Fairy Tales of Hans Christian Andersen
Fairy Tales of Hans Christian Andersen THE ANGEL "WHENEVER a good child dies, an angel of God comes down from heaven, takes the dead child in his arms, spreads out his great white wings, and flies with him over all the places which the child had loved during his life. Then he gathers a large handful of flowers, which he carries up to the Almighty, that they may bloom more brightly in heaven than they do on earth. And the Almighty presses the flowers to His heart, but He kisses the flower that pleases Him best, and it receives a voice, and is able to join the song of the chorus of bliss." These words were spoken by an angel of God, as he carried a dead child up to heaven, and the child listened as if in a dream. Then they passed over well-known spots, where the little one had often played, and through beautiful gardens full of lovely flowers. "Which of these shall we take with us to heaven to be transplanted there?" asked the angel. Close by grew a slender, beautiful, rose-bush, but some wicked hand had broken the stem, and the half-opened rosebuds hung faded and withered on the trailing branches. "Poor rose-bush!" said the child, "let us take it with us to heaven, that it may bloom above in God's garden." The angel took up the rose-bush; then he kissed the child, and the little one half opened his eyes. The angel gathered also some beautiful flowers, as well as a few humble buttercups and heart's-ease. "Now we have flowers enough," said the child; but the angel only nodded, he did not fly upward to heaven. It was night, and quite still in the great town. Here they remained, and the angel hovered over a small, narrow street, in which lay a large heap of straw, ashes, and sweepings from the houses of people who had removed. There lay fragments of plates, pieces of plaster, rags, old hats, and other rubbish not pleasant to see. Amidst all this confusion, the angel pointed to the pieces of a broken flower-pot, and to a lump of earth which had fallen out of it. The earth had been kept from falling to pieces by the roots of a withered field-flower, which had been thrown amongst the rubbish. "We will take this with us," said the angel, "I will tell you why as we fly along." And as they flew the angel related the history. "Down in that narrow lane, in a low cellar, lived a poor sick boy; he had been afflicted from his childhood, and even in his best days he could just manage to walk up and down the room on crutches once or twice, but no more. During some days in summer, the sunbeams would lie on the floor of the cellar for about half an hour. In this spot the poor sick boy would sit warming himself in the sunshine, and watching the red blood through his delicate fingers as he held them before his face. Then he would say he had been out, yet he knew nothing of the green forest in its spring verdure, till a neighbor's son brought him a green bough from a beech-tree. This he would place over his head, and fancy that he was in the beech-wood while the sun shone, and the birds carolled gayly. One spring day the neighbor's boy brought him some field-flowers, and among them was one to which the root still adhered. This he carefully planted in a flower-pot, and placed in a window-seat near his bed. And the flower had been planted by a fortunate hand, for it grew, put forth fresh shoots, and blossomed every year. It became a splendid flower-garden to the sick boy, and his little treasure upon earth. He watered it, and cherished it, and took care it should have the benefit of every sunbeam that found its way into the cellar, from the earliest morning ray to the evening sunset. The flower entwined itself even in his dreams- for him it bloomed, for him spread its perfume. And it gladdened his eyes, and to the flower he turned, even in death, when the Lord called him. He has been one year with God. During that time the flower has stood in the window, withered and forgotten, till at length cast out among the sweepings into the street, on the day of the lodgers' removal. And this poor flower, withered and faded as it is, we have added to our nosegay, because it gave more real joy than the most beautiful flower in the garden of a queen." "But how do you know all this?" asked the child whom the angel was carrying to heaven. "I know it," said the angel, "because I myself was the poor sick boy who walked upon crutches, and I know my own flower well." Then the child opened his eyes and looked into the glorious happy face of the angel, and at the same moment they found themselves in that heavenly home where all is happiness and joy. And God pressed the dead child to His heart, and wings were given him so that he could fly with the angel, hand in hand. Then the Almighty pressed all the flowers to His heart; but He kissed the withered field-flower, and it received a voice. Then it joined in the song of the angels, who surrounded the throne, some near, and others in a distant circle, but all equally happy. They all joined in the chorus of praise, both great and small,- the good, happy child, and the poor field-flower, that once lay withered and cast away on a heap of rubbish in a narrow, dark street. THE END |
BEAUTY OF FORM AND BEAUTY OF MIND THERE was once a sculptor, named Alfred, who having won the large gold medal and obtained a travelling scholarship, went to Italy, and then came back to his native land. He was young at that time- indeed, he is young still, although he is ten years older than he was then. On his return, he went to visit one of the little towns in the island of Zealand. The whole town knew who the stranger was; and one of the richest men in the place gave a party in his honor, and all who were of any consequence, or who possessed some property, were invited. It was quite an event, and all the town knew of it, so that it was not necessary to announce it by beat of drum. Apprentice-boys, children of the poor, and even the poor people themselves, stood before the house, watching the lighted windows; and the watchman might easily fancy he was giving a party also, there were so many people in the streets. There was quite an air of festivity about it, and the house was full of it; for Mr. Alfred, the sculptor, was there. He talked and told anecdotes, and every one listened to him with pleasure, not unmingled with awe; but none felt so much respect for him as did the elderly widow of a naval officer. She seemed, so far as Mr. Alfred was concerned, to be like a piece of fresh blotting-paper that absorbed all he said and asked for more. She was very appreciative, and incredibly ignorant- a kind of female Gaspar Hauser. "I should like to see Rome," she said; "it must be a lovely city, or so many foreigners would not be constantly arriving there. Now, do give me a description of Rome. How does the city look when you enter in at the gate?" "I cannot very well describe it," said the sculptor; "but you enter on a large open space, in the centre of which stands an obelisk, which is a thousand years old." "An organist!" exclaimed the lady, who had never heard the word 'obelisk.' Several of the guests could scarcely forbear laughing, and the sculptor would have had some difficulty in keeping his countenance, but the smile on his lips faded away; for he caught sight of a pair of dark-blue eyes close by the side of the inquisitive lady. They belonged to her daughter; and surely no one who had such a daughter could be silly. The mother was like a fountain of questions; and the daughter, who listened but never spoke, might have passed for the beautiful maid of the fountain. How charming she was! She was a study for the sculptor to contemplate, but not to converse with; for she did not speak, or, at least, very seldom. "Has the pope a great family?" inquired the lady. The young man answered considerately, as if the question had been a different one, "No; he does not come from a great family." "That is not what I asked," persisted the widow; "I mean, has he a wife and children?" "The pope is not allowed to marry," replied the gentleman. "I don't like that," was the lady's remark. She certainly might have asked more sensible questions; but if she had not been allowed to say just what she liked, would her daughter have been there, leaning so gracefully on her shoulder, and looking straight before her, with a smile that was almost mournful on her face? Mr. Alfred again spoke of Italy, and of the glorious colors in Italian scenery; the purple hills, the deep blue of the Mediterranean, the azure of southern skies, whose brightness and glory could only be surpassed in the north by the deep-blue eyes of a maiden; and he said this with a peculiar intonation; but she who should have understood his meaning looked quite unconscious of it, which also was charming. "Beautiful Italy!" sighed some of the guests. "Oh, to travel there!" exclaimed others. "Charming! Charming!" echoed from every voice. "I may perhaps win a hundred thousand dollars in the lottery," said the naval officer's widow; "and if I do, we will travel- I and my daughter; and you, Mr. Alfred, must be our guide. We can all three travel together, with one or two more of our good friends." And she nodded in such a friendly way at the company, that each imagined himself to be the favored person who was to accompany them to Italy. "Yes, we must go," she continued; "but not to those parts where there are robbers. We will keep to Rome. In the public roads one is always safe." The daughter sighed very gently; and how much there may be in a sigh, or attributed to it! The young man attributed a great deal of meaning to this sigh. Those deep-blue eyes, which had been lit up this evening in honor of him, must conceal treasures, treasures of heart and mind, richer than all the glories of Rome; and so when he left the party that night, he had lost it completely to the young lady. The house of the naval officer's widow was the one most constantly visited by Mr. Alfred, the sculptor. It was soon understood that his visits were not intended for that lady, though they were the persons who kept up the conversation. He came for the sake of the daughter. They called her Kaela. Her name was really Karen Malena, and these two names had been contracted into the one name Kaela. She was really beautiful; but some said she was rather dull, and slept late of a morning. "She has been accustomed to that," her mother said. "She is a beauty, and they are always easily tired. She does sleep rather late; but that makes her eyes so clear." What power seemed to lie in the depths of those dark eyes! The young man felt the truth of the proverb, "Still waters run deep:" and his heart had sunk into their depths. He often talked of his adventures, and the mamma was as simple and eager in her questions as on the first evening they met. It was a pleasure to hear Alfred describe anything. He showed them colored plates of Naples, and spoke of excursions to Mount Vesuvius, and the eruptions of fire from it. The naval officer's widow had never heard of them before. "Good heavens!" she exclaimed. "So that is a burning mountain; but is it not very dangerous to the people who live near it?" "Whole cities have been destroyed," he replied; "for instance, Herculaneum and Pompeii." "Oh, the poor people! And you saw all that with your own eyes?" "No; I did not see any of the eruptions which are represented in those pictures; but I will show you a sketch of my own, which represents an eruption I once saw." He placed a pencil sketch on the table; and mamma, who had been over-powered with the appearance of the colored plates, threw a glance at the pale drawing and cried in astonishment, "What, did you see it throw up white fire?" For a moment, Alfred's respect for Kaela's mamma underwent a sudden shock, and lessened considerably; but, dazzled by the light which surrounded Kaela, he soon found it quite natural that the old lady should have no eye for color. After all, it was of very little consequence; for Kaela's mamma had the best of all possessions; namely, Kaela herself. Alfred and Kaela were betrothed, which was a very natural result; and the betrothal was announced in the newspaper of the little town. Mama purchased thirty copies of the paper, that she might cut out the paragraph and send it to friends and acquaintances. The betrothed pair were very happy, and the mother was happy too. She said it seemed like connecting herself with Thorwalsden. "You are a true successor of Thorwalsden," she said to Alfred; and it seemed to him as if, in this instance, mamma had said a clever thing. Kaela was silent; but her eyes shone, her lips smiled, every movement was graceful,- in fact, she was beautiful; that cannot be repeated too often. Alfred decided to take a bust of Kaela as well as of her mother. They sat to him accordingly, and saw how he moulded and formed the soft clay with his fingers. "I suppose it is only on our account that you perform this common-place work yourself, instead of leaving it to your servant to do all that sticking together." "It is really necessary that I should mould the clay myself," he replied. "Ah, yes, you are always so polite," said mamma, with a smile; and Kaela silently pressed his hand, all soiled as it was with the clay. Then he unfolded to them both the beauties of Nature, in all her works; he pointed out to them how, in the scale of creation, inanimate matter was inferior to animate nature; the plant above the mineral, the animal above the plant, and man above them all. He strove to show them how the beauty of the mind could be displayed in the outward form, and that it was the sculptor's task to seize upon that beauty of expression, and produce it in his works. Kaela stood silent, but nodded in approbation of what he said, while mamma-in-law made the following confession:- "It is difficult to follow you; but I go hobbling along after you with my thoughts, though what you say makes my head whirl round and round. Still I contrive to lay hold on some of it." Kaela's beauty had a firm hold on Alfred; it filled his soul, and held a mastery over him. Beauty beamed from Kaela's every feature, glittered in her eyes, lurked in the corners of her mouth, and pervaded every movement of her agile fingers. Alfred, the sculptor, saw this. He spoke only to her, thought only of her, and the two became one; and so it may be said she spoke much, for he was always talking to her; and he and she were one. Such was the betrothal, and then came the wedding, with bride's-maids and wedding presents, all duly mentioned in the wedding speech. Mamma-in-law had set up Thorwalsden's bust at the end of the table, attired in a dressing-gown; it was her fancy that he should be a guest. Songs were sung, and cheers given; for it was a gay wedding, and they were a handsome pair. "Pygmalion loved his Galatea," said one of the songs. "Ah, that is some of your mythologies," said mamma-in-law. Next day the youthful pair started for Copenhagen, where they were to live; mamma-in-law accompanied them, to attend to the "coarse work," as she always called the domestic arrangements. Kaela looked like a doll in a doll's house, for everything was bright and new, and so fine. There they sat, all three; and as for Alfred, a proverb may describe his position- he looked like a swan amongst the geese. The magic of form had enchanted him; he had looked at the casket without caring to inquire what it contained, and that omission often brings the greatest unhappiness into married life. The casket may be injured, the gilding may fall off, and then the purchaser regrets his bargain. In a large party it is very disagreeable to find a button giving way, with no studs at hand to fall back upon; but it is worse still in a large company to be conscious that your wife and mother-in-law are talking nonsense, and that you cannot depend upon yourself to produce a little ready wit to carry off the stupidity of the whole affair. The young married pair often sat together hand in hand; he would talk, but she could only now and then let fall a word in the same melodious voice, the same bell-like tones. It was a mental relief when Sophy, one of her friends, came to pay them a visit. Sophy was not, pretty. She was, however, quite free from any physical deformity, although Kaela used to say she was a little crooked; but no eye, save an intimate acquaintance, would have noticed it. She was a very sensible girl, yet it never occurred to her that she might be a dangerous person in such a house. Her appearance created a new atmosphere in the doll's house, and air was really required, they all owned that. They felt the want of a change of air, and consequently the young couple and their mother travelled to Italy. "Thank heaven we are at home again within our own four walls," said mamma-in-law and daughter both, on their return after a year's absence. "There is no real pleasure in travelling," said mamma; "to tell the truth, it's very wearisome; I beg pardon for saying so. I was soon very tired of it, although I had my children with me; and, besides, it's very expensive work travelling, very expensive. And all those galleries one is expected to see, and the quantity of things you are obliged to run after! It must be done, for very shame; you are sure to be asked when you come back if you have seen everything, and will most likely be told that you've omitted to see what was best worth seeing of all. I got tired at last of those endless Madonnas; I began to think I was turning into a Madonna myself." "And then the living, mamma," said Kaela. "Yes, indeed," she replied, "no such a thing as a respectable meat soup- their cookery is miserable stuff." The journey had also tired Kaela; but she was always fatigued, that was the worst of it. So they sent for Sophy, and she was taken into the house to reside with them, and her presence there was a great advantage. Mamma-in-law acknowledged that Sophy was not only a clever housewife, but well-informed and accomplished, though that could hardly be expected in a person of her limited means. She was also a generous-hearted, faithful girl; she showed that thoroughly while Kaela lay sick, fading away. When the casket is everything, the casket should be strong, or else all is over. And all was over with the casket, for Kaela died. "She was beautiful," said her mother; "she was quite different from the beauties they call 'antiques,' for they are so damaged. A beauty ought to be perfect, and Kaela was a perfect beauty." Alfred wept, and mamma wept, and they both wore mourning. The black dress suited mamma very well, and she wore mourning the longest. She had also to experience another grief in seeing Alfred marry again, marry Sophy, who was nothing at all to look at. "He's gone to the very extreme," said mamma-in-law; "he has gone from the most beautiful to the ugliest, and he has forgotten his first wife. Men have no constancy. My husband was a very different man,- but then he died before me." "'Pygmalion loved his Galatea,' was in the song they sung at my first wedding," said Alfred; "I once fell in love with a beautiful statue, which awoke to life in my arms; but the kindred soul, which is a gift from heaven, the angel who can feel and sympathize with and elevate us, I have not found and won till now. You came, Sophy, not in the glory of outward beauty, though you are even fairer than is necessary. The chief thing still remains. You came to teach the sculptor that his work is but dust and clay only, an outward form made of a material that decays, and that what we should seek to obtain is the ethereal essence of mind and spirit. Poor Kaela! our life was but as a meeting by the way-side; in yonder world, where we shall know each other from a union of mind, we shall be but mere acquaintances." "That was not a loving speech," said Sophy, "nor spoken like a Christian. In a future state, where there is neither marrying nor giving in marriage, but where, as you say, souls are attracted to each other by sympathy; there everything beautiful develops itself, and is raised to a higher state of existence: her soul will acquire such completeness that it may harmonize with yours, even more than mine, and you will then once more utter your first rapturous exclamation of your love, 'Beautiful, most beautiful!'" THE END |
مشكوووورة يا حبي
ع الطررررح وعلى الجهد |
THE BELL IN the narrow streets of a large town people often heard in the evening, when the sun was setting, and his last rays gave a golden tint to the chimney-pots, a strange noise which resembled the sound of a church bell; it only lasted an instant, for it was lost in the continual roar of traffic and hum of voices which rose from the town. "The evening bell is ringing," people used to say; "the sun is setting!" Those who walked outside the town, where the houses were less crowded and interspersed by gardens and little fields, saw the evening sky much better, and heard the sound of the bell much more clearly. It seemed as though the sound came from a church, deep in the calm, fragrant wood, and thither people looked with devout feelings. A considerable time elapsed: one said to the other, "I really wonder if there is a church out in the wood. The bell has indeed a strange sweet sound! Shall we go there and see what the cause of it is?" The rich drove, the poor walked, but the way seemed to them extraordinarily long, and when they arrived at a number of willow trees on the border of the wood they sat down, looked up into the great branches and thought they were now really in the wood. A confectioner from the town also came out and put up a stall there; then came another confectioner who hung a bell over his stall, which was covered with pitch to protect it from the rain, but the clapper was wanting. When people came home they used to say that it had been very romantic, and that really means something else than merely taking tea. Three persons declared that they had gone as far as the end of the wood; they had always heard the strange sound, but there it seemed to them as if it came from the town. One of them wrote verses about the bell, and said that it was like the voice of a mother speaking to an intelligent and beloved child; no tune, he said, was sweeter than the sound of the bell. The emperor of the country heard of it, and declared that he who would really find out where the sound came from should receive the title of "Bellringer to the World," even if there was no bell at all. Now many went out into the wood for the sake of this splendid berth; but only one of them came back with some sort of explanation. None of them had gone far enough, nor had he, and yet he said that the sound of the bell came from a large owl in a hollow tree. It was a wisdom owl, which continually knocked its head against the tree, but he was unable to say with certainty whether its head or the hollow trunk of the tree was the cause of the noise. He was appointed "Bellringer to the World," and wrote every year a short dissertation on the owl, but by this means people did not become any wiser than they had been before. It was just confirmation-day. The clergyman had delivered a beautiful and touching sermon, the candidates were deeply moved by it; it was indeed a very important day for them; they were all at once transformed from mere children to grown-up people; the childish soul was to fly over, as it were, into a more reasonable being. The sun shone most brightly; and the sound of the great unknown bell was heard more distinctly than ever. They had a mind to go thither, all except three. One of them wished to go home and try on her ball dress, for this very dress and the ball were the cause of her being confirmed this time, otherwise she would not have been allowed to go. The second, a poor boy, had borrowed a coat and a pair of boots from the son of his landlord to be confirmed in, and he had to return them at a certain time. The third said that he never went into strange places if his parents were not with him; he had always been a good child, and wished to remain so, even after being confirmed, and they ought not to tease him for this; they, however, did it all the same. These three, therefore did not go; the others went on. The sun was shining, the birds were singing, and the confirmed children sang too, holding each other by the hand, for they had no position yet, and they were all equal in the eyes of God. Two of the smallest soon became tired and returned to the town; two little girls sat down and made garlands of flowers, they, therefore, did not go on. When the others arrived at the willow trees, where the confectioner had put up his stall, they said: "Now we are out here; the bell does not in reality exist- it is only something that people imagine!" Then suddenly the sound of the bell was heard so beautifully and solemnly from the wood that four or five made up their minds to go still further on. The wood was very thickly grown. It was difficult to advance: wood lilies and anemones grew almost too high; flowering convolvuli and brambles were hanging like garlands from tree to tree; while the nightingales were singing and the sunbeams played. That was very beautiful! But the way was unfit for the girls; they would have torn their dresses. Large rocks, covered with moss of various hues, were lying about; the fresh spring water rippled forth with a peculiar sound. "I don't think that can be the bell," said one of the confirmed children, and then he lay down and listened. "We must try to find out if it is!" And there he remained, and let the others walk on. They came to a hut built of the bark of trees and branches; a large crab-apple tree spread its branches over it, as if it intended to pour all its fruit on the roof, upon which roses were blooming; the long boughs covered the gable, where a little bell was hanging. Was this the one they had heard? All agreed that it must be so, except one who said that the bell was too small and too thin to be heard at such a distance, and that it had quite a different sound to that which had so touched men's hearts. He who spoke was a king's son, and therefore the others said that such a one always wishes to be cleverer than other people. Therefore they let him go alone; and as he walked on, the solitude of the wood produced a feeling of reverence in his breast; but still he heard the little bell about which the others rejoiced, and sometimes, when the wind blew in that direction, he could hear the sounds from the confectioner's stall, where the others were singing at tea. But the deep sounds of the bell were much stronger; soon it seemed to him as if an organ played an accompaniment- the sound came from the left, from the side where the heart is. Now something rustled among the bushes, and a little boy stood before the king's son, in wooden shoes and such a short jacket that the sleeves did not reach to his wrists. They knew each other: the boy was the one who had not been able to go with them because he had to take the coat and boots back to his landlord's son. That he had done, and had started again in his wooden shoes and old clothes, for the sound of the bell was too enticing- he felt he must go on. "We might go together," said the king's son. But the poor boy with the wooden shoes was quite ashamed; he pulled at the short sleeves of his jacket, and said that he was afraid he could not walk so fast; besides, he was of opinion that the bell ought to be sought at the right, for there was all that was grand and magnificent. "Then we shall not meet," said the king's son, nodding to the poor boy, who went into the deepest part of the wood, where the thorns tore his shabby clothes and scratched his hands, face, and feet until they bled. The king's son also received several good scratches, but the sun was shining on his way, and it is he whom we will now follow, for he was a quick fellow. "I will and must find the bell," he said, "if I have to go to the end of the world." Ugly monkeys sat high in the branches and clenched their teeth. "Shall we beat him?" they said. "Shall we thrash him? He is a king's son!" But he walked on undaunted, deeper and deeper into the wood, where the most wonderful flowers were growing; there were standing white star lilies with blood-red stamens, sky-blue tulips shining when the wind moved them; apple-trees covered with apples like large glittering soap bubbles: only think how resplendent these trees were in the sunshine! All around were beautiful green meadows, where hart and hind played in the grass. There grew magnificent oaks and beech-trees; and if the bark was split of any of them, long blades of grass grew out of the clefts; there were also large smooth lakes in the wood, on which the swans were swimming about and flapping their wings. The king's son often stood still and listened; sometimes he thought that the sound of the bell rose up to him out of one of these deep lakes, but soon he found that this was a mistake, and that the bell was ringing still farther in the wood. Then the sun set, the clouds were as red as fire; it became quiet in the wood; he sank down on his knees, sang an evening hymn and said: "I shall never find what I am looking for! Now the sun is setting, and the night, the dark night, is approaching. Yet I may perhaps see the round sun once more before he disappears beneath the horizon. I will climb up these rocks, they are as high as the highest trees!" And then, taking hold of the creepers and roots, he climbed up on the wet stones, where water-snakes were wriggling and the toads, as it were, barked at him: he reached the top before the sun, seen from such a height, had quite set. "Oh, what a splendour!" The sea, the great majestic sea, which was rolling its long waves against the shore, stretched out before him, and the sun was standing like a large bright altar and there where sea and heaven met- all melted together in the most glowing colours; the wood was singing, and his heart too. The whole of nature was one large holy church, in which the trees and hovering clouds formed the pillars, the flowers and grass the woven velvet carpet, and heaven itself was the great cupola; up there the flame colour vanished as soon as the sun disappeared, but millions of stars were lighted; diamond lamps were shining, and the king's son stretched his arms out towards heaven, towards the sea, and towards the wood. Then suddenly the poor boy with the short-sleeved jacket and the wooden shoes appeared; he had arrived just as quickly on the road he had chosen. And they ran towards each other and took one another's hand, in the great cathedral of nature and poesy, and above them sounded the invisible holy bell; happy spirits surrounded them, singing hallelujahs and rejoicing. THE END |
THE BIRD OF POPULAR SONG IT is winter-time. The earth wears a snowy garment, and looks like marble hewn out of the rock; the air is bright and clear; the wind is sharp as a well-tempered sword, and the trees stand like branches of white coral or blooming almond twigs, and here it is keen as on the lofty Alps. The night is splendid in the gleam of the Northern Lights, and in the glitter of innumerable twinkling stars. But we sit in the warm room, by the hot stove, and talk about the old times. And we listen to this story: By the open sea was a giant's grave; and on the grave-mound sat at midnight the spirit of the buried hero, who had been a king. The golden circlet gleamed on his brow, his hair fluttered in the wind, and he was clad in steel and iron. He bent his head mournfully, and sighed in deep sorrow, as an unquiet spirit might sigh. And a ship came sailing by. Presently the sailors lowered the anchor and landed. Among them was a singer, and he approached the royal spirit, and said, "Why mournest thou, and wherefore dost thou suffer thus?" And the dead man answered, "No one has sung the deeds of my life; they are dead and forgotten. Song doth not carry them forth over the lands, nor into the hearts of men; therefore I have no rest and no peace." And he spoke of his works, and of his warlike deeds, which his contemporaries had known, but which had not been sung, because there was no singer among his companions. Then the old bard struck the strings of his harp, and sang of the youthful courage of the hero, of the strength of the man, and of the greatness of his good deeds. Then the face of the dead one gleamed like the margin of the cloud in the moonlight. Gladly and of good courage, the form arose in splendor and in majesty, and vanished like the glancing of the northern light. Nought was to be seen but the green turfy mound, with the stones on which no Runic record has been graven; but at the last sound of the harp there soared over the hill, as though he had fluttered from the harp, a little bird, a charming singing-bird, with ringing voice of the thrush, with the moving voice pathos of the human heart, with a voice that told of home, like the voice that is heard by the bird of passage. The singing-bird soared away, over mountain and valley, over field and wood- he was the Bird of Popular Song, who never dies. We hear his song- we hear it now in the room while the white bees are swarming without, and the storm clutches the windows. The bird sings not alone the requiem of heroes; he sings also sweet gentle songs of love, so many and so warm, of Northern fidelity and truth. He has stories in words and in tones; he has proverbs and snatches of proverbs; songs which, like Runes laid under a dead man's tongue, force him to speak; and thus Popular Song tells of the land of his birth. In the old heathen days, in the times of the Vikings, the popular speech was enshrined in the harp of the bard. In the days of knightly castles, when the strongest fist held the scales of justice, when only might was right, and a peasant and a dog were of equal importance, where did the Bird of Song find shelter and protection? Neither violence nor stupidity gave him a thought. But in the gabled window of the knightly castle, the lady of the castle sat with the parchment roll before her, and wrote down the old recollections in song and legend, while near her stood the old woman from the wood, and the travelling peddler who went wandering through the country. As these told their tales, there fluttered around them, with twittering and song, the Bird of Popular Song, who never dies so long as the earth has a hill upon which his foot may rest. And now he looks in upon us and sings. Without are the night and the snow-storm. He lays the Runes beneath our tongues, and we know the land of our home. Heaven speaks to us in our native tongue, in the voice of the Bird of Popular Song. The old remembrances awake, the faded colors glow with a fresh lustre, and story and song pour us a blessed draught which lifts up our minds and our thoughts, so that the evening becomes as a Christmas festival. The snow-flakes chase each other, the ice cracks, the storm rules without, for he has the might, he is lord- but not the LORD OF ALL. It is winter time. The wind is sharp as a two-edged sword, the snow-flakes chase each other; it seems as though it had been snowing for days and weeks, and the snow lies like a great mountain over the whole town, like a heavy dream of the winter night. Everything on the earth is hidden away, only the golden cross of the church, the symbol of faith, arises over the snow grave, and gleams in the blue air and in the bright sunshine. And over the buried town fly the birds of heaven, the small and the great; they twitter and they sing as best they may, each bird with his beak. First comes the band of sparrows: they pipe at every trifle in the streets and lanes, in the nests and the houses; they have stories to tell about the front buildings and the back buildings. "We know the buried town," they say; "everything living in it is piep! piep! piep!" The black ravens and crows flew on over the white snow. "Grub, grub!" they cried. "There's something to be got down there; something to swallow, and that's most important. That's the opinion of most of them down there, and the opinion is goo-goo-good!" The wild swans come flying on whirring pinions, and sing of the noble and the great, that will still sprout in the hearts of men, down in the town which is resting beneath its snowy veil. No death is there- life reigns yonder; we hear it on the notes that swell onward like the tones of the church organ, which seize us like sounds from the elf-hill, like the songs of Ossian, like the rushing swoop of the wandering spirits' wings. What harmony! That harmony speaks to our hearts, and lifts up our souls! It is the Bird of Popular Song whom we hear. And at this moment the warm breath of heaven blows down from the sky. There are gaps in the snowy mountains, the sun shines into the clefts; spring is coming, the birds are returning, and new races are coming with the same home sounds in their hearts. Hear the story of the year: "The night of the snow-storm, the heavy dream of the winter night, all shall be dissolved, all shall rise again in the beauteous notes of the Bird of Popular Song, who never dies!" THE END |
THE BOTTLE NECK CLOSE to the corner of a street, among other abodes of poverty, stood an exceedingly tall, narrow house, which had been so knocked about by time that it seemed out of joint in every direction. This house was inhabited by poor people, but the deepest poverty was apparent in the garret lodging in the gable. In front of the little window, an old bent bird-cage hung in the sunshine, which had not even a proper water-glass, but instead of it the broken neck of a bottle, turned upside down, and a cork stuck in to make it hold the water with which it was filled. An old maid stood at the window; she had hung chickweed over the cage, and the little linnet which it contained hopped from perch to perch and sang and twittered merrily. "Yes, it's all very well for you to sing," said the bottle neck: that is, he did not really speak the words as we do, for the neck of a bottle cannot speak; but he thought them to himself in his own mind, just as people sometimes talk quietly to themselves. "Yes, you may sing very well, you have all your limbs uninjured; you should feel what it is like to lose your body, and only have a neck and a mouth left, with a cork stuck in it, as I have: you wouldn't sing then, I know. After all, it is just as well that there are some who can be happy. I have no reason to sing, nor could I sing now if I were ever so happy; but when I was a whole bottle, and they rubbed me with a cork, didn't I sing then? I used to be called a complete lark. I remember when I went out to a picnic with the furrier's family, on the day his daughter was betrothed,- it seems as if it only happened yesterday. I have gone through a great deal in my time, when I come to recollect: I have been in the fire and in the water, I have been deep in the earth, and have mounted higher in the air than most other people, and now I am swinging here, outside a bird-cage, in the air and the sunshine. Oh, indeed, it would be worth while to hear my history; but I do not speak it aloud, for a good reason- because I cannot." Then the bottle neck related his history, which was really rather remarkable; he, in fact, related it to himself, or, at least, thought it in his own mind. The little bird sang his own song merrily; in the street below there was driving and running to and fro, every one thought of his own affairs, or perhaps of nothing at all; but the bottle neck thought deeply. He thought of the blazing furnace in the factory, where he had been blown into life; he remembered how hot it felt when he was placed in the heated oven, the home from which he sprang, and that he had a strong inclination to leap out again directly; but after a while it became cooler, and he found himself very comfortable. He had been placed in a row, with a whole regiment of his brothers and sisters all brought out of the same furnace; some of them had certainly been blown into champagne bottles, and others into beer bottles, which made a little difference between them. In the world it often happens that a beer bottle may contain the most precious wine, and a champagne bottle be filled with blacking, but even in decay it may always be seen whether a man has been well born. Nobility remains noble, as a champagne bottle remains the same, even with blacking in its interior. When the bottles were packed our bottle was packed amongst them; it little expected then to finish its career as a bottle neck, or to be used as a water-glass to a bird's-cage, which is, after all, a place of honor, for it is to be of some use in the world. The bottle did not behold the light of day again, until it was unpacked with the rest in the wine merchant's cellar, and, for the first time, rinsed with water, which caused some very curious sensations. There it lay empty, and without a cork, and it had a peculiar feeling, as if it wanted something it knew not what. At last it was filled with rich and costly wine, a cork was placed in it, and sealed down. Then it was labelled "first quality," as if it had carried off the first prize at an examination; besides, the wine and the bottle were both good, and while we are young is the time for poetry. There were sounds of song within the bottle, of things it could not understand, of green sunny mountains, where the vines grow and where the merry vine-dressers laugh, sing, and are merry. "Ah, how beautiful is life." All these tones of joy and song in the bottle were like the working of a young poet's brain, who often knows not the meaning of the tones which are sounding within him. One morning the bottle found a purchaser in the furrier's apprentice, who was told to bring one of the best bottles of wine. It was placed in the provision basket with ham and cheese and sausages. The sweetest fresh butter and the finest bread were put into the basket by the furrier's daughter herself, for she packed it. She was young and pretty; her brown eyes laughed, and a smile lingered round her mouth as sweet as that in her eyes. She had delicate hands, beautifully white, and her neck was whiter still. It could easily be seen that she was a very lovely girl, and as yet she was not engaged. The provision basket lay in the lap of the young girl as the family drove out to the forest, and the neck of the bottle peeped out from between the folds of the white napkin. There was the red wax on the cork, and the bottle looked straight at the young girl's face, and also at the face of the young sailor who sat near her. He was a young friend, the son of a portrait painter. He had lately passed his examination with honor, as mate, and the next morning he was to sail in his ship to a distant coast. There had been a great deal of talk on this subject while the basket was being packed, and during this conversation the eyes and the mouth of the furrier's daughter did not wear a very joyful expression. The young people wandered away into the green wood, and talked together. What did they talk about? The bottle could not say, for he was in the provision basket. It remained there a long time; but when at last it was brought forth it appeared as if something pleasant had happened, for every one was laughing; the furrier's daughter laughed too, but she said very little, and her cheeks were like two roses. Then her father took the bottle and the cork-screw into his hands. What a strange sensation it was to have the cork drawn for the first time! The bottle could never after that forget the performance of that moment; indeed there was quite a convulsion within him as the cork flew out, and a gurgling sound as the wine was poured forth into the glasses. "Long life to the betrothed," cried the papa, and every glass was emptied to the dregs, while the young sailor kissed his beautiful bride. "Happiness and blessing to you both," said the old people-father and mother, and the young man filled the glasses again. "Safe return, and a wedding this day next year," he cried; and when the glasses were empty he took the bottle, raised it on high, and said, "Thou hast been present here on the happiest day of my life; thou shalt never be used by others!" So saying, he hurled it high in the air. The furrier's daughter thought she should never see it again, but she was mistaken. It fell among the rushes on the borders of a little woodland lake. The bottle neck remembered well how long it lay there unseen. "I gave them wine, and they gave me muddy water," he had said to himself, "but I suppose it was all well meant." He could no longer see the betrothed couple, nor the cheerful old people; but for a long time he could hear them rejoicing and singing. At length there came by two peasant boys, who peeped in among the reeds and spied out the bottle. Then they took it up and carried it home with them, so that once more it was provided for. At home in their wooden cottage these boys had an elder brother, a sailor, who was about to start on a long voyage. He had been there the day before to say farewell, and his mother was now very busy packing up various things for him to take with him on his voyage. In the evening his father was going to carry the parcel to the town to see his son once more, and take him a farewell greeting from his mother. A small bottle had already been filled with herb tea, mixed with brandy, and wrapped in a parcel; but when the boys came in they brought with them a larger and stronger bottle, which they had found. This bottle would hold so much more than the little one, and they all said the brandy would be so good for complaints of the stomach, especially as it was mixed with medical herbs. The liquid which they now poured into the bottle was not like the red wine with which it had once been filled; these were bitter drops, but they are of great use sometimes-for the stomach. The new large bottle was to go, not the little one: so the bottle once more started on its travels. It was taken on board (for Peter Jensen was one of the crew) the very same ship in which the young mate was to sail. But the mate did not see the bottle: indeed, if he had he would not have known it, or supposed it was the one out of which they had drunk to the felicity of the betrothed and to the prospect of a marriage on his own happy return. Certainly the bottle no longer poured forth wine, but it contained something quite as good; and so it happened that whenever Peter Jensen brought it out, his messmates gave it the name of "the apothecary," for it contained the best medicine to cure the stomach, and he gave it out quite willingly as long as a drop remained. Those were happy days, and the bottle would sing when rubbed with a cork, and it was called a great lark," "Peter Jensen's lark." Long days and months rolled by, during which the bottle stood empty in a corner, when a storm arose- whether on the passage out or home it could not tell, for it had never been ashore. It was a terrible storm, great waves arose, darkly heaving and tossing the vessel to and fro. The main mast was split asunder, the ship sprang a leak, and the pumps became useless, while all around was black as night. At the last moment, when the ship was sinking, the young mate wrote on a piece of paper, "We are going down: God's will be done." Then he wrote the name of his betrothed, his own name, and that of the ship. Then he put the leaf in an empty bottle that happened to be at hand, corked it down tightly, and threw it into the foaming sea. He knew not that it was the very same bottle from which the goblet of joy and hope had once been filled for him, and now it was tossing on the waves with his last greeting, and a message from the dead. The ship sank, and the crew sank with her; but the bottle flew on like a bird, for it bore within it a loving letter from a loving heart. And as the sun rose and set, the bottle felt as at the time of its first existence, when in the heated glowing stove it had a longing to fly away. It outlived the storms and the calm, it struck against no rocks, was not devoured by sharks, but drifted on for more than a year, sometimes towards the north, sometimes towards the south, just as the current carried it. It was in all other ways its own master, but even of that one may get tired. The written leaf, the last farewell of the bridegroom to his bride, would only bring sorrow when once it reached her hands; but where were those hands, so soft and delicate, which had once spread the table-cloth on the fresh grass in the green wood, on the day of her betrothal? Ah, yes! where was the furrier's daughter? and where was the land which might lie nearest to her home? The bottle knew not, it travelled onward and onward, and at last all this wandering about became wearisome; at all events it was not its usual occupation. But it had to travel, till at length it reached land- a foreign country. Not a word spoken in this country could the bottle understand; it was a language it had never before heard, and it is a great loss not to be able to understand a language. The bottle was fished out of the water, and examined on all sides. The little letter contained within it was discovered, taken out, and turned and twisted in every direction; but the people could not understand what was written upon it. They could be quite sure that the bottle had been thrown overboard from a vessel, and that something about it was written on this paper: but what was written? that was the question,- so the paper was put back into the bottle, and then both were put away in a large cupboard of one of the great houses of the town. Whenever any strangers arrived, the paper was taken out and turned over and over, so that the address, which was only written in pencil, became almost illegible, and at last no one could distinguish any letters on it at all. For a whole year the bottle remained standing in the cupboard, and then it was taken up to the loft, where it soon became covered with dust and cobwebs. Ah! how often then it thought of those better days- of the times when in the fresh, green wood, it had poured forth rich wine; or, while rocked by the swelling waves, it had carried in its bosom a secret, a letter, a last parting sigh. For full twenty years it stood in the loft, and it might have stayed there longer but that the house was going to be rebuilt. The bottle was discovered when the roof was taken off; they talked about it, but the bottle did not understand what they said- a language is not to be learnt by living in a loft, even for twenty years. "If I had been down stairs in the room," thought the bottle, "I might have learnt it." It was now washed and rinsed, which process was really quite necessary, and afterwards it looked clean and transparent, and felt young again in its old age; but the paper which it had carried so faithfully was destroyed in the washing. They filled the bottle with seeds, though it scarcely knew what had been placed in it. Then they corked it down tightly, and carefully wrapped it up. There not even the light of a torch or lantern could reach it, much less the brightness of the sun or moon. "And yet," thought the bottle, "men go on a journey that they may see as much as possible, and I can see nothing." However, it did something quite as important; it travelled to the place of its destination, and was unpacked. "What trouble they have taken with that bottle over yonder!" said one, and very likely it is broken after all." But the bottle was not broken, and, better still, it understood every word that was said: this language it had heard at the furnaces and at the wine merchant's; in the forest and on the ship,- it was the only good old language it could understand. It had returned home, and the language was as a welcome greeting. For very joy, it felt ready to jump out of people's hands, and scarcely noticed that its cork had been drawn, and its contents emptied out, till it found itself carried to a cellar, to be left there and forgotten. "There's no place like home, even if it's a cellar." It never occurred to him to think that he might lie there for years, he felt so comfortable. For many long years he remained in the cellar, till at last some people came to carry away the bottles, and ours amongst the number. Out in the garden there was a great festival. Brilliant lamps hung in festoons from tree to tree; and paper lanterns, through which the light shone till they looked like transparent tulips. It was a beautiful evening, and the weather mild and clear. The stars twinkled; and the new moon, in the form of a crescent, was surrounded by the shadowy disc of the whole moon, and looked like a gray globe with a golden rim: it was a beautiful sight for those who had good eyes. The illumination extended even to the most retired of the garden walks, at least not so retired that any one need lose himself there. In the borders were placed bottles, each containing a light, and among them the bottle with which we are acquainted, and whose fate it was, one day, to be only a bottle neck, and to serve as a water-glass to a bird's-cage. Everything here appeared lovely to our bottle, for it was again in the green wood, amid joy and feasting; again it heard music and song, and the noise and murmur of a crowd, especially in that part of the garden where the lamps blazed, and the paper lanterns displayed their brilliant colors. It stood in a distant walk certainly, but a place pleasant for contemplation; and it carried a light; and was at once useful and ornamental. In such an hour it is easy to forget that one has spent twenty years in a loft, and a good thing it is to be able to do so. Close before the bottle passed a single pair, like the bridal pair- the mate and the furrier's daughter- who had so long ago wandered in the wood. It seemed to the bottle as if he were living that time over again. Not only the guests but other people were walking in the garden, who were allowed to witness the splendor and the festivities. Among the latter came an old maid, who seemed to be quite alone in the world. She was thinking, like the bottle, of the green wood, and of a young betrothed pair, who were closely connected with herself; she was thinking of that hour, the happiest of her life, in which she had taken part, when she had herself been one of that betrothed pair; such hours are never to be forgotten, let a maiden be as old as she may. But she did not recognize the bottle, neither did the bottle notice the old maid. And so we often pass each other in the world when we meet, as did these two, even while together in the same town. The bottle was taken from the garden, and again sent to a wine merchant, where it was once more filled with wine, and sold to an aeronaut, who was to make an ascent in his balloon on the following Sunday. A great crowd assembled to witness the sight; military music had been engaged, and many other preparations made. The bottle saw it all from the basket in which he lay close to a live rabbit. The rabbit was quite excited because he knew that he was to be taken up, and let down again in a parachute. The bottle, however, knew nothing of the "up," or the "down;" he saw only that the balloon was swelling larger and larger till it could swell no more, and began to rise and be restless. Then the ropes which held it were cut through, and the aerial ship rose in the air with the aeronaut and the basket containing the bottle and the rabbit, while the music sounded and all the people shouted "Hurrah." "This is a wonderful journey up into the air," thought the bottle; "it is a new way of sailing, and here, at least, there is no fear of striking against anything." Thousands of people gazed at the balloon, and the old maid who was in the garden saw it also; for she stood at the open window of the garret, by which hung the cage containing the linnet, who then had no water-glass, but was obliged to be contented with an old cup. In the window-sill stood a myrtle in a pot, and this had been pushed a little on one side, that it might not fall out; for the old maid was leaning out of the window, that she might see. And she did see distinctly the aeronaut in the balloon, and how he let down the rabbit in the parachute, and then drank to the health of all the spectators in the wine from the bottle. After doing this, he hurled it high into the air. How little she thought that this was the very same bottle which her friend had thrown aloft in her honor, on that happy day of rejoicing, in the green wood, in her youthful days. The bottle had no time to think, when raised so suddenly; and before it was aware, it reached the highest point it had ever attained in its life. Steeples and roofs lay far, far beneath it, and the people looked as tiny as possible. Then it began to descend much more rapidly than the rabbit had done, made somersaults in the air, and felt itself quite young and unfettered, although it was half full of wine. But this did not last long. What a journey it was! All the people could see the bottle; for the sun shone upon it. The balloon was already far away, and very soon the bottle was far away also; for it fell upon a roof, and broke in pieces. But the pieces had got such an impetus in them, that they could not stop themselves. They went jumping and rolling about, till at last they fell into the court-yard, and were broken into still smaller pieces; only the neck of the bottle managed to keep whole, and it was broken off as clean as if it had been cut with a diamond. "That would make a capital bird's glass," said one of the cellar-men; but none of them had either a bird or a cage, and it was not to be expected they would provide one just because they had found a bottle neck that could be used as a glass. But the old maid who lived in the garret had a bird, and it really might be useful to her; so the bottle neck was provided with a cork, and taken up to her; and, as it often happens in life, the part that had been uppermost was now turned downwards, and it was filled with fresh water. Then they hung it in the cage of the little bird, who sang and twittered more merrily than ever. "Ah, you have good reason to sing," said the bottle neck, which was looked upon as something very remarkable, because it had been in a balloon; nothing further was known of its history. As it hung there in the bird's-cage, it could hear the noise and murmur of the people in the street below, as well as the conversation of the old maid in the room within. An old friend had just come to visit her, and they talked, not about the bottle neck, but of the myrtle in the window. "No, you must not spend a dollar for your daughter's bridal bouquet," said the old maid; "you shall have a beautiful little bunch for a nosegay, full of blossoms. Do you see how splendidly the tree has grown? It has been raised from only a little sprig of myrtle that you gave me on the day after my betrothal, and from which I was to make my own bridal bouquet when a year had passed: but that day never came; the eyes were closed which were to have been my light and joy through life. In the depths of the sea my beloved sleeps sweetly; the myrtle has become an old tree, and I am a still older woman. Before the sprig you gave me faded, I took a spray, and planted it in the earth; and now, as you see, it has become a large tree, and a bunch of the blossoms shall at last appear at a wedding festival, in the bouquet of your daughter." There were tears in the eyes of the old maid, as she spoke of the beloved of her youth, and of their betrothal in the wood. Many thoughts came into her mind; but the thought never came, that quite close to her, in that very window, was a remembrance of those olden times,- the neck of the bottle which had, as it were shouted for joy when the cork flew out with a bang on the betrothal day. But the bottle neck did not recognize the old maid; he had not been listening to what she had related, perhaps because he was thinking so much about her. THE END |
THE BUCKWHEAT VERY often, after a violent thunder-storm, a field of buckwheat appears blackened and singed, as if a flame of fire had passed over it. The country people say that this appearance is caused by lightning; but I will tell you what the sparrow says, and the sparrow heard it from an old willow-tree which grew near a field of buckwheat, and is there still. It is a large venerable tree, though a little crippled by age. The trunk has been split, and out of the crevice grass and brambles grow. The tree bends for-ward slightly, and the branches hang quite down to the ground just like green hair. Corn grows in the surrounding fields, not only rye and barley, but oats,-pretty oats that, when ripe, look like a number of little golden canary-birds sitting on a bough. The corn has a smiling look and the heaviest and richest ears bend their heads low as if in pious humility. Once there was also a field of buckwheat, and this field was exactly opposite to old willow-tree. The buckwheat did not bend like the other grain, but erected its head proudly and stiffly on the stem. "I am as valuable as any other corn," said he, "and I am much handsomer; my flowers are as beautiful as the bloom of the apple blossom, and it is a pleasure to look at us. Do you know of anything prettier than we are, you old willow-tree?" And the willow-tree nodded his head, as if he would say, "Indeed I do." But the buckwheat spread itself out with pride, and said, "Stupid tree; he is so old that grass grows out of his body." There arose a very terrible storm. All the field-flowers folded their leaves together, or bowed their little heads, while the storm passed over them, but the buckwheat stood erect in its pride. "Bend your head as we do," said the flowers. "I have no occasion to do so," replied the buckwheat. "Bend your head as we do," cried the ears of corn; "the angel of the storm is coming; his wings spread from the sky above to the earth beneath. He will strike you down before you can cry for mercy." "But I will not bend my head," said the buckwheat. "Close your flowers and bend your leaves," said the old willow-tree. "Do not look at the lightning when the cloud bursts; even men cannot do that. In a flash of lightning heaven opens, and we can look in; but the sight will strike even human beings blind. What then must happen to us, who only grow out of the earth, and are so inferior to them, if we venture to do so?" "Inferior, indeed!" said the buckwheat. "Now I intend to have a peep into heaven." Proudly and boldly he looked up, while the lightning flashed across the sky as if the whole world were in flames. When the dreadful storm had passed, the flowers and the corn raised their drooping heads in the pure still air, refreshed by the rain, but the buckwheat lay like a weed in the field, burnt to blackness by the lightning. The branches of the old willow-tree rustled in the wind, and large water-drops fell from his green leaves as if the old willow were weeping. Then the sparrows asked why he was weeping, when all around him seemed so cheerful. "See," they said, how the sun shines, and the clouds float in the blue sky. Do you not smell the sweet perfume from flower and bush? Wherefore do you weep, old willow-tree?" Then the willow told them of the haughty pride of the buckwheat, and of the punishment which followed in consequence. This is the story told me by the sparrows one evening when I begged them to relate some tale to me. THE END |
BY THE ALMSHOUSE WINDOW NEAR the grass-covered rampart which encircles Copenhagen lies a great red house. Balsams and other flowers greet us from the long rows of windows in the house, whose interior is sufficiently poverty-stricken; and poor and old are the people who inhabit it. The building is the Warton Almshouse. Look! at the window there leans an old maid. She plucks the withered leaf from the balsam, and looks at the grass-covered rampart, on which many children are playing. What is the old maid thinking of? A whole life drama is unfolding itself before her inward gaze. "The poor little children, how happy they are- how merrily they play and romp together! What red cheeks and what angels' eyes! but they have no shoes nor stockings. They dance on the green rampart, just on the place where, according to the old story, the ground always sank in, and where a sportive, frolicsome child had been lured by means of flowers, toys and sweetmeats into an open grave ready dug for it, and which was afterwards closed over the child; and from that moment, the old story says, the ground gave way no longer, the mound remained firm and fast, and was quickly covered with the green turf. The little people who now play on that spot know nothing of the old tale, else would they fancy they heard a child crying deep below the earth, and the dewdrops on each blade of grass would be to them tears of woe. Nor do they know anything of the Danish King who here, in the face of the coming foe, took an oath before all his trembling courtiers that he would hold out with the citizens of his capital, and die here in his nest; they know nothing of the men who have fought here, or of the women who from here have drenched with boiling water the enemy, clad in white, and 'biding in the snow to surprise the city. "No! the poor little ones are playing with light, childish spirits. Play on, play on, thou little maiden! Soon the years will come- yes, those glorious years. The priestly hands have been laid on the candidates for confirmation; hand in hand they walk on the green rampart. Thou hast a white frock on; it has cost thy mother much labor, and yet it is only cut down for thee out of an old larger dress! You will also wear a red shawl; and what if it hang too far down? People will only see how large, how very large it is. You are thinking of your dress, and of the Giver of all good- so glorious is it to wander on the green rampart! "And the years roll by; they have no lack of dark days, but you have your cheerful young spirit, and you have gained a friend- you know not how. You met, oh, how often! You walk together on the rampart in the fresh spring, on the high days and holidays, when all the world come out to walk upon the ramparts, and all the bells of the church steeples seem to be singing a song of praise for the coming spring. "Scarcely have the violets come forth, but there on the rampart, just opposite the beautiful Castle of Rosenberg, there is a tree bright with the first green buds. Every year this tree sends forth fresh green shoots. Alas! It is not so with the human heart! Dark mists, more in number than those that cover the northern skies, cloud the human heart. Poor child! thy friend's bridal chamber is a black coffin, and thou becomest an old maid. From the almshouse window, behind the balsams, thou shalt look on the merry children at play, and shalt see thine own history renewed." And that is the life drama that passes before the old maid while she looks out upon the rampart, the green, sunny rampart, where the children, with their red cheeks and bare shoeless feet, are rejoicing merrily, like the other free little birds. THE END |
THE CHILD IN THE GRAVE IT was a very sad day, and every heart in the house felt the deepest grief; for the youngest child, a boy of four years old, the joy and hope of his parents, was dead. Two daughters, the elder of whom was going to be confirmed, still remained: they were both good, charming girls; but the lost child always seems the dearest; and when it is youngest, and a son, it makes the trial still more heavy. The sisters mourned as young hearts can mourn, and were especially grieved at the sight of their parents' sorrow. The father's heart was bowed down, but the mother sunk completely under the deep grief. Day and night she had attended to the sick child, nursing and carrying it in her bosom, as a part of herself. She could not realize the fact that the child was dead, and must be laid in a coffin to rest in the ground. She thought God could not take her darling little one from her; and when it did happen notwithstanding her hopes and her belief, and there could be no more doubt on the subject, she said in her feverish agony, "God does not know it. He has hard-hearted ministering spirits on earth, who do according to their own will, and heed not a mother's prayers." Thus in her great grief she fell away from her faith in God, and dark thoughts arose in her mind respecting death and a future state. She tried to believe that man was but dust, and that with his life all existence ended. But these doubts were no support to her, nothing on which she could rest, and she sunk into the fathomless depths of despair. In her darkest hours she ceased to weep, and thought not of the young daughters who were still left to her. The tears of her husband fell on her forehead, but she took no notice of him; her thoughts were with her dead child; her whole existence seemed wrapped up in the remembrances of the little one and of every innocent word it had uttered. The day of the little child's funeral came. For nights previously the mother had not slept, but in the morning twilight of this day she sunk from weariness into a deep sleep; in the mean time the coffin was carried into a distant room, and there nailed down, that she might not hear the blows of the hammer. When she awoke, and wanted to see her child, the husband, with tears, said, "We have closed the coffin; it was necessary to do so." "When God is so hard to me, how can I expect men to be better?" she said with groans and tears. The coffin was carried to the grave, and the disconsolate mother sat with her young daughters. She looked at them, but she saw them not; for her thoughts were far away from the domestic hearth. She gave herself up to her grief, and it tossed her to and fro, as the sea tosses a ship without compass or rudder. So the day of the funeral passed away, and similar days followed, of dark, wearisome pain. With tearful eyes and mournful glances, the sorrowing daughters and the afflicted husband looked upon her who would not hear their words of comfort; and, indeed, what comforting words could they speak, when they were themselves so full of grief? It seemed as if she would never again know sleep, and yet it would have been her best friend, one who would have strengthened her body and poured peace into her soul. They at last persuaded her to lie down, and then she would lie as still as if she slept. One night, when her husband listened, as he often did, to her breathing, he quite believed that she had at length found rest and relief in sleep. He folded his arms and prayed, and soon sunk himself into healthful sleep; therefore he did not notice that his wife arose, threw on her clothes, and glided silently from the house, to go where her thoughts constantly lingered- to the grave of her child. She passed through the garden, to a path across a field that led to the churchyard. No one saw her as she walked, nor did she see any one; for her eyes were fixed upon the one object of her wanderings. It was a lovely starlight night in the beginning of September, and the air was mild and still. She entered the churchyard, and stood by the little grave, which looked like a large nosegay of fragrant flowers. She sat down, and bent her head low over the grave, as if she could see her child through the earth that covered him- her little boy, whose smile was so vividly before her, and the gentle expression of whose eyes, even on his sick-bed, she could not forget. How full of meaning that glance had been, as she leaned over him, holding in hers the pale hand which he had no longer strength to raise! As she had sat by his little cot, so now she sat by his grave; and here she could weep freely, and her tears fell upon it. "Thou wouldst gladly go down and be with thy child," said a voice quite close to her,- a voice that sounded so deep and clear, that it went to her heart. She looked up, and by her side stood a man wrapped in a black cloak, with a hood closely drawn over his face; but her keen glance could distinguish the face under the hood. It was stern, yet awakened confidence, and the eyes beamed with youthful radiance. "Down to my child," she repeated; and tones of despair and entreaty sounded in the words. "Darest thou to follow me?" asked the form. "I am Death." She bowed her head in token of assent. Then suddenly it appeared as if all the stars were shining with the radiance of the full moon on the many-colored flowers that decked the grave. The earth that covered it was drawn back like a floating drapery. She sunk down, and the spectre covered her with a black cloak; night closed around her, the night of death. She sank deeper than the spade of the sexton could penetrate, till the churchyard became a roof above her. Then the cloak was removed, and she found herself in a large hall, of wide-spreading dimensions, in which there was a subdued light, like twilight, reigning, and in a moment her child appeared before her, smiling, and more beautiful than ever; with a silent cry she pressed him to her heart. A glorious strain of music sounded- now distant, now near. Never had she listened to such tones as these; they came from beyond a large dark curtain which separated the regions of death from the land of eternity. "My sweet, darling mother," she heard the child say. It was the well-known, beloved voice; and kiss followed kiss, in boundless delight. Then the child pointed to the dark curtain. "There is nothing so beautiful on earth as it is here. Mother, do you not see them all? Oh, it is happiness indeed." But the mother saw nothing of what the child pointed out, only the dark curtain. She looked with earthly eyes, and could not see as the child saw,- he whom God has called to be with Himself. She could hear the sounds of music, but she heard not the words, the Word in which she was to trust. "I can fly now, mother," said the child; "I can fly with other happy children into the presence of the Almighty. I would fain fly away now; but if you weep for me as you are weeping now, you may never see me again. And yet I would go so gladly. May I not fly away? And you will come to me soon, will you not, dear mother?" "Oh, stay, stay!" implored the mother; "only one moment more; only once more, that I may look upon thee, and kiss thee, and press thee to my heart." Then she kissed and fondled her child. Suddenly her name was called from above; what could it mean? her name uttered in a plaintive voice. "Hearest thou?" said the child. "It is my father who calls thee." And in a few moments deep sighs were heard, as of children weeping. "They are my sisters," said the child. "Mother, surely you have not forgotten them." And then she remembered those she left behind, and a great terror came over her. She looked around her at the dark night. Dim forms flitted by. She seemed to recognize some of them, as they floated through the regions of death towards the dark curtain, where they vanished. Would her husband and her daughters flit past? No; their sighs and lamentations still sounded from above; and she had nearly forgotten them, for the sake of him who was dead. "Mother, now the bells of heaven are ringing," said the child; "mother, the sun is going to rise." An overpowering light streamed in upon her, the child had vanished, and she was being borne upwards. All around her became cold; she lifted her head, and saw that she was lying in the churchyard, on the grave of her child. The Lord, in a dream, had been a guide to her feet and a light to her spirit. She bowed her knees, and prayed for forgiveness. She had wished to keep back a soul from its immortal flight; she had forgotten her duties towards the living who were left her. And when she had offered this prayer, her heart felt lighter. The sun burst forth, over her head a little bird carolled his song, and the church-bells sounded for the early service. Everything around her seemed holy, and her heart was chastened. She acknowledged the goodness of God, she acknowledged the duties she had to perform, and eagerly she returned home. She bent over her husband, who still slept; her warm, devoted kiss awakened him, and words of heartfelt love fell from the lips of both. Now she was gentle and strong as a wife can be; and from her lips came the words of faith: "Whatever He doeth is right and best." Then her husband asked, "From whence hast thou all at once derived such strength and comforting faith?" And as she kissed him and her children, she said, "It came from God, through my child in the grave." THE END |
THE CONCEITED APPLE-BRANCH IT was the month of May. The wind still blew cold; but from bush and tree, field and flower, came the welcome sound, "Spring is come." Wild-flowers in profusion covered the hedges. Under the little apple-tree, Spring seemed busy, and told his tale from one of the branches which hung fresh and blooming, and covered with delicate pink blossoms that were just ready to open. The branch well knew how beautiful it was; this knowledge exists as much in the leaf as in the blood; I was therefore not surprised when a nobleman's carriage, in which sat the young countess, stopped in the road just by. She said that an apple-branch was a most lovely object, and an emblem of spring in its most charming aspect. Then the branch was broken off for her, and she held it in her delicate hand, and sheltered it with her silk parasol. Then they drove to the castle, in which were lofty halls and splendid drawing-rooms. Pure white curtains fluttered before the open windows, and beautiful flowers stood in shining, transparent vases; and in one of them, which looked as if it had been cut out of newly fallen snow, the apple-branch was placed, among some fresh, light twigs of beech. It was a charming sight. Then the branch became proud, which was very much like human nature. People of every description entered the room, and, according to their position in society, so dared they to express their admiration. Some few said nothing, others expressed too much, and the apple-branch very soon got to understand that there was as much difference in the characters of human beings as in those of plants and flowers. Some are all for pomp and parade, others have a great deal to do to maintain their own importance, while the rest might be spared without much loss to society. So thought the apple-branch, as he stood before the open window, from which he could see out over gardens and fields, where there were flowers and plants enough for him to think and reflect upon; some rich and beautiful, some poor and humble indeed. "Poor, despised herbs," said the apple-branch; "there is really a difference between them and such as I am. How unhappy they must be, if they can feel as those in my position do! There is a difference indeed, and so there ought to be, or we should all be equals." And the apple-branch looked with a sort of pity upon them, especially on a certain little flower that is found in fields and in ditches. No one bound these flowers together in a nosegay; they were too common; they were even known to grow between the paving-stones, shooting up everywhere, like bad weeds; and they bore the very ugly name of "dog-flowers" or "dandelions." "Poor, despised plants," said the apple-bough, "it is not your fault that you are so ugly, and that you have such an ugly name; but it is with plants as with men,- there must be a difference." "A difference!" cried the sunbeam, as he kissed the blooming apple-branch, and then kissed the yellow dandelion out in the fields. All were brothers, and the sunbeam kissed them- the poor flowers as well as the rich. The apple-bough had never thought of the boundless love of God, which extends over all the works of creation, over everything which lives, and moves, and has its being in Him; he had never thought of the good and beautiful which are so often hidden, but can never remain forgotten by Him,- not only among the lower creation, but also among men. The sunbeam, the ray of light, knew better. "You do not see very far, nor very clearly," he said to the apple-branch. "Which is the despised plant you so specially pity?" "The dandelion," he replied. "No one ever places it in a nosegay; it is often trodden under foot, there are so many of them; and when they run to seed, they have flowers like wool, which fly away in little pieces over the roads, and cling to the dresses of the people. They are only weeds; but of course there must be weeds. O, I am really very thankful that I was not made like one of these flowers." There came presently across the fields a whole group of children, the youngest of whom was so small that it had to be carried by the others; and when he was seated on the grass, among the yellow flowers, he laughed aloud with joy, kicked out his little legs, rolled about, plucked the yellow flowers, and kissed them in childlike innocence. The elder children broke off the flowers with long stems, bent the stalks one round the other, to form links, and made first a chain for the neck, then one to go across the shoulders, and hang down to the waist, and at last a wreath to wear round the head, so that they looked quite splendid in their garlands of green stems and golden flowers. But the eldest among them gathered carefully the faded flowers, on the stem of which was grouped together the seed, in the form of a white feathery coronal. These loose, airy wool-flowers are very beautiful, and look like fine snowy feathers or down. The children held them to their mouths, and tried to blow away the whole coronal with one puff of the breath. They had been told by their grandmothers that who ever did so would be sure to have new clothes before the end of the year. The despised flower was by this raised to the position of a prophet or foreteller of events. "Do you see," said the sunbeam, "do you see the beauty of these flowers? do you see their powers of giving pleasure?" "Yes, to children," said the apple-bough. By-and-by an old woman came into the field, and, with a blunt knife without a handle, began to dig round the roots of some of the dandelion-plants, and pull them up. With some of these she intended to make tea for herself; but the rest she was going to sell to the chemist, and obtain some money. "But beauty is of higher value than all this," said the apple-tree branch; "only the chosen ones can be admitted into the realms of the beautiful. There is a difference between plants, just as there is a difference between men." Then the sunbeam spoke of the boundless love of God, as seen in creation, and over all that lives, and of the equal distribution of His gifts, both in time and in eternity. "That is your opinion," said the apple-bough. Then some people came into the room, and, among them, the young countess,- the lady who had placed the apple-bough in the transparent vase, so pleasantly beneath the rays of the sunlight. She carried in her hand something that seemed like a flower. The object was hidden by two or three great leaves, which covered it like a shield, so that no draught or gust of wind could injure it, and it was carried more carefully than the apple-branch had ever been. Very cautiously the large leaves were removed, and there appeared the feathery seed-crown of the despised dandelion. This was what the lady had so carefully plucked, and carried home so safely covered, so that not one of the delicate feathery arrows of which its mist-like shape was so lightly formed, should flutter away. She now drew it forth quite uninjured, and wondered at its beautiful form, and airy lightness, and singular construction, so soon to be blown away by the wind. "See," she exclaimed, "how wonderfully God has made this little flower. I will paint it with the apple-branch together. Every one admires the beauty of the apple-bough; but this humble flower has been endowed by Heaven with another kind of loveliness; and although they differ in appearance, both are the children of the realms of beauty." Then the sunbeam kissed the lowly flower, and he kissed the blooming apple-branch, upon whose leaves appeared a rosy blush. THE END |
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