzalo, honourable man,
Mine eyes, even sociable to the show of thine,
Fall fellowly drops. The charm dissolves apace,
And as the morning steals upon the night,
Melting the darkness, so their rising senses
Begin to chase the ignorant fumes that mantle
Their clearer reason. O good Gonzalo,
My true preserver, and a loyal sir
To him you follow'st! I will pay thy graces
Home both in word and deed. Most cruelly
Didst thou, Alonso, use me and my daughter:
Thy brother was a furtherer in the act.
Thou art pinch'd fort now, Sebastian. Flesh and blood,
You, brother mine, that entertain'd ambition,
Expell'd remorse and nature; who, with Sebastian,
Whose inward pinches therefore are most strong,
Would here have kill'd your king; I do forgive thee,
Unnatural though thou art. Their understanding
Begins to swell, and the approaching tide
Will shortly fill the reasonable shore
That now lies foul and muddy. Not one of them
That yet looks on me, or would know me Ariel,
Fetch me the hat and rapier in my cell:
I will discase me, and myself present
As I was sometime Milan: quickly, spirit;
Thou shalt ere long be free.
ARIEL sings and helps to attire him
Where the bee sucks. there suck I:
In a cowslip's bell I lie;
There I couch when owls do cry.
On the bat's back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.
PROSPERO
Why, that's my dainty Ariel! I shall miss thee:
But yet thou shalt have freedom: so, so, so.
To the king's ship, invisible as thou art:
There shalt thou find the mariners asleep
Under the hatches; the master and the boatswain
Being awake, enforce them to this place,
And presently, I prithee.
ARIEL
I drink the air before me, and return
Or ere your pulse twice beat.
Exit
GONZALO
All torment, trouble, wonder and amazement
Inhabits here: some heavenly power guide us
Out of this fearful country!
PROSPERO
Behold, sir king,
The wronged Duke of Milan, Prospero:
For more assurance that a living prince
Does now speak to thee, I embrace thy body;
And to thee and thy company I bid
A hearty welcome.
ALONSO
Whether thou best he or no,
Or some enchanted trifle to abuse me,
As late I have been, I not know: thy pulse
Beats as of flesh and blood; and, since I saw thee,
The affliction of my mind amends, with which,
I fear, a madness held me: this must crave,
An if this be at all, a most strange story.
Thy dukedom I resign and do entreat
Thou pardon me my wrongs. But how should Prospero
Be living and be here?
PROSPERO
First, noble friend,
Let me embrace thine age, whose honour cannot
Be measured or confined.
GONZALO
Whether this be
Or be not, I'll not swear.
PROSPERO
You do yet taste
Some subtilties o' the isle, that will not let you
Believe things certain. Welcome, my friends all!
Aside to SEBASTIAN and ANTONIO
But you, my brace of lords, were I so minded,
I here could pluck his highness' frown upon you
And justify you traitors: at this time
I will tell no tales.
SEBASTIAN
[Aside] The devil speaks in him.
PROSPERO
No.
For you, most wicked sir, whom to call brother
Would even infect my mouth, I do forgive
Thy rankest fault; all of them; and require
My dukedom of thee, which perforce, I know,
Thou must restore.
ALONSO
If thou be'st Prospero,
Give us particulars of thy preservation;
How thou hast met us here, who three hours since
Were wreck'd upon this shore; where I have lost--
How sharp the point of this remembrance is!--
My dear son Ferdinand.
PROSPERO
I am woe for't, sir.
ALONSO
Irreparable is the loss, and patience
Says it is past her cure.
PROSPERO
I rather think
You have not sought her help, of whose soft grace
For the like loss I have her sovereign aid
And rest myself *******.
ALONSO
You the like loss!
PROSPERO
As great to me as late; and, supportable
To make the dear loss, have I means much weaker
Than you may call to comfort you, for I
Have lost my daughter.
ALONSO
A daughter?
O heavens, that they were living both in Naples,
The king and queen there! that they were, I wish
Myself were mudded in that oozy bed
Where my son lies. When did you lose your daughter?
PROSPERO
In this last tempest. I perceive these lords
At this encounter do so much admire
That they devour their reason and scarce think
Their eyes do offices of truth, their words
Are natural breath: but, howsoe'er you have
Been justled from your senses, know for certain
That I am Prospero and that very duke
Which was thrust forth of Milan, who most strangely
Upon this shore, where you were wreck'd, was landed,
To be the lord on't. No more yet of this;
For 'tis a chronicle of day by day,
Not a relation for a breakfast nor
Befitting this first meeting. Welcome, sir;
This cell's my court: here have I few attendants
And subjects none abroad: pray you, look in.
My dukedom since you have given me again,
I will requite you with as good a thing;
At least bring forth a wonder, to ******* ye
As much as me my dukedom.
Here PROSPERO discovers FERDINAND and MIRANDA playing at chess
MIRANDA
Sweet lord, you play me false.
FERDINAND
No, my dear'st love,
I would not for the world.
MIRANDA
Yes, for a score of kingdoms you should wrangle,
And I would call it, fair play.
ALONSO
If this prove
A vision of the Island, one dear son
Shall I twice lose.
SEBASTIAN
A most high miracle!
FERDINAND
Though the seas threaten, they are merciful;
I have cursed them without cause.
Kneels
ALONSO
Now all the blessings
Of a glad father compass thee about!
Arise, and say how thou camest here.
MIRANDA
O, wonder!
How many goodly creatures are there here!
How beauteous mankind is! O brave new world,
That has such people in't!
PROSPERO
'Tis new to thee.
ALONSO
What is this maid with whom thou wast at play?
Your eld'st acquaintance cannot be three hours:
Is she the goddess that hath sever'd us,
And brought us thus together?
FERDINAND
Sir, she is mortal;
But by immortal Providence she's mine:
I chose her when I could not ask my father
For his advice, nor thought I had one. She
Is daughter to this famous Duke of Milan,
Of whom so often I have heard renown,
But never saw before; of whom I have
Received a second life; and second father
This lady makes him to me.
ALONSO
I am hers:
But, O, how oddly will it sound that I
Must ask my child forgiveness!
PROSPERO
There, sir, stop:
Let us not burthen our remembrance with
A heaviness that's gone.
GONZALO
I have inly wept,
Or should have spoke ere this. Look down, you god,
And on this couple drop a blessed crown!
For it is you that have chalk'd forth the way
Which brought us hither.
ALONSO
I say, Amen, Gonzalo!
GONZALO
Was Milan thrust from Milan, that his issue
Should become kings of Naples? O, rejoice
Beyond a common joy, and set it down
With gold on lasting pillars: In one voyage
Did Claribel her husband find at Tunis,
And Ferdinand, her brother, found a wife
Where he himself was lost, Prospero his dukedom
In a poor isle and all of us ourselves
When no man was his own.
ALONSO
[To FERDINAND and MIRANDA] Give me your hands:
Let grief and sorrow still embrace his heart
That doth not wish you joy!
GONZALO
Be it so! Amen!
Re-enter ARIEL, with the Master and Boatswain amazedly following
O, look, sir, look, sir! here is more of us:
I prophesied, if a gallows were on land,
This fellow could not drown. Now, blasphemy,
That swear'st grace o'erboard, not an oath on shore?
Hast thou no mouth by land? What is the news?
Boatswain
The best news is, that we have safely found
Our king and company; the next, our ship--
Which, but three glasses since, we gave out split--
Is tight and yare and bravely rigg'd as when
We first put out to sea.
ARIEL
[Aside to PROSPERO] Sir, all this service
Have I done since I went.
PROSPERO
[Aside to ARIEL] My tricksy spirit!
ALONSO
These are not natural events; they strengthen
From strange to stranger. Say, how came you hither?
Boatswain
If I did think, sir, I were well awake,
I'ld strive to tell you. We were dead of sleep,
And--how we know not--all clapp'd under hatches;
Where but even now with strange and several noises
Of roaring, shrieking, howling, jingling chains,
And more diversity of sounds, all horrible,
We were awaked; straightway, at liberty;
Where we, in all her trim, freshly beheld
Our royal, good and gallant ship, our master
Capering to eye her: on a trice, so please you,
Even in a dream, were we divided from them
And were brought moping hither.
ARIEL
[Aside to PROSPERO] Was't well done?
PROSPERO
[Aside to ARIEL] Bravely, my diligence. Thou shalt be free.
ALONSO
This is as strange a maze as e'er men trod
And there is in this business more than nature
Was ever conduct of: some oracle
Must rectify our knowledge.
PROSPERO
Sir, my liege,
Do not infest your mind with beating on
The strangeness of this business; at pick'd leisure
Which shall be shortly, single I'll resolve you,
Which to you shall seem probable, of every
These happen'd accidents; till when, be cheerful
And think of each thing well.
Aside to ARIEL
Come hither, spirit:
Set Caliban and his companions free;
Untie the spell.
Exit ARIEL
How fares my gracious sir?
There are yet missing of your company
Some few odd lads that you remember not.
Re-enter ARIEL, driving in CALIBAN, STEPHANO and TRINCULO, in their stolen apparel
STEPHANO
Every man shift for all the rest, and
let no man take care for himself; for all is
but fortune. Coragio, bully-monster, coragio!
TRINCULO
If these be true spies which I wear in my head,
here's a goodly sight.
CALIBAN
O Setebos, these be brave spirits indeed!
How fine my master is! I am afraid
He will chastise me.
SEBASTIAN
Ha, ha!
What things are these, my lord Antonio?
Will money buy 'em?
ANTONIO
Very like; one of them
Is a plain fish, and, no doubt, marketable.
PROSPERO
Mark but the badges of these men, my lords,
Then say if they be true. This mis-shapen knave,
His mother was a witch, and one so strong
That could control the moon, make flows and ebbs,
And deal in her command without her power.
These three have robb'd me; and this demi-devil--
For he's a bastard one--had plotted with them
To take my life. Two of these fellows you
Must know and own; this thing of darkness!
Acknowledge mine.
CALIBAN
I shall be pinch'd to death.
ALONSO
Is not this Stephano, my drunken butler?
SEBASTIAN
He is drunk now: where had he wine?
ALONSO
And Trinculo is reeling ripe: where should they
Find this grand liquor that hath gilded 'em?
How camest thou in this pickle?
TRINCULO
I have been in such a pickle since I
saw you last that, I fear me, will never out of
my bones: I shall not fear fly-blowing.
SEBASTIAN
Why, how now, Stephano!
STEPHANO
O, touch me not; I am not Stephano, but a cramp.
PROSPERO
You'ld be king o' the isle, sirrah?
STEPHANO
I should have been a sore one then.
ALONSO
This is a strange thing as e'er I look'd on.
Pointing to Caliban
PROSPERO
He is as disproportion'd in his manners
As in his shape. Go, sirrah, to my cell;
Take with you your companions; as you look
To have my pardon, trim it handsomely.
CALIBAN
Ay, that I will; and I'll be wise hereafter
And seek for grace. What a thrice-double ass
Was I, to take this drunkard for a god
And worship this dull fool!
PROSPERO
Go to; away!
ALONSO
Hence, and bestow your luggage where you found it.
SEBASTIAN
Or stole it, rather.
Exeunt CALIBAN, STEPHANO, and TRINCULO
PROSPERO
Sir, I invite your highness and your train
To my poor cell, where you shall take your rest
For this one night; which, part of it, I'll waste
With such discourse as, I not doubt, shall make it
Go quick away; the story of my life
And the particular accidents gone by
Since I came to this isle: and in the morn
I'll bring you to your ship and so to Naples,
Where I have hope to see the nuptial
Of these our dear-beloved solemnized;
And thence retire me to my Milan, where
Every third thought shall be my grave.
ALONSO
I long
To hear the story of your life, which must
Take the ear strangely.
PROSPERO
I'll deliver all;
And promise you calm seas, auspicious gales
And sail so expeditious that shall catch
Your royal fleet far off.
Aside to ARIEL
My Ariel, chick,
That is thy charge: then to the elements
Be free, and fare thou well! Please you, draw near.
Exeunt
EPILOGUE
SPOKEN BY PROSPERO
Now my charms are all o'erthrown,
And what strength I have's mine own,
Which is most faint: now, 'tis true,
I must be here confined by you,
Or sent to Naples. Let me not,
Since I have my dukedom got
And pardon'd the deceiver, dwell
In this bare island by your spell;
But release me from my bands
With the help of your good hands:
Gentle breath of yours my sails
Must fill, or else my project fails,
Which was to please. Now I want
Spirits to enforce, art to enchant,
And my ending is despair,
Unless I be relieved by prayer,
Which pierces so that it assaults
Mercy itself and frees all faults.
As you from crimes would pardon'd be,
Let your indulgence set me free.


أرب جمـال 5 - 11 - 2009 11:03 PM

Troilus and Cressida

SCENE I. Troy. Before Priam's palace.SCENE I. Troy. Before Priam's palace.
Enter TROILUS armed, and PANDARUS
TROILUS
Call here my varlet; I'll unarm again:
Why should I war without the walls of Troy,
That find such cruel battle here within?
Each Trojan that is master of his heart,
Let him to field; Troilus, alas! hath none.
PANDARUS
Will this gear ne'er be mended?
TROILUS
The Greeks are strong and skilful to their strength,
Fierce to their skill and to their fierceness valiant;
But I am weaker than a woman's tear,
Tamer than sleep, fonder than ignorance,
Less valiant than the virgin in the night
And skilless as unpractised infancy.
PANDARUS
Well, I have told you enough of this: for my part,
I'll not meddle nor make no further. He that will
have a cake out of the wheat must needs tarry the grinding.
TROILUS
Have I not tarried?
PANDARUS
Ay, the grinding; but you must tarry
the bolting.
TROILUS
Have I not tarried?
PANDARUS
Ay, the bolting, but you must tarry the leavening.
TROILUS
Still have I tarried.
PANDARUS
Ay, to the leavening; but here's yet in the word
'hereafter' the kneading, the making of the cake, the
heating of the oven and the baking; nay, you must
stay the cooling too, or you may chance to burn your lips.
TROILUS
Patience herself, what goddess e'er she be,
Doth lesser blench at sufferance than I do.
At Priam's royal table do I sit;
And when fair Cressid comes into my thoughts,--
So, traitor! 'When she comes!' When is she thence?
PANDARUS
Well, she looked yesternight fairer than ever I saw
her look, or any woman else.
TROILUS
I was about to tell thee:--when my heart,
As wedged with a sigh, would rive in twain,
Lest Hector or my father should perceive me,
I have, as when the sun doth light a storm,
Buried this sigh in wrinkle of a smile:
But sorrow, that is couch'd in seeming gladness,
Is like that mirth fate turns to sudden sadness.
PANDARUS
An her hair were not somewhat darker than Helen's--
well, go to--there were no more comparison between
the women: but, for my part, she is my kinswoman; I
would not, as they term it, praise her: but I would
somebody had heard her talk yesterday, as I did. I
will not dispraise your sister Cassandra's wit, but--
TROILUS
O Pandarus! I tell thee, Pandarus,--
When I do tell thee, there my hopes lie drown'd,
Reply not in how many fathoms deep
They lie indrench'd. I tell thee I am mad
In Cressid's love: thou answer'st 'she is fair;'
Pour'st in the open ulcer of my heart
Her eyes, her hair, her cheek, her gait, her voice,
Handlest in thy discourse, O, that her hand,
In whose comparison all whites are ink,
Writing their own reproach, to whose soft seizure
The cygnet's down is harsh and spirit of sense
Hard as the palm of ploughman: this thou tell'st me,
As true thou tell'st me, when I say I love her;
But, saying thus, instead of oil and balm,
Thou lay'st in every gash that love hath given me
The knife that made it.
PANDARUS
I speak no more than truth.
TROILUS
Thou dost not speak so much.
PANDARUS
Faith, I'll not meddle in't. Let her be as she is:
if she be fair, 'tis the better for her; an she be
not, she has the mends in her own hands.
TROILUS
Good Pandarus, how now, Pandarus!
PANDARUS
I have had my labour for my travail; ill-thought on of
her and ill-thought on of you; gone between and
between, but small thanks for my labour.
TROILUS
What, art thou angry, Pandarus? what, with me?
PANDARUS
Because she's kin to me, therefore she's not so fair
as Helen: an she were not kin to me, she would be as
fair on Friday as Helen is on Sunday. But what care
I? I care not an she were a black-a-moor; 'tis all one to me.
TROILUS
Say I she is not fair?
PANDARUS
I do not care whether you do or no. She's a fool to
stay behind her father; let her to the Greeks; and so
I'll tell her the next time I see her: for my part,
I'll meddle nor make no more i' the matter.
TROILUS
Pandarus,--
PANDARUS
Not I.
TROILUS
Sweet Pandarus,--
PANDARUS
Pray you, speak no more to me: I will leave all as I
found it, and there an end.
Exit PANDARUS. An alarum
TROILUS
Peace, you ungracious clamours! peace, rude sounds!
Fools on both sides! Helen must needs be fair,
When with your blood you daily paint her thus.
I cannot fight upon this argument;
It is too starved a subject for my sword.
But Pandarus,--O gods, how do you plague me!
I cannot come to Cressid but by Pandar;
And he's as tetchy to be woo'd to woo.
As she is stubborn-chaste against all suit.
Tell me, Apollo, for thy Daphne's love,
What Cressid is, what Pandar, and what we?
Her bed is India; there she lies, a pearl:
Between our Ilium and where she resides,
Let it be call'd the wild and wandering flood,
Ourself the merchant, and this sailing Pandar
Our doubtful hope, our convoy and our bark.
Alarum. Enter AENEAS
AENEAS
How now, Prince Troilus! wherefore not afield?
TROILUS
Because not there: this woman's answer sorts,
For womanish it is to be from thence.
What news, AEneas, from the field to-day?
AENEAS
That Paris is returned home and hurt.
TROILUS
By whom, AEneas?
AENEAS
Troilus, by Menelaus.
TROILUS
Let Paris bleed; 'tis but a scar to scorn;
Paris is gored with Menelaus' horn.
Alarum
AENEAS
Hark, what good sport is out of town to-day!
TROILUS
Better at home, if 'would I might' were 'may.'
But to the sport abroad: are you bound thither?
AENEAS
In all swift haste.
TROILUS
Come, go we then together.
Exeunt

أرب جمـال 5 - 11 - 2009 11:04 PM

SCENE II. The Same. A street.SCENE II. The Same. A street.
Enter CRESSIDA and ALEXANDER
CRESSIDA
Who were those went by?
ALEXANDER
Queen Hecuba and Helen.
CRESSIDA
And whither go they?
ALEXANDER
Up to the eastern tower,
Whose height commands as subject all the vale,
To see the battle. Hector, whose patience
Is, as a virtue, fix'd, to-day was moved:
He chid Andromache and struck his armourer,
And, like as there were husbandry in war,
Before the sun rose he was harness'd light,
And to the field goes he; where every flower
Did, as a prophet, weep what it foresaw
In Hector's wrath.
CRESSIDA
What was his cause of anger?
ALEXANDER
The noise goes, this: there is among the Greeks
A lord of Trojan blood, nephew to Hector;
They call him Ajax.
CRESSIDA
Good; and what of him?
ALEXANDER
They say he is a very man per se,
And stands alone.
CRESSIDA
So do all men, unless they are drunk, sick, or have no legs.
ALEXANDER
This man, lady, hath robbed many beasts of their
particular additions; he is as valiant as the lion,
churlish as the bear, slow as the elephant: a man
into whom nature hath so crowded humours that his
valour is crushed into folly, his folly sauced with
discretion: there is no man hath a virtue that he
hath not a glimpse of, nor any man an attaint but he
carries some stain of it: he is melancholy without
cause, and merry against the hair: he hath the
joints of every thing, but everything so out of joint
that he is a gouty Briareus, many hands and no use,
or purblind Argus, all eyes and no sight.
CRESSIDA
But how should this man, that makes
me smile, make Hector angry?
ALEXANDER
They say he yesterday coped Hector in the battle and
struck him down, the disdain and shame whereof hath
ever since kept Hector fasting and waking.
CRESSIDA
Who comes here?
ALEXANDER
Madam, your uncle Pandarus.
Enter PANDARUS
CRESSIDA
Hector's a gallant man.
ALEXANDER
As may be in the world, lady.
PANDARUS
What's that? what's that?
CRESSIDA
Good morrow, uncle Pandarus.
PANDARUS
Good morrow, cousin Cressid: what do you talk of?
Good morrow, Alexander. How do you, cousin? When
were you at Ilium?
CRESSIDA
This morning, uncle.
PANDARUS
What were you talking of when I came? Was Hector
armed and gone ere ye came to Ilium? Helen was not
up, was she?
CRESSIDA
Hector was gone, but Helen was not up.
PANDARUS
Even so: Hector was stirring early.
CRESSIDA
That were we talking of, and of his anger.
PANDARUS
Was he angry?
CRESSIDA
So he says here.
PANDARUS
True, he was so: I know the cause too: he'll lay
about him to-day, I can tell them that: and there's
Troilus will not come far behind him: let them take
heed of Troilus, I can tell them that too.
CRESSIDA
What, is he angry too?
PANDARUS
Who, Troilus? Troilus is the better man of the two.
CRESSIDA
O Jupiter! there's no comparison.
PANDARUS
What, not between Troilus and Hector? Do you know a
man if you see him?
CRESSIDA
Ay, if I ever saw him before and knew him.
PANDARUS
Well, I say Troilus is Troilus.
CRESSIDA
Then you say as I say; for, I am sure, he is not Hector.
PANDARUS
No, nor Hector is not Troilus in some degrees.
CRESSIDA
'Tis just to each of them; he is himself.
PANDARUS
Himself! Alas, poor Troilus! I would he were.
CRESSIDA
So he is.
PANDARUS
Condition, I had gone barefoot to India.
CRESSIDA
He is not Hector.
PANDARUS
Himself! no, he's not himself: would a' were
himself! Well, the gods are above; time must friend
or end: well, Troilus, well: I would my heart were
in her body. No, Hector is not a better man than Troilus.
CRESSIDA
Excuse me.
PANDARUS
He is elder.
CRESSIDA
Pardon me, pardon me.
PANDARUS
Th' other's not come to't; you shall tell me another
tale, when th' other's come to't. Hector shall not
have his wit this year.
CRESSIDA
He shall not need it, if he have his own.
PANDARUS
Nor his qualities.
CRESSIDA
No matter.
PANDARUS
Nor his beauty.
CRESSIDA
'Twould not become him; his own's better.
PANDARUS
You have no judgment, niece: Helen
herself swore th' other day, that Troilus, for
a brown favour--for so 'tis, I must confess,--
not brown neither,--
CRESSIDA
No, but brown.
PANDARUS
'Faith, to say truth, brown and not brown.
CRESSIDA
To say the truth, true and not true.
PANDARUS
She praised his complexion above Paris.
CRESSIDA
Why, Paris hath colour enough.
PANDARUS
So he has.
CRESSIDA
Then Troilus should have too much: if she praised
him above, his complexion is higher than his; he
having colour enough, and the other higher, is too
flaming a praise for a good complexion. I had as
lief Helen's golden tongue had commended Troilus for
a copper nose.
PANDARUS
I swear to you. I think Helen loves him better than Paris.
CRESSIDA
Then she's a merry Greek indeed.
PANDARUS
Nay, I am sure she does. She came to him th' other
day into the compassed window,--and, you know, he
has not past three or four hairs on his chin,--
CRESSIDA
Indeed, a tapster's arithmetic may soon bring his
particulars therein to a total.
PANDARUS
Why, he is very young: and yet will he, within
three pound, lift as much as his brother Hector.
CRESSIDA
Is he so young a man and so old a lifter?
PANDARUS
But to prove to you that Helen loves him: she came
and puts me her white hand to his cloven chin--
CRESSIDA
Juno have mercy! how came it cloven?
PANDARUS
Why, you know 'tis dimpled: I think his smiling
becomes him better than any man in all Phrygia.
CRESSIDA
O, he smiles valiantly.
PANDARUS
Does he not?
CRESSIDA
O yes, an 'twere a cloud in autumn.
PANDARUS
Why, go to, then: but to prove to you that Helen
loves Troilus,--
CRESSIDA
Troilus will stand to the proof, if you'll
prove it so.
PANDARUS
Troilus! why, he esteems her no more than I esteem
an addle egg.
CRESSIDA
If you love an addle egg as well as you love an idle
head, you would eat chickens i' the ****l.
PANDARUS
I cannot choose but laugh, to think how she tickled
his chin: indeed, she has a marvellous white hand, I
must needs confess,--
CRESSIDA
Without the rack.
PANDARUS
And she takes upon her to spy a white hair on his chin.
CRESSIDA
Alas, poor chin! many a wart is richer.
PANDARUS
But there was such laughing! Queen Hecuba laughed
that her eyes ran o'er.
CRESSIDA
With mill-stones.
PANDARUS
And Cassandra laughed.
CRESSIDA
But there was more temperate fire under the pot of
her eyes: did her eyes run o'er too?
PANDARUS
And Hector laughed.
CRESSIDA
At what was all this laughing?
PANDARUS
Marry, at the white hair that Helen spied on Troilus' chin.
CRESSIDA
An't had been a green hair, I should have laughed
too.
PANDARUS
They laughed not so much at the hair as at his pretty answer.
CRESSIDA
What was his answer?
PANDARUS
Quoth she, 'Here's but two and fifty hairs on your
chin, and one of them is white.
CRESSIDA
This is her question.
PANDARUS
That's true; make no question of that. 'Two and
fifty hairs' quoth he, 'and one white: that white
hair is my father, and all the rest are his sons.'
'Jupiter!' quoth she, 'which of these hairs is Paris,
my husband? 'The forked one,' quoth he, 'pluck't
out, and give it him.' But there was such laughing!
and Helen so blushed, an Paris so chafed, and all the
rest so laughed, that it passed.
CRESSIDA
So let it now; for it has been while going by.
PANDARUS
Well, cousin. I told you a thing yesterday; think on't.
CRESSIDA
So I do.
PANDARUS
I'll be sworn 'tis true; he will weep you, an 'twere
a man born in April.
CRESSIDA
And I'll spring up in his tears, an 'twere a nettle
against May.
A retreat sounded
PANDARUS
Hark! they are coming from the field: shall we
stand up here, and see them as they pass toward
Ilium? good niece, do, sweet niece Cressida.
CRESSIDA
At your pleasure.
PANDARUS
Here, here, here's an excellent place; here we may
see most bravely: I'll tell you them all by their
names as they pass by; but mark Troilus above the rest.
CRESSIDA
Speak not so loud.
AENEAS passes
PANDARUS
That's AEneas: is not that a brave man? he's one of
the flowers of Troy, I can tell you: but mark
Troilus; you shall see anon.
ANTENOR passes
CRESSIDA
Who's that?
PANDARUS
That's Antenor: he has a shrewd wit, I can tell you;
and he's a man good enough, he's one o' the soundest
judgments in whosoever, and a proper man of person.
When comes Troilus? I'll show you Troilus anon: if
he see me, you shall see him nod at me.
CRESSIDA
Will he give you the nod?
PANDARUS
You shall see.
CRESSIDA
If he do, the rich shall have more.
HECTOR passes
PANDARUS
That's Hector, that, that, look you, that; there's a
fellow! Go thy way, Hector! There's a brave man,
niece. O brave Hector! Look how he looks! there's
a countenance! is't not a brave man?
CRESSIDA
O, a brave man!
PANDARUS
Is a' not? it does a man's heart good. Look you
what hacks are on his helmet! look you yonder, do
you see? look you there: there's no jesting;
there's laying on, take't off who will, as they say:
there be hacks!
CRESSIDA
Be those with swords?
PANDARUS
Swords! any thing, he cares not; an the devil come
to him, it's all one: by God's lid, it does one's
heart good. Yonder comes Paris, yonder comes Paris.
PARIS passes
Look ye yonder, niece; is't not a gallant man too,
is't not? Why, this is brave now. Who said he came
hurt home to-day? he's not hurt: why, this will do
Helen's heart good now, ha! Would I could see
Troilus now! You shall see Troilus anon.
HELENUS passes
CRESSIDA
Who's that?
PANDARUS
That's Helenus. I marvel where Troilus is. That's
Helenus. I think he went not forth to-day. That's Helenus.
CRESSIDA
Can Helenus fight, uncle?
PANDARUS
Helenus? no. Yes, he'll fight indifferent well. I
marvel where Troilus is. Hark! do you not hear the
people cry 'Troilus'? Helenus is a priest.
CRESSIDA
What sneaking fellow comes yonder?
TROILUS passes
PANDARUS
Where? yonder? that's Deiphobus. 'Tis Troilus!
there's a man, niece! Hem! Brave Troilus! the
prince of chivalry!
CRESSIDA
Peace, for shame, peace!
PANDARUS
Mark him; note him. O brave Troilus! Look well upon
him, niece: look you how his sword is bloodied, and
his helm more ****** than Hector's, and how he looks,
and how he goes! O admirable youth! he ne'er saw
three and twenty. Go thy way, Troilus, go thy way!
Had I a sister were a grace, or a daughter a goddess,
he should take his choice. O admirable man! Paris?
Paris is dirt to him; and, I warrant, Helen, to
change, would give an eye to boot.
CRESSIDA
Here come more.
Forces pass
PANDARUS
Asses, fools, dolts! chaff and bran, chaff and bran!
porridge after meat! I could live and die i' the
eyes of Troilus. Ne'er look, ne'er look: the eagles
are gone: crows and daws, crows and daws! I had
rather be such a man as Troilus than Agamemnon and
all Greece.
CRESSIDA
There is among the Greeks Achilles, a better man than Troilus.
PANDARUS
Achilles! a drayman, a porter, a very camel.
CRESSIDA
Well, well.
PANDARUS
'Well, well!' why, have you any discretion? have
you any eyes? Do you know what a man is? Is not
birth, beauty, good shape, discourse, manhood,
learning, gentleness, virtue, youth, liberality,
and such like, the spice and salt that season a man?
CRESSIDA
Ay, a minced man: and then to be baked with no date
in the pie, for then the man's date's out.
PANDARUS
You are such a woman! one knows not at what ward you
lie.
CRESSIDA
Upon my back, to defend my belly; upon my wit, to
defend my wiles; upon my secrecy, to defend mine
honesty; my mask, to defend my beauty; and you, to
defend all these: and at all these wards I lie, at a
thousand watches.
PANDARUS
Say one of your watches.
CRESSIDA
Nay, I'll watch you for that; and that's one of the
chiefest of them too: if I cannot ward what I would
not have hit, I can watch you for telling how I took
the blow; unless it swell past hiding, and then it's
past watching.
PANDARUS
You are such another!
Enter Troilus's Boy
Boy
Sir, my lord would instantly speak with you.
PANDARUS
Where?
Boy
At your own house; there he unarms him.
PANDARUS
Good boy, tell him I come.
Exit boy
I doubt he be hurt. Fare ye well, good niece.
CRESSIDA
Adieu, uncle.
PANDARUS
I'll be with you, niece, by and by.
CRESSIDA
To bring, uncle?
PANDARUS
Ay, a token from Troilus.
CRESSIDA
By the same token, you are a bawd.
Exit PANDARUS
Words, vows, gifts, tears, and love's full sacrifice,
He offers in another's enterprise;
But more in Troilus thousand fold I see
Than in the glass of Pandar's praise may be;
Yet hold I off. Women are angels, wooing:
Things won are done; joy's soul lies in the doing.
That she beloved knows nought that knows not this:
Men prize the thing ungain'd more than it is:
That she was never yet that ever knew
Love got so sweet as when desire did sue.
Therefore this maxim out of love I teach:
Achievement is command; ungain'd, beseech:
Then though my heart's ******* firm love doth bear,
Nothing of that shall from mine eyes appear.
Exeunt


أرب جمـال 5 - 11 - 2009 11:04 PM

SCENE III. The Grecian camp. Before Agamemnon's tent.SCENE III. The Grecian camp. Before Agamemnon's tent.
Sennet. Enter AGAMEMNON, NESTOR, ULYSSES, MENELAUS, and others
AGAMEMNON
Princes,
What grief hath set the jaundice on your cheeks?
The ample proposition that hope makes
In all designs begun on earth below
Fails in the promised largeness: cheques and disasters
Grow in the veins of actions highest rear'd,
As knots, by the conflux of meeting sap,
Infect the sound pine and divert his grain
Tortive and errant from his course of growth.
Nor, princes, is it matter new to us
That we come short of our suppose so far
That after seven years' siege yet Troy walls stand;
Sith every action that hath gone before,
Whereof we have record, trial did draw
Bias and thwart, not answering the aim,
And that unbodied figure of the thought
That gave't surmised shape. Why then, you princes,
Do you with cheeks abash'd behold our works,
And call them shames? which are indeed nought else
But the protractive trials of great Jove
To find persistive constancy in men:
The fineness of which ****l is not found
In fortune's love; for then the bold and coward,
The wise and fool, the artist and unread,
The hard and soft seem all affined and kin:
But, in the wind and tempest of her frown,
Distinction, with a broad and powerful fan,
Puffing at all, winnows the light away;
And what hath mass or matter, by itself
Lies rich in virtue and unmingled.
NESTOR
With due observance of thy godlike seat,
Great Agamemnon, Nestor shall apply
Thy latest words. In the reproof of chance
Lies the true proof of men: the sea being smooth,
How many shallow bauble boats dare sail
Upon her patient breast, making their way
With those of nobler bulk!
But let the ruffian Boreas once enrage
The gentle Thetis, and anon behold
The strong-ribb'd bark through liquid mountains cut,
Bounding between the two moist elements,
Like Perseus' horse: where's then the saucy boat
Whose weak untimber'd sides but even now
Co-rivall'd greatness? Either to harbour fled,
Or made a toast for Neptune. Even so
Doth valour's show and valour's worth divide
In storms of fortune; for in her ray and brightness
The herd hath more annoyance by the breeze
Than by the tiger; but when the splitting wind
Makes flexible the knees of knotted oaks,
And flies fled under shade, why, then the thing of courage
As roused with rage with rage doth sympathize,
And with an accent tuned in selfsame key
Retorts to chiding fortune.
ULYSSES
Agamemnon,
Thou great commander, nerve and bone of Greece,
Heart of our numbers, soul and only spirit.
In whom the tempers and the minds of all
Should be shut up, hear what Ulysses speaks.
Besides the applause and approbation To which,
To AGAMEMNON
most mighty for thy place and sway,
To NESTOR
And thou most reverend for thy stretch'd-out life
I give to both your speeches, which were such
As Agamemnon and the hand of Greece
Should hold up high in brass, and such again
As venerable Nestor, hatch'd in silver,
Should with a bond of air, strong as the axle-tree
On which heaven rides, knit all the Greekish ears
To his experienced tongue, yet let it please both,
Thou great, and wise, to hear Ulysses speak.
AGAMEMNON
Speak, prince of Ithaca; and be't of less expect
That matter needless, of importless burden,
Divide thy lips, than we are confident,
When rank Thersites opes his mastic jaws,
We shall hear music, wit and oracle.
ULYSSES
Troy, yet upon his basis, had been down,
And the great Hector's sword had lack'd a master,
But for these instances.
The specialty of rule hath been neglected:
And, look, how many Grecian tents do stand
Hollow upon this plain, so many hollow factions.
When that the general is not like the hive
To whom the foragers shall all repair,
What honey is expected? Degree being vizarded,
The unworthiest shows as fairly in the mask.
The heavens themselves, the planets and this centre
Observe degree, priority and place,
Insisture, course, proportion, season, form,
Office and custom, in all line of order;
And therefore is the glorious planet Sol
In noble eminence enthroned and sphered
Amidst the other; whose medicinable eye
Corrects the ill aspects of planets evil,
And posts, like the commandment of a king,
Sans cheque to good and bad: but when the planets
In evil mixture to disorder wander,
What plagues and what portents! what mutiny!
What raging of the sea! shaking of earth!
Commotion in the winds! frights, changes, horrors,
Divert and crack, rend and deracinate
The unity and married calm of states
Quite from their fixure! O, when degree is shaked,
Which is the ladder to all high designs,
Then enterprise is sick! How could communities,
Degrees in schools and brotherhoods in cities,
Peaceful commerce from dividable shores,
The primogenitive and due of birth,
Prerogative of age, crowns, sceptres, laurels,
But by degree, stand in authentic place?
Take but degree away, untune that string,
And, hark, what discord follows! each thing meets
In mere oppugnancy: the bounded waters
Should lift their bosoms higher than the shores
And make a sop of all this solid globe:
Strength should be lord of imbecility,
And the rude son should strike his father dead:
Force should be right; or rather, right and wrong,
Between whose endless jar justice resides,
Should lose their names, and so should justice too.
Then every thing includes itself in power,
Power into will, will into appetite;
And appetite, an universal wolf,
So doubly seconded with will and power,
Must make perforce an universal prey,
And last eat up himself. Great Agamemnon,
This chaos, when degree is suffocate,
Follows the choking.
And this neglection of degree it is
That by a pace goes backward, with a purpose
It hath to climb. The general's disdain'd
By him one step below, he by the next,
That next by him beneath; so every step,
Exampled by the first pace that is sick
Of his superior, grows to an envious fever
Of pale and bloodless emulation:
And 'tis this fever that keeps Troy on foot,
Not her own sinews. To end a tale of length,
Troy in our weakness stands, not in her strength.
NESTOR
Most wisely hath Ulysses here discover'd
The fever whereof all our power is sick.
AGAMEMNON
The nature of the sickness found, Ulysses,
What is the remedy?
ULYSSES
The great Achilles, whom opinion crowns
The sinew and the forehand of our host,
Having his ear full of his airy fame,
Grows dainty of his worth, and in his tent
Lies mocking our designs: with him Patroclus
Upon a lazy bed the livelong day
Breaks scurril jests;
And with ridiculous and awkward action,
Which, slanderer, he imitation calls,
He pageants us. Sometime, great Agamemnon,
Thy topless deputation he puts on,
And, like a strutting player, whose conceit
Lies in his hamstring, and doth think it rich
To hear the wooden dialogue and sound
'Twixt his stretch'd footing and the scaffoldage,--
Such to-be-pitied and o'er-wrested seeming
He acts thy greatness in: and when he speaks,
'Tis like a chime a-mending; with terms unsquared,
Which, from the tongue of roaring Typhon dropp'd
Would seem hyperboles. At this fusty stuff
The large Achilles, on his press'd bed lolling,
From his deep chest laughs out a loud applause;
Cries 'Excellent! 'tis Agamemnon just.
Now play me Nestor; hem, and stroke thy beard,
As he being drest to some oration.'
That's done, as near as the extremest ends
Of parallels, as like as Vulcan and his wife:
Yet god Achilles still cries 'Excellent!
'Tis Nestor right. Now play him me, Patroclus,
Arming to answer in a night alarm.'
And then, forsooth, the faint defects of age
Must be the scene of mirth; to cough and spit,
And, with a palsy-fumbling on his gorget,
Shake in and out the rivet: and at this sport
Sir Valour dies; cries 'O, enough, Patroclus;
Or give me ribs of steel! I shall split all
In pleasure of my spleen.' And in this fashion,
All our abilities, gifts, natures, shapes,
Severals and generals of grace exact,
Achievements, plots, orders, preventions,
Excitements to the field, or speech for truce,
Success or loss, what is or is not, serves
As stuff for these two to make paradoxes.
NESTOR
And in the imitation of these twain--
Who, as Ulysses says, opinion crowns
With an imperial voice--many are infect.
Ajax is grown self-will'd, and bears his head
In such a rein, in full as proud a place
As broad Achilles; keeps his tent like him;
Makes factious feasts; rails on our state of war,
Bold as an oracle, and sets Thersites,
A slave whose gall coins slanders like a mint,
To match us in comparisons with dirt,
To weaken and discredit our exposure,
How rank soever rounded in with danger.
ULYSSES
They tax our policy, and call it cowardice,
Count wisdom as no member of the war,
Forestall prescience, and esteem no act
But that of hand: the still and mental parts,
That do contrive how many hands shall strike,
When fitness calls them on, and know by measure
Of their observant toil the enemies' weight,--
Why, this hath not a finger's dignity:
They call this bed-work, mappery, closet-war;
So that the ram that batters down the wall,
For the great swing and rudeness of his poise,
They place before his hand that made the engine,
Or those that with the fineness of their souls
By reason guide his execution.
NESTOR
Let this be granted, and Achilles' horse
Makes many Thetis' sons.
A tucket
AGAMEMNON
What trumpet? look, Menelaus.
MENELAUS
From Troy.
Enter AENEAS
AGAMEMNON
What would you 'fore our tent?
AENEAS
Is this great Agamemnon's tent, I pray you?
AGAMEMNON
Even this.
AENEAS
May one, that is a herald and a prince,
Do a fair message to his kingly ears?
AGAMEMNON
With surety stronger than Achilles' arm
'Fore all the Greekish heads, which with one voice
Call Agamemnon head and general.
AENEAS
Fair leave and large security. How may
A stranger to those most imperial looks
Know them from eyes of other mortals?
AGAMEMNON
How!
AENEAS
Ay;
I ask, that I might waken reverence,
And bid the cheek be ready with a blush
Modest as morning when she coldly eyes
The youthful Phoebus:
Which is that god in office, guiding men?
Which is the high and mighty Agamemnon?
AGAMEMNON
This Trojan scorns us; or the men of Troy
Are ceremonious courtiers.
AENEAS
Courtiers as free, as debonair, unarm'd,
As bending angels; that's their fame in peace:
But when they would seem soldiers, they have galls,
Good arms, strong joints, true swords; and,
Jove's accord,
Nothing so full of heart. But peace, AEneas,
Peace, Trojan; lay thy finger on thy lips!
The worthiness of praise distains his worth,
If that the praised himself bring the praise forth:
But what the repining enemy commends,
That breath fame blows; that praise, sole sure,
transcends.
AGAMEMNON
Sir, you of Troy, call you yourself AEneas?
AENEAS
Ay, Greek, that is my name.
AGAMEMNON
What's your affair I pray you?
AENEAS
Sir, pardon; 'tis for Agamemnon's ears.
AGAMEMNON
He hears naught privately that comes from Troy.
AENEAS
Nor I from Troy come not to whisper him:
I bring a trumpet to awake his ear,
To set his sense on the attentive bent,
And then to speak.
AGAMEMNON
Speak frankly as the wind;
It is not Agamemnon's sleeping hour:
That thou shalt know. Trojan, he is awake,
He tells thee so himself.
AENEAS
Trumpet, blow loud,
Send thy brass voice through all these lazy tents;
And every Greek of mettle, let him know,
What Troy means fairly shall be spoke aloud.
Trumpet sounds
We have, great Agamemnon, here in Troy
A prince call'd Hector,--Priam is his father,--
Who in this dull and long-continued truce
Is rusty grown: he bade me take a trumpet,
And to this purpose speak. Kings, princes, lords!
If there be one among the fair'st of Greece
That holds his honour higher than his ease,
That seeks his praise more than he fears his peril,
That knows his valour, and knows not his fear,
That loves his mistress more than in confession,
With truant vows to her own lips he loves,
And dare avow her beauty and her worth
In other arms than hers,--to him this challenge.
Hector, in view of Trojans and of Greeks,
Shall make it good, or do his best to do it,
He hath a lady, wiser, fairer, truer,
Than ever Greek did compass in his arms,
And will to-morrow with his trumpet call
Midway between your tents and walls of Troy,
To rouse a Grecian that is true in love:
If any come, Hector shall honour him;
If none, he'll say in Troy when he retires,
The Grecian dames are sunburnt and not worth
The splinter of a lance. Even so much.
AGAMEMNON
This shall be told our lovers, Lord AEneas;
If none of them have soul in such a kind,
We left them all at home: but we are soldiers;
And may that soldier a mere recreant prove,
That means not, hath not, or is not in love!
If then one is, or hath, or means to be,
That one meets Hector; if none else, I am he.
NESTOR
Tell him of Nestor, one that was a man
When Hector's grandsire suck'd: he is old now;
But if there be not in our Grecian host
One noble man that hath one spark of fire,
To answer for his love, tell him from me
I'll hide my silver beard in a gold beaver
And in my vantbrace put this wither'd brawn,
And meeting him will tell him that my lady
Was fairer than his grandam and as chaste
As may be in the world: his youth in flood,
I'll prove this truth with my three drops of blood.
AENEAS
Now heavens forbid such scarcity of youth!
ULYSSES
Amen.
AGAMEMNON
Fair Lord AEneas, let me touch your hand;
To our pavilion shall I lead you, sir.
Achilles shall have word of this intent;
So shall each lord of Greece, from tent to tent:
Yourself shall feast with us before you go
And find the welcome of a noble foe.
Exeunt all but ULYSSES and NESTOR
ULYSSES
Nestor!
NESTOR
What says Ulysses?
ULYSSES
I have a young conception in my brain;
Be you my time to bring it to some shape.
NESTOR
What is't?
ULYSSES
This 'tis:
Blunt wedges rive hard knots: the seeded pride
That hath to this maturity blown up
In rank Achilles must or now be cropp'd,
Or, shedding, breed a nursery of like evil,
To overbulk us all.
NESTOR
Well, and how?
ULYSSES
This challenge that the gallant Hector sends,
However it is spread in general name,
Relates in purpose only to Achilles.
NESTOR
The purpose is perspicuous even as substance,
Whose grossness little characters sum up:
And, in the publication, make no strain,
But that Achilles, were his brain as barren
As banks of Libya,--though, Apollo knows,
'Tis dry enough,--will, with great speed of judgment,
Ay, with celerity, find Hector's purpose
Pointing on him.
ULYSSES
And wake him to the answer, think you?
NESTOR
Yes, 'tis most meet: whom may you else oppose,
That can from Hector bring his honour off,
If not Achilles? Though't be a sportful combat,
Yet in the trial much opinion dwells;
For here the Trojans taste our dear'st repute
With their finest palate: and trust to me, Ulysses,
Our imputation shall be oddly poised
In this wild action; for the success,
Although particular, shall give a scantling
Of good or bad unto the general;
And in such indexes, although small pricks
To their subsequent volumes, there is seen
The baby figure of the giant mass
Of things to come at large. It is supposed
He that meets Hector issues from our choice
And choice, being mutual act of all our souls,
Makes merit her election, and doth boil,
As 'twere from us all, a man distill'd
Out of our virtues; who miscarrying,
What heart receives from hence the conquering part,
To steel a strong opinion to themselves?
Which entertain'd, limbs are his instruments,
In no less working than are swords and bows
Directive by the limbs.
ULYSSES
Give pardon to my speech:
Therefore 'tis meet Achilles meet not Hector.
Let us, like merchants, show our foulest wares,
And think, perchance, they'll sell; if not,
The lustre of the better yet to show,
Shall show the better. Do not consent
That ever Hector and Achilles meet;
For both our honour and our shame in this
Are dogg'd with two strange followers.
NESTOR
I see them not with my old eyes: what are they?
ULYSSES
What glory our Achilles shares from Hector,
Were he not proud, we all should share with him:
But he already is too insolent;
A nd we were better parch in Afric sun
Than in the pride and salt scorn of his eyes,
Should he 'scape Hector fair: if he were foil'd,
Why then, we did our main opinion crush
In taint of our best man. No, make a lottery;
And, by device, let blockish Ajax draw
The sort to fight with Hector: among ourselves
Give him allowance for the better man;
For that will physic the great Myrmidon
Who broils in loud applause, and make him fall
His crest that prouder than blue Iris bends.
If the dull brainless Ajax come safe off,
We'll dress him up in voices: if he fail,
Yet go we under our opinion still
That we have better men. But, hit or miss,
Our project's life this shape of sense assumes:
Ajax employ'd plucks down Achilles' plumes.
NESTOR
Ulysses,
Now I begin to relish thy advice;
And I will give a taste of it forthwith
To Agamemnon: go we to him straight.
Two curs shall tame each other: pride alone
Must tarre the mastiffs on, as 'twere their bone.
Exeunt


أرب جمـال 5 - 11 - 2009 11:05 PM

SCENE I. A part of the Grecian camp.SCENE I. A part of the Grecian camp.
Enter AJAX and THERSITES
AJAX
Thersites!
THERSITES
Agamemnon, how if he had boils? full, all over,
generally?
AJAX
Thersites!
THERSITES
And those boils did run? say so: did not the
general run then? were not that a botchy core?
AJAX
Dog!
THERSITES
Then would come some matter from him; I see none now.
AJAX
Thou bitch-wolf's son, canst thou not hear?
Beating him
Feel, then.
THERSITES
The plague of Greece upon thee, thou mongrel
beef-witted lord!
AJAX
Speak then, thou vinewedst leaven, speak: I will
beat thee into handsomeness.
THERSITES
I shall sooner rail thee into wit and holiness: but,
I think, thy horse will sooner con an oration than
thou learn a prayer without book. Thou canst strike,
canst thou? a red murrain o' thy jade's tricks!
AJAX
Toadstool, learn me the proclamation.
THERSITES
Dost thou think I have no sense, thou strikest me thus?
AJAX
The proclamation!
THERSITES
Thou art proclaimed a fool, I think.
AJAX
Do not, porpentine, do not: my fingers itch.
THERSITES
I would thou didst itch from head to foot and I had
the scratching of thee; I would make thee the
loathsomest scab in Greece. When thou art forth in
the incursions, thou strikest as slow as another.
AJAX
I say, the proclamation!
THERSITES
Thou grumblest and railest every hour on Achilles,
and thou art as full of envy at his greatness as
Cerberus is at Proserpine's beauty, ay, that thou
barkest at him.
AJAX
Mistress Thersites!
THERSITES
Thou shouldest strike him.
AJAX
Cobloaf!
THERSITES
He would pun thee into shivers with his fist, as a
sailor breaks a biscuit.
AJAX
[Beating him] You whoreson cur!
THERSITES
Do, do.
AJAX
Thou stool for a witch!
THERSITES
Ay, do, do; thou sodden-witted lord! thou hast no
more brain than I have in mine elbows; an assinego
may tutor thee: thou scurvy-valiant ass! thou art
here but to thrash Trojans; and thou art bought and
sold among those of any wit, like a barbarian slave.
If thou use to beat me, I will begin at thy heel, and
tell what thou art by inches, thou thing of no
bowels, thou!
AJAX
You dog!
THERSITES
You scurvy lord!
AJAX
[Beating him] You cur!
THERSITES
Mars his idiot! do, rudeness; do, camel; do, do.
Enter ACHILLES and PATROCLUS
ACHILLES
Why, how now, Ajax! wherefore do you thus? How now,
Thersites! what's the matter, man?
THERSITES
You see him there, do you?
ACHILLES
Ay; what's the matter?
THERSITES
Nay, look upon him.
ACHILLES
So I do: what's the matter?
THERSITES
Nay, but regard him well.
ACHILLES
'Well!' why, I do so.
THERSITES
But yet you look not well upon him; for whosoever you
take him to be, he is Ajax.
ACHILLES
I know that, fool.
THERSITES
Ay, but that fool knows not himself.
AJAX
Therefore I beat thee.
THERSITES
Lo, lo, lo, lo, what modicums of wit he utters! his
evasions have ears thus long. I have bobbed his
brain more than he has beat my bones: I will buy
nine sparrows for a penny, and his pia mater is not
worth the nineth part of a sparrow. This lord,
Achilles, Ajax, who wears his wit in his belly and
his guts in his head, I'll tell you what I say of
him.
ACHILLES
What?
THERSITES
I say, this Ajax--
Ajax offers to beat him
ACHILLES
Nay, good Ajax.
THERSITES
Has not so much wit--
ACHILLES
Nay, I must hold you.
THERSITES
As will stop the eye of Helen's needle, for whom he
comes to fight.
ACHILLES
Peace, fool!
THERSITES
I would have peace and quietness, but the fool will
not: he there: that he: look you there.
AJAX
O thou damned cur! I shall--
ACHILLES
Will you set your wit to a fool's?
THERSITES
No, I warrant you; for a fools will shame it.
PATROCLUS
Good words, Thersites.
ACHILLES
What's the quarrel?
AJAX
I bade the vile owl go learn me the tenor of the
proclamation, and he rails upon me.
THERSITES
I serve thee not.
AJAX
Well, go to, go to.
THERSITES
I serve here voluntarily.
ACHILLES
Your last service was sufferance, 'twas not
voluntary: no man is beaten voluntary: Ajax was
here the voluntary, and you as under an impress.
THERSITES
E'en so; a great deal of your wit, too, lies in your
sinews, or else there be liars. Hector have a great
catch, if he knock out either of your brains: a'
were as good crack a fusty nut with no kernel.
ACHILLES
What, with me too, Thersites?
THERSITES
There's Ulysses and old Nestor, whose wit was mouldy
ere your grandsires had nails on their toes, yoke you
like draught-oxen and make you plough up the wars.
ACHILLES
What, what?
THERSITES
Yes, good sooth: to, Achilles! to, Ajax! to!
AJAX
I shall cut out your tongue.
THERSITES
'Tis no matter! I shall speak as much as thou
afterwards.
PATROCLUS
No more words, Thersites; peace!
THERSITES
I will hold my peace when Achilles' brach bids me, shall I?
ACHILLES
There's for you, Patroclus.
THERSITES
I will see you hanged, like clotpoles, ere I come
any more to your tents: I will keep where there is
wit stirring and leave the faction of fools.
Exit
PATROCLUS
A good riddance.
ACHILLES
Marry, this, sir, is proclaim'd through all our host:
That Hector, by the fifth hour of the sun,
Will with a trumpet 'twixt our tents and Troy
To-morrow morning call some knight to arms
That hath a stomach; and such a one that dare
Maintain--I know not what: 'tis trash. Farewell.
AJAX
Farewell. Who shall answer him?
ACHILLES
I know not: 'tis put to lottery; otherwise
He knew his man.
AJAX
O, meaning you. I will go learn more of it.
Exeunt


أرب جمـال 5 - 11 - 2009 11:05 PM

SCENE II. Troy. A room in Priam's palace.SCENE II. Troy. A room in Priam's palace.
Enter PRIAM, HECTOR, TROILUS, PARIS, and HELENUS
PRIAM
After so many hours, lives, speeches spent,
Thus once again says Nestor from the Greeks:
'Deliver Helen, and all damage else--
As honour, loss of time, travail, expense,
Wounds, friends, and what else dear that is consumed
In hot digestion of this cormorant war--
Shall be struck off.' Hector, what say you to't?
HECTOR
Though no man lesser fears the Greeks than I
As far as toucheth my particular,
Yet, dread Priam,
There is no lady of more softer bowels,
More spongy to suck in the sense of fear,
More ready to cry out 'Who knows what follows?'
Than Hector is: the wound of peace is surety,
Surety secure; but modest doubt is call'd
The beacon of the wise, the tent that searches
To the bottom of the worst. Let Helen go:
Since the first sword was drawn about this question,
Every tithe soul, 'mongst many thousand dismes,
Hath been as dear as Helen; I mean, of ours:
If we have lost so many tenths of ours,
To guard a thing not ours nor worth to us,
Had it our name, the value of one ten,
What merit's in that reason which denies
The yielding of her up?
TROILUS
Fie, fie, my brother!
Weigh you the worth and honour of a king
So great as our dread father in a scale
Of common ounces? will you with counters sum
The past proportion of his infinite?
And buckle in a waist most fathomless
With spans and inches so diminutive
As fears and reasons? fie, for godly shame!
HELENUS
No marvel, though you bite so sharp at reasons,
You are so empty of them. Should not our father
Bear the great sway of his affairs with reasons,
Because your speech hath none that tells him so?
TROILUS
You are for dreams and slumbers, brother priest;
You fur your gloves with reason. Here are
your reasons:
You know an enemy intends you harm;
You know a sword employ'd is perilous,
And reason flies the object of all harm:
Who marvels then, when Helenus beholds
A Grecian and his sword, if he do set
The very wings of reason to his heels
And fly like chidden Mercury from Jove,
Or like a star disorb'd? Nay, if we talk of reason,
Let's shut our gates and sleep: manhood and honour
Should have hare-hearts, would they but fat
their thoughts
With this cramm'd reason: reason and respect
Make livers pale and lustihood deject.
HECTOR
Brother, she is not worth what she doth cost
The holding.
TROILUS
What is aught, but as 'tis valued?
HECTOR
But value dwells not in particular will;
It holds his estimate and dignity
As well wherein 'tis precious of itself
As in the prizer: 'tis mad idolatry
To make the service greater than the god
And the will dotes that is attributive
To what infectiously itself affects,
Without some image of the affected merit.
TROILUS
I take to-day a wife, and my election
Is led on in the conduct of my will;
My will enkindled by mine eyes and ears,
Two traded pilots 'twixt the dangerous shores
Of will and judgment: how may I avoid,
Although my will distaste what it elected,
The wife I chose? there can be no evasion
To blench from this and to stand firm by honour:
We turn not back the silks upon the merchant,
When we have soil'd them, nor the remainder viands
We do not throw in unrespective sieve,
Because we now are full. It was thought meet
Paris should do some vengeance on the Greeks:
Your breath of full consent bellied his sails;
The seas and winds, old wranglers, took a truce
And did him service: he touch'd the ports desired,
And for an old aunt whom the Greeks held captive,
He brought a Grecian queen, whose youth and freshness
Wrinkles Apollo's, and makes stale the morning.
Why keep we her? the Grecians keep our aunt:
Is she worth keeping? why, she is a pearl,
Whose price hath launch'd above a thousand ships,
And turn'd crown'd kings to merchants.
If you'll avouch 'twas wisdom Paris went--
As you must needs, for you all cried 'Go, go,'--
If you'll confess he brought home noble prize--
As you must needs, for you all clapp'd your hands
And cried 'Inestimable!'--why do you now
The issue of your proper wisdoms rate,
And do a deed that fortune never did,
Beggar the estimation which you prized
Richer than sea and land? O, theft most base,
That we have stol'n what we do fear to keep!
But, thieves, unworthy of a thing so stol'n,
That in their country did them that disgrace,
We fear to warrant in our native place!
CASSANDRA
[Within] Cry, Trojans, cry!
PRIAM
What noise? what shriek is this?
TROILUS
'Tis our mad sister, I do know her voice.
CASSANDRA
[Within] Cry, Trojans!
HECTOR
It is Cassandra.
Enter CASSANDRA, raving
CASSANDRA
Cry, Trojans, cry! lend me ten thousand eyes,
And I will fill them with prophetic tears.
HECTOR
Peace, sister, peace!
CASSANDRA
Virgins and boys, mid-age and wrinkled eld,
Soft infancy, that nothing canst but cry,
Add to my clamours! let us pay betimes
A moiety of that mass of moan to come.
Cry, Trojans, cry! practise your eyes with tears!
Troy must not be, nor goodly Ilion stand;
Our firebrand brother, Paris, burns us all.
Cry, Trojans, cry! a Helen and a woe:
Cry, cry! Troy burns, or else let Helen go.
Exit
HECTOR
Now, youthful Troilus, do not these high strains
Of divination in our sister work
Some touches of remorse? or is your blood
So madly hot that no discourse of reason,
Nor fear of bad success in a bad cause,
Can qualify the same?
TROILUS
Why, brother Hector,
We may not think the justness of each act
Such and no other than event doth form it,
Nor once deject the courage of our minds,
Because Cassandra's mad: her brain-sick raptures
Cannot distaste the goodness of a quarrel
Which hath our several honours all engaged
To make it gracious. For my private part,
I am no more touch'd than all Priam's sons:
And Jove forbid there should be done amongst us
Such things as might offend the weakest spleen
To fight for and maintain!
PARIS
Else might the world convince of levity
As well my undertakings as your counsels:
But I attest the gods, your full consent
Gave wings to my propension and cut off
All fears attending on so dire a project.
For what, alas, can these my single arms?
What Propugnation is in one man's valour,
To stand the push and enmity of those
This quarrel would excite? Yet, I protest,
Were I alone to pass the difficulties
And had as ample power as I have will,
Paris should ne'er retract what he hath done,
Nor faint in the pursuit.
PRIAM
Paris, you speak
Like one besotted on your sweet delights:
You have the honey still, but these the gall;
So to be valiant is no praise at all.
PARIS
Sir, I propose not merely to myself
The pleasures such a beauty brings with it;
But I would have the soil of her fair rape
Wiped off, in honourable keeping her.
What treason were it to the ransack'd queen,
Disgrace to your great worths and shame to me,
Now to deliver her possession up
On terms of base compulsion! Can it be
That so degenerate a strain as this
Should once set footing in your generous bosoms?
There's not the meanest spirit on our party
Without a heart to dare or sword to draw
When Helen is defended, nor none so noble
Whose life were ill bestow'd or death unfamed
Where Helen is the subject; then, I say,
Well may we fight for her whom, we know well,
The world's large spaces cannot parallel.
HECTOR
Paris and Troilus, you have both said well,
And on the cause and question now in hand
Have glozed, but superficially: not much
Unlike young men, whom Aristotle thought
Unfit to hear moral philosophy:
The reasons you allege do more conduce
To the hot passion of distemper'd blood
Than to make up a free determination
'Twixt right and wrong, for pleasure and revenge
Have ears more deaf than adders to the voice
Of any true decision. Nature craves
All dues be render'd to their owners: now,
What nearer debt in all humanity
Than wife is to the husband? If this law
Of nature be corrupted through affection,
And that great minds, of partial indulgence
To their benumbed wills, resist the same,
There is a law in each well-order'd nation
To curb those raging appetites that are
Most disobedient and refractory.
If Helen then be wife to Sparta's king,
As it is known she is, these moral laws
Of nature and of nations speak aloud
To have her back return'd: thus to persist
In doing wrong extenuates not wrong,
But makes it much more heavy. Hector's opinion
Is this in way of truth; yet ne'ertheless,
My spritely brethren, I propend to you
In resolution to keep Helen still,
For 'tis a cause that hath no mean dependance
Upon our joint and several dignities.
TROILUS
Why, there you touch'd the life of our design:
Were it not glory that we more affected
Than the performance of our heaving spleens,
I would not wish a drop of Trojan blood
Spent more in her defence. But, worthy Hector,
She is a theme of honour and renown,
A spur to valiant and magnanimous deeds,
Whose present courage may beat down our foes,
And fame in time to come canonize us;
For, I presume, brave Hector would not lose
So rich advantage of a promised glory
As smiles upon the forehead of this action
For the wide world's revenue.
HECTOR
I am yours,
You valiant offspring of great Priamus.
I have a roisting challenge sent amongst
The dun and factious nobles of the Greeks
Will strike amazement to their drowsy spirits:
I was advertised their great general slept,
Whilst emulation in the army crept:
This, I presume, will wake him.
Exeunt


أرب جمـال 5 - 11 - 2009 11:23 PM

SCENE III. The Grecian camp. Before Achilles' tent.SCENE III. The Grecian camp. Before Achilles' tent.
Enter THERSITES, solus
THERSITES
How now, Thersites! what lost in the labyrinth of
thy fury! Shall the elephant Ajax carry it thus? He
beats me, and I rail at him: O, worthy satisfaction!
would it were otherwise; that I could beat him,
whilst he railed at me. 'Sfoot, I'll learn to
conjure and raise devils, but I'll see some issue of
my spiteful execrations. Then there's Achilles, a
rare enginer! If Troy be not taken till these two
undermine it, the walls will stand till they fall of
themselves. O thou great thunder-darter of Olympus,
forget that thou art Jove, the king of gods and,
Mercury, lose all the serpentine craft of thy
caduceus, if ye take not that little, little less
than little wit from them that they have! which
short-armed ignorance itself knows is so abundant
scarce, it will not in circumvention deliver a fly
from a spider, without drawing their massy irons and
cutting the ***. After this, the vengeance on the
whole camp! or rather, the bone-ache! for that,
methinks, is the curse dependent on those that war
for a placket. I have said my prayers and devil Envy
say Amen. What ho! my Lord Achilles!
Enter PATROCLUS
PATROCLUS
Who's there? Thersites! Good Thersites, come in and rail.
THERSITES
If I could have remembered a gilt counterfeit, thou
wouldst not have slipped out of my contemplation: but
it is no matter; thyself upon thyself! The common
curse of mankind, folly and ignorance, be thine in
great revenue! heaven bless thee from a tutor, and
discipline come not near thee! Let thy blood be thy
direction till thy death! then if she that lays thee
out says thou art a fair corse, I'll be sworn and
sworn upon't she never shrouded any but lazars.
Amen. Where's Achilles?
PATROCLUS
What, art thou devout? wast thou in prayer?
THERSITES
Ay: the heavens hear me!
Enter ACHILLES
ACHILLES
Who's there?
PATROCLUS
Thersites, my lord.
ACHILLES
Where, where? Art thou come? why, my cheese, my
digestion, why hast thou not served thyself in to
my table so many meals? Come, what's Agamemnon?
THERSITES
Thy commander, Achilles. Then tell me, Patroclus,
what's Achilles?
PATROCLUS
Thy lord, Thersites: then tell me, I pray thee,
what's thyself?
THERSITES
Thy knower, Patroclus: then tell me, Patroclus,
what art thou?
PATROCLUS
Thou mayst tell that knowest.
ACHILLES
O, tell, tell.
THERSITES
I'll decline the whole question. Agamemnon commands
Achilles; Achilles is my lord; I am Patroclus'
knower, and Patroclus is a fool.
PATROCLUS
You rascal!
THERSITES
Peace, fool! I have not done.
ACHILLES
He is a privileged man. Proceed, Thersites.
THERSITES
Agamemnon is a fool; Achilles is a fool; Thersites
is a fool, and, as aforesaid, Patroclus is a fool.
ACHILLES
Derive this; come.
THERSITES
Agamemnon is a fool to offer to command Achilles;
Achilles is a fool to be commanded of Agamemnon;
Thersites is a fool to serve such a fool, and
Patroclus is a fool positive.
PATROCLUS
Why am I a fool?
THERSITES
Make that demand of the prover. It suffices me thou
art. Look you, who comes here?
ACHILLES
Patroclus, I'll speak with nobody.
Come in with me, Thersites.
Exit
THERSITES
Here is such patchery, such juggling and such
knavery! all the argument is a cuckold and a
whore; a good quarrel to draw emulous factions
and bleed to death upon. Now, the dry serpigo on
the subject! and war and lechery confound all!
Exit
Enter AGAMEMNON, ULYSSES, NESTOR, DIOMEDES, and AJAX
AGAMEMNON
Where is Achilles?
PATROCLUS
Within his tent; but ill disposed, my lord.
AGAMEMNON
Let it be known to him that we are here.
He shent our messengers; and we lay by
Our appertainments, visiting of him:
Let him be told so; lest perchance he think
We dare not move the question of our place,
Or know not what we are.
PATROCLUS
I shall say so to him.
Exit
ULYSSES
We saw him at the opening of his tent:
He is not sick.
AJAX
Yes, lion-sick, sick of proud heart: you may call it
melancholy, if you will favour the man; but, by my
head, 'tis pride: but why, why? let him show us the
cause. A word, my lord.
Takes AGAMEMNON aside
NESTOR
What moves Ajax thus to bay at him?
ULYSSES
Achilles hath inveigled his fool from him.
NESTOR
Who, Thersites?
ULYSSES
He.
NESTOR
Then will Ajax lack matter, if he have lost his argument.
ULYSSES
No, you see, he is his argument that has his
argument, Achilles.
NESTOR
All the better; their fraction is more our wish than
their faction: but it was a strong composure a fool
could disunite.
ULYSSES
The amity that wisdom knits not, folly may easily
untie. Here comes Patroclus.
Re-enter PATROCLUS
NESTOR
No Achilles with him.
ULYSSES
The elephant hath joints, but none for courtesy:
his legs are legs for necessity, not for flexure.
PATROCLUS
Achilles bids me say, he is much sorry,
If any thing more than your sport and pleasure
Did move your greatness and this noble state
To call upon him; he hopes it is no other
But for your health and your digestion sake,
And after-dinner's breath.
AGAMEMNON
Hear you, Patroclus:
We are too well acquainted with these answers:
But his evasion, wing'd thus swift with scorn,
Cannot outfly our apprehensions.
Much attribute he hath, and much the reason
Why we ascribe it to him; yet all his virtues,
Not virtuously on his own part beheld,
Do in our eyes begin to lose their gloss,
Yea, like fair fruit in an unwholesome dish,
Are like to rot untasted. Go and tell him,
We come to speak with him; and you shall not sin,
If you do say we think him over-proud
And under-honest, in self-assumption greater
Than in the note of judgment; and worthier
than himself
Here tend the savage strangeness he puts on,
Disguise the holy strength of their command,
And underwrite in an observing kind
His humorous predominance; yea, watch
His pettish lunes, his ebbs, his flows, as if
The passage and whole carriage of this action
Rode on his tide. Go tell him this, and add,
That if he overhold his price so much,
We'll none of him; but let him, like an engine
Not portable, lie under this report:
'Bring action hither, this cannot go to war:
A stirring dwarf we do allowance give
Before a sleeping giant.' Tell him so.
PATROCLUS
I shall; and bring his answer presently.
Exit
AGAMEMNON
In second voice we'll not be satisfied;
We come to speak with him. Ulysses, enter you.
Exit ULYSSES
AJAX
What is he more than another?
AGAMEMNON
No more than what he thinks he is.
AJAX
Is he so much? Do you not think he thinks himself a
better man than I am?
AGAMEMNON
No question.
AJAX
Will you subscribe his thought, and say he is?
AGAMEMNON
No, noble Ajax; you are as strong, as valiant, as
wise, no less noble, much more gentle, and altogether
more tractable.
AJAX
Why should a man be proud? How doth pride grow? I
know not what pride is.
AGAMEMNON
Your mind is the clearer, Ajax, and your virtues the
fairer. He that is proud eats up himself: pride is
his own glass, his own trumpet, his own chronicle;
and whatever praises itself but in the deed, devours
the deed in the praise.
AJAX
I do hate a proud man, as I hate the engendering of toads.
NESTOR
Yet he loves himself: is't not strange?
Aside
Re-enter ULYSSES
ULYSSES
Achilles will not to the field to-morrow.
AGAMEMNON
What's his excuse?
ULYSSES
He doth rely on none,
But carries on the stream of his dispose
Without observance or respect of any,
In will peculiar and in self-admission.
AGAMEMNON
Why will he not upon our fair request
Untent his person and share the air with us?
ULYSSES
Things small as nothing, for request's sake only,
He makes important: possess'd he is with greatness,
And speaks not to himself but with a pride
That quarrels at self-breath: imagined worth
Holds in his blood such swoln and hot discourse
That 'twixt his mental and his active parts
Kingdom'd Achilles in commotion rages
And batters down himself: what should I say?
He is so plaguy proud that the death-tokens of it
Cry 'No recovery.'
AGAMEMNON
Let Ajax go to him.
Dear lord, go you and greet him in his tent:
'Tis said he holds you well, and will be led
At your request a little from himself.
ULYSSES
O Agamemnon, let it not be so!
We'll consecrate the steps that Ajax makes
When they go from Achilles: shall the proud lord
That bastes his arrogance with his own seam
And never suffers matter of the world
Enter his thoughts, save such as do revolve
And ruminate himself, shall he be worshipp'd
Of that we hold an idol more than he?
No, this thrice worthy and right valiant lord
Must not so stale his palm, nobly acquired;
Nor, by my will, assubjugate his merit,
As amply titled as Achilles is,
By going to Achilles:
That were to enlard his fat already pride
And add more coals to Cancer when he burns
With entertaining great Hyperion.
This lord go to him! Jupiter forbid,
And say in thunder 'Achilles go to him.'
NESTOR
[Aside to DIOMEDES] O, this is well; he rubs the
vein of him.
DIOMEDES
[Aside to NESTOR] And how his silence drinks up
this applause!
AJAX
If I go to him, with my armed fist I'll pash him o'er the face.
AGAMEMNON
O, no, you shall not go.
AJAX
An a' be proud with me, I'll pheeze his pride:
Let me go to him.
ULYSSES
Not for the worth that hangs upon our quarrel.
AJAX
A paltry, insolent fellow!
NESTOR
How he describes himself!
AJAX
Can he not be sociable?
ULYSSES
The raven chides blackness.
AJAX
I'll let his humours blood.
AGAMEMNON
He will be the physician that should be the patient.
AJAX
An all men were o' my mind,--
ULYSSES
Wit would be out of fashion.
AJAX
A' should not bear it so, a' should eat swords first:
shall pride carry it?
NESTOR
An 'twould, you'ld carry half.
ULYSSES
A' would have ten shares.
AJAX
I will knead him; I'll make him supple.
NESTOR
He's not yet through warm: force him with praises:
pour in, pour in; his ambition is dry.
ULYSSES
[To AGAMEMNON] My lord, you feed too much on this dislike.
NESTOR
Our noble general, do not do so.
DIOMEDES
You must prepare to fight without Achilles.
ULYSSES
Why, 'tis this naming of him does him harm.
Here is a man--but 'tis before his face;
I will be silent.
NESTOR
Wherefore should you so?
He is not emulous, as Achilles is.
ULYSSES
Know the whole world, he is as valiant.
AJAX
A whoreson dog, that shall pelter thus with us!
Would he were a Trojan!
NESTOR
What a vice were it in Ajax now,--
ULYSSES
If he were proud,--
DIOMEDES
Or covetous of praise,--
ULYSSES
Ay, or surly borne,--
DIOMEDES
Or strange, or self-affected!
ULYSSES
Thank the heavens, lord, thou art of sweet composure;
Praise him that got thee, she that gave thee suck:
Famed be thy tutor, and thy parts of nature
Thrice famed, beyond all erudition:
But he that disciplined thy arms to fight,
Let Mars divide eternity in twain,
And give him half: and, for thy vigour,
Bull-bearing Milo his addition yield
To sinewy Ajax. I will not praise thy wisdom,
Which, like a bourn, a pale, a shore, confines
Thy spacious and dilated parts: here's Nestor;
Instructed by the antiquary times,
He must, he is, he cannot but be wise:
Put pardon, father Nestor, were your days
As green as Ajax' and your brain so temper'd,
You should not have the eminence of him,
But be as Ajax.
AJAX
Shall I call you father?
NESTOR
Ay, my good son.
DIOMEDES
Be ruled by him, Lord Ajax.
ULYSSES
There is no tarrying here; the hart Achilles
Keeps thicket. Please it our great general
To call together all his state of war;
Fresh kings are come to Troy: to-morrow
We must with all our main of power stand fast:
And here's a lord,--come knights from east to west,
And cull their flower, Ajax shall cope the best.
AGAMEMNON
Go we to council. Let Achilles sleep:
Light boats sail swift, though greater hulks draw deep.
Exeunt


أرب جمـال 5 - 11 - 2009 11:23 PM

SCENE I. Troy. Priam's palace.SCENE I. Troy. Priam's palace.
Enter a Servant and PANDARUS
PANDARUS
Friend, you! pray you, a word: do not you follow
the young Lord Paris?
Servant
Ay, sir, when he goes before me.
PANDARUS
You depend upon him, I mean?
Servant
Sir, I do depend upon the lord.
PANDARUS
You depend upon a noble gentleman; I must needs
praise him.
Servant
The lord be praised!
PANDARUS
You know me, do you not?
Servant
Faith, sir, superficially.
PANDARUS
Friend, know me better; I am the Lord Pandarus.
Servant
I hope I shall know your honour better.
PANDARUS
I do desire it.
Servant
You are in the state of grace.
PANDARUS
Grace! not so, friend: honour and lordship are my titles.
Music within
What music is this?
Servant
I do but partly know, sir: it is music in parts.
PANDARUS
Know you the musicians?
Servant
Wholly, sir.
PANDARUS
Who play they to?
Servant
To the hearers, sir.
PANDARUS
At whose pleasure, friend
Servant
At mine, sir, and theirs that love music.
PANDARUS
Command, I mean, friend.
Servant
Who shall I command, sir?
PANDARUS
Friend, we understand not one another: I am too
courtly and thou art too cunning. At whose request
do these men play?
Servant
That's to 't indeed, sir: marry, sir, at the request
of Paris my lord, who's there in person; with him,
the mortal Venus, the heart-blood of beauty, love's
invisible soul,--
PANDARUS
Who, my cousin Cressida?
Servant
No, sir, Helen: could you not find out that by her
attributes?
PANDARUS
It should seem, fellow, that thou hast not seen the
Lady Cressida. I come to speak with Paris from the
Prince Troilus: I will make a complimental assault
upon him, for my business seethes.
Servant
Sodden business! there's a stewed phrase indeed!
Enter PARIS and HELEN, attended
PANDARUS
Fair be to you, my lord, and to all this fair
company! fair desires, in all fair measure,
fairly guide them! especially to you, fair queen!
fair thoughts be your fair pillow!
HELEN
Dear lord, you are full of fair words.
PANDARUS
You speak your fair pleasure, sweet queen. Fair
prince, here is good broken music.
PARIS
You have broke it, cousin: and, by my life, you
shall make it whole again; you shall piece it out
with a piece of your performance. Nell, he is full
of harmony.
PANDARUS
Truly, lady, no.
HELEN
O, sir,--
PANDARUS
Rude, in sooth; in good sooth, very rude.
PARIS
Well said, my lord! well, you say so in fits.
PANDARUS
I have business to my lord, dear queen. My lord,
will you vouchsafe me a word?
HELEN
Nay, this shall not hedge us out: we'll hear you
sing, certainly.
PANDARUS
Well, sweet queen. you are pleasant with me. But,
marry, thus, my lord: my dear lord and most esteemed
friend, your brother Troilus,--
HELEN
My Lord Pandarus; honey-sweet lord,--
PANDARUS
Go to, sweet queen, to go:--commends himself most
affectionately to you,--
HELEN
You shall not bob us out of our melody: if you do,
our melancholy upon your head!
PANDARUS
Sweet queen, sweet queen! that's a sweet queen, i' faith.
HELEN
And to make a sweet lady sad is a sour offence.
PANDARUS
Nay, that shall not serve your turn; that shall not,
in truth, la. Nay, I care not for such words; no,
no. And, my lord, he desires you, that if the king
call for him at supper, you will make his excuse.
HELEN
My Lord Pandarus,--
PANDARUS
What says my sweet queen, my very very sweet queen?
PARIS
What exploit's in hand? where sups he to-night?
HELEN
Nay, but, my lord,--
PANDARUS
What says my sweet queen? My cousin will fall out
with you. You must not know where he sups.
PARIS
I'll lay my life, with my disposer Cressida.
PANDARUS
No, no, no such matter; you are wide: come, your
disposer is sick.
PARIS
Well, I'll make excuse.
PANDARUS
Ay, good my lord. Why should you say Cressida? no,
your poor disposer's sick.
PARIS
I spy.
PANDARUS
You spy! what do you spy? Come, give me an
instrument. Now, sweet queen.
HELEN
Why, this is kindly done.
PANDARUS
My niece is horribly in love with a thing you have,
sweet queen.
HELEN
She shall have it, my lord, if it be not my lord Paris.
PANDARUS
He! no, she'll none of him; they two are twain.
HELEN
Falling in, after falling out, may make them three.
PANDARUS
Come, come, I'll hear no more of this; I'll sing
you a song now.
HELEN
Ay, ay, prithee now. By my troth, sweet lord, thou
hast a fine forehead.
PANDARUS
Ay, you may, you may.
HELEN
Let thy song be love: this love will undo us all.
O Cupid, Cupid, Cupid!
PANDARUS
Love! ay, that it shall, i' faith.
PARIS
Ay, good now, love, love, nothing but love.
PANDARUS
In good troth, it begins so.
Sings
Love, love, nothing but love, still more!
For, O, love's bow
Shoots buck and doe:
The shaft confounds,
Not that it wounds,
But tickles still the sore.
These lovers cry Oh! oh! they die!
Yet that which seems the wound to kill,
Doth turn oh! oh! to ha! ha! he!
So dying love lives still:
Oh! oh! a while, but ha! ha! ha!
Oh! oh! groans out for ha! ha! ha!
Heigh-ho!
HELEN
In love, i' faith, to the very tip of the nose.
PARIS
He eats nothing but doves, love, and that breeds hot
blood, and hot blood begets hot thoughts, and hot
thoughts beget hot deeds, and hot deeds is love.
PANDARUS
Is this the generation of love? hot blood, hot
thoughts, and hot deeds? Why, they are vipers:
is love a generation of vipers? Sweet lord, who's
a-field to-day?
PARIS
Hector, Deiphobus, Helenus, Antenor, and all the
gallantry of Troy: I would fain have armed to-day,
but my Nell would not have it so. How chance my
brother Troilus went not?
HELEN
He hangs the lip at something: you know all, Lord Pandarus.
PANDARUS
Not I, honey-sweet queen. I long to hear how they
sped to-day. You'll remember your brother's excuse?
PARIS
To a hair.
PANDARUS
Farewell, sweet queen.
HELEN
Commend me to your niece.
PANDARUS
I will, sweet queen.
Exit
A retreat sounded
PARIS
They're come from field: let us to Priam's hall,
To greet the warriors. Sweet Helen, I must woo you
To help unarm our Hector: his stubborn buckles,
With these your white enchanting fingers touch'd,
Shall more obey than to the edge of steel
Or force of Greekish sinews; you shall do more
Than all the island kings,--disarm great Hector.
HELEN
'Twill make us proud to be his servant, Paris;
Yea, what he shall receive of us in duty
Gives us more palm in beauty than we have,
Yea, overshines ourself.
PARIS
Sweet, above thought I love thee.
Exeunt


أرب جمـال 5 - 11 - 2009 11:24 PM

SCENE II. The same. Pandarus' orchard.SCENE II. The same. Pandarus' orchard.
Enter PANDARUS and Troilus's Boy, meeting
PANDARUS
How now! where's thy master? at my cousin
Cressida's?
Boy
No, sir; he stays for you to conduct him thither.
PANDARUS
O, here he comes.
Enter TROILUS
How now, how now!
TROILUS
Sirrah, walk off.
Exit Boy
PANDARUS
Have you seen my cousin?
TROILUS
No, Pandarus: I stalk about her door,
Like a strange soul upon the Stygian banks
Staying for waftage. O, be thou my Charon,
And give me swift transportance to those fields
Where I may wallow in the lily-beds
Proposed for the deserver! O gentle Pandarus,
From Cupid's shoulder pluck his painted wings
And fly with me to Cressid!
PANDARUS
Walk here i' the orchard, I'll bring her straight.
Exit
TROILUS
I am giddy; expectation whirls me round.
The imaginary relish is so sweet
That it enchants my sense: what will it be,
When that the watery palate tastes indeed
Love's thrice repured nectar? death, I fear me,
Swooning destruction, or some joy too fine,
Too subtle-potent, tuned too sharp in sweetness,
For the capacity of my ruder powers:
I fear it much; and I do fear besides,
That I shall lose distinction in my joys;
As doth a battle, when they charge on heaps
The enemy flying.
Re-enter PANDARUS
PANDARUS
She's making her ready, she'll come straight: you
must be witty now. She does so blush, and fetches
her wind so short, as if she were frayed with a
sprite: I'll fetch her. It is the prettiest
villain: she fetches her breath as short as a
new-ta'en sparrow.
Exit
TROILUS
Even such a passion doth embrace my bosom:
My heart beats thicker than a feverous pulse;
And all my powers do their bestowing lose,
Like vassalage at unawares encountering
The eye of majesty.
Re-enter PANDARUS with CRESSIDA
PANDARUS
Come, come, what need you blush? shame's a baby.
Here she is now: swear the oaths now to her that
you have sworn to me. What, are you gone again?
you must be watched ere you be made tame, must you?
Come your ways, come your ways; an you draw backward,
we'll put you i' the fills. Why do you not speak to
her? Come, draw this curtain, and let's see your
picture. Alas the day, how loath you are to offend
daylight! an 'twere dark, you'ld close sooner.
So, so; rub on, and kiss the mistress. How now!
a kiss in fee-farm! build there, carpenter; the air
is sweet. Nay, you shall fight your hearts out ere
I part you. The falcon as the tercel, for all the
ducks i' the river: go to, go to.
TROILUS
You have bereft me of all words, lady.
PANDARUS
Words pay no debts, give her deeds: but she'll
bereave you o' the deeds too, if she call your
activity in question. What, billing again? Here's
'In witness whereof the parties interchangeably'--
Come in, come in: I'll go get a fire.
Exit
CRESSIDA
Will you walk in, my lord?
TROILUS
O Cressida, how often have I wished me thus!
CRESSIDA
Wished, my lord! The gods grant,--O my lord!
TROILUS
What should they grant? what makes this pretty
abruption? What too curious dreg espies my sweet
lady in the fountain of our love?
CRESSIDA
More dregs than water, if my fears have eyes.
TROILUS
Fears make devils of cherubims; they never see truly.
CRESSIDA
Blind fear, that seeing reason leads, finds safer
footing than blind reason stumbling without fear: to
fear the worst oft cures the worse.
TROILUS
O, let my lady apprehend no fear: in all Cupid's
pageant there is presented no monster.
CRESSIDA
Nor nothing monstrous neither?
TROILUS
Nothing, but our undertakings; when we vow to weep
seas, live in fire, eat rocks, tame tigers; thinking
it harder for our mistress to devise imposition
enough than for us to undergo any difficulty imposed.
This is the monstruosity in love, lady, that the will
is infinite and the execution confined, that the
desire is boundless and the act a slave to limit.
CRESSIDA
They say all lovers swear more performance than they
are able and yet reserve an ability that they never
perform, vowing more than the perfection of ten and
discharging less than the tenth part of one. They
that have the voice of lions and the act of hares,
are they not monsters?
TROILUS
Are there such? such are not we: praise us as we
are tasted, allow us as we prove; our head shall go
bare till merit crown it: no perfection in reversion
shall have a praise in present: we will not name
desert before his birth, and, being born, his addition
shall be humble. Few words to fair faith: Troilus
shall be such to Cressid as what envy can say worst
shall be a mock for his truth, and what truth can
speak truest not truer than Troilus.
CRESSIDA
Will you walk in, my lord?
Re-enter PANDARUS
PANDARUS
What, blushing still? have you not done talking yet?
CRESSIDA
Well, uncle, what folly I commit, I dedicate to you.
PANDARUS
I thank you for that: if my lord get a boy of you,
you'll give him me. Be true to my lord: if he
flinch, chide me for it.
TROILUS
You know now your hostages; your uncle's word and my
firm faith.
PANDARUS
Nay, I'll give my word for her too: our kindred,
though they be long ere they are wooed, they are
constant being won: they are burs, I can tell you;
they'll stick where they are thrown.
CRESSIDA
Boldness comes to me now, and brings me heart.
Prince Troilus, I have loved you night and day
For many weary months.
TROILUS
Why was my Cressid then so hard to win?
CRESSIDA
Hard to seem won: but I was won, my lord,
With the first glance that ever--pardon me--
If I confess much, you will play the tyrant.
I love you now; but not, till now, so much
But I might master it: in faith, I lie;
My thoughts were like unbridled children, grown
Too headstrong for their mother. See, we fools!
Why have I blabb'd? who shall be true to us,
When we are so unsecret to ourselves?
But, though I loved you well, I woo'd you not;
And yet, good faith, I wish'd myself a man,
Or that we women had men's privilege
Of speaking first. Sweet, bid me hold my tongue,
For in this rapture I shall surely speak
The thing I shall repent. See, see, your silence,
Cunning in dumbness, from my weakness draws
My very soul of counsel! stop my mouth.
TROILUS
And shall, albeit sweet music issues thence.
PANDARUS
Pretty, i' faith.
CRESSIDA
My lord, I do beseech you, pardon me;
'Twas not my purpose, thus to beg a kiss:
I am ashamed. O heavens! what have I done?
For this time will I take my leave, my lord.
TROILUS
Your leave, sweet Cressid!
PANDARUS
Leave! an you take leave till to-morrow morning,--
CRESSIDA
Pray you, ******* you.
TROILUS
What offends you, lady?
CRESSIDA
Sir, mine own company.
TROILUS
You cannot shun Yourself.
CRESSIDA
Let me go and try:
I have a kind of self resides with you;
But an unkind self, that itself will leave,
To be another's fool. I would be gone:
Where is my wit? I know not what I speak.
TROILUS
Well know they what they speak that speak so wisely.
CRESSIDA
Perchance, my lord, I show more craft than love;
And fell so roundly to a large confession,
To angle for your thoughts: but you are wise,
Or else you love not, for to be wise and love
Exceeds man's might; that dwells with gods above.
TROILUS
O that I thought it could be in a woman--
As, if it can, I will presume in you--
To feed for aye her ramp and flames of love;
To keep her constancy in plight and youth,
Outliving beauty's outward, with a mind
That doth renew swifter than blood decays!
Or that persuasion could but thus convince me,
That my integrity and truth to you
Might be affronted with the match and weight
Of such a winnow'd purity in love;
How were I then uplifted! but, alas!
I am as true as truth's simplicity
And simpler than the infancy of truth.
CRESSIDA
In that I'll war with you.
TROILUS
O virtuous fight,
When right with right wars who shall be most right!
True swains in love shall in the world to come
Approve their truths by Troilus: when their rhymes,
Full of protest, of oath and big compare,
Want similes, truth tired with iteration,
As true as steel, as plantage to the moon,
As sun to day, as turtle to her mate,
As iron to adamant, as earth to the centre,
Yet, after all comparisons of truth,
As truth's authentic author to be cited,
'As true as Troilus' shall crown up the verse,
And sanctify the numbers.
CRESSIDA
Prophet may you be!
If I be false, or swerve a hair from truth,
When time is old and hath forgot itself,
When waterdrops have worn the stones of Troy,
And blind oblivion swallow'd cities up,
And mighty states characterless are grated
To dusty nothing, yet let memory,
From false to false, among false maids in love,
Upbraid my falsehood! when they've said 'as false
As air, as water, wind, or sandy earth,
As fox to lamb, as wolf to heifer's calf,
Pard to the hind, or stepdame to her son,'
'Yea,' let them say, to stick the heart of falsehood,
'As false as Cressid.'
PANDARUS
Go to, a bargain made: seal it, seal it; I'll be the
witness. Here I hold your hand, here my cousin's.
If ever you prove false one to another, since I have
taken such pains to bring you together, let all
pitiful goers-between be called to the world's end
after my name; call them all Pandars; let all
constant men be Troiluses, all false women Cressids,
and all brokers-between Pandars! say, amen.
TROILUS
Amen.
CRESSIDA
Amen.
PANDARUS
Amen. Whereupon I will show you a chamber with a
bed; which bed, because it shall not speak of your
pretty encounters, press it to death: away!
And Cupid grant all tongue-tied maidens here
Bed, chamber, Pandar to provide this gear!
Exeunt


أرب جمـال 5 - 11 - 2009 11:24 PM

SCENE III. The Grecian camp. Before Achilles' tent.SCENE III. The Grecian camp. Before Achilles' tent.
Enter AGAMEMNON, ULYSSES, DIOMEDES, NESTOR, AJAX, MENELAUS, and CALCHAS
CALCHAS
Now, princes, for the service I have done you,
The advantage of the time prompts me aloud
To call for recompense. Appear it to your mind
That, through the sight I bear in things to love,
I have abandon'd Troy, left my possession,
Incurr'd a traitor's name; exposed myself,
From certain and possess'd conveniences,
To doubtful fortunes; sequestering from me all
That time, acquaintance, custom and condition
Made tame and most familiar to my nature,
And here, to do you service, am become
As new into the world, strange, unacquainted:
I do beseech you, as in way of taste,
To give me now a little benefit,
Out of those many register'd in promise,
Which, you say, live to come in my behalf.
AGAMEMNON
What wouldst thou of us, Trojan? make demand.
CALCHAS
You have a Trojan prisoner, call'd Antenor,
Yesterday took: Troy holds him very dear.
Oft have you--often have you thanks therefore--
Desired my Cressid in right great exchange,
Whom Troy hath still denied: but this Antenor,
I know, is such a wrest in their affairs
That their negotiations all must slack,
Wanting his manage; and they will almost
Give us a prince of blood, a son of Priam,
In change of him: let him be sent, great princes,
And he shall buy my daughter; and her presence
Shall quite strike off all service I have done,
In most accepted pain.
AGAMEMNON
Let Diomedes bear him,
And bring us Cressid hither: Calchas shall have
What he requests of us. Good Diomed,
Furnish you fairly for this interchange:
Withal bring word if Hector will to-morrow
Be answer'd in his challenge: Ajax is ready.
DIOMEDES
This shall I undertake; and 'tis a burden
Which I am proud to bear.
Exeunt DIOMEDES and CALCHAS
Enter ACHILLES and PATROCLUS, before their tent
ULYSSES
Achilles stands i' the entrance of his tent:
Please it our general to pass strangely by him,
As if he were forgot; and, princes all,
Lay negligent and loose regard upon him:
I will come last. 'Tis like he'll question me
Why such unplausive eyes are bent on him:
If so, I have derision medicinable,
To use between your strangeness and his pride,
Which his own will shall have desire to drink:
It may be good: pride hath no other glass
To show itself but pride, for supple knees
Feed arrogance and are the proud man's fees.
AGAMEMNON
We'll execute your purpose, and put on
A form of strangeness as we pass along:
So do each lord, and either greet him not,
Or else disdainfully, which shall shake him more
Than if not look'd on. I will lead the way.
ACHILLES
What, comes the general to speak with me?
You know my mind, I'll fight no more 'gainst Troy.
AGAMEMNON
What says Achilles? would he aught with us?
NESTOR
Would you, my lord, aught with the general?
ACHILLES
No.
NESTOR
Nothing, my lord.
AGAMEMNON
The better.
Exeunt AGAMEMNON and NESTOR
ACHILLES
Good day, good day.
MENELAUS
How do you? how do you?
Exit
ACHILLES
What, does the cuckold scorn me?
AJAX
How now, Patroclus!
ACHILLES
Good morrow, Ajax.
AJAX
Ha?
ACHILLES
Good morrow.
AJAX
Ay, and good next day too.
Exit
ACHILLES
What mean these fellows? Know they not Achilles?
PATROCLUS
They pass by strangely: they were used to bend
To send their smiles before them to Achilles;
To come as humbly as they used to creep
To holy altars.
ACHILLES
What, am I poor of late?
'Tis certain, greatness, once fall'n out with fortune,
Must fall out with men too: what the declined is
He shall as soon read in the eyes of others
As feel in his own fall; for men, like butterflies,
Show not their mealy wings but to the summer,
And not a man, for being simply man,
Hath any honour, but honour for those honours
That are without him, as place, riches, favour,
Prizes of accident as oft as merit:
Which when they fall, as being slippery standers,
The love that lean'd on them as slippery too,
Do one pluck down another and together
Die in the fall. But 'tis not so with me:
Fortune and I are friends: I do enjoy
At ample point all that I did possess,
Save these men's looks; who do, methinks, find out
Something not worth in me such rich beholding
As they have often given. Here is Ulysses;
I'll interrupt his reading.
How now Ulysses!
ULYSSES
Now, great Thetis' son!
ACHILLES
What are you reading?
ULYSSES
A strange fellow here
Writes me: 'That man, how dearly ever parted,
How much in having, or without or in,
Cannot make boast to have that which he hath,
Nor feels not what he owes, but by reflection;
As when his virtues shining upon others
Heat them and they retort that heat again
To the first giver.'
ACHILLES
This is not strange, Ulysses.
The beauty that is borne here in the face
The bearer knows not, but commends itself
To others' eyes; nor doth the eye itself,
That most pure spirit of sense, behold itself,
Not going from itself; but eye to eye opposed
Salutes each other with each other's form;
For speculation turns not to itself,
Till it hath travell'd and is mirror'd there
Where it may see itself. This is not strange at all.
ULYSSES
I do not strain at the position,--
It is familiar,--but at the author's drift;
Who, in his circumstance, expressly proves
That no man is the lord of any thing,
Though in and of him there be much consisting,
Till he communicate his parts to others:
Nor doth he of himself know them for aught
Till he behold them form'd in the applause
Where they're extended; who, like an arch,
reverberates
The voice again, or, like a gate of steel
Fronting the sun, receives and renders back
His figure and his heat. I was much wrapt in this;
And apprehended here immediately
The unknown Ajax.
Heavens, what a man is there! a very horse,
That has he knows not what. Nature, what things there are
Most abject in regard and dear in use!
What things again most dear in the esteem
And poor in worth! Now shall we see to-morrow--
An act that very chance doth throw upon him--
Ajax renown'd. O heavens, what some men do,
While some men leave to do!
How some men creep in skittish fortune's hall,
Whiles others play the idiots in her eyes!
How one man eats into another's pride,
While pride is fasting in his wantonness!
To see these Grecian lords!--why, even already
They clap the lubber Ajax on the shoulder,
As if his foot were on brave Hector's breast
And great Troy shrieking.
ACHILLES
I do believe it; for they pass'd by me
As misers do by beggars, neither gave to me
Good word nor look: what, are my deeds forgot?
ULYSSES
Time hath, my lord, a wallet at his back,
Wherein he puts alms for oblivion,
A great-sized monster of ingratitudes:
Those scraps are good deeds past; which are devour'd
As fast as they are made, forgot as soon
As done: perseverance, dear my lord,
Keeps honour bright: to have done is to hang
Quite out of fashion, like a rusty mail
In monumental mockery. Take the instant way;
For honour travels in a strait so narrow,
Where one but goes abreast: keep then the path;
For emulation hath a thousand sons
That one by one pursue: if you give way,
Or hedge aside from the direct forthright,
Like to an enter'd tide, they all rush by
And leave you hindmost;
Or like a gallant horse fall'n in first rank,
Lie there for pavement to the abject rear,
O'er-run and trampled on: then what they do in present,
Though less than yours in past, must o'ertop yours;
For time is like a fashionable host
That slightly shakes his parting guest by the hand,
And with his arms outstretch'd, as he would fly,
Grasps in the comer: welcome ever smiles,
And farewell goes out sighing. O, let not
virtue seek
Remuneration for the thing it was;
For beauty, wit,
High birth, vigour of bone, desert in service,
Love, friendship, charity, are subjects all
To envious and calumniating time.
One touch of nature makes the whole world kin,
That all with one consent praise new-born gawds,
Though they are made and moulded of things past,
And give to dust that is a little gilt
More laud than gilt o'er-dusted.
The present eye praises the present object.
Then marvel not, thou great and complete man,
That all the Greeks begin to worship Ajax;
Since things in motion sooner catch the eye
Than what not stirs. The cry went once on thee,
And still it might, and yet it may again,
If thou wouldst not entomb thyself alive
And case thy reputation in thy tent;
Whose glorious deeds, but in these fields of late,
Made emulous missions 'mongst the gods themselves
And drave great Mars to faction.
ACHILLES
Of this my privacy
I have strong reasons.
ULYSSES
But 'gainst your privacy
The reasons are more potent and heroical:
'Tis known, Achilles, that you are in love
With one of Priam's daughters.
ACHILLES
Ha! known!
ULYSSES
Is that a wonder?
The providence that's in a watchful state
Knows almost every grain of Plutus' gold,
Finds bottom in the uncomprehensive deeps,
Keeps place with thought and almost, like the gods,
Does thoughts unveil in their dumb cradles.
There is a mystery--with whom relation
Durst never meddle--in the soul of state;
Which hath an operation more divine
Than breath or pen can give expressure to:
All the commerce that you have had with Troy
As perfectly is ours as yours, my lord;
And better would it fit Achilles much
To throw down Hector than Polyxena:
But it must grieve young Pyrrhus now at home,
When fame shall in our islands sound her trump,
And all the Greekish girls shall tripping sing,
'Great Hector's sister did Achilles win,
But our great Ajax bravely beat down him.'
Farewell, my lord: I as your lover speak;
The fool slides o'er the ice that you should break.
Exit
PATROCLUS
To this effect, Achilles, have I moved you:
A woman impudent and mannish grown
Is not more loathed than an effeminate man
In time of action. I stand condemn'd for this;
They think my little stomach to the war
And your great love to me restrains you thus:
Sweet, rouse yourself; and the weak wanton Cupid
Shall from your neck unloose his amorous fold,
And, like a dew-drop from the lion's mane,
Be shook to air.
ACHILLES
Shall Ajax fight with Hector?
PATROCLUS
Ay, and perhaps receive much honour by him.
ACHILLES
I see my reputation is at stake
My fame is shrewdly gored.
PATROCLUS
O, then, beware;
Those wounds heal ill that men do give themselves:
Omission to do what is necessary
Seals a commission to a blank of danger;
And danger, like an ague, subtly taints
Even then when we sit idly in the sun.
ACHILLES
Go call Thersites hither, sweet Patroclus:
I'll send the fool to Ajax and desire him
To invite the Trojan lords after the combat
To see us here unarm'd: I have a woman's longing,
An appetite that I am sick withal,
To see great Hector in his weeds of peace,
To talk with him and to behold his visage,
Even to my full of view.
Enter THERSITES
A labour saved!
THERSITES
A wonder!
ACHILLES
What?
THERSITES
Ajax goes up and down the field, asking for himself.
ACHILLES
How so?
THERSITES
He must fight singly to-morrow with Hector, and is so
prophetically proud of an heroical cudgelling that he
raves in saying nothing.
ACHILLES
How can that be?
THERSITES
Why, he stalks up and down like a peacock,--a stride
and a stand: ruminates like an hostess that hath no
arithmetic but her brain to set down her reckoning:
bites his lip with a politic regard, as who should
say 'There were wit in this head, an 'twould out;'
and so there is, but it lies as coldly in him as fire
in a flint, which will not show without knocking.
The man's undone forever; for if Hector break not his
neck i' the combat, he'll break 't himself in
vain-glory. He knows not me: I said 'Good morrow,
Ajax;' and he replies 'Thanks, Agamemnon.' What think
you of this man that takes me for the general? He's
grown a very land-fish, ********-less, a monster.
A plague of opinion! a man may wear it on both
sides, like a leather jerkin.
ACHILLES
Thou must be my ambassador to him, Thersites.
THERSITES
Who, I? why, he'll answer nobody; he professes not
answering: speaking is for beggars; he wears his
tongue in's arms. I will put on his presence: let
Patroclus make demands to me, you shall see the
pageant of Ajax.
ACHILLES
To him, Patroclus; tell him I humbly desire the
valiant Ajax to invite the most valorous Hector
to come unarmed to my tent, and to procure
safe-conduct for his person of the magnanimous
and most illustrious six-or-seven-times-honoured
captain-general of the Grecian army, Agamemnon,
et cetera. Do this.
PATROCLUS
Jove bless great Ajax!
THERSITES
Hum!
PATROCLUS
I come from the worthy Achilles,--
THERSITES
Ha!
PATROCLUS
Who most humbly desires you to invite Hector to his tent,--
THERSITES
Hum!
PATROCLUS
And to procure safe-conduct from Agamemnon.
THERSITES
Agamemnon!
PATROCLUS
Ay, my lord.
THERSITES
Ha!
PATROCLUS
What say you to't?
THERSITES
God b' wi' you, with all my heart.
PATROCLUS
Your answer, sir.
THERSITES
If to-morrow be a fair day, by eleven o'clock it will
go one way or other: howsoever, he shall pay for me
ere he has me.
PATROCLUS
Your answer, sir.
THERSITES
Fare you well, with all my heart.
ACHILLES
Why, but he is not in this tune, is he?
THERSITES
No, but he's out o' tune thus. What music will be in
him when Hector has knocked out his brains, I know
not; but, I am sure, none, unless the fiddler Apollo
get his sinews to make catlings on.
ACHILLES
Come, thou shalt bear a letter to him straight.
THERSITES
Let me bear another to his horse; for that's the more
capable creature.
ACHILLES
My mind is troubled, like a fountain stirr'd;
And I myself see not the bottom of it.
Exeunt ACHILLES and PATROCLUS
THERSITES
Would the fountain of your mind were clear again,
that I might water an ass at it! I had rather be a
tick in a sheep than such a valiant ignorance.
Exit


أرب جمـال 5 - 11 - 2009 11:25 PM

SCENE I. Troy. A street.SCENE I. Troy. A street.
Enter, from one side, AENEAS, and Servant with a torch; from the other, PARIS, DEIPHOBUS, ANTENOR, DIOMEDES, and others, with torches
PARIS
See, ho! who is that there?
DEIPHOBUS
It is the Lord AEneas.
AENEAS
Is the prince there in person?
Had I so good occasion to lie long
As you, prince Paris, nothing but heavenly business
Should rob my bed-mate of my company.
DIOMEDES
That's my mind too. Good morrow, Lord AEneas.
PARIS
A valiant Greek, AEneas,--take his hand,--
Witness the process of your speech, wherein
You told how Diomed, a whole week by days,
Did haunt you in the field.
AENEAS
Health to you, valiant sir,
During all question of the gentle truce;
But when I meet you arm'd, as black defiance
As heart can think or courage execute.
DIOMEDES
The one and other Diomed embraces.
Our bloods are now in calm; and, so long, health!
But when *******ion and occasion meet,
By Jove, I'll play the hunter for thy life
With all my force, pursuit and policy.
AENEAS
And thou shalt hunt a lion, that will fly
With his face backward. In humane gentleness,
Welcome to Troy! now, by Anchises' life,
Welcome, indeed! By Venus' hand I swear,
No man alive can love in such a sort
The thing he means to kill more excellently.
DIOMEDES
We sympathize: Jove, let AEneas live,
If to my sword his fate be not the glory,
A thousand complete courses of the sun!
But, in mine emulous honour, let him die,
With every joint a wound, and that to-morrow!
AENEAS
We know each other well.
DIOMEDES
We do; and long to know each other worse.
PARIS
This is the most despiteful gentle greeting,
The noblest hateful love, that e'er I heard of.
What business, lord, so early?
AENEAS
I was sent for to the king; but why, I know not.
PARIS
His purpose meets you: 'twas to bring this Greek
To Calchas' house, and there to render him,
For the enfreed Antenor, the fair Cressid:
Let's have your company, or, if you please,
Haste there before us: I constantly do think--
Or rather, call my thought a certain knowledge--
My brother Troilus lodges there to-night:
Rouse him and give him note of our approach.
With the whole quality wherefore: I fear
We shall be much unwelcome.
AENEAS
That I assure you:
Troilus had rather Troy were borne to Greece
Than Cressid borne from Troy.
PARIS
There is no help;
The bitter disposition of the time
Will have it so. On, lord; we'll follow you.
AENEAS
Good morrow, all.
Exit with Servant
PARIS
And tell me, noble Diomed, faith, tell me true,
Even in the soul of sound good-fellowship,
Who, in your thoughts, merits fair Helen best,
Myself or Menelaus?
DIOMEDES
Both alike:
He merits well to have her, that doth seek her,
Not making any scruple of her soilure,
With such a hell of pain and world of charge,
And you as well to keep her, that defend her,
Not palating the taste of her dishonour,
With such a costly loss of wealth and friends:
He, like a puling cuckold, would drink up
The lees and dregs of a flat tamed piece;
You, like a lecher, out of whorish loins
Are pleased to breed out your inheritors:
Both merits poised, each weighs nor less nor more;
But he as he, the heavier for a whore.
PARIS
You are too bitter to your countrywoman.
DIOMEDES
She's bitter to her country: hear me, Paris:
For every false drop in her bawdy veins
A Grecian's life hath sunk; for every scruple
Of her contaminated carrion weight,
A Trojan hath been slain: since she could speak,
She hath not given so many good words breath
As for her Greeks and Trojans suffer'd death.
PARIS
Fair Diomed, you do as chapmen do,
Dispraise the thing that you desire to buy:
But we in silence hold this virtue well,
We'll but commend what we intend to sell.
Here lies our way.
Exeunt


أرب جمـال 5 - 11 - 2009 11:25 PM

SCENE II. The same. Court of Pandarus' house.SCENE II. The same. Court of Pandarus' house.
Enter TROILUS and CRESSIDA
TROILUS
Dear, trouble not yourself: the morn is cold.
CRESSIDA
Then, sweet my lord, I'll call mine uncle down;
He shall unbolt the gates.
TROILUS
Trouble him not;
To bed, to bed: sleep kill those pretty eyes,
And give as soft attachment to thy senses
As infants' empty of all thought!
CRESSIDA
Good morrow, then.
TROILUS
I prithee now, to bed.
CRESSIDA
Are you a-weary of me?
TROILUS
O Cressida! but that the busy day,
Waked by the lark, hath roused the ribald crows,
And dreaming night will hide our joys no longer,
I would not from thee.
CRESSIDA
Night hath been too brief.
TROILUS
Beshrew the witch! with venomous wights she stays
As tediously as hell, but flies the grasps of love
With wings more momentary-swift than thought.
You will catch cold, and curse me.
CRESSIDA
Prithee, tarry:
You men will never tarry.
O foolish Cressid! I might have still held off,
And then you would have tarried. Hark!
there's one up.
PANDARUS
[Within] What, 's all the doors open here?
TROILUS
It is your uncle.
CRESSIDA
A pestilence on him! now will he be mocking:
I shall have such a life!
Enter PANDARUS
PANDARUS
How now, how now! how go maidenheads? Here, you
maid! where's my cousin Cressid?
CRESSIDA
Go hang yourself, you naughty mocking uncle!
You bring me to do, and then you flout me too.
PANDARUS
To do what? to do what? let her say
what: what have I brought you to do?
CRESSIDA
Come, come, beshrew your heart! you'll ne'er be good,
Nor suffer others.
PANDARUS
Ha! ha! Alas, poor wretch! ah, poor capocchia!
hast not slept to-night? would he not, a naughty
man, let it sleep? a bugbear take him!
CRESSIDA
Did not I tell you? Would he were knock'd i' the head!
Knocking within
Who's that at door? good uncle, go and see.
My lord, come you again into my chamber:
You smile and mock me, as if I meant naughtily.
TROILUS
Ha, ha!
CRESSIDA
Come, you are deceived, I think of no such thing.
Knocking within
How earnestly they knock! Pray you, come in:
I would not for half Troy have you seen here.
Exeunt TROILUS and CRESSIDA
PANDARUS
Who's there? what's the matter? will you beat
down the door? How now! what's the matter?
Enter AENEAS
AENEAS
Good morrow, lord, good morrow.
PANDARUS
Who's there? my Lord AEneas! By my troth,
I knew you not: what news with you so early?
AENEAS
Is not Prince Troilus here?
PANDARUS
Here! what should he do here?
AENEAS
Come, he is here, my lord; do not deny him:
It doth import him much to speak with me.
PANDARUS
Is he here, say you? 'tis more than I know, I'll
be sworn: for my own part, I came in late. What
should he do here?
AENEAS
Who!--nay, then: come, come, you'll do him wrong
ere you're ware: you'll be so true to him, to be
false to him: do not you know of him, but yet go
fetch him hither; go.
Re-enter TROILUS
TROILUS
How now! what's the matter?
AENEAS
My lord, I scarce have leisure to salute you,
My matter is so rash: there is at hand
Paris your brother, and Deiphobus,
The Grecian Diomed, and our Antenor
Deliver'd to us; and for him forthwith,
Ere the first sacrifice, within this hour,
We must give up to Diomedes' hand
The Lady Cressida.
TROILUS
Is it so concluded?
AENEAS
By Priam and the general state of Troy:
They are at hand and ready to effect it.
TROILUS
How my achievements mock me!
I will go meet them: and, my Lord AEneas,
We met by chance; you did not find me here.
AENEAS
Good, good, my lord; the secrets of nature
Have not more gift in taciturnity.
Exeunt TROILUS and AENEAS
PANDARUS
Is't possible? no sooner got but lost? The devil
take Antenor! the young prince will go mad: a
plague upon Antenor! I would they had broke 's neck!
Re-enter CRESSIDA
CRESSIDA
How now! what's the matter? who was here?
PANDARUS
Ah, ah!
CRESSIDA
Why sigh you so profoundly? where's my lord? gone!
Tell me, sweet uncle, what's the matter?
PANDARUS
Would I were as deep under the earth as I am above!
CRESSIDA
O the gods! what's the matter?
PANDARUS
Prithee, get thee in: would thou hadst ne'er been
born! I knew thou wouldst be his death. O, poor
gentleman! A plague upon Antenor!
CRESSIDA
Good uncle, I beseech you, on my knees! beseech you,
what's the matter?
PANDARUS
Thou must be gone, wench, thou must be gone; thou
art changed for Antenor: thou must to thy father,
and be gone from Troilus: 'twill be his death;
'twill be his bane; he cannot bear it.
CRESSIDA
O you immortal gods! I will not go.
PANDARUS
Thou must.
CRESSIDA
I will not, uncle: I have forgot my father;
I know no touch of consanguinity;
No kin no love, no blood, no soul so near me
As the sweet Troilus. O you gods divine!
Make Cressid's name the very crown of falsehood,
If ever she leave Troilus! Time, force, and death,
Do to this body what extremes you can;
But the strong base and building of my love
Is as the very centre of the earth,
Drawing all things to it. I'll go in and weep,--
PANDARUS
Do, do.
CRESSIDA
Tear my bright hair and scratch my praised cheeks,
Crack my clear voice with sobs and break my heart
With sounding Troilus. I will not go from Troy.
Exeunt


أرب جمـال 5 - 11 - 2009 11:26 PM

SCENE III. The same. Street before Pandarus' house.SCENE III. The same. Street before Pandarus' house.
Enter PARIS, TROILUS, AENEAS, DEIPHOBUS, ANTENOR, and DIOMEDES
PARIS
It is great morning, and the hour prefix'd
Of her delivery to this valiant Greek
Comes fast upon. Good my brother Troilus,
Tell you the lady what she is to do,
And haste her to the purpose.
TROILUS
Walk into her house;
I'll bring her to the Grecian presently:
And to his hand when I deliver her,
Think it an altar, and thy brother Troilus
A priest there offering to it his own heart.
Exit
PARIS
I know what 'tis to love;
And would, as I shall pity, I could help!
Please you walk in, my lords.
Exeunt



SCENE IV. The same. Pandarus' house.SCENE IV. The same. Pandarus' house.
Enter PANDARUS and CRESSIDA
PANDARUS
Be moderate, be moderate.
CRESSIDA
Why tell you me of moderation?
The grief is fine, full, perfect, that I taste,
And violenteth in a sense as strong
As that which causeth it: how can I moderate it?
If I could temporize with my affection,
Or brew it to a weak and colder palate,
The like allayment could I give my grief.
My love admits no qualifying dross;
No more my grief, in such a precious loss.
PANDARUS
Here, here, here he comes.
Enter TROILUS
Ah, sweet ducks!
CRESSIDA
O Troilus! Troilus!
Embracing him
PANDARUS
What a pair of spectacles is here!
Let me embrace too. 'O heart,' as the goodly saying is,
'--O heart, heavy heart,
Why sigh'st thou without breaking?
where he answers again,
'Because thou canst not ease thy smart
By friendship nor by speaking.'
There was never a truer rhyme. Let us cast away
nothing, for we may live to have need of such a
verse: we see it, we see it. How now, lambs?
TROILUS
Cressid, I love thee in so strain'd a purity,
That the bless'd gods, as angry with my fancy,
More bright in zeal than the devotion which
Cold lips blow to their deities, take thee from me.
CRESSIDA
Have the gods envy?
PANDARUS
Ay, ay, ay, ay; 'tis too plain a case.
CRESSIDA
And is it true that I must go from Troy?
TROILUS
A hateful truth.
CRESSIDA
What, and from Troilus too?
TROILUS
From Troy and Troilus.
CRESSIDA
Is it possible?
TROILUS
And suddenly; where injury of chance
Puts back leave-taking, justles roughly by
All time of pause, rudely beguiles our lips
Of all rejoindure, forcibly prevents
Our lock'd embrasures, strangles our dear vows
Even in the birth of our own labouring breath:
We two, that with so many thousand sighs
Did buy each other, must poorly sell ourselves
With the rude brevity and discharge of one.
Injurious time now with a robber's haste
Crams his rich thievery up, he knows not how:
As many farewells as be stars in heaven,
With distinct breath and consign'd kisses to them,
He fumbles up into a lose adieu,
And scants us with a single famish'd kiss,
Distasted with the salt of broken tears.
AENEAS
[Within] My lord, is the lady ready?
TROILUS
Hark! you are call'd: some say the Genius so
Cries 'come' to him that instantly must die.
Bid them have patience; she shall come anon.
PANDARUS
Where are my tears? rain, to lay this wind, or
my heart will be blown up by the root.
Exit
CRESSIDA
I must then to the Grecians?
TROILUS
No remedy.
CRESSIDA
A woful Cressid 'mongst the merry Greeks!
When shall we see again?
TROILUS
Hear me, my love: be thou but true of heart,--
CRESSIDA
I true! how now! what wicked deem is this?
TROILUS
Nay, we must use expostulation kindly,
For it is parting from us:
I speak not 'be thou true,' as fearing thee,
For I will throw my glove to Death himself,
That there's no maculation in thy heart:
But 'be thou true,' say I, to fashion in
My sequent protestation; be thou true,
And I will see thee.
CRESSIDA
O, you shall be exposed, my lord, to dangers
As infinite as imminent! but I'll be true.
TROILUS
And I'll grow friend with danger. Wear this sleeve.
CRESSIDA
And you this glove. When shall I see you?
TROILUS
I will corrupt the Grecian sentinels,
To give thee nightly visitation.
But yet be true.
CRESSIDA
O heavens! 'be true' again!
TROILUS
Hear while I speak it, love:
The Grecian youths are full of quality;
They're loving, well composed with gifts of nature,
Flowing and swelling o'er with arts and exercise:
How novelty may move, and parts with person,
Alas, a kind of godly jealousy--
Which, I beseech you, call a virtuous sin--
Makes me afeard.
CRESSIDA
O heavens! you love me not.
TROILUS
Die I a villain, then!
In this I do not call your faith in question
So mainly as my merit: I cannot sing,
Nor heel the high lavolt, nor sweeten talk,
Nor play at subtle games; fair virtues all,
To which the Grecians are most prompt and pregnant:
But I can tell that in each grace of these
There lurks a still and dumb-discoursive devil
That tempts most cunningly: but be not tempted.
CRESSIDA
Do you think I will?
TROILUS
No.
But something may be done that we will not:
And sometimes we are devils to ourselves,
When we will tempt the frailty of our powers,
Presuming on their changeful potency.
AENEAS
[Within] Nay, good my lord,--
TROILUS
Come, kiss; and let us part.
PARIS
[Within] Brother Troilus!
TROILUS
Good brother, come you hither;
And bring AEneas and the Grecian with you.
CRESSIDA
My lord, will you be true?
TROILUS
Who, I? alas, it is my vice, my fault:
Whiles others fish with craft for great opinion,
I with great truth catch mere simplicity;
Whilst some with cunning gild their copper crowns,
With truth and plainness I do wear mine bare.
Fear not my truth: the moral of my wit
Is 'plain and true;' there's all the reach of it.
Enter AENEAS, PARIS, ANTENOR, DEIPHOBUS, and DIOMEDES
Welcome, Sir Diomed! here is the lady
Which for Antenor we deliver you:
At the port, lord, I'll give her to thy hand,
And by the way possess thee what she is.
Entreat her fair; and, by my soul, fair Greek,
If e'er thou stand at mercy of my sword,
Name Cressida and thy life shall be as safe
As Priam is in Ilion.
DIOMEDES
Fair Lady Cressid,
So please you, save the thanks this prince expects:
The lustre in your eye, heaven in your cheek,
Pleads your fair usage; and to Diomed
You shall be mistress, and command him wholly.
TROILUS
Grecian, thou dost not use me courteously,
To shame the zeal of my petition to thee
In praising her: I tell thee, lord of Greece,
She is as far high-soaring o'er thy praises
As thou unworthy to be call'd her servant.
I charge thee use her well, even for my charge;
For, by the dreadful Pluto, if thou dost not,
Though the great bulk Achilles be thy guard,
I'll cut thy throat.
DIOMEDES
O, be not moved, Prince Troilus:
Let me be privileged by my place and message,
To be a speaker free; when I am hence
I'll answer to my lust: and know you, lord,
I'll nothing do on charge: to her own worth
She shall be prized; but that you say 'be't so,'
I'll speak it in my spirit and honour, 'no.'
TROILUS
Come, to the port. I'll tell thee, Diomed,
This brave shall oft make thee to hide thy head.
Lady, give me your hand, and, as we walk,
To our own selves bend we our needful talk.
Exeunt TROILUS, CRESSIDA, and DIOMEDES
Trumpet within
PARIS
Hark! Hector's trumpet.
AENEAS
How have we spent this morning!
The prince must think me tardy and remiss,
That sore to ride before him to the field.
PARIS
'Tis Troilus' fault: come, come, to field with him.
DEIPHOBUS
Let us make ready straight.
AENEAS
Yea, with a bridegroom's fresh alacrity,
Let us address to tend on Hector's heels:
The glory of our Troy doth this day lie
On his fair worth and single chivalry.
Exeunt


أرب جمـال 5 - 11 - 2009 11:26 PM

SCENE V. The Grecian camp. Lists set out.SCENE V. The Grecian camp. Lists set out.
Enter AJAX, armed; AGAMEMNON, ACHILLES, PATROCLUS, MENELAUS, ULYSSES, NESTOR, and others
AGAMEMNON
Here art thou in appointment fresh and fair,
Anticipating time with starting courage.
Give with thy trumpet a loud note to Troy,
Thou dreadful Ajax; that the appalled air
May pierce the head of the great combatant
And hale him hither.
AJAX
Thou, trumpet, there's my purse.
Now crack thy lungs, and split thy brazen pipe:
Blow, villain, till thy sphered bias cheek
Outswell the colic of puff'd Aquilon:
Come, stretch thy chest and let thy eyes spout blood;
Thou blow'st for Hector.
Trumpet sounds
ULYSSES
No trumpet answers.
ACHILLES
'Tis but early days.
AGAMEMNON
Is not yond Diomed, with Calchas' daughter?
ULYSSES
'Tis he, I ken the manner of his gait;
He rises on the toe: that spirit of his
In aspiration lifts him from the earth.
Enter DIOMEDES, with CRESSIDA
AGAMEMNON
Is this the Lady Cressid?
DIOMEDES
Even she.
AGAMEMNON
Most dearly welcome to the Greeks, sweet lady.
NESTOR
Our general doth salute you with a kiss.
ULYSSES
Yet is the kindness but particular;
'Twere better she were kiss'd in general.
NESTOR
And very courtly counsel: I'll begin.
So much for Nestor.
ACHILLES
I'll take what winter from your lips, fair lady:
Achilles bids you welcome.
MENELAUS
I had good argument for kissing once.
PATROCLUS
But that's no argument for kissing now;
For this popp'd Paris in his hardiment,
And parted thus you and your argument.
ULYSSES
O deadly gall, and theme of all our scorns!
For which we lose our heads to gild his horns.
PATROCLUS
The first was Menelaus' kiss; this, mine:
Patroclus kisses you.
MENELAUS
O, this is trim!
PATROCLUS
Paris and I kiss evermore for him.
MENELAUS
I'll have my kiss, sir. Lady, by your leave.
CRESSIDA
In kissing, do you render or receive?
PATROCLUS
Both take and give.
CRESSIDA
I'll make my match to live,
The kiss you take is better than you give;
Therefore no kiss.
MENELAUS
I'll give you boot, I'll give you three for one.
CRESSIDA
You're an odd man; give even or give none.
MENELAUS
An odd man, lady! every man is odd.
CRESSIDA
No, Paris is not; for you know 'tis true,
That you are odd, and he is even with you.
MENELAUS
You fillip me o' the head.
CRESSIDA
No, I'll be sworn.
ULYSSES
It were no match, your nail against his horn.
May I, sweet lady, beg a kiss of you?
CRESSIDA
You may.
ULYSSES
I do desire it.
CRESSIDA
Why, beg, then.
ULYSSES
Why then for Venus' sake, give me a kiss,
When Helen is a maid again, and his.
CRESSIDA
I am your debtor, claim it when 'tis due.
ULYSSES
Never's my day, and then a kiss of you.
DIOMEDES
Lady, a word: I'll bring you to your father.
Exit with CRESSIDA
NESTOR
A woman of quick sense.
ULYSSES
Fie, fie upon her!
There's ******** in her eye, her cheek, her lip,
Nay, her foot speaks; her wanton spirits look out
At every joint and motive of her body.
O, these encounterers, so glib of tongue,
That give accosting welcome ere it comes,
And wide unclasp the tables of their thoughts
To every ticklish reader! set them down
For sluttish spoils of opportunity
And daughters of the game.
Trumpet within
ALL
The Trojans' trumpet.
AGAMEMNON
Yonder comes the troop.
Enter HECTOR, armed; AENEAS, TROILUS, and other Trojans, with Attendants
AENEAS
Hail, all you state of Greece! what shall be done
To him that victory commands? or do you purpose
A victor shall be known? will you the knights
Shall to the edge of all extremity
Pursue each other, or shall be divided
By any voice or order of the field?
Hector bade ask.
AGAMEMNON
Which way would Hector have it?
AENEAS
He cares not; he'll obey conditions.
ACHILLES
'Tis done like Hector; but securely done,
A little proudly, and great deal misprizing
The knight opposed.
AENEAS
If not Achilles, sir,
What is your name?
ACHILLES
If not Achilles, nothing.
AENEAS
Therefore Achilles: but, whate'er, know this:
In the extremity of great and little,
Valour and pride excel themselves in Hector;
The one almost as infinite as all,
The other blank as nothing. Weigh him well,
And that which looks like pride is courtesy.
This Ajax is half made of Hector's blood:
In love whereof, half Hector stays at home;
Half heart, half hand, half Hector comes to seek
This blended knight, half Trojan and half Greek.
ACHILLES
A maiden battle, then? O, I perceive you.
Re-enter DIOMEDES
AGAMEMNON
Here is Sir Diomed. Go, gentle knight,
Stand by our Ajax: as you and Lord AEneas
Consent upon the order of their fight,
So be it; either to the uttermost,
Or else a breath: the combatants being kin
Half stints their strife before their strokes begin.
AJAX and HECTOR enter the lists
ULYSSES
They are opposed already.
AGAMEMNON
What Trojan is that same that looks so heavy?
ULYSSES
The youngest son of Priam, a true knight,
Not yet mature, yet matchless, firm of word,
Speaking in deeds and deedless in his tongue;
Not soon provoked nor being provoked soon calm'd:
His heart and hand both open and both free;
For what he has he gives, what thinks he shows;
Yet gives he not till judgment guide his bounty,
Nor dignifies an impure thought with breath;
Manly as Hector, but more dangerous;
For Hector in his blaze of wrath subscribes
To tender objects, but he in heat of action
Is more vindicative than jealous love:
They call him Troilus, and on him erect
A second hope, as fairly built as Hector.
Thus says AEneas; one that knows the youth
Even to his inches, and with private soul
Did in great Ilion thus translate him to me.
Alarum. Hector and Ajax fight
AGAMEMNON
They are in action.
NESTOR
Now, Ajax, hold thine own!
TROILUS
Hector, thou sleep'st;
Awake thee!
AGAMEMNON
His blows are well disposed: there, Ajax!
DIOMEDES
You must no more.
Trumpets cease
AENEAS
Princes, enough, so please you.
AJAX
I am not warm yet; let us fight again.
DIOMEDES
As Hector pleases.
HECTOR
Why, then will I no more:
Thou art, great lord, my father's sister's son,
A cousin-german to great Priam's seed;
The obligation of our blood forbids
A gory emulation 'twixt us twain:
Were thy commixtion Greek and Trojan so
That thou couldst say 'This hand is Grecian all,
And this is Trojan; the sinews of this leg
All Greek, and this all Troy; my mother's blood
Runs on the dexter cheek, and this sinister
Bounds in my father's;' by Jove multipotent,
Thou shouldst not bear from me a Greekish member
Wherein my sword had not impressure made
Of our rank feud: but the just gods gainsay
That any drop thou borrow'dst from thy mother,
My sacred aunt, should by my mortal sword
Be drain'd! Let me embrace thee, Ajax:
By him that thunders, thou hast lusty arms;
Hector would have them fall upon him thus:
Cousin, all honour to thee!
AJAX
I thank thee, Hector
Thou art too gentle and too free a man:
I came to kill thee, cousin, and bear hence
A great addition earned in thy death.
HECTOR
Not Neoptolemus so mirable,
On whose bright crest Fame with her loud'st Oyes
Cries 'This is he,' could promise to himself
A thought of added honour torn from Hector.
AENEAS
There is expectance here from both the sides,
What further you will do.
HECTOR
We'll answer it;
The issue is embracement: Ajax, farewell.
AJAX
If I might in entreaties find success--
As seld I have the chance--I would desire
My famous cousin to our Grecian tents.
DIOMEDES
'Tis Agamemnon's wish, and great Achilles
Doth long to see unarm'd the valiant Hector.
HECTOR
AEneas, call my brother Troilus to me,
And signify this loving interview
To the expecters of our Trojan part;
Desire them home. Give me thy hand, my cousin;
I will go eat with thee and see your knights.
AJAX
Great Agamemnon comes to meet us here.
HECTOR
The worthiest of them tell me name by name;
But for Achilles, mine own searching eyes
Shall find him by his large and portly size.
AGAMEMNON
Worthy of arms! as welcome as to one
That would be rid of such an enemy;
But that's no welcome: understand more clear,
What's past and what's to come is strew'd with husks
And formless ruin of oblivion;
But in this extant moment, faith and troth,
Strain'd purely from all hollow bias-drawing,
Bids thee, with most divine integrity,
From heart of very heart, great Hector, welcome.
HECTOR
I thank thee, most imperious Agamemnon.
AGAMEMNON
[To TROILUS] My well-famed lord of Troy, no
less to you.
MENELAUS
Let me confirm my princely brother's greeting:
You brace of warlike brothers, welcome hither.
HECTOR
Who must we answer?
AENEAS
The noble Menelaus.
HECTOR
O, you, my lord? by Mars his gauntlet, thanks!
Mock not, that I affect the untraded oath;
Your quondam wife swears still by Venus' glove:
She's well, but bade me not commend her to you.
MENELAUS
Name her not now, sir; she's a deadly theme.
HECTOR
O, pardon; I offend.
NESTOR
I have, thou gallant Trojan, seen thee oft
Labouring for destiny make cruel way
Through ranks of Greekish youth, and I have seen thee,
As hot as Perseus, spur thy Phrygian steed,
Despising many forfeits and subduements,
When thou hast hung thy advanced sword i' the air,
Not letting it decline on the declined,
That I have said to some my standers by
'Lo, Jupiter is yonder, dealing life!'
And I have seen thee pause and take thy breath,
When that a ring of Greeks have hemm'd thee in,
Like an Olympian wrestling: this have I seen;
But this thy countenance, still lock'd in steel,
I never saw till now. I knew thy grandsire,
And once fought with him: he was a soldier good;
But, by great Mars, the captain of us all,
Never saw like thee. Let an old man embrace thee;
And, worthy warrior, welcome to our tents.
AENEAS
'Tis the old Nestor.
HECTOR
Let me embrace thee, good old chronicle,
That hast so long walk'd hand in hand with time:
Most reverend Nestor, I am glad to clasp thee.
NESTOR
I would my arms could match thee in *******ion,
As they contend with thee in courtesy.
HECTOR
I would they could.
NESTOR
Ha!
By this white beard, I'ld fight with thee to-morrow.
Well, welcome, welcome! I have seen the time.
ULYSSES
I wonder now how yonder city stands
When we have here her base and pillar by us.
HECTOR
I know your favour, Lord Ulysses, well.
Ah, sir, there's many a Greek and Trojan dead,
Since first I saw yourself and Diomed
In Ilion, on your Greekish embassy.
ULYSSES
Sir, I foretold you then what would ensue:
My prophecy is but half his journey yet;
For yonder walls, that pertly front your town,
Yond towers, whose wanton tops do buss the clouds,
Must kiss their own feet.
HECTOR
I must not believe you:
There they stand yet, and modestly I think,
The fall of every Phrygian stone will cost
A drop of Grecian blood: the end crowns all,
And that old common arbitrator, Time,
Will one day end it.
ULYSSES
So to him we leave it.
Most gentle and most valiant Hector, welcome:
After the general, I beseech you next
To feast with me and see me at my tent.
ACHILLES
I shall forestall thee, Lord Ulysses, thou!
Now, Hector, I have fed mine eyes on thee;
I have with exact view perused thee, Hector,
And quoted joint by joint.
HECTOR
Is this Achilles?
ACHILLES
I am Achilles.
HECTOR
Stand fair, I pray thee: let me look on thee.
ACHILLES
Behold thy fill.
HECTOR
Nay, I have done already.
ACHILLES
Thou art too brief: I will the second time,
As I would buy thee, view thee limb by limb.
HECTOR
O, like a book of sport thou'lt read me o'er;
But there's more in me than thou understand'st.
Why dost thou so oppress me with thine eye?
ACHILLES
Tell me, you heavens, in which part of his body
Shall I destroy him? whether there, or there, or there?
That I may give the local wound a name
And make distinct the very breach whereout
Hector's great spirit flew: answer me, heavens!
HECTOR
It would discredit the blest gods, proud man,
To answer such a question: stand again:
Think'st thou to catch my life so pleasantly
As to prenominate in nice conjecture
Where thou wilt hit me dead?
ACHILLES
I tell thee, yea.
HECTOR
Wert thou an oracle to tell me so,
I'd not believe thee. Henceforth guard thee well;
For I'll not kill thee there, nor there, nor there;
But, by the forge that stithied Mars his helm,
I'll kill thee every where, yea, o'er and o'er.
You wisest Grecians, pardon me this brag;
His insolence draws folly from my lips;
But I'll endeavour deeds to match these words,
Or may I never--
AJAX
Do not chafe thee, cousin:
And you, Achilles, let these threats alone,
Till accident or purpose bring you to't:
You may have every day enough of Hector
If you have stomach; the general state, I fear,
Can scarce entreat you to be odd with him.
HECTOR
I pray you, let us see you in the field:
We have had pelting wars, since you refused
The Grecians' cause.
ACHILLES
Dost thou entreat me, Hector?
To-morrow do I meet thee, fell as death;
To-night all friends.
HECTOR
Thy hand upon that match.
AGAMEMNON
First, all you peers of Greece, go to my tent;
There in the full convive we: afterwards,
As Hector's leisure and your bounties shall
Concur together, severally entreat him.
Beat loud the tabourines, let the trumpets blow,
That this great soldier may his welcome know.
Exeunt all except TROILUS and ULYSSES
TROILUS
My Lord Ulysses, tell me, I beseech you,
In what place of the field doth Calchas keep?
ULYSSES
At Menelaus' tent, most princely Troilus:
There Diomed doth feast with him to-night;
Who neither looks upon the heaven nor earth,
But gives all gaze and bent of amorous view
On the fair Cressid.
TROILUS
Shall sweet lord, be bound to you so much,
After we part from Agamemnon's tent,
To bring me thither?
ULYSSES
You shall command me, sir.
As gentle tell me, of what honour was
This Cressida in Troy? Had she no lover there
That wails her absence?
TROILUS
O, sir, to such as boasting show their scars
A mock is due. Will you walk on, my lord?
She was beloved, she loved; she is, and doth:
But still sweet love is food for fortune's tooth.
Exeunt


أرب جمـال 5 - 11 - 2009 11:27 PM

SCENE I. The Grecian camp. Before Achilles' tent.SCENE I. The Grecian camp. Before Achilles' tent.
Enter ACHILLES and PATROCLUS
ACHILLES
I'll heat his blood with Greekish wine to-night,
Which with my scimitar I'll cool to-morrow.
Patroclus, let us feast him to the height.
PATROCLUS
Here comes Thersites.
Enter THERSITES
ACHILLES
How now, thou core of envy!
Thou crusty batch of nature, what's the news?
THERSITES
Why, thou picture of what thou seemest, and idol
of idiot worshippers, here's a letter for thee.
ACHILLES
From whence, fragment?
THERSITES
Why, thou full dish of fool, from Troy.
PATROCLUS
Who keeps the tent now?
THERSITES
The surgeon's box, or the patient's wound.
PATROCLUS
Well said, adversity! and what need these tricks?
THERSITES
Prithee, be silent, boy; I profit not by thy talk:
thou art thought to be Achilles' male varlet.
PATROCLUS
Male varlet, you rogue! what's that?
THERSITES
Why, his masculine whore. Now, the rotten diseases
of the south, the guts-griping, ruptures, catarrhs,
loads o' gravel i' the back, lethargies, cold
palsies, raw eyes, dirt-rotten livers, wheezing
lungs, bladders full of imposthume, sciaticas,
limekilns i' the palm, incurable bone-ache, and the
rivelled fee-simple of the tetter, take and take
again such preposterous discoveries!
PATROCLUS
Why thou damnable box of envy, thou, what meanest
thou to curse thus?
THERSITES
Do I curse thee?
PATROCLUS
Why no, you ruinous butt, you whoreson
indistinguishable cur, no.
THERSITES
No! why art thou then exasperate, thou idle
immaterial skein of sleave-silk, thou green sarcenet
flap for a sore eye, thou tassel of a prodigal's
purse, thou? Ah, how the poor world is pestered
with such waterflies, diminutives of nature!
PATROCLUS
Out, gall!
THERSITES
Finch-egg!
ACHILLES
My sweet Patroclus, I am thwarted quite
From my great purpose in to-morrow's battle.
Here is a letter from Queen Hecuba,
A token from her daughter, my fair love,
Both taxing me and gaging me to keep
An oath that I have sworn. I will not break it:
Fall Greeks; fail fame; honour or go or stay;
My major vow lies here, this I'll obey.
Come, come, Thersites, help to trim my tent:
This night in banqueting must all be spent.
Away, Patroclus!
Exeunt ACHILLES and PATROCLUS
THERSITES
With too much blood and too little brain, these two
may run mad; but, if with too much brain and too
little blood they do, I'll be a curer of madmen.
Here's Agamemnon, an honest fellow enough and one
that loves quails; but he has not so much brain as
earwax: and the goodly transformation of Jupiter
there, his brother, the bull,--the primitive statue,
and oblique memorial of cuckolds; a thrifty
shoeing-horn in a chain, hanging at his brother's
leg,--to what form but that he is, should wit larded
with malice and malice forced with wit turn him to?
To an ass, were nothing; he is both ass and ox: to
an ox, were nothing; he is both ox and ass. To be a
dog, a mule, a cat, a fitchew, a toad, a lizard, an
owl, a puttock, or a herring without a roe, I would
not care; but to be Menelaus, I would conspire
against destiny. Ask me not, what I would be, if I
were not Thersites; for I care not to be the louse
of a lazar, so I were not Menelaus! Hey-day!
spirits and fires!
Enter HECTOR, TROILUS, AJAX, AGAMEMNON, ULYSSES, NESTOR, MENELAUS, and DIOMEDES, with lights
AGAMEMNON
We go wrong, we go wrong.
AJAX
No, yonder 'tis;
There, where we see the lights.
HECTOR
I trouble you.
AJAX
No, not a whit.
ULYSSES
Here comes himself to guide you.
Re-enter ACHILLES
ACHILLES
Welcome, brave Hector; welcome, princes all.
AGAMEMNON
So now, fair prince of Troy, I bid good night.
Ajax commands the guard to tend on you.
HECTOR
Thanks and good night to the Greeks' general.
MENELAUS
Good night, my lord.
HECTOR
Good night, sweet lord Menelaus.
THERSITES
Sweet draught: 'sweet' quoth 'a! sweet sink,
sweet sewer.
ACHILLES
Good night and welcome, both at once, to those
That go or tarry.
AGAMEMNON
Good night.
Exeunt AGAMEMNON and MENELAUS
ACHILLES
Old Nestor tarries; and you too, Diomed,
Keep Hector company an hour or two.
DIOMEDES
I cannot, lord; I have important business,
The tide whereof is now. Good night, great Hector.
HECTOR
Give me your hand.
ULYSSES
[Aside to TROILUS] Follow his torch; he goes to
Calchas' tent:
I'll keep you company.
TROILUS
Sweet sir, you honour me.
HECTOR
And so, good night.
Exit DIOMEDES; ULYSSES and TROILUS following
ACHILLES
Come, come, enter my tent.
Exeunt ACHILLES, HECTOR, AJAX, and NESTOR
THERSITES
That same Diomed's a false-hearted rogue, a most
unjust knave; I will no more trust him when he leers
than I will a serpent when he hisses: he will spend
his mouth, and promise, like Brabbler the hound:
but when he performs, astronomers foretell it; it
is prodigious, there will come some change; the sun
borrows of the moon, when Diomed keeps his
word. I will rather leave to see Hector, than
not to dog him: they say he keeps a Trojan
drab, and uses the traitor Calchas' tent: I'll
after. Nothing but lechery! all incontinent varlets!
Exit

أرب جمـال 5 - 11 - 2009 11:27 PM

SCENE II. The same. Before Calchas' tent.SCENE II. The same. Before Calchas' tent.
Enter DIOMEDES
DIOMEDES
What, are you up here, ho? speak.
CALCHAS
[Within] Who calls?
DIOMEDES
Calchas, I think. Where's your daughter?
CALCHAS
[Within] She comes to you.
Enter TROILUS and ULYSSES, at a distance; after them, THERSITES
ULYSSES
Stand where the torch may not discover us.
Enter CRESSIDA
TROILUS
Cressid comes forth to him.
DIOMEDES
How now, my charge!
CRESSIDA
Now, my sweet guardian! Hark, a word with you.
Whispers
TROILUS
Yea, so familiar!
ULYSSES
She will sing any man at first sight.
THERSITES
And any man may sing her, if he can take her cliff;
she's noted.
DIOMEDES
Will you remember?
CRESSIDA
Remember! yes.
DIOMEDES
Nay, but do, then;
And let your mind be coupled with your words.
TROILUS
What should she remember?
ULYSSES
List.
CRESSIDA
Sweet honey Greek, tempt me no more to folly.
THERSITES
Roguery!
DIOMEDES
Nay, then,--
CRESSIDA
I'll tell you what,--
DIOMEDES
Foh, foh! come, tell a pin: you are forsworn.
CRESSIDA
In faith, I cannot: what would you have me do?
THERSITES
A juggling trick,--to be secretly open.
DIOMEDES
What did you swear you would bestow on me?
CRESSIDA
I prithee, do not hold me to mine oath;
Bid me do any thing but that, sweet Greek.
DIOMEDES
Good night.
TROILUS
Hold, patience!
ULYSSES
How now, Trojan!
CRESSIDA
Diomed,--
DIOMEDES
No, no, good night: I'll be your fool no more.
TROILUS
Thy better must.
CRESSIDA
Hark, one word in your ear.
TROILUS
O plague and madness!
ULYSSES
You are moved, prince; let us depart, I pray you,
Lest your displeasure should enlarge itself
To wrathful terms: this place is dangerous;
The time right deadly; I beseech you, go.
TROILUS
Behold, I pray you!
ULYSSES
Nay, good my lord, go off:
You flow to great distraction; come, my lord.
TROILUS
I pray thee, stay.
ULYSSES
You have not patience; come.
TROILUS
I pray you, stay; by hell and all hell's torments
I will not speak a word!
DIOMEDES
And so, good night.
CRESSIDA
Nay, but you part in anger.
TROILUS
Doth that grieve thee?
O wither'd truth!
ULYSSES
Why, how now, lord!
TROILUS
By Jove,
I will be patient.
CRESSIDA
Guardian!--why, Greek!
DIOMEDES
Foh, foh! adieu; you palter.
CRESSIDA
In faith, I do not: come hither once again.
ULYSSES
You shake, my lord, at something: will you go?
You will break out.
TROILUS
She strokes his cheek!
ULYSSES
Come, come.
TROILUS
Nay, stay; by Jove, I will not speak a word:
There is between my will and all offences
A guard of patience: stay a little while.
THERSITES
How the devil Luxury, with his fat rump and
potato-finger, tickles these together! Fry, lechery, fry!
DIOMEDES
But will you, then?
CRESSIDA
In faith, I will, la; never trust me else.
DIOMEDES
Give me some token for the surety of it.
CRESSIDA
I'll fetch you one.
Exit
ULYSSES
You have sworn patience.
TROILUS
Fear me not, sweet lord;
I will not be myself, nor have cognition
Of what I feel: I am all patience.
Re-enter CRESSIDA
THERSITES
Now the pledge; now, now, now!
CRESSIDA
Here, Diomed, keep this sleeve.
TROILUS
O beauty! where is thy faith?
ULYSSES
My lord,--
TROILUS
I will be patient; outwardly I will.
CRESSIDA
You look upon that sleeve; behold it well.
He loved me--O false wench!--Give't me again.
DIOMEDES
Whose was't?
CRESSIDA
It is no matter, now I have't again.
I will not meet with you to-morrow night:
I prithee, Diomed, visit me no more.
THERSITES
Now she sharpens: well said, whetstone!
DIOMEDES
I shall have it.
CRESSIDA
What, this?
DIOMEDES
Ay, that.
CRESSIDA
O, all you gods! O pretty, pretty pledge!
Thy master now lies thinking in his bed
Of thee and me, and sighs, and takes my glove,
And gives memorial dainty kisses to it,
As I kiss thee. Nay, do not snatch it from me;
He that takes that doth take my heart withal.
DIOMEDES
I had your heart before, this follows it.
TROILUS
I did swear patience.
CRESSIDA
You shall not have it, Diomed; faith, you shall not;
I'll give you something else.
DIOMEDES
I will have this: whose was it?
CRESSIDA
It is no matter.
DIOMEDES
Come, tell me whose it was.
CRESSIDA
'Twas one's that loved me better than you will.
But, now you have it, take it.
DIOMEDES
Whose was it?
CRESSIDA
By all Diana's waiting-women yond,
And by herself, I will not tell you whose.
DIOMEDES
To-morrow will I wear it on my helm,
And grieve his spirit that dares not challenge it.
TROILUS
Wert thou the devil, and worest it on thy horn,
It should be challenged.
CRESSIDA
Well, well, 'tis done, 'tis past: and yet it is not;
I will not keep my word.
DIOMEDES
Why, then, farewell;
Thou never shalt mock Diomed again.
CRESSIDA
You shall not go: one cannot speak a word,
But it straight starts you.
DIOMEDES
I do not like this fooling.
THERSITES
Nor I, by Pluto: but that that likes not you pleases me best.
DIOMEDES
What, shall I come? the hour?
CRESSIDA
Ay, come:--O Jove!--do come:--I shall be plagued.
DIOMEDES
Farewell till then.
CRESSIDA
Good night: I prithee, come.
Exit DIOMEDES
Troilus, farewell! one eye yet looks on thee
But with my heart the other eye doth see.
Ah, poor our sex! this fault in us I find,
The error of our eye directs our mind:
What error leads must err; O, then conclude
Minds sway'd by eyes are full of turpitude.
Exit
THERSITES
A proof of strength she could not publish more,
Unless she said ' My mind is now turn'd whore.'
ULYSSES
All's done, my lord.
TROILUS
It is.
ULYSSES
Why stay we, then?
TROILUS
To make a recordation to my soul
Of every syllable that here was spoke.
But if I tell how these two did co-act,
Shall I not lie in publishing a truth?
Sith yet there is a credence in my heart,
An esperance so obstinately strong,
That doth invert the attest of eyes and ears,
As if those organs had deceptious functions,
Created only to calumniate.
Was Cressid here?
ULYSSES
I cannot conjure, Trojan.
TROILUS
She was not, sure.
ULYSSES
Most sure she was.
TROILUS
Why, my negation hath no taste of madness.
ULYSSES
Nor mine, my lord: Cressid was here but now.
TROILUS
Let it not be believed for womanhood!
Think, we had mothers; do not give advantage
To stubborn critics, apt, without a theme,
For depravation, to square the general sex
By Cressid's rule: rather think this not Cressid.
ULYSSES
What hath she done, prince, that can soil our mothers?
TROILUS
Nothing at all, unless that this were she.
THERSITES
Will he swagger himself out on's own eyes?
TROILUS
This she? no, this is Diomed's Cressida:
If beauty have a soul, this is not she;
If souls guide vows, if vows be sanctimonies,
If sanctimony be the gods' delight,
If there be rule in unity itself,
This is not she. O madness of discourse,
That cause sets up with and against itself!
Bi-fold authority! where reason can revolt
Without perdition, and loss assume all reason
Without revolt: this is, and is not, Cressid.
Within my soul there doth conduce a fight
Of this strange nature that a thing inseparate
Divides more wider than the sky and earth,
And yet the spacious breadth of this division
Admits no orifex for a point as subtle
As Ariachne's broken woof to enter.
Instance, O instance! strong as Pluto's gates;
Cressid is mine, tied with the bonds of heaven:
Instance, O instance! strong as heaven itself;
The bonds of heaven are slipp'd, dissolved, and loosed;
And with another knot, five-finger-tied,
The fractions of her faith, orts of her love,
The fragments, scraps, the bits and greasy relics
Of her o'er-eaten faith, are bound to Diomed.
ULYSSES
May worthy Troilus be half attach'd
With that which here his passion doth express?
TROILUS
Ay, Greek; and that shall be divulged well
In characters as red as Mars his heart
Inflamed with Venus: never did young man fancy
With so eternal and so fix'd a soul.
Hark, Greek: as much as I do Cressid love,
So much by weight hate I her Diomed:
That sleeve is mine that he'll bear on his helm;
Were it a casque composed by Vulcan's skill,
My sword should bite it: not the dreadful spout
Which shipmen do the hurricano call,
Constringed in mass by the almighty sun,
Shall dizzy with more clamour Neptune's ear
In his descent than shall my prompted sword
Falling on Diomed.
THERSITES
He'll tickle it for his concupy.
TROILUS
O Cressid! O false Cressid! false, false, false!
Let all untruths stand by thy stained name,
And they'll seem glorious.
ULYSSES
O, contain yourself
Your passion draws ears hither.
Enter AENEAS
AENEAS
I have been seeking you this hour, my lord:
Hector, by this, is arming him in Troy;
Ajax, your guard, stays to conduct you home.
TROILUS
Have with you, prince. My courteous lord, adieu.
Farewell, revolted fair! and, Diomed,
Stand fast, and wear a castle on thy head!
ULYSSES
I'll bring you to the gates.
TROILUS
Accept distracted thanks.
Exeunt TROILUS, AENEAS, and ULYSSES
THERSITES
Would I could meet that rogue Diomed! I would
croak like a raven; I would bode, I would bode.
Patroclus will give me any thing for the
intelligence of this whore: the parrot will not
do more for an almond than he for a commodious drab.
Lechery, lechery; still, wars and lechery; nothing
else holds fashion: a burning devil take them!
Exit


أرب جمـال 5 - 11 - 2009 11:29 PM

SCENE III. Troy. Before Priam's palace.SCENE III. Troy. Before Priam's palace.
Enter HECTOR and ANDROMACHE
ANDROMACHE
When was my lord so much ungently temper'd,
To stop his ears against admonishment?
Unarm, unarm, and do not fight to-day.
HECTOR
You train me to offend you; get you in:
By all the everlasting gods, I'll go!
ANDROMACHE
My dreams will, sure, prove ominous to the day.
HECTOR
No more, I say.
Enter CASSANDRA
CASSANDRA
Where is my brother Hector?
ANDROMACHE
Here, sister; arm'd, and bloody in intent.
Consort with me in loud and dear petition,
Pursue we him on knees; for I have dream'd
Of bloody turbulence, and this whole night
Hath nothing been but shapes and forms of slaughter.
CASSANDRA
O, 'tis true.
HECTOR
Ho! bid my trumpet sound!
CASSANDRA
No notes of sally, for the heavens, sweet brother.
HECTOR
Be gone, I say: the gods have heard me swear.
CASSANDRA
The gods are deaf to hot and peevish vows:
They are polluted offerings, more abhorr'd
Than spotted livers in the sacrifice.
ANDROMACHE
O, be persuaded! do not count it holy
To hurt by being just: it is as lawful,
For we would give much, to use violent thefts,
And rob in the behalf of charity.
CASSANDRA
It is the purpose that makes strong the vow;
But vows to every purpose must not hold:
Unarm, sweet Hector.
HECTOR
Hold you still, I say;
Mine honour keeps the weather of my fate:
Lie every man holds dear; but the brave man
Holds honour far more precious-dear than life.
Enter TROILUS
How now, young man! mean'st thou to fight to-day?
ANDROMACHE
Cassandra, call my father to persuade.
Exit CASSANDRA
HECTOR
No, faith, young Troilus; doff thy harness, youth;
I am to-day i' the vein of chivalry:
Let grow thy sinews till their knots be strong,
And tempt not yet the brushes of the war.
Unarm thee, go, and doubt thou not, brave boy,
I'll stand to-day for thee and me and Troy.
TROILUS
Brother, you have a vice of mercy in you,
Which better fits a lion than a man.
HECTOR
What vice is that, good Troilus? chide me for it.
TROILUS
When many times the captive Grecian falls,
Even in the fan and wind of your fair sword,
You bid them rise, and live.
HECTOR
O,'tis fair play.
TROILUS
Fool's play, by heaven, Hector.
HECTOR
How now! how now!
TROILUS
For the love of all the gods,
Let's leave the hermit pity with our mothers,
And when we have our armours buckled on,
The venom'd vengeance ride upon our swords,
Spur them to ruthful work, rein them from ruth.
HECTOR
Fie, savage, fie!
TROILUS
Hector, then 'tis wars.
HECTOR
Troilus, I would not have you fight to-day.
TROILUS
Who should withhold me?
Not fate, obedience, nor the hand of Mars
Beckoning with fiery truncheon my retire;
Not Priamus and Hecuba on knees,
Their eyes o'ergalled with recourse of tears;
Not you, my brother, with your true sword drawn,
Opposed to hinder me, should stop my way,
But by my ruin.
Re-enter CASSANDRA, with PRIAM
CASSANDRA
Lay hold upon him, Priam, hold him fast:
He is thy crutch; now if thou lose thy stay,
Thou on him leaning, and all Troy on thee,
Fall all together.
PRIAM
Come, Hector, come, go back:
Thy wife hath dream'd; thy mother hath had visions;
Cassandra doth foresee; and I myself
Am like a prophet suddenly enrapt
To tell thee that this day is ominous:
Therefore, come back.
HECTOR
AEneas is a-field;
And I do stand engaged to many Greeks,
Even in the faith of valour, to appear
This morning to them.
PRIAM
Ay, but thou shalt not go.
HECTOR
I must not break my faith.
You know me dutiful; therefore, dear sir,
Let me not shame respect; but give me leave
To take that course by your consent and voice,
Which you do here forbid me, royal Priam.
CASSANDRA
O Priam, yield not to him!
ANDROMACHE
Do not, dear father.
HECTOR
Andromache, I am offended with you:
Upon the love you bear me, get you in.
Exit ANDROMACHE
TROILUS
This foolish, dreaming, superstitious girl
Makes all these bodements.
CASSANDRA
O, farewell, dear Hector!
Look, how thou diest! look, how thy eye turns pale!
Look, how thy wounds do bleed at many vents!
Hark, how Troy roars! how Hecuba cries out!
How poor Andromache shrills her dolours forth!
Behold, distraction, frenzy and amazement,
Like witless antics, one another meet,
And all cry, Hector! Hector's dead! O Hector!
TROILUS
Away! away!
CASSANDRA
Farewell: yet, soft! Hector! take my leave:
Thou dost thyself and all our Troy deceive.
Exit
HECTOR
You are amazed, my liege, at her exclaim:
Go in and cheer the town: we'll forth and fight,
Do deeds worth praise and tell you them at night.
PRIAM
Farewell: the gods with safety stand about thee!
Exeunt severally PRIAM and HECTOR. Alarums
TROILUS
They are at it, hark! Proud Diomed, believe,
I come to lose my arm, or win my sleeve.
Enter PANDARUS
PANDARUS
Do you hear, my lord? do you hear?
TROILUS
What now?
PANDARUS
Here's a letter come from yond poor girl.
TROILUS
Let me read.
PANDARUS
A whoreson tisick, a whoreson rascally tisick so
troubles me, and the foolish fortune of this girl;
and what one thing, what another, that I shall
leave you one o' these days: and I have a rheum
in mine eyes too, and such an ache in my bones
that, unless a man were cursed, I cannot tell what
to think on't. What says she there?
TROILUS
Words, words, mere words, no matter from the heart:
The effect doth operate another way.
Tearing the letter
Go, wind, to wind, there turn and change together.
My love with words and errors still she feeds;
But edifies another with her deeds.
Exeunt severally


أرب جمـال 5 - 11 - 2009 11:30 PM

SCENE IV. Plains between Troy and the Grecian camp.SCENE IV. Plains between Troy and the Grecian camp.
Alarums: excursions. Enter THERSITES
THERSITES
Now they are clapper-clawing one another; I'll go
look on. That dissembling abominable varlets Diomed,
has got that same scurvy doting foolish young knave's
sleeve of Troy there in his helm: I would fain see
them meet; that that same young Trojan ass, that
loves the whore there, might send that Greekish
whore-masterly villain, with the sleeve, back to the
dissembling luxurious drab, of a sleeveless errand.
O' the t'other side, the policy of those crafty
swearing rascals, that stale old mouse-eaten dry
cheese, Nestor, and that same dog-fox, Ulysses, is
not proved worthy a blackberry: they set me up, in
policy, that mongrel cur, Ajax, against that dog of
as bad a kind, Achilles: and now is the cur Ajax
prouder than the cur Achilles, and will not arm
to-day; whereupon the Grecians begin to proclaim
barbarism, and policy grows into an ill opinion.
Soft! here comes sleeve, and t'other.
Enter DIOMEDES, TROILUS following
TROILUS
Fly not; for shouldst thou take the river Styx,
I would swim after.
DIOMEDES
Thou dost miscall retire:
I do not fly, but advantageous care
Withdrew me from the odds of multitude:
Have at thee!
THERSITES
Hold thy whore, Grecian!--now for thy whore,
Trojan!--now the sleeve, now the sleeve!
Exeunt TROILUS and DIOMEDES, fighting
Enter HECTOR
HECTOR
What art thou, Greek? art thou for Hector's match?
Art thou of blood and honour?
THERSITES
No, no, I am a rascal; a scurvy railing knave:
a very filthy rogue.
HECTOR
I do believe thee: live.
Exit
THERSITES
God-a-mercy, that thou wilt believe me; but a
plague break thy neck for frightening me! What's
become of the wenching rogues? I think they have
swallowed one another: I would laugh at that
miracle: yet, in a sort, lechery eats itself.
I'll seek them.
Exit




SCENE V. Another part of the plains.SCENE V. Another part of the plains.
Enter DIOMEDES and a Servant
DIOMEDES
Go, go, my servant, take thou Troilus' horse;
Present the fair steed to my lady Cressid:
Fellow, commend my service to her beauty;
Tell her I have chastised the amorous Trojan,
And am her knight by proof.
Servant
I go, my lord.
Exit
Enter AGAMEMNON
AGAMEMNON
Renew, renew! The fierce Polydamas
Hath beat down Menon: bastard Margarelon
Hath Doreus prisoner,
And stands colossus-wise, waving his beam,
Upon the pashed corses of the kings
Epistrophus and Cedius: Polyxenes is slain,
Amphimachus and Thoas deadly hurt,
Patroclus ta'en or slain, and Palamedes
Sore hurt and bruised: the dreadful Sagittary
Appals our numbers: haste we, Diomed,
To reinforcement, or we perish all.
Enter NESTOR
NESTOR
Go, bear Patroclus' body to Achilles;
And bid the snail-paced Ajax arm for shame.
There is a thousand Hectors in the field:
Now here he fights on Galathe his horse,
And there lacks work; anon he's there afoot,
And there they fly or die, like scaled sculls
Before the belching whale; then is he yonder,
And there the strawy Greeks, ripe for his edge,
Fall down before him, like the mower's swath:
Here, there, and every where, he leaves and takes,
Dexterity so obeying appetite
That what he will he does, and does so much
That proof is call'd impossibility.
Enter ULYSSES
ULYSSES
O, courage, courage, princes! great Achilles
Is arming, weeping, cursing, vowing vengeance:
Patroclus' wounds have roused his drowsy blood,
Together with his mangled Myrmidons,
That noseless, handless, hack'd and chipp'd, come to him,
Crying on Hector. Ajax hath lost a friend
And foams at mouth, and he is arm'd and at it,
Roaring for Troilus, who hath done to-day
Mad and fantastic execution,
Engaging and redeeming of himself
With such a careless force and forceless care
As if that luck, in very spite of cunning,
Bade him win all.
Enter AJAX
AJAX
Troilus! thou coward Troilus!
Exit
DIOMEDES
Ay, there, there.
NESTOR
So, so, we draw together.
Enter ACHILLES
ACHILLES
Where is this Hector?
Come, come, thou boy-queller, show thy face;
Know what it is to meet Achilles angry:
Hector? where's Hector? I will none but Hector.
Exeunt

SCENE VI. Another part of the plains.SCENE VI. Another part of the plains.
Enter AJAX
AJAX
Troilus, thou coward Troilus, show thy head!
Enter DIOMEDES
DIOMEDES
Troilus, I say! where's Troilus?
AJAX
What wouldst thou?
DIOMEDES
I would correct him.
AJAX
Were I the general, thou shouldst have my office
Ere that correction. Troilus, I say! what, Troilus!
Enter TROILUS
TROILUS
O traitor Diomed! turn thy false face, thou traitor,
And pay thy life thou owest me for my horse!
DIOMEDES
Ha, art thou there?
AJAX
I'll fight with him alone: stand, Diomed.
DIOMEDES
He is my prize; I will not look upon.
TROILUS
Come, both you cogging Greeks; have at you both!
Exeunt, fighting
Enter HECTOR
HECTOR
Yea, Troilus? O, well fought, my youngest brother!
Enter ACHILLES
ACHILLES
Now do I see thee, ha! have at thee, Hector!
HECTOR
Pause, if thou wilt.
ACHILLES
I do disdain thy courtesy, proud Trojan:
Be happy that my arms are out of use:
My rest and negligence befriends thee now,
But thou anon shalt hear of me again;
Till when, go seek thy fortune.
Exit
HECTOR
Fare thee well:
I would have been much more a fresher man,
Had I expected thee. How now, my brother!
Re-enter TROILUS
TROILUS
Ajax hath ta'en AEneas: shall it be?
No, by the flame of yonder glorious heaven,
He shall not carry him: I'll be ta'en too,
Or bring him off: fate, hear me what I say!
I reck not though I end my life to-day.
Exit
Enter one in sumptuous armour
HECTOR
Stand, stand, thou Greek; thou art a goodly mark:
No? wilt thou not? I like thy armour well;
I'll frush it and unlock the rivets all,
But I'll be master of it: wilt thou not,
beast, abide?
Why, then fly on, I'll hunt thee for thy hide.
Exeunt


SCENE VII. Another part of the plains.SCENE VII. Another part of the plains.
Enter ACHILLES, with Myrmidons
ACHILLES
Come here about me, you my Myrmidons;
Mark what I say. Attend me where I wheel:
Strike not a stroke, but keep yourselves in breath:
And when I have the bloody Hector found,
Empale him with your weapons round about;
In fellest manner execute your aims.
Follow me, sirs, and my proceedings eye:
It is decreed Hector the great must die.
Exeunt
Enter MENELAUS and PARIS, fighting: then THERSITES
THERSITES
The cuckold and the cuckold-maker are at it. Now,
bull! now, dog! 'Loo, Paris, 'loo! now my double-
henned sparrow! 'loo, Paris, 'loo! The bull has the
game: ware horns, ho!
Exeunt PARIS and MENELAUS
Enter MARGARELON
MARGARELON
Turn, slave, and fight.
THERSITES
What art thou?
MARGARELON
A bastard son of Priam's.
THERSITES
I am a bastard too; I love bastards: I am a bastard
begot, bastard instructed, bastard in mind, bastard
in valour, in every thing illegitimate. One bear will
not bite another, and wherefore should one bastard?
Take heed, the quarrel's most ominous to us: if the
son of a whore fight for a whore, he tempts judgment:
farewell, bastard.
Exit
MARGARELON
The devil take thee, coward!
Exit



أرب جمـال 5 - 11 - 2009 11:33 PM

SCENE VIII. Another part of the plains.SCENE VIII. Another part of the plains.
Enter HECTOR
HECTOR
Most putrefied core, so fair without,
Thy goodly armour thus hath cost thy life.
Now is my day's work done; I'll take good breath:
Rest, sword; thou hast thy fill of blood and death.
Puts off his helmet and hangs his shield behind him
Enter ACHILLES and Myrmidons
ACHILLES
Look, Hector, how the sun begins to set;
How ugly night comes breathing at his heels:
Even with the vail and darking of the sun,
To close the day up, Hector's life is done.
HECTOR
I am unarm'd; forego this vantage, Greek.
ACHILLES
Strike, fellows, strike; this is the man I seek.
HECTOR falls
So, Ilion, fall thou next! now, Troy, sink down!
Here lies thy heart, thy sinews, and thy bone.
On, Myrmidons, and cry you all amain,
'Achilles hath the mighty Hector slain.'
A retreat sounded
Hark! a retire upon our Grecian part.
MYRMIDONS
The Trojan trumpets sound the like, my lord.
ACHILLES
The dragon wing of night o'erspreads the earth,
And, stickler-like, the armies separates.
My half-supp'd sword, that frankly would have fed,
Pleased with this dainty bait, thus goes to bed.
Sheathes his sword
Come, tie his body to my horse's tail;
Along the field I will the Trojan trail.
Exeunt



SCENE IX. Another part of the plains.SCENE IX. Another part of the plains.
Enter AGAMEMNON, AJAX, MENELAUS, NESTOR, DIOMEDES, and others, marching. Shouts within
AGAMEMNON
Hark! hark! what shout is that?
NESTOR
Peace, drums!
Within
Achilles! Achilles! Hector's slain! Achilles.
DIOMEDES
The bruit is, Hector's slain, and by Achilles.
AJAX
If it be so, yet bragless let it be;
Great Hector was a man as good as he.
AGAMEMNON
March patiently along: let one be sent
To pray Achilles see us at our tent.
If in his death the gods have us befriended,
Great Troy is ours, and our sharp wars are ended.
Exeunt, marching

أرب جمـال 5 - 11 - 2009 11:33 PM

SCENE X. Another part of the plains.SCENE X. Another part of the plains.
Enter AENEAS and Trojans
AENEAS
Stand, ho! yet are we masters of the field:
Never go home; here starve we out the night.
Enter TROILUS
TROILUS
Hector is slain.
ALL
Hector! the gods forbid!
TROILUS
He's dead; and at the murderer's horse's tail,
In beastly sort, dragg'd through the shameful field.
Frown on, you heavens, effect your rage with speed!
Sit, gods, upon your thrones, and smile at Troy!
I say, at once let your brief plagues be mercy,
And linger not our sure destructions on!
AENEAS
My lord, you do discomfort all the host!
TROILUS
You understand me not that tell me so:
I do not speak of flight, of fear, of death,
But dare all imminence that gods and men
Address their dangers in. Hector is gone:
Who shall tell Priam so, or Hecuba?
Let him that will a screech-owl aye be call'd,
Go in to Troy, and say there, Hector's dead:
There is a word will Priam turn to stone;
Make wells and Niobes of the maids and wives,
Cold statues of the youth, and, in a word,
Scare Troy out of itself. But, march away:
Hector is dead; there is no more to say.
Stay yet. You vile abominable tents,
Thus proudly pight upon our Phrygian plains,
Let Titan rise as early as he dare,
I'll through and through you! and, thou great-sized coward,
No space of earth shall sunder our two hates:
I'll haunt thee like a wicked conscience still,
That mouldeth goblins swift as frenzy's thoughts.
Strike a free march to Troy! with comfort go:
Hope of revenge shall hide our inward woe.
Exeunt AENEAS and Trojans
As TROILUS is going out, enter, from the other side, PANDARUS
PANDARUS
But hear you, hear you!
TROILUS
Hence, broker-lackey! ignomy and shame
Pursue thy life, and live aye with thy name!
Exit
PANDARUS
A goodly medicine for my aching bones! O world!
world! world! thus is the poor agent despised!
O traitors and bawds, how earnestly are you set
a-work, and how ill requited! why should our
endeavour be so loved and the performance so loathed?
what verse for it? what instance for it? Let me see:
Full merrily the humble-bee doth sing,
Till he hath lost his honey and his sting;
And being once subdued in armed tail,
Sweet honey and sweet notes together fail.
Good traders in the flesh, set this in your
painted cloths.
As many as be here of pander's hall,
Your eyes, half out, weep out at Pandar's fall;
Or if you cannot weep, yet give some groans,
Though not for me, yet for your aching bones.
Brethren and sisters of the hold-door trade,
Some two months hence my will shall here be made:
It should be now, but that my fear is this,
Some galled goose of Winchester would hiss:
Till then I'll sweat and seek about for eases,
And at that time bequeathe you my diseases.
Exit

أرب جمـال 5 - 11 - 2009 11:33 PM

Twelfth Night

SCENE I. DUKE ORSINO's palace.SCENE I. DUKE ORSINO's palace.
Enter DUKE ORSINO, CURIO, and other Lords; Musicians attending
DUKE ORSINO
If music be the food of love, play on;
Give me excess of it, that, surfeiting,
The appetite may sicken, and so die.
That strain again! it had a dying fall:
O, it came o'er my ear like the sweet sound,
That breathes upon a bank of violets,
Stealing and giving odour! Enough; no more:
'Tis not so sweet now as it was before.
O spirit of love! how quick and fresh art thou,
That, notwithstanding thy capacity
Receiveth as the sea, nought enters there,
Of what validity and pitch soe'er,
But falls into abatement and low price,
Even in a minute: so full of shapes is fancy
That it alone is high fantastical.
CURIO
Will you go hunt, my lord?
DUKE ORSINO
What, Curio?
CURIO
The hart.
DUKE ORSINO
Why, so I do, the noblest that I have:
O, when mine eyes did see Olivia first,
Methought she purged the air of pestilence!
That instant was I turn'd into a hart;
And my desires, like fell and cruel hounds,
E'er since pursue me.
Enter VALENTINE
How now! what news from her?
VALENTINE
So please my lord, I might not be admitted;
But from her handmaid do return this answer:
The element itself, till seven years' heat,
Shall not behold her face at ample view;
But, like a cloistress, she will veiled walk
And water once a day her chamber round
With eye-offending brine: all this to season
A brother's dead love, which she would keep fresh
And lasting in her sad remembrance.
DUKE ORSINO
O, she that hath a heart of that fine frame
To pay this debt of love but to a brother,
How will she love, when the rich golden shaft
Hath kill'd the flock of all affections else
That live in her; when liver, brain and heart,
These sovereign thrones, are all supplied, and fill'd
Her sweet perfections with one self king!
Away before me to sweet beds of flowers:
Love-thoughts lie rich when canopied with bowers.
Exeunt


الساعة الآن 07:52 PM.

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