منتديات المُنى والأرب

منتديات المُنى والأرب (http://www.arabna312.com//index.php)
-   Enlish Forum (http://www.arabna312.com//forumdisplay.php?f=126)
-   -   The Complete Works of William Shakespeare (http://www.arabna312.com//showthread.php?t=814)

أرب جمـال 5 - 11 - 2009 05:38 PM

The Complete Works of William Shakespeare
 
Comedy

As You Like It

SCENE I. Orchard of Oliver's house. I. Orchard of Oliver's house.
Enter ORLANDO and ADAM
ORLANDO
As I remember, Adam, it was upon this fashion
bequeathed me by will but poor a thousand crowns,
and, as thou sayest, charged my brother, on his
blessing, to breed me well: and there begins my
sadness. My brother Jaques he keeps at school, and
report speaks goldenly of his profit: for my part,
he keeps me rustically at home, or, to speak more
properly, stays me here at home unkept; for call you
that keeping for a gentleman of my birth, that
differs not from the stalling of an ox? His horses
are bred better; for, besides that they are fair
with their feeding, they are taught their manage,
and to that end riders dearly hired: but I, his
brother, gain nothing under him but growth; for the
which his animals on his dunghills are as much
bound to him as I. Besides this nothing that he so
plentifully gives me, the something that nature gave
me his countenance seems to take from me: he lets
me feed with his hinds, bars me the place of a
brother, and, as much as in him lies, mines my
gentility with my education. This is it, Adam, that
grieves me; and the spirit of my father, which I
think is within me, begins to mutiny against this
servitude: I will no longer endure it, though yet I
know no wise remedy how to avoid it.
ADAM
Yonder comes my master, your brother.
ORLANDO
Go apart, Adam, and thou shalt hear how he will
shake me up.
Enter OLIVER
OLIVER
Now, sir! what make you here?
ORLANDO
Nothing: I am not taught to make any thing.
OLIVER
What mar you then, sir?
ORLANDO
Marry, sir, I am helping you to mar that which God
made, a poor unworthy brother of yours, with idleness.
OLIVER
Marry, sir, be better employed, and be naught awhile.
ORLANDO
Shall I keep your hogs and eat husks with them?
What prodigal portion have I spent, that I should
come to such penury?
OLIVER
Know you where your are, sir?
ORLANDO
O, sir, very well; here in your orchard.
OLIVER
Know you before whom, sir?
ORLANDO
Ay, better than him I am before knows me. I know
you are my eldest brother; and, in the gentle
condition of blood, you should so know me. The
courtesy of nations allows you my better, in that
you are the first-born; but the same tradition
takes not away my blood, were there twenty brothers
betwixt us: I have as much of my father in me as
you; albeit, I confess, your coming before me is
nearer to his reverence.
OLIVER
What, boy!
ORLANDO
Come, come, elder brother, you are too young in this.
OLIVER
Wilt thou lay hands on me, villain?
ORLANDO
I am no villain; I am the youngest son of Sir
Rowland de Boys; he was my father, and he is thrice
a villain that says such a father begot villains.
Wert thou not my brother, I would not take this hand
from thy throat till this other had pulled out thy
tongue for saying so: thou hast railed on thyself.
ADAM
Sweet masters, be patient: for your father's
remembrance, be at accord.
OLIVER
Let me go, I say.
ORLANDO
I will not, till I please: you shall hear me. My
father charged you in his will to give me good
education: you have trained me like a peasant,
obscuring and hiding from me all gentleman-like
qualities. The spirit of my father grows strong in
me, and I will no longer endure it: therefore allow
me such exercises as may become a gentleman, or
give me the poor allottery my father left me by
testament; with that I will go buy my fortunes.
OLIVER
And what wilt thou do? beg, when that is spent?
Well, sir, get you in: I will not long be troubled
with you; you shall have some part of your will: I
pray you, leave me.
ORLANDO
I will no further offend you than becomes me for my good.
OLIVER
Get you with him, you old dog.
ADAM
Is 'old dog' my reward? Most true, I have lost my
teeth in your service. God be with my old master!
he would not have spoke such a word.
Exeunt ORLANDO and ADAM
OLIVER
Is it even so? begin you to grow upon me? I will
physic your rankness, and yet give no thousand
crowns neither. Holla, Dennis!
Enter DENNIS
DENNIS
Calls your worship?
OLIVER
Was not Charles, the duke's wrestler, here to speak with me?
DENNIS
So please you, he is here at the door and importunes
access to you.
OLIVER
Call him in.
Exit DENNIS
'Twill be a good way; and to-morrow the wrestling is.
Enter CHARLES
CHARLES
Good morrow to your worship.
OLIVER
Good Monsieur Charles, what's the new news at the
new court?
CHARLES
There's no news at the court, sir, but the old news:
that is, the old duke is banished by his younger
brother the new duke; and three or four loving lords
have put themselves into voluntary exile with him,
whose lands and revenues enrich the new duke;
therefore he gives them good leave to wander.
OLIVER
Can you tell if Rosalind, the duke's daughter, be
banished with her father?
CHARLES
O, no; for the duke's daughter, her cousin, so loves
her, being ever from their cradles bred together,
that she would have followed her exile, or have died
to stay behind her. She is at the court, and no
less beloved of her uncle than his own daughter; and
never two ladies loved as they do.
OLIVER
Where will the old duke live?
CHARLES
They say he is already in the forest of Arden, and
a many merry men with him; and there they live like
the old Robin Hood of England: they say many young
gentlemen flock to him every day, and fleet the time
carelessly, as they did in the golden world.
OLIVER
What, you wrestle to-morrow before the new duke?
CHARLES
Marry, do I, sir; and I came to acquaint you with a
matter. I am given, sir, secretly to understand
that your younger brother Orlando hath a disposition
to come in disguised against me to try a fall.
To-morrow, sir, I wrestle for my credit; and he that
escapes me without some broken limb shall acquit him
well. Your brother is but young and tender; and,
for your love, I would be loath to foil him, as I
must, for my own honour, if he come in: therefore,
out of my love to you, I came hither to acquaint you
withal, that either you might stay him from his
intendment or brook such disgrace well as he shall
run into, in that it is a thing of his own search
and altogether against my will.
OLIVER
Charles, I thank thee for thy love to me, which
thou shalt find I will most kindly requite. I had
myself notice of my brother's purpose herein and
have by underhand means laboured to dissuade him from
it, but he is resolute. I'll tell thee, Charles:
it is the stubbornest young fellow of France, full
of ambition, an envious emulator of every man's
good parts, a secret and villanous contriver against
me his natural brother: therefore use thy
discretion; I had as lief thou didst break his neck
as his finger. And thou wert best look to't; for if
thou dost him any slight disgrace or if he do not
mightily grace himself on thee, he will practise
against thee by poison, entrap thee by some
treacherous device and never leave thee till he
hath ta'en thy life by some indirect means or other;
for, I assure thee, and almost with tears I speak
it, there is not one so young and so villanous this
day living. I speak but brotherly of him; but
should I anatomize him to thee as he is, I must
blush and weep and thou must look pale and wonder.
CHARLES
I am heartily glad I came hither to you. If he come
to-morrow, I'll give him his payment: if ever he go
alone again, I'll never wrestle for prize more: and
so God keep your worship!
OLIVER
Farewell, good Charles.
Exit CHARLES
Now will I stir this gamester: I hope I shall see
an end of him; for my soul, yet I know not why,
hates nothing more than he. Yet he's gentle, never
schooled and yet learned, full of noble device, of
all sorts enchantingly beloved, and indeed so much
in the heart of the world, and especially of my own
people, who best know him, that I am altogether
misprised: but it shall not be so long; this
wrestler shall clear all: nothing remains but that
I kindle the boy thither; which now I'll go about.
Exit


أرب جمـال 5 - 11 - 2009 05:40 PM

SCENE II. Lawn before the Duke's palace.SCENE II. Lawn before the Duke's palace.
Enter CELIA and ROSALIND
CELIA
I pray thee, Rosalind, sweet my coz, be merry.
ROSALIND
Dear Celia, I show more mirth than I am mistress of;
and would you yet I were merrier? Unless you could
teach me to forget a banished father, you must not
learn me how to remember any extraordinary pleasure.
CELIA
Herein I see thou lovest me not with the full weight
that I love thee. If my uncle, thy banished father,
had banished thy uncle, the duke my father, so thou
hadst been still with me, I could have taught my
love to take thy father for mine: so wouldst thou,
if the truth of thy love to me were so righteously
tempered as mine is to thee.
ROSALIND
Well, I will forget the condition of my estate, to
rejoice in yours.
CELIA
You know my father hath no child but I, nor none is
like to have: and, truly, when he dies, thou shalt
be his heir, for what he hath taken away from thy
father perforce, I will render thee again in
affection; by mine honour, I will; and when I break
that oath, let me turn monster: therefore, my
sweet Rose, my dear Rose, be merry.
ROSALIND
From henceforth I will, coz, and devise sports. Let
me see; what think you of falling in love?
CELIA
Marry, I prithee, do, to make sport withal: but
love no man in good earnest; nor no further in sport
neither than with safety of a pure blush thou mayst
in honour come off again.
ROSALIND
What shall be our sport, then?
CELIA
Let us sit and mock the good housewife Fortune from
her wheel, that her gifts may henceforth be bestowed equally.
ROSALIND
I would we could do so, for her benefits are
mightily misplaced, and the bountiful blind woman
doth most mistake in her gifts to women.
CELIA
'Tis true; for those that she makes fair she scarce
makes honest, and those that she makes honest she
makes very ill-favouredly.
ROSALIND
Nay, now thou goest from Fortune's office to
Nature's: Fortune reigns in gifts of the world,
not in the lineaments of Nature.
Enter TOUCHSTONE
CELIA
No? when Nature hath made a fair creature, may she
not by Fortune fall into the fire? Though Nature
hath given us wit to flout at Fortune, hath not
Fortune sent in this fool to cut off the argument?
ROSALIND
Indeed, there is Fortune too hard for Nature, when
Fortune makes Nature's natural the cutter-off of
Nature's wit.
CELIA
Peradventure this is not Fortune's work neither, but
Nature's; who perceiveth our natural wits too dull
to reason of such goddesses and hath sent this
natural for our whetstone; for always the dulness of
the fool is the whetstone of the wits. How now,
wit! whither wander you?
TOUCHSTONE
Mistress, you must come away to your father.
CELIA
Were you made the messenger?
TOUCHSTONE
No, by mine honour, but I was bid to come for you.
ROSALIND
Where learned you that oath, fool?
TOUCHSTONE
Of a certain knight that swore by his honour they
were good pancakes and swore by his honour the
mustard was naught: now I'll stand to it, the
pancakes were naught and the mustard was good, and
yet was not the knight forsworn.
CELIA
How prove you that, in the great heap of your
knowledge?
ROSALIND
Ay, marry, now unmuzzle your wisdom.
TOUCHSTONE
Stand you both forth now: stroke your chins, and
swear by your beards that I am a knave.
CELIA
By our beards, if we had them, thou art.
TOUCHSTONE
By my knavery, if I had it, then I were; but if you
swear by that that is not, you are not forsworn: no
more was this knight swearing by his honour, for he
never had any; or if he had, he had sworn it away
before ever he saw those pancakes or that mustard.
CELIA
Prithee, who is't that thou meanest?
TOUCHSTONE
One that old Frederick, your father, loves.
CELIA
My father's love is enough to honour him: enough!
speak no more of him; you'll be whipped for taxation
one of these days.
TOUCHSTONE
The more pity, that fools may not speak wisely what
wise men do foolishly.
CELIA
By my troth, thou sayest true; for since the little
wit that fools have was silenced, the little foolery
that wise men have makes a great show. Here comes
Monsieur Le Beau.
ROSALIND
With his mouth full of news.
CELIA
Which he will put on us, as pigeons feed their young.
ROSALIND
Then shall we be news-crammed.
CELIA
All the better; we shall be the more marketable.
Enter LE BEAU
Bon jour, Monsieur Le Beau: what's the news?
LE BEAU
Fair princess, you have lost much good sport.
CELIA
Sport! of what colour?
LE BEAU
What colour, madam! how shall I answer you?
ROSALIND
As wit and fortune will.
TOUCHSTONE
Or as the Destinies decree.
CELIA
Well said: that was laid on with a trowel.
TOUCHSTONE
Nay, if I keep not my rank,--
ROSALIND
Thou losest thy old smell.
LE BEAU
You amaze me, ladies: I would have told you of good
wrestling, which you have lost the sight of.
ROSALIND
You tell us the manner of the wrestling.
LE BEAU
I will tell you the beginning; and, if it please
your ladyships, you may see the end; for the best is
yet to do; and here, where you are, they are coming
to perform it.
CELIA
Well, the beginning, that is dead and buried.
LE BEAU
There comes an old man and his three sons,--
CELIA
I could match this beginning with an old tale.
LE BEAU
Three proper young men, of excellent growth and presence.
ROSALIND
With bills on their necks, 'Be it known unto all men
by these presents.'
LE BEAU
The eldest of the three wrestled with Charles, the
duke's wrestler; which Charles in a moment threw him
and broke three of his ribs, that there is little
hope of life in him: so he served the second, and
so the third. Yonder they lie; the poor old man,
their father, making such pitiful dole over them
that all the beholders take his part with weeping.
ROSALIND
Alas!
TOUCHSTONE
But what is the sport, monsieur, that the ladies
have lost?
LE BEAU
Why, this that I speak of.
TOUCHSTONE
Thus men may grow wiser every day: it is the first
time that ever I heard breaking of ribs was sport
for ladies.
CELIA
Or I, I promise thee.
ROSALIND
But is there any else longs to see this broken music
in his sides? is there yet another dotes upon
rib-breaking? Shall we see this wrestling, cousin?
LE BEAU
You must, if you stay here; for here is the place
appointed for the wrestling, and they are ready to
perform it.
CELIA
Yonder, sure, they are coming: let us now stay and see it.
Flourish. Enter DUKE FREDERICK, Lords, ORLANDO, CHARLES, and Attendants
DUKE FREDERICK
Come on: since the youth will not be entreated, his
own peril on his forwardness.
ROSALIND
Is yonder the man?
LE BEAU
Even he, madam.
CELIA
Alas, he is too young! yet he looks successfully.
DUKE FREDERICK
How now, daughter and cousin! are you crept hither
to see the wrestling?
ROSALIND
Ay, my liege, so please you give us leave.
DUKE FREDERICK
You will take little delight in it, I can tell you;
there is such odds in the man. In pity of the
challenger's youth I would fain dissuade him, but he
will not be entreated. Speak to him, ladies; see if
you can move him.
CELIA
Call him hither, good Monsieur Le Beau.
DUKE FREDERICK
Do so: I'll not be by.
LE BEAU
Monsieur the challenger, the princesses call for you.
ORLANDO
I attend them with all respect and duty.
ROSALIND
Young man, have you challenged Charles the wrestler?
ORLANDO
No, fair princess; he is the general challenger: I
come but in, as others do, to try with him the
strength of my youth.
CELIA
Young gentleman, your spirits are too bold for your
years. You have seen cruel proof of this man's
strength: if you saw yourself with your eyes or
knew yourself with your judgment, the fear of your
adventure would counsel you to a more equal
enterprise. We pray you, for your own sake, to
embrace your own safety and give over this attempt.
ROSALIND
Do, young sir; your reputation shall not therefore
be misprised: we will make it our suit to the duke
that the wrestling might not go forward.
ORLANDO
I beseech you, punish me not with your hard
thoughts; wherein I confess me much guilty, to deny
so fair and excellent ladies any thing. But let
your fair eyes and gentle wishes go with me to my
trial: wherein if I be foiled, there is but one
shamed that was never gracious; if killed, but one
dead that was willing to be so: I shall do my
friends no wrong, for I have none to lament me, the
world no injury, for in it I have nothing; only in
the world I fill up a place, which may be better
supplied when I have made it empty.
ROSALIND
The little strength that I have, I would it were with you.
CELIA
And mine, to eke out hers.
ROSALIND
Fare you well: pray heaven I be deceived in you!
CELIA
Your heart's desires be with you!
CHARLES
Come, where is this young gallant that is so
desirous to lie with his mother earth?
ORLANDO
Ready, sir; but his will hath in it a more modest working.
DUKE FREDERICK
You shall try but one fall.
CHARLES
No, I warrant your grace, you shall not entreat him
to a second, that have so mightily persuaded him
from a first.
ORLANDO
An you mean to mock me after, you should not have
mocked me before: but come your ways.
ROSALIND
Now Hercules be thy speed, young man!
CELIA
I would I were invisible, to catch the strong
fellow by the leg.
They wrestle
ROSALIND
O excellent young man!
CELIA
If I had a thunderbolt in mine eye, I can tell who
should down.
Shout. CHARLES is thrown
DUKE FREDERICK
No more, no more.
ORLANDO
Yes, I beseech your grace: I am not yet well breathed.
DUKE FREDERICK
How dost thou, Charles?
LE BEAU
He cannot speak, my lord.
DUKE FREDERICK
Bear him away. What is thy name, young man?
ORLANDO
Orlando, my liege; the youngest son of Sir Rowland de Boys.
DUKE FREDERICK
I would thou hadst been son to some man else:
The world esteem'd thy father honourable,
But I did find him still mine enemy:
Thou shouldst have better pleased me with this deed,
Hadst thou descended from another house.
But fare thee well; thou art a gallant youth:
I would thou hadst told me of another father.
Exeunt DUKE FREDERICK, train, and LE BEAU
CELIA
Were I my father, coz, would I do this?
ORLANDO
I am more proud to be Sir Rowland's son,
His youngest son; and would not change that calling,
To be adopted heir to Frederick.
ROSALIND
My father loved Sir Rowland as his soul,
And all the world was of my father's mind:
Had I before known this young man his son,
I should have given him tears unto entreaties,
Ere he should thus have ventured.
CELIA
Gentle cousin,
Let us go thank him and encourage him:
My father's rough and envious disposition
Sticks me at heart. Sir, you have well deserved:
If you do keep your promises in love
But justly, as you have exceeded all promise,
Your mistress shall be happy.
ROSALIND
Gentleman,
Giving him a chain from her neck
Wear this for me, one out of suits with fortune,
That could give more, but that her hand lacks means.
Shall we go, coz?
CELIA
Ay. Fare you well, fair gentleman.
ORLANDO
Can I not say, I thank you? My better parts
Are all thrown down, and that which here stands up
Is but a quintain, a mere lifeless block.
ROSALIND
He calls us back: my pride fell with my fortunes;
I'll ask him what he would. Did you call, sir?
Sir, you have wrestled well and overthrown
More than your enemies.
CELIA
Will you go, coz?
ROSALIND
Have with you. Fare you well.
Exeunt ROSALIND and CELIA
ORLANDO
What passion hangs these weights upon my tongue?
I cannot speak to her, yet she urged conference.
O poor Orlando, thou art overthrown!
Or Charles or something weaker masters thee.
Re-enter LE BEAU
LE BEAU
Good sir, I do in friendship counsel you
To leave this place. Albeit you have deserved
High commendation, true applause and love,
Yet such is now the duke's condition
That he misconstrues all that you have done.
The duke is humorous; what he is indeed,
More suits you to conceive than I to speak of.
ORLANDO
I thank you, sir: and, pray you, tell me this:
Which of the two was daughter of the duke
That here was at the wrestling?
LE BEAU
Neither his daughter, if we judge by manners;
But yet indeed the lesser is his daughter
The other is daughter to the banish'd duke,
And here detain'd by her usurping uncle,
To keep his daughter company; whose loves
Are dearer than the natural bond of sisters.
But I can tell you that of late this duke
Hath ta'en displeasure 'gainst his gentle niece,
Grounded upon no other argument
But that the people praise her for her virtues
And pity her for her good father's sake;
And, on my life, his malice 'gainst the lady
Will suddenly break forth. Sir, fare you well:
Hereafter, in a better world than this,
I shall desire more love and knowledge of you.
ORLANDO
I rest much bounden to you: fare you well.
Exit LE BEAU
Thus must I from the smoke into the smother;
From tyrant duke unto a tyrant brother:
But heavenly Rosalind!
Exit


أرب جمـال 5 - 11 - 2009 05:40 PM

SCENE III. A room in the palace.SCENE III. A room in the palace.
Enter CELIA and ROSALIND
CELIA
Why, cousin! why, Rosalind! Cupid have mercy! not a word?
ROSALIND
Not one to throw at a dog.
CELIA
No, thy words are too precious to be cast away upon
curs; throw some of them at me; come, lame me with reasons.
ROSALIND
Then there were two cousins laid up; when the one
should be lamed with reasons and the other mad
without any.
CELIA
But is all this for your father?
ROSALIND
No, some of it is for my child's father. O, how
full of briers is this working-day world!
CELIA
They are but burs, cousin, thrown upon thee in
holiday foolery: if we walk not in the trodden
paths our very petticoats will catch them.
ROSALIND
I could shake them off my coat: these burs are in my heart.
CELIA
Hem them away.
ROSALIND
I would try, if I could cry 'hem' and have him.
CELIA
Come, come, wrestle with thy affections.
ROSALIND
O, they take the part of a better wrestler than myself!
CELIA
O, a good wish upon you! you will try in time, in
despite of a fall. But, turning these jests out of
service, let us talk in good earnest: is it
possible, on such a sudden, you should fall into so
strong a liking with old Sir Rowland's youngest son?
ROSALIND
The duke my father loved his father dearly.
CELIA
Doth it therefore ensue that you should love his son
dearly? By this kind of chase, I should hate him,
for my father hated his father dearly; yet I hate
not Orlando.
ROSALIND
No, faith, hate him not, for my sake.
CELIA
Why should I not? doth he not deserve well?
ROSALIND
Let me love him for that, and do you love him
because I do. Look, here comes the duke.
CELIA
With his eyes full of anger.
Enter DUKE FREDERICK, with Lords
DUKE FREDERICK
Mistress, dispatch you with your safest haste
And get you from our court.
ROSALIND
Me, uncle?
DUKE FREDERICK
You, cousin
Within these ten days if that thou be'st found
So near our public court as twenty miles,
Thou diest for it.
ROSALIND
I do beseech your grace,
Let me the knowledge of my fault bear with me:
If with myself I hold intelligence
Or have acquaintance with mine own desires,
If that I do not dream or be not frantic,--
As I do trust I am not--then, dear uncle,
Never so much as in a thought unborn
Did I offend your highness.
DUKE FREDERICK
Thus do all traitors:
If their purgation did consist in words,
They are as innocent as grace itself:
Let it suffice thee that I trust thee not.
ROSALIND
Yet your mistrust cannot make me a traitor:
Tell me whereon the likelihood depends.
DUKE FREDERICK
Thou art thy father's daughter; there's enough.
ROSALIND
So was I when your highness took his dukedom;
So was I when your highness banish'd him:
Treason is not inherited, my lord;
Or, if we did derive it from our friends,
What's that to me? my father was no traitor:
Then, good my liege, mistake me not so much
To think my poverty is treacherous.
CELIA
Dear sovereign, hear me speak.
DUKE FREDERICK
Ay, Celia; we stay'd her for your sake,
Else had she with her father ranged along.
CELIA
I did not then entreat to have her stay;
It was your pleasure and your own remorse:
I was too young that time to value her;
But now I know her: if she be a traitor,
Why so am I; we still have slept together,
Rose at an instant, learn'd, play'd, eat together,
And wheresoever we went, like Juno's swans,
Still we went coupled and inseparable.
DUKE FREDERICK
She is too subtle for thee; and her smoothness,
Her very silence and her patience
Speak to the people, and they pity her.
Thou art a fool: she robs thee of thy name;
And thou wilt show more bright and seem more virtuous
When she is gone. Then open not thy lips:
Firm and irrevocable is my doom
Which I have pass'd upon her; she is banish'd.
CELIA
Pronounce that sentence then on me, my liege:
I cannot live out of her company.
DUKE FREDERICK
You are a fool. You, niece, provide yourself:
If you outstay the time, upon mine honour,
And in the greatness of my word, you die.
Exeunt DUKE FREDERICK and Lords
CELIA
O my poor Rosalind, whither wilt thou go?
Wilt thou change fathers? I will give thee mine.
I charge thee, be not thou more grieved than I am.
ROSALIND
I have more cause.
CELIA
Thou hast not, cousin;
Prithee be cheerful: know'st thou not, the duke
Hath banish'd me, his daughter?
ROSALIND
That he hath not.
CELIA
No, hath not? Rosalind lacks then the love
Which teacheth thee that thou and I am one:
Shall we be sunder'd? shall we part, sweet girl?
No: let my father seek another heir.
Therefore devise with me how we may fly,
Whither to go and what to bear with us;
And do not seek to take your change upon you,
To bear your griefs yourself and leave me out;
For, by this heaven, now at our sorrows pale,
Say what thou canst, I'll go along with thee.
ROSALIND
Why, whither shall we go?
CELIA
To seek my uncle in the forest of Arden.
ROSALIND
Alas, what danger will it be to us,
Maids as we are, to travel forth so far!
Beauty provoketh thieves sooner than gold.
CELIA
I'll put myself in poor and mean attire
And with a kind of umber smirch my face;
The like do you: so shall we pass along
And never stir assailants.
ROSALIND
Were it not better,
Because that I am more than common tall,
That I did suit me all points like a man?
A gallant curtle-axe upon my thigh,
A boar-spear in my hand; and--in my heart
Lie there what hidden woman's fear there will--
We'll have a swashing and a martial outside,
As many other mannish cowards have
That do outface it with their semblances.
CELIA
What shall I call thee when thou art a man?
ROSALIND
I'll have no worse a name than Jove's own page;
And therefore look you call me Ganymede.
But what will you be call'd?
CELIA
Something that hath a reference to my state
No longer Celia, but Aliena.
ROSALIND
But, cousin, what if we assay'd to steal
The clownish fool out of your father's court?
Would he not be a comfort to our travel?
CELIA
He'll go along o'er the wide world with me;
Leave me alone to woo him. Let's away,
And get our jewels and our wealth together,
Devise the fittest time and safest way
To hide us from pursuit that will be made
After my flight. Now go we in *******
To liberty and not to banishment.
Exeunt


أرب جمـال 5 - 11 - 2009 05:41 PM

SCENE I. The Forest of Arden.SCENE I. The Forest of Arden.
Enter DUKE SENIOR, AMIENS, and two or three Lords, like foresters
DUKE SENIOR
Now, my co-mates and brothers in exile,
Hath not old custom made this life more sweet
Than that of painted pomp? Are not these woods
More free from peril than the envious court?
Here feel we but the penalty of Adam,
The seasons' difference, as the icy fang
And churlish chiding of the winter's wind,
Which, when it bites and blows upon my body,
Even till I shrink with cold, I smile and say
'This is no flattery: these are counsellors
That feelingly persuade me what I am.'
Sweet are the uses of adversity,
Which, like the toad, ugly and venomous,
Wears yet a precious jewel in his head;
And this our life exempt from public haunt
Finds tongues in trees, books in the running brooks,
Sermons in stones and good in every thing.
I would not change it.
AMIENS
Happy is your grace,
That can translate the stubbornness of fortune
Into so quiet and so sweet a style.
DUKE SENIOR
Come, shall we go and kill us venison?
And yet it irks me the poor dappled fools,
Being native burghers of this desert city,
Should in their own confines with forked heads
Have their round haunches gored.
First Lord
Indeed, my lord,
The melancholy Jaques grieves at that,
And, in that kind, swears you do more usurp
Than doth your brother that hath banish'd you.
To-day my Lord of Amiens and myself
Did steal behind him as he lay along
Under an oak whose antique root peeps out
Upon the brook that brawls along this wood:
To the which place a poor sequester'd stag,
That from the hunter's aim had ta'en a hurt,
Did come to languish, and indeed, my lord,
The wretched animal heaved forth such groans
That their discharge did stretch his leathern coat
Almost to bursting, and the big round tears
Coursed one another down his innocent nose
In piteous chase; and thus the hairy fool
Much marked of the melancholy Jaques,
Stood on the extremest verge of the swift brook,
Augmenting it with tears.
DUKE SENIOR
But what said Jaques?
Did he not moralize this spectacle?
First Lord
O, yes, into a thousand similes.
First, for his weeping into the needless stream;
'Poor deer,' quoth he, 'thou makest a testament
As worldlings do, giving thy sum of more
To that which had too much:' then, being there alone,
Left and abandon'd of his velvet friends,
''Tis right:' quoth he; 'thus misery doth part
The flux of company:' anon a careless herd,
Full of the pasture, jumps along by him
And never stays to greet him; 'Ay' quoth Jaques,
'Sweep on, you fat and greasy citizens;
'Tis just the fashion: wherefore do you look
Upon that poor and broken bankrupt there?'
Thus most invectively he pierceth through
The body of the country, city, court,
Yea, and of this our life, swearing that we
Are mere usurpers, tyrants and what's worse,
To fright the animals and to kill them up
In their assign'd and native dwelling-place.
DUKE SENIOR
And did you leave him in this contemplation?
Second Lord
We did, my lord, weeping and commenting
Upon the sobbing deer.
DUKE SENIOR
Show me the place:
I love to cope him in these sullen fits,
For then he's full of matter.
First Lord
I'll bring you to him straight.
Exeunt


أرب جمـال 5 - 11 - 2009 05:41 PM

SCENE II. A room in the palace.SCENE II. A room in the palace.
Enter DUKE FREDERICK, with Lords
DUKE FREDERICK
Can it be possible that no man saw them?
It cannot be: some villains of my court
Are of consent and sufferance in this.
First Lord
I cannot hear of any that did see her.
The ladies, her attendants of her chamber,
Saw her abed, and in the morning early
They found the bed untreasured of their mistress.
Second Lord
My lord, the roynish clown, at whom so oft
Your grace was wont to laugh, is also missing.
Hisperia, the princess' gentlewoman,
Confesses that she secretly o'erheard
Your daughter and her cousin much commend
The parts and graces of the wrestler
That did but lately foil the sinewy Charles;
And she believes, wherever they are gone,
That youth is surely in their company.
DUKE FREDERICK
Send to his brother; fetch that gallant hither;
If he be absent, bring his brother to me;
I'll make him find him: do this suddenly,
And let not search and inquisition quail
To bring again these foolish runaways.
Exeunt


أرب جمـال 5 - 11 - 2009 05:41 PM

SCENE III. Before OLIVER'S house.SCENE III. Before OLIVER'S house.
Enter ORLANDO and ADAM, meeting
ORLANDO
Who's there?
ADAM
What, my young master? O, my gentle master!
O my sweet master! O you memory
Of old Sir Rowland! why, what make you here?
Why are you virtuous? why do people love you?
And wherefore are you gentle, strong and valiant?
Why would you be so fond to overcome
The bonny priser of the humorous duke?
Your praise is come too swiftly home before you.
Know you not, master, to some kind of men
Their graces serve them but as enemies?
No more do yours: your virtues, gentle master,
Are sanctified and holy traitors to you.
O, what a world is this, when what is comely
Envenoms him that bears it!
ORLANDO
Why, what's the matter?
ADAM
O unhappy youth!
Come not within these doors; within this roof
The enemy of all your graces lives:
Your brother--no, no brother; yet the son--
Yet not the son, I will not call him son
Of him I was about to call his father--
Hath heard your praises, and this night he means
To burn the lodging where you use to lie
And you within it: if he fail of that,
He will have other means to cut you off.
I overheard him and his practises.
This is no place; this house is but a butchery:
Abhor it, fear it, do not enter it.
ORLANDO
Why, whither, Adam, wouldst thou have me go?
ADAM
No matter whither, so you come not here.
ORLANDO
What, wouldst thou have me go and beg my food?
Or with a base and boisterous sword enforce
A thievish living on the common road?
This I must do, or know not what to do:
Yet this I will not do, do how I can;
I rather will subject me to the malice
Of a diverted blood and bloody brother.
ADAM
But do not so. I have five hundred crowns,
The thrifty hire I saved under your father,
Which I did store to be my foster-nurse
When service should in my old limbs lie lame
And unregarded age in corners thrown:
Take that, and He that doth the ravens feed,
Yea, providently caters for the sparrow,
Be comfort to my age! Here is the gold;
And all this I give you. Let me be your servant:
Though I look old, yet I am strong and lusty;
For in my youth I never did apply
Hot and rebellious liquors in my blood,
Nor did not with unbashful forehead woo
The means of weakness and debility;
Therefore my age is as a lusty winter,
Frosty, but kindly: let me go with you;
I'll do the service of a younger man
In all your business and necessities.
ORLANDO
O good old man, how well in thee appears
The constant service of the antique world,
When service sweat for duty, not for meed!
Thou art not for the fashion of these times,
Where none will sweat but for promotion,
And having that, do choke their service up
Even with the having: it is not so with thee.
But, poor old man, thou prunest a rotten tree,
That cannot so much as a blossom yield
In lieu of all thy pains and husbandry
But come thy ways; well go along together,
And ere we have thy youthful wages spent,
We'll light upon some settled low *******.
ADAM
Master, go on, and I will follow thee,
To the last gasp, with truth and loyalty.
From seventeen years till now almost fourscore
Here lived I, but now live here no more.
At seventeen years many their fortunes seek;
But at fourscore it is too late a week:
Yet fortune cannot recompense me better
Than to die well and not my master's debtor.
Exeunt


أرب جمـال 5 - 11 - 2009 05:42 PM

SCENE IV. The Forest of Arden.SCENE IV. The Forest of Arden.
Enter ROSALIND for Ganymede, CELIA for Aliena, and TOUCHSTONE
ROSALIND
O Jupiter, how weary are my spirits!
TOUCHSTONE
I care not for my spirits, if my legs were not weary.
ROSALIND
I could find in my heart to disgrace my man's
apparel and to cry like a woman; but I must comfort
the weaker vessel, as doublet and hose ought to show
itself courageous to petticoat: therefore courage,
good Aliena!
CELIA
I pray you, bear with me; I cannot go no further.
TOUCHSTONE
For my part, I had rather bear with you than bear
you; yet I should bear no cross if I did bear you,
for I think you have no money in your purse.
ROSALIND
Well, this is the forest of Arden.
TOUCHSTONE
Ay, now am I in Arden; the more fool I; when I was
at home, I was in a better place: but travellers
must be *******.
ROSALIND
Ay, be so, good Touchstone.
Enter CORIN and SILVIUS
Look you, who comes here; a young man and an old in
solemn talk.
CORIN
That is the way to make her scorn you still.
SILVIUS
O Corin, that thou knew'st how I do love her!
CORIN
I partly guess; for I have loved ere now.
SILVIUS
No, Corin, being old, thou canst not guess,
Though in thy youth thou wast as true a lover
As ever sigh'd upon a midnight pillow:
But if thy love were ever like to mine--
As sure I think did never man love so--
How many actions most ridiculous
Hast thou been drawn to by thy fantasy?
CORIN
Into a thousand that I have forgotten.
SILVIUS
O, thou didst then ne'er love so heartily!
If thou remember'st not the slightest folly
That ever love did make thee run into,
Thou hast not loved:
Or if thou hast not sat as I do now,
Wearying thy hearer in thy mistress' praise,
Thou hast not loved:
Or if thou hast not broke from company
Abruptly, as my passion now makes me,
Thou hast not loved.
O Phebe, Phebe, Phebe!
Exit
ROSALIND
Alas, poor shepherd! searching of thy wound,
I have by hard adventure found mine own.
TOUCHSTONE
And I mine. I remember, when I was in love I broke
my sword upon a stone and bid him take that for
coming a-night to Jane Smile; and I remember the
kissing of her batlet and the cow's dugs that her
pretty chopt hands had milked; and I remember the
wooing of a peascod instead of her, from whom I took
two cods and, giving her them again, said with
weeping tears 'Wear these for my sake.' We that are
true lovers run into strange capers; but as all is
mortal in nature, so is all nature in love mortal in folly.
ROSALIND
Thou speakest wiser than thou art ware of.
TOUCHSTONE
Nay, I shall ne'er be ware of mine own wit till I
break my shins against it.
ROSALIND
Jove, Jove! this shepherd's passion
Is much upon my fashion.
TOUCHSTONE
And mine; but it grows something stale with me.
CELIA
I pray you, one of you question yond man
If he for gold will give us any food:
I faint almost to death.
TOUCHSTONE
Holla, you clown!
ROSALIND
Peace, fool: he's not thy kinsman.
CORIN
Who calls?
TOUCHSTONE
Your betters, sir.
CORIN
Else are they very wretched.
ROSALIND
Peace, I say. Good even to you, friend.
CORIN
And to you, gentle sir, and to you all.
ROSALIND
I prithee, shepherd, if that love or gold
Can in this desert place buy entertainment,
Bring us where we may rest ourselves and feed:
Here's a young maid with travel much oppress'd
And faints for succor.
CORIN
Fair sir, I pity her
And wish, for her sake more than for mine own,
My fortunes were more able to relieve her;
But I am shepherd to another man
And do not shear the fleeces that I graze:
My master is of churlish disposition
And little recks to find the way to heaven
By doing deeds of hospitality:
Besides, his cote, his flocks and bounds of feed
Are now on sale, and at our sheepcote now,
By reason of his absence, there is nothing
That you will feed on; but what is, come see.
And in my voice most welcome shall you be.
ROSALIND
What is he that shall buy his flock and pasture?
CORIN
That young swain that you saw here but erewhile,
That little cares for buying any thing.
ROSALIND
I pray thee, if it stand with honesty,
Buy thou the cottage, pasture and the flock,
And thou shalt have to pay for it of us.
CELIA
And we will mend thy wages. I like this place.
And willingly could waste my time in it.
CORIN
Assuredly the thing is to be sold:
Go with me: if you like upon report
The soil, the profit and this kind of life,
I will your very faithful feeder be
And buy it with your gold right suddenly.
Exeunt


أرب جمـال 5 - 11 - 2009 05:42 PM

SCENE V. The Forest.SCENE V. The Forest.
Enter AMIENS, JAQUES, and others
SONG.
AMIENS
Under the greenwood tree
Who loves to lie with me,
And turn his merry note
Unto the sweet bird's throat,
Come hither, come hither, come hither:
Here shall he see No enemy
But winter and rough weather.
JAQUES
More, more, I prithee, more.
AMIENS
It will make you melancholy, Monsieur Jaques.
JAQUES
I thank it. More, I prithee, more. I can suck
melancholy out of a song, as a weasel sucks eggs.
More, I prithee, more.
AMIENS
My voice is ragged: I know I cannot please you.
JAQUES
I do not desire you to please me; I do desire you to
sing. Come, more; another stanzo: call you 'em stanzos?
AMIENS
What you will, Monsieur Jaques.
JAQUES
Nay, I care not for their names; they owe me
nothing. Will you sing?
AMIENS
More at your request than to please myself.
JAQUES
Well then, if ever I thank any man, I'll thank you;
but that they call compliment is like the encounter
of two dog-apes, and when a man thanks me heartily,
methinks I have given him a penny and he renders me
the beggarly thanks. Come, sing; and you that will
not, hold your tongues.
AMIENS
Well, I'll end the song. Sirs, cover the while; the
duke will drink under this tree. He hath been all
this day to look you.
JAQUES
And I have been all this day to avoid him. He is
too disputable for my company: I think of as many
matters as he, but I give heaven thanks and make no
boast of them. Come, warble, come.
SONG.
Who doth ambition shun
All together here
And loves to live i' the sun,
Seeking the food he eats
And pleased with what he gets,
Come hither, come hither, come hither:
Here shall he see No enemy
But winter and rough weather.
JAQUES
I'll give you a verse to this note that I made
yesterday in despite of my invention.
AMIENS
And I'll sing it.
JAQUES
Thus it goes:--
If it do come to pass
That any man turn ass,
Leaving his wealth and ease,
A stubborn will to please,
Ducdame, ducdame, ducdame:
Here shall he see
Gross fools as he,
An if he will come to me.
AMIENS
What's that 'ducdame'?
JAQUES
'Tis a Greek invocation, to call fools into a
circle. I'll go sleep, if I can; if I cannot, I'll
rail against all the first-born of Egypt.
AMIENS
And I'll go seek the duke: his banquet is prepared.
Exeunt severally


أرب جمـال 5 - 11 - 2009 05:42 PM

SCENE VI. The forest.SCENE VI. The forest.
Enter ORLANDO and ADAM
ADAM
Dear master, I can go no further. O, I die for food!
Here lie I down, and measure out my grave. Farewell,
kind master.
ORLANDO
Why, how now, Adam! no greater heart in thee? Live
a little; comfort a little; cheer thyself a little.
If this uncouth forest yield any thing savage, I
will either be food for it or bring it for food to
thee. Thy conceit is nearer death than thy powers.
For my sake be comfortable; hold death awhile at
the arm's end: I will here be with thee presently;
and if I bring thee not something to eat, I will
give thee leave to die: but if thou diest before I
come, thou art a mocker of my labour. Well said!
thou lookest cheerly, and I'll be with thee quickly.
Yet thou liest in the bleak air: come, I will bear
thee to some ****ter; and thou shalt not die for
lack of a dinner, if there live any thing in this
desert. Cheerly, good Adam!
Exeunt


أرب جمـال 5 - 11 - 2009 05:43 PM

SCENE VII. The forest.SCENE VII. The forest.
A table set out. Enter DUKE SENIOR, AMIENS, and Lords like outlaws
DUKE SENIOR
I think he be transform'd into a beast;
For I can no where find him like a man.
First Lord
My lord, he is but even now gone hence:
Here was he merry, hearing of a song.
DUKE SENIOR
If he, compact of jars, grow musical,
We shall have shortly discord in the spheres.
Go, seek him: tell him I would speak with him.
Enter JAQUES
First Lord
He saves my labour by his own approach.
DUKE SENIOR
Why, how now, monsieur! what a life is this,
That your poor friends must woo your company?
What, you look merrily!
JAQUES
A fool, a fool! I met a fool i' the forest,
A motley fool; a miserable world!
As I do live by food, I met a fool
Who laid him down and bask'd him in the sun,
And rail'd on Lady Fortune in good terms,
In good set terms and yet a motley fool.
'Good morrow, fool,' quoth I. 'No, sir,' quoth he,
'Call me not fool till heaven hath sent me fortune:'
And then he drew a dial from his poke,
And, looking on it with lack-lustre eye,
Says very wisely, 'It is ten o'clock:
Thus we may see,' quoth he, 'how the world wags:
'Tis but an hour ago since it was nine,
And after one hour more 'twill be eleven;
And so, from hour to hour, we ripe and ripe,
And then, from hour to hour, we rot and rot;
And thereby hangs a tale.' When I did hear
The motley fool thus moral on the time,
My lungs began to crow like chanticleer,
That fools should be so deep-contemplative,
And I did laugh sans intermission
An hour by his dial. O noble fool!
A worthy fool! Motley's the only wear.
DUKE SENIOR
What fool is this?
JAQUES
O worthy fool! One that hath been a courtier,
And says, if ladies be but young and fair,
They have the gift to know it: and in his brain,
Which is as dry as the remainder biscuit
After a voyage, he hath strange places cramm'd
With observation, the which he vents
In mangled forms. O that I were a fool!
I am ambitious for a motley coat.
DUKE SENIOR
Thou shalt have one.
JAQUES
It is my only suit;
Provided that you weed your better judgments
Of all opinion that grows rank in them
That I am wise. I must have liberty
Withal, as large a charter as the wind,
To blow on whom I please; for so fools have;
And they that are most galled with my folly,
They most must laugh. And why, sir, must they so?
The 'why' is plain as way to parish church:
He that a fool doth very wisely hit
Doth very foolishly, although he smart,
Not to seem senseless of the bob: if not,
The wise man's folly is anatomized
Even by the squandering glances of the fool.
Invest me in my motley; give me leave
To speak my mind, and I will through and through
Cleanse the foul body of the infected world,
If they will patiently receive my medicine.
DUKE SENIOR
Fie on thee! I can tell what thou wouldst do.
JAQUES
What, for a counter, would I do but good?
DUKE SENIOR
Most mischievous foul sin, in chiding sin:
For thou thyself hast been a libertine,
As sensual as the brutish sting itself;
And all the embossed sores and headed evils,
That thou with licence of free foot hast caught,
Wouldst thou disgorge into the general world.
JAQUES
Why, who cries out on pride,
That can therein tax any private party?
Doth it not flow as hugely as the sea,
Till that the weary very means do ebb?
What woman in the city do I name,
When that I say the city-woman bears
The cost of princes on unworthy shoulders?
Who can come in and say that I mean her,
When such a one as she such is her neighbour?
Or what is he of basest function
That says his bravery is not of my cost,
Thinking that I mean him, but therein suits
His folly to the mettle of my speech?
There then; how then? what then? Let me see wherein
My tongue hath wrong'd him: if it do him right,
Then he hath wrong'd himself; if he be free,
Why then my taxing like a wild-goose flies,
Unclaim'd of any man. But who comes here?
Enter ORLANDO, with his sword drawn
ORLANDO
Forbear, and eat no more.
JAQUES
Why, I have eat none yet.
ORLANDO
Nor shalt not, till necessity be served.
JAQUES
Of what kind should this cock come of?
DUKE SENIOR
Art thou thus bolden'd, man, by thy distress,
Or else a rude despiser of good manners,
That in civility thou seem'st so empty?
ORLANDO
You touch'd my vein at first: the thorny point
Of bare distress hath ta'en from me the show
Of smooth civility: yet am I inland bred
And know some nurture. But forbear, I say:
He dies that touches any of this fruit
Till I and my affairs are answered.
JAQUES
An you will not be answered with reason, I must die.
DUKE SENIOR
What would you have? Your gentleness shall force
More than your force move us to gentleness.
ORLANDO
I almost die for food; and let me have it.
DUKE SENIOR
Sit down and feed, and welcome to our table.
ORLANDO
Speak you so gently? Pardon me, I pray you:
I thought that all things had been savage here;
And therefore put I on the countenance
Of stern commandment. But whate'er you are
That in this desert inaccessible,
Under the shade of melancholy boughs,
Lose and neglect the creeping hours of time
If ever you have look'd on better days,
If ever been where bells have knoll'd to church,
If ever sat at any good man's feast,
If ever from your eyelids wiped a tear
And know what 'tis to pity and be pitied,
Let gentleness my strong enforcement be:
In the which hope I blush, and hide my sword.
DUKE SENIOR
True is it that we have seen better days,
And have with holy bell been knoll'd to church
And sat at good men's feasts and wiped our eyes
Of drops that sacred pity hath engender'd:
And therefore sit you down in gentleness
And take upon command what help we have
That to your wanting may be minister'd.
ORLANDO
Then but forbear your food a little while,
Whiles, like a doe, I go to find my fawn
And give it food. There is an old poor man,
Who after me hath many a weary step
Limp'd in pure love: till he be first sufficed,
Oppress'd with two weak evils, age and hunger,
I will not touch a bit.
DUKE SENIOR
Go find him out,
And we will nothing waste till you return.
ORLANDO
I thank ye; and be blest for your good comfort!
Exit
DUKE SENIOR
Thou seest we are not all alone unhappy:
This wide and universal theatre
Presents more woeful pageants than the scene
Wherein we play in.
JAQUES
All the world's a stage,
And all the men and women merely players:
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms.
And then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well saved, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
Re-enter ORLANDO, with ADAM
DUKE SENIOR
Welcome. Set down your venerable burthen,
And let him feed.
ORLANDO
I thank you most for him.
ADAM
So had you need:
I scarce can speak to thank you for myself.
DUKE SENIOR
Welcome; fall to: I will not trouble you
As yet, to question you about your fortunes.
Give us some music; and, good cousin, sing.
SONG.
AMIENS
Blow, blow, thou winter wind.
Thou art not so unkind
As man's ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then, heigh-ho, the holly!
This life is most jolly.
Freeze, freeze, thou bitter sky,
That dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remember'd not.
Heigh-ho! sing, & c.
DUKE SENIOR
If that you were the good Sir Rowland's son,
As you have whisper'd faithfully you were,
And as mine eye doth his effigies witness
Most truly limn'd and living in your face,
Be truly welcome hither: I am the duke
That loved your father: the residue of your fortune,
Go to my cave and tell me. Good old man,
Thou art right welcome as thy master is.
Support him by the arm. Give me your hand,
And let me all your fortunes understand.
Exeunt


أرب جمـال 5 - 11 - 2009 05:44 PM

SCENE I. A room in the palace.SCENE I. A room in the palace.
Enter DUKE FREDERICK, Lords, and OLIVER
DUKE FREDERICK
Not see him since? Sir, sir, that cannot be:
But were I not the better part made mercy,
I should not seek an absent argument
Of my revenge, thou present. But look to it:
Find out thy brother, wheresoe'er he is;
Seek him with candle; bring him dead or living
Within this twelvemonth, or turn thou no more
To seek a living in our territory.
Thy lands and all things that thou dost call thine
Worth seizure do we seize into our hands,
Till thou canst quit thee by thy brothers mouth
Of what we think against thee.
OLIVER
O that your highness knew my heart in this!
I never loved my brother in my life.
DUKE FREDERICK
More villain thou. Well, push him out of doors;
And let my officers of such a nature
Make an extent upon his house and lands:
Do this expediently and turn him going.
Exeunt


أرب جمـال 5 - 11 - 2009 05:44 PM

SCENE II. The forest.SCENE II. The forest.
Enter ORLANDO, with a paper
ORLANDO
Hang there, my verse, in witness of my love:
And thou, thrice-crowned queen of night, survey
With thy chaste eye, from thy pale sphere above,
Thy huntress' name that my full life doth sway.
O Rosalind! these trees shall be my books
And in their barks my thoughts I'll character;
That every eye which in this forest looks
Shall see thy virtue witness'd every where.
Run, run, Orlando; carve on every tree
The fair, the chaste and unexpressive she.
Exit
Enter CORIN and TOUCHSTONE
CORIN
And how like you this shepherd's life, Master Touchstone?
TOUCHSTONE
Truly, shepherd, in respect of itself, it is a good
life, but in respect that it is a shepherd's life,
it is naught. In respect that it is solitary, I
like it very well; but in respect that it is
private, it is a very vile life. Now, in respect it
is in the fields, it pleaseth me well; but in
respect it is not in the court, it is tedious. As
is it a spare life, look you, it fits my humour well;
but as there is no more plenty in it, it goes much
against my stomach. Hast any philosophy in thee, shepherd?
CORIN
No more but that I know the more one sickens the
worse at ease he is; and that he that wants money,
means and ******* is without three good friends;
that the property of rain is to wet and fire to
burn; that good pasture makes fat sheep, and that a
great cause of the night is lack of the sun; that
he that hath learned no wit by nature nor art may
complain of good breeding or comes of a very dull kindred.
TOUCHSTONE
Such a one is a natural philosopher. Wast ever in
court, shepherd?
CORIN
No, truly.
TOUCHSTONE
Then thou art damned.
CORIN
Nay, I hope.
TOUCHSTONE
Truly, thou art damned like an ill-roasted egg, all
on one side.
CORIN
For not being at court? Your reason.
TOUCHSTONE
Why, if thou never wast at court, thou never sawest
good manners; if thou never sawest good manners,
then thy manners must be wicked; and wickedness is
sin, and sin is damnation. Thou art in a parlous
state, shepherd.
CORIN
Not a whit, Touchstone: those that are good manners
at the court are as ridiculous in the country as the
behavior of the country is most mockable at the
court. You told me you salute not at the court, but
you kiss your hands: that courtesy would be
uncleanly, if courtiers were shepherds.
TOUCHSTONE
Instance, briefly; come, instance.
CORIN
Why, we are still handling our ewes, and their
fells, you know, are greasy.
TOUCHSTONE
Why, do not your courtier's hands sweat? and is not
the grease of a mutton as wholesome as the sweat of
a man? Shallow, shallow. A better instance, I say; come.
CORIN
Besides, our hands are hard.
TOUCHSTONE
Your lips will feel them the sooner. Shallow again.
A more sounder instance, come.
CORIN
And they are often tarred over with the surgery of
our sheep: and would you have us kiss tar? The
courtier's hands are perfumed with civet.
TOUCHSTONE
Most shallow man! thou worms-meat, in respect of a
good piece of flesh indeed! Learn of the wise, and
perpend: civet is of a baser birth than tar, the
very uncleanly flux of a cat. Mend the instance, shepherd.
CORIN
You have too courtly a wit for me: I'll rest.
TOUCHSTONE
Wilt thou rest damned? God help thee, shallow man!
God make incision in thee! thou art raw.
CORIN
Sir, I am a true labourer: I earn that I eat, get
that I wear, owe no man hate, envy no man's
happiness, glad of other men's good, ******* with my
harm, and the greatest of my pride is to see my ewes
graze and my lambs suck.
TOUCHSTONE
That is another simple sin in you, to bring the ewes
and the rams together and to offer to get your
living by the copulation of cattle; to be bawd to a
bell-wether, and to betray a she-lamb of a
twelvemonth to a crooked-pated, old, cuckoldly ram,
out of all reasonable match. If thou beest not
damned for this, the devil himself will have no
shepherds; I cannot see else how thou shouldst
'scape.
CORIN
Here comes young Master Ganymede, my new mistress's brother.
Enter ROSALIND, with a paper, reading
ROSALIND
From the east to western Ind,
No jewel is like Rosalind.
Her worth, being mounted on the wind,
Through all the world bears Rosalind.
All the pictures fairest lined
Are but black to Rosalind.
Let no fair be kept in mind
But the fair of Rosalind.
TOUCHSTONE
I'll rhyme you so eight years together, dinners and
suppers and sleeping-hours excepted: it is the
right butter-women's rank to market.
ROSALIND
Out, fool!
TOUCHSTONE
For a taste:
If a hart do lack a hind,
Let him seek out Rosalind.
If the cat will after kind,
So be sure will Rosalind.
Winter garments must be lined,
So must slender Rosalind.
They that reap must sheaf and bind;
Then to cart with Rosalind.
Sweetest nut hath sourest rind,
Such a nut is Rosalind.
He that sweetest rose will find
Must find love's prick and Rosalind.
This is the very false gallop of verses: why do you
infect yourself with them?
ROSALIND
Peace, you dull fool! I found them on a tree.
TOUCHSTONE
Truly, the tree yields bad fruit.
ROSALIND
I'll graff it with you, and then I shall graff it
with a medlar: then it will be the earliest fruit
i' the country; for you'll be rotten ere you be half
ripe, and that's the right virtue of the medlar.
TOUCHSTONE
You have said; but whether wisely or no, let the
forest judge.
Enter CELIA, with a writing
ROSALIND
Peace! Here comes my sister, reading: stand aside.
CELIA
[Reads]
Why should this a desert be?
For it is unpeopled? No:
Tongues I'll hang on every tree,
That shall civil sayings show:
Some, how brief the life of man
Runs his erring pilgrimage,
That the stretching of a span
Buckles in his sum of age;
Some, of violated vows
'Twixt the souls of friend and friend:
But upon the fairest boughs,
Or at every sentence end,
Will I Rosalinda write,
Teaching all that read to know
The quintessence of every sprite
Heaven would in little show.
Therefore Heaven Nature charged
That one body should be fill'd
With all graces wide-enlarged:
Nature presently distill'd
Helen's cheek, but not her heart,
Cleopatra's majesty,
Atalanta's better part,
Sad Lucretia's modesty.
Thus Rosalind of many parts
By heavenly synod was devised,
Of many faces, eyes and hearts,
To have the touches dearest prized.
Heaven would that she these gifts should have,
And I to live and die her slave.
ROSALIND
O most gentle pulpiter! what tedious homily of love
have you wearied your parishioners withal, and never
cried 'Have patience, good people!'
CELIA
How now! back, friends! Shepherd, go off a little.
Go with him, sirrah.
TOUCHSTONE
Come, shepherd, let us make an honourable retreat;
though not with bag and baggage, yet with scrip and scrippage.
Exeunt CORIN and TOUCHSTONE
CELIA
Didst thou hear these verses?
ROSALIND
O, yes, I heard them all, and more too; for some of
them had in them more feet than the verses would bear.
CELIA
That's no matter: the feet might bear the verses.
ROSALIND
Ay, but the feet were lame and could not bear
themselves without the verse and therefore stood
lamely in the verse.
CELIA
But didst thou hear without wondering how thy name
should be hanged and carved upon these trees?
ROSALIND
I was seven of the nine days out of the wonder
before you came; for look here what I found on a
palm-tree. I was never so be-rhymed since
Pythagoras' time, that I was an Irish rat, which I
can hardly remember.
CELIA
Trow you who hath done this?
ROSALIND
Is it a man?
CELIA
And a chain, that you once wore, about his neck.
Change you colour?
ROSALIND
I prithee, who?
CELIA
O Lord, Lord! it is a hard matter for friends to
meet; but mountains may be removed with earthquakes
and so encounter.
ROSALIND
Nay, but who is it?
CELIA
Is it possible?
ROSALIND
Nay, I prithee now with most petitionary vehemence,
tell me who it is.
CELIA
O wonderful, wonderful, and most wonderful
wonderful! and yet again wonderful, and after that,
out of all hooping!
ROSALIND
Good my complexion! dost thou think, though I am
caparisoned like a man, I have a doublet and hose in
my disposition? One inch of delay more is a
South-sea of discovery; I prithee, tell me who is it
quickly, and speak apace. I would thou couldst
stammer, that thou mightst pour this concealed man
out of thy mouth, as wine comes out of a narrow-
mouthed bottle, either too much at once, or none at
all. I prithee, take the cork out of thy mouth that
may drink thy tidings.
CELIA
So you may put a man in your belly.
ROSALIND
Is he of God's making? What manner of man? Is his
head worth a hat, or his chin worth a beard?
CELIA
Nay, he hath but a little beard.
ROSALIND
Why, God will send more, if the man will be
thankful: let me stay the growth of his beard, if
thou delay me not the knowledge of his chin.
CELIA
It is young Orlando, that tripped up the wrestler's
heels and your heart both in an instant.
ROSALIND
Nay, but the devil take mocking: speak, sad brow and
true maid.
CELIA
I' faith, coz, 'tis he.
ROSALIND
Orlando?
CELIA
Orlando.
ROSALIND
Alas the day! what shall I do with my doublet and
hose? What did he when thou sawest him? What said
he? How looked he? Wherein went he? What makes
him here? Did he ask for me? Where remains he?
How parted he with thee? and when shalt thou see
him again? Answer me in one word.
CELIA
You must borrow me Gargantua's mouth first: 'tis a
word too great for any mouth of this age's size. To
say ay and no to these particulars is more than to
answer in a catechism.
ROSALIND
But doth he know that I am in this forest and in
man's apparel? Looks he as freshly as he did the
day he wrestled?
CELIA
It is as easy to count atomies as to resolve the
propositions of a lover; but take a taste of my
finding him, and relish it with good observance.
I found him under a tree, like a dropped acorn.
ROSALIND
It may well be called Jove's tree, when it drops
forth such fruit.
CELIA
Give me audience, good madam.
ROSALIND
Proceed.
CELIA
There lay he, stretched along, like a wounded knight.
ROSALIND
Though it be pity to see such a sight, it well
becomes the ground.
CELIA
Cry 'holla' to thy tongue, I prithee; it curvets
unseasonably. He was furnished like a hunter.
ROSALIND
O, ominous! he comes to kill my heart.
CELIA
I would sing my song without a burden: thou bringest
me out of tune.
ROSALIND
Do you not know I am a woman? when I think, I must
speak. Sweet, say on.
CELIA
You bring me out. Soft! comes he not here?
Enter ORLANDO and JAQUES
ROSALIND
'Tis he: slink by, and note him.
JAQUES
I thank you for your company; but, good faith, I had
as lief have been myself alone.
ORLANDO
And so had I; but yet, for fashion sake, I thank you
too for your society.
JAQUES
God be wi' you: let's meet as little as we can.
ORLANDO
I do desire we may be better strangers.
JAQUES
I pray you, mar no more trees with writing
love-songs in their barks.
ORLANDO
I pray you, mar no more of my verses with reading
them ill-favouredly.
JAQUES
Rosalind is your love's name?
ORLANDO
Yes, just.
JAQUES
I do not like her name.
ORLANDO
There was no thought of pleasing you when she was
christened.
JAQUES
What stature is she of?
ORLANDO
Just as high as my heart.
JAQUES
You are full of pretty answers. Have you not been
acquainted with goldsmiths' wives, and conned them
out of rings?
ORLANDO
Not so; but I answer you right painted cloth, from
whence you have studied your questions.
JAQUES
You have a nimble wit: I think 'twas made of
Atalanta's heels. Will you sit down with me? and
we two will rail against our mistress the world and
all our misery.
ORLANDO
I will chide no breather in the world but myself,
against whom I know most faults.
JAQUES
The worst fault you have is to be in love.
ORLANDO
'Tis a fault I will not change for your best virtue.
I am weary of you.
JAQUES
By my troth, I was seeking for a fool when I found
you.
ORLANDO
He is drowned in the brook: look but in, and you
shall see him.
JAQUES
There I shall see mine own figure.
ORLANDO
Which I take to be either a fool or a cipher.
JAQUES
I'll tarry no longer with you: farewell, good
Signior Love.
ORLANDO
I am glad of your departure: adieu, good Monsieur
Melancholy.
Exit JAQUES
ROSALIND
[Aside to CELIA] I will speak to him, like a saucy
lackey and under that habit play the knave with him.
Do you hear, forester?
ORLANDO
Very well: what would you?
ROSALIND
I pray you, what is't o'clock?
ORLANDO
You should ask me what time o' day: there's no clock
in the forest.
ROSALIND
Then there is no true lover in the forest; else
sighing every minute and groaning every hour would
detect the lazy foot of Time as well as a clock.
ORLANDO
And why not the swift foot of Time? had not that
been as proper?
ROSALIND
By no means, sir: Time travels in divers paces with
divers persons. I'll tell you who Time ambles
withal, who Time trots withal, who Time gallops
withal and who he stands still withal.
ORLANDO
I prithee, who doth he trot withal?
ROSALIND
Marry, he trots hard with a young maid between the
contract of her marriage and the day it is
solemnized: if the interim be but a se'nnight,
Time's pace is so hard that it seems the length of
seven year.
ORLANDO
Who ambles Time withal?
ROSALIND
With a priest that lacks Latin and a rich man that
hath not the gout, for the one sleeps easily because
he cannot study, and the other lives merrily because
he feels no pain, the one lacking the burden of lean
and wasteful learning, the other knowing no burden
of heavy tedious penury; these Time ambles withal.
ORLANDO
Who doth he gallop withal?
ROSALIND
With a thief to the gallows, for though he go as
softly as foot can fall, he thinks himself too soon there.
ORLANDO
Who stays it still withal?
ROSALIND
With lawyers in the vacation, for they sleep between
term and term and then they perceive not how Time moves.
ORLANDO
Where dwell you, pretty youth?
ROSALIND
With this shepherdess, my sister; here in the
skirts of the forest, like fringe upon a petticoat.
ORLANDO
Are you native of this place?
ROSALIND
As the cony that you see dwell where she is kindled.
ORLANDO
Your accent is something finer than you could
purchase in so removed a dwelling.
ROSALIND
I have been told so of many: but indeed an old
religious uncle of mine taught me to speak, who was
in his youth an inland man; one that knew courtship
too well, for there he fell in love. I have heard
him read many lectures against it, and I thank God
I am not a woman, to be touched with so many
giddy offences as he hath generally taxed their
whole sex withal.
ORLANDO
Can you remember any of the principal evils that he
laid to the charge of women?
ROSALIND
There were none principal; they were all like one
another as half-pence are, every one fault seeming
monstrous till his fellow fault came to match it.
ORLANDO
I prithee, recount some of them.
ROSALIND
No, I will not cast away my physic but on those that
are sick. There is a man haunts the forest, that
abuses our young plants with carving 'Rosalind' on
their barks; hangs odes upon hawthorns and elegies
on brambles, all, forsooth, deifying the name of
Rosalind: if I could meet that fancy-monger I would
give him some good counsel, for he seems to have the
quotidian of love upon him.
ORLANDO
I am he that is so love-shaked: I pray you tell me
your remedy.
ROSALIND
There is none of my uncle's marks upon you: he
taught me how to know a man in love; in which cage
of rushes I am sure you are not prisoner.
ORLANDO
What were his marks?
ROSALIND
A lean cheek, which you have not, a blue eye and
sunken, which you have not, an unquestionable
spirit, which you have not, a beard neglected,
which you have not; but I pardon you for that, for
simply your having in beard is a younger brother's
revenue: then your hose should be ungartered, your
bonnet unbanded, your sleeve unbuttoned, your shoe
untied and every thing about you demonstrating a
careless desolation; but you are no such man; you
are rather point-device in your accoutrements as
loving yourself than seeming the lover of any other.
ORLANDO
Fair youth, I would I could make thee believe I love.
ROSALIND
Me believe it! you may as soon make her that you
love believe it; which, I warrant, she is apter to
do than to confess she does: that is one of the
points in the which women still give the lie to
their consciences. But, in good sooth, are you he
that hangs the verses on the trees, wherein Rosalind
is so admired?
ORLANDO
I swear to thee, youth, by the white hand of
Rosalind, I am that he, that unfortunate he.
ROSALIND
But are you so much in love as your rhymes speak?
ORLANDO
Neither rhyme nor reason can express how much.
ROSALIND
Love is merely a madness, and, I tell you, deserves
as well a dark house and a whip as madmen do: and
the reason why they are not so punished and cured
is, that the lunacy is so ordinary that the whippers
are in love too. Yet I profess curing it by counsel.
ORLANDO
Did you ever cure any so?
ROSALIND
Yes, one, and in this manner. He was to imagine me
his love, his mistress; and I set him every day to
woo me: at which time would I, being but a moonish
youth, grieve, be effeminate, changeable, longing
and liking, proud, fantastical, apish, shallow,
inconstant, full of tears, full of smiles, for every
passion something and for no passion truly any
thing, as boys and women are for the most part
cattle of this colour; would now like him, now loathe
him; then entertain him, then forswear him; now weep
for him, then spit at him; that I drave my suitor
from his mad humour of love to a living humour of
madness; which was, to forswear the full stream of
the world, and to live in a nook merely monastic.
And thus I cured him; and this way will I take upon
me to wash your liver as clean as a sound sheep's
heart, that there shall not be one spot of love in't.
ORLANDO
I would not be cured, youth.
ROSALIND
I would cure you, if you would but call me Rosalind
and come every day to my cote and woo me.
ORLANDO
Now, by the faith of my love, I will: tell me
where it is.
ROSALIND
Go with me to it and I'll show it you and by the way
you shall tell me where in the forest you live.
Will you go?
ORLANDO
With all my heart, good youth.
ROSALIND
Nay you must call me Rosalind. Come, sister, will you go?
Exeunt


أرب جمـال 5 - 11 - 2009 05:45 PM

SCENE III. The forest.SCENE III. The forest.
Enter TOUCHSTONE and AUDREY; JAQUES behind
TOUCHSTONE
Come apace, good Audrey: I will fetch up your
goats, Audrey. And how, Audrey? am I the man yet?
doth my simple feature ******* you?
AUDREY
Your features! Lord warrant us! what features!
TOUCHSTONE
I am here with thee and thy goats, as the most
capricious poet, honest Ovid, was among the Goths.
JAQUES
[Aside] O knowledge ill-inhabited, worse than Jove
in a thatched house!
TOUCHSTONE
When a man's verses cannot be understood, nor a
man's good wit seconded with the forward child
Understanding, it strikes a man more dead than a
great reckoning in a little room. Truly, I would
the gods had made thee poetical.
AUDREY
I do not know what 'poetical' is: is it honest in
deed and word? is it a true thing?
TOUCHSTONE
No, truly; for the truest poetry is the most
feigning; and lovers are given to poetry, and what
they swear in poetry may be said as lovers they do feign.
AUDREY
Do you wish then that the gods had made me poetical?
TOUCHSTONE
I do, truly; for thou swearest to me thou art
honest: now, if thou wert a poet, I might have some
hope thou didst feign.
AUDREY
Would you not have me honest?
TOUCHSTONE
No, truly, unless thou wert hard-favoured; for
honesty coupled to beauty is to have honey a sauce to sugar.
JAQUES
[Aside] A material fool!
AUDREY
Well, I am not fair; and therefore I pray the gods
make me honest.
TOUCHSTONE
Truly, and to cast away honesty upon a foul slut
were to put good meat into an unclean dish.
AUDREY
I am not a slut, though I thank the gods I am foul.
TOUCHSTONE
Well, praised be the gods for thy foulness!
sluttishness may come hereafter. But be it as it may
be, I will marry thee, and to that end I have been
with Sir Oliver Mar****, the vicar of the next
village, who hath promised to meet me in this place
of the forest and to couple us.
JAQUES
[Aside] I would fain see this meeting.
AUDREY
Well, the gods give us joy!
TOUCHSTONE
Amen. A man may, if he were of a fearful heart,
stagger in this attempt; for here we have no temple
but the wood, no assembly but horn-beasts. But what
though? C ourage! As horns are odious, they are
necessary. It is said, 'many a man knows no end of
his goods:' right; many a man has good horns, and
knows no end of them. Well, that is the dowry of
his wife; 'tis none of his own getting. Horns?
Even so. Poor men alone? No, no; the noblest deer
hath them as huge as the rascal. Is the single man
therefore blessed? No: as a walled town is more
worthier than a village, so is the forehead of a
married man more honourable than the bare brow of a
bachelor; and by how much defence is better than no
skill, by so much is a horn more precious than to
want. Here comes Sir Oliver.
Enter SIR OLIVER MAR****
Sir Oliver Mar****, you are well met: will you
dispatch us here under this tree, or shall we go
with you to your chapel?
SIR OLIVER MAR****
Is there none here to give the woman?
TOUCHSTONE
I will not take her on gift of any man.
SIR OLIVER MAR****
Truly, she must be given, or the marriage is not lawful.
JAQUES
[Advancing]
Proceed, proceed I'll give her.
TOUCHSTONE
Good even, good Master What-ye-call't: how do you,
sir? You are very well met: God 'ild you for your
last company: I am very glad to see you: even a
toy in hand here, sir: nay, pray be covered.
JAQUES
Will you be married, motley?
TOUCHSTONE
As the ox hath his bow, sir, the horse his curb and
the falcon her bells, so man hath his desires; and
as pigeons bill, so wedlock would be nibbling.
JAQUES
And will you, being a man of your breeding, be
married under a bush like a beggar? Get you to
church, and have a good priest that can tell you
what marriage is: this fellow will but join you
together as they join wainscot; then one of you will
prove a shrunk panel and, like green timber, warp, warp.
TOUCHSTONE
[Aside] I am not in the mind but I were better to be
married of him than of another: for he is not like
to marry me well; and not being well married, it
will be a good excuse for me hereafter to leave my wife.
JAQUES
Go thou with me, and let me counsel thee.
TOUCHSTONE
'Come, sweet Audrey:
We must be married, or we must live in bawdry.
Farewell, good Master Oliver: not,--
O sweet Oliver,
O brave Oliver,
Leave me not behind thee: but,--
Wind away,
Begone, I say,
I will not to wedding with thee.
Exeunt JAQUES, TOUCHSTONE and AUDREY
SIR OLIVER MAR****
'Tis no matter: ne'er a fantastical knave of them
all shall flout me out of my calling.
Exit


أرب جمـال 5 - 11 - 2009 05:45 PM

SCENE IV. The forest.SCENE IV. The forest.
Enter ROSALIND and CELIA
ROSALIND
Never talk to me; I will weep.
CELIA
Do, I prithee; but yet have the grace to consider
that tears do not become a man.
ROSALIND
But have I not cause to weep?
CELIA
As good cause as one would desire; therefore weep.
ROSALIND
His very hair is of the dissembling colour.
CELIA
Something browner than Judas's marry, his kisses are
Judas's own children.
ROSALIND
I' faith, his hair is of a good colour.
CELIA
An excellent colour: your chestnut was ever the only colour.
ROSALIND
And his kissing is as full of sanctity as the touch
of holy bread.
CELIA
He hath bought a pair of cast lips of Diana: a nun
of winter's sisterhood kisses not more religiously;
the very ice of chastity is in them.
ROSALIND
But why did he swear he would come this morning, and
comes not?
CELIA
Nay, certainly, there is no truth in him.
ROSALIND
Do you think so?
CELIA
Yes; I think he is not a pick-purse nor a
horse-stealer, but for his verity in love, I do
think him as concave as a covered goblet or a
worm-eaten nut.
ROSALIND
Not true in love?
CELIA
Yes, when he is in; but I think he is not in.
ROSALIND
You have heard him swear downright he was.
CELIA
'Was' is not 'is:' besides, the oath of a lover is
no stronger than the word of a tapster; they are
both the confirmer of false reckonings. He attends
here in the forest on the duke your father.
ROSALIND
I met the duke yesterday and had much question with
him: he asked me of what parentage I was; I told
him, of as good as he; so he laughed and let me go.
But what talk we of fathers, when there is such a
man as Orlando?
CELIA
O, that's a brave man! he writes brave verses,
speaks brave words, swears brave oaths and breaks
them bravely, quite traverse, athwart the heart of
his lover; as a puisny tilter, that spurs his horse
but on one side, breaks his staff like a noble
goose: but all's brave that youth mounts and folly
guides. Who comes here?
Enter CORIN
CORIN
Mistress and master, you have oft inquired
After the shepherd that complain'd of love,
Who you saw sitting by me on the turf,
Praising the proud disdainful shepherdess
That was his mistress.
CELIA
Well, and what of him?
CORIN
If you will see a pageant truly play'd,
Between the pale complexion of true love
And the red glow of scorn and proud disdain,
Go hence a little and I shall conduct you,
If you will mark it.
ROSALIND
O, come, let us remove:
The sight of lovers feedeth those in love.
Bring us to this sight, and you shall say
I'll prove a busy actor in their play.
Exeunt


أرب جمـال 5 - 11 - 2009 05:45 PM

SCENE V. Another part of the forest.SCENE V. Another part of the forest.
Enter SILVIUS and PHEBE
SILVIUS
Sweet Phebe, do not scorn me; do not, Phebe;
Say that you love me not, but say not so
In bitterness. The common executioner,
Whose heart the accustom'd sight of death makes hard,
Falls not the axe upon the humbled neck
But first begs pardon: will you sterner be
Than he that dies and lives by bloody drops?
Enter ROSALIND, CELIA, and CORIN, behind
PHEBE
I would not be thy executioner:
I fly thee, for I would not injure thee.
Thou tell'st me there is murder in mine eye:
'Tis pretty, sure, and very probable,
That eyes, that are the frail'st and softest things,
Who shut their coward gates on atomies,
Should be call'd tyrants, butchers, murderers!
Now I do frown on thee with all my heart;
And if mine eyes can wound, now let them kill thee:
Now counterfeit to swoon; why now fall down;
Or if thou canst not, O, for shame, for shame,
Lie not, to say mine eyes are murderers!
Now show the wound mine eye hath made in thee:
Scratch thee but with a pin, and there remains
Some scar of it; lean but upon a rush,
The cicatrice and capable impressure
Thy palm some moment keeps; but now mine eyes,
Which I have darted at thee, hurt thee not,
Nor, I am sure, there is no force in eyes
That can do hurt.
SILVIUS
O dear Phebe,
If ever,--as that ever may be near,--
You meet in some fresh cheek the power of fancy,
Then shall you know the wounds invisible
That love's keen arrows make.
PHEBE
But till that time
Come not thou near me: and when that time comes,
Afflict me with thy mocks, pity me not;
As till that time I shall not pity thee.
ROSALIND
And why, I pray you? Who might be your mother,
That you insult, exult, and all at once,
Over the wretched? What though you have no beauty,--
As, by my faith, I see no more in you
Than without candle may go dark to bed--
Must you be therefore proud and pitiless?
Why, what means this? Why do you look on me?
I see no more in you than in the ordinary
Of nature's sale-work. 'Od's my little life,
I think she means to tangle my eyes too!
No, faith, proud mistress, hope not after it:
'Tis not your inky brows, your black silk hair,
Your bugle eyeballs, nor your cheek of cream,
That can entame my spirits to your worship.
You foolish shepherd, wherefore do you follow her,
Like foggy south puffing with wind and rain?
You are a thousand times a properer man
Than she a woman: 'tis such fools as you
That makes the world full of ill-favour'd children:
'Tis not her glass, but you, that flatters her;
And out of you she sees herself more proper
Than any of her lineaments can show her.
But, mistress, know yourself: down on your knees,
And thank heaven, fasting, for a good man's love:
For I must tell you friendly in your ear,
Sell when you can: you are not for all markets:
Cry the man mercy; love him; take his offer:
Foul is most foul, being foul to be a scoffer.
So take her to thee, shepherd: fare you well.
PHEBE
Sweet youth, I pray you, chide a year together:
I had rather hear you chide than this man woo.
ROSALIND
He's fallen in love with your foulness and she'll
fall in love with my anger. If it be so, as fast as
she answers thee with frowning looks, I'll sauce her
with bitter words. Why look you so upon me?
PHEBE
For no ill will I bear you.
ROSALIND
I pray you, do not fall in love with me,
For I am falser than vows made in wine:
Besides, I like you not. If you will know my house,
'Tis at the tuft of olives here hard by.
Will you go, sister? Shepherd, ply her hard.
Come, sister. Shepherdess, look on him better,
And be not proud: though all the world could see,
None could be so abused in sight as he.
Come, to our flock.
Exeunt ROSALIND, CELIA and CORIN
PHEBE
Dead Shepherd, now I find thy saw of might,
'Who ever loved that loved not at first sight?'
SILVIUS
Sweet Phebe,--
PHEBE
Ha, what say'st thou, Silvius?
SILVIUS
Sweet Phebe, pity me.
PHEBE
Why, I am sorry for thee, gentle Silvius.
SILVIUS
Wherever sorrow is, relief would be:
If you do sorrow at my grief in love,
By giving love your sorrow and my grief
Were both extermined.
PHEBE
Thou hast my love: is not that neighbourly?
SILVIUS
I would have you.
PHEBE
Why, that were covetousness.
Silvius, the time was that I hated thee,
And yet it is not that I bear thee love;
But since that thou canst talk of love so well,
Thy company, which erst was irksome to me,
I will endure, and I'll employ thee too:
But do not look for further recompense
Than thine own gladness that thou art employ'd.
SILVIUS
So holy and so perfect is my love,
And I in such a poverty of grace,
That I shall think it a most plenteous crop
To glean the broken ears after the man
That the main harvest reaps: loose now and then
A scatter'd smile, and that I'll live upon.
PHEBE
Know'st now the youth that spoke to me erewhile?
SILVIUS
Not very well, but I have met him oft;
And he hath bought the cottage and the bounds
That the old carlot once was master of.
PHEBE
Think not I love him, though I ask for him:
'Tis but a peevish boy; yet he talks well;
But what care I for words? yet words do well
When he that speaks them pleases those that hear.
It is a pretty youth: not very pretty:
But, sure, he's proud, and yet his pride becomes him:
He'll make a proper man: the best thing in him
Is his complexion; and faster than his tongue
Did make offence his eye did heal it up.
He is not very tall; yet for his years he's tall:
His leg is but so so; and yet 'tis well:
There was a pretty redness in his lip,
A little riper and more lusty red
Than that mix'd in his cheek; 'twas just the difference
Between the constant red and mingled damask.
There be some women, Silvius, had they mark'd him
In parcels as I did, would have gone near
To fall in love with him; but, for my part,
I love him not nor hate him not; and yet
I have more cause to hate him than to love him:
For what had he to do to chide at me?
He said mine eyes were black and my hair black:
And, now I am remember'd, scorn'd at me:
I marvel why I answer'd not again:
But that's all one; omittance is no quittance.
I'll write to him a very taunting letter,
And thou shalt bear it: wilt thou, Silvius?
SILVIUS
Phebe, with all my heart.
PHEBE
I'll write it straight;
The matter's in my head and in my heart:
I will be bitter with him and passing short.
Go with me, Silvius.
Exeunt


أرب جمـال 5 - 11 - 2009 05:46 PM

SCENE I. The forest.SCENE I. The forest.
Enter ROSALIND, CELIA, and JAQUES
JAQUES
I prithee, pretty youth, let me be better acquainted
with thee.
ROSALIND
They say you are a melancholy fellow.
JAQUES
I am so; I do love it better than laughing.
ROSALIND
Those that are in extremity of either are abominable
fellows and betray themselves to every modern
censure worse than drunkards.
JAQUES
Why, 'tis good to be sad and say nothing.
ROSALIND
Why then, 'tis good to be a post.
JAQUES
I have neither the scholar's melancholy, which is
emulation, nor the musician's, which is fantastical,
nor the courtier's, which is proud, nor the
soldier's, which is ambitious, nor the lawyer's,
which is politic, nor the lady's, which is nice, nor
the lover's, which is all these: but it is a
melancholy of mine own, compounded of many simples,
extracted from many objects, and indeed the sundry's
contemplation of my travels, in which my often
rumination wraps me m a most humorous sadness.
ROSALIND
A traveller! By my faith, you have great reason to
be sad: I fear you have sold your own lands to see
other men's; then, to have seen much and to have
nothing, is to have rich eyes and poor hands.
JAQUES
Yes, I have gained my experience.
ROSALIND
And your experience makes you sad: I had rather have
a fool to make me merry than experience to make me
sad; and to travel for it too!
Enter ORLANDO
ORLANDO
Good day and happiness, dear Rosalind!
JAQUES
Nay, then, God be wi' you, an you talk in blank verse.
Exit
ROSALIND
Farewell, Monsieur Traveller: look you lisp and
wear strange suits, disable all the benefits of your
own country, be out of love with your nativity and
almost chide God for making you that countenance you
are, or I will scarce think you have swam in a
gondola. Why, how now, Orlando! where have you been
all this while? You a lover! An you serve me such
another trick, never come in my sight more.
ORLANDO
My fair Rosalind, I come within an hour of my promise.
ROSALIND
Break an hour's promise in love! He that will
divide a minute into a thousand parts and break but
a part of the thousandth part of a minute in the
affairs of love, it may be said of him that Cupid
hath clapped him o' the shoulder, but I'll warrant
him heart-whole.
ORLANDO
Pardon me, dear Rosalind.
ROSALIND
Nay, an you be so tardy, come no more in my sight: I
had as lief be wooed of a snail.
ORLANDO
Of a snail?
ROSALIND
Ay, of a snail; for though he comes slowly, he
carries his house on his head; a better jointure,
I think, than you make a woman: besides he brings
his destiny with him.
ORLANDO
What's that?
ROSALIND
Why, horns, which such as you are fain to be
beholding to your wives for: but he comes armed in
his fortune and prevents the slander of his wife.
ORLANDO
Virtue is no horn-maker; and my Rosalind is virtuous.
ROSALIND
And I am your Rosalind.
CELIA
It pleases him to call you so; but he hath a
Rosalind of a better leer than you.
ROSALIND
Come, woo me, woo me, for now I am in a holiday
humour and like enough to consent. What would you
say to me now, an I were your very very Rosalind?
ORLANDO
I would kiss before I spoke.
ROSALIND
Nay, you were better speak first, and when you were
gravelled for lack of matter, you might take
occasion to kiss. Very good orators, when they are
out, they will spit; and for lovers lacking--God
warn us!--matter, the cleanliest shift is to kiss.
ORLANDO
How if the kiss be denied?
ROSALIND
Then she puts you to entreaty, and there begins new matter.
ORLANDO
Who could be out, being before his beloved mistress?
ROSALIND
Marry, that should you, if I were your mistress, or
I should think my honesty ranker than my wit.
ORLANDO
What, of my suit?
ROSALIND
Not out of your apparel, and yet out of your suit.
Am not I your Rosalind?
ORLANDO
I take some joy to say you are, because I would be
talking of her.
ROSALIND
Well in her person I say I will not have you.
ORLANDO
Then in mine own person I die.
ROSALIND
No, faith, die by attorney. The poor world is
almost six thousand years old, and in all this time
there was not any man died in his own person,
videlicit, in a love-cause. Troilus had his brains
dashed out with a Grecian club; yet he did what he
could to die before, and he is one of the patterns
of love. Leander, he would have lived many a fair
year, though Hero had turned nun, if it had not been
for a hot midsummer night; for, good youth, he went
but forth to wash him in the Hellespont and being
taken with the cramp was drowned and the foolish
coroners of that age found it was 'Hero of Sestos.'
But these are all lies: men have died from time to
time and worms have eaten them, but not for love.
ORLANDO
I would not have my right Rosalind of this mind,
for, I protest, her frown might kill me.
ROSALIND
By this hand, it will not kill a fly. But come, now
I will be your Rosalind in a more coming-on
disposition, and ask me what you will. I will grant
it.
ORLANDO
Then love me, Rosalind.
ROSALIND
Yes, faith, will I, Fridays and Saturdays and all.
ORLANDO
And wilt thou have me?
ROSALIND
Ay, and twenty such.
ORLANDO
What sayest thou?
ROSALIND
Are you not good?
ORLANDO
I hope so.
ROSALIND
Why then, can one desire too much of a good thing?
Come, sister, you shall be the priest and marry us.
Give me your hand, Orlando. What do you say, sister?
ORLANDO
Pray thee, marry us.
CELIA
I cannot say the words.
ROSALIND
You must begin, 'Will you, Orlando--'
CELIA
Go to. Will you, Orlando, have to wife this Rosalind?
ORLANDO
I will.
ROSALIND
Ay, but when?
ORLANDO
Why now; as fast as she can marry us.
ROSALIND
Then you must say 'I take thee, Rosalind, for wife.'
ORLANDO
I take thee, Rosalind, for wife.
ROSALIND
I might ask you for your commission; but I do take
thee, Orlando, for my husband: there's a girl goes
before the priest; and certainly a woman's thought
runs before her actions.
ORLANDO
So do all thoughts; they are winged.
ROSALIND
Now tell me how long you would have her after you
have possessed her.
ORLANDO
For ever and a day.
ROSALIND
Say 'a day,' without the 'ever.' No, no, Orlando;
men are April when they woo, December when they wed:
maids are May when they are maids, but the sky
changes when they are wives. I will be more jealous
of thee than a Barbary cock-pigeon over his hen,
more clamorous than a parrot against rain, more
new-fangled than an ape, more giddy in my desires
than a monkey: I will weep for nothing, like Diana
in the fountain, and I will do that when you are
disposed to be merry; I will laugh like a hyen, and
that when thou art inclined to sleep.
ORLANDO
But will my Rosalind do so?
ROSALIND
By my life, she will do as I do.
ORLANDO
O, but she is wise.
ROSALIND
Or else she could not have the wit to do this: the
wiser, the waywarder: make the doors upon a woman's
wit and it will out at the casement; shut that and
'twill out at the key-hole; stop that, 'twill fly
with the smoke out at the chimney.
ORLANDO
A man that had a wife with such a wit, he might say
'Wit, whither wilt?'
ROSALIND
Nay, you might keep that cheque for it till you met
your wife's wit going to your neighbour's bed.
ORLANDO
And what wit could wit have to excuse that?
ROSALIND
Marry, to say she came to seek you there. You shall
never take her without her answer, unless you take
her without her tongue. O, that woman that cannot
make her fault her husband's occasion, let her
never nurse her child herself, for she will breed
it like a fool!
ORLANDO
For these two hours, Rosalind, I will leave thee.
ROSALIND
Alas! dear love, I cannot lack thee two hours.
ORLANDO
I must attend the duke at dinner: by two o'clock I
will be with thee again.
ROSALIND
Ay, go your ways, go your ways; I knew what you
would prove: my friends told me as much, and I
thought no less: that flattering tongue of yours
won me: 'tis but one cast away, and so, come,
death! Two o'clock is your hour?
ORLANDO
Ay, sweet Rosalind.
ROSALIND
By my troth, and in good earnest, and so God mend
me, and by all pretty oaths that are not dangerous,
if you break one jot of your promise or come one
minute behind your hour, I will think you the most
pathetical break-promise and the most hollow lover
and the most unworthy of her you call Rosalind that
may be chosen out of the gross band of the
unfaithful: therefore beware my censure and keep
your promise.
ORLANDO
With no less religion than if thou wert indeed my
Rosalind: so adieu.
ROSALIND
Well, Time is the old justice that examines all such
offenders, and let Time try: adieu.
Exit ORLANDO
CELIA
You have simply misused our sex in your love-prate:
we must have your doublet and hose plucked over your
head, and show the world what the bird hath done to
her own nest.
ROSALIND
O coz, coz, coz, my pretty little coz, that thou
didst know how many fathom deep I am in love! But
it cannot be sounded: my affection hath an unknown
bottom, like the bay of Portugal.
CELIA
Or rather, bottomless, that as fast as you pour
affection in, it runs out.
ROSALIND
No, that same wicked bastard of Venus that was begot
of thought, conceived of spleen and born of madness,
that blind rascally boy that abuses every one's eyes
because his own are out, let him be judge how deep I
am in love. I'll tell thee, Aliena, I cannot be out
of the sight of Orlando: I'll go find a shadow and
sigh till he come.
CELIA
And I'll sleep.
Exeunt


أرب جمـال 5 - 11 - 2009 05:46 PM

SCENE II. The forest.SCENE II. The forest.
Enter JAQUES, Lords, and Foresters
JAQUES
Which is he that killed the deer?
A Lord
Sir, it was I.
JAQUES
Let's present him to the duke, like a Roman
conqueror; and it would do well to set the deer's
horns upon his head, for a branch of victory. Have
you no song, forester, for this purpose?
Forester
Yes, sir.
JAQUES
Sing it: 'tis no matter how it be in tune, so it
make noise enough.
SONG.
Forester
What shall he have that kill'd the deer?
His leather skin and horns to wear.
Then sing him home;
The rest shall bear this burden
Take thou no scorn to wear the horn;
It was a crest ere thou wast born:
Thy father's father wore it,
And thy father bore it:
The horn, the horn, the lusty horn
Is not a thing to laugh to scorn.
Exeunt


أرب جمـال 5 - 11 - 2009 05:47 PM

SCENE III. The forest.SCENE III. The forest.
Enter ROSALIND and CELIA
ROSALIND
How say you now? Is it not past two o'clock? and
here much Orlando!
CELIA
I warrant you, with pure love and troubled brain, he
hath ta'en his bow and arrows and is gone forth to
sleep. Look, who comes here.
Enter SILVIUS
SILVIUS
My errand is to you, fair youth;
My gentle Phebe bid me give you this:
I know not the *******s; but, as I guess
By the stern brow and waspish action
Which she did use as she was writing of it,
It bears an angry tenor: pardon me:
I am but as a guiltless messenger.
ROSALIND
Patience herself would startle at this letter
And play the swaggerer; bear this, bear all:
She says I am not fair, that I lack manners;
She calls me proud, and that she could not love me,
Were man as rare as phoenix. 'Od's my will!
Her love is not the hare that I do hunt:
Why writes she so to me? Well, shepherd, well,
This is a letter of your own device.
SILVIUS
No, I protest, I know not the *******s:
Phebe did write it.
ROSALIND
Come, come, you are a fool
And turn'd into the extremity of love.
I saw her hand: she has a leathern hand.
A freestone-colour'd hand; I verily did think
That her old gloves were on, but 'twas her hands:
She has a huswife's hand; but that's no matter:
I say she never did invent this letter;
This is a man's invention and his hand.
SILVIUS
Sure, it is hers.
ROSALIND
Why, 'tis a boisterous and a cruel style.
A style for-challengers; why, she defies me,
Like Turk to Christian: women's gentle brain
Could not drop forth such giant-rude invention
Such Ethiope words, blacker in their effect
Than in their countenance. Will you hear the letter?
SILVIUS
So please you, for I never heard it yet;
Yet heard too much of Phebe's cruelty.
ROSALIND
She Phebes me: mark how the tyrant writes.
Reads
Art thou god to shepherd turn'd,
That a maiden's heart hath burn'd?
Can a woman rail thus?
SILVIUS
Call you this railing?
ROSALIND
[Reads]
Why, thy godhead laid apart,
Warr'st thou with a woman's heart?
Did you ever hear such railing?
Whiles the eye of man did woo me,
That could do no vengeance to me.
Meaning me a beast.
If the scorn of your bright eyne
Have power to raise such love in mine,
Alack, in me what strange effect
Would they work in mild aspect!
Whiles you chid me, I did love;
How then might your prayers move!
He that brings this love to thee
Little knows this love in me:
And by him seal up thy mind;
Whether that thy youth and kind
Will the faithful offer take
Of me and all that I can make;
Or else by him my love deny,
And then I'll study how to die.
SILVIUS
Call you this chiding?
CELIA
Alas, poor shepherd!
ROSALIND
Do you pity him? no, he deserves no pity. Wilt
thou love such a woman? What, to make thee an
instrument and play false strains upon thee! not to
be endured! Well, go your way to her, for I see
love hath made thee a tame snake, and say this to
her: that if she love me, I charge her to love
thee; if she will not, I will never have her unless
thou entreat for her. If you be a true lover,
hence, and not a word; for here comes more company.
Exit SILVIUS
Enter OLIVER
OLIVER
Good morrow, fair ones: pray you, if you know,
Where in the purlieus of this forest stands
A sheep-cote fenced about with olive trees?
CELIA
West of this place, down in the neighbour bottom:
The rank of osiers by the murmuring stream
Left on your right hand brings you to the place.
But at this hour the house doth keep itself;
There's none within.
OLIVER
If that an eye may profit by a tongue,
Then should I know you by de******ion;
Such garments and such years: 'The boy is fair,
Of female favour, and bestows himself
Like a ripe sister: the woman low
And browner than her brother.' Are not you
The owner of the house I did inquire for?
CELIA
It is no boast, being ask'd, to say we are.
OLIVER
Orlando doth commend him to you both,
And to that youth he calls his Rosalind
He sends this bloody napkin. Are you he?
ROSALIND
I am: what must we understand by this?
OLIVER
Some of my shame; if you will know of me
What man I am, and how, and why, and where
This handkercher was stain'd.
CELIA
I pray you, tell it.
OLIVER
When last the young Orlando parted from you
He left a promise to return again
Within an hour, and pacing through the forest,
Chewing the food of sweet and bitter fancy,
Lo, what befell! he threw his eye aside,
And mark what object did present itself:
Under an oak, whose boughs were moss'd with age
And high top bald with dry antiquity,
A wretched ragged man, o'ergrown with hair,
Lay sleeping on his back: about his neck
A green and gilded snake had wreathed itself,
Who with her head nimble in threats approach'd
The opening of his mouth; but suddenly,
Seeing Orlando, it unlink'd itself,
And with indented glides did slip away
Into a bush: under which bush's shade
A lioness, with udders all drawn dry,
Lay couching, head on ground, with catlike watch,
When that the sleeping man should stir; for 'tis
The royal disposition of that beast
To prey on nothing that doth seem as dead:
This seen, Orlando did approach the man
And found it was his brother, his elder brother.
CELIA
O, I have heard him speak of that same brother;
And he did render him the most unnatural
That lived amongst men.
OLIVER
And well he might so do,
For well I know he was unnatural.
ROSALIND
But, to Orlando: did he leave him there,
Food to the suck'd and hungry lioness?
OLIVER
Twice did he turn his back and purposed so;
But kindness, nobler ever than revenge,
And nature, stronger than his just occasion,
Made him give battle to the lioness,
Who quickly fell before him: in which hurtling
From miserable slumber I awaked.
CELIA
Are you his brother?
ROSALIND
Wast you he rescued?
CELIA
Was't you that did so oft contrive to kill him?
OLIVER
'Twas I; but 'tis not I I do not shame
To tell you what I was, since my conversion
So sweetly tastes, being the thing I am.
ROSALIND
But, for the bloody napkin?
OLIVER
By and by.
When from the first to last betwixt us two
Tears our recountments had most kindly bathed,
As how I came into that desert place:--
In brief, he led me to the gentle duke,
Who gave me fresh array and entertainment,
Committing me unto my brother's love;
Who led me instantly unto his cave,
There stripp'd himself, and here upon his arm
The lioness had torn some flesh away,
Which all this while had bled; and now he fainted
And cried, in fainting, upon Rosalind.
Brief, I recover'd him, bound up his wound;
And, after some small space, being strong at heart,
He sent me hither, stranger as I am,
To tell this story, that you might excuse
His broken promise, and to give this napkin
Dyed in his blood unto the shepherd youth
That he in sport doth call his Rosalind.
ROSALIND swoons
CELIA
Why, how now, Ganymede! sweet Ganymede!
OLIVER
Many will swoon when they do look on blood.
CELIA
There is more in it. Cousin Ganymede!
OLIVER
Look, he recovers.
ROSALIND
I would I were at home.
CELIA
We'll lead you thither.
I pray you, will you take him by the arm?
OLIVER
Be of good cheer, youth: you a man! you lack a
man's heart.
ROSALIND
I do so, I confess it. Ah, sirrah, a body would
think this was well counterfeited! I pray you, tell
your brother how well I counterfeited. Heigh-ho!
OLIVER
This was not counterfeit: there is too great
testimony in your complexion that it was a passion
of earnest.
ROSALIND
Counterfeit, I assure you.
OLIVER
Well then, take a good heart and counterfeit to be a man.
ROSALIND
So I do: but, i' faith, I should have been a woman by right.
CELIA
Come, you look paler and paler: pray you, draw
homewards. Good sir, go with us.
OLIVER
That will I, for I must bear answer back
How you excuse my brother, Rosalind.
ROSALIND
I shall devise something: but, I pray you, commend
my counterfeiting to him. Will you go?
Exeunt


أرب جمـال 5 - 11 - 2009 05:47 PM

SCENE I. The forest.SCENE I. The forest.
Enter TOUCHSTONE and AUDREY
TOUCHSTONE
We shall find a time, Audrey; patience, gentle Audrey.
AUDREY
Faith, the priest was good enough, for all the old
gentleman's saying.
TOUCHSTONE
A most wicked Sir Oliver, Audrey, a most vile
Mar****. But, Audrey, there is a youth here in the
forest lays claim to you.
AUDREY
Ay, I know who 'tis; he hath no interest in me in
the world: here comes the man you mean.
TOUCHSTONE
It is meat and drink to me to see a clown: by my
troth, we that have good wits have much to answer
for; we shall be flouting; we cannot hold.
Enter WILLIAM
WILLIAM
Good even, Audrey.
AUDREY
God ye good even, William.
WILLIAM
And good even to you, sir.
TOUCHSTONE
Good even, gentle friend. Cover thy head, cover thy
head; nay, prithee, be covered. How old are you, friend?
WILLIAM
Five and twenty, sir.
TOUCHSTONE
A ripe age. Is thy name William?
WILLIAM
William, sir.
TOUCHSTONE
A fair name. Wast born i' the forest here?
WILLIAM
Ay, sir, I thank God.
TOUCHSTONE
'Thank God;' a good answer. Art rich?
WILLIAM
Faith, sir, so so.
TOUCHSTONE
'So so' is good, very good, very excellent good; and
yet it is not; it is but so so. Art thou wise?
WILLIAM
Ay, sir, I have a pretty wit.
TOUCHSTONE
Why, thou sayest well. I do now remember a saying,
'The fool doth think he is wise, but the wise man
knows himself to be a fool.' The heathen
philosopher, when he had a desire to eat a grape,
would open his lips when he put it into his mouth;
meaning thereby that grapes were made to eat and
lips to open. You do love this maid?
WILLIAM
I do, sir.
TOUCHSTONE
Give me your hand. Art thou learned?
WILLIAM
No, sir.
TOUCHSTONE
Then learn this of me: to have, is to have; for it
is a figure in rhetoric that drink, being poured out
of a cup into a glass, by filling the one doth empty
the other; for all your writers do consent that ipse
is he: now, you are not ipse, for I am he.
WILLIAM
Which he, sir?
TOUCHSTONE
He, sir, that must marry this woman. Therefore, you
clown, abandon,--which is in the vulgar leave,--the
society,--which in the boorish is company,--of this
female,--which in the common is woman; which
together is, abandon the society of this female, or,
clown, thou perishest; or, to thy better
understanding, diest; or, to wit I kill thee, make
thee away, translate thy life into death, thy
liberty into bondage: I will deal in poison with
thee, or in bastinado, or in steel; I will bandy
with thee in faction; I will o'errun thee with
policy; I will kill thee a hundred and fifty ways:
therefore tremble and depart.
AUDREY
Do, good William.
WILLIAM
God rest you merry, sir.
Exit
Enter CORIN
CORIN
Our master and mistress seeks you; come, away, away!
TOUCHSTONE
Trip, Audrey! trip, Audrey! I attend, I attend.
Exeunt


أرب جمـال 5 - 11 - 2009 05:47 PM

SCENE II. The forest.SCENE II. The forest.
Enter ORLANDO and OLIVER
ORLANDO
Is't possible that on so little acquaintance you
should like her? that but seeing you should love
her? and loving woo? and, wooing, she should
grant? and will you persever to enjoy her?
OLIVER
Neither call the giddiness of it in question, the
poverty of her, the small acquaintance, my sudden
wooing, nor her sudden consenting; but say with me,
I love Aliena; say with her that she loves me;
consent with both that we may enjoy each other: it
shall be to your good; for my father's house and all
the revenue that was old Sir Rowland's will I
estate upon you, and here live and die a shepherd.
ORLANDO
You have my consent. Let your wedding be to-morrow:
thither will I invite the duke and all's *******ed
followers. Go you and prepare Aliena; for look
you, here comes my Rosalind.
Enter ROSALIND
ROSALIND
God save you, brother.
OLIVER
And you, fair sister.
Exit
ROSALIND
O, my dear Orlando, how it grieves me to see thee
wear thy heart in a scarf!
ORLANDO
It is my arm.
ROSALIND
I thought thy heart had been wounded with the claws
of a lion.
ORLANDO
Wounded it is, but with the eyes of a lady.
ROSALIND
Did your brother tell you how I counterfeited to
swoon when he showed me your handkerchief?
ORLANDO
Ay, and greater wonders than that.
ROSALIND
O, I know where you are: nay, 'tis true: there was
never any thing so sudden but the fight of two rams
and Caesar's thrasonical brag of 'I came, saw, and
overcame:' for your brother and my sister no sooner
met but they looked, no sooner looked but they
loved, no sooner loved but they sighed, no sooner
sighed but they asked one another the reason, no
sooner knew the reason but they sought the remedy;
and in these degrees have they made a pair of stairs
to marriage which they will climb incontinent, or
else be incontinent before marriage: they are in
the very wrath of love and they will together; clubs
cannot part them.
ORLANDO
They shall be married to-morrow, and I will bid the
duke to the nuptial. But, O, how bitter a thing it
is to look into happiness through another man's
eyes! By so much the more shall I to-morrow be at
the height of heart-heaviness, by how much I shall
think my brother happy in having what he wishes for.
ROSALIND
Why then, to-morrow I cannot serve your turn for Rosalind?
ORLANDO
I can live no longer by thinking.
ROSALIND
I will weary you then no longer with idle talking.
Know of me then, for now I speak to some purpose,
that I know you are a gentleman of good conceit: I
speak not this that you should bear a good opinion
of my knowledge, insomuch I say I know you are;
neither do I labour for a greater esteem than may in
some little measure draw a belief from you, to do
yourself good and not to grace me. Believe then, if
you please, that I can do strange things: I have,
since I was three year old, conversed with a
magician, most profound in his art and yet not
damnable. If you do love Rosalind so near the heart
as your gesture cries it out, when your brother
marries Aliena, shall you marry her: I know into
what straits of fortune she is driven; and it is
not impossible to me, if it appear not inconvenient
to you, to set her before your eyes tomorrow human
as she is and without any danger.
ORLANDO
Speakest thou in sober meanings?
ROSALIND
By my life, I do; which I tender dearly, though I
say I am a magician. Therefore, put you in your
best array: bid your friends; for if you will be
married to-morrow, you shall, and to Rosalind, if you will.
Enter SILVIUS and PHEBE
Look, here comes a lover of mine and a lover of hers.
PHEBE
Youth, you have done me much ungentleness,
To show the letter that I writ to you.
ROSALIND
I care not if I have: it is my study
To seem despiteful and ungentle to you:
You are there followed by a faithful shepherd;
Look upon him, love him; he worships you.
PHEBE
Good shepherd, tell this youth what 'tis to love.
SILVIUS
It is to be all made of sighs and tears;
And so am I for Phebe.
PHEBE
And I for Ganymede.
ORLANDO
And I for Rosalind.
ROSALIND
And I for no woman.
SILVIUS
It is to be all made of faith and service;
And so am I for Phebe.
PHEBE
And I for Ganymede.
ORLANDO
And I for Rosalind.
ROSALIND
And I for no woman.
SILVIUS
It is to be all made of fantasy,
All made of passion and all made of wishes,
All adoration, duty, and observance,
All humbleness, all patience and impatience,
All purity, all trial, all observance;
And so am I for Phebe.
PHEBE
And so am I for Ganymede.
ORLANDO
And so am I for Rosalind.
ROSALIND
And so am I for no woman.
PHEBE
If this be so, why blame you me to love you?
SILVIUS
If this be so, why blame you me to love you?
ORLANDO
If this be so, why blame you me to love you?
ROSALIND
Who do you speak to, 'Why blame you me to love you?'
ORLANDO
To her that is not here, nor doth not hear.
ROSALIND
Pray you, no more of this; 'tis like the howling
of Irish wolves against the moon.
To SILVIUS
I will help you, if I can:
To PHEBE
I would love you, if I could. To-morrow meet me all together.
To PHEBE
I will marry you, if ever I marry woman, and I'll be
married to-morrow:
To ORLANDO
I will satisfy you, if ever I satisfied man, and you
shall be married to-morrow:
To SILVIUS
I will ******* you, if what pleases you *******s
you, and you shall be married to-morrow.
To ORLANDO
As you love Rosalind, meet:
To SILVIUS
as you love Phebe, meet: and as I love no woman,
I'll meet. So fare you well: I have left you commands.
SILVIUS
I'll not fail, if I live.
PHEBE
Nor I.
ORLANDO
Nor I.
Exeunt


أرب جمـال 5 - 11 - 2009 05:48 PM

SCENE III. The forest.SCENE III. The forest.
Enter TOUCHSTONE and AUDREY
TOUCHSTONE
To-morrow is the joyful day, Audrey; to-morrow will
we be married.
AUDREY
I do desire it with all my heart; and I hope it is
no dishonest desire to desire to be a woman of the
world. Here comes two of the banished duke's pages.
Enter two Pages
First Page
Well met, honest gentleman.
TOUCHSTONE
By my troth, well met. Come, sit, sit, and a song.
Second Page
We are for you: sit i' the middle.
First Page
Shall we clap into't roundly, without hawking or
spitting or saying we are hoarse, which are the only
prologues to a bad voice?
Second Page
I'faith, i'faith; and both in a tune, like two
gipsies on a horse.
SONG.
It was a lover and his lass,
With a hey, and a ho, and a hey nonino,
That o'er the green corn-field did pass
In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding, ding:
Sweet lovers love the spring.
Between the acres of the rye,
With a hey, and a ho, and a hey nonino
These pretty country folks would lie,
In spring time, & c.
This carol they began that hour,
With a hey, and a ho, and a hey nonino,
How that a life was but a flower
In spring time, & c.
And therefore take the present time,
With a hey, and a ho, and a hey nonino;
For love is crowned with the prime
In spring time, & c.
TOUCHSTONE
Truly, young gentlemen, though there was no great
matter in the ditty, yet the note was very
untuneable.
First Page
You are deceived, sir: we kept time, we lost not our time.
TOUCHSTONE
By my troth, yes; I count it but time lost to hear
such a foolish song. God be wi' you; and God mend
your voices! Come, Audrey.
Exeunt


أرب جمـال 5 - 11 - 2009 05:49 PM

SCENE IV. The forest.SCENE IV. The forest.
Enter DUKE SENIOR, AMIENS, JAQUES, ORLANDO, OLIVER, and CELIA
DUKE SENIOR
Dost thou believe, Orlando, that the boy
Can do all this that he hath promised?
ORLANDO
I sometimes do believe, and sometimes do not;
As those that fear they hope, and know they fear.
Enter ROSALIND, SILVIUS, and PHEBE
ROSALIND
Patience once more, whiles our compact is urged:
You say, if I bring in your Rosalind,
You will bestow her on Orlando here?
DUKE SENIOR
That would I, had I kingdoms to give with her.
ROSALIND
And you say, you will have her, when I bring her?
ORLANDO
That would I, were I of all kingdoms king.
ROSALIND
You say, you'll marry me, if I be willing?
PHEBE
That will I, should I die the hour after.
ROSALIND
But if you do refuse to marry me,
You'll give yourself to this most faithful shepherd?
PHEBE
So is the bargain.
ROSALIND
You say, that you'll have Phebe, if she will?
SILVIUS
Though to have her and death were both one thing.
ROSALIND
I have promised to make all this matter even.
Keep you your word, O duke, to give your daughter;
You yours, Orlando, to receive his daughter:
Keep your word, Phebe, that you'll marry me,
Or else refusing me, to wed this shepherd:
Keep your word, Silvius, that you'll marry her.
If she refuse me: and from hence I go,
To make these doubts all even.
Exeunt ROSALIND and CELIA
DUKE SENIOR
I do remember in this shepherd boy
Some lively touches of my daughter's favour.
ORLANDO
My lord, the first time that I ever saw him
Methought he was a brother to your daughter:
But, my good lord, this boy is forest-born,
And hath been tutor'd in the rudiments
Of many desperate studies by his uncle,
Whom he reports to be a great magician,
Obscured in the circle of this forest.
Enter TOUCHSTONE and AUDREY
JAQUES
There is, sure, another flood toward, and these
couples are coming to the ark. Here comes a pair of
very strange beasts, which in all tongues are called fools.
TOUCHSTONE
Salutation and greeting to you all!
JAQUES
Good my lord, bid him welcome: this is the
motley-minded gentleman that I have so often met in
the forest: he hath been a courtier, he swears.
TOUCHSTONE
If any man doubt that, let him put me to my
purgation. I have trod a measure; I have flattered
a lady; I have been politic with my friend, smooth
with mine enemy; I have undone three tailors; I have
had four quarrels, and like to have fought one.
JAQUES
And how was that ta'en up?
TOUCHSTONE
Faith, we met, and found the quarrel was upon the
seventh cause.
JAQUES
How seventh cause? Good my lord, like this fellow.
DUKE SENIOR
I like him very well.
TOUCHSTONE
God 'ild you, sir; I desire you of the like. I
press in here, sir, amongst the rest of the country
copulatives, to swear and to forswear: according as
marriage binds and blood breaks: a poor virgin,
sir, an ill-favoured thing, sir, but mine own; a poor
humour of mine, sir, to take that that no man else
will: rich honesty dwells like a miser, sir, in a
poor house; as your pearl in your foul oyster.
DUKE SENIOR
By my faith, he is very swift and sententious.
TOUCHSTONE
According to the fool's bolt, sir, and such dulcet diseases.
JAQUES
But, for the seventh cause; how did you find the
quarrel on the seventh cause?
TOUCHSTONE
Upon a lie seven times removed:--bear your body more
seeming, Audrey:--as thus, sir. I did dislike the
cut of a certain courtier's beard: he sent me word,
if I said his beard was not cut well, he was in the
mind it was: this is called the Retort Courteous.
If I sent him word again 'it was not well cut,' he
would send me word, he cut it to please himself:
this is called the Quip Modest. If again 'it was
not well cut,' he disabled my judgment: this is
called the Reply Churlish. If again 'it was not
well cut,' he would answer, I spake not true: this
is called the Reproof Valiant. If again 'it was not
well cut,' he would say I lied: this is called the
Counter-cheque Quarrelsome: and so to the Lie
Circumstantial and the Lie Direct.
JAQUES
And how oft did you say his beard was not well cut?
TOUCHSTONE
I durst go no further than the Lie Circumstantial,
nor he durst not give me the Lie Direct; and so we
measured swords and parted.
JAQUES
Can you nominate in order now the degrees of the lie?
TOUCHSTONE
O sir, we quarrel in print, by the book; as you have
books for good manners: I will name you the degrees.
The first, the Retort Courteous; the second, the
Quip Modest; the third, the Reply Churlish; the
fourth, the Reproof Valiant; the fifth, the
Countercheque Quarrelsome; the sixth, the Lie with
Circumstance; the seventh, the Lie Direct. All
these you may avoid but the Lie Direct; and you may
avoid that too, with an If. I knew when seven
justices could not take up a quarrel, but when the
parties were met themselves, one of them thought but
of an If, as, 'If you said so, then I said so;' and
they shook hands and swore brothers. Your If is the
only peacemaker; much virtue in If.
JAQUES
Is not this a rare fellow, my lord? he's as good at
any thing and yet a fool.
DUKE SENIOR
He uses his folly like a stalking-horse and under
the presentation of that he shoots his wit.
Enter HYMEN, ROSALIND, and CELIA
Still Music
HYMEN
Then is there mirth in heaven,
When earthly things made even
Atone together.
Good duke, receive thy daughter
Hymen from heaven brought her,
Yea, brought her hither,
That thou mightst join her hand with his
Whose heart within his bosom is.
ROSALIND
[To DUKE SENIOR] To you I give myself, for I am yours.
To ORLANDO
To you I give myself, for I am yours.
DUKE SENIOR
If there be truth in sight, you are my daughter.
ORLANDO
If there be truth in sight, you are my Rosalind.
PHEBE
If sight and shape be true,
Why then, my love adieu!
ROSALIND
I'll have no father, if you be not he:
I'll have no husband, if you be not he:
Nor ne'er wed woman, if you be not she.
HYMEN
Peace, ho! I bar confusion:
'Tis I must make conclusion
Of these most strange events:
Here's eight that must take hands
To join in Hymen's bands,
If truth holds true *******s.
You and you no cross shall part:
You and you are heart in heart
You to his love must accord,
Or have a woman to your lord:
You and you are sure together,
As the winter to foul weather.
Whiles a wedlock-hymn we sing,
Feed yourselves with questioning;
That reason wonder may diminish,
How thus we met, and these things finish.
SONG.
Wedding is great Juno's crown:
O blessed bond of board and bed!
'Tis Hymen peoples every town;
High wedlock then be honoured:
Honour, high honour and renown,
To Hymen, god of every town!
DUKE SENIOR
O my dear niece, welcome thou art to me!
Even daughter, welcome, in no less degree.
PHEBE
I will not eat my word, now thou art mine;
Thy faith my fancy to thee doth combine.
Enter JAQUES DE BOYS
JAQUES DE BOYS
Let me have audience for a word or two:
I am the second son of old Sir Rowland,
That bring these tidings to this fair assembly.
Duke Frederick, hearing how that every day
Men of great worth resorted to this forest,
Address'd a mighty power; which were on foot,
In his own conduct, purposely to take
His brother here and put him to the sword:
And to the skirts of this wild wood he came;
Where meeting with an old religious man,
After some question with him, was converted
Both from his enterprise and from the world,
His crown bequeathing to his banish'd brother,
And all their lands restored to them again
That were with him exiled. This to be true,
I do engage my life.
DUKE SENIOR
Welcome, young man;
Thou offer'st fairly to thy brothers' wedding:
To one his lands withheld, and to the other
A land itself at large, a potent dukedom.
First, in this forest, let us do those ends
That here were well begun and well begot:
And after, every of this happy number
That have endured shrewd days and nights with us
Shall share the good of our returned fortune,
According to the measure of their states.
Meantime, forget this new-fall'n dignity
And fall into our rustic revelry.
Play, music! And you, brides and bridegrooms all,
With measure heap'd in joy, to the measures fall.
JAQUES
Sir, by your patience. If I heard you rightly,
The duke hath put on a religious life
And thrown into neglect the pompous court?
JAQUES DE BOYS
He hath.
JAQUES
To him will I : out of these convertites
There is much matter to be heard and learn'd.
To DUKE SENIOR
You to your former honour I bequeath;
Your patience and your virtue well deserves it:
To ORLANDO
You to a love that your true faith doth merit:
To OLIVER
You to your land and love and great allies:
To SILVIUS
You to a long and well-deserved bed:
To TOUCHSTONE
And you to wrangling; for thy loving voyage
Is but for two months victuall'd. So, to your pleasures:
I am for other than for dancing measures.
DUKE SENIOR
Stay, Jaques, stay.
JAQUES
To see no pastime I what you would have
I'll stay to know at your abandon'd cave.
Exit
DUKE SENIOR
Proceed, proceed: we will begin these rites,
As we do trust they'll end, in true delights.
A dance
EPILOGUE
ROSALIND
It is not the fashion to see the lady the epilogue;
but it is no more unhandsome than to see the lord
the prologue. If it be true that good wine needs
no bush, 'tis true that a good play needs no
epilogue; yet to good wine they do use good bushes,
and good plays prove the better by the help of good
epilogues. What a case am I in then, that am
neither a good epilogue nor cannot insinuate with
you in the behalf of a good play! I am not
furnished like a beggar, therefore to beg will not
become me: my way is to conjure you; and I'll begin
with the women. I charge you, O women, for the love
you bear to men, to like as much of this play as
please you: and I charge you, O men, for the love
you bear to women--as I perceive by your simpering,
none of you hates them--that between you and the
women the play may please. If I were a woman I
would kiss as many of you as had beards that pleased
me, complexions that liked me and breaths that I
defied not: and, I am sure, as many as have good
beards or good faces or sweet breaths will, for my
kind offer, when I make curtsy, bid me farewell.
Exeunt


أرب جمـال 5 - 11 - 2009 05:49 PM

Julius Caeser: Entire PlayACT I

SCENE I. Rome. A street.
Enter FLAVIUS, MARULLUS, and certain Commoners
FLAVIUS
Hence! home, you idle creatures get you home:
Is this a holiday? what! know you not,
Being mechanical, you ought not walk
Upon a labouring day without the sign
Of your profession? Speak, what trade art thou?
First Commoner
Why, sir, a carpenter.
MARULLUS
Where is thy leather apron and thy rule?
What dost thou with thy best apparel on?
You, sir, what trade are you?
Second Commoner
Truly, sir, in respect of a fine workman, I am but,
as you would say, a cobbler.
MARULLUS
But what trade art thou? answer me directly.
Second Commoner
A trade, sir, that, I hope, I may use with a safe
conscience; which is, indeed, sir, a mender of bad soles.
MARULLUS
What trade, thou knave? thou naughty knave, what trade?
Second Commoner
Nay, I beseech you, sir, be not out with me: yet,
if you be out, sir, I can mend you.
MARULLUS
What meanest thou by that? mend me, thou saucy fellow!
Second Commoner
Why, sir, cobble you.
FLAVIUS
Thou art a cobbler, art thou?
Second Commoner
Truly, sir, all that I live by is with the awl: I
meddle with no tradesman's matters, nor women's
matters, but with awl. I am, indeed, sir, a surgeon
to old shoes; when they are in great danger, I
recover them. As proper men as ever trod upon
neat's leather have gone upon my handiwork.
FLAVIUS
But wherefore art not in thy shop today?
Why dost thou lead these men about the streets?
Second Commoner
Truly, sir, to wear out their shoes, to get myself
into more work. But, indeed, sir, we make holiday,
to see Caesar and to rejoice in his triumph.
MARULLUS
Wherefore rejoice? What conquest brings he home?
What tributaries follow him to Rome,
To grace in captive bonds his chariot-wheels?
You blocks, you stones, you worse than senseless things!
O you hard hearts, you cruel men of Rome,
Knew you not Pompey? Many a time and oft
Have you climb'd up to walls and battlements,
To towers and windows, yea, to chimney-tops,
Your infants in your arms, and there have sat
The livelong day, with patient expectation,
To see great Pompey pass the streets of Rome:
And when you saw his chariot but appear,
Have you not made an universal shout,
That Tiber trembled underneath her banks,
To hear the replication of your sounds
Made in her concave shores?
And do you now put on your best attire?
And do you now cull out a holiday?
And do you now strew flowers in his way
That comes in triumph over Pompey's blood? Be gone!
Run to your houses, fall upon your knees,
Pray to the gods to intermit the plague
That needs must light on this ingratitude.
FLAVIUS
Go, go, good countrymen, and, for this fault,
Assemble all the poor men of your sort;
Draw them to Tiber banks, and weep your tears
Into the channel, till the lowest stream
Do kiss the most exalted shores of all.
Exeunt all the Commoners
See whether their basest ****l be not moved;
They vanish tongue-tied in their guiltiness.
Go you down that way towards the Capitol;
This way will I
disrobe the images,
If you do find them deck'd with ceremonies.
MARULLUS
May we do so?
You know it is the feast of Lupercal.
FLAVIUS
It is no matter; let no images
Be hung with Caesar's trophies. I'll about,
And drive away the vulgar from the streets:
So do you too, where you perceive them thick.
These growing feathers pluck'd from Caesar's wing
Will make him fly an ordinary pitch,
Who else would soar above the view of men
And keep us all in servile fearfulness.
Exeunt
SCENE II. A public place.
Flourish. Enter CAESAR; ANTONY, for the course; CALPURNIA, PORTIA, DECIUS BRUTUS, CICERO, BRUTUS, CASSIUS, and CASCA; a great crowd following, among them a Soothsayer
CAESAR
Calpurnia!
CASCA
Peace, ho! Caesar speaks.
CAESAR
Calpurnia!
CALPURNIA
Here, my lord.
CAESAR
Stand you directly in Antonius' way,
When he doth run his course. Antonius!
ANTONY
Caesar, my lord?
CAESAR
Forget not, in your speed, Antonius,
To touch Calpurnia; for our elders say,
The barren, touched in this holy chase,
Shake off their sterile curse.
ANTONY
I shall remember:
When Caesar says 'do this,' it is perform'd.
CAESAR
Set on; and leave no ceremony out.
Flourish
Soothsayer
Caesar!
CAESAR
Ha! who calls?
CASCA
Bid every noise be still: peace yet again!
CAESAR
Who is it in the press that calls on me?
I hear a tongue, shriller than all the music,
Cry 'Caesar!' Speak; Caesar is turn'd to hear.
Soothsayer
Beware the ides of March.
CAESAR
What man is that?
BRUTUS
A soothsayer bids you beware the ides of March.
CAESAR
Set him before me; let me see his face.
CASSIUS
Fellow, come from the throng; look upon Caesar.
CAESAR
What say'st thou to me now? speak once again.
Soothsayer
Beware the ides of March.
CAESAR
He is a dreamer; let us leave him: pass.
Sennet. Exeunt all except BRUTUS and CASSIUS
CASSIUS
Will you go see the order of the course?
BRUTUS
Not I.
CASSIUS
I pray you, do.
BRUTUS
I am not gamesome: I do lack some part
Of that quick spirit that is in Antony.
Let me not hinder, Cassius, your desires;
I'll leave you.
CASSIUS
Brutus, I do observe you now of late:
I have not from your eyes that gentleness
And show of love as I was wont to have:
You bear too stubborn and too strange a hand
Over your friend that loves you.
BRUTUS
Cassius,
Be not deceived: if I have veil'd my look,
I turn the trouble of my countenance
Merely upon myself. Vexed I am
Of late with passions of some difference,
Conceptions only proper to myself,
Which give some soil perhaps to my behaviors;
But let not therefore my good friends be grieved--
Among which number, Cassius, be you one--
Nor construe any further my neglect,
Than that poor Brutus, with himself at war,
Forgets the shows of love to other men.
CASSIUS
Then, Brutus, I have much mistook your passion;
By means whereof this breast of mine hath buried
Thoughts of great value, worthy cogitations.
Tell me, good Brutus, can you see your face?
BRUTUS
No, Cassius; for the eye sees not itself,
But by reflection, by some other things.
CASSIUS
'Tis just:
And it is very much lamented, Brutus,
That you have no such mirrors as will turn
Your hidden worthiness into your eye,
That you might see your shadow. I have heard,
Where many of the best respect in Rome,
Except immortal Caesar, speaking of Brutus
And groaning underneath this age's yoke,
Have wish'd that noble Brutus had his eyes.
BRUTUS
Into what dangers would you lead me, Cassius,
That you would have me seek into myself
For that which is not in me?
CASSIUS
Therefore, good Brutus, be prepared to hear:
And since you know you cannot see yourself
So well as by reflection, I, your glass,
Will modestly discover to yourself
That of yourself which you yet know not of.
And be not jealous on me, gentle Brutus:
Were I a common laugher, or did use
To stale with ordinary oaths my love
To every new protester; if you know
That I do fawn on men and hug them hard
And after scandal them, or if you know
That I profess myself in banqueting
To all the rout, then hold me dangerous.
Flourish, and shout
BRUTUS
What means this shouting? I do fear, the people
Choose Caesar for their king.
CASSIUS
Ay, do you fear it?
Then must I think you would not have it so.
BRUTUS
I would not, Cassius; yet I love him well.
But wherefore do you hold me here so long?
What is it that you would impart to me?
If it be aught toward the general good,
Set honour in one eye and death i' the other,
And I will look on both indifferently,
For let the gods so speed me as I love
The name of honour more than I fear death.
CASSIUS
I know that virtue to be in you, Brutus,
As well as I do know your outward favour.
Well, honour is the subject of my story.
I cannot tell what you and other men
Think of this life; but, for my single self,
I had as lief not be as live to be
In awe of such a thing as I myself.
I was born free as Caesar; so were you:
We both have fed as well, and we can both
Endure the winter's cold as well as he:
For once, upon a raw and gusty day,
The troubled Tiber chafing with her shores,
Caesar said to me 'Darest thou, Cassius, now
Leap in with me into this angry flood,
And swim to yonder point?' Upon the word,
Accoutred as I was, I plunged in
And bade him follow; so indeed he did.
The torrent roar'd, and we did buffet it
With lusty sinews, throwing it aside
And stemming it with hearts of controversy;
But ere we could arrive the point proposed,
Caesar cried 'Help me, Cassius, or I sink!'
I, as Aeneas, our great ancestor,
Did from the flames of Troy upon his shoulder
The old Anchises bear, so from the waves of Tiber
Did I the tired Caesar. And this man
Is now become a god, and Cassius is
A wretched creature and must bend his body,
If Caesar carelessly but nod on him.
He had a fever when he was in Spain,
And when the fit was on him, I did mark
How he did shake: 'tis true, this god did shake;
His coward lips did from their colour fly,
And that same eye whose bend doth awe the world
Did lose his lustre: I did hear him groan:
Ay, and that tongue of his that bade the Romans
Mark him and write his speeches in their books,
Alas, it cried 'Give me some drink, Titinius,'
As a sick girl. Ye gods, it doth amaze me
A man of such a feeble temper should
So get the start of the majestic world
And bear the palm alone.
Shout. Flourish
BRUTUS
Another general shout!
I do believe that these applauses are
For some new honours that are heap'd on Caesar.
CASSIUS
Why, man, he doth bestride the narrow world
Like a Colossus, and we petty men
Walk under his huge legs and peep about
To find ourselves dishonourable graves.
Men at some time are masters of their fates:
The fault, dear Brutus, is not in our stars,
But in ourselves, that we are underlings.
Brutus and Caesar: what should be in that 'Caesar'?
Why should that name be sounded more than yours?
Write them together, yours is as fair a name;
Sound them, it doth become the mouth as well;
Weigh them, it is as heavy; conjure with 'em,
Brutus will start a spirit as soon as Caesar.
Now, in the names of all the gods at once,
Upon what meat doth this our Caesar feed,
That he is grown so great? Age, thou art shamed!
Rome, thou hast lost the breed of noble bloods!
When went there by an age, since the great flood,
But it was famed with more than with one man?
When could they say till now, that talk'd of Rome,
That her wide walls encompass'd but one man?
Now is it Rome indeed and room enough,
When there is in it but one only man.
O, you and I have heard our fathers say,
There was a Brutus once that would have brook'd
The eternal devil to keep his state in Rome
As easily as a king.
BRUTUS
That you do love me, I am nothing jealous;
What you would work me to, I have some aim:
How I have thought of this and of these times,
I shall recount hereafter; for this present,
I would not, so with love I might entreat you,
Be any further moved. What you have said
I will consider; what you have to say
I will with patience hear, and find a time
Both meet to hear and answer such high things.
Till then, my noble friend, chew upon this:
Brutus had rather be a villager
Than to repute himself a son of Rome
Under these hard conditions as this time
Is like to lay upon us.
CASSIUS
I am glad that my weak words
Have struck but thus much show of fire from Brutus.
BRUTUS
The games are done and Caesar is returning.
CASSIUS
As they pass by, pluck Casca by the sleeve;
And he will, after his sour fashion, tell you
What hath proceeded worthy note to-day.
Re-enter CAESAR and his Train
BRUTUS
I will do so. But, look you, Cassius,
The angry spot doth glow on Caesar's brow,
And all the rest look like a chidden train:
Calpurnia's cheek is pale; and Cicero
Looks with such ferret and such fiery eyes
As we have seen him in the Capitol,
Being cross'd in conference by some senators.
CASSIUS
Casca will tell us what the matter is.
CAESAR
Antonius!
ANTONY
Caesar?
CAESAR
Let me have men about me that are fat;
Sleek-headed men and such as sleep o' nights:
Yond Cassius has a lean and hungry look;
He thinks too much: such men are dangerous.
ANTONY
Fear him not, Caesar; he's not dangerous;
He is a noble Roman and well given.
CAESAR
Would he were fatter! But I fear him not:
Yet if my name were liable to fear,
I do not know the man I should avoid
So soon as that spare Cassius. He reads much;
He is a great observer and he looks
Quite through the deeds of men: he loves no plays,
As thou dost, Antony; he hears no music;
Seldom he smiles, and smiles in such a sort
As if he mock'd himself and scorn'd his spirit
That could be moved to smile at any thing.
Such men as he be never at heart's ease
Whiles they behold a greater than themselves,
And therefore are they very dangerous.
I rather tell thee what is to be fear'd
Than what I fear; for always I am Caesar.
Come on my right hand, for this ear is deaf,
And tell me truly what thou think'st of him.
Sennet. Exeunt CAESAR and all his Train, but CASCA
CASCA
You pull'd me by the cloak; would you speak with me?
BRUTUS
Ay, Casca; tell us what hath chanced to-day,
That Caesar looks so sad.
CASCA
Why, you were with him, were you not?
BRUTUS
I should not then ask Casca what had chanced.
CASCA
Why, there was a crown offered him: and being
offered him, he put it by with the back of his hand,
thus; and then the people fell a-shouting.
BRUTUS
What was the second noise for?
CASCA
Why, for that too.
CASSIUS
They shouted thrice: what was the last cry for?
CASCA
Why, for that too.
BRUTUS
Was the crown offered him thrice?
CASCA
Ay, marry, was't, and he put it by thrice, every
time gentler than other, and at every putting-by
mine honest neighbours shouted.
CASSIUS
Who offered him the crown?
CASCA
Why, Antony.
BRUTUS
Tell us the manner of it, gentle Casca.
CASCA
I can as well be hanged as tell the manner of it:
it was mere foolery; I did not mark it. I saw Mark
Antony offer him a crown;--yet 'twas not a crown
neither, 'twas one of these coronets;--and, as I told
you, he put it by once: but, for all that, to my
thinking, he would fain have had it. Then he
offered it to him again; then he put it by again:
but, to my thinking, he was very loath to lay his
fingers off it. And then he offered it the third
time; he put it the third time by: and still as he
refused it, the rabblement hooted and clapped their
chapped hands and threw up their sweaty night-caps
and uttered such a deal of stinking breath because
Caesar refused the crown that it had almost choked
Caesar; for he swounded and fell down at it: and
for mine own part, I durst not laugh, for fear of
opening my lips and receiving the bad air.
CASSIUS
But, soft, I pray you: what, did Caesar swound?
CASCA
He fell down in the market-place, and foamed at
mouth, and was speechless.
BRUTUS
'Tis very like: he hath the failing sickness.
CASSIUS
No, Caesar hath it not; but you and I,
And honest Casca, we have the falling sickness.
CASCA
I know not what you mean by that; but, I am sure,
Caesar fell down. If the tag-rag people did not
clap him and hiss him, according as he pleased and
displeased them, as they use to do the players in
the theatre, I am no true man.
BRUTUS
What said he when he came unto himself?
CASCA
Marry, before he fell down, when he perceived the
common herd was glad he refused the crown, he
plucked me ope his doublet and offered them his
throat to cut. An I had been a man of any
occupation, if I would not have taken him at a word,
I would I might go to hell among the rogues. And so
he fell. When he came to himself again, he said,
If he had done or said any thing amiss, he desired
their worships to think it was his infirmity. Three
or four wenches, where I stood, cried 'Alas, good
soul!' and forgave him with all their hearts: but
there's no heed to be taken of them; if Caesar had
stabbed their mothers, they would have done no less.
BRUTUS
And after that, he came, thus sad, away?
CASCA
Ay.
CASSIUS
Did Cicero say any thing?
CASCA
Ay, he spoke Greek.
CASSIUS
To what effect?
CASCA
Nay, an I tell you that, Ill ne'er look you i' the
face again: but those that understood him smiled at
one another and shook their heads; but, for mine own
part, it was Greek to me. I could tell you more
news too: Marullus and Flavius, for pulling scarfs
off Caesar's images, are put to silence. Fare you
well. There was more foolery yet, if I could
remember it.
CASSIUS
Will you sup with me to-night, Casca?
CASCA
No, I am promised forth.
CASSIUS
Will you dine with me to-morrow?
CASCA
Ay, if I be alive and your mind hold and your dinner
worth the eating.
CASSIUS
Good: I will expect you.
CASCA
Do so. Farewell, both.
Exit
BRUTUS
What a blunt fellow is this grown to be!
He was quick mettle when he went to school.
CASSIUS
So is he now in execution
Of any bold or noble enterprise,
However he puts on this tardy form.
This rudeness is a sauce to his good wit,
Which gives men stomach to digest his words
With better appetite.
BRUTUS
And so it is. For this time I will leave you:
To-morrow, if you please to speak with me,
I will come home to you; or, if you will,
Come home to me, and I will wait for you.
CASSIUS
I will do so: till then, think of the world.
Exit BRUTUS
Well, Brutus, thou art noble; yet, I see,
Thy honourable ****l may be wrought
From that it is disposed: therefore it is meet
That noble minds keep ever with their likes;
For who so firm that cannot be seduced?
Caesar doth bear me hard; but he loves Brutus:
If I were Brutus now and he were Cassius,
He should not humour me. I will this night,
In several hands, in at his windows throw,
As if they came from several citizens,
Writings all tending to the great opinion
That Rome holds of his name; wherein obscurely
Caesar's ambition shall be glanced at:
And after this let Caesar seat him sure;
For we will shake him, or worse days endure.
Exit
SCENE III. The same. A street.
Thunder and lightning. Enter from opposite sides, CASCA, with his sword drawn, and CICERO
CICERO
Good even, Casca: brought you Caesar home?
Why are you breathless? and why stare you so?
CASCA
Are not you moved, when all the sway of earth
Shakes like a thing unfirm? O Cicero,
I have seen tempests, when the scolding winds
Have rived the knotty oaks, and I have seen
The ambitious ocean swell and rage and foam,
To be exalted with the threatening clouds:
But never till to-night, never till now,
Did I go through a tempest dropping fire.
Either there is a civil strife in heaven,
Or else the world, too saucy with the gods,
Incenses them to send destruction.
CICERO
Why, saw you any thing more wonderful?
CASCA
A common slave--you know him well by sight--
Held up his left hand, which did flame and burn
Like twenty torches join'd, and yet his hand,
Not sensible of fire, remain'd unscorch'd.
Besides--I ha' not since put up my sword--
Against the Capitol I met a lion,
Who glared upon me, and went surly by,
Without annoying me: and there were drawn
Upon a heap a hundred ghastly women,
Transformed with their fear; who swore they saw
Men all in fire walk up and down the streets.
And yesterday the bird of night did sit
Even at noon-day upon the market-place,
Hooting and shrieking. When these prodigies
Do so conjointly meet, let not men say
'These are their reasons; they are natural;'
For, I believe, they are portentous things
Unto the climate that they point upon.
CICERO
Indeed, it is a strange-disposed time:
But men may construe things after their fashion,
Clean from the purpose of the things themselves.
Come Caesar to the Capitol to-morrow?
CASCA
He doth; for he did bid Antonius
Send word to you he would be there to-morrow.
CICERO
Good night then, Casca: this disturbed sky
Is not to walk in.
CASCA
Farewell, Cicero.
Exit CICERO
Enter CASSIUS
CASSIUS
Who's there?
CASCA
A Roman.
CASSIUS
Casca, by your voice.
CASCA
Your ear is good. Cassius, what night is this!
CASSIUS
A very pleasing night to honest men.
CASCA
Who ever knew the heavens menace so?
CASSIUS
Those that have known the earth so full of faults.
For my part, I have walk'd about the streets,
Submitting me unto the perilous night,
And, thus unbraced, Casca, as you see,
Have bared my bosom to the thunder-stone;
And when the cross blue lightning seem'd to open
The breast of heaven, I did present myself
Even in the aim and very flash of it.
CASCA
But wherefore did you so much tempt the heavens?
It is the part of men to fear and tremble,
When the most mighty gods by tokens send
Such dreadful heralds to astonish us.
CASSIUS
You are dull, Casca, and those sparks of life
That should be in a Roman you do want,
Or else you use not. You look pale and gaze
And put on fear and cast yourself in wonder,
To see the strange impatience of the heavens:
But if you would consider the true cause
Why all these fires, why all these gliding ghosts,
Why birds and beasts from quality and kind,
Why old men fool and children calculate,
Why all these things change from their ordinance
Their natures and preformed faculties
To monstrous quality,--why, you shall find
That heaven hath infused them with these spirits,
To make them instruments of fear and warning
Unto some monstrous state.
Now could I, Casca, name to thee a man
Most like this dreadful night,
That thunders, lightens, opens graves, and roars
As doth the lion in the Capitol,
A man no mightier than thyself or me
In personal action, yet prodigious grown
And fearful, as these strange eruptions are.
CASCA
'Tis Caesar that you mean; is it not, Cassius?
CASSIUS
Let it be who it is: for Romans now
Have thews and limbs like to their ancestors;
But, woe the while! our fathers' minds are dead,
And we are govern'd with our mothers' spirits;
Our yoke and sufferance show us womanish.
CASCA
Indeed, they say the senators tomorrow
Mean to establish Caesar as a king;
And he shall wear his crown by sea and land,
In every place, save here in Italy.
CASSIUS
I know where I will wear this dagger then;
Cassius from bondage will deliver Cassius:
Therein, ye gods, you make the weak most strong;
Therein, ye gods, you tyrants do defeat:
Nor stony tower, nor walls of beaten brass,
Nor airless dungeon, nor strong links of iron,
Can be retentive to the strength of spirit;
But life, being weary of these worldly bars,
Never lacks power to dismiss itself.
If I know this, know all the world besides,
That part of tyranny that I do bear
I can shake off at pleasure.
Thunder still
CASCA
So can I:
So every bondman in his own hand bears
The power to cancel his captivity.
CASSIUS
And why should Caesar be a tyrant then?
Poor man! I know he would not be a wolf,
But that he sees the Romans are but sheep:
He were no lion, were not Romans hinds.
Those that with haste will make a mighty fire
Begin it with weak straws: what trash is Rome,
What rubbish and what offal, when it serves
For the base matter to illuminate
So vile a thing as Caesar! But, O grief,
Where hast thou led me? I perhaps speak this
Before a willing bondman; then I know
My answer must be made. But I am arm'd,
And dangers are to me indifferent.
CASCA
You speak to Casca, and to such a man
That is no fleering tell-tale. Hold, my hand:
Be factious for redress of all these griefs,
And I will set this foot of mine as far
As who goes farthest.
CASSIUS
There's a bargain made.
Now know you, Casca, I have moved already
Some certain of the noblest-minded Romans
To undergo with me an enterprise
Of honourable-dangerous consequence;
And I do know, by this, they stay for me
In Pompey's porch: for now, this fearful night,
There is no stir or walking in the streets;
And the complexion of the element
In favour's like the work we have in hand,
Most bloody, fiery, and most terrible.
CASCA
Stand close awhile, for here comes one in haste.
CASSIUS
'Tis Cinna; I do know him by his gait;
He is a friend.
Enter CINNA
Cinna, where haste you so?
CINNA
To find out you. Who's that? Metellus Cimber?
CASSIUS
No, it is Casca; one incorporate
To our attempts. Am I not stay'd for, Cinna?
CINNA
I am glad on 't. What a fearful night is this!
There's two or three of us have seen strange sights.
CASSIUS
Am I not stay'd for? tell me.
CINNA
Yes, you are.
O Cassius, if you could
But win the noble Brutus to our party--
CASSIUS
Be you *******: good Cinna, take this paper,
And look you lay it in the praetor's chair,
Where Brutus may but find it; and throw this
In at his window; set this up with wax
Upon old Brutus' statue: all this done,
Repair to Pompey's porch, where you shall find us.
Is Decius Brutus and Trebonius there?
CINNA
All but Metellus Cimber; and he's gone
To seek you at your house. Well, I will hie,
And so bestow these papers as you bade me.
CASSIUS
That done, repair to Pompey's theatre.
Exit CINNA


أرب جمـال 5 - 11 - 2009 05:50 PM

Julius Caeser: Entire Play
Come, Casca, you and I will yet ere day
See Brutus at his house: three parts of him
Is ours already, and the man entire
Upon the next encounter yields him ours.
CASCA
O, he sits high in all the people's hearts:
And that which would appear offence in us,
His countenance, like richest alchemy,
Will change to virtue and to worthiness.
CASSIUS
Him and his worth and our great need of him
You have right well conceited. Let us go,
For it is after midnight; and ere day
We will awake him and be sure of him.
Exeunt
ACT II

SCENE I. Rome. BRUTUS's orchard.
Enter BRUTUS
BRUTUS
What, Lucius, ho!
I cannot, by the progress of the stars,
Give guess how near to day. Lucius, I say!
I would it were my fault to sleep so soundly.
When, Lucius, when? awake, I say! what, Lucius!
Enter LUCIUS
LUCIUS
Call'd you, my lord?
BRUTUS
Get me a taper in my study, Lucius:
When it is lighted, come and call me here.
LUCIUS
I will, my lord.
Exit
BRUTUS
It must be by his death: and for my part,
I know no personal cause to spurn at him,
But for the general. He would be crown'd:
How that might change his nature, there's the question.
It is the bright day that brings forth the adder;
And that craves wary walking. Crown him?--that;--
And then, I grant, we put a sting in him,
That at his will he may do danger with.
The abuse of greatness is, when it disjoins
Remorse from power: and, to speak truth of Caesar,
I have not known when his affections sway'd
More than his reason. But 'tis a common proof,
That lowliness is young ambition's ladder,
Whereto the climber-upward turns his face;
But when he once attains the upmost round.
He then unto the ladder turns his back,
Looks in the clouds, scorning the base degrees
By which he did ascend. So Caesar may.
Then, lest he may, prevent. And, since the quarrel
Will bear no colour for the thing he is,
Fashion it thus; that what he is, augmented,
Would run to these and these extremities:
And therefore think him as a serpent's egg
Which, hatch'd, would, as his kind, grow mischievous,
And kill him in the ****l.
Re-enter LUCIUS
LUCIUS
The taper burneth in your closet, sir.
Searching the window for a flint, I found
This paper, thus seal'd up; and, I am sure,
It did not lie there when I went to bed.
Gives him the letter
BRUTUS
Get you to bed again; it is not day.
Is not to-morrow, boy, the ides of March?
LUCIUS
I know not, sir.
BRUTUS
Look in the calendar, and bring me word.
LUCIUS
I will, sir.
Exit
BRUTUS
The exhalations whizzing in the air
Give so much light that I may read by them.
Opens the letter and reads
'Brutus, thou sleep'st: awake, and see thyself.
Shall Rome, & c. Speak, strike, redress!
Brutus, thou sleep'st: awake!'
Such instigations have been often dropp'd
Where I have took them up.
'Shall Rome, & c.' Thus must I piece it out:
Shall Rome stand under one man's awe? What, Rome?
My ancestors did from the streets of Rome
The Tarquin drive, when he was call'd a king.
'Speak, strike, redress!' Am I entreated
To speak and strike? O Rome, I make thee promise:
If the redress will follow, thou receivest
Thy full petition at the hand of Brutus!
Re-enter LUCIUS
LUCIUS
Sir, March is wasted fourteen days.
Knocking within
BRUTUS
'Tis good. Go to the gate; somebody knocks.
Exit LUCIUS
Since Cassius first did whet me against Caesar,
I have not slept.
Between the acting of a dreadful thing
And the first motion, all the interim is
Like a phantasma, or a hideous dream:
The Genius and the mortal instruments
Are then in council; and the state of man,
Like to a little kingdom, suffers then
The nature of an insurrection.
Re-enter LUCIUS
LUCIUS
Sir, 'tis your brother Cassius at the door,
Who doth desire to see you.
BRUTUS
Is he alone?
LUCIUS
No, sir, there are moe with him.
BRUTUS
Do you know them?
LUCIUS
No, sir; their hats are pluck'd about their ears,
And half their faces buried in their cloaks,
That by no means I may discover them
By any mark of favour.
BRUTUS
Let 'em enter.
Exit LUCIUS
They are the faction. O conspiracy,
Shamest thou to show thy dangerous brow by night,
When evils are most free? O, then by day
Where wilt thou find a cavern dark enough
To mask thy monstrous visage? Seek none, conspiracy;
Hide it in smiles and affability:
For if thou path, thy native semblance on,
Not Erebus itself were dim enough
To hide thee from prevention.
Enter the conspirators, CASSIUS, CASCA, DECIUS BRUTUS, CINNA, METELLUS CIMBER, and TREBONIUS
CASSIUS
I think we are too bold upon your rest:
Good morrow, Brutus; do we trouble you?
BRUTUS
I have been up this hour, awake all night.
Know I these men that come along with you?
CASSIUS
Yes, every man of them, and no man here
But honours you; and every one doth wish
You had but that opinion of yourself
Which every noble Roman bears of you.
This is Trebonius.
BRUTUS
He is welcome hither.
CASSIUS
This, Decius Brutus.
BRUTUS
He is welcome too.
CASSIUS
This, Casca; this, Cinna; and this, Metellus Cimber.
BRUTUS
They are all welcome.
What watchful cares do interpose themselves
Betwixt your eyes and night?
CASSIUS
Shall I entreat a word?
BRUTUS and CASSIUS whisper
DECIUS BRUTUS
Here lies the east: doth not the day break here?
CASCA
No.
CINNA
O, pardon, sir, it doth; and yon gray lines
That fret the clouds are messengers of day.
CASCA
You shall confess that you are both deceived.
Here, as I point my sword, the sun arises,
Which is a great way growing on the south,
Weighing the youthful season of the year.
Some two months hence up higher toward the north
He first presents his fire; and the high east
Stands, as the Capitol, directly here.
BRUTUS
Give me your hands all over, one by one.
CASSIUS
And let us swear our resolution.
BRUTUS
No, not an oath: if not the face of men,
The sufferance of our souls, the time's abuse,--
If these be motives weak, break off betimes,
And every man hence to his idle bed;
So let high-sighted tyranny range on,
Till each man drop by lottery. But if these,
As I am sure they do, bear fire enough
To kindle cowards and to steel with valour
The melting spirits of women, then, countrymen,
What need we any spur but our own cause,
To prick us to redress? what other bond
Than secret Romans, that have spoke the word,
And will not palter? and what other oath
Than honesty to honesty engaged,
That this shall be, or we will fall for it?
Swear priests and cowards and men cautelous,
Old feeble carrions and such suffering souls
That welcome wrongs; unto bad causes swear
Such creatures as men doubt; but do not stain
The even virtue of our enterprise,
Nor the insuppressive mettle of our spirits,
To think that or our cause or our performance
Did need an oath; when every drop of blood
That every Roman bears, and nobly bears,
Is guilty of a several bastardy,
If he do break the smallest particle
Of any promise that hath pass'd from him.
CASSIUS
But what of Cicero? shall we sound him?
I think he will stand very strong with us.
CASCA
Let us not leave him out.
CINNA
No, by no means.
METELLUS CIMBER
O, let us have him, for his silver hairs
Will purchase us a good opinion
And buy men's voices to commend our deeds:
It shall be said, his judgment ruled our hands;
Our youths and wildness shall no whit appear,
But all be buried in his gravity.
BRUTUS
O, name him not: let us not break with him;
For he will never follow any thing
That other men begin.
CASSIUS
Then leave him out.
CASCA
Indeed he is not fit.
DECIUS BRUTUS
Shall no man else be touch'd but only Caesar?
CASSIUS
Decius, well urged: I think it is not meet,
Mark Antony, so well beloved of Caesar,
Should outlive Caesar: we shall find of him
A shrewd contriver; and, you know, his means,
If he improve them, may well stretch so far
As to annoy us all: which to prevent,
Let Antony and Caesar fall together.
BRUTUS
Our course will seem too bloody, Caius Cassius,
To cut the head off and then hack the limbs,
Like wrath in death and envy afterwards;
For Antony is but a limb of Caesar:
Let us be sacrificers, but not butchers, Caius.
We all stand up against the spirit of Caesar;
And in the spirit of men there is no blood:
O, that we then could come by Caesar's spirit,
And not dismember Caesar! But, alas,
Caesar must bleed for it! And, gentle friends,
Let's kill him boldly, but not wrathfully;
Let's carve him as a dish fit for the gods,
Not hew him as a carcass fit for hounds:
And let our hearts, as subtle masters do,
Stir up their servants to an act of rage,
And after seem to chide 'em. This shall make
Our purpose necessary and not envious:
Which so appearing to the common eyes,
We shall be call'd purgers, not murderers.
And for Mark Antony, think not of him;
For he can do no more than Caesar's arm
When Caesar's head is off.
CASSIUS
Yet I fear him;
For in the ingrafted love he bears to Caesar--
BRUTUS
Alas, good Cassius, do not think of him:
If he love Caesar, all that he can do
Is to himself, take thought and die for Caesar:
And that were much he should; for he is given
To sports, to wildness and much company.
TREBONIUS
There is no fear in him; let him not die;
For he will live, and laugh at this hereafter.
Clock strikes
BRUTUS
Peace! count the clock.
CASSIUS
The clock hath stricken three.
TREBONIUS
'Tis time to part.
CASSIUS
But it is doubtful yet,
Whether Caesar will come forth to-day, or no;
For he is superstitious grown of late,
Quite from the main opinion he held once
Of fantasy, of dreams and ceremonies:
It may be, these apparent prodigies,
The unaccustom'd terror of this night,
And the persuasion of his augurers,
May hold him from the Capitol to-day.
DECIUS BRUTUS
Never fear that: if he be so resolved,
I can o'ersway him; for he loves to hear
That unicorns may be betray'd with trees,
And bears with glasses, elephants with holes,
Lions with toils and men with flatterers;
But when I tell him he hates flatterers,
He says he does, being then most flattered.
Let me work;
For I can give his humour the true bent,
And I will bring him to the Capitol.
CASSIUS
Nay, we will all of us be there to fetch him.
BRUTUS
By the eighth hour: is that the uttermost?
CINNA
Be that the uttermost, and fail not then.
METELLUS CIMBER
Caius Ligarius doth bear Caesar hard,
Who rated him for speaking well of Pompey:
I wonder none of you have thought of him.
BRUTUS
Now, good Metellus, go along by him:
He loves me well, and I have given him reasons;
Send him but hither, and I'll fashion him.
CASSIUS
The morning comes upon 's: we'll leave you, Brutus.
And, friends, disperse yourselves; but all remember
What you have said, and show yourselves true Romans.
BRUTUS
Good gentlemen, look fresh and merrily;
Let not our looks put on our purposes,
But bear it as our Roman actors do,
With untired spirits and formal constancy:
And so good morrow to you every one.
Exeunt all but BRUTUS
Boy! Lucius! Fast asleep? It is no matter;
Enjoy the honey-heavy dew of slumber:
Thou hast no figures nor no fantasies,
Which busy care draws in the brains of men;
Therefore thou sleep'st so sound.
Enter PORTIA
PORTIA
Brutus, my lord!
BRUTUS
Portia, what mean you? wherefore rise you now?
It is not for your health thus to commit
Your weak condition to the raw cold morning.
PORTIA
Nor for yours neither. You've ungently, Brutus,
Stole from my bed: and yesternight, at supper,
You suddenly arose, and walk'd about,
Musing and sighing, with your arms across,
And when I ask'd you what the matter was,
You stared upon me with ungentle looks;
I urged you further; then you scratch'd your head,
And too impatiently stamp'd with your foot;
Yet I insisted, yet you answer'd not,
But, with an angry wafture of your hand,
Gave sign for me to leave you: so I did;
Fearing to strengthen that impatience
Which seem'd too much enkindled, and withal
Hoping it was but an effect of humour,
Which sometime hath his hour with every man.
It will not let you eat, nor talk, nor sleep,
And could it work so much upon your shape
As it hath much prevail'd on your condition,
I should not know you, Brutus. Dear my lord,
Make me acquainted with your cause of grief.
BRUTUS
I am not well in health, and that is all.
PORTIA
Brutus is wise, and, were he not in health,
He would embrace the means to come by it.
BRUTUS
Why, so I do. Good Portia, go to bed.
PORTIA
Is Brutus sick? and is it physical
To walk unbraced and suck up the humours
Of the dank morning? What, is Brutus sick,
And will he steal out of his wholesome bed,
To dare the vile contagion of the night
And tempt the rheumy and unpurged air
To add unto his sickness? No, my Brutus;
You have some sick offence within your mind,
Which, by the right and virtue of my place,
I ought to know of: and, upon my knees,
I charm you, by my once-commended beauty,
By all your vows of love and that great vow
Which did incorporate and make us one,
That you unfold to me, yourself, your half,
Why you are heavy, and what men to-night
Have had to resort to you: for here have been
Some six or seven, who did hide their faces
Even from darkness.
BRUTUS
Kneel not, gentle Portia.
PORTIA
I should not need, if you were gentle Brutus.
Within the bond of marriage, tell me, Brutus,
Is it excepted I should know no secrets
That appertain to you? Am I yourself
But, as it were, in sort or limitation,
To keep with you at meals, comfort your bed,
And talk to you sometimes? Dwell I but in the suburbs
Of your good pleasure? If it be no more,
Portia is Brutus' harlot, not his wife.
BRUTUS
You are my true and honourable wife,
As dear to me as are the ruddy drops
That visit my sad heart
PORTIA
If this were true, then should I know this secret.
I grant I am a woman; but withal
A woman that Lord Brutus took to wife:
I grant I am a woman; but withal
A woman well-reputed, Cato's daughter.
Think you I am no stronger than my sex,
Being so father'd and so husbanded?
Tell me your counsels, I will not disclose 'em:
I have made strong proof of my constancy,
Giving myself a voluntary wound
Here, in the thigh: can I bear that with patience.
And not my husband's secrets?
BRUTUS
O ye gods,
Render me worthy of this noble wife!
Knocking within
Hark, hark! one knocks: Portia, go in awhile;
And by and by thy bosom shall partake
The secrets of my heart.
All my engagements I will construe to thee,
All the charactery of my sad brows:
Leave me with haste.
Exit PORTIA
Lucius, who's that knocks?
Re-enter LUCIUS with LIGARIUS
LUCIUS
He is a sick man that would speak with you.
BRUTUS
Caius Ligarius, that Metellus spake of.
Boy, stand aside. Caius Ligarius! how?
LIGARIUS
Vouchsafe good morrow from a feeble tongue.
BRUTUS
O, what a time have you chose out, brave Caius,
To wear a kerchief! Would you were not sick!
LIGARIUS
I am not sick, if Brutus have in hand
Any exploit worthy the name of honour.
BRUTUS
Such an exploit have I in hand, Ligarius,
Had you a healthful ear to hear of it.
LIGARIUS
By all the gods that Romans bow before,
I here discard my sickness! Soul of Rome!
Brave son, derived from honourable loins!
Thou, like an exorcist, hast conjured up
My mortified spirit. Now bid me run,
And I will strive with things impossible;
Yea, get the better of them. What's to do?
BRUTUS
A piece of work that will make sick men whole.
LIGARIUS
But are not some whole that we must make sick?
BRUTUS
That must we also. What it is, my Caius,
I shall unfold to thee, as we are going
To whom it must be done.
LIGARIUS
Set on your foot,
And with a heart new-fired I follow you,
To do I know not what: but it sufficeth
That Brutus leads me on.
BRUTUS
Follow me, then.
Exeunt
SCENE II. CAESAR's house.
Thunder and lightning. Enter CAESAR, in his night-gown
CAESAR
Nor heaven nor earth have been at peace to-night:
Thrice hath Calpurnia in her sleep cried out,
'Help, ho! they murder Caesar!' Who's within?
Enter a Servant
Servant
My lord?
CAESAR
Go bid the priests do present sacrifice
And bring me their opinions of success.
Servant
I will, my lord.
Exit
Enter CALPURNIA
CALPURNIA
What mean you, Caesar? think you to walk forth?
You shall not stir out of your house to-day.
CAESAR
Caesar shall forth: the things that threaten'd me
Ne'er look'd but on my back; when they shall see
The face of Caesar, they are vanished.
CALPURNIA
Caesar, I never stood on ceremonies,
Yet now they fright me. There is one within,
Besides the things that we have heard and seen,
Recounts most horrid sights seen by the watch.
A lioness hath whelped in the streets;
And graves have yawn'd, and yielded up their dead;
Fierce fiery warriors fought upon the clouds,
In ranks and squadrons and right form of war,
Which drizzled blood upon the Capitol;
The noise of battle hurtled in the air,
Horses did neigh, and dying men did groan,
And ghosts did shriek and squeal about the streets.
O Caesar! these things are beyond all use,
And I do fear them.
CAESAR
What can be avoided
Whose end is purposed by the mighty gods?
Yet Caesar shall go forth; for these predictions
Are to the world in general as to Caesar.
CALPURNIA
When beggars die, there are no comets seen;
The heavens themselves blaze forth the death of princes.
CAESAR
Cowards die many times before their deaths;
The valiant never taste of death but once.
Of all the wonders that I yet have heard.
It seems to me most strange that men should fear;
Seeing that death, a necessary end,
Will come when it will come.
Re-enter Servant
What say the augurers?
Servant
They would not have you to stir forth to-day.
Plucking the entrails of an offering forth,
They could not find a heart within the beast.
CAESAR
The gods do this in shame of cowardice:
Caesar should be a beast without a heart,
If he should stay at home to-day for fear.
No, Caesar shall not: danger knows full well
That Caesar is more dangerous than he:
We are two lions litter'd in one day,
And I the elder and more terrible:
And Caesar shall go forth.
CALPURNIA
Alas, my lord,
Your wisdom is consumed in confidence.
Do not go forth to-day: call it my fear
That keeps you in the house, and not your own.
We'll send Mark Antony to the senate-house:
And he shall say you are not well to-day:
Let me, upon my knee, prevail in this.
CAESAR
Mark Antony shall say I am not well,
And, for thy humour, I will stay at home.
Enter DECIUS BRUTUS
Here's Decius Brutus, he shall tell them so.
DECIUS BRUTUS
Caesar, all hail! good morrow, worthy Caesar:
I come to fetch you to the senate-house.
CAESAR
And you are come in very happy time,
To bear my greeting to the senators
And tell them that I will not come to-day:
Cannot, is false, and that I dare not, falser:
I will not come to-day: tell them so, Decius.
CALPURNIA
Say he is sick.
CAESAR
Shall Caesar send a lie?
Have I in conquest stretch'd mine arm so far,
To be afraid to tell graybeards the truth?
Decius, go tell them Caesar will not come.
DECIUS BRUTUS
Most mighty Caesar, let me know some cause,
Lest I be laugh'd at when I tell them so.
CAESAR
The cause is in my will: I will not come;
That is enough to satisfy the senate.
But for your private satisfaction,
Because I love you, I will let you know:
Calpurnia here, my wife, stays me at home:
She dreamt to-night she saw my statua,
Which, like a fountain with an hundred spouts,
Did run pure blood: and many lusty Romans
Came smiling, and did bathe their hands in it:
And these does she apply for warnings, and portents,
And evils imminent; and on her knee
Hath begg'd that I will stay at home to-day.
DECIUS BRUTUS
This dream is all amiss interpreted;
It was a vision fair and fortunate:
Your statue spouting blood in many pipes,
In which so many smiling Romans bathed,
Signifies that from you great Rome shall suck
Reviving blood, and that great men shall press
For tinctures, stains, relics and cognizance.
This by Calpurnia's dream is signified.
CAESAR
And this way have you well expounded it.
DECIUS BRUTUS
I have, when you have heard what I can say:
And know it now: the senate have concluded
To give this day a crown to mighty Caesar.
If you shall send them word you will not come,
Their minds may change. Besides, it were a mock
Apt to be render'd, for some one to say
'Break up the senate till another time,
When Caesar's wife shall meet with better dreams.'
If Caesar hide himself, shall they not whisper
'Lo, Caesar is afraid'?
Pardon me, Caesar; for my dear dear love
To our proceeding bids me tell you this;
And reason to my love is liable.
CAESAR
How foolish do your fears seem now, Calpurnia!
I am ashamed I did yield to them.
Give me my robe, for I will go.
Enter PUBLIUS, BRUTUS, LIGARIUS, METELLUS, CASCA, TREBONIUS, and CINNA
And look where Publius is come to fetch me.
PUBLIUS
Good morrow, Caesar.
CAESAR
Welcome, Publius.
What, Brutus, are you stirr'd so early too?
Good morrow, Casca. Caius Ligarius,
Caesar was ne'er so much your enemy
As that same ague which hath made you lean.
What is 't o'clock?
BRUTUS
Caesar, 'tis strucken eight.
CAESAR
I thank you for your pains and courtesy.


أرب جمـال 5 - 11 - 2009 05:51 PM

Julius Caeser: Entire Play
Enter ANTONY
See! Antony, that revels long o' nights,
Is notwithstanding up. Good morrow, Antony.
ANTONY
So to most noble Caesar.
CAESAR
Bid them prepare within:
I am to blame to be thus waited for.
Now, Cinna: now, Metellus: what, Trebonius!
I have an hour's talk in store for you;
Remember that you call on me to-day:
Be near me, that I may remember you.
TREBONIUS
Caesar, I will:
Aside
and so near will I be,
That your best friends shall wish I had been further.
CAESAR
Good friends, go in, and taste some wine with me;
And we, like friends, will straightway go together.
BRUTUS
[Aside] That every like is not the same, O Caesar,
The heart of Brutus yearns to think upon!
Exeunt
SCENE III. A street near the Capitol.
Enter ARTEMIDORUS, reading a paper
ARTEMIDORUS
'Caesar, beware of Brutus; take heed of Cassius;
come not near Casca; have an eye to Cinna, trust not
Trebonius: mark well Metellus Cimber: Decius Brutus
loves thee not: thou hast wronged Caius Ligarius.
There is but one mind in all these men, and it is
bent against Caesar. If thou beest not immortal,
look about you: security gives way to conspiracy.
The mighty gods defend thee! Thy lover,
'ARTEMIDORUS.'
Here will I stand till Caesar pass along,
And as a suitor will I give him this.
My heart laments that virtue cannot live
Out of the teeth of emulation.
If thou read this, O Caesar, thou mayst live;
If not, the Fates with traitors do contrive.
Exit
SCENE IV. Another part of the same street, before the house of BRUTUS.
Enter PORTIA and LUCIUS
PORTIA
I prithee, boy, run to the senate-house;
Stay not to answer me, but get thee gone:
Why dost thou stay?
LUCIUS
To know my errand, madam.
PORTIA
I would have had thee there, and here again,
Ere I can tell thee what thou shouldst do there.
O constancy, be strong upon my side,
Set a huge mountain 'tween my heart and tongue!
I have a man's mind, but a woman's might.
How hard it is for women to keep counsel!
Art thou here yet?
LUCIUS
Madam, what should I do?
Run to the Capitol, and nothing else?
And so return to you, and nothing else?
PORTIA
Yes, bring me word, boy, if thy lord look well,
For he went sickly forth: and take good note
What Caesar doth, what suitors press to him.
Hark, boy! what noise is that?
LUCIUS
I hear none, madam.
PORTIA
Prithee, listen well;
I heard a bustling rumour, like a fray,
And the wind brings it from the Capitol.
LUCIUS
Sooth, madam, I hear nothing.
Enter the Soothsayer
PORTIA
Come hither, fellow: which way hast thou been?
Soothsayer
At mine own house, good lady.
PORTIA
What is't o'clock?
Soothsayer
About the ninth hour, lady.
PORTIA
Is Caesar yet gone to the Capitol?
Soothsayer
Madam, not yet: I go to take my stand,
To see him pass on to the Capitol.
PORTIA
Thou hast some suit to Caesar, hast thou not?
Soothsayer
That I have, lady: if it will please Caesar
To be so good to Caesar as to hear me,
I shall beseech him to befriend himself.
PORTIA
Why, know'st thou any harm's intended towards him?
Soothsayer
None that I know will be, much that I fear may chance.
Good morrow to you. Here the street is narrow:
The throng that follows Caesar at the heels,
Of senators, of praetors, common suitors,
Will crowd a feeble man almost to death:
I'll get me to a place more void, and there
Speak to great Caesar as he comes along.
Exit
PORTIA
I must go in. Ay me, how weak a thing
The heart of woman is! O Brutus,
The heavens speed thee in thine enterprise!
Sure, the boy heard me: Brutus hath a suit
That Caesar will not grant. O, I grow faint.
Run, Lucius, and commend me to my lord;
Say I am merry: come to me again,
And bring me word what he doth say to thee.
Exeunt severally
ACT III

SCENE I. Rome. Before the Capitol; the Senate sitting above.
A crowd of people; among them ARTEMIDORUS and the Soothsayer. Flourish. Enter CAESAR, BRUTUS, CASSIUS, CASCA, DECIUS BRUTUS, METELLUS CIMBER, TREBONIUS, CINNA, ANTONY, LEPIDUS, POPILIUS, PUBLIUS, and others
CAESAR
[To the Soothsayer] The ides of March are come.
Soothsayer
Ay, Caesar; but not gone.
ARTEMIDORUS
Hail, Caesar! read this schedule.
DECIUS BRUTUS
Trebonius doth desire you to o'erread,
At your best leisure, this his humble suit.
ARTEMIDORUS
O Caesar, read mine first; for mine's a suit
That touches Caesar nearer: read it, great Caesar.
CAESAR
What touches us ourself shall be last served.
ARTEMIDORUS
Delay not, Caesar; read it instantly.
CAESAR
What, is the fellow mad?
PUBLIUS
Sirrah, give place.
CASSIUS
What, urge you your petitions in the street?
Come to the Capitol.
CAESAR goes up to the Senate-House, the rest following
POPILIUS
I wish your enterprise to-day may thrive.
CASSIUS
What enterprise, Popilius?
POPILIUS
Fare you well.
Advances to CAESAR
BRUTUS
What said Popilius Lena?
CASSIUS
He wish'd to-day our enterprise might thrive.
I fear our purpose is discovered.
BRUTUS
Look, how he makes to Caesar; mark him.
CASSIUS
Casca, be sudden, for we fear prevention.
Brutus, what shall be done? If this be known,
Cassius or Caesar never shall turn back,
For I will slay myself.
BRUTUS
Cassius, be constant:
Popilius Lena speaks not of our purposes;
For, look, he smiles, and Caesar doth not change.
CASSIUS
Trebonius knows his time; for, look you, Brutus.
He draws Mark Antony out of the way.
Exeunt ANTONY and TREBONIUS
DECIUS BRUTUS
Where is Metellus Cimber? Let him go,
And presently prefer his suit to Caesar.
BRUTUS
He is address'd: press near and second him.
CINNA
Casca, you are the first that rears your hand.
CAESAR
Are we all ready? What is now amiss
That Caesar and his senate must redress?
METELLUS CIMBER
Most high, most mighty, and most puissant Caesar,
Metellus Cimber throws before thy seat
An humble heart,--
Kneeling
CAESAR
I must prevent thee, Cimber.
These couchings and these lowly courtesies
Might fire the blood of ordinary men,
And turn pre-ordinance and first decree
Into the law of children. Be not fond,
To think that Caesar bears such rebel blood
That will be thaw'd from the true quality
With that which melteth fools; I mean, sweet words,
Low-crooked court'sies and base spaniel-fawning.
Thy brother by decree is banished:
If thou dost bend and pray and fawn for him,
I spurn thee like a cur out of my way.
Know, Caesar doth not wrong, nor without cause
Will he be satisfied.
METELLUS CIMBER
Is there no voice more worthy than my own
To sound more sweetly in great Caesar's ear
For the repealing of my banish'd brother?
BRUTUS
I kiss thy hand, but not in flattery, Caesar;
Desiring thee that Publius Cimber may
Have an immediate freedom of repeal.
CAESAR
What, Brutus!
CASSIUS
Pardon, Caesar; Caesar, pardon:
As low as to thy foot doth Cassius fall,
To beg enfranchisement for Publius Cimber.
CASSIUS
I could be well moved, if I were as you:
If I could pray to move, prayers would move me:
But I am constant as the northern star,
Of whose true-fix'd and resting quality
There is no fellow in the firmament.
The skies are painted with unnumber'd sparks,
They are all fire and every one doth shine,
But there's but one in all doth hold his place:
So in the world; 'tis furnish'd well with men,
And men are flesh and blood, and apprehensive;
Yet in the number I do know but one
That unassailable holds on his rank,
Unshaked of motion: and that I am he,
Let me a little show it, even in this;
That I was constant Cimber should be banish'd,
And constant do remain to keep him so.
CINNA
O Caesar,--
CAESAR
Hence! wilt thou lift up Olympus?
DECIUS BRUTUS
Great Caesar,--
CAESAR
Doth not Brutus bootless kneel?
CASCA
Speak, hands for me!
CASCA first, then the other Conspirators and BRUTUS stab CAESAR
CAESAR
Et tu, Brute! Then fall, Caesar.
Dies
CINNA
Liberty! Freedom! Tyranny is dead!
Run hence, proclaim, cry it about the streets.
CASSIUS
Some to the common pulpits, and cry out
'Liberty, freedom, and enfranchisement!'
BRUTUS
People and senators, be not affrighted;
Fly not; stand stiff: ambition's debt is paid.
CASCA
Go to the pulpit, Brutus.
DECIUS BRUTUS
And Cassius too.
BRUTUS
Where's Publius?
CINNA
Here, quite confounded with this mutiny.
METELLUS CIMBER
Stand fast together, lest some friend of Caesar's
Should chance--
BRUTUS
Talk not of standing. Publius, good cheer;
There is no harm intended to your person,
Nor to no Roman else: so tell them, Publius.
CASSIUS
And leave us, Publius; lest that the people,
Rushing on us, should do your age some mischief.
BRUTUS
Do so: and let no man abide this deed,
But we the doers.
Re-enter TREBONIUS
CASSIUS
Where is Antony?
TREBONIUS
Fled to his house amazed:
Men, wives and children stare, cry out and run
As it were doomsday.
BRUTUS
Fates, we will know your pleasures:
That we shall die, we know; 'tis but the time
And drawing days out, that men stand upon.
CASSIUS
Why, he that cuts off twenty years of life
Cuts off so many years of fearing death.
BRUTUS
Grant that, and then is death a benefit:
So are we Caesar's friends, that have abridged
His time of fearing death. Stoop, Romans, stoop,
And let us bathe our hands in Caesar's blood
Up to the elbows, and besmear our swords:
Then walk we forth, even to the market-place,
And, waving our red weapons o'er our heads,
Let's all cry 'Peace, freedom and liberty!'
CASSIUS
Stoop, then, and wash. How many ages hence
Shall this our lofty scene be acted over
In states unborn and accents yet unknown!
BRUTUS
How many times shall Caesar bleed in sport,
That now on Pompey's basis lies along
No worthier than the dust!
CASSIUS
So oft as that shall be,
So often shall the knot of us be call'd
The men that gave their country liberty.
DECIUS BRUTUS
What, shall we forth?
CASSIUS
Ay, every man away:
Brutus shall lead; and we will grace his heels
With the most boldest and best hearts of Rome.
Enter a Servant
BRUTUS
Soft! who comes here? A friend of Antony's.
Servant
Thus, Brutus, did my master bid me kneel:
Thus did Mark Antony bid me fall down;
And, being prostrate, thus he bade me say:
Brutus is noble, wise, valiant, and honest;
Caesar was mighty, bold, royal, and loving:
Say I love Brutus, and I honour him;
Say I fear'd Caesar, honour'd him and loved him.
If Brutus will vouchsafe that Antony
May safely come to him, and be resolved
How Caesar hath deserved to lie in death,
Mark Antony shall not love Caesar dead
So well as Brutus living; but will follow
The fortunes and affairs of noble Brutus
Thorough the hazards of this untrod state
With all true faith. So says my master Antony.
BRUTUS
Thy master is a wise and valiant Roman;
I never thought him worse.
Tell him, so please him come unto this place,
He shall be satisfied; and, by my honour,
Depart untouch'd.
Servant
I'll fetch him presently.
Exit
BRUTUS
I know that we shall have him well to friend.
CASSIUS
I wish we may: but yet have I a mind
That fears him much; and my misgiving still
Falls shrewdly to the purpose.
BRUTUS
But here comes Antony.
Re-enter ANTONY
Welcome, Mark Antony.
ANTONY
O mighty Caesar! dost thou lie so low?
Are all thy conquests, glories, triumphs, spoils,
Shrunk to this little measure? Fare thee well.
I know not, gentlemen, what you intend,
Who else must be let blood, who else is rank:
If I myself, there is no hour so fit
As Caesar's death hour, nor no instrument
Of half that worth as those your swords, made rich
With the most noble blood of all this world.
I do beseech ye, if you bear me hard,
Now, whilst your purpled hands do reek and smoke,
Fulfil your pleasure. Live a thousand years,
I shall not find myself so apt to die:
No place will please me so, no mean of death,
As here by Caesar, and by you cut off,
The choice and master spirits of this age.
BRUTUS
O Antony, beg not your death of us.
Though now we must appear bloody and cruel,
As, by our hands and this our present act,
You see we do, yet see you but our hands
And this the bleeding business they have done:
Our hearts you see not; they are pitiful;
And pity to the general wrong of Rome--
As fire drives out fire, so pity pity--
Hath done this deed on Caesar. For your part,
To you our swords have leaden points, Mark Antony:
Our arms, in strength of malice, and our hearts
Of brothers' temper, do receive you in
With all kind love, good thoughts, and reverence.
CASSIUS
Your voice shall be as strong as any man's
In the disposing of new dignities.
BRUTUS
Only be patient till we have appeased
The multitude, beside themselves with fear,
And then we will deliver you the cause,
Why I, that did love Caesar when I struck him,
Have thus proceeded.
ANTONY
I doubt not of your wisdom.
Let each man render me his bloody hand:
First, Marcus Brutus, will I shake with you;
Next, Caius Cassius, do I take your hand;
Now, Decius Brutus, yours: now yours, Metellus;
Yours, Cinna; and, my valiant Casca, yours;
Though last, not last in love, yours, good Trebonius.
Gentlemen all,--alas, what shall I say?
My credit now stands on such slippery ground,
That one of two bad ways you must conceit me,
Either a coward or a flatterer.
That I did love thee, Caesar, O, 'tis true:
If then thy spirit look upon us now,
Shall it not grieve thee dearer than thy death,
To see thy thy Anthony making his peace,
Shaking the bloody fingers of thy foes,
Most noble! in the presence of thy corse?
Had I as many eyes as thou hast wounds,
Weeping as fast as they stream forth thy blood,
It would become me better than to close
In terms of friendship with thine enemies.
Pardon me, Julius! Here wast thou bay'd, brave hart;
Here didst thou fall; and here thy hunters stand,
Sign'd in thy spoil, and crimson'd in thy lethe.
O world, thou wast the forest to this hart;
And this, indeed, O world, the heart of thee.
How like a deer, strucken by many princes,
Dost thou here lie!
CASSIUS
Mark Antony,--
ANTONY
Pardon me, Caius Cassius:
The enemies of Caesar shall say this;
Then, in a friend, it is cold modesty.
CASSIUS
I blame you not for praising Caesar so;
But what compact mean you to have with us?
Will you be prick'd in number of our friends;
Or shall we on, and not depend on you?
ANTONY
Therefore I took your hands, but was, indeed,
Sway'd from the point, by looking down on Caesar.
Friends am I with you all and love you all,
Upon this hope, that you shall give me reasons
Why and wherein Caesar was dangerous.
BRUTUS
Or else were this a savage spectacle:
Our reasons are so full of good regard
That were you, Antony, the son of Caesar,
You should be satisfied.
ANTONY
That's all I seek:
And am moreover suitor that I may
Produce his body to the market-place;
And in the pulpit, as becomes a friend,
Speak in the order of his funeral.
BRUTUS
You shall, Mark Antony.
CASSIUS
Brutus, a word with you.
Aside to BRUTUS
You know not what you do: do not consent
That Antony speak in his funeral:
Know you how much the people may be moved
By that which he will utter?
BRUTUS
By your pardon;
I will myself into the pulpit first,
And show the reason of our Caesar's death:
What Antony shall speak, I will protest
He speaks by leave and by permission,
And that we are *******ed Caesar shall
Have all true rites and lawful ceremonies.
It shall advantage more than do us wrong.
CASSIUS
I know not what may fall; I like it not.
BRUTUS
Mark Antony, here, take you Caesar's body.
You shall not in your funeral speech blame us,
But speak all good you can devise of Caesar,
And say you do't by our permission;
Else shall you not have any hand at all
About his funeral: and you shall speak
In the same pulpit whereto I am going,
After my speech is ended.
ANTONY
Be it so.
I do desire no more.
BRUTUS
Prepare the body then, and follow us.
Exeunt all but ANTONY
ANTONY
O, pardon me, thou bleeding piece of earth,
That I am meek and gentle with these butchers!
Thou art the ruins of the noblest man
That ever lived in the tide of times.
Woe to the hand that shed this costly blood!
Over thy wounds now do I prophesy,--
Which, like dumb mouths, do ope their ruby lips,
To beg the voice and utterance of my tongue--
A curse shall light upon the limbs of men;
Domestic fury and fierce civil strife
Shall cumber all the parts of Italy;
Blood and destruction shall be so in use
And dreadful objects so familiar
That mothers shall but smile when they behold
Their infants quarter'd with the hands of war;
All pity choked with custom of fell deeds:
And Caesar's spirit, ranging for revenge,
With Ate by his side come hot from hell,
Shall in these confines with a monarch's voice
Cry 'Havoc,' and let slip the dogs of war;
That this foul deed shall smell above the earth
With carrion men, groaning for burial.
Enter a Servant
You serve Octavius Caesar, do you not?
Servant
I do, Mark Antony.
ANTONY
Caesar did write for him to come to Rome.
Servant
He did receive his letters, and is coming;
And bid me say to you by word of mouth--
O Caesar!--
Seeing the body


أرب جمـال 5 - 11 - 2009 05:52 PM

Julius Caeser: Entire PlayANTONY
Thy heart is big, get thee apart and weep.
Passion, I see, is catching; for mine eyes,
Seeing those beads of sorrow stand in thine,
Began to water. Is thy master coming?
Servant
He lies to-night within seven leagues of Rome.
ANTONY
Post back with speed, and tell him what hath chanced:
Here is a mourning Rome, a dangerous Rome,
No Rome of safety for Octavius yet;
Hie hence, and tell him so. Yet, stay awhile;
Thou shalt not back till I have borne this corse
Into the market-place: there shall I try
In my oration, how the people take
The cruel issue of these bloody men;
According to the which, thou shalt discourse
To young Octavius of the state of things.
Lend me your hand.
Exeunt with CAESAR's body
SCENE II. The Forum.
Enter BRUTUS and CASSIUS, and a throng of Citizens
Citizens
We will be satisfied; let us be satisfied.
BRUTUS
Then follow me, and give me audience, friends.
Cassius, go you into the other street,
And part the numbers.
Those that will hear me speak, let 'em stay here;
Those that will follow Cassius, go with him;
And public reasons shall be rendered
Of Caesar's death.
First Citizen
I will hear Brutus speak.
Second Citizen
I will hear Cassius; and compare their reasons,
When severally we hear them rendered.
Exit CASSIUS, with some of the Citizens. BRUTUS goes into the pulpit
Third Citizen
The noble Brutus is ascended: silence!
BRUTUS
Be patient till the last.
Romans, countrymen, and lovers! hear me for my
cause, and be silent, that you may hear: believe me
for mine honour, and have respect to mine honour, that
you may believe: censure me in your wisdom, and
awake your senses, that you may the better judge.
If there be any in this assembly, any dear friend of
Caesar's, to him I say, that Brutus' love to Caesar
was no less than his. If then that friend demand
why Brutus rose against Caesar, this is my answer:
--Not that I loved Caesar less, but that I loved
Rome more. Had you rather Caesar were living and
die all slaves, than that Caesar were dead, to live
all free men? As Caesar loved me, I weep for him;
as he was fortunate, I rejoice at it; as he was
valiant, I honour him: but, as he was ambitious, I
slew him. There is tears for his love; joy for his
fortune; honour for his valour; and death for his
ambition. Who is here so base that would be a
bondman? If any, speak; for him have I offended.
Who is here so rude that would not be a Roman? If
any, speak; for him have I offended. Who is here so
vile that will not love his country? If any, speak;
for him have I offended. I pause for a reply.
All
None, Brutus, none.
BRUTUS
Then none have I offended. I have done no more to
Caesar than you shall do to Brutus. The question of
his death is enrolled in the Capitol; his glory not
extenuated, wherein he was worthy, nor his offences
enforced, for which he suffered death.
Enter ANTONY and others, with CAESAR's body
Here comes his body, mourned by Mark Antony: who,
though he had no hand in his death, shall receive
the benefit of his dying, a place in the
commonwealth; as which of you shall not? With this
I depart,--that, as I slew my best lover for the
good of Rome, I have the same dagger for myself,
when it shall please my country to need my death.
All
Live, Brutus! live, live!
First Citizen
Bring him with triumph home unto his house.
Second Citizen
Give him a statue with his ancestors.
Third Citizen
Let him be Caesar.
Fourth Citizen
Caesar's better parts
Shall be crown'd in Brutus.
First Citizen
We'll bring him to his house
With shouts and clamours.
BRUTUS
My countrymen,--
Second Citizen
Peace, silence! Brutus speaks.
First Citizen
Peace, ho!
BRUTUS
Good countrymen, let me depart alone,
And, for my sake, stay here with Antony:
Do grace to Caesar's corpse, and grace his speech
Tending to Caesar's glories; which Mark Antony,
By our permission, is allow'd to make.
I do entreat you, not a man depart,
Save I alone, till Antony have spoke.
Exit
First Citizen
Stay, ho! and let us hear Mark Antony.
Third Citizen
Let him go up into the public chair;
We'll hear him. Noble Antony, go up.
ANTONY
For Brutus' sake, I am beholding to you.
Goes into the pulpit
Fourth Citizen
What does he say of Brutus?
Third Citizen
He says, for Brutus' sake,
He finds himself beholding to us all.
Fourth Citizen
'Twere best he speak no harm of Brutus here.
First Citizen
This Caesar was a tyrant.
Third Citizen
Nay, that's certain:
We are blest that Rome is rid of him.
Second Citizen
Peace! let us hear what Antony can say.
ANTONY
You gentle Romans,--
Citizens
Peace, ho! let us hear him.
ANTONY
Friends, Romans, countrymen, lend me your ears;
I come to bury Caesar, not to praise him.
The evil that men do lives after them;
The good is oft interred with their bones;
So let it be with Caesar. The noble Brutus
Hath told you Caesar was ambitious:
If it were so, it was a grievous fault,
And grievously hath Caesar answer'd it.
Here, under leave of Brutus and the rest--
For Brutus is an honourable man;
So are they all, all honourable men--
Come I to speak in Caesar's funeral.
He was my friend, faithful and just to me:
But Brutus says he was ambitious;
And Brutus is an honourable man.
He hath brought many captives home to Rome
Whose ransoms did the general coffers fill:
Did this in Caesar seem ambitious?
When that the poor have cried, Caesar hath wept:
Ambition should be made of sterner stuff:
Yet Brutus says he was ambitious;
And Brutus is an honourable man.
You all did see that on the Lupercal
I thrice presented him a kingly crown,
Which he did thrice refuse: was this ambition?
Yet Brutus says he was ambitious;
And, sure, he is an honourable man.
I speak not to disprove what Brutus spoke,
But here I am to speak what I do know.
You all did love him once, not without cause:
What cause withholds you then, to mourn for him?
O judgment! thou art fled to brutish beasts,
And men have lost their reason. Bear with me;
My heart is in the coffin there with Caesar,
And I must pause till it come back to me.
First Citizen
Methinks there is much reason in his sayings.
Second Citizen
If thou consider rightly of the matter,
Caesar has had great wrong.
Third Citizen
Has he, masters?
I fear there will a worse come in his place.
Fourth Citizen
Mark'd ye his words? He would not take the crown;
Therefore 'tis certain he was not ambitious.
First Citizen
If it be found so, some will dear abide it.
Second Citizen
Poor soul! his eyes are red as fire with weeping.
Third Citizen
There's not a nobler man in Rome than Antony.
Fourth Citizen
Now mark him, he begins again to speak.
ANTONY
But yesterday the word of Caesar might
Have stood against the world; now lies he there.
And none so poor to do him reverence.
O masters, if I were disposed to stir
Your hearts and minds to mutiny and rage,
I should do Brutus wrong, and Cassius wrong,
Who, you all know, are honourable men:
I will not do them wrong; I rather choose
To wrong the dead, to wrong myself and you,
Than I will wrong such honourable men.
But here's a parchment with the seal of Caesar;
I found it in his closet, 'tis his will:
Let but the commons hear this testament--
Which, pardon me, I do not mean to read--
And they would go and kiss dead Caesar's wounds
And dip their napkins in his sacred blood,
Yea, beg a hair of him for memory,
And, dying, mention it within their wills,
Bequeathing it as a rich legacy
Unto their issue.
Fourth Citizen
We'll hear the will: read it, Mark Antony.
All
The will, the will! we will hear Caesar's will.
ANTONY
Have patience, gentle friends, I must not read it;
It is not meet you know how Caesar loved you.
You are not wood, you are not stones, but men;
And, being men, bearing the will of Caesar,
It will inflame you, it will make you mad:
'Tis good you know not that you are his heirs;
For, if you should, O, what would come of it!
Fourth Citizen
Read the will; we'll hear it, Antony;
You shall read us the will, Caesar's will.
ANTONY
Will you be patient? will you stay awhile?
I have o'ershot myself to tell you of it:
I fear I wrong the honourable men
Whose daggers have stabb'd Caesar; I do fear it.
Fourth Citizen
They were traitors: honourable men!
All
The will! the testament!
Second Citizen
They were villains, murderers: the will! read the will.
ANTONY
You will compel me, then, to read the will?
Then make a ring about the corpse of Caesar,
And let me show you him that made the will.
Shall I descend? and will you give me leave?
Several Citizens
Come down.
Second Citizen
Descend.
Third Citizen
You shall have leave.
ANTONY comes down
Fourth Citizen
A ring; stand round.
First Citizen
Stand from the hearse, stand from the body.
Second Citizen
Room for Antony, most noble Antony.
ANTONY
Nay, press not so upon me; stand far off.
Several Citizens
Stand back; room; bear back.
ANTONY
If you have tears, prepare to shed them now.
You all do know this mantle: I remember
The first time ever Caesar put it on;
'Twas on a summer's evening, in his tent,
That day he overcame the Nervii:
Look, in this place ran Cassius' dagger through:
See what a rent the envious Casca made:
Through this the well-beloved Brutus stabb'd;
And as he pluck'd his cursed steel away,
Mark how the blood of Caesar follow'd it,
As rushing out of doors, to be resolved
If Brutus so unkindly knock'd, or no;
For Brutus, as you know, was Caesar's angel:
Judge, O you gods, how dearly Caesar loved him!
This was the most unkindest cut of all;
For when the noble Caesar saw him stab,
Ingratitude, more strong than traitors' arms,
Quite vanquish'd him: then burst his mighty heart;
And, in his mantle muffling up his face,
Even at the base of Pompey's statua,
Which all the while ran blood, great Caesar fell.
O, what a fall was there, my countrymen!
Then I, and you, and all of us fell down,
Whilst bloody treason flourish'd over us.
O, now you weep; and, I perceive, you feel
The dint of pity: these are gracious drops.
Kind souls, what, weep you when you but behold
Our Caesar's vesture wounded? Look you here,
Here is himself, marr'd, as you see, with traitors.
First Citizen
O piteous spectacle!
Second Citizen
O noble Caesar!
Third Citizen
O woful day!
Fourth Citizen
O traitors, villains!
First Citizen
O most bloody sight!
Second Citizen
We will be revenged.
All
Revenge! About! Seek! Burn! Fire! Kill! Slay!
Let not a traitor live!
ANTONY
Stay, countrymen.
First Citizen
Peace there! hear the noble Antony.
Second Citizen
We'll hear him, we'll follow him, we'll die with him.
ANTONY
Good friends, sweet friends, let me not stir you up
To such a sudden flood of mutiny.
They that have done this deed are honourable:
What private griefs they have, alas, I know not,
That made them do it: they are wise and honourable,
And will, no doubt, with reasons answer you.
I come not, friends, to steal away your hearts:
I am no orator, as Brutus is;
But, as you know me all, a plain blunt man,
That love my friend; and that they know full well
That gave me public leave to speak of him:
For I have neither wit, nor words, nor worth,
Action, nor utterance, nor the power of speech,
To stir men's blood: I only speak right on;
I tell you that which you yourselves do know;
Show you sweet Caesar's wounds, poor poor dumb mouths,
And bid them speak for me: but were I Brutus,
And Brutus Antony, there were an Antony
Would ruffle up your spirits and put a tongue
In every wound of Caesar that should move
The stones of Rome to rise and mutiny.
All
We'll mutiny.
First Citizen
We'll burn the house of Brutus.
Third Citizen
Away, then! come, seek the conspirators.
ANTONY
Yet hear me, countrymen; yet hear me speak.
All
Peace, ho! Hear Antony. Most noble Antony!
ANTONY
Why, friends, you go to do you know not what:
Wherein hath Caesar thus deserved your loves?
Alas, you know not: I must tell you then:
You have forgot the will I told you of.
All
Most true. The will! Let's stay and hear the will.
ANTONY
Here is the will, and under Caesar's seal.
To every Roman citizen he gives,
To every several man, seventy-five drachmas.
Second Citizen
Most noble Caesar! We'll revenge his death.
Third Citizen
O royal Caesar!
ANTONY
Hear me with patience.
All
Peace, ho!
ANTONY
Moreover, he hath left you all his walks,
His private arbours and new-planted orchards,
On this side Tiber; he hath left them you,
And to your heirs for ever, common pleasures,
To walk abroad, and recreate yourselves.
Here was a Caesar! when comes such another?
First Citizen
Never, never. Come, away, away!
We'll burn his body in the holy place,
And with the brands fire the traitors' houses.
Take up the body.
Second Citizen
Go fetch fire.
Third Citizen
Pluck down benches.
Fourth Citizen
Pluck down forms, windows, any thing.
Exeunt Citizens with the body
ANTONY
Now let it work. Mischief, thou art afoot,
Take thou what course thou wilt!
Enter a Servant
How now, fellow!
Servant
Sir, Octavius is already come to Rome.
ANTONY
Where is he?
Servant
He and Lepidus are at Caesar's house.
ANTONY
And thither will I straight to visit him:
He comes upon a wish. Fortune is merry,
And in this mood will give us any thing.
Servant
I heard him say, Brutus and Cassius
Are rid like madmen through the gates of Rome.
ANTONY
Belike they had some notice of the people,
How I had moved them. Bring me to Octavius.
Exeunt
SCENE III. A street.
Enter CINNA the poet
CINNA THE POET
I dreamt to-night that I did feast with Caesar,
And things unlucky charge my fantasy:
I have no will to wander forth of doors,
Yet something leads me forth.
Enter Citizens
First Citizen
What is your name?
Second Citizen
Whither are you going?
Third Citizen
Where do you dwell?
Fourth Citizen
Are you a married man or a bachelor?
Second Citizen
Answer every man directly.
First Citizen
Ay, and briefly.
Fourth Citizen
Ay, and wisely.
Third Citizen
Ay, and truly, you were best.
CINNA THE POET
What is my name? Whither am I going? Where do I
dwell? Am I a married man or a bachelor? Then, to
answer every man directly and briefly, wisely and
truly: wisely I say, I am a bachelor.
Second Citizen
That's as much as to say, they are fools that marry:
you'll bear me a bang for that, I fear. Proceed; directly.
CINNA THE POET
Directly, I am going to Caesar's funeral.
First Citizen
As a friend or an enemy?
CINNA THE POET
As a friend.
Second Citizen
That matter is answered directly.
Fourth Citizen
For your dwelling,--briefly.
CINNA THE POET
Briefly, I dwell by the Capitol.
Third Citizen
Your name, sir, truly.
CINNA THE POET
Truly, my name is Cinna.
First Citizen
Tear him to pieces; he's a conspirator.
CINNA THE POET
I am Cinna the poet, I am Cinna the poet.
Fourth Citizen
Tear him for his bad verses, tear him for his bad verses.
CINNA THE POET
I am not Cinna the conspirator.
Fourth Citizen
It is no matter, his name's Cinna; pluck but his
name out of his heart, and turn him going.
Third Citizen
Tear him, tear him! Come, brands ho! fire-brands:
to Brutus', to Cassius'; burn all: some to Decius'
house, and some to Casca's; some to Ligarius': away, go!
Exeunt
ACT IV

SCENE I. A house in Rome.
ANTONY, OCTAVIUS, and LEPIDUS, seated at a table
ANTONY
These many, then, shall die; their names are prick'd.
OCTAVIUS
Your brother too must die; consent you, Lepidus?
LEPIDUS
I do consent--
OCTAVIUS
Prick him down, Antony.
LEPIDUS
Upon condition Publius shall not live,
Who is your sister's son, Mark Antony.
ANTONY
He shall not live; look, with a spot I damn him.
But, Lepidus, go you to Caesar's house;
Fetch the will hither, and we shall determine
How to cut off some charge in legacies.
LEPIDUS
What, shall I find you here?
OCTAVIUS
Or here, or at the Capitol.
Exit LEPIDUS
ANTONY
This is a slight unmeritable man,
Meet to be sent on errands: is it fit,
The three-fold world divided, he should stand
One of the three to share it?
OCTAVIUS
So you thought him;
And took his voice who should be prick'd to die,
In our black sentence and pro******ion.
ANTONY
Octavius, I have seen more days than you:
And though we lay these honours on this man,
To ease ourselves of divers slanderous loads,
He shall but bear them as the ass bears gold,
To groan and sweat under the business,
Either led or driven, as we point the way;
And having brought our treasure where we will,
Then take we down his load, and turn him off,
Like to the empty ass, to shake his ears,
And graze in commons.
OCTAVIUS
You may do your will;
But he's a tried and valiant soldier.
ANTONY
So is my horse, Octavius; and for that
I do appoint him store of provender:
It is a creature that I teach to fight,
To wind, to stop, to run directly on,
His corporal motion govern'd by my spirit.
And, in some taste, is Lepidus but so;
He must be taught and train'd and bid go forth;
A barren-spirited fellow; one that feeds
On abjects, orts and imitations,
Which, out of use and staled by other men,
Begin his fashion: do not talk of him,
But as a property. And now, Octavius,
Listen great things:--Brutus and Cassius
Are levying powers: we must straight make head:
Therefore let our alliance be combined,
Our best friends made, our means stretch'd
And let us presently go sit in council,
How covert matters may be best disclosed,
And open perils surest answered.
OCTAVIUS
Let us do so: for we are at the stake,
And bay'd about with many enemies;
And some that smile have in their hearts, I fear,
Millions of mischiefs.
Exeunt
SCENE II. Camp near Sardis. Before BRUTUS's tent.
Drum. Enter BRUTUS, LUCILIUS, LUCIUS, and Soldiers; TITINIUS and PINDARUS meeting them
BRUTUS
Stand, ho!
LUCILIUS
Give the word, ho! and stand.
BRUTUS
What now, Lucilius! is Cassius near?
LUCILIUS
He is at hand; and Pindarus is come
To do you salutation from his master.
BRUTUS
He greets me well. Your master, Pindarus,
In his own change, or by ill officers,
Hath given me some worthy cause to wish
Things done, undone: but, if he be at hand,
I shall be satisfied.
PINDARUS
I do not doubt
But that my noble master will appear
Such as he is, full of regard and honour.
BRUTUS
He is not doubted. A word, Lucilius;
How he received you, let me be resolved.
LUCILIUS
With courtesy and with respect enough;
But not with such familiar instances,
Nor with such free and friendly conference,
As he hath used of old.
BRUTUS
Thou hast described
A hot friend cooling: ever note, Lucilius,
When love begins to sicken and decay,
It useth an enforced ceremony.
There are no tricks in plain and simple faith;
But hollow men, like horses hot at hand,
Make gallant show and promise of their mettle;
But when they should endure the bloody spur,
They fall their crests, and, like deceitful jades,
Sink in the trial. Comes his army on?
LUCILIUS
They mean this night in Sardis to be quarter'd;
The greater part, the horse in general,
Are come with Cassius.
BRUTUS
Hark! he is arrived.
Low march within
March gently on to meet him.
Enter CASSIUS and his powers
CASSIUS
Stand, ho!
BRUTUS
Stand, ho! Speak the word along.
First Soldier
Stand!
Second Soldier
Stand!
Third Soldier
Stand!
CASSIUS
Most noble brother, you have done me wrong.
BRUTUS
Judge me, you gods! wrong I mine enemies?
And, if not so, how should I wrong a brother?
CASSIUS
Brutus, this sober form of yours hides wrongs;
And when you do them--
BRUTUS
Cassius, be *******.
Speak your griefs softly: I do know you well.
Before the eyes of both our armies here,
Which should perceive nothing but love from us,
Let us not wrangle: bid them move away;
Then in my tent, Cassius, enlarge your griefs,
And I will give you audience.
CASSIUS
Pindarus,
Bid our commanders lead their charges off
A little from this ground.
BRUTUS
Lucilius, do you the like; and let no man
Come to our tent till we have done our conference.
Let Lucius and Titinius guard our door.
Exeunt
SCENE III. Brutus's tent.
Enter BRUTUS and CASSIUS
CASSIUS
That you have wrong'd me doth appear in this:
You have condemn'd and noted Lucius Pella
For taking bribes here of the Sardians;
Wherein my letters, praying on his side,
Because I knew the man, were slighted off.
BRUTUS
You wronged yourself to write in such a case.
CASSIUS
In such a time as this it is not meet
That every nice offence should bear his comment.
BRUTUS
Let me tell you, Cassius, you yourself
Are much condemn'd to have an itching palm;
To sell and mart your offices for gold
To undeservers.
CASSIUS
I an itching palm!
You know that you are Brutus that speak this,
Or, by the gods, this speech were else your last.
BRUTUS
The name of Cassius honours this corruption,
And chastisement doth therefore hide his head.
CASSIUS
Chastisement!
BRUTUS
Remember March, the ides of March remember:
Did not great Julius bleed for justice' sake?
What villain touch'd his body, that did stab,
And not for justice? What, shall one of us
That struck the foremost man of all this world
But for supporting robbers, shall we now
Contaminate our fingers with base bribes,
And sell the mighty space of our large honours
For so much trash as may be grasped thus?
I had rather be a dog, and bay the moon,
Than such a Roman.
CASSIUS
Brutus, bay not me;
I'll not endure it: you forget yourself,
To hedge me in; I am a soldier, I,
Older in practise, abler than yourself
To make conditions.
BRUTUS
Go to; you are not, Cassius.
CASSIUS
I am.
BRUTUS
I say you are not.
CASSIUS
Urge me no more, I shall forget myself;
Have mind upon your health, tempt me no further.
BRUTUS
Away, slight man!
CASSIUS
Is't possible?
BRUTUS
Hear me, for I will speak.
Must I give way and room to your rash choler?
Shall I be frighted when a madman stares?
CASSIUS
O ye gods, ye gods! must I endure all this?
BRUTUS
All this! ay, more: fret till your proud heart break;
Go show your slaves how choleric you are,
And make your bondmen tremble. Must I budge?
Must I observe you? must I stand and crouch
Under your testy humour? By the gods
You shall digest the venom of your spleen,
Though it do split you; for, from this day forth,
I'll use you for my mirth, yea, for my laughter,
When you are waspish.
CASSIUS
Is it come to this?
BRUTUS
You say you are a better soldier:
Let it appear so; make your vaunting true,
And it shall please me well: for mine own part,
I shall be glad to learn of noble men.
CASSIUS
You wrong me every way; you wrong me, Brutus;
I said, an elder soldier, not a better:
Did I say 'better'?
BRUTUS
If you did, I care not.
CASSIUS
When Caesar lived, he durst not thus have moved me.
BRUTUS
Peace, peace! you durst not so have tempted him.
CASSIUS
I durst not!
BRUTUS
No.
CASSIUS
What, durst not tempt him!
BRUTUS
For your life you durst not!
CASSIUS
Do not presume too much upon my love;
I may do that I shall be sorry for.
BRUTUS
You have done that you should be sorry for.
There is no terror, Cassius, in your threats,
For I am arm'd so strong in honesty
That they pass by me as the idle wind,
Which I respect not. I did send to you
For certain sums of gold, which you denied me:
For I can raise no money by vile means:
By heaven, I had rather coin my heart,
And drop my blood for drachmas, than to wring
From the hard hands of peasants their vile trash
By any indirection: I did send
To you for gold to pay my legions,
Which you denied me: was that done like Cassius?
Should I have answer'd Caius Cassius so?
When Marcus Brutus grows so covetous,
To lock such rascal counters from his friends,
Be ready, gods, with all your thunderbolts;
Dash him to pieces!
CASSIUS
I denied you not.
BRUTUS
You did.
CASSIUS
I did not: he was but a fool that brought
My answer back. Brutus hath rived my heart:
A friend should bear his friend's infirmities,
But Brutus makes mine greater than they are.
BRUTUS
I do not, till you practise them on me.
CASSIUS
You love me not.
BRUTUS
I do not like your faults.
CASSIUS
A friendly eye could never see such faults.
BRUTUS
A flatterer's would not, though they do appear
As huge as high Olympus.
CASSIUS
Come, Antony, and young Octavius, come,
Revenge yourselves alone on Cassius,
For Cassius is aweary of the world;
Hated by one he loves; braved by his brother;
Cheque'd like a bondman; all his faults observed,
Set in a note-book, learn'd, and conn'd by rote,
To cast into my teeth. O, I could weep
My spirit from mine eyes! There is my dagger,
And here my naked breast; within, a heart
Dearer than Plutus' mine, richer than gold:
If that thou be'st a Roman, take it forth;
I, that denied thee gold, will give my heart:
Strike, as thou didst at Caesar; for, I know,
When thou didst hate him worst, thou lovedst him better
Than ever thou lovedst Cassius.
BRUTUS
Sheathe your dagger:
Be angry when you will, it shall have scope;
Do what you will, dishonour shall be humour.
O Cassius, you are yoked with a lamb
That carries anger as the flint bears fire;
Who, much enforced, shows a hasty spark,
And straight is cold again.
CASSIUS
Hath Cassius lived
To be but mirth and laughter to his Brutus,
When grief, and blood ill-temper'd, vexeth him?
BRUTUS
When I spoke that, I was ill-temper'd too.
CASSIUS
Do you confess so much? Give me your hand.
BRUTUS
And my heart too.
CASSIUS
O Brutus!
BRUTUS
What's the matter?
CASSIUS
Have not you love enough to bear with me,
When that rash humour which my mother gave me
Makes me forgetful?
BRUTUS
Yes, Cassius; and, from henceforth,
When you are over-earnest with your Brutus,
He'll think your mother chides, and leave you so.
Poet
[Within] Let me go in to see the generals;
There is some grudge between 'em, 'tis not meet
They be alone.
LUCILIUS
[Within] You shall not come to them.
Poet
[Within] Nothing but death shall stay me.
Enter Poet, followed by LUCILIUS, TITINIUS, and LUCIUS
CASSIUS
How now! what's the matter?
Poet
For shame, you generals! what do you mean?
Love, and be friends, as two such men should be;
For I have seen more years, I'm sure, than ye.
CASSIUS
Ha, ha! how vilely doth this cynic rhyme!
BRUTUS
Get you hence, sirrah; saucy fellow, hence!
CASSIUS
Bear with him, Brutus; 'tis his fashion.
BRUTUS
I'll know his humour, when he knows his time:
What should the wars do with these jigging fools?
Companion, hence!
CASSIUS
Away, away, be gone.
Exit Poet


بيسـان 5 - 11 - 2009 05:53 PM

thank you
arab:)

أرب جمـال 5 - 11 - 2009 05:53 PM

Julius Caeser: Entire PlayBRUTUS
Lucilius and Titinius, bid the commanders
Prepare to lodge their companies to-night.
CASSIUS
And come yourselves, and bring Messala with you
Immediately to us.
Exeunt LUCILIUS and TITINIUS
BRUTUS
Lucius, a bowl of wine!
Exit LUCIUS
CASSIUS
I did not think you could have been so angry.
BRUTUS
O Cassius, I am sick of many griefs.
CASSIUS
Of your philosophy you make no use,
If you give place to accidental evils.
BRUTUS
No man bears sorrow better. Portia is dead.
CASSIUS
Ha! Portia!
BRUTUS
She is dead.
CASSIUS
How 'scaped I killing when I cross'd you so?
O insupportable and touching loss!
Upon what sickness?
BRUTUS
Impatient of my absence,
And grief that young Octavius with Mark Antony
Have made themselves so strong:--for with her death
That tidings came;--with this she fell distract,
And, her attendants absent, swallow'd fire.
CASSIUS
And died so?
BRUTUS
Even so.
CASSIUS
O ye immortal gods!
Re-enter LUCIUS, with wine and taper
BRUTUS
Speak no more of her. Give me a bowl of wine.
In this I bury all unkindness, Cassius.
CASSIUS
My heart is thirsty for that noble pledge.
Fill, Lucius, till the wine o'erswell the cup;
I cannot drink too much of Brutus' love.
BRUTUS
Come in, Titinius!
Exit LUCIUS
Re-enter TITINIUS, with MESSALA
Welcome, good Messala.
Now sit we close about this taper here,
And call in question our necessities.
CASSIUS
Portia, art thou gone?
BRUTUS
No more, I pray you.
Messala, I have here received letters,
That young Octavius and Mark Antony
Come down upon us with a mighty power,
Bending their expedition toward Philippi.
MESSALA
Myself have letters of the selfsame tenor.
BRUTUS
With what addition?
MESSALA
That by pro******ion and bills of outlawry,
Octavius, Antony, and Lepidus,
Have put to death an hundred senators.
BRUTUS
Therein our letters do not well agree;
Mine speak of seventy senators that died
By their pro******ions, Cicero being one.
CASSIUS
Cicero one!
MESSALA
Cicero is dead,
And by that order of pro******ion.
Had you your letters from your wife, my lord?
BRUTUS
No, Messala.
MESSALA
Nor nothing in your letters writ of her?
BRUTUS
Nothing, Messala.
MESSALA
That, methinks, is strange.
BRUTUS
Why ask you? hear you aught of her in yours?
MESSALA
No, my lord.
BRUTUS
Now, as you are a Roman, tell me true.
MESSALA
Then like a Roman bear the truth I tell:
For certain she is dead, and by strange manner.
BRUTUS
Why, farewell, Portia. We must die, Messala:
With meditating that she must die once,
I have the patience to endure it now.
MESSALA
Even so great men great losses should endure.
CASSIUS
I have as much of this in art as you,
But yet my nature could not bear it so.
BRUTUS
Well, to our work alive. What do you think
Of marching to Philippi presently?
CASSIUS
I do not think it good.
BRUTUS
Your reason?
CASSIUS
This it is:
'Tis better that the enemy seek us:
So shall he waste his means, weary his soldiers,
Doing himself offence; whilst we, lying still,
Are full of rest, defense, and nimbleness.
BRUTUS
Good reasons must, of force, give place to better.
The people 'twixt Philippi and this ground
Do stand but in a forced affection;
For they have grudged us contribution:
The enemy, marching along by them,
By them shall make a fuller number up,
Come on refresh'd, new-added, and encouraged;
From which advantage shall we cut him off,
If at Philippi we do face him there,
These people at our back.
CASSIUS
Hear me, good brother.
BRUTUS
Under your pardon. You must note beside,
That we have tried the utmost of our friends,
Our legions are brim-full, our cause is ripe:
The enemy increaseth every day;
We, at the height, are ready to decline.
There is a tide in the affairs of men,
Which, taken at the flood, leads on to fortune;
Omitted, all the voyage of their life
Is bound in shallows and in miseries.
On such a full sea are we now afloat;
And we must take the current when it serves,
Or lose our ventures.
CASSIUS
Then, with your will, go on;
We'll along ourselves, and meet them at Philippi.
BRUTUS
The deep of night is crept upon our talk,
And nature must obey necessity;
Which we will niggard with a little rest.
There is no more to say?
CASSIUS
No more. Good night:
Early to-morrow will we rise, and hence.
BRUTUS
Lucius!
Enter LUCIUS
My gown.
Exit LUCIUS
Farewell, good Messala:
Good night, Titinius. Noble, noble Cassius,
Good night, and good repose.
CASSIUS
O my dear brother!
This was an ill beginning of the night:
Never come such division 'tween our souls!
Let it not, Brutus.
BRUTUS
Every thing is well.
CASSIUS
Good night, my lord.
BRUTUS
Good night, good brother.
TITINIUS MESSALA
Good night, Lord Brutus.
BRUTUS
Farewell, every one.
Exeunt all but BRUTUS
Re-enter LUCIUS, with the gown
Give me the gown. Where is thy instrument?
LUCIUS
Here in the tent.
BRUTUS
What, thou speak'st drowsily?
Poor knave, I blame thee not; thou art o'er-watch'd.
Call Claudius and some other of my men:
I'll have them sleep on cushions in my tent.
LUCIUS
Varro and Claudius!
Enter VARRO and CLAUDIUS
VARRO
Calls my lord?
BRUTUS
I pray you, sirs, lie in my tent and sleep;
It may be I shall raise you by and by
On business to my brother Cassius.
VARRO
So please you, we will stand and watch your pleasure.
BRUTUS
I will not have it so: lie down, good sirs;
It may be I shall otherwise bethink me.
Look, Lucius, here's the book I sought for so;
I put it in the pocket of my gown.
VARRO and CLAUDIUS lie down
LUCIUS
I was sure your lordship did not give it me.
BRUTUS
Bear with me, good boy, I am much forgetful.
Canst thou hold up thy heavy eyes awhile,
And touch thy instrument a strain or two?
LUCIUS
Ay, my lord, an't please you.
BRUTUS
It does, my boy:
I trouble thee too much, but thou art willing.
LUCIUS
It is my duty, sir.
BRUTUS
I should not urge thy duty past thy might;
I know young bloods look for a time of rest.
LUCIUS
I have slept, my lord, already.
BRUTUS
It was well done; and thou shalt sleep again;
I will not hold thee long: if I do live,
I will be good to thee.
Music, and a song
This is a sleepy tune. O murderous slumber,
Lay'st thou thy leaden mace upon my boy,
That plays thee music? Gentle knave, good night;
I will not do thee so much wrong to wake thee:
If thou dost nod, thou break'st thy instrument;
I'll take it from thee; and, good boy, good night.
Let me see, let me see; is not the leaf turn'd down
Where I left reading? Here it is, I think.
Enter the Ghost of CAESAR
How ill this taper burns! Ha! who comes here?
I think it is the weakness of mine eyes
That shapes this monstrous apparition.
It comes upon me. Art thou any thing?
Art thou some god, some angel, or some devil,
That makest my blood cold and my hair to stare?
Speak to me what thou art.
GHOST
Thy evil spirit, Brutus.
BRUTUS
Why comest thou?
GHOST
To tell thee thou shalt see me at Philippi.
BRUTUS
Well; then I shall see thee again?
GHOST
Ay, at Philippi.
BRUTUS
Why, I will see thee at Philippi, then.
Exit Ghost
Now I have taken heart thou vanishest:
Ill spirit, I would hold more talk with thee.
Boy, Lucius! Varro! Claudius! Sirs, awake! Claudius!
LUCIUS
The strings, my lord, are false.
BRUTUS
He thinks he still is at his instrument.
Lucius, awake!
LUCIUS
My lord?
BRUTUS
Didst thou dream, Lucius, that thou so criedst out?
LUCIUS
My lord, I do not know that I did cry.
BRUTUS
Yes, that thou didst: didst thou see any thing?
LUCIUS
Nothing, my lord.
BRUTUS
Sleep again, Lucius. Sirrah Claudius!
To VARRO
Fellow thou, awake!
VARRO
My lord?
CLAUDIUS
My lord?
BRUTUS
Why did you so cry out, sirs, in your sleep?
VARRO CLAUDIUS
Did we, my lord?
BRUTUS
Ay: saw you any thing?
VARRO
No, my lord, I saw nothing.
CLAUDIUS
Nor I, my lord.
BRUTUS
Go and commend me to my brother Cassius;
Bid him set on his powers betimes before,
And we will follow.
VARRO CLAUDIUS
It shall be done, my lord.
Exeunt
ACT V

SCENE I. The plains of Philippi.
Enter OCTAVIUS, ANTONY, and their army
OCTAVIUS
Now, Antony, our hopes are answered:
You said the enemy would not come down,
But keep the hills and upper regions;
It proves not so: their battles are at hand;
They mean to warn us at Philippi here,
Answering before we do demand of them.
ANTONY
Tut, I am in their bosoms, and I know
Wherefore they do it: they could be *******
To visit other places; and come down
With fearful bravery, thinking by this face
To fasten in our thoughts that they have courage;
But 'tis not so.
Enter a Messenger
Messenger
Prepare you, generals:
The enemy comes on in gallant show;
Their bloody sign of battle is hung out,
And something to be done immediately.
ANTONY
Octavius, lead your battle softly on,
Upon the left hand of the even field.
OCTAVIUS
Upon the right hand I; keep thou the left.
ANTONY
Why do you cross me in this exigent?
OCTAVIUS
I do not cross you; but I will do so.
March
Drum. Enter BRUTUS, CASSIUS, and their Army; LUCILIUS, TITINIUS, MESSALA, and others
BRUTUS
They stand, and would have parley.
CASSIUS
Stand fast, Titinius: we must out and talk.
OCTAVIUS
Mark Antony, shall we give sign of battle?
ANTONY
No, Caesar, we will answer on their charge.
Make forth; the generals would have some words.
OCTAVIUS
Stir not until the signal.
BRUTUS
Words before blows: is it so, countrymen?
OCTAVIUS
Not that we love words better, as you do.
BRUTUS
Good words are better than bad strokes, Octavius.
ANTONY
In your bad strokes, Brutus, you give good words:
Witness the hole you made in Caesar's heart,
Crying 'Long live! hail, Caesar!'
CASSIUS
Antony,
The posture of your blows are yet unknown;
But for your words, they rob the Hybla bees,
And leave them honeyless.
ANTONY
Not stingless too.
BRUTUS
O, yes, and soundless too;
For you have stol'n their buzzing, Antony,
And very wisely threat before you sting.
ANTONY
Villains, you did not so, when your vile daggers
Hack'd one another in the sides of Caesar:
You show'd your teeth like apes, and fawn'd like hounds,
And bow'd like bondmen, kissing Caesar's feet;
Whilst damned Casca, like a cur, behind
Struck Caesar on the neck. O you flatterers!
CASSIUS
Flatterers! Now, Brutus, thank yourself:
This tongue had not offended so to-day,
If Cassius might have ruled.
OCTAVIUS
Come, come, the cause: if arguing make us sweat,
The proof of it will turn to redder drops. Look;
I draw a sword against conspirators;
When think you that the sword goes up again?
Never, till Caesar's three and thirty wounds
Be well avenged; or till another Caesar
Have added slaughter to the sword of traitors.
BRUTUS
Caesar, thou canst not die by traitors' hands,
Unless thou bring'st them with thee.
OCTAVIUS
So I hope;
I was not born to die on Brutus' sword.
BRUTUS
O, if thou wert the noblest of thy strain,
Young man, thou couldst not die more honourable.
CASSIUS
A peevish schoolboy, worthless of such honour,
Join'd with a masker and a reveller!
ANTONY
Old Cassius still!
OCTAVIUS
Come, Antony, away!
Defiance, traitors, hurl we in your teeth:
If you dare fight to-day, come to the field;
If not, when you have stomachs.
Exeunt OCTAVIUS, ANTONY, and their army
CASSIUS
Why, now, blow wind, swell billow and swim bark!
The storm is up, and all is on the hazard.
BRUTUS
Ho, Lucilius! hark, a word with you.
LUCILIUS
[Standing forth] My lord?
BRUTUS and LUCILIUS converse apart
CASSIUS
Messala!
MESSALA
[Standing forth] What says my general?
CASSIUS
Messala,
This is my birth-day; as this very day
Was Cassius born. Give me thy hand, Messala:
Be thou my witness that against my will,
As Pompey was, am I compell'd to set
Upon one battle all our liberties.
You know that I held Epicurus strong
And his opinion: now I change my mind,
And partly credit things that do presage.
Coming from Sardis, on our former ensign
Two mighty eagles fell, and there they perch'd,
Gorging and feeding from our soldiers' hands;
Who to Philippi here consorted us:
This morning are they fled away and gone;
And in their steads do ravens, crows and kites,
Fly o'er our heads and downward look on us,
As we were sickly prey: their shadows seem
A canopy most fatal, under which
Our army lies, ready to give up the ghost.
MESSALA
Believe not so.
CASSIUS
I but believe it partly;
For I am fresh of spirit and resolved
To meet all perils very constantly.
BRUTUS
Even so, Lucilius.
CASSIUS
Now, most noble Brutus,
The gods to-day stand friendly, that we may,
Lovers in peace, lead on our days to age!
But since the affairs of men rest still incertain,
Let's reason with the worst that may befall.
If we do lose this battle, then is this
The very last time we shall speak together:
What are you then determined to do?
BRUTUS
Even by the rule of that philosophy
By which I did blame Cato for the death
Which he did give himself, I know not how,
But I do find it cowardly and vile,
For fear of what might fall, so to prevent
The time of life: arming myself with patience
To stay the providence of some high powers
That govern us below.
CASSIUS
Then, if we lose this battle,
You are *******ed to be led in triumph
Thorough the streets of Rome?
BRUTUS
No, Cassius, no: think not, thou noble Roman,
That ever Brutus will go bound to Rome;
He bears too great a mind. But this same day
Must end that work the ides of March begun;
And whether we shall meet again I know not.
Therefore our everlasting farewell take:
For ever, and for ever, farewell, Cassius!
If we do meet again, why, we shall smile;
If not, why then, this parting was well made.
CASSIUS
For ever, and for ever, farewell, Brutus!
If we do meet again, we'll smile indeed;
If not, 'tis true this parting was well made.
BRUTUS
Why, then, lead on. O, that a man might know
The end of this day's business ere it come!
But it sufficeth that the day will end,
And then the end is known. Come, ho! away!
Exeunt
SCENE II. The same. The field of battle.
Alarum. Enter BRUTUS and MESSALA
BRUTUS
Ride, ride, Messala, ride, and give these bills
Unto the legions on the other side.
Loud alarum
Let them set on at once; for I perceive
But cold demeanor in Octavius' wing,
And sudden push gives them the overthrow.
Ride, ride, Messala: let them all come down.
Exeunt
SCENE III. Another part of the field.
Alarums. Enter CASSIUS and TITINIUS
CASSIUS
O, look, Titinius, look, the villains fly!
Myself have to mine own turn'd enemy:
This ensign here of mine was turning back;
I slew the coward, and did take it from him.
TITINIUS
O Cassius, Brutus gave the word too early;
Who, having some advantage on Octavius,
Took it too eagerly: his soldiers fell to spoil,
Whilst we by Antony are all enclosed.
Enter PINDARUS
PINDARUS
Fly further off, my lord, fly further off;
Mark Antony is in your tents, my lord
Fly, therefore, noble Cassius, fly far off.
CASSIUS
This hill is far enough. Look, look, Titinius;
Are those my tents where I perceive the fire?
TITINIUS
They are, my lord.
CASSIUS
Titinius, if thou lovest me,
Mount thou my horse, and hide thy spurs in him,
Till he have brought thee up to yonder troops,
And here again; that I may rest assured
Whether yond troops are friend or enemy.
TITINIUS
I will be here again, even with a thought.
Exit
CASSIUS
Go, Pindarus, get higher on that hill;
My sight was ever thick; regard Titinius,
And tell me what thou notest about the field.
PINDARUS ascends the hill
This day I breathed first: time is come round,
And where I did begin, there shall I end;
My life is run his compass. Sirrah, what news?
PINDARUS
[Above] O my lord!
CASSIUS
What news?
PINDARUS
[Above] Titinius is enclosed round about
With horsemen, that make to him on the spur;
Yet he spurs on. Now they are almost on him.
Now, Titinius! Now some light. O, he lights too.
He's ta'en.
Shout
And, hark! they shout for joy.
CASSIUS
Come down, behold no more.
O, coward that I am, to live so long,
To see my best friend ta'en before my face!
PINDARUS descends
Come hither, sirrah:
In Parthia did I take thee prisoner;
And then I swore thee, saving of thy life,
That whatsoever I did bid thee do,
Thou shouldst attempt it. Come now, keep thine oath;
Now be a freeman: and with this good sword,
That ran through Caesar's bowels, search this bosom.
Stand not to answer: here, take thou the hilts;
And, when my face is cover'd, as 'tis now,
Guide thou the sword.
PINDARUS stabs him
Caesar, thou art revenged,
Even with the sword that kill'd thee.
Dies
PINDARUS
So, I am free; yet would not so have been,
Durst I have done my will. O Cassius,
Far from this country Pindarus shall run,
Where never Roman shall take note of him.
Exit
Re-enter TITINIUS with MESSALA
MESSALA
It is but change, Titinius; for Octavius
Is overthrown by noble Brutus' power,
As Cassius' legions are by Antony.
TITINIUS
These tidings will well comfort Cassius.
MESSALA
Where did you leave him?
TITINIUS
All disconsolate,
With Pindarus his bondman, on this hill.
MESSALA
Is not that he t hat lies upon the ground?
TITINIUS
He lies not like the living. O my heart!
MESSALA
Is not that he?
TITINIUS
No, this was he, Messala,
But Cassius is no more. O setting sun,
As in thy red rays thou dost sink to-night,
So in his red blood Cassius' day is set;
The sun of Rome is set! Our day is gone;
Clouds, dews, and dangers come; our deeds are done!
Mistrust of my success hath done this deed.
MESSALA
Mistrust of good success hath done this deed.
O hateful error, melancholy's child,
Why dost thou show to the apt thoughts of men
The things that are not? O error, soon conceived,
Thou never comest unto a happy birth,
But kill'st the mother that engender'd thee!
TITINIUS
What, Pindarus! where art thou, Pindarus?
MESSALA
Seek him, Titinius, whilst I go to meet
The noble Brutus, thrusting this report
Into his ears; I may say, thrusting it;
For piercing steel and darts envenomed
Shall be as welcome to the ears of Brutus
As tidings of this sight.
TITINIUS
Hie you, Messala,
And I will seek for Pindarus the while.
Exit MESSALA
Why didst thou send me forth, brave Cassius?
Did I not meet thy friends? and did not they
Put on my brows this wreath of victory,
And bid me give it thee? Didst thou not hear their shouts?
Alas, thou hast misconstrued every thing!
But, hold thee, take this garland on thy brow;
Thy Brutus bid me give it thee, and I
Will do his bidding. Brutus, come apace,
And see how I regarded Caius Cassius.
By your leave, gods:--this is a Roman's part
Come, Cassius' sword, and find Titinius' heart.
Kills himself
Alarum. Re-enter MESSALA, with BRUTUS, CATO, STRATO, VOLUMNIUS, and LUCILIUS
BRUTUS
Where, where, Messala, doth his body lie?
MESSALA
Lo, yonder, and Titinius mourning it.
BRUTUS
Titinius' face is upward.
CATO
He is slain.
BRUTUS
O Julius Caesar, thou art mighty yet!
Thy spirit walks abroad and turns our swords
In our own proper entrails.
Low alarums
CATO
Brave Titinius!
Look, whether he have not crown'd dead Cassius!
BRUTUS
Are yet two Romans living such as these?
The last of all the Romans, fare thee well!
It is impossible that ever Rome
Should breed thy fellow. Friends, I owe more tears
To this dead man than you shall see me pay.
I shall find time, Cassius, I shall find time.
Come, therefore, and to Thasos send his body:
His funerals shall not be in our camp,
Lest it discomfort us. Lucilius, come;
And come, young Cato; let us to the field.
Labeo and Flavius, set our battles on:
'Tis three o'clock; and, Romans, yet ere night
We shall try fortune in a second fight.
Exeunt
SCENE IV. Another part of the field.
Alarum. Enter fighting, Soldiers of both armies; then BRUTUS, CATO, LUCILIUS, and others
BRUTUS
Yet, countrymen, O, yet hold up your heads!
CATO
What bastard doth not? Who will go with me?
I will proclaim my name about the field:
I am the son of Marcus Cato, ho!
A foe to tyrants, and my country's friend;
I am the son of Marcus Cato, ho!
BRUTUS
And I am Brutus, Marcus Brutus, I;
Brutus, my country's friend; know me for Brutus!
Exit
LUCILIUS
O young and noble Cato, art thou down?
Why, now thou diest as bravely as Titinius;
And mayst be honour'd, being Cato's son.
First Soldier
Yield, or thou diest.
LUCILIUS
Only I yield to die:
There is so much that thou wilt kill me straight;
Offering money
Kill Brutus, and be honour'd in his death.
First Soldier
We must not. A noble prisoner!
Second Soldier
Room, ho! Tell Antony, Brutus is ta'en.
First Soldier
I'll tell the news. Here comes the general.
Enter ANTONY
Brutus is ta'en, Brutus is ta'en, my lord.
ANTONY
Where is he?
LUCILIUS
Safe, Antony; Brutus is safe enough:
I dare assure thee that no enemy
Shall ever take alive the noble Brutus:
The gods defend him from so great a shame!
When you do find him, or alive or dead,
He will be found like Brutus, like himself.
ANTONY
This is not Brutus, friend; but, I assure you,
A prize no less in worth: keep this man safe;
Give him all kindness: I had rather have
Such men my friends than enemies. Go on,
And see whether Brutus be alive or dead;
And bring us word unto Octavius' tent
How every thing is chanced.
Exeunt
SCENE V. Another part of the field.
Enter BRUTUS, DARDANIUS, CLITUS, STRATO, and VOLUMNIUS
BRUTUS
Come, poor remains of friends, rest on this rock.
CLITUS
Statilius show'd the torch-light, but, my lord,
He came not back: he is or ta'en or slain.
BRUTUS
Sit thee down, Clitus: slaying is the word;
It is a deed in fashion. Hark thee, Clitus.
Whispers
CLITUS
What, I, my lord? No, not for all the world.
BRUTUS
Peace then! no words.
CLITUS
I'll rather kill myself.
BRUTUS
Hark thee, Dardanius.
Whispers
DARDANIUS
Shall I do such a deed?
CLITUS
O Dardanius!
DARDANIUS
O Clitus!
CLITUS
What ill request did Brutus make to thee?
DARDANIUS
To kill him, Clitus. Look, he meditates.
CLITUS
Now is that noble vessel full of grief,
That it runs over even at his eyes.
BRUTUS
Come hither, good Volumnius; list a word.
VOLUMNIUS
What says my lord?
BRUTUS
Why, this, Volumnius:
The ghost of Caesar hath appear'd to me
Two several times by night; at Sardis once,
And, this last night, here in Philippi fields:
I know my hour is come.
VOLUMNIUS
Not so, my lord.
BRUTUS
Nay, I am sure it is, Volumnius.
Thou seest the world, Volumnius, how it goes;
Our enemies have beat us to the pit:
Low alarums
It is more worthy to leap in ourselves,
Than tarry till they push us. Good Volumnius,
Thou know'st that we two went to school together:
Even for that our love of old, I prithee,
Hold thou my sword-hilts, whilst I run on it.
VOLUMNIUS
That's not an office for a friend, my lord.
Alarum still
CLITUS
Fly, fly, my lord; there is no tarrying here.
BRUTUS
Farewell to you; and you; and you, Volumnius.
Strato, thou hast been all this while asleep;
Farewell to thee too, Strato. Countrymen,
My heart doth joy that yet in all my life
I found no man but he was true to me.
I shall have glory by this losing day
More than Octavius and Mark Antony
By this vile conquest shall attain unto.
So fare you well at once; for Brutus' tongue
Hath almost ended his life's history:
Night hangs upon mine eyes; my bones would rest,
That have but labour'd to attain this hour.
Alarum. Cry within, 'Fly, fly, fly!'
CLITUS
Fly, my lord, fly.
BRUTUS
Hence! I will follow.
Exeunt CLITUS, DARDANIUS, and VOLUMNIUS
I prithee, Strato, stay thou by thy lord:
Thou art a fellow of a good respect;
Thy life hath had some smatch of honour in it:
Hold then my sword, and turn away thy face,
While I do run upon it. Wilt thou, Strato?
STRATO
Give me your hand first. Fare you well, my lord.
BRUTUS
Farewell, good Strato.
Runs on his sword
Caesar, now be still:
I kill'd not thee with half so good a will.
Dies
Alarum. Retreat. Enter OCTAVIUS, ANTONY, MESSALA, LUCILIUS, and the army
OCTAVIUS
What man is that?
MESSALA
My master's man. Strato, where is thy master?
STRATO
Free from the bondage you are in, Messala:
The conquerors can but make a fire of him;
For Brutus only overcame himself,
And no man else hath honour by his death.
LUCILIUS
So Brutus should be found. I thank thee, Brutus,
That thou hast proved Lucilius' saying true.
OCTAVIUS
All that served Brutus, I will entertain them.
Fellow, wilt thou bestow thy time with me?
STRATO
Ay, if Messala will prefer me to you.
OCTAVIUS
Do so, good Messala.
MESSALA
How died my master, Strato?
STRATO
I held the sword, and he did run on it.
MESSALA
Octavius, then take him to follow thee,
That did the latest service to my master.
ANTONY
This was the noblest Roman of them all:
All the conspirators save only he
Did that they did in envy of great Caesar;
He only, in a general honest thought
And common good to all, made one of them.
His life was gentle, and the elements
So mix'd in him that Nature might stand up
And say to all the world 'This was a man!'
OCTAVIUS
According to his virtue let us use him,
With all respect and rites of burial.
Within my tent his bones to-night shall lie,
Most like a soldier, order'd honourably.
So call the field to rest; and let's away,
To part the glories of this happy day.
Exeunt


أرب جمـال 5 - 11 - 2009 05:57 PM

Romeo and Juliet: Entire PlayACT I

PROLOGUE
Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes
A pair of star-cross'd lovers take their life;
Whole misadventured piteous overthrows
Do with their death bury their parents' strife.
The fearful passage of their death-mark'd love,
And the continuance of their parents' rage,
Which, but their children's end, nought could remove,
Is now the two hours' traffic of our stage;
The which if you with patient ears attend,
What here shall miss, our toil shall strive to mend.
SCENE I. Verona. A public place.
Enter SAMPSON and GREGORY, of the house of Capulet, armed with swords and bucklers
SAMPSON
Gregory, o' my word, we'll not carry coals.
GREGORY
No, for then we should be colliers.
SAMPSON
I mean, an we be in choler, we'll draw.
GREGORY
Ay, while you live, draw your neck out o' the collar.
SAMPSON
I strike quickly, being moved.
GREGORY
But thou art not quickly moved to strike.
SAMPSON
A dog of the house of Montague moves me.
GREGORY
To move is to stir; and to be valiant is to stand:
therefore, if thou art moved, thou runn'st away.
SAMPSON
A dog of that house shall move me to stand: I will
take the wall of any man or maid of Montague's.
GREGORY
That shows thee a weak slave; for the weakest goes
to the wall.
SAMPSON
True; and therefore women, being the weaker vessels,
are ever thrust to the wall: therefore I will push
Montague's men from the wall, and thrust his maids
to the wall.
GREGORY
The quarrel is between our masters and us their men.
SAMPSON
'Tis all one, I will show myself a tyrant: when I
have fought with the men, I will be cruel with the
maids, and cut off their heads.
GREGORY
The heads of the maids?
SAMPSON
Ay, the heads of the maids, or their maidenheads;
take it in what sense thou wilt.
GREGORY
They must take it in sense that feel it.
SAMPSON
Me they shall feel while I am able to stand: and
'tis known I am a pretty piece of flesh.
GREGORY
'Tis well thou art not fish; if thou hadst, thou
hadst been poor John. Draw thy tool! here comes
two of the house of the Montagues.
SAMPSON
My naked weapon is out: quarrel, I will back thee.
GREGORY
How! turn thy back and run?
SAMPSON
Fear me not.
GREGORY
No, marry; I fear thee!
SAMPSON
Let us take the law of our sides; let them begin.
GREGORY
I will frown as I pass by, and let them take it as
they list.
SAMPSON
Nay, as they dare. I will bite my thumb at them;
which is a disgrace to them, if they bear it.
Enter ABRAHAM and BALTHASAR
ABRAHAM
Do you bite your thumb at us, sir?
SAMPSON
I do bite my thumb, sir.
ABRAHAM
Do you bite your thumb at us, sir?
SAMPSON
[Aside to GREGORY] Is the law of our side, if I say
ay?
GREGORY
No.
SAMPSON
No, sir, I do not bite my thumb at you, sir, but I
bite my thumb, sir.
GREGORY
Do you quarrel, sir?
ABRAHAM
Quarrel sir! no, sir.
SAMPSON
If you do, sir, I am for you: I serve as good a man as you.
ABRAHAM
No better.
SAMPSON
Well, sir.
GREGORY
Say 'better:' here comes one of my master's kinsmen.
SAMPSON
Yes, better, sir.
ABRAHAM
You lie.
SAMPSON
Draw, if you be men. Gregory, remember thy swashing blow.
They fight
Enter BENVOLIO
BENVOLIO
Part, fools!
Put up your swords; you know not what you do.
Beats down their swords
Enter TYBALT
TYBALT
What, art thou drawn among these heartless hinds?
Turn thee, Benvolio, look upon thy death.
BENVOLIO
I do but keep the peace: put up thy sword,
Or manage it to part these men with me.
TYBALT
What, drawn, and talk of peace! I hate the word,
As I hate hell, all Montagues, and thee:
Have at thee, coward!
They fight
Enter, several of both houses, who join the fray; then enter Citizens, with clubs
First Citizen
Clubs, bills, and partisans! strike! beat them down!
Down with the Capulets! down with the Montagues!
Enter CAPULET in his gown, and LADY CAPULET
CAPULET
What noise is this? Give me my long sword, ho!
LADY CAPULET
A crutch, a crutch! why call you for a sword?
CAPULET
My sword, I say! Old Montague is come,
And flourishes his blade in spite of me.
Enter MONTAGUE and LADY MONTAGUE
MONTAGUE
Thou villain Capulet,--Hold me not, let me go.
LADY MONTAGUE
Thou shalt not stir a foot to seek a foe.
Enter PRINCE, with Attendants
PRINCE
Rebellious subjects, enemies to peace,
Profaners of this neighbour-stained steel,--
Will they not hear? What, ho! you men, you beasts,
That quench the fire of your pernicious rage
With purple fountains issuing from your veins,
On pain of torture, from those bloody hands
Throw your mistemper'd weapons to the ground,
And hear the sentence of your moved prince.
Three civil brawls, bred of an airy word,
By thee, old Capulet, and Montague,
Have thrice disturb'd the quiet of our streets,
And made Verona's ancient citizens
Cast by their grave beseeming ornaments,
To wield old partisans, in hands as old,
Canker'd with peace, to part your canker'd hate:
If ever you disturb our streets again,
Your lives shall pay the forfeit of the peace.
For this time, all the rest depart away:
You Capulet; shall go along with me:
And, Montague, come you this afternoon,
To know our further pleasure in this case,
To old Free-town, our common judgment-place.
Once more, on pain of death, all men depart.
Exeunt all but MONTAGUE, LADY MONTAGUE, and BENVOLIO
MONTAGUE
Who set this ancient quarrel new abroach?
Speak, nephew, were you by when it began?
BENVOLIO
Here were the servants of your adversary,
And yours, close fighting ere I did approach:
I drew to part them: in the instant came
The fiery Tybalt, with his sword prepared,
Which, as he breathed defiance to my ears,
He swung about his head and cut the winds,
Who nothing hurt withal hiss'd him in scorn:
While we were interchanging thrusts and blows,
Came more and more and fought on part and part,
Till the prince came, who parted either part.
LADY MONTAGUE
O, where is Romeo? saw you him to-day?
Right glad I am he was not at this fray.
BENVOLIO
Madam, an hour before the worshipp'd sun
Peer'd forth the golden window of the east,
A troubled mind drave me to walk abroad;
Where, underneath the grove of sycamore
That westward rooteth from the city's side,
So early walking did I see your son:
Towards him I made, but he was ware of me
And stole into the covert of the wood:
I, measuring his affections by my own,
That most are busied when they're most alone,
Pursued my humour not pursuing his,
And gladly shunn'd who gladly fled from me.
MONTAGUE
Many a morning hath he there been seen,
With tears augmenting the fresh morning dew.
Adding to clouds more clouds with his deep sighs;
But all so soon as the all-cheering sun
Should in the furthest east begin to draw
The shady curtains from Aurora's bed,
Away from the light steals home my heavy son,
And private in his chamber pens himself,
Shuts up his windows, locks far daylight out
And makes himself an artificial night:
Black and portentous must this humour prove,
Unless good counsel may the cause remove.
BENVOLIO
My noble uncle, do you know the cause?
MONTAGUE
I neither know it nor can learn of him.
BENVOLIO
Have you importuned him by any means?
MONTAGUE
Both by myself and many other friends:
But he, his own affections' counsellor,
Is to himself--I will not say how true--
But to himself so secret and so close,
So far from sounding and discovery,
As is the bud bit with an envious worm,
Ere he can spread his sweet leaves to the air,
Or dedicate his beauty to the sun.
Could we but learn from whence his sorrows grow.
We would as willingly give cure as know.
Enter ROMEO
BENVOLIO
See, where he comes: so please you, step aside;
I'll know his grievance, or be much denied.
MONTAGUE
I would thou wert so happy by thy stay,
To hear true shrift. Come, madam, let's away.
Exeunt MONTAGUE and LADY MONTAGUE
BENVOLIO
Good-morrow, cousin.
ROMEO
Is the day so young?
BENVOLIO
But new struck nine.
ROMEO
Ay me! sad hours seem long.
Was that my father that went hence so fast?
BENVOLIO
It was. What sadness lengthens Romeo's hours?
ROMEO
Not having that, which, having, makes them short.
BENVOLIO
In love?
ROMEO
Out--
BENVOLIO
Of love?
ROMEO
Out of her favour, where I am in love.
BENVOLIO
Alas, that love, so gentle in his view,
Should be so tyrannous and rough in proof!
ROMEO
Alas, that love, whose view is muffled still,
Should, without eyes, see pathways to his will!
Where shall we dine? O me! What fray was here?
Yet tell me not, for I have heard it all.
Here's much to do with hate, but more with love.
Why, then, O brawling love! O loving hate!
O any thing, of nothing first create!
O heavy lightness! serious vanity!
Mis-shapen chaos of well-seeming forms!
Feather of lead, bright smoke, cold fire,
sick health!
Still-waking sleep, that is not what it is!
This love feel I, that feel no love in this.
Dost thou not laugh?
BENVOLIO
No, coz, I rather weep.
ROMEO
Good heart, at what?
BENVOLIO
At thy good heart's oppression.
ROMEO
Why, such is love's transgression.
Griefs of mine own lie heavy in my breast,
Which thou wilt propagate, to have it prest
With more of thine: this love that thou hast shown
Doth add more grief to too much of mine own.
Love is a smoke raised with the fume of sighs;
Being purged, a fire sparkling in lovers' eyes;
Being vex'd a sea nourish'd with lovers' tears:
What is it else? a madness most discreet,
A choking gall and a preserving sweet.
Farewell, my coz.
BENVOLIO
Soft! I will go along;
An if you leave me so, you do me wrong.
ROMEO
Tut, I have lost myself; I am not here;
This is not Romeo, he's some other where.
BENVOLIO
Tell me in sadness, who is that you love.
ROMEO
What, shall I groan and tell thee?
BENVOLIO
Groan! why, no.
But sadly tell me who.
ROMEO
Bid a sick man in sadness make his will:
Ah, word ill urged to one that is so ill!
In sadness, cousin, I do love a woman.
BENVOLIO
I aim'd so near, when I supposed you loved.
ROMEO
A right good mark-man! And she's fair I love.
BENVOLIO
A right fair mark, fair coz, is soonest hit.
ROMEO
Well, in that hit you miss: she'll not be hit
With Cupid's arrow; she hath Dian's wit;
And, in strong proof of chastity well arm'd,
From love's weak childish bow she lives unharm'd.
She will not stay the siege of loving terms,
Nor bide the encounter of assailing eyes,
Nor ope her lap to saint-seducing gold:
O, she is rich in beauty, only poor,
That when she dies with beauty dies her store.
BENVOLIO
Then she hath sworn that she will still live chaste?
ROMEO
She hath, and in that sparing makes huge waste,
For beauty starved with her severity
Cuts beauty off from all posterity.
She is too fair, too wise, wisely too fair,
To merit bliss by making me despair:
She hath forsworn to love, and in that vow
Do I live dead that live to tell it now.
BENVOLIO
Be ruled by me, forget to think of her.
ROMEO
O, teach me how I should forget to think.
BENVOLIO
By giving liberty unto thine eyes;
Examine other beauties.
ROMEO
'Tis the way
To call hers exquisite, in question more:
These happy masks that kiss fair ladies' brows
Being black put us in mind they hide the fair;
He that is strucken blind cannot forget
The precious treasure of his eyesight lost:
Show me a mistress that is passing fair,
What doth her beauty serve, but as a note
Where I may read who pass'd that passing fair?
Farewell: thou canst not teach me to forget.
BENVOLIO
I'll pay that doctrine, or else die in debt.
Exeunt
SCENE II. A street.
Enter CAPULET, PARIS, and Servant
CAPULET
But Montague is bound as well as I,
In penalty alike; and 'tis not hard, I think,
For men so old as we to keep the peace.
PARIS
Of honourable reckoning are you both;
And pity 'tis you lived at odds so long.
But now, my lord, what say you to my suit?
CAPULET
But saying o'er what I have said before:
My child is yet a stranger in the world;
She hath not seen the change of fourteen years,
Let two more summers wither in their pride,
Ere we may think her ripe to be a bride.
PARIS
Younger than she are happy mothers made.
CAPULET
And too soon marr'd are those so early made.
The earth hath swallow'd all my hopes but she,
She is the hopeful lady of my earth:
But woo her, gentle Paris, get her heart,
My will to her consent is but a part;
An she agree, within her scope of choice
Lies my consent and fair according voice.
This night I hold an old accustom'd feast,
Whereto I have invited many a guest,
Such as I love; and you, among the store,
One more, most welcome, makes my number more.
At my poor house look to behold this night
Earth-treading stars that make dark heaven light:
Such comfort as do lusty young men feel
When well-apparell'd April on the heel
Of limping winter treads, even such delight
Among fresh female buds shall you this night
Inherit at my house; hear all, all see,
And like her most whose merit most shall be:
Which on more view, of many mine being one
May stand in number, though in reckoning none,
Come, go with me.
To Servant, giving a paper
Go, sirrah, trudge about
Through fair Verona; find those persons out
Whose names are written there, and to them say,
My house and welcome on their pleasure stay.
Exeunt CAPULET and PARIS
Servant
Find them out whose names are written here! It is
written, that the shoemaker should meddle with his
yard, and the tailor with his last, the fisher with
his pencil, and the painter with his nets; but I am
sent to find those persons whose names are here
writ, and can never find what names the writing
person hath here writ. I must to the learned.--In good time.
Enter BENVOLIO and ROMEO
BENVOLIO
Tut, man, one fire burns out another's burning,
One pain is lessen'd by another's anguish;
Turn giddy, and be holp by backward turning;
One desperate grief cures with another's languish:
Take thou some new infection to thy eye,
And the rank poison of the old will die.
ROMEO
Your plaintain-leaf is excellent for that.
BENVOLIO
For what, I pray thee?
ROMEO
For your broken shin.
BENVOLIO
Why, Romeo, art thou mad?
ROMEO
Not mad, but bound more than a mad-man is;
Shut up in prison, kept without my food,
Whipp'd and tormented and--God-den, good fellow.
Servant
God gi' god-den. I pray, sir, can you read?
ROMEO
Ay, mine own fortune in my misery.
Servant
Perhaps you have learned it without book: but, I
pray, can you read any thing you see?
ROMEO
Ay, if I know the letters and the ********.
Servant
Ye say honestly: rest you merry!
ROMEO
Stay, fellow; I can read.
Reads
'Signior Martino and his wife and daughters;
County Anselme and his beauteous sisters; the lady
widow of Vitravio; Signior Placentio and his lovely
nieces; Mercutio and his brother Valentine; mine
uncle Capulet, his wife and daughters; my fair niece
Rosaline; Livia; Signior Valentio and his cousin
Tybalt, Lucio and the lively Helena.' A fair
assembly: whither should they come?
Servant
Up.
ROMEO
Whither?
Servant
To supper; to our house.
ROMEO
Whose house?
Servant
My master's.
ROMEO
Indeed, I should have ask'd you that before.
Servant
Now I'll tell you without asking: my master is the
great rich Capulet; and if you be not of the house
of Montagues, I pray, come and crush a cup of wine.
Rest you merry!
Exit
BENVOLIO
At this same ancient feast of Capulet's
Sups the fair Rosaline whom thou so lovest,
With all the admired beauties of Verona:
Go thither; and, with unattainted eye,
Compare her face with some that I shall show,
And I will make thee think thy swan a crow.
ROMEO
When the devout religion of mine eye
Maintains such falsehood, then turn tears to fires;
And these, who often drown'd could never die,
Transparent heretics, be burnt for liars!
One fairer than my love! the all-seeing sun
Ne'er saw her match since first the world begun.
BENVOLIO
Tut, you saw her fair, none else being by,
Herself poised with herself in either eye:
But in that crystal scales let there be weigh'd
Your lady's love against some other maid
That I will show you shining at this feast,
And she shall scant show well that now shows best.
ROMEO
I'll go along, no such sight to be shown,
But to rejoice in splendor of mine own.
Exeunt
SCENE III. A room in Capulet's house.
Enter LADY CAPULET and Nurse
LADY CAPULET
Nurse, where's my daughter? call her forth to me.
Nurse
Now, by my maidenhead, at twelve year old,
I bade her come. What, lamb! what, ladybird!
God forbid! Where's this girl? What, Juliet!
Enter JULIET
JULIET
How now! who calls?
Nurse
Your mother.
JULIET
Madam, I am here.
What is your will?
LADY CAPULET
This is the matter:--Nurse, give leave awhile,
We must talk in secret:--nurse, come back again;
I have remember'd me, thou's hear our counsel.
Thou know'st my daughter's of a pretty age.
Nurse
Faith, I can tell her age unto an hour.
LADY CAPULET
She's not fourteen.
Nurse
I'll lay fourteen of my teeth,--
And yet, to my teeth be it spoken, I have but four--
She is not fourteen. How long is it now
To Lammas-tide?
LADY CAPULET
A fortnight and odd days.
Nurse
Even or odd, of all days in the year,
Come Lammas-eve at night shall she be fourteen.
Susan and she--God rest all Christian souls!--
Were of an age: well, Susan is with God;
She was too good for me: but, as I said,
On Lammas-eve at night shall she be fourteen;
That shall she, marry; I remember it well.
'Tis since the earthquake now eleven years;
And she was wean'd,--I never shall forget it,--
Of all the days of the year, upon that day:
For I had then laid wormwood to my dug,
Sitting in the sun under the dove-house wall;
My lord and you were then at Mantua:--
Nay, I do bear a brain:--but, as I said,
When it did taste the wormwood on the nipple
Of my dug and felt it bitter, pretty fool,
To see it tetchy and fall out with the dug!
Shake quoth the dove-house: 'twas no need, I trow,
To bid me trudge:
And since that time it is eleven years;
For then she could stand alone; nay, by the rood,
She could have run and waddled all about;
For even the day before, she broke her brow:
And then my husband--God be with his soul!
A' was a merry man--took up the child:
'Yea,' quoth he, 'dost thou fall upon thy face?
Thou wilt fall backward when thou hast more wit;
Wilt thou not, Jule?' and, by my holidame,
The pretty wretch left crying and said 'Ay.'
To see, now, how a jest shall come about!
I warrant, an I should live a thousand years,
I never should forget it: 'Wilt thou not, Jule?' quoth he;
And, pretty fool, it stinted and said 'Ay.'
LADY CAPULET
Enough of this; I pray thee, hold thy peace.
Nurse
Yes, madam: yet I cannot choose but laugh,
To think it should leave crying and say 'Ay.'
And yet, I warrant, it had upon its brow
A bump as big as a young cockerel's stone;
A parlous knock; and it cried bitterly:
'Yea,' quoth my husband,'fall'st upon thy face?
Thou wilt fall backward when thou comest to age;
Wilt thou not, Jule?' it stinted and said 'Ay.'
JULIET
And stint thou too, I pray thee, nurse, say I.
Nurse
Peace, I have done. God mark thee to his grace!
Thou wast the prettiest babe that e'er I nursed:
An I might live to see thee married once,
I have my wish.
LADY CAPULET
Marry, that 'marry' is the very theme
I came to talk of. Tell me, daughter Juliet,
How stands your disposition to be married?
JULIET
It is an honour that I dream not of.
Nurse
An honour! were not I thine only nurse,
I would say thou hadst suck'd wisdom from thy teat.
LADY CAPULET
Well, think of marriage now; younger than you,
Here in Verona, ladies of esteem,
Are made already mothers: by my count,
I was your mother much upon these years
That you are now a maid. Thus then in brief:
The valiant Paris seeks you for his love.
Nurse
A man, young lady! lady, such a man
As all the world--why, he's a man of wax.
LADY CAPULET
Verona's summer hath not such a flower.
Nurse
Nay, he's a flower; in faith, a very flower.
LADY CAPULET
What say you? can you love the gentleman?
This night you shall behold him at our feast;
Read o'er the volume of young Paris' face,
And find delight writ there with beauty's pen;
Examine every married lineament,
And see how one another lends *******
And what obscured in this fair volume lies
Find written in the margent of his eyes.
This precious book of love, this unbound lover,
To beautify him, only lacks a cover:
The fish lives in the sea, and 'tis much pride
For fair without the fair within to hide:
That book in many's eyes doth share the glory,
That in gold clasps locks in the golden story;
So shall you share all that he doth possess,
By having him, making yourself no less.
Nurse
No less! nay, bigger; women grow by men.
LADY CAPULET
Speak briefly, can you like of Paris' love?
JULIET
I'll look to like, if looking liking move:
But no more deep will I endart mine eye
Than your consent gives strength to make it fly.
Enter a Servant
Servant
Madam, the guests are come, supper served up, you
called, my young lady asked for, the nurse cursed in
the pantry, and every thing in extremity. I must
hence to wait; I beseech you, follow straight.
LADY CAPULET
We follow thee.
Exit Servant
Juliet, the county stays.
Nurse
Go, girl, seek happy nights to happy days.
Exeunt
SCENE IV. A street.
Enter ROMEO, MERCUTIO, BENVOLIO, with five or six Maskers, Torch-bearers, and others
ROMEO
What, shall this speech be spoke for our excuse?
Or shall we on without a apology?
BENVOLIO
The date is out of such prolixity:
We'll have no Cupid hoodwink'd with a scarf,
Bearing a Tartar's painted bow of lath,
Scaring the ladies like a crow-keeper;
Nor no without-book prologue, faintly spoke
After the prompter, for our entrance:
But let them measure us by what they will;
We'll measure them a measure, and be gone.
ROMEO
Give me a torch: I am not for this ambling;
Being but heavy, I will bear the light.
MERCUTIO
Nay, gentle Romeo, we must have you dance.
ROMEO
Not I, believe me: you have dancing shoes
With nimble soles: I have a soul of lead
So stakes me to the ground I cannot move.
MERCUTIO
You are a lover; borrow Cupid's wings,
And soar with them above a common bound.
ROMEO
I am too sore enpierced with his shaft
To soar with his light feathers, and so bound,
I cannot bound a pitch above dull woe:
Under love's heavy burden do I sink.
MERCUTIO
And, to sink in it, should you burden love;
Too great oppression for a tender thing.
ROMEO
Is love a tender thing? it is too rough,
Too rude, too boisterous, and it pricks like thorn.
MERCUTIO
If love be rough with you, be rough with love;
Prick love for pricking, and you beat love down.
Give me a case to put my visage in:
A visor for a visor! what care I
What curious eye doth quote deformities?
Here are the beetle brows shall blush for me.
BENVOLIO
Come, knock and enter; and no sooner in,
But every man betake him to his legs.
ROMEO
A torch for me: let wantons light of heart
Tickle the senseless rushes with their heels,
For I am proverb'd with a grandsire phrase;
I'll be a candle-holder, and look on.
The game was ne'er so fair, and I am done.
MERCUTIO
Tut, dun's the mouse, the constable's own word:
If thou art dun, we'll draw thee from the mire
Of this sir-reverence love, wherein thou stick'st
Up to the ears. Come, we burn daylight, ho!
ROMEO
Nay, that's not so.
MERCUTIO
I mean, sir, in delay
We waste our lights in vain, like lamps by day.
Take our good meaning, for our judgment sits
Five times in that ere once in our five wits.
ROMEO
And we mean well in going to this mask;
But 'tis no wit to go.
MERCUTIO
Why, may one ask?
ROMEO
I dream'd a dream to-night.
MERCUTIO
And so did I.
ROMEO
Well, what was yours?
MERCUTIO
That dreamers often lie.
ROMEO
In bed asleep, while they do dream things true.
MERCUTIO
O, then, I see Queen Mab hath been with you.
She is the fairies' midwife, and she comes
In shape no bigger than an agate-stone
On the fore-finger of an alderman,
Drawn with a team of little atomies
Athwart men's noses as they lie asleep;
Her wagon-spokes made of long spiders' legs,
The cover of the wings of grasshoppers,
The traces of the smallest spider's ***,
The collars of the moonshine's watery beams,
Her whip of cricket's bone, the lash of film,
Her wagoner a small grey-coated gnat,
Not so big as a round little worm
Prick'd from the lazy finger of a maid;
Her chariot is an empty hazel-nut
Made by the joiner squirrel or old grub,
Time out o' mind the fairies' coachmakers.
And in this state she gallops night by night
Through lovers' brains, and then they dream of love;
O'er courtiers' knees, that dream on court'sies straight,
O'er lawyers' fingers, who straight dream on fees,
O'er ladies ' lips, who straight on kisses dream,
Which oft the angry Mab with blisters plagues,
Because their breaths with sweetmeats tainted are:
Sometime she gallops o'er a courtier's nose,
And then dreams he of smelling out a suit;
And sometime comes she with a tithe-pig's tail
Tickling a parson's nose as a' lies asleep,
Then dreams, he of another benefice:
Sometime she driveth o'er a soldier's neck,
And then dreams he of cutting foreign throats,
Of breaches, ambuscadoes, Spanish blades,
Of healths five-fathom deep; and then anon
Drums in his ear, at which he starts and wakes,
And being thus frighted swears a prayer or two
And sleeps again. This is that very Mab
That plats the manes of horses in the night,
And bakes the elflocks in foul sluttish hairs,
Which once untangled, much misfortune bodes:
This is the hag, when maids lie on their backs,
That presses them and learns them first to bear,
Making them women of good carriage:
This is she--
ROMEO
Peace, peace, Mercutio, peace!
Thou talk'st of nothing.
MERCUTIO
True, I talk of dreams,
Which are the children of an idle brain,
Begot of nothing but vain fantasy,
Which is as thin of substance as the air
And more inconstant than the wind, who wooes
Even now the frozen bosom of the north,
And, being anger'd, puffs away from thence,
Turning his face to the dew-dropping south.
BENVOLIO
This wind, you talk of, blows us from ourselves;
Supper is done, and we shall come too late.
ROMEO
I fear, too early: for my mind misgives
Some consequence yet hanging in the stars
Shall bitterly begin his fearful date
With this night's revels and expire the term
Of a despised life closed in my breast
By some vile forfeit of untimely death.
But He, that hath the steerage of my course,
Direct my sail! On, lusty gentlemen.
BENVOLIO
Strike, drum.
Exeunt
SCENE V. A hall in Capulet's house.
Musicians waiting. Enter Servingmen with napkins
First Servant
Where's Potpan, that he helps not to take away? He
shift a trencher? he scrape a trencher!
Second Servant
When good manners shall lie all in one or two men's
hands and they unwashed too, 'tis a foul thing.
First Servant
Away with the joint-stools, remove the
court-cupboard, look to the plate. Good thou, save
me a piece of marchpane; and, as thou lovest me, let
the porter let in Susan Grindstone and Nell.
Antony, and Potpan!
Second Servant
Ay, boy, ready.
First Servant
You are looked for and called for, asked for and
sought for, in the great chamber.
Second Servant
We cannot be here and there too. Cheerly, boys; be
brisk awhile, and the longer liver take all.
Enter CAPULET, with JULIET and others of his house, meeting the Guests and Maskers
CAPULET
Welcome, gentlemen! ladies that have their toes
Unplagued with corns will have a bout with you.
Ah ha, my mistresses! which of you all
Will now deny to dance? she that makes dainty,
She, I'll swear, hath corns; am I come near ye now?
Welcome, gentlemen! I have seen the day
That I have worn a visor and could tell
A whispering tale in a fair lady's ear,
Such as would please: 'tis gone, 'tis gone, 'tis gone:
You are welcome, gentlemen! come, musicians, play.
A hall, a hall! give room! and foot it, girls.
Music plays, and they dance
More light, you knaves; and turn the tables up,
And quench the fire, the room is grown too hot.
Ah, sirrah, this unlook'd-for sport comes well.
Nay, sit, nay, sit, good cousin Capulet;
For you and I are past our dancing days:
How long is't now since last yourself and I
Were in a mask?
Second Capulet
By'r lady, thirty years.
CAPULET
What, man! 'tis not so much, 'tis not so much:
'Tis since the nuptials of Lucentio,
Come pentecost as quickly as it will,
Some five and twenty years; and then we mask'd.
Second Capulet
'Tis more, 'tis more, his son is elder, sir;
His son is thirty.
CAPULET
Will you tell me that?
His son was but a ward two years ago.
ROMEO
[To a Servingman] What lady is that, which doth
enrich the hand
Of yonder knight?
Servant
I know not, sir.
ROMEO
O, she doth teach the torches to burn bright!
It seems she hangs upon the cheek of night
Like a rich jewel in an Ethiope's ear;
Beauty too rich for use, for earth too dear!
So shows a snowy dove trooping with crows,
As yonder lady o'er her fellows shows.
The measure done, I'll watch her place of stand,
And, touching hers, make blessed my rude hand.
Did my heart love till now? forswear it, sight!
For I ne'er saw true beauty till this night.
TYBALT
This, by his voice, should be a Montague.
Fetch me my rapier, boy. What dares the slave
Come hither, cover'd with an antic face,
To fleer and scorn at our solemnity?
Now, by the stock and honour of my kin,
To strike him dead, I hold it not a sin.
CAPULET
Why, how now, kinsman! wherefore storm you so?
TYBALT
Uncle, this is a Montague, our foe,
A villain that is hither come in spite,
To scorn at our solemnity this night.
CAPULET
Young Romeo is it?
TYBALT
'Tis he, that villain Romeo.
CAPULET
******* thee, gentle coz, let him alone;
He bears him like a portly gentleman;
And, to say truth, Verona brags of him
To be a virtuous and well-govern'd youth:
I would not for the wealth of all the town
Here in my house do him disparagement:
Therefore be patient, take no note of him:
It is my will, the which if thou respect,
Show a fair presence and put off these frowns,
And ill-beseeming semblance for a feast.
TYBALT
It fits, when such a villain is a guest:
I'll not endure him.
CAPULET
He shall be endured:
What, goodman boy! I say, he shall: go to;
Am I the master here, or you? go to.
You'll not endure him! God shall mend my soul!
You'll make a mutiny among my guests!
You will set cock-a-hoop! you'll be the man!
TYBALT
Why, uncle, 'tis a shame.
CAPULET
Go to, go to;
You are a saucy boy: is't so, indeed?
This trick may chance to scathe you, I know what:
You must contrary me! marry, 'tis time.
Well said, my hearts! You are a princox; go:
Be quiet, or--More light, more light! For shame!
I'll make you quiet. What, cheerly, my hearts!
TYBALT
Patience perforce with wilful choler meeting
Makes my flesh tremble in their different greeting.
I will withdraw: but this intrusion shall
Now seeming sweet convert to bitter gall.
Exit

Romeo and Juliet: Entire PlayACT I

PROLOGUE
Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes
A pair of star-cross'd lovers take their life;
Whole misadventured piteous overthrows
Do with their death bury their parents' strife.
The fearful passage of their death-mark'd love,
And the continuance of their parents' rage,
Which, but their children's end, nought could remove,
Is now the two hours' traffic of our stage;
The which if you with patient ears attend,
What here shall miss, our toil shall strive to mend.
SCENE I. Verona. A public place.
Enter SAMPSON and GREGORY, of the house of Capulet, armed with swords and bucklers
SAMPSON
Gregory, o' my word, we'll not carry coals.
GREGORY
No, for then we should be colliers.
SAMPSON
I mean, an we be in choler, we'll draw.
GREGORY
Ay, while you live, draw your neck out o' the collar.
SAMPSON
I strike quickly, being moved.
GREGORY
But thou art not quickly moved to strike.
SAMPSON
A dog of the house of Montague moves me.
GREGORY
To move is to stir; and to be valiant is to stand:
therefore, if thou art moved, thou runn'st away.
SAMPSON
A dog of that house shall move me to stand: I will
take the wall of any man or maid of Montague's.
GREGORY
That shows thee a weak slave; for the weakest goes
to the wall.
SAMPSON
True; and therefore women, being the weaker vessels,
are ever thrust to the wall: therefore I will push
Montague's men from the wall, and thrust his maids
to the wall.
GREGORY
The quarrel is between our masters and us their men.
SAMPSON
'Tis all one, I will show myself a tyrant: when I
have fought with the men, I will be cruel with the
maids, and cut off their heads.
GREGORY
The heads of the maids?
SAMPSON
Ay, the heads of the maids, or their maidenheads;
take it in what sense thou wilt.
GREGORY
They must take it in sense that feel it.
SAMPSON
Me they shall feel while I am able to stand: and
'tis known I am a pretty piece of flesh.
GREGORY
'Tis well thou art not fish; if thou hadst, thou
hadst been poor John. Draw thy tool! here comes
two of the house of the Montagues.
SAMPSON
My naked weapon is out: quarrel, I will back thee.
GREGORY
How! turn thy back and run?
SAMPSON
Fear me not.
GREGORY
No, marry; I fear thee!
SAMPSON
Let us take the law of our sides; let them begin.
GREGORY
I will frown as I pass by, and let them take it as
they list.
SAMPSON
Nay, as they dare. I will bite my thumb at them;
which is a disgrace to them, if they bear it.
Enter ABRAHAM and BALTHASAR
ABRAHAM
Do you bite your thumb at us, sir?
SAMPSON
I do bite my thumb, sir.
ABRAHAM
Do you bite your thumb at us, sir?
SAMPSON
[Aside to GREGORY] Is the law of our side, if I say
ay?
GREGORY
No.
SAMPSON
No, sir, I do not bite my thumb at you, sir, but I
bite my thumb, sir.
GREGORY
Do you quarrel, sir?
ABRAHAM
Quarrel sir! no, sir.
SAMPSON
If you do, sir, I am for you: I serve as good a man as you.
ABRAHAM
No better.
SAMPSON
Well, sir.
GREGORY
Say 'better:' here comes one of my master's kinsmen.
SAMPSON
Yes, better, sir.
ABRAHAM
You lie.
SAMPSON
Draw, if you be men. Gregory, remember thy swashing blow.
They fight
Enter BENVOLIO
BENVOLIO
Part, fools!
Put up your swords; you know not what you do.
Beats down their swords
Enter TYBALT
TYBALT
What, art thou drawn among these heartless hinds?
Turn thee, Benvolio, look upon thy death.
BENVOLIO
I do but keep the peace: put up thy sword,
Or manage it to part these men with me.
TYBALT
What, drawn, and talk of peace! I hate the word,
As I hate hell, all Montagues, and thee:
Have at thee, coward!
They fight
Enter, several of both houses, who join the fray; then enter Citizens, with clubs
First Citizen
Clubs, bills, and partisans! strike! beat them down!
Down with the Capulets! down with the Montagues!
Enter CAPULET in his gown, and LADY CAPULET
CAPULET
What noise is this? Give me my long sword, ho!
LADY CAPULET
A crutch, a crutch! why call you for a sword?
CAPULET
My sword, I say! Old Montague is come,
And flourishes his blade in spite of me.
Enter MONTAGUE and LADY MONTAGUE
MONTAGUE
Thou villain Capulet,--Hold me not, let me go.
LADY MONTAGUE
Thou shalt not stir a foot to seek a foe.
Enter PRINCE, with Attendants
PRINCE
Rebellious subjects, enemies to peace,
Profaners of this neighbour-stained steel,--
Will they not hear? What, ho! you men, you beasts,
That quench the fire of your pernicious rage
With purple fountains issuing from your veins,
On pain of torture, from those bloody hands
Throw your mistemper'd weapons to the ground,
And hear the sentence of your moved prince.
Three civil brawls, bred of an airy word,
By thee, old Capulet, and Montague,
Have thrice disturb'd the quiet of our streets,
And made Verona's ancient citizens
Cast by their grave beseeming ornaments,
To wield old partisans, in hands as old,
Canker'd with peace, to part your canker'd hate:
If ever you disturb our streets again,
Your lives shall pay the forfeit of the peace.
For this time, all the rest depart away:
You Capulet; shall go along with me:
And, Montague, come you this afternoon,
To know our further pleasure in this case,
To old Free-town, our common judgment-place.
Once more, on pain of death, all men depart.
Exeunt all but MONTAGUE, LADY MONTAGUE, and BENVOLIO
MONTAGUE
Who set this ancient quarrel new abroach?
Speak, nephew, were you by when it began?
BENVOLIO
Here were the servants of your adversary,
And yours, close fighting ere I did approach:
I drew to part them: in the instant came
The fiery Tybalt, with his sword prepared,
Which, as he breathed defiance to my ears,
He swung about his head and cut the winds,
Who nothing hurt withal hiss'd him in scorn:
While we were interchanging thrusts and blows,
Came more and more and fought on part and part,
Till the prince came, who parted either part.
LADY MONTAGUE
O, where is Romeo? saw you him to-day?
Right glad I am he was not at this fray.
BENVOLIO
Madam, an hour before the worshipp'd sun
Peer'd forth the golden window of the east,
A troubled mind drave me to walk abroad;
Where, underneath the grove of sycamore
That westward rooteth from the city's side,
So early walking did I see your son:
Towards him I made, but he was ware of me
And stole into the covert of the wood:
I, measuring his affections by my own,
That most are busied when they're most alone,
Pursued my humour not pursuing his,
And gladly shunn'd who gladly fled from me.
MONTAGUE
Many a morning hath he there been seen,
With tears augmenting the fresh morning dew.
Adding to clouds more clouds with his deep sighs;
But all so soon as the all-cheering sun
Should in the furthest east begin to draw
The shady curtains from Aurora's bed,
Away from the light steals home my heavy son,
And private in his chamber pens himself,
Shuts up his windows, locks far daylight out
And makes himself an artificial night:
Black and portentous must this humour prove,
Unless good counsel may the cause remove.
BENVOLIO
My noble uncle, do you know the cause?
MONTAGUE
I neither know it nor can learn of him.
BENVOLIO
Have you importuned him by any means?
MONTAGUE
Both by myself and many other friends:
But he, his own affections' counsellor,
Is to himself--I will not say how true--
But to himself so secret and so close,
So far from sounding and discovery,
As is the bud bit with an envious worm,
Ere he can spread his sweet leaves to the air,
Or dedicate his beauty to the sun.
Could we but learn from whence his sorrows grow.
We would as willingly give cure as know.
Enter ROMEO
BENVOLIO
See, where he comes: so please you, step aside;
I'll know his grievance, or be much denied.
MONTAGUE
I would thou wert so happy by thy stay,
To hear true shrift. Come, madam, let's away.
Exeunt MONTAGUE and LADY MONTAGUE
BENVOLIO
Good-morrow, cousin.
ROMEO
Is the day so young?
BENVOLIO
But new struck nine.
ROMEO
Ay me! sad hours seem long.
Was that my father that went hence so fast?
BENVOLIO
It was. What sadness lengthens Romeo's hours?
ROMEO
Not having that, which, having, makes them short.
BENVOLIO
In love?
ROMEO
Out--
BENVOLIO
Of love?
ROMEO
Out of her favour, where I am in love.
BENVOLIO
Alas, that love, so gentle in his view,
Should be so tyrannous and rough in proof!
ROMEO
Alas, that love, whose view is muffled still,
Should, without eyes, see pathways to his will!
Where shall we dine? O me! What fray was here?
Yet tell me not, for I have heard it all.
Here's much to do with hate, but more with love.
Why, then, O brawling love! O loving hate!
O any thing, of nothing first create!
O heavy lightness! serious vanity!
Mis-shapen chaos of well-seeming forms!
Feather of lead, bright smoke, cold fire,
sick health!
Still-waking sleep, that is not what it is!
This love feel I, that feel no love in this.
Dost thou not laugh?
BENVOLIO
No, coz, I rather weep.
ROMEO
Good heart, at what?
BENVOLIO
At thy good heart's oppression.
ROMEO
Why, such is love's transgression.
Griefs of mine own lie heavy in my breast,
Which thou wilt propagate, to have it prest
With more of thine: this love that thou hast shown
Doth add more grief to too much of mine own.
Love is a smoke raised with the fume of sighs;
Being purged, a fire sparkling in lovers' eyes;
Being vex'd a sea nourish'd with lovers' tears:
What is it else? a madness most discreet,
A choking gall and a preserving sweet.
Farewell, my coz.
BENVOLIO
Soft! I will go along;
An if you leave me so, you do me wrong.
ROMEO
Tut, I have lost myself; I am not here;
This is not Romeo, he's some other where.
BENVOLIO
Tell me in sadness, who is that you love.
ROMEO
What, shall I groan and tell thee?
BENVOLIO
Groan! why, no.
But sadly tell me who.
ROMEO
Bid a sick man in sadness make his will:
Ah, word ill urged to one that is so ill!
In sadness, cousin, I do love a woman.
BENVOLIO
I aim'd so near, when I supposed you loved.
ROMEO
A right good mark-man! And she's fair I love.
BENVOLIO
A right fair mark, fair coz, is soonest hit.
ROMEO
Well, in that hit you miss: she'll not be hit
With Cupid's arrow; she hath Dian's wit;
And, in strong proof of chastity well arm'd,
From love's weak childish bow she lives unharm'd.
She will not stay the siege of loving terms,
Nor bide the encounter of assailing eyes,
Nor ope her lap to saint-seducing gold:
O, she is rich in beauty, only poor,
That when she dies with beauty dies her store.
BENVOLIO
Then she hath sworn that she will still live chaste?
ROMEO
She hath, and in that sparing makes huge waste,
For beauty starved with her severity
Cuts beauty off from all posterity.
She is too fair, too wise, wisely too fair,
To merit bliss by making me despair:
She hath forsworn to love, and in that vow
Do I live dead that live to tell it now.
BENVOLIO
Be ruled by me, forget to think of her.
ROMEO
O, teach me how I should forget to think.
BENVOLIO
By giving liberty unto thine eyes;
Examine other beauties.
ROMEO
'Tis the way
To call hers exquisite, in question more:
These happy masks that kiss fair ladies' brows
Being black put us in mind they hide the fair;
He that is strucken blind cannot forget
The precious treasure of his eyesight lost:
Show me a mistress that is passing fair,
What doth her beauty serve, but as a note
Where I may read who pass'd that passing fair?
Farewell: thou canst not teach me to forget.
BENVOLIO
I'll pay that doctrine, or else die in debt.
Exeunt
SCENE II. A street.
Enter CAPULET, PARIS, and Servant
CAPULET
But Montague is bound as well as I,
In penalty alike; and 'tis not hard, I think,
For men so old as we to keep the peace.
PARIS
Of honourable reckoning are you both;
And pity 'tis you lived at odds so long.
But now, my lord, what say you to my suit?
CAPULET
But saying o'er what I have said before:
My child is yet a stranger in the world;
She hath not seen the change of fourteen years,
Let two more summers wither in their pride,
Ere we may think her ripe to be a bride.
PARIS
Younger than she are happy mothers made.
CAPULET
And too soon marr'd are those so early made.
The earth hath swallow'd all my hopes but she,
She is the hopeful lady of my earth:
But woo her, gentle Paris, get her heart,
My will to her consent is but a part;
An she agree, within her scope of choice
Lies my consent and fair according voice.
This night I hold an old accustom'd feast,
Whereto I have invited many a guest,
Such as I love; and you, among the store,
One more, most welcome, makes my number more.
At my poor house look to behold this night
Earth-treading stars that make dark heaven light:
Such comfort as do lusty young men feel
When well-apparell'd April on the heel
Of limping winter treads, even such delight
Among fresh female buds shall you this night
Inherit at my house; hear all, all see,
And like her most whose merit most shall be:
Which on more view, of many mine being one
May stand in number, though in reckoning none,
Come, go with me.
To Servant, giving a paper
Go, sirrah, trudge about
Through fair Verona; find those persons out
Whose names are written there, and to them say,
My house and welcome on their pleasure stay.
Exeunt CAPULET and PARIS
Servant
Find them out whose names are written here! It is
written, that the shoemaker should meddle with his
yard, and the tailor with his last, the fisher with
his pencil, and the painter with his nets; but I am
sent to find those persons whose names are here
writ, and can never find what names the writing
person hath here writ. I must to the learned.--In good time.
Enter BENVOLIO and ROMEO
BENVOLIO
Tut, man, one fire burns out another's burning,
One pain is lessen'd by another's anguish;
Turn giddy, and be holp by backward turning;
One desperate grief cures with another's languish:
Take thou some new infection to thy eye,
And the rank poison of the old will die.
ROMEO
Your plaintain-leaf is excellent for that.
BENVOLIO
For what, I pray thee?
ROMEO
For your broken shin.
BENVOLIO
Why, Romeo, art thou mad?
ROMEO
Not mad, but bound more than a mad-man is;
Shut up in prison, kept without my food,
Whipp'd and tormented and--God-den, good fellow.
Servant
God gi' god-den. I pray, sir, can you read?
ROMEO
Ay, mine own fortune in my misery.
Servant
Perhaps you have learned it without book: but, I
pray, can you read any thing you see?
ROMEO
Ay, if I know the letters and the ********.
Servant
Ye say honestly: rest you merry!
ROMEO
Stay, fellow; I can read.
Reads
'Signior Martino and his wife and daughters;
County Anselme and his beauteous sisters; the lady
widow of Vitravio; Signior Placentio and his lovely
nieces; Mercutio and his brother Valentine; mine
uncle Capulet, his wife and daughters; my fair niece
Rosaline; Livia; Signior Valentio and his cousin
Tybalt, Lucio and the lively Helena.' A fair
assembly: whither should they come?
Servant
Up.
ROMEO
Whither?
Servant
To supper; to our house.
ROMEO
Whose house?
Servant
My master's.
ROMEO
Indeed, I should have ask'd you that before.
Servant
Now I'll tell you without asking: my master is the
great rich Capulet; and if you be not of the house
of Montagues, I pray, come and crush a cup of wine.
Rest you merry!
Exit
BENVOLIO
At this same ancient feast of Capulet's
Sups the fair Rosaline whom thou so lovest,
With all the admired beauties of Verona:
Go thither; and, with unattainted eye,
Compare her face with some that I shall show,
And I will make thee think thy swan a crow.
ROMEO
When the devout religion of mine eye
Maintains such falsehood, then turn tears to fires;
And these, who often drown'd could never die,
Transparent heretics, be burnt for liars!
One fairer than my love! the all-seeing sun
Ne'er saw her match since first the world begun.
BENVOLIO
Tut, you saw her fair, none else being by,
Herself poised with herself in either eye:
But in that crystal scales let there be weigh'd
Your lady's love against some other maid
That I will show you shining at this feast,
And she shall scant show well that now shows best.
ROMEO
I'll go along, no such sight to be shown,
But to rejoice in splendor of mine own.
Exeunt
SCENE III. A room in Capulet's house.
Enter LADY CAPULET and Nurse
LADY CAPULET
Nurse, where's my daughter? call her forth to me.
Nurse
Now, by my maidenhead, at twelve year old,
I bade her come. What, lamb! what, ladybird!
God forbid! Where's this girl? What, Juliet!
Enter JULIET
JULIET
How now! who calls?
Nurse
Your mother.
JULIET
Madam, I am here.
What is your will?
LADY CAPULET
This is the matter:--Nurse, give leave awhile,
We must talk in secret:--nurse, come back again;
I have remember'd me, thou's hear our counsel.
Thou know'st my daughter's of a pretty age.
Nurse
Faith, I can tell her age unto an hour.
LADY CAPULET
She's not fourteen.
Nurse
I'll lay fourteen of my teeth,--
And yet, to my teeth be it spoken, I have but four--
She is not fourteen. How long is it now
To Lammas-tide?
LADY CAPULET
A fortnight and odd days.
Nurse
Even or odd, of all days in the year,
Come Lammas-eve at night shall she be fourteen.
Susan and she--God rest all Christian souls!--
Were of an age: well, Susan is with God;
She was too good for me: but, as I said,
On Lammas-eve at night shall she be fourteen;
That shall she, marry; I remember it well.
'Tis since the earthquake now eleven years;
And she was wean'd,--I never shall forget it,--
Of all the days of the year, upon that day:
For I had then laid wormwood to my dug,
Sitting in the sun under the dove-house wall;
My lord and you were then at Mantua:--
Nay, I do bear a brain:--but, as I said,
When it did taste the wormwood on the nipple
Of my dug and felt it bitter, pretty fool,
To see it tetchy and fall out with the dug!
Shake quoth the dove-house: 'twas no need, I trow,
To bid me trudge:
And since that time it is eleven years;
For then she could stand alone; nay, by the rood,
She could have run and waddled all about;
For even the day before, she broke her brow:
And then my husband--God be with his soul!
A' was a merry man--took up the child:
'Yea,' quoth he, 'dost thou fall upon thy face?
Thou wilt fall backward when thou hast more wit;
Wilt thou not, Jule?' and, by my holidame,
The pretty wretch left crying and said 'Ay.'
To see, now, how a jest shall come about!
I warrant, an I should live a thousand years,
I never should forget it: 'Wilt thou not, Jule?' quoth he;
And, pretty fool, it stinted and said 'Ay.'
LADY CAPULET
Enough of this; I pray thee, hold thy peace.
Nurse
Yes, madam: yet I cannot choose but laugh,
To think it should leave crying and say 'Ay.'
And yet, I warrant, it had upon its brow
A bump as big as a young cockerel's stone;
A parlous knock; and it cried bitterly:
'Yea,' quoth my husband,'fall'st upon thy face?
Thou wilt fall backward when thou comest to age;
Wilt thou not, Jule?' it stinted and said 'Ay.'
JULIET
And stint thou too, I pray thee, nurse, say I.
Nurse
Peace, I have done. God mark thee to his grace!
Thou wast the prettiest babe that e'er I nursed:
An I might live to see thee married once,
I have my wish.
LADY CAPULET
Marry, that 'marry' is the very theme
I came to talk of. Tell me, daughter Juliet,
How stands your disposition to be married?
JULIET
It is an honour that I dream not of.
Nurse
An honour! were not I thine only nurse,
I would say thou hadst suck'd wisdom from thy teat.
LADY CAPULET
Well, think of marriage now; younger than you,
Here in Verona, ladies of esteem,
Are made already mothers: by my count,
I was your mother much upon these years
That you are now a maid. Thus then in brief:
The valiant Paris seeks you for his love.
Nurse
A man, young lady! lady, such a man
As all the world--why, he's a man of wax.
LADY CAPULET
Verona's summer hath not such a flower.
Nurse
Nay, he's a flower; in faith, a very flower.
LADY CAPULET
What say you? can you love the gentleman?
This night you shall behold him at our feast;
Read o'er the volume of young Paris' face,
And find delight writ there with beauty's pen;
Examine every married lineament,
And see how one another lends *******
And what obscured in this fair volume lies
Find written in the margent of his eyes.
This precious book of love, this unbound lover,
To beautify him, only lacks a cover:
The fish lives in the sea, and 'tis much pride
For fair without the fair within to hide:
That book in many's eyes doth share the glory,
That in gold clasps locks in the golden story;
So shall you share all that he doth possess,
By having him, making yourself no less.
Nurse
No less! nay, bigger; women grow by men.
LADY CAPULET
Speak briefly, can you like of Paris' love?
JULIET
I'll look to like, if looking liking move:
But no more deep will I endart mine eye
Than your consent gives strength to make it fly.
Enter a Servant
Servant
Madam, the guests are come, supper served up, you
called, my young lady asked for, the nurse cursed in
the pantry, and every thing in extremity. I must
hence to wait; I beseech you, follow straight.
LADY CAPULET
We follow thee.
Exit Servant
Juliet, the county stays.
Nurse
Go, girl, seek happy nights to happy days.
Exeunt
SCENE IV. A street.
Enter ROMEO, MERCUTIO, BENVOLIO, with five or six Maskers, Torch-bearers, and others
ROMEO
What, shall this speech be spoke for our excuse?
Or shall we on without a apology?
BENVOLIO
The date is out of such prolixity:
We'll have no Cupid hoodwink'd with a scarf,
Bearing a Tartar's painted bow of lath,
Scaring the ladies like a crow-keeper;
Nor no without-book prologue, faintly spoke
After the prompter, for our entrance:
But let them measure us by what they will;
We'll measure them a measure, and be gone.
ROMEO
Give me a torch: I am not for this ambling;
Being but heavy, I will bear the light.
MERCUTIO
Nay, gentle Romeo, we must have you dance.
ROMEO
Not I, believe me: you have dancing shoes
With nimble soles: I have a soul of lead
So stakes me to the ground I cannot move.
MERCUTIO
You are a lover; borrow Cupid's wings,
And soar with them above a common bound.
ROMEO
I am too sore enpierced with his shaft
To soar with his light feathers, and so bound,
I cannot bound a pitch above dull woe:
Under love's heavy burden do I sink.
MERCUTIO
And, to sink in it, should you burden love;
Too great oppression for a tender thing.
ROMEO
Is love a tender thing? it is too rough,
Too rude, too boisterous, and it pricks like thorn.
MERCUTIO
If love be rough with you, be rough with love;
Prick love for pricking, and you beat love down.
Give me a case to put my visage in:
A visor for a visor! what care I
What curious eye doth quote deformities?
Here are the beetle brows shall blush for me.
BENVOLIO
Come, knock and enter; and no sooner in,
But every man betake him to his legs.
ROMEO
A torch for me: let wantons light of heart
Tickle the senseless rushes with their heels,
For I am proverb'd with a grandsire phrase;
I'll be a candle-holder, and look on.
The game was ne'er so fair, and I am done.
MERCUTIO
Tut, dun's the mouse, the constable's own word:
If thou art dun, we'll draw thee from the mire
Of this sir-reverence love, wherein thou stick'st
Up to the ears. Come, we burn daylight, ho!
ROMEO
Nay, that's not so.
MERCUTIO
I mean, sir, in delay
We waste our lights in vain, like lamps by day.
Take our good meaning, for our judgment sits
Five times in that ere once in our five wits.
ROMEO
And we mean well in going to this mask;
But 'tis no wit to go.
MERCUTIO
Why, may one ask?
ROMEO
I dream'd a dream to-night.
MERCUTIO
And so did I.
ROMEO
Well, what was yours?
MERCUTIO
That dreamers often lie.
ROMEO
In bed asleep, while they do dream things true.
MERCUTIO
O, then, I see Queen Mab hath been with you.
She is the fairies' midwife, and she comes
In shape no bigger than an agate-stone
On the fore-finger of an alderman,
Drawn with a team of little atomies
Athwart men's noses as they lie asleep;
Her wagon-spokes made of long spiders' legs,
The cover of the wings of grasshoppers,
The traces of the smallest spider's ***,
The collars of the moonshine's watery beams,
Her whip of cricket's bone, the lash of film,
Her wagoner a small grey-coated gnat,
Not so big as a round little worm
Prick'd from the lazy finger of a maid;
Her chariot is an empty hazel-nut
Made by the joiner squirrel or old grub,
Time out o' mind the fairies' coachmakers.
And in this state she gallops night by night
Through lovers' brains, and then they dream of love;
O'er courtiers' knees, that dream on court'sies straight,
O'er lawyers' fingers, who straight dream on fees,
O'er ladies ' lips, who straight on kisses dream,
Which oft the angry Mab with blisters plagues,
Because their breaths with sweetmeats tainted are:
Sometime she gallops o'er a courtier's nose,
And then dreams he of smelling out a suit;
And sometime comes she with a tithe-pig's tail
Tickling a parson's nose as a' lies asleep,
Then dreams, he of another benefice:
Sometime she driveth o'er a soldier's neck,
And then dreams he of cutting foreign throats,
Of breaches, ambuscadoes, Spanish blades,
Of healths five-fathom deep; and then anon
Drums in his ear, at which he starts and wakes,
And being thus frighted swears a prayer or two
And sleeps again. This is that very Mab
That plats the manes of horses in the night,
And bakes the elflocks in foul sluttish hairs,
Which once untangled, much misfortune bodes:
This is the hag, when maids lie on their backs,
That presses them and learns them first to bear,
Making them women of good carriage:
This is she--
ROMEO
Peace, peace, Mercutio, peace!
Thou talk'st of nothing.
MERCUTIO
True, I talk of dreams,
Which are the children of an idle brain,
Begot of nothing but vain fantasy,
Which is as thin of substance as the air
And more inconstant than the wind, who wooes
Even now the frozen bosom of the north,
And, being anger'd, puffs away from thence,
Turning his face to the dew-dropping south.
BENVOLIO
This wind, you talk of, blows us from ourselves;
Supper is done, and we shall come too late.
ROMEO
I fear, too early: for my mind misgives
Some consequence yet hanging in the stars
Shall bitterly begin his fearful date
With this night's revels and expire the term
Of a despised life closed in my breast
By some vile forfeit of untimely death.
But He, that hath the steerage of my course,
Direct my sail! On, lusty gentlemen.
BENVOLIO
Strike, drum.
Exeunt
SCENE V. A hall in Capulet's house.
Musicians waiting. Enter Servingmen with napkins
First Servant
Where's Potpan, that he helps not to take away? He
shift a trencher? he scrape a trencher!
Second Servant
When good manners shall lie all in one or two men's
hands and they unwashed too, 'tis a foul thing.
First Servant
Away with the joint-stools, remove the
court-cupboard, look to the plate. Good thou, save
me a piece of marchpane; and, as thou lovest me, let
the porter let in Susan Grindstone and Nell.
Antony, and Potpan!
Second Servant
Ay, boy, ready.
First Servant
You are looked for and called for, asked for and
sought for, in the great chamber.
Second Servant
We cannot be here and there too. Cheerly, boys; be
brisk awhile, and the longer liver take all.
Enter CAPULET, with JULIET and others of his house, meeting the Guests and Maskers
CAPULET
Welcome, gentlemen! ladies that have their toes
Unplagued with corns will have a bout with you.
Ah ha, my mistresses! which of you all
Will now deny to dance? she that makes dainty,
She, I'll swear, hath corns; am I come near ye now?
Welcome, gentlemen! I have seen the day
That I have worn a visor and could tell
A whispering tale in a fair lady's ear,
Such as would please: 'tis gone, 'tis gone, 'tis gone:
You are welcome, gentlemen! come, musicians, play.
A hall, a hall! give room! and foot it, girls.
Music plays, and they dance
More light, you knaves; and turn the tables up,
And quench the fire, the room is grown too hot.
Ah, sirrah, this unlook'd-for sport comes well.
Nay, sit, nay, sit, good cousin Capulet;
For you and I are past our dancing days:
How long is't now since last yourself and I
Were in a mask?
Second Capulet
By'r lady, thirty years.
CAPULET
What, man! 'tis not so much, 'tis not so much:
'Tis since the nuptials of Lucentio,
Come pentecost as quickly as it will,
Some five and twenty years; and then we mask'd.
Second Capulet
'Tis more, 'tis more, his son is elder, sir;
His son is thirty.
CAPULET
Will you tell me that?
His son was but a ward two years ago.
ROMEO
[To a Servingman] What lady is that, which doth
enrich the hand
Of yonder knight?
Servant
I know not, sir.
ROMEO
O, she doth teach the torches to burn bright!
It seems she hangs upon the cheek of night
Like a rich jewel in an Ethiope's ear;
Beauty too rich for use, for earth too dear!
So shows a snowy dove trooping with crows,
As yonder lady o'er her fellows shows.
The measure done, I'll watch her place of stand,
And, touching hers, make blessed my rude hand.
Did my heart love till now? forswear it, sight!
For I ne'er saw true beauty till this night.
TYBALT
This, by his voice, should be a Montague.
Fetch me my rapier, boy. What dares the slave
Come hither, cover'd with an antic face,
To fleer and scorn at our solemnity?
Now, by the stock and honour of my kin,
To strike him dead, I hold it not a sin.
CAPULET
Why, how now, kinsman! wherefore storm you so?
TYBALT
Uncle, this is a Montague, our foe,
A villain that is hither come in spite,
To scorn at our solemnity this night.
CAPULET
Young Romeo is it?
TYBALT
'Tis he, that villain Romeo.
CAPULET
******* thee, gentle coz, let him alone;
He bears him like a portly gentleman;
And, to say truth, Verona brags of him
To be a virtuous and well-govern'd youth:
I would not for the wealth of all the town
Here in my house do him disparagement:
Therefore be patient, take no note of him:
It is my will, the which if thou respect,
Show a fair presence and put off these frowns,
And ill-beseeming semblance for a feast.
TYBALT
It fits, when such a villain is a guest:
I'll not endure him.
CAPULET
He shall be endured:
What, goodman boy! I say, he shall: go to;
Am I the master here, or you? go to.
You'll not endure him! God shall mend my soul!
You'll make a mutiny among my guests!
You will set cock-a-hoop! you'll be the man!
TYBALT
Why, uncle, 'tis a shame.
CAPULET
Go to, go to;
You are a saucy boy: is't so, indeed?
This trick may chance to scathe you, I know what:
You must contrary me! marry, 'tis time.
Well said, my hearts! You are a princox; go:
Be quiet, or--More light, more light! For shame!
I'll make you quiet. What, cheerly, my hearts!
TYBALT
Patience perforce with wilful choler meeting
Makes my flesh tremble in their different greeting.
I will withdraw: but this intrusion shall
Now seeming sweet convert to bitter gall.
Exit

Romeo and Juliet: Entire PlayACT I

PROLOGUE
Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes
A pair of star-cross'd lovers take their life;
Whole misadventured piteous overthrows
Do with their death bury their parents' strife.
The fearful passage of their death-mark'd love,
And the continuance of their parents' rage,
Which, but their children's end, nought could remove,
Is now the two hours' traffic of our stage;
The which if you with patient ears attend,
What here shall miss, our toil shall strive to mend.
SCENE I. Verona. A public place.
Enter SAMPSON and GREGORY, of the house of Capulet, armed with swords and bucklers
SAMPSON
Gregory, o' my word, we'll not carry coals.
GREGORY
No, for then we should be colliers.
SAMPSON
I mean, an we be in choler, we'll draw.
GREGORY
Ay, while you live, draw your neck out o' the collar.
SAMPSON
I strike quickly, being moved.
GREGORY
But thou art not quickly moved to strike.
SAMPSON
A dog of the house of Montague moves me.
GREGORY
To move is to stir; and to be valiant is to stand:
therefore, if thou art moved, thou runn'st away.
SAMPSON
A dog of that house shall move me to stand: I will
take the wall of any man or maid of Montague's.
GREGORY
That shows thee a weak slave; for the weakest goes
to the wall.
SAMPSON
True; and therefore women, being the weaker vessels,
are ever thrust to the wall: therefore I will push
Montague's men from the wall, and thrust his maids
to the wall.
GREGORY
The quarrel is between our masters and us their men.
SAMPSON
'Tis all one, I will show myself a tyrant: when I
have fought with the men, I will be cruel with the
maids, and cut off their heads.
GREGORY
The heads of the maids?
SAMPSON
Ay, the heads of the maids, or their maidenheads;
take it in what sense thou wilt.
GREGORY
They must take it in sense that feel it.
SAMPSON
Me they shall feel while I am able to stand: and
'tis known I am a pretty piece of flesh.
GREGORY
'Tis well thou art not fish; if thou hadst, thou
hadst been poor John. Draw thy tool! here comes
two of the house of the Montagues.
SAMPSON
My naked weapon is out: quarrel, I will back thee.
GREGORY
How! turn thy back and run?
SAMPSON
Fear me not.
GREGORY
No, marry; I fear thee!
SAMPSON
Let us take the law of our sides; let them begin.
GREGORY
I will frown as I pass by, and let them take it as
they list.
SAMPSON
Nay, as they dare. I will bite my thumb at them;
which is a disgrace to them, if they bear it.
Enter ABRAHAM and BALTHASAR
ABRAHAM
Do you bite your thumb at us, sir?
SAMPSON
I do bite my thumb, sir.
ABRAHAM
Do you bite your thumb at us, sir?
SAMPSON
[Aside to GREGORY] Is the law of our side, if I say
ay?
GREGORY
No.
SAMPSON
No, sir, I do not bite my thumb at you, sir, but I
bite my thumb, sir.
GREGORY
Do you quarrel, sir?
ABRAHAM
Quarrel sir! no, sir.
SAMPSON
If you do, sir, I am for you: I serve as good a man as you.
ABRAHAM
No better.
SAMPSON
Well, sir.
GREGORY
Say 'better:' here comes one of my master's kinsmen.
SAMPSON
Yes, better, sir.
ABRAHAM
You lie.
SAMPSON
Draw, if you be men. Gregory, remember thy swashing blow.
They fight
Enter BENVOLIO
BENVOLIO
Part, fools!
Put up your swords; you know not what you do.
Beats down their swords
Enter TYBALT
TYBALT
What, art thou drawn among these heartless hinds?
Turn thee, Benvolio, look upon thy death.
BENVOLIO
I do but keep the peace: put up thy sword,
Or manage it to part these men with me.
TYBALT
What, drawn, and talk of peace! I hate the word,
As I hate hell, all Montagues, and thee:
Have at thee, coward!
They fight
Enter, several of both houses, who join the fray; then enter Citizens, with clubs
First Citizen
Clubs, bills, and partisans! strike! beat them down!
Down with the Capulets! down with the Montagues!
Enter CAPULET in his gown, and LADY CAPULET
CAPULET
What noise is this? Give me my long sword, ho!
LADY CAPULET
A crutch, a crutch! why call you for a sword?
CAPULET
My sword, I say! Old Montague is come,
And flourishes his blade in spite of me.
Enter MONTAGUE and LADY MONTAGUE
MONTAGUE
Thou villain Capulet,--Hold me not, let me go.
LADY MONTAGUE
Thou shalt not stir a foot to seek a foe.
Enter PRINCE, with Attendants
PRINCE
Rebellious subjects, enemies to peace,
Profaners of this neighbour-stained steel,--
Will they not hear? What, ho! you men, you beasts,
That quench the fire of your pernicious rage
With purple fountains issuing from your veins,
On pain of torture, from those bloody hands
Throw your mistemper'd weapons to the ground,
And hear the sentence of your moved prince.
Three civil brawls, bred of an airy word,
By thee, old Capulet, and Montague,
Have thrice disturb'd the quiet of our streets,
And made Verona's ancient citizens
Cast by their grave beseeming ornaments,
To wield old partisans, in hands as old,
Canker'd with peace, to part your canker'd hate:
If ever you disturb our streets again,
Your lives shall pay the forfeit of the peace.
For this time, all the rest depart away:
You Capulet; shall go along with me:
And, Montague, come you this afternoon,
To know our further pleasure in this case,
To old Free-town, our common judgment-place.
Once more, on pain of death, all men depart.
Exeunt all but MONTAGUE, LADY MONTAGUE, and BENVOLIO
MONTAGUE
Who set this ancient quarrel new abroach?
Speak, nephew, were you by when it began?
BENVOLIO
Here were the servants of your adversary,
And yours, close fighting ere I did approach:
I drew to part them: in the instant came
The fiery Tybalt, with his sword prepared,
Which, as he breathed defiance to my ears,
He swung about his head and cut the winds,
Who nothing hurt withal hiss'd him in scorn:
While we were interchanging thrusts and blows,
Came more and more and fought on part and part,
Till the prince came, who parted either part.
LADY MONTAGUE
O, where is Romeo? saw you him to-day?
Right glad I am he was not at this fray.
BENVOLIO
Madam, an hour before the worshipp'd sun
Peer'd forth the golden window of the east,
A troubled mind drave me to walk abroad;
Where, underneath the grove of sycamore
That westward rooteth from the city's side,
So early walking did I see your son:
Towards him I made, but he was ware of me
And stole into the covert of the wood:
I, measuring his affections by my own,
That most are busied when they're most alone,
Pursued my humour not pursuing his,
And gladly shunn'd who gladly fled from me.
MONTAGUE
Many a morning hath he there been seen,
With tears augmenting the fresh morning dew.
Adding to clouds more clouds with his deep sighs;
But all so soon as the all-cheering sun
Should in the furthest east begin to draw
The shady curtains from Aurora's bed,
Away from the light steals home my heavy son,
And private in his chamber pens himself,
Shuts up his windows, locks far daylight out
And makes himself an artificial night:
Black and portentous must this humour prove,
Unless good counsel may the cause remove.
BENVOLIO
My noble uncle, do you know the cause?
MONTAGUE
I neither know it nor can learn of him.
BENVOLIO
Have you importuned him by any means?
MONTAGUE
Both by myself and many other friends:
But he, his own affections' counsellor,
Is to himself--I will not say how true--
But to himself so secret and so close,
So far from sounding and discovery,
As is the bud bit with an envious worm,
Ere he can spread his sweet leaves to the air,
Or dedicate his beauty to the sun.
Could we but learn from whence his sorrows grow.
We would as willingly give cure as know.
Enter ROMEO
BENVOLIO
See, where he comes: so please you, step aside;
I'll know his grievance, or be much denied.
MONTAGUE
I would thou wert so happy by thy stay,
To hear true shrift. Come, madam, let's away.
Exeunt MONTAGUE and LADY MONTAGUE
BENVOLIO
Good-morrow, cousin.
ROMEO
Is the day so young?
BENVOLIO
But new struck nine.
ROMEO
Ay me! sad hours seem long.
Was that my father that went hence so fast?
BENVOLIO
It was. What sadness lengthens Romeo's hours?
ROMEO
Not having that, which, having, makes them short.
BENVOLIO
In love?
ROMEO
Out--
BENVOLIO
Of love?
ROMEO
Out of her favour, where I am in love.
BENVOLIO
Alas, that love, so gentle in his view,
Should be so tyrannous and rough in proof!
ROMEO
Alas, that love, whose view is muffled still,
Should, without eyes, see pathways to his will!
Where shall we dine? O me! What fray was here?
Yet tell me not, for I have heard it all.
Here's much to do with hate, but more with love.
Why, then, O brawling love! O loving hate!
O any thing, of nothing first create!
O heavy lightness! serious vanity!
Mis-shapen chaos of well-seeming forms!
Feather of lead, bright smoke, cold fire,
sick health!
Still-waking sleep, that is not what it is!
This love feel I, that feel no love in this.
Dost thou not laugh?
BENVOLIO
No, coz, I rather weep.
ROMEO
Good heart, at what?
BENVOLIO
At thy good heart's oppression.
ROMEO
Why, such is love's transgression.
Griefs of mine own lie heavy in my breast,
Which thou wilt propagate, to have it prest
With more of thine: this love that thou hast shown
Doth add more grief to too much of mine own.
Love is a smoke raised with the fume of sighs;
Being purged, a fire sparkling in lovers' eyes;
Being vex'd a sea nourish'd with lovers' tears:
What is it else? a madness most discreet,
A choking gall and a preserving sweet.
Farewell, my coz.
BENVOLIO
Soft! I will go along;
An if you leave me so, you do me wrong.
ROMEO
Tut, I have lost myself; I am not here;
This is not Romeo, he's some other where.
BENVOLIO
Tell me in sadness, who is that you love.
ROMEO
What, shall I groan and tell thee?
BENVOLIO
Groan! why, no.
But sadly tell me who.
ROMEO
Bid a sick man in sadness make his will:
Ah, word ill urged to one that is so ill!
In sadness, cousin, I do love a woman.
BENVOLIO
I aim'd so near, when I supposed you loved.
ROMEO
A right good mark-man! And she's fair I love.
BENVOLIO
A right fair mark, fair coz, is soonest hit.
ROMEO
Well, in that hit you miss: she'll not be hit
With Cupid's arrow; she hath Dian's wit;
And, in strong proof of chastity well arm'd,
From love's weak childish bow she lives unharm'd.
She will not stay the siege of loving terms,
Nor bide the encounter of assailing eyes,
Nor ope her lap to saint-seducing gold:
O, she is rich in beauty, only poor,
That when she dies with beauty dies her store.
BENVOLIO
Then she hath sworn that she will still live chaste?
ROMEO
She hath, and in that sparing makes huge waste,
For beauty starved with her severity
Cuts beauty off from all posterity.
She is too fair, too wise, wisely too fair,
To merit bliss by making me despair:
She hath forsworn to love, and in that vow
Do I live dead that live to tell it now.
BENVOLIO
Be ruled by me, forget to think of her.
ROMEO
O, teach me how I should forget to think.
BENVOLIO
By giving liberty unto thine eyes;
Examine other beauties.
ROMEO
'Tis the way
To call hers exquisite, in question more:
These happy masks that kiss fair ladies' brows
Being black put us in mind they hide the fair;
He that is strucken blind cannot forget
The precious treasure of his eyesight lost:
Show me a mistress that is passing fair,
What doth her beauty serve, but as a note
Where I may read who pass'd that passing fair?
Farewell: thou canst not teach me to forget.
BENVOLIO
I'll pay that doctrine, or else die in debt.
Exeunt
SCENE II. A street.
Enter CAPULET, PARIS, and Servant
CAPULET
But Montague is bound as well as I,
In penalty alike; and 'tis not hard, I think,
For men so old as we to keep the peace.
PARIS
Of honourable reckoning are you both;
And pity 'tis you lived at odds so long.
But now, my lord, what say you to my suit?
CAPULET
But saying o'er what I have said before:
My child is yet a stranger in the world;
She hath not seen the change of fourteen years,
Let two more summers wither in their pride,
Ere we may think her ripe to be a bride.
PARIS
Younger than she are happy mothers made.
CAPULET
And too soon marr'd are those so early made.
The earth hath swallow'd all my hopes but she,
She is the hopeful lady of my earth:
But woo her, gentle Paris, get her heart,
My will to her consent is but a part;
An she agree, within her scope of choice
Lies my consent and fair according voice.
This night I hold an old accustom'd feast,
Whereto I have invited many a guest,
Such as I love; and you, among the store,
One more, most welcome, makes my number more.
At my poor house look to behold this night
Earth-treading stars that make dark heaven light:
Such comfort as do lusty young men feel
When well-apparell'd April on the heel
Of limping winter treads, even such delight
Among fresh female buds shall you this night
Inherit at my house; hear all, all see,
And like her most whose merit most shall be:
Which on more view, of many mine being one
May stand in number, though in reckoning none,
Come, go with me.
To Servant, giving a paper
Go, sirrah, trudge about
Through fair Verona; find those persons out
Whose names are written there, and to them say,
My house and welcome on their pleasure stay.
Exeunt CAPULET and PARIS
Servant
Find them out whose names are written here! It is
written, that the shoemaker should meddle with his
yard, and the tailor with his last, the fisher with
his pencil, and the painter with his nets; but I am
sent to find those persons whose names are here
writ, and can never find what names the writing
person hath here writ. I must to the learned.--In good time.
Enter BENVOLIO and ROMEO
BENVOLIO
Tut, man, one fire burns out another's burning,
One pain is lessen'd by another's anguish;
Turn giddy, and be holp by backward turning;
One desperate grief cures with another's languish:
Take thou some new infection to thy eye,
And the rank poison of the old will die.
ROMEO
Your plaintain-leaf is excellent for that.
BENVOLIO
For what, I pray thee?
ROMEO
For your broken shin.
BENVOLIO
Why, Romeo, art thou mad?
ROMEO
Not mad, but bound more than a mad-man is;
Shut up in prison, kept without my food,
Whipp'd and tormented and--God-den, good fellow.
Servant
God gi' god-den. I pray, sir, can you read?
ROMEO
Ay, mine own fortune in my misery.
Servant
Perhaps you have learned it without book: but, I
pray, can you read any thing you see?
ROMEO
Ay, if I know the letters and the ********.
Servant
Ye say honestly: rest you merry!
ROMEO
Stay, fellow; I can read.
Reads
'Signior Martino and his wife and daughters;
County Anselme and his beauteous sisters; the lady
widow of Vitravio; Signior Placentio and his lovely
nieces; Mercutio and his brother Valentine; mine
uncle Capulet, his wife and daughters; my fair niece
Rosaline; Livia; Signior Valentio and his cousin
Tybalt, Lucio and the lively Helena.' A fair
assembly: whither should they come?
Servant
Up.
ROMEO
Whither?
Servant
To supper; to our house.
ROMEO
Whose house?
Servant
My master's.
ROMEO
Indeed, I should have ask'd you that before.
Servant
Now I'll tell you without asking: my master is the
great rich Capulet; and if you be not of the house
of Montagues, I pray, come and crush a cup of wine.
Rest you merry!
Exit
BENVOLIO
At this same ancient feast of Capulet's
Sups the fair Rosaline whom thou so lovest,
With all the admired beauties of Verona:
Go thither; and, with unattainted eye,
Compare her face with some that I shall show,
And I will make thee think thy swan a crow.
ROMEO
When the devout religion of mine eye
Maintains such falsehood, then turn tears to fires;
And these, who often drown'd could never die,
Transparent heretics, be burnt for liars!
One fairer than my love! the all-seeing sun
Ne'er saw her match since first the world begun.
BENVOLIO
Tut, you saw her fair, none else being by,
Herself poised with herself in either eye:
But in that crystal scales let there be weigh'd
Your lady's love against some other maid
That I will show you shining at this feast,
And she shall scant show well that now shows best.
ROMEO
I'll go along, no such sight to be shown,
But to rejoice in splendor of mine own.
Exeunt
SCENE III. A room in Capulet's house.
Enter LADY CAPULET and Nurse
LADY CAPULET
Nurse, where's my daughter? call her forth to me.
Nurse
Now, by my maidenhead, at twelve year old,
I bade her come. What, lamb! what, ladybird!
God forbid! Where's this girl? What, Juliet!
Enter JULIET
JULIET
How now! who calls?
Nurse
Your mother.
JULIET
Madam, I am here.
What is your will?
LADY CAPULET
This is the matter:--Nurse, give leave awhile,
We must talk in secret:--nurse, come back again;
I have remember'd me, thou's hear our counsel.
Thou know'st my daughter's of a pretty age.
Nurse
Faith, I can tell her age unto an hour.
LADY CAPULET
She's not fourteen.
Nurse
I'll lay fourteen of my teeth,--
And yet, to my teeth be it spoken, I have but four--
She is not fourteen. How long is it now
To Lammas-tide?
LADY CAPULET
A fortnight and odd days.
Nurse
Even or odd, of all days in the year,
Come Lammas-eve at night shall she be fourteen.
Susan and she--God rest all Christian souls!--
Were of an age: well, Susan is with God;
She was too good for me: but, as I said,
On Lammas-eve at night shall she be fourteen;
That shall she, marry; I remember it well.
'Tis since the earthquake now eleven years;
And she was wean'd,--I never shall forget it,--
Of all the days of the year, upon that day:
For I had then laid wormwood to my dug,
Sitting in the sun under the dove-house wall;
My lord and you were then at Mantua:--
Nay, I do bear a brain:--but, as I said,
When it did taste the wormwood on the nipple
Of my dug and felt it bitter, pretty fool,
To see it tetchy and fall out with the dug!
Shake quoth the dove-house: 'twas no need, I trow,
To bid me trudge:
And since that time it is eleven years;
For then she could stand alone; nay, by the rood,
She could have run and waddled all about;
For even the day before, she broke her brow:
And then my husband--God be with his soul!
A' was a merry man--took up the child:
'Yea,' quoth he, 'dost thou fall upon thy face?
Thou wilt fall backward when thou hast more wit;
Wilt thou not, Jule?' and, by my holidame,
The pretty wretch left crying and said 'Ay.'
To see, now, how a jest shall come about!
I warrant, an I should live a thousand years,
I never should forget it: 'Wilt thou not, Jule?' quoth he;
And, pretty fool, it stinted and said 'Ay.'
LADY CAPULET
Enough of this; I pray thee, hold thy peace.
Nurse
Yes, madam: yet I cannot choose but laugh,
To think it should leave crying and say 'Ay.'
And yet, I warrant, it had upon its brow
A bump as big as a young cockerel's stone;
A parlous knock; and it cried bitterly:
'Yea,' quoth my husband,'fall'st upon thy face?
Thou wilt fall backward when thou comest to age;
Wilt thou not, Jule?' it stinted and said 'Ay.'
JULIET
And stint thou too, I pray thee, nurse, say I.
Nurse
Peace, I have done. God mark thee to his grace!
Thou wast the prettiest babe that e'er I nursed:
An I might live to see thee married once,
I have my wish.
LADY CAPULET
Marry, that 'marry' is the very theme
I came to talk of. Tell me, daughter Juliet,
How stands your disposition to be married?
JULIET
It is an honour that I dream not of.
Nurse
An honour! were not I thine only nurse,
I would say thou hadst suck'd wisdom from thy teat.
LADY CAPULET
Well, think of marriage now; younger than you,
Here in Verona, ladies of esteem,
Are made already mothers: by my count,
I was your mother much upon these years
That you are now a maid. Thus then in brief:
The valiant Paris seeks you for his love.
Nurse
A man, young lady! lady, such a man
As all the world--why, he's a man of wax.
LADY CAPULET
Verona's summer hath not such a flower.
Nurse
Nay, he's a flower; in faith, a very flower.
LADY CAPULET
What say you? can you love the gentleman?
This night you shall behold him at our feast;
Read o'er the volume of young Paris' face,
And find delight writ there with beauty's pen;
Examine every married lineament,
And see how one another lends *******
And what obscured in this fair volume lies
Find written in the margent of his eyes.
This precious book of love, this unbound lover,
To beautify him, only lacks a cover:
The fish lives in the sea, and 'tis much pride
For fair without the fair within to hide:
That book in many's eyes doth share the glory,
That in gold clasps locks in the golden story;
So shall you share all that he doth possess,
By having him, making yourself no less.
Nurse
No less! nay, bigger; women grow by men.
LADY CAPULET
Speak briefly, can you like of Paris' love?
JULIET
I'll look to like, if looking liking move:
But no more deep will I endart mine eye
Than your consent gives strength to make it fly.
Enter a Servant
Servant
Madam, the guests are come, supper served up, you
called, my young lady asked for, the nurse cursed in
the pantry, and every thing in extremity. I must
hence to wait; I beseech you, follow straight.
LADY CAPULET
We follow thee.
Exit Servant
Juliet, the county stays.
Nurse
Go, girl, seek happy nights to happy days.
Exeunt
SCENE IV. A street.
Enter ROMEO, MERCUTIO, BENVOLIO, with five or six Maskers, Torch-bearers, and others
ROMEO
What, shall this speech be spoke for our excuse?
Or shall we on without a apology?
BENVOLIO
The date is out of such prolixity:
We'll have no Cupid hoodwink'd with a scarf,
Bearing a Tartar's painted bow of lath,
Scaring the ladies like a crow-keeper;
Nor no without-book prologue, faintly spoke
After the prompter, for our entrance:
But let them measure us by what they will;
We'll measure them a measure, and be gone.
ROMEO
Give me a torch: I am not for this ambling;
Being but heavy, I will bear the light.
MERCUTIO
Nay, gentle Romeo, we must have you dance.
ROMEO
Not I, believe me: you have dancing shoes
With nimble soles: I have a soul of lead
So stakes me to the ground I cannot move.
MERCUTIO
You are a lover; borrow Cupid's wings,
And soar with them above a common bound.
ROMEO
I am too sore enpierced with his shaft
To soar with his light feathers, and so bound,
I cannot bound a pitch above dull woe:
Under love's heavy burden do I sink.
MERCUTIO
And, to sink in it, should you burden love;
Too great oppression for a tender thing.
ROMEO
Is love a tender thing? it is too rough,
Too rude, too boisterous, and it pricks like thorn.
MERCUTIO
If love be rough with you, be rough with love;
Prick love for pricking, and you beat love down.
Give me a case to put my visage in:
A visor for a visor! what care I
What curious eye doth quote deformities?
Here are the beetle brows shall blush for me.
BENVOLIO
Come, knock and enter; and no sooner in,
But every man betake him to his legs.
ROMEO
A torch for me: let wantons light of heart
Tickle the senseless rushes with their heels,
For I am proverb'd with a grandsire phrase;
I'll be a candle-holder, and look on.
The game was ne'er so fair, and I am done.
MERCUTIO
Tut, dun's the mouse, the constable's own word:
If thou art dun, we'll draw thee from the mire
Of this sir-reverence love, wherein thou stick'st
Up to the ears. Come, we burn daylight, ho!
ROMEO
Nay, that's not so.
MERCUTIO
I mean, sir, in delay
We waste our lights in vain, like lamps by day.
Take our good meaning, for our judgment sits
Five times in that ere once in our five wits.
ROMEO
And we mean well in going to this mask;
But 'tis no wit to go.
MERCUTIO
Why, may one ask?
ROMEO
I dream'd a dream to-night.
MERCUTIO
And so did I.
ROMEO
Well, what was yours?
MERCUTIO
That dreamers often lie.
ROMEO
In bed asleep, while they do dream things true.
MERCUTIO
O, then, I see Queen Mab hath been with you.
She is the fairies' midwife, and she comes
In shape no bigger than an agate-stone
On the fore-finger of an alderman,
Drawn with a team of little atomies
Athwart men's noses as they lie asleep;
Her wagon-spokes made of long spiders' legs,
The cover of the wings of grasshoppers,
The traces of the smallest spider's ***,
The collars of the moonshine's watery beams,
Her whip of cricket's bone, the lash of film,
Her wagoner a small grey-coated gnat,
Not so big as a round little worm
Prick'd from the lazy finger of a maid;
Her chariot is an empty hazel-nut
Made by the joiner squirrel or old grub,
Time out o' mind the fairies' coachmakers.
And in this state she gallops night by night
Through lovers' brains, and then they dream of love;
O'er courtiers' knees, that dream on court'sies straight,
O'er lawyers' fingers, who straight dream on fees,
O'er ladies ' lips, who straight on kisses dream,
Which oft the angry Mab with blisters plagues,
Because their breaths with sweetmeats tainted are:
Sometime she gallops o'er a courtier's nose,
And then dreams he of smelling out a suit;
And sometime comes she with a tithe-pig's tail
Tickling a parson's nose as a' lies asleep,
Then dreams, he of another benefice:
Sometime she driveth o'er a soldier's neck,
And then dreams he of cutting foreign throats,
Of breaches, ambuscadoes, Spanish blades,
Of healths five-fathom deep; and then anon
Drums in his ear, at which he starts and wakes,
And being thus frighted swears a prayer or two
And sleeps again. This is that very Mab
That plats the manes of horses in the night,
And bakes the elflocks in foul sluttish hairs,
Which once untangled, much misfortune bodes:
This is the hag, when maids lie on their backs,
That presses them and learns them first to bear,
Making them women of good carriage:
This is she--
ROMEO
Peace, peace, Mercutio, peace!
Thou talk'st of nothing.
MERCUTIO
True, I talk of dreams,
Which are the children of an idle brain,
Begot of nothing but vain fantasy,
Which is as thin of substance as the air
And more inconstant than the wind, who wooes
Even now the frozen bosom of the north,
And, being anger'd, puffs away from thence,
Turning his face to the dew-dropping south.
BENVOLIO
This wind, you talk of, blows us from ourselves;
Supper is done, and we shall come too late.
ROMEO
I fear, too early: for my mind misgives
Some consequence yet hanging in the stars
Shall bitterly begin his fearful date
With this night's revels and expire the term
Of a despised life closed in my breast
By some vile forfeit of untimely death.
But He, that hath the steerage of my course,
Direct my sail! On, lusty gentlemen.
BENVOLIO
Strike, drum.
Exeunt
SCENE V. A hall in Capulet's house.
Musicians waiting. Enter Servingmen with napkins
First Servant
Where's Potpan, that he helps not to take away? He
shift a trencher? he scrape a trencher!
Second Servant
When good manners shall lie all in one or two men's
hands and they unwashed too, 'tis a foul thing.
First Servant
Away with the joint-stools, remove the
court-cupboard, look to the plate. Good thou, save
me a piece of marchpane; and, as thou lovest me, let
the porter let in Susan Grindstone and Nell.
Antony, and Potpan!
Second Servant
Ay, boy, ready.
First Servant
You are looked for and called for, asked for and
sought for, in the great chamber.
Second Servant
We cannot be here and there too. Cheerly, boys; be
brisk awhile, and the longer liver take all.
Enter CAPULET, with JULIET and others of his house, meeting the Guests and Maskers
CAPULET
Welcome, gentlemen! ladies that have their toes
Unplagued with corns will have a bout with you.
Ah ha, my mistresses! which of you all
Will now deny to dance? she that makes dainty,
She, I'll swear, hath corns; am I come near ye now?
Welcome, gentlemen! I have seen the day
That I have worn a visor and could tell
A whispering tale in a fair lady's ear,
Such as would please: 'tis gone, 'tis gone, 'tis gone:
You are welcome, gentlemen! come, musicians, play.
A hall, a hall! give room! and foot it, girls.
Music plays, and they dance
More light, you knaves; and turn the tables up,
And quench the fire, the room is grown too hot.
Ah, sirrah, this unlook'd-for sport comes well.
Nay, sit, nay, sit, good cousin Capulet;
For you and I are past our dancing days:
How long is't now since last yourself and I
Were in a mask?
Second Capulet
By'r lady, thirty years.
CAPULET
What, man! 'tis not so much, 'tis not so much:
'Tis since the nuptials of Lucentio,
Come pentecost as quickly as it will,
Some five and twenty years; and then we mask'd.
Second Capulet
'Tis more, 'tis more, his son is elder, sir;
His son is thirty.
CAPULET
Will you tell me that?
His son was but a ward two years ago.
ROMEO
[To a Servingman] What lady is that, which doth
enrich the hand
Of yonder knight?
Servant
I know not, sir.
ROMEO
O, she doth teach the torches to burn bright!
It seems she hangs upon the cheek of night
Like a rich jewel in an Ethiope's ear;
Beauty too rich for use, for earth too dear!
So shows a snowy dove trooping with crows,
As yonder lady o'er her fellows shows.
The measure done, I'll watch her place of stand,
And, touching hers, make blessed my rude hand.
Did my heart love till now? forswear it, sight!
For I ne'er saw true beauty till this night.
TYBALT
This, by his voice, should be a Montague.
Fetch me my rapier, boy. What dares the slave
Come hither, cover'd with an antic face,
To fleer and scorn at our solemnity?
Now, by the stock and honour of my kin,
To strike him dead, I hold it not a sin.
CAPULET
Why, how now, kinsman! wherefore storm you so?
TYBALT
Uncle, this is a Montague, our foe,
A villain that is hither come in spite,
To scorn at our solemnity this night.
CAPULET
Young Romeo is it?
TYBALT
'Tis he, that villain Romeo.
CAPULET
******* thee, gentle coz, let him alone;
He bears him like a portly gentleman;
And, to say truth, Verona brags of him
To be a virtuous and well-govern'd youth:
I would not for the wealth of all the town
Here in my house do him disparagement:
Therefore be patient, take no note of him:
It is my will, the which if thou respect,
Show a fair presence and put off these frowns,
And ill-beseeming semblance for a feast.
TYBALT
It fits, when such a villain is a guest:
I'll not endure him.
CAPULET
He shall be endured:
What, goodman boy! I say, he shall: go to;
Am I the master here, or you? go to.
You'll not endure him! God shall mend my soul!
You'll make a mutiny among my guests!
You will set cock-a-hoop! you'll be the man!
TYBALT
Why, uncle, 'tis a shame.
CAPULET
Go to, go to;
You are a saucy boy: is't so, indeed?
This trick may chance to scathe you, I know what:
You must contrary me! marry, 'tis time.
Well said, my hearts! You are a princox; go:
Be quiet, or--More light, more light! For shame!
I'll make you quiet. What, cheerly, my hearts!
TYBALT
Patience perforce with wilful choler meeting
Makes my flesh tremble in their different greeting.
I will withdraw: but this intrusion shall
Now seeming sweet convert to bitter gall.
Exit


أرب جمـال 5 - 11 - 2009 05:58 PM

Romeo and Juliet: Entire PlayROMEO
[To JULIET] If I profane with my unworthiest hand
This holy shrine, the gentle fine is this:
My lips, two blushing pilgrims, ready stand
To smooth that rough touch with a tender kiss.
JULIET
Good pilgrim, you do wrong your hand too much,
Which mannerly devotion shows in this;
For saints have hands that pilgrims' hands do touch,
And palm to palm is holy palmers' kiss.
ROMEO
Have not saints lips, and holy palmers too?
JULIET
Ay, pilgrim, lips that they must use in prayer.
ROMEO
O, then, dear saint, let lips do what hands do;
They pray, grant thou, lest faith turn to despair.
JULIET
Saints do not move, though grant for prayers' sake.
ROMEO
Then move not, while my prayer's effect I take.
Thus from my lips, by yours, my sin is purged.
JULIET
Then have my lips the sin that they have took.
ROMEO
Sin from thy lips? O trespass sweetly urged!
Give me my sin again.
JULIET
You kiss by the book.
Nurse
Madam, your mother craves a word with you.
ROMEO
What is her mother?
Nurse
Marry, bachelor,
Her mother is the lady of the house,
And a good lady, and a wise and virtuous
I nursed her daughter, that you talk'd withal;
I tell you, he that can lay hold of her
Shall have the chinks.
ROMEO
Is she a Capulet?
O dear account! my life is my foe's debt.
BENVOLIO
Away, begone; the sport is at the best.
ROMEO
Ay, so I fear; the more is my unrest.
CAPULET
Nay, gentlemen, prepare not to be gone;
We have a trifling foolish banquet towards.
Is it e'en so? why, then, I thank you all
I thank you, honest gentlemen; good night.
More torches here! Come on then, let's to bed.
Ah, sirrah, by my fay, it waxes late:
I'll to my rest.
Exeunt all but JULIET and Nurse
JULIET
Come hither, nurse. What is yond gentleman?
Nurse
The son and heir of old Tiberio.
JULIET
What's he that now is going out of door?
Nurse
Marry, that, I think, be young Petrucio.
JULIET
What's he that follows there, that would not dance?
Nurse
I know not.
JULIET
Go ask his name: if he be married.
My grave is like to be my wedding bed.
Nurse
His name is Romeo, and a Montague;
The only son of your great enemy.
JULIET
My only love sprung from my only hate!
Too early seen unknown, and known too late!
Prodigious birth of love it is to me,
That I must love a loathed enemy.
Nurse
What's this? what's this?
JULIET
A rhyme I learn'd even now
Of one I danced withal.
One calls within 'Juliet.'
Nurse
Anon, anon!
Come, let's away; the strangers all are gone.
Exeunt
ACT II

PROLOGUE
Enter Chorus
Chorus
Now old desire doth in his death-bed lie,
And young affection gapes to be his heir;
That fair for which love groan'd for and would die,
With tender Juliet match'd, is now not fair.
Now Romeo is beloved and loves again,
Alike betwitched by the charm of looks,
But to his foe supposed he must complain,
And she steal love's sweet bait from fearful hooks:
Being held a foe, he may not have access
To breathe such vows as lovers use to swear;
And she as much in love, her means much less
To meet her new-beloved any where:
But passion lends them power, time means, to meet
Tempering extremities with extreme sweet.
Exit
SCENE I. A lane by the wall of Capulet's orchard.
Enter ROMEO
ROMEO
Can I go forward when my heart is here?
Turn back, dull earth, and find thy centre out.
He climbs the wall, and leaps down within it
Enter BENVOLIO and MERCUTIO
BENVOLIO
Romeo! my cousin Romeo!
MERCUTIO
He is wise;
And, on my lie, hath stol'n him home to bed.
BENVOLIO
He ran this way, and leap'd this orchard wall:
Call, good Mercutio.
MERCUTIO
Nay, I'll conjure too.
Romeo! humours! madman! passion! lover!
Appear thou in the likeness of a sigh:
Speak but one rhyme, and I am satisfied;
Cry but 'Ay me!' pronounce but 'love' and 'dove;'
Speak to my gossip Venus one fair word,
One nick-name for her purblind son and heir,
Young Adam Cupid, he that shot so trim,
When King Cophetua loved the beggar-maid!
He heareth not, he stirreth not, he moveth not;
The ape is dead, and I must conjure him.
I conjure thee by Rosaline's bright eyes,
By her high forehead and her scarlet lip,
By her fine foot, straight leg and quivering thigh
And the demesnes that there adjacent lie,
That in thy likeness thou appear to us!
BENVOLIO
And if he hear thee, thou wilt anger him.
MERCUTIO
This cannot anger him: 'twould anger him
To raise a spirit in his mistress' circle
Of some strange nature, letting it there stand
Till she had laid it and conjured it down;
That were some spite: my invocation
Is fair and honest, and in his mistres s' name
I conjure only but to raise up him.
BENVOLIO
Come, he hath hid himself among these trees,
To be consorted with the humorous night:
Blind is his love and best befits the dark.
MERCUTIO
If love be blind, love cannot hit the mark.
Now will he sit under a medlar tree,
And wish his mistress were that kind of fruit
As maids call medlars, when they laugh alone.
Romeo, that she were, O, that she were
An open et caetera, thou a poperin pear!
Romeo, good night: I'll to my truckle-bed;
This field-bed is too cold for me to sleep:
Come, shall we go?
BENVOLIO
Go, then; for 'tis in vain
To seek him here that means not to be found.
Exeunt
SCENE II. Capulet's orchard.
Enter ROMEO
ROMEO
He jests at scars that never felt a wound.
JULIET appears above at a window
But, soft! what light through yonder window breaks?
It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief,
That thou her maid art far more fair than she:
Be not her maid, since she is envious;
Her vestal livery is but sick and green
And none but fools do wear it; cast it off.
It is my lady, O, it is my love!
O, that she knew she were!
She speaks yet she says nothing: what of that?
Her eye discourses; I will answer it.
I am too bold, 'tis not to me she speaks:
Two of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars,
As daylight doth a lamp; her eyes in heaven
Would through the airy region stream so bright
That birds would sing and think it were not night.
See, how she leans her cheek upon her hand!
O, that I were a glove upon that hand,
That I might touch that cheek!
JULIET
Ay me!
ROMEO
She speaks:
O, speak again, bright angel! for thou art
As glorious to this night, being o'er my head
As is a winged messenger of heaven
Unto the white-upturned wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-pacing clouds
And sails upon the bosom of the air.
JULIET
O Romeo, Romeo! wherefore art thou Romeo?
Deny thy father and refuse thy name;
Or, if thou wilt not, be but sworn my love,
And I'll no longer be a Capulet.
ROMEO
[Aside] Shall I hear more, or shall I speak at this?
JULIET
'Tis but thy name that is my enemy;
Thou art thyself, though not a Montague.
What's Montague? it is nor hand, nor foot,
Nor arm, nor face, nor any other part
Belonging to a man. O, be some other name!
What's in a name? that which we call a rose
By any other name would smell as sweet;
So Romeo would, were he not Romeo call'd,
Retain that dear perfection which he owes
Without that title. Romeo, doff thy name,
And for that name which is no part of thee
Take all myself.
ROMEO
I take thee at thy word:
Call me but love, and I'll be new baptized;
Henceforth I never will be Romeo.
JULIET
What man art thou that thus bescreen'd in night
So stumblest on my counsel?
ROMEO
By a name
I know not how to tell thee who I am:
My name, dear saint, is hateful to myself,
Because it is an enemy to thee;
Had I it written, I would tear the word.
JULIET
My ears have not yet drunk a hundred words
Of that tongue's utterance, yet I know the sound:
Art thou not Romeo and a Montague?
ROMEO
Neither, fair saint, if either thee dislike.
JULIET
How camest thou hither, tell me, and wherefore?
The orchard walls are high and hard to climb,
And the place death, considering who thou art,
If any of my kinsmen find thee here.
ROMEO
With love's light wings did I o'er-perch these walls;
For stony limits cannot hold love out,
And what love can do that dares love attempt;
Therefore thy kinsmen are no let to me.
JULIET
If they do see thee, they will murder thee.
ROMEO
Alack, there lies more peril in thine eye
Than twenty of their swords: look thou but sweet,
And I am proof against their enmity.
JULIET
I would not for the world they saw thee here.
ROMEO
I have night's cloak to hide me from their sight;
And but thou love me, let them find me here:
My life were better ended by their hate,
Than death prorogued, wanting of thy love.
JULIET
By whose direction found'st thou out this place?
ROMEO
By love, who first did prompt me to inquire;
He lent me counsel and I lent him eyes.
I am no pilot; yet, wert thou as far
As that vast shore wash'd with the farthest sea,
I would adventure for such merchandise.
JULIET
Thou know'st the mask of night is on my face,
Else would a maiden blush bepaint my cheek
For that which thou hast heard me speak to-night
Fain would I dwell on form, fain, fain deny
What I have spoke: but farewell compliment!
Dost thou love me? I know thou wilt say 'Ay,'
And I will take thy word: yet if thou swear'st,
Thou mayst prove false; at lovers' perjuries
Then say, Jove laughs. O gentle Romeo,
If thou dost love, pronounce it faithfully:
Or if thou think'st I am too quickly won,
I'll frown and be perverse an say thee nay,
So thou wilt woo; but else, not for the world.
In truth, fair Montague, I am too fond,
And therefore thou mayst think my 'havior light:
But trust me, gentleman, I'll prove more true
Than those that have more cunning to be strange.
I should have been more strange, I must confess,
But that thou overheard'st, ere I was ware,
My true love's passion: therefore pardon me,
And not impute this yielding to light love,
Which the dark night hath so discovered.
ROMEO
Lady, by yonder blessed moon I swear
That tips with silver all these fruit-tree tops--
JULIET
O, swear not by the moon, the inconstant moon,
That monthly changes in her circled orb,
Lest that thy love prove likewise variable.
ROMEO
What shall I swear by?
JULIET
Do not swear at all;
Or, if thou wilt, swear by thy gracious self,
Which is the god of my idolatry,
And I'll believe thee.
ROMEO
If my heart's dear love--
JULIET
Well, do not swear: although I joy in thee,
I have no joy of this contract to-night:
It is too rash, too unadvised, too sudden;
Too like the lightning, which doth cease to be
Ere one can say 'It lightens.' Sweet, good night!
This bud of love, by summer's ripening breath,
May prove a beauteous flower when next we meet.
Good night, good night! as sweet repose and rest
Come to thy heart as that within my breast!
ROMEO
O, wilt thou leave me so unsatisfied?
JULIET
What satisfaction canst thou have to-night?
ROMEO
The exchange of thy love's faithful vow for mine.
JULIET
I gave thee mine before thou didst request it:
And yet I would it were to give again.
ROMEO
Wouldst thou withdraw it? for what purpose, love?
JULIET
But to be frank, and give it thee again.
And yet I wish but for the thing I have:
My bounty is as boundless as the sea,
My love as deep; the more I give to thee,
The more I have, for both are infinite.
Nurse calls within
I hear some noise within; dear love, adieu!
Anon, good nurse! Sweet Montague, be true.
Stay but a little, I will come again.
Exit, above
ROMEO
O blessed, blessed night! I am afeard.
Being in night, all this is but a dream,
Too flattering-sweet to be substantial.
Re-enter JULIET, above
JULIET
Three words, dear Romeo, and good night indeed.
If that thy bent of love be honourable,
Thy purpose marriage, send me word to-morrow,
By one that I'll procure to come to thee,
Where and what time thou wilt perform the rite;
And all my fortunes at thy foot I'll lay
And follow thee my lord throughout the world.
Nurse
[Within] Madam!
JULIET
I come, anon.--But if thou mean'st not well,
I do beseech thee--
Nurse
[Within] Madam!
JULIET
By and by, I come:--
To cease thy suit, and leave me to my grief:
To-morrow will I send.
ROMEO
So thrive my soul--
JULIET
A thousand times good night!
Exit, above
ROMEO
A thousand times the worse, to want thy light.
Love goes toward love, as schoolboys from
their books,
But love from love, toward school with heavy looks.
Retiring
Re-enter JULIET, above
JULIET
Hist! Romeo, hist! O, for a falconer's voice,
To lure this tassel-gentle back again!
Bondage is hoarse, and may not speak aloud;
Else would I tear the cave where Echo lies,
And make her airy tongue more hoarse than mine,
With repetition of my Romeo's name.
ROMEO
It is my soul that calls upon my name:
How silver-sweet sound lovers' tongues by night,
Like softest music to attending ears!
JULIET
Romeo!
ROMEO
My dear?
JULIET
At what o'clock to-morrow
Shall I send to thee?
ROMEO
At the hour of nine.
JULIET
I will not fail: 'tis twenty years till then.
I have forgot why I did call thee back.
ROMEO
Let me stand here till thou remember it.
JULIET
I shall forget, to have thee still stand there,
Remembering how I love thy company.
ROMEO
And I'll still stay, to have thee still forget,
Forgetting any other home but this.
JULIET
'Tis almost morning; I would have thee gone:
And yet no further than a wanton's bird;
Who lets it hop a little from her hand,
Like a poor prisoner in his twisted gyves,
And with a silk thread plucks it back again,
So loving-jealous of his liberty.
ROMEO
I would I were thy bird.
JULIET
Sweet, so would I:
Yet I should kill thee with much cherishing.
Good night, good night! parting is such
sweet sorrow,
That I shall say good night till it be morrow.
Exit above
ROMEO
Sleep dwell upon thine eyes, peace in thy breast!
Would I were sleep and peace, so sweet to rest!
Hence will I to my ghostly father's cell,
His help to crave, and my dear hap to tell.
Exit
SCENE III. Friar Laurence's cell.
Enter FRIAR LAURENCE, with a basket
FRIAR LAURENCE
The grey-eyed morn smiles on the frowning night,
Chequering the eastern clouds with streaks of light,
And flecked darkness like a drunkard reels
From forth day's path and Titan's fiery wheels:
Now, ere the sun advance his burning eye,
The day to cheer and night's dank dew to dry,
I must up-fill this osier cage of ours
With baleful weeds and precious-juiced flowers.
The earth that's nature's mother is her tomb;
What is her burying grave that is her womb,
And from her womb children of divers kind
We sucking on her natural bosom find,
Many for many virtues excellent,
None but for some and yet all different.
O, mickle is the powerful grace that lies
In herbs, plants, stones, and their true qualities:
For nought so vile that on the earth doth live
But to the earth some special good doth give,
Nor aught so good but strain'd from that fair use
Revolts from true birth, stumbling on abuse:
Virtue itself turns vice, being misapplied;
And vice sometimes by action dignified.
Within the infant rind of this small flower
Poison hath residence and medicine power:
For this, being smelt, with that part cheers each part;
Being tasted, slays all senses with the heart.
Two such opposed kings encamp them still
In man as well as herbs, grace and rude will;
And where the worser is predominant,
Full soon the canker death eats up that plant.
Enter ROMEO
ROMEO
Good morrow, father.
FRIAR LAURENCE
Benedicite!
What early tongue so sweet saluteth me?
Young son, it argues a distemper'd head
So soon to bid good morrow to thy bed:
Care keeps his watch in every old man's eye,
And where care lodges, sleep will never lie;
But where unbruised youth with unstuff'd brain
Doth couch his limbs, there golden sleep doth reign:
Therefore thy earliness doth me assure
Thou art up-roused by some distemperature;
Or if not so, then here I hit it right,
Our Romeo hath not been in bed to-night.
ROMEO
That last is true; the sweeter rest was mine.
FRIAR LAURENCE
God pardon sin! wast thou with Rosaline?
ROMEO
With Rosaline, my ghostly father? no;
I have forgot that name, and that name's woe.
FRIAR LAURENCE
That's my good son: but where hast thou been, then?
ROMEO
I'll tell thee, ere thou ask it me again.
I have been feasting with mine enemy,
Where on a sudden one hath wounded me,
That's by me wounded: both our remedies
Within thy help and holy physic lies:
I bear no hatred, blessed man, for, lo,
My intercession likewise steads my foe.
FRIAR LAURENCE
Be plain, good son, and homely in thy drift;
Riddling confession finds but riddling shrift.
ROMEO
Then plainly know my heart's dear love is set
On the fair daughter of rich Capulet:
As mine on hers, so hers is set on mine;
And all combined, save what thou must combine
By holy marriage: when and where and how
We met, we woo'd and made exchange of vow,
I'll tell thee as we pass; but this I pray,
That thou consent to marry us to-day.
FRIAR LAURENCE
Holy Saint Francis, what a change is here!
Is Rosaline, whom thou didst love so dear,
So soon forsaken? young men's love then lies
Not truly in their hearts, but in their eyes.
Jesu Maria, what a deal of brine
Hath wash'd thy sallow cheeks for Rosaline!
How much salt water thrown away in waste,
To season love, that of it doth not taste!
The sun not yet thy sighs from heaven clears,
Thy old groans ring yet in my ancient ears;
Lo, here upon thy cheek the stain doth sit
Of an old tear that is not wash'd off yet:
If e'er thou wast thyself and these woes thine,
Thou and these woes were all for Rosaline:
And art thou changed? pronounce this sentence then,
Women may fall, when there's no strength in men.
ROMEO
Thou chid'st me oft for loving Rosaline.
FRIAR LAURENCE
For doting, not for loving, pupil mine.
ROMEO
And bad'st me bury love.
FRIAR LAURENCE
Not in a grave,
To lay one in, another out to have.
ROMEO
I pray thee, chide not; she whom I love now
Doth grace for grace and love for love allow;
The other did not so.
FRIAR LAURENCE
O, she knew well
Thy love did read by rote and could not spell.
But come, young waverer, come, go with me,
In one respect I'll thy assistant be;
For this alliance may so happy prove,
To turn your households' rancour to pure love.
ROMEO
O, let us hence; I stand on sudden haste.
FRIAR LAURENCE
Wisely and slow; they stumble that run fast.
Exeunt
SCENE IV. A street.
Enter BENVOLIO and MERCUTIO
MERCUTIO
Where the devil should this Romeo be?
Came he not home to-night?
BENVOLIO
Not to his father's; I spoke with his man.
MERCUTIO
Ah, that same pale hard-hearted wench, that Rosaline.
Torments him so, that he will sure run mad.
BENVOLIO
Tybalt, the kinsman of old Capulet,
Hath sent a letter to his father's house.
MERCUTIO
A challenge, on my life.
BENVOLIO
Romeo will answer it.
MERCUTIO
Any man that can write may answer a letter.
BENVOLIO
Nay, he will answer the letter's master, how he
dares, being dared.
MERCUTIO
Alas poor Romeo! he is already dead; stabbed with a
white wench's black eye; shot through the ear with a
love-song; the very pin of his heart cleft with the
blind bow-boy's butt-shaft: and is he a man to
encounter Tybalt?
BENVOLIO
Why, what is Tybalt?
MERCUTIO
More than prince of cats, I can tell you. O, he is
the courageous captain of compliments. He fights as
you sing prick-song, keeps time, distance, and
proportion; rests me his minim rest, one, two, and
the third in your bosom: the very butcher of a silk
button, a duellist, a duellist; a gentleman of the
very first house, of the first and second cause:
ah, the immortal passado! the punto reverso! the
hai!
BENVOLIO
The what?
MERCUTIO
The pox of such antic, lisping, affecting
fantasticoes; these new tuners of accents! 'By Jesu,
a very good blade! a very tall man! a very good
whore!' Why, is not this a lamentable thing,
grandsire, that we should be thus afflicted with
these strange flies, these fashion-mongers, these
perdona-mi's, who stand so much on the new form,
that they cannot at ease on the old bench? O, their
bones, their bones!
Enter ROMEO
BENVOLIO
Here comes Romeo, here comes Romeo.
MERCUTIO
Without his roe, like a dried herring: flesh, flesh,
how art thou fishified! Now is he for the numbers
that Petrarch flowed in: Laura to his lady was but a
kitchen-wench; marry, she had a better love to
be-rhyme her; Dido a dowdy; Cleopatra a gipsy;
Helen and Hero hildings and harlots; Thisbe a grey
eye or so, but not to the purpose. Signior
Romeo, bon jour! there's a French salutation
to your French slop. You gave us the counterfeit
fairly last night.
ROMEO
Good morrow to you both. What counterfeit did I give you?
MERCUTIO
The ship, sir, the slip; can you not conceive?
ROMEO
Pardon, good Mercutio, my business was great; and in
such a case as mine a man may strain courtesy.
MERCUTIO
That's as much as to say, such a case as yours
constrains a man to bow in the hams.
ROMEO
Meaning, to court'sy.
MERCUTIO
Thou hast most kindly hit it.
ROMEO
A most courteous exposition.
MERCUTIO
Nay, I am the very pink of courtesy.
ROMEO
Pink for flower.
MERCUTIO
Right.
ROMEO
Why, then is my pump well flowered.
MERCUTIO
Well said: follow me this jest now till thou hast
worn out thy pump, that when the single sole of it
is worn, the jest may remain after the wearing sole singular.
ROMEO
O single-soled jest, solely singular for the
singleness.
MERCUTIO
Come between us, good Benvolio; my wits faint.
ROMEO
Switch and spurs, switch and spurs; or I'll cry a match.
MERCUTIO
Nay, if thy wits run the wild-goose chase, I have
done, for thou hast more of the wild-goose in one of
thy wits than, I am sure, I have in my whole five:
was I with you there for the goose?
ROMEO
Thou wast never with me for any thing when thou wast
not there for the goose.
MERCUTIO
I will bite thee by the ear for that jest.
ROMEO
Nay, good goose, bite not.
MERCUTIO
Thy wit is a very bitter sweeting; it is a most
sharp sauce.
ROMEO
And is it not well served in to a sweet goose?
MERCUTIO
O here's a wit of cheveril, that stretches from an
inch narrow to an ell broad!
ROMEO
I stretch it out for that word 'broad;' which added
to the goose, proves thee far and wide a broad goose.
MERCUTIO
Why, is not this better now than groaning for love?
now art thou sociable, now art thou Romeo; now art
thou what thou art, by art as well as by nature:
for this drivelling love is like a great natural,
that runs lolling up and down to hide his bauble in a hole.
BENVOLIO
Stop there, stop there.
MERCUTIO
Thou desirest me to stop in my tale against the hair.
BENVOLIO
Thou wouldst else have made thy tale large.
MERCUTIO
O, thou art deceived; I would have made it short:
for I was come to the whole depth of my tale; and
meant, indeed, to occupy the argument no longer.
ROMEO
Here's goodly gear!
Enter Nurse and PETER
MERCUTIO
A sail, a sail!
BENVOLIO
Two, two; a shirt and a smock.
Nurse
Peter!
PETER
Anon!
Nurse
My fan, Peter.
MERCUTIO
Good Peter, to hide her face; for her fan's the
fairer face.
Nurse
God ye good morrow, gentlemen.
MERCUTIO
God ye good den, fair gentlewoman.
Nurse
Is it good den?
MERCUTIO
'Tis no less, I tell you, for the bawdy hand of the
dial is now upon the prick of noon.
Nurse
Out upon you! what a man are you!
ROMEO
One, gentlewoman, that God hath made for himself to
mar.
Nurse
By my troth, it is well said; 'for himself to mar,'
quoth a'? Gentlemen, can any of you tell me where I
may find the young Romeo?
ROMEO
I can tell you; but young Romeo will be older when
you have found him than he was when you sought him:
I am the youngest of that name, for fault of a worse.
Nurse
You say well.
MERCUTIO
Yea, is the worst well? very well took, i' faith;
wisely, wisely.
Nurse
if you be he, sir, I desire some confidence with
you.
BENVOLIO
She will indite him to some supper.
MERCUTIO
A bawd, a bawd, a bawd! so ho!
ROMEO
What hast thou found?
MERCUTIO
No hare, sir; unless a hare, sir, in a lenten pie,
that is something stale and hoar ere it be spent.
Sings
An old hare hoar,
And an old hare hoar,
Is very good meat in lent
But a hare that is hoar
Is too much for a score,
When it hoars ere it be spent.
Romeo, will you come to your father's? we'll
to dinner, thither.
ROMEO
I will follow you.
MERCUTIO
Farewell, ancient lady; farewell,
Singing
'lady, lady, lady.'
Exeunt MERCUTIO and BENVOLIO
Nurse
Marry, farewell! I pray you, sir, what saucy
merchant was this, that was so full of his ropery?
ROMEO
A gentleman, nurse, that loves to hear himself talk,
and will speak more in a minute than he will stand
to in a month.
Nurse
An a' speak any thing against me, I'll take him
down, an a' were lustier than he is, and twenty such
Jacks; and if I cannot, I'll find those that shall.
Scurvy knave! I am none of his flirt-gills; I am
none of his skains-mates. And thou must stand by
too, and suffer every knave to use me at his pleasure?
PETER
I saw no man use you a pleasure; if I had, my weapon
should quickly have been out, I warrant you: I dare
draw as soon as another man, if I see occasion in a
good quarrel, and the law on my side.
Nurse
Now, afore God, I am so vexed, that every part about
me quivers. Scurvy knave! Pray you, sir, a word:
and as I told you, my young lady bade me inquire you
out; what she bade me say, I will keep to myself:
but first let me tell ye, if ye should lead her into
a fool's paradise, as they say, it were a very gross
kind of behavior, as they say: for the gentlewoman
is young; and, therefore, if you should deal double
with her, truly it were an ill thing to be offered
to any gentlewoman, and very weak dealing.
ROMEO
Nurse, commend me to thy lady and mistress. I
protest unto thee--
Nurse
Good heart, and, i' faith, I will tell her as much:
Lord, Lord, she will be a joyful woman.
ROMEO
What wilt thou tell her, nurse? thou dost not mark me.
Nurse
I will tell her, sir, that you do protest; which, as
I take it, is a gentlemanlike offer.
ROMEO
Bid her devise
Some means to come to shrift this afternoon;
And there she shall at Friar Laurence' cell
Be shrived and married. Here is for thy pains.
Nurse
No truly sir; not a penny.
ROMEO
Go to; I say you shall.
Nurse
This afternoon, sir? well, she shall be there.
ROMEO
And stay, good nurse, behind the abbey wall:
Within this hour my man shall be with thee
And bring thee cords made like a tackled stair;
Which to the high top-gallant of my joy
Must be my convoy in the secret night.
Farewell; be trusty, and I'll quit thy pains:
Farewell; commend me to thy mistress.
Nurse
Now God in heaven bless thee! Hark you, sir.
ROMEO
What say'st thou, my dear nurse?
Nurse
Is your man secret? Did you ne'er hear say,
Two may keep counsel, putting one away?
ROMEO
I warrant thee, my man's as true as steel.
NURSE
Well, sir; my mistress is the sweetest lady--Lord,
Lord! when 'twas a little prating thing:--O, there
is a nobleman in town, one Paris, that would fain
lay knife aboard; but she, good soul, had as lief
see a toad, a very toad, as see him. I anger her
sometimes and tell her that Paris is the properer
man; but, I'll warrant you, when I say so, she looks
as pale as any clout in the versal world. Doth not
rosemary and Romeo begin both with a letter?
ROMEO
Ay, nurse; what of that? both with an R.
Nurse
Ah. mocker! that's the dog's name; R is for
the--No; I know it begins with some other
letter:--and she hath the prettiest sententious of
it, of you and rosemary, that it would do you good
to hear it.
ROMEO
Commend me to thy lady.
Nurse
Ay, a thousand times.
Exit Romeo
Peter!
PETER
Anon!
Nurse
Peter, take my fan, and go before and apace.
Exeunt


أرب جمـال 5 - 11 - 2009 06:00 PM

Romeo and Juliet: Entire PlaySCENE V. Capulet's orchard.
Enter JULIET
JULIET
The clock struck nine when I did send the nurse;
In half an hour she promised to return.
Perchance she cannot meet him: that's not so.
O, she is lame! love's heralds should be thoughts,
Which ten times faster glide than the sun's beams,
Driving back shadows over louring hills:
Therefore do nimble-pinion'd doves draw love,
And therefore hath the wind-swift Cupid wings.
Now is the sun upon the highmost hill
Of this day's journey, and from nine till twelve
Is three long hours, yet she is not come.
Had she affections and warm youthful blood,
She would be as swift in motion as a ball;
My words would bandy her to my sweet love,
And his to me:
But old folks, many feign as they were dead;
Unwieldy, slow, heavy and pale as lead.
O God, she comes!
Enter Nurse and PETER
O honey nurse, what news?
Hast thou met with him? Send thy man away.
Nurse
Peter, stay at the gate.
Exit PETER
JULIET
Now, good sweet nurse,--O Lord, why look'st thou sad?
Though news be sad, yet tell them merrily;
If good, thou shamest the music of sweet news
By playing it to me with so sour a face.
Nurse
I am a-weary, give me leave awhile:
Fie, how my bones ache! what a jaunt have I had!
JULIET
I would thou hadst my bones, and I thy news:
Nay, come, I pray thee, speak; good, good nurse, speak.
Nurse
Jesu, what haste? can you not stay awhile?
Do you not see that I am out of breath?
JULIET
How art thou out of breath, when thou hast breath
To say to me that thou art out of breath?
The excuse that thou dost make in this delay
Is longer than the tale thou dost excuse.
Is thy news good, or bad? answer to that;
Say either, and I'll stay the circumstance:
Let me be satisfied, is't good or bad?
Nurse
Well, you have made a simple choice; you know not
how to choose a man: Romeo! no, not he; though his
face be better than any man's, yet his leg excels
all men's; and for a hand, and a foot, and a body,
though they be not to be talked on, yet they are
past compare: he is not the flower of courtesy,
but, I'll warrant him, as gentle as a lamb. Go thy
ways, wench; serve God. What, have you dined at home?
JULIET
No, no: but all this did I know before.
What says he of our marriage? what of that?
Nurse
Lord, how my head aches! what a head have I!
It beats as it would fall in twenty pieces.
My back o' t' other side,--O, my back, my back!
Beshrew your heart for sending me about,
To catch my death with jaunting up and down!
JULIET
I' faith, I am sorry that thou art not well.
Sweet, sweet, sweet nurse, tell me, what says my love?
Nurse
Your love says, like an honest gentleman, and a
courteous, and a kind, and a handsome, and, I
warrant, a virtuous,--Where is your mother?
JULIET
Where is my mother! why, she is within;
Where should she be? How oddly thou repliest!
'Your love says, like an honest gentleman,
Where is your mother?'
Nurse
O God's lady dear!
Are you so hot? marry, come up, I trow;
Is this the poultice for my aching bones?
Henceforward do your messages yourself.
JULIET
Here's such a coil! come, what says Romeo?
Nurse
Have you got leave to go to shrift to-day?
JULIET
I have.
Nurse
Then hie you hence to Friar Laurence' cell;
There stays a husband to make you a wife:
Now comes the wanton blood up in your cheeks,
They'll be in scarlet straight at any news.
Hie you to church; I must another way,
To fetch a ladder, by the which your love
Must climb a bird's nest soon when it is dark:
I am the drudge and toil in your delight,
But you shall bear the burden soon at night.
Go; I'll to dinner: hie you to the cell.
JULIET
Hie to high fortune! Honest nurse, farewell.
Exeunt
SCENE VI. Friar Laurence's cell.
Enter FRIAR LAURENCE and ROMEO
FRIAR LAURENCE
So smile the heavens upon this holy act,
That after hours with sorrow chide us not!
ROMEO
Amen, amen! but come what sorrow can,
It cannot countervail the exchange of joy
That one short minute gives me in her sight:
Do thou but close our hands with holy words,
Then love-devouring death do what he dare;
It is enough I may but call her mine.
FRIAR LAURENCE
These violent delights have violent ends
And in their triumph die, like fire and powder,
Which as they kiss consume: the sweetest honey
Is loathsome in his own deliciousness
And in the taste confounds the appetite:
Therefore love moderately; long love doth so;
Too swift arrives as tardy as too slow.
Enter JULIET
Here comes the lady: O, so light a foot
Will ne'er wear out the everlasting flint:
A lover may bestride the gossamer
That idles in the wanton summer air,
And yet not fall; so light is vanity.
JULIET
Good even to my ghostly confessor.
FRIAR LAURENCE
Romeo shall thank thee, daughter, for us both.
JULIET
As much to him, else is his thanks too much.
ROMEO
Ah, Juliet, if the measure of thy joy
Be heap'd like mine and that thy skill be more
To blazon it, then sweeten with thy breath
This neighbour air, and let rich music's tongue
Unfold the imagined happiness that both
Receive in either by this dear encounter.
JULIET
Conceit, more rich in matter than in words,
Brags of his substance, not of ornament:
They are but beggars that can count their worth;
But my true love is grown to such excess
I cannot sum up sum of half my wealth.
FRIAR LAURENCE
Come, come with me, and we will make short work;
For, by your leaves, you shall not stay alone
Till holy church incorporate two in one.
Exeunt
ACT III

SCENE I. A public place.
Enter MERCUTIO, BENVOLIO, Page, and Servants
BENVOLIO
I pray thee, good Mercutio, let's retire:
The day is hot, the Capulets abroad,
And, if we meet, we shall not scape a brawl;
For now, these hot days, is the mad blood stirring.
MERCUTIO
Thou art like one of those fellows that when he
enters the confines of a tavern claps me his sword
upon the table and says 'God send me no need of
thee!' and by the operation of the second cup draws
it on the drawer, when indeed there is no need.
BENVOLIO
Am I like such a fellow?
MERCUTIO
Come, come, thou art as hot a Jack in thy mood as
any in Italy, and as soon moved to be moody, and as
soon moody to be moved.
BENVOLIO
And what to?
MERCUTIO
Nay, an there were two such, we should have none
shortly, for one would kill the other. Thou! why,
thou wilt quarrel with a man that hath a hair more,
or a hair less, in his beard, than thou hast: thou
wilt quarrel with a man for cracking nuts, having no
other reason but because thou hast hazel eyes: what
eye but such an eye would spy out such a quarrel?
Thy head is as fun of quarrels as an egg is full of
meat, and yet thy head hath been beaten as addle as
an egg for quarrelling: thou hast quarrelled with a
man for coughing in the street, because he hath
wakened thy dog that hath lain asleep in the sun:
didst thou not fall out with a tailor for wearing
his new doublet before Easter? with another, for
tying his new shoes with old riband? and yet thou
wilt tutor me from quarrelling!
BENVOLIO
An I were so apt to quarrel as thou art, any man
should buy the fee-simple of my life for an hour and a quarter.
MERCUTIO
The fee-simple! O simple!
BENVOLIO
By my head, here come the Capulets.
MERCUTIO
By my heel, I care not.
Enter TYBALT and others
TYBALT
Follow me close, for I will speak to them.
Gentlemen, good den: a word with one of you.
MERCUTIO
And but one word with one of us? couple it with
something; make it a word and a blow.
TYBALT
You shall find me apt enough to that, sir, an you
will give me occasion.
MERCUTIO
Could you not take some occasion without giving?
TYBALT
Mercutio, thou consort'st with Romeo,--
MERCUTIO
Consort! what, dost thou make us minstrels? an
thou make minstrels of us, look to hear nothing but
discords: here's my fiddlestick; here's that shall
make you dance. 'Zounds, consort!
BENVOLIO
We talk here in the public haunt of men:
Either withdraw unto some private place,
And reason coldly of your grievances,
Or else depart; here all eyes gaze on us.
MERCUTIO
Men's eyes were made to look, and let them gaze;
I will not budge for no man's pleasure, I.
Enter ROMEO
TYBALT
Well, peace be with you, sir: here comes my man.
MERCUTIO
But I'll be hanged, sir, if he wear your livery:
Marry, go before to field, he'll be your follower;
Your worship in that sense may call him 'man.'
TYBALT
Romeo, the hate I bear thee can afford
No better term than this,--thou art a villain.
ROMEO
Tybalt, the reason that I have to love thee
Doth much excuse the appertaining rage
To such a greeting: villain am I none;
Therefore farewell; I see thou know'st me not.
TYBALT
Boy, this shall not excuse the injuries
That thou hast done me; therefore turn and draw.
ROMEO
I do protest, I never injured thee,
But love thee better than thou canst devise,
Till thou shalt know the reason of my love:
And so, good Capulet,--which name I tender
As dearly as my own,--be satisfied.
MERCUTIO
O calm, dishonourable, vile submission!
Alla stoccata carries it away.
Draws
Tybalt, you rat-catcher, will you walk?
TYBALT
What wouldst thou have with me?
MERCUTIO
Good king of cats, nothing but one of your nine
lives; that I mean to make bold withal, and as you
shall use me hereafter, drybeat the rest of the
eight. Will you pluck your sword out of his pitcher
by the ears? make haste, lest mine be about your
ears ere it be out.
TYBALT
I am for you.
Drawing
ROMEO
Gentle Mercutio, put thy rapier up.
MERCUTIO
Come, sir, your passado.
They fight
ROMEO
Draw, Benvolio; beat down their weapons.
Gentlemen, for shame, forbear this outrage!
Tybalt, Mercutio, the prince expressly hath
Forbidden bandying in Verona streets:
Hold, Tybalt! good Mercutio!
TYBALT under ROMEO's arm stabs MERCUTIO, and flies with his followers
MERCUTIO
I am hurt.
A plague o' both your houses! I am sped.
Is he gone, and hath nothing?
BENVOLIO
What, art thou hurt?
MERCUTIO
Ay, ay, a scratch, a scratch; marry, 'tis enough.
Where is my page? Go, villain, fetch a surgeon.
Exit Page
ROMEO
Courage, man; the hurt cannot be much.
MERCUTIO
No, 'tis not so deep as a well, nor so wide as a
church-door; but 'tis enough,'twill serve: ask for
me to-morrow, and you shall find me a grave man. I
am peppered, I warrant, for this world. A plague o'
both your houses! 'Zounds, a dog, a rat, a mouse, a
cat, to scratch a man to death! a braggart, a
rogue, a villain, that fights by the book of
arithmetic! Why the devil came you between us? I
was hurt under your arm.
ROMEO
I thought all for the best.
MERCUTIO
Help me into some house, Benvolio,
Or I shall faint. A plague o' both your houses!
They have made worms' meat of me: I have it,
And soundly too: your houses!
Exeunt MERCUTIO and BENVOLIO
ROMEO
This gentleman, the prince's near ally,
My very friend, hath got his mortal hurt
In my behalf; my reputation stain'd
With Tybalt's slander,--Tybalt, that an hour
Hath been my kinsman! O sweet Juliet,
Thy beauty hath made me effeminate
And in my temper soften'd valour's steel!
Re-enter BENVOLIO
BENVOLIO
O Romeo, Romeo, brave Mercutio's dead!
That gallant spirit hath aspired the clouds,
Which too untimely here did scorn the earth.
ROMEO
This day's black fate on more days doth depend;
This but begins the woe, others must end.
BENVOLIO
Here comes the furious Tybalt back again.
ROMEO
Alive, in triumph! and Mercutio slain!
Away to heaven, respective lenity,
And fire-eyed fury be my conduct now!
Re-enter TYBALT
Now, Tybalt, take the villain back again,
That late thou gavest me; for Mercutio's soul
Is but a little way above our heads,
Staying for thine to keep him company:
Either thou, or I, or both, must go with him.
TYBALT
Thou, wretched boy, that didst consort him here,
Shalt with him hence.
ROMEO
This shall determine that.
They fight; TYBALT falls
BENVOLIO
Romeo, away, be gone!
The citizens are up, and Tybalt slain.
Stand not amazed: the prince will doom thee death,
If thou art taken: hence, be gone, away!
ROMEO
O, I am fortune's fool!
BENVOLIO
Why dost thou stay?
Exit ROMEO
Enter Citizens, & c
First Citizen
Which way ran he that kill'd Mercutio?
Tybalt, that murderer, which way ran he?
BENVOLIO
There lies that Tybalt.
First Citizen
Up, sir, go with me;
I charge thee in the princes name, obey.
Enter Prince, attended; MONTAGUE, CAPULET, their Wives, and others
PRINCE
Where are the vile beginners of this fray?
BENVOLIO
O noble prince, I can discover all
The unlucky manage of this fatal brawl:
There lies the man, slain by young Romeo,
That slew thy kinsman, brave Mercutio.
LADY CAPULET
Tybalt, my cousin! O my brother's child!
O prince! O cousin! husband! O, the blood is spilt
O my dear kinsman! Prince, as thou art true,
For blood of ours, shed blood of Montague.
O cousin, cousin!
PRINCE
Benvolio, who began this bloody fray?
BENVOLIO
Tybalt, here slain, whom Romeo's hand did slay;
Romeo that spoke him fair, bade him bethink
How nice the quarrel was, and urged withal
Your high displeasure: all this uttered
With gentle breath, calm look, knees humbly bow'd,
Could not take truce with the unruly spleen
Of Tybalt deaf to peace, but that he tilts
With piercing steel at bold Mercutio's breast,
Who all as hot, turns deadly point to point,
And, with a martial scorn, with one hand beats
Cold death aside, and with the other sends
It back to Tybalt, whose dexterity,
Retorts it: Romeo he cries aloud,
'Hold, friends! friends, part!' and, swifter than
his tongue,
His agile arm beats down their fatal points,
And 'twixt them rushes; underneath whose arm
An envious thrust from Tybalt hit the life
Of stout Mercutio, and then Tybalt fled;
But by and by comes back to Romeo,
Who had but newly entertain'd revenge,
And to 't they go like lightning, for, ere I
Could draw to part them, was stout Tybalt slain.
And, as he fell, did Romeo turn and fly.
This is the truth, or let Benvolio die.
LADY CAPULET
He is a kinsman to the Montague;
Affection makes him false; he speaks not true:
Some twenty of them fought in this black strife,
And all those twenty could but kill one life.
I beg for justice, which thou, prince, must give;
Romeo slew Tybalt, Romeo must not live.
PRINCE
Romeo slew him, he slew Mercutio;
Who now the price of his dear blood doth owe?
MONTAGUE
Not Romeo, prince, he was Mercutio's friend;
His fault concludes but what the law should end,
The life of Tybalt.
PRINCE
And for that offence
Immediately we do exile him hence:
I have an interest in your hate's proceeding,
My blood for your rude brawls doth lie a-bleeding;
But I'll amerce you with so strong a fine
That you shall all repent the loss of mine:
I will be deaf to pleading and excuses;
Nor tears nor prayers shall purchase out abuses:
Therefore use none: let Romeo hence in haste,
Else, when he's found, that hour is his last.
Bear hence this body and attend our will:
Mercy but murders, pardoning those that kill.
Exeunt
SCENE II. Capulet's orchard.
Enter JULIET
JULIET
Gallop apace, you fiery-footed steeds,
Towards Phoebus' lodging: such a wagoner
As Phaethon would whip you to the west,
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,
That runaway's eyes may wink and Romeo
Leap to these arms, untalk'd of and unseen.
Lovers can see to do their amorous rites
By their own beauties; or, if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,
And learn me how to lose a winning match,
Play'd for a pair of stainless maidenhoods:
Hood my unmann'd blood, bating in my cheeks,
With thy black mantle; till strange love, grown bold,
Think true love acted simple modesty.
Come, night; come, Romeo; come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow on a raven's back.
Come, gentle night, come, loving, black-brow'd night,
Give me my Romeo; and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
O, I have bought the mansion of a love,
But not possess'd it, and, though I am sold,
Not yet enjoy'd: so tedious is this day
As is the night before some festival
To an impatient child that hath new robes
And may not wear them. O, here comes my nurse,
And she brings news; and every tongue that speaks
But Romeo's name speaks heavenly eloquence.
Enter Nurse, with cords
Now, nurse, what news? What hast thou there? the cords
That Romeo bid thee fetch?
Nurse
Ay, ay, the cords.
Throws them down
JULIET
Ay me! what news? why dost thou wring thy hands?
Nurse
Ah, well-a-day! he's dead, he's dead, he's dead!
We are undone, lady, we are undone!
Alack the day! he's gone, he's kill'd, he's dead!
JULIET
Can heaven be so envious?
Nurse
Romeo can,
Though heaven cannot: O Romeo, Romeo!
Who ever would have thought it? Romeo!
JULIET
What devil art thou, that dost torment me thus?
This torture should be roar'd in dismal hell.
Hath Romeo slain himself? say thou but 'I,'
And that bare vowel 'I' shall poison more
Than the death-darting eye of cockatrice:
I am not I, if there be such an I;
Or those eyes shut, that make thee answer 'I.'
If he be slain, say 'I'; or if not, no:
Brief sounds determine of my weal or woe.
Nurse
I saw the wound, I saw it with mine eyes,--
God save the mark!--here on his manly breast:
A piteous corse, a bloody piteous corse;
Pale, pale as ashes, all bedaub'd in blood,
All in gore-blood; I swounded at the sight.
JULIET
O, break, my heart! poor bankrupt, break at once!
To prison, eyes, ne'er look on liberty!
Vile earth, to earth resign; end motion here;
And thou and Romeo press one heavy bier!
Nurse
O Tybalt, Tybalt, the best friend I had!
O courteous Tybalt! honest gentleman!
That ever I should live to see thee dead!
JULIET
What storm is this that blows so contrary?
Is Romeo slaughter'd, and is Tybalt dead?
My dear-loved cousin, and my dearer lord?
Then, dreadful trumpet, sound the general doom!
For who is living, if those two are gone?
Nurse
Tybalt is gone, and Romeo banished;
Romeo that kill'd him, he is banished.
JULIET
O God! did Romeo's hand shed Tybalt's blood?
Nurse
It did, it did; alas the day, it did!
JULIET
O serpent heart, hid with a flowering face!
Did ever dragon keep so fair a cave?
Beautiful tyrant! fiend angelical!
Dove-feather'd raven! wolvish-ravening lamb!
Despised substance of divinest show!
Just opposite to what thou justly seem'st,
A damned saint, an honourable villain!
O nature, what hadst thou to do in hell,
When thou didst bower the spirit of a fiend
In moral paradise of such sweet flesh?
Was ever book containing such vile matter
So fairly bound? O that deceit should dwell
In such a gorgeous palace!
Nurse
There's no trust,
No faith, no honesty in men; all perjured,
All forsworn, all naught, all dissemblers.
Ah, where's my man? give me some aqua vitae:
These griefs, these woes, these sorrows make me old.
Shame come to Romeo!
JULIET
Blister'd be thy tongue
For such a wish! he was not born to shame:
Upon his brow shame is ashamed to sit;
For 'tis a throne where honour may be crown'd
Sole monarch of the universal earth.
O, what a beast was I to chide at him!
Nurse
Will you speak well of him that kill'd your cousin?
JULIET
Shall I speak ill of him that is my husband?
Ah, poor my lord, what tongue shall smooth thy name,
When I, thy three-hours wife, have mangled it?
But, wherefore, villain, didst thou kill my cousin?
That villain cousin would have kill'd my husband:
Back, foolish tears, back to your native spring;
Your tributary drops belong to woe,
Which you, mistaking, offer up to joy.
My husband lives, that Tybalt would have slain;
And Tybalt's dead, that would have slain my husband:
All this is comfort; wherefore weep I then?
Some word there was, worser than Tybalt's death,
That murder'd me: I would forget it fain;
But, O, it presses to my memory,
Like damned guilty deeds to sinners' minds:
'Tybalt is dead, and Romeo--banished;'
That 'banished,' that one word 'banished,'
Hath slain ten thousand Tybalts. Tybalt's death
Was woe enough, if it had ended there:
Or, if sour woe delights in fellowship
And needly will be rank'd with other griefs,
Why follow'd not, when she said 'Tybalt's dead,'
Thy father, or thy mother, nay, or both,
Which modern lamentations might have moved?
But with a rear-ward following Tybalt's death,
'Romeo is banished,' to speak that word,
Is father, mother, Tybalt, Romeo, Juliet,
All slain, all dead. 'Romeo is banished!'
There is no end, no limit, measure, bound,
In that word's death; no words can that woe sound.
Where is my father, and my mother, nurse?
Nurse
Weeping and wailing over Tybalt's corse:
Will you go to them? I will bring you thither.
JULIET
Wash they his wounds with tears: mine shall be spent,
When theirs are dry, for Romeo's banishment.
Take up those cords: poor ropes, you are beguiled,
Both you and I; for Romeo is exiled:
He made you for a highway to my bed;
But I, a maid, die maiden-widowed.
Come, cords, come, nurse; I'll to my wedding-bed;
And death, not Romeo, take my maidenhead!
Nurse
Hie to your chamber: I'll find Romeo
To comfort you: I wot well where he is.
Hark ye, your Romeo will be here at night:
I'll to him; he is hid at Laurence' cell.
JULIET
O, find him! give this ring to my true knight,
And bid him come to take his last farewell.
Exeunt




Romeo and Juliet: Entire PlaySCENE V. Capulet's orchard.
Enter JULIET
JULIET
The clock struck nine when I did send the nurse;
In half an hour she promised to return.
Perchance she cannot meet him: that's not so.
O, she is lame! love's heralds should be thoughts,
Which ten times faster glide than the sun's beams,
Driving back shadows over louring hills:
Therefore do nimble-pinion'd doves draw love,
And therefore hath the wind-swift Cupid wings.
Now is the sun upon the highmost hill
Of this day's journey, and from nine till twelve
Is three long hours, yet she is not come.
Had she affections and warm youthful blood,
She would be as swift in motion as a ball;
My words would bandy her to my sweet love,
And his to me:
But old folks, many feign as they were dead;
Unwieldy, slow, heavy and pale as lead.
O God, she comes!
Enter Nurse and PETER
O honey nurse, what news?
Hast thou met with him? Send thy man away.
Nurse
Peter, stay at the gate.
Exit PETER
JULIET
Now, good sweet nurse,--O Lord, why look'st thou sad?
Though news be sad, yet tell them merrily;
If good, thou shamest the music of sweet news
By playing it to me with so sour a face.
Nurse
I am a-weary, give me leave awhile:
Fie, how my bones ache! what a jaunt have I had!
JULIET
I would thou hadst my bones, and I thy news:
Nay, come, I pray thee, speak; good, good nurse, speak.
Nurse
Jesu, what haste? can you not stay awhile?
Do you not see that I am out of breath?
JULIET
How art thou out of breath, when thou hast breath
To say to me that thou art out of breath?
The excuse that thou dost make in this delay
Is longer than the tale thou dost excuse.
Is thy news good, or bad? answer to that;
Say either, and I'll stay the circumstance:
Let me be satisfied, is't good or bad?
Nurse
Well, you have made a simple choice; you know not
how to choose a man: Romeo! no, not he; though his
face be better than any man's, yet his leg excels
all men's; and for a hand, and a foot, and a body,
though they be not to be talked on, yet they are
past compare: he is not the flower of courtesy,
but, I'll warrant him, as gentle as a lamb. Go thy
ways, wench; serve God. What, have you dined at home?
JULIET
No, no: but all this did I know before.
What says he of our marriage? what of that?
Nurse
Lord, how my head aches! what a head have I!
It beats as it would fall in twenty pieces.
My back o' t' other side,--O, my back, my back!
Beshrew your heart for sending me about,
To catch my death with jaunting up and down!
JULIET
I' faith, I am sorry that thou art not well.
Sweet, sweet, sweet nurse, tell me, what says my love?
Nurse
Your love says, like an honest gentleman, and a
courteous, and a kind, and a handsome, and, I
warrant, a virtuous,--Where is your mother?
JULIET
Where is my mother! why, she is within;
Where should she be? How oddly thou repliest!
'Your love says, like an honest gentleman,
Where is your mother?'
Nurse
O God's lady dear!
Are you so hot? marry, come up, I trow;
Is this the poultice for my aching bones?
Henceforward do your messages yourself.
JULIET
Here's such a coil! come, what says Romeo?
Nurse
Have you got leave to go to shrift to-day?
JULIET
I have.
Nurse
Then hie you hence to Friar Laurence' cell;
There stays a husband to make you a wife:
Now comes the wanton blood up in your cheeks,
They'll be in scarlet straight at any news.
Hie you to church; I must another way,
To fetch a ladder, by the which your love
Must climb a bird's nest soon when it is dark:
I am the drudge and toil in your delight,
But you shall bear the burden soon at night.
Go; I'll to dinner: hie you to the cell.
JULIET
Hie to high fortune! Honest nurse, farewell.
Exeunt
SCENE VI. Friar Laurence's cell.
Enter FRIAR LAURENCE and ROMEO
FRIAR LAURENCE
So smile the heavens upon this holy act,
That after hours with sorrow chide us not!
ROMEO
Amen, amen! but come what sorrow can,
It cannot countervail the exchange of joy
That one short minute gives me in her sight:
Do thou but close our hands with holy words,
Then love-devouring death do what he dare;
It is enough I may but call her mine.
FRIAR LAURENCE
These violent delights have violent ends
And in their triumph die, like fire and powder,
Which as they kiss consume: the sweetest honey
Is loathsome in his own deliciousness
And in the taste confounds the appetite:
Therefore love moderately; long love doth so;
Too swift arrives as tardy as too slow.
Enter JULIET
Here comes the lady: O, so light a foot
Will ne'er wear out the everlasting flint:
A lover may bestride the gossamer
That idles in the wanton summer air,
And yet not fall; so light is vanity.
JULIET
Good even to my ghostly confessor.
FRIAR LAURENCE
Romeo shall thank thee, daughter, for us both.
JULIET
As much to him, else is his thanks too much.
ROMEO
Ah, Juliet, if the measure of thy joy
Be heap'd like mine and that thy skill be more
To blazon it, then sweeten with thy breath
This neighbour air, and let rich music's tongue
Unfold the imagined happiness that both
Receive in either by this dear encounter.
JULIET
Conceit, more rich in matter than in words,
Brags of his substance, not of ornament:
They are but beggars that can count their worth;
But my true love is grown to such excess
I cannot sum up sum of half my wealth.
FRIAR LAURENCE
Come, come with me, and we will make short work;
For, by your leaves, you shall not stay alone
Till holy church incorporate two in one.
Exeunt
ACT III

SCENE I. A public place.
Enter MERCUTIO, BENVOLIO, Page, and Servants
BENVOLIO
I pray thee, good Mercutio, let's retire:
The day is hot, the Capulets abroad,
And, if we meet, we shall not scape a brawl;
For now, these hot days, is the mad blood stirring.
MERCUTIO
Thou art like one of those fellows that when he
enters the confines of a tavern claps me his sword
upon the table and says 'God send me no need of
thee!' and by the operation of the second cup draws
it on the drawer, when indeed there is no need.
BENVOLIO
Am I like such a fellow?
MERCUTIO
Come, come, thou art as hot a Jack in thy mood as
any in Italy, and as soon moved to be moody, and as
soon moody to be moved.
BENVOLIO
And what to?
MERCUTIO
Nay, an there were two such, we should have none
shortly, for one would kill the other. Thou! why,
thou wilt quarrel with a man that hath a hair more,
or a hair less, in his beard, than thou hast: thou
wilt quarrel with a man for cracking nuts, having no
other reason but because thou hast hazel eyes: what
eye but such an eye would spy out such a quarrel?
Thy head is as fun of quarrels as an egg is full of
meat, and yet thy head hath been beaten as addle as
an egg for quarrelling: thou hast quarrelled with a
man for coughing in the street, because he hath
wakened thy dog that hath lain asleep in the sun:
didst thou not fall out with a tailor for wearing
his new doublet before Easter? with another, for
tying his new shoes with old riband? and yet thou
wilt tutor me from quarrelling!
BENVOLIO
An I were so apt to quarrel as thou art, any man
should buy the fee-simple of my life for an hour and a quarter.
MERCUTIO
The fee-simple! O simple!
BENVOLIO
By my head, here come the Capulets.
MERCUTIO
By my heel, I care not.
Enter TYBALT and others
TYBALT
Follow me close, for I will speak to them.
Gentlemen, good den: a word with one of you.
MERCUTIO
And but one word with one of us? couple it with
something; make it a word and a blow.
TYBALT
You shall find me apt enough to that, sir, an you
will give me occasion.
MERCUTIO
Could you not take some occasion without giving?
TYBALT
Mercutio, thou consort'st with Romeo,--
MERCUTIO
Consort! what, dost thou make us minstrels? an
thou make minstrels of us, look to hear nothing but
discords: here's my fiddlestick; here's that shall
make you dance. 'Zounds, consort!
BENVOLIO
We talk here in the public haunt of men:
Either withdraw unto some private place,
And reason coldly of your grievances,
Or else depart; here all eyes gaze on us.
MERCUTIO
Men's eyes were made to look, and let them gaze;
I will not budge for no man's pleasure, I.
Enter ROMEO
TYBALT
Well, peace be with you, sir: here comes my man.
MERCUTIO
But I'll be hanged, sir, if he wear your livery:
Marry, go before to field, he'll be your follower;
Your worship in that sense may call him 'man.'
TYBALT
Romeo, the hate I bear thee can afford
No better term than this,--thou art a villain.
ROMEO
Tybalt, the reason that I have to love thee
Doth much excuse the appertaining rage
To such a greeting: villain am I none;
Therefore farewell; I see thou know'st me not.
TYBALT
Boy, this shall not excuse the injuries
That thou hast done me; therefore turn and draw.
ROMEO
I do protest, I never injured thee,
But love thee better than thou canst devise,
Till thou shalt know the reason of my love:
And so, good Capulet,--which name I tender
As dearly as my own,--be satisfied.
MERCUTIO
O calm, dishonourable, vile submission!
Alla stoccata carries it away.
Draws
Tybalt, you rat-catcher, will you walk?
TYBALT
What wouldst thou have with me?
MERCUTIO
Good king of cats, nothing but one of your nine
lives; that I mean to make bold withal, and as you
shall use me hereafter, drybeat the rest of the
eight. Will you pluck your sword out of his pitcher
by the ears? make haste, lest mine be about your
ears ere it be out.
TYBALT
I am for you.
Drawing
ROMEO
Gentle Mercutio, put thy rapier up.
MERCUTIO
Come, sir, your passado.
They fight
ROMEO
Draw, Benvolio; beat down their weapons.
Gentlemen, for shame, forbear this outrage!
Tybalt, Mercutio, the prince expressly hath
Forbidden bandying in Verona streets:
Hold, Tybalt! good Mercutio!
TYBALT under ROMEO's arm stabs MERCUTIO, and flies with his followers
MERCUTIO
I am hurt.
A plague o' both your houses! I am sped.
Is he gone, and hath nothing?
BENVOLIO
What, art thou hurt?
MERCUTIO
Ay, ay, a scratch, a scratch; marry, 'tis enough.
Where is my page? Go, villain, fetch a surgeon.
Exit Page
ROMEO
Courage, man; the hurt cannot be much.
MERCUTIO
No, 'tis not so deep as a well, nor so wide as a
church-door; but 'tis enough,'twill serve: ask for
me to-morrow, and you shall find me a grave man. I
am peppered, I warrant, for this world. A plague o'
both your houses! 'Zounds, a dog, a rat, a mouse, a
cat, to scratch a man to death! a braggart, a
rogue, a villain, that fights by the book of
arithmetic! Why the devil came you between us? I
was hurt under your arm.
ROMEO
I thought all for the best.
MERCUTIO
Help me into some house, Benvolio,
Or I shall faint. A plague o' both your houses!
They have made worms' meat of me: I have it,
And soundly too: your houses!
Exeunt MERCUTIO and BENVOLIO
ROMEO
This gentleman, the prince's near ally,
My very friend, hath got his mortal hurt
In my behalf; my reputation stain'd
With Tybalt's slander,--Tybalt, that an hour
Hath been my kinsman! O sweet Juliet,
Thy beauty hath made me effeminate
And in my temper soften'd valour's steel!
Re-enter BENVOLIO
BENVOLIO
O Romeo, Romeo, brave Mercutio's dead!
That gallant spirit hath aspired the clouds,
Which too untimely here did scorn the earth.
ROMEO
This day's black fate on more days doth depend;
This but begins the woe, others must end.
BENVOLIO
Here comes the furious Tybalt back again.
ROMEO
Alive, in triumph! and Mercutio slain!
Away to heaven, respective lenity,
And fire-eyed fury be my conduct now!
Re-enter TYBALT
Now, Tybalt, take the villain back again,
That late thou gavest me; for Mercutio's soul
Is but a little way above our heads,
Staying for thine to keep him company:
Either thou, or I, or both, must go with him.
TYBALT
Thou, wretched boy, that didst consort him here,
Shalt with him hence.
ROMEO
This shall determine that.
They fight; TYBALT falls
BENVOLIO
Romeo, away, be gone!
The citizens are up, and Tybalt slain.
Stand not amazed: the prince will doom thee death,
If thou art taken: hence, be gone, away!
ROMEO
O, I am fortune's fool!
BENVOLIO
Why dost thou stay?
Exit ROMEO
Enter Citizens, & c
First Citizen
Which way ran he that kill'd Mercutio?
Tybalt, that murderer, which way ran he?
BENVOLIO
There lies that Tybalt.
First Citizen
Up, sir, go with me;
I charge thee in the princes name, obey.
Enter Prince, attended; MONTAGUE, CAPULET, their Wives, and others
PRINCE
Where are the vile beginners of this fray?
BENVOLIO
O noble prince, I can discover all
The unlucky manage of this fatal brawl:
There lies the man, slain by young Romeo,
That slew thy kinsman, brave Mercutio.
LADY CAPULET
Tybalt, my cousin! O my brother's child!
O prince! O cousin! husband! O, the blood is spilt
O my dear kinsman! Prince, as thou art true,
For blood of ours, shed blood of Montague.
O cousin, cousin!
PRINCE
Benvolio, who began this bloody fray?
BENVOLIO
Tybalt, here slain, whom Romeo's hand did slay;
Romeo that spoke him fair, bade him bethink
How nice the quarrel was, and urged withal
Your high displeasure: all this uttered
With gentle breath, calm look, knees humbly bow'd,
Could not take truce with the unruly spleen
Of Tybalt deaf to peace, but that he tilts
With piercing steel at bold Mercutio's breast,
Who all as hot, turns deadly point to point,
And, with a martial scorn, with one hand beats
Cold death aside, and with the other sends
It back to Tybalt, whose dexterity,
Retorts it: Romeo he cries aloud,
'Hold, friends! friends, part!' and, swifter than
his tongue,
His agile arm beats down their fatal points,
And 'twixt them rushes; underneath whose arm
An envious thrust from Tybalt hit the life
Of stout Mercutio, and then Tybalt fled;
But by and by comes back to Romeo,
Who had but newly entertain'd revenge,
And to 't they go like lightning, for, ere I
Could draw to part them, was stout Tybalt slain.
And, as he fell, did Romeo turn and fly.
This is the truth, or let Benvolio die.
LADY CAPULET
He is a kinsman to the Montague;
Affection makes him false; he speaks not true:
Some twenty of them fought in this black strife,
And all those twenty could but kill one life.
I beg for justice, which thou, prince, must give;
Romeo slew Tybalt, Romeo must not live.
PRINCE
Romeo slew him, he slew Mercutio;
Who now the price of his dear blood doth owe?
MONTAGUE
Not Romeo, prince, he was Mercutio's friend;
His fault concludes but what the law should end,
The life of Tybalt.
PRINCE
And for that offence
Immediately we do exile him hence:
I have an interest in your hate's proceeding,
My blood for your rude brawls doth lie a-bleeding;
But I'll amerce you with so strong a fine
That you shall all repent the loss of mine:
I will be deaf to pleading and excuses;
Nor tears nor prayers shall purchase out abuses:
Therefore use none: let Romeo hence in haste,
Else, when he's found, that hour is his last.
Bear hence this body and attend our will:
Mercy but murders, pardoning those that kill.
Exeunt
SCENE II. Capulet's orchard.
Enter JULIET
JULIET
Gallop apace, you fiery-footed steeds,
Towards Phoebus' lodging: such a wagoner
As Phaethon would whip you to the west,
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,
That runaway's eyes may wink and Romeo
Leap to these arms, untalk'd of and unseen.
Lovers can see to do their amorous rites
By their own beauties; or, if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,
And learn me how to lose a winning match,
Play'd for a pair of stainless maidenhoods:
Hood my unmann'd blood, bating in my cheeks,
With thy black mantle; till strange love, grown bold,
Think true love acted simple modesty.
Come, night; come, Romeo; come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow on a raven's back.
Come, gentle night, come, loving, black-brow'd night,
Give me my Romeo; and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
O, I have bought the mansion of a love,
But not possess'd it, and, though I am sold,
Not yet enjoy'd: so tedious is this day
As is the night before some festival
To an impatient child that hath new robes
And may not wear them. O, here comes my nurse,
And she brings news; and every tongue that speaks
But Romeo's name speaks heavenly eloquence.
Enter Nurse, with cords
Now, nurse, what news? What hast thou there? the cords
That Romeo bid thee fetch?
Nurse
Ay, ay, the cords.
Throws them down
JULIET
Ay me! what news? why dost thou wring thy hands?
Nurse
Ah, well-a-day! he's dead, he's dead, he's dead!
We are undone, lady, we are undone!
Alack the day! he's gone, he's kill'd, he's dead!
JULIET
Can heaven be so envious?
Nurse
Romeo can,
Though heaven cannot: O Romeo, Romeo!
Who ever would have thought it? Romeo!
JULIET
What devil art thou, that dost torment me thus?
This torture should be roar'd in dismal hell.
Hath Romeo slain himself? say thou but 'I,'
And that bare vowel 'I' shall poison more
Than the death-darting eye of cockatrice:
I am not I, if there be such an I;
Or those eyes shut, that make thee answer 'I.'
If he be slain, say 'I'; or if not, no:
Brief sounds determine of my weal or woe.
Nurse
I saw the wound, I saw it with mine eyes,--
God save the mark!--here on his manly breast:
A piteous corse, a bloody piteous corse;
Pale, pale as ashes, all bedaub'd in blood,
All in gore-blood; I swounded at the sight.
JULIET
O, break, my heart! poor bankrupt, break at once!
To prison, eyes, ne'er look on liberty!
Vile earth, to earth resign; end motion here;
And thou and Romeo press one heavy bier!
Nurse
O Tybalt, Tybalt, the best friend I had!
O courteous Tybalt! honest gentleman!
That ever I should live to see thee dead!
JULIET
What storm is this that blows so contrary?
Is Romeo slaughter'd, and is Tybalt dead?
My dear-loved cousin, and my dearer lord?
Then, dreadful trumpet, sound the general doom!
For who is living, if those two are gone?
Nurse
Tybalt is gone, and Romeo banished;
Romeo that kill'd him, he is banished.
JULIET
O God! did Romeo's hand shed Tybalt's blood?
Nurse
It did, it did; alas the day, it did!
JULIET
O serpent heart, hid with a flowering face!
Did ever dragon keep so fair a cave?
Beautiful tyrant! fiend angelical!
Dove-feather'd raven! wolvish-ravening lamb!
Despised substance of divinest show!
Just opposite to what thou justly seem'st,
A damned saint, an honourable villain!
O nature, what hadst thou to do in hell,
When thou didst bower the spirit of a fiend
In moral paradise of such sweet flesh?
Was ever book containing such vile matter
So fairly bound? O that deceit should dwell
In such a gorgeous palace!
Nurse
There's no trust,
No faith, no honesty in men; all perjured,
All forsworn, all naught, all dissemblers.
Ah, where's my man? give me some aqua vitae:
These griefs, these woes, these sorrows make me old.
Shame come to Romeo!
JULIET
Blister'd be thy tongue
For such a wish! he was not born to shame:
Upon his brow shame is ashamed to sit;
For 'tis a throne where honour may be crown'd
Sole monarch of the universal earth.
O, what a beast was I to chide at him!
Nurse
Will you speak well of him that kill'd your cousin?
JULIET
Shall I speak ill of him that is my husband?
Ah, poor my lord, what tongue shall smooth thy name,
When I, thy three-hours wife, have mangled it?
But, wherefore, villain, didst thou kill my cousin?
That villain cousin would have kill'd my husband:
Back, foolish tears, back to your native spring;
Your tributary drops belong to woe,
Which you, mistaking, offer up to joy.
My husband lives, that Tybalt would have slain;
And Tybalt's dead, that would have slain my husband:
All this is comfort; wherefore weep I then?
Some word there was, worser than Tybalt's death,
That murder'd me: I would forget it fain;
But, O, it presses to my memory,
Like damned guilty deeds to sinners' minds:
'Tybalt is dead, and Romeo--banished;'
That 'banished,' that one word 'banished,'
Hath slain ten thousand Tybalts. Tybalt's death
Was woe enough, if it had ended there:
Or, if sour woe delights in fellowship
And needly will be rank'd with other griefs,
Why follow'd not, when she said 'Tybalt's dead,'
Thy father, or thy mother, nay, or both,
Which modern lamentations might have moved?
But with a rear-ward following Tybalt's death,
'Romeo is banished,' to speak that word,
Is father, mother, Tybalt, Romeo, Juliet,
All slain, all dead. 'Romeo is banished!'
There is no end, no limit, measure, bound,
In that word's death; no words can that woe sound.
Where is my father, and my mother, nurse?
Nurse
Weeping and wailing over Tybalt's corse:
Will you go to them? I will bring you thither.
JULIET
Wash they his wounds with tears: mine shall be spent,
When theirs are dry, for Romeo's banishment.
Take up those cords: poor ropes, you are beguiled,
Both you and I; for Romeo is exiled:
He made you for a highway to my bed;
But I, a maid, die maiden-widowed.
Come, cords, come, nurse; I'll to my wedding-bed;
And death, not Romeo, take my maidenhead!
Nurse
Hie to your chamber: I'll find Romeo
To comfort you: I wot well where he is.
Hark ye, your Romeo will be here at night:
I'll to him; he is hid at Laurence' cell.
JULIET
O, find him! give this ring to my true knight,
And bid him come to take his last farewell.
Exeunt




Romeo and Juliet: Entire PlaySCENE V. Capulet's orchard.
Enter JULIET
JULIET
The clock struck nine when I did send the nurse;
In half an hour she promised to return.
Perchance she cannot meet him: that's not so.
O, she is lame! love's heralds should be thoughts,
Which ten times faster glide than the sun's beams,
Driving back shadows over louring hills:
Therefore do nimble-pinion'd doves draw love,
And therefore hath the wind-swift Cupid wings.
Now is the sun upon the highmost hill
Of this day's journey, and from nine till twelve
Is three long hours, yet she is not come.
Had she affections and warm youthful blood,
She would be as swift in motion as a ball;
My words would bandy her to my sweet love,
And his to me:
But old folks, many feign as they were dead;
Unwieldy, slow, heavy and pale as lead.
O God, she comes!
Enter Nurse and PETER
O honey nurse, what news?
Hast thou met with him? Send thy man away.
Nurse
Peter, stay at the gate.
Exit PETER
JULIET
Now, good sweet nurse,--O Lord, why look'st thou sad?
Though news be sad, yet tell them merrily;
If good, thou shamest the music of sweet news
By playing it to me with so sour a face.
Nurse
I am a-weary, give me leave awhile:
Fie, how my bones ache! what a jaunt have I had!
JULIET
I would thou hadst my bones, and I thy news:
Nay, come, I pray thee, speak; good, good nurse, speak.
Nurse
Jesu, what haste? can you not stay awhile?
Do you not see that I am out of breath?
JULIET
How art thou out of breath, when thou hast breath
To say to me that thou art out of breath?
The excuse that thou dost make in this delay
Is longer than the tale thou dost excuse.
Is thy news good, or bad? answer to that;
Say either, and I'll stay the circumstance:
Let me be satisfied, is't good or bad?
Nurse
Well, you have made a simple choice; you know not
how to choose a man: Romeo! no, not he; though his
face be better than any man's, yet his leg excels
all men's; and for a hand, and a foot, and a body,
though they be not to be talked on, yet they are
past compare: he is not the flower of courtesy,
but, I'll warrant him, as gentle as a lamb. Go thy
ways, wench; serve God. What, have you dined at home?
JULIET
No, no: but all this did I know before.
What says he of our marriage? what of that?
Nurse
Lord, how my head aches! what a head have I!
It beats as it would fall in twenty pieces.
My back o' t' other side,--O, my back, my back!
Beshrew your heart for sending me about,
To catch my death with jaunting up and down!
JULIET
I' faith, I am sorry that thou art not well.
Sweet, sweet, sweet nurse, tell me, what says my love?
Nurse
Your love says, like an honest gentleman, and a
courteous, and a kind, and a handsome, and, I
warrant, a virtuous,--Where is your mother?
JULIET
Where is my mother! why, she is within;
Where should she be? How oddly thou repliest!
'Your love says, like an honest gentleman,
Where is your mother?'
Nurse
O God's lady dear!
Are you so hot? marry, come up, I trow;
Is this the poultice for my aching bones?
Henceforward do your messages yourself.
JULIET
Here's such a coil! come, what says Romeo?
Nurse
Have you got leave to go to shrift to-day?
JULIET
I have.
Nurse
Then hie you hence to Friar Laurence' cell;
There stays a husband to make you a wife:
Now comes the wanton blood up in your cheeks,
They'll be in scarlet straight at any news.
Hie you to church; I must another way,
To fetch a ladder, by the which your love
Must climb a bird's nest soon when it is dark:
I am the drudge and toil in your delight,
But you shall bear the burden soon at night.
Go; I'll to dinner: hie you to the cell.
JULIET
Hie to high fortune! Honest nurse, farewell.
Exeunt
SCENE VI. Friar Laurence's cell.
Enter FRIAR LAURENCE and ROMEO
FRIAR LAURENCE
So smile the heavens upon this holy act,
That after hours with sorrow chide us not!
ROMEO
Amen, amen! but come what sorrow can,
It cannot countervail the exchange of joy
That one short minute gives me in her sight:
Do thou but close our hands with holy words,
Then love-devouring death do what he dare;
It is enough I may but call her mine.
FRIAR LAURENCE
These violent delights have violent ends
And in their triumph die, like fire and powder,
Which as they kiss consume: the sweetest honey
Is loathsome in his own deliciousness
And in the taste confounds the appetite:
Therefore love moderately; long love doth so;
Too swift arrives as tardy as too slow.
Enter JULIET
Here comes the lady: O, so light a foot
Will ne'er wear out the everlasting flint:
A lover may bestride the gossamer
That idles in the wanton summer air,
And yet not fall; so light is vanity.
JULIET
Good even to my ghostly confessor.
FRIAR LAURENCE
Romeo shall thank thee, daughter, for us both.
JULIET
As much to him, else is his thanks too much.
ROMEO
Ah, Juliet, if the measure of thy joy
Be heap'd like mine and that thy skill be more
To blazon it, then sweeten with thy breath
This neighbour air, and let rich music's tongue
Unfold the imagined happiness that both
Receive in either by this dear encounter.
JULIET
Conceit, more rich in matter than in words,
Brags of his substance, not of ornament:
They are but beggars that can count their worth;
But my true love is grown to such excess
I cannot sum up sum of half my wealth.
FRIAR LAURENCE
Come, come with me, and we will make short work;
For, by your leaves, you shall not stay alone
Till holy church incorporate two in one.
Exeunt
ACT III

SCENE I. A public place.
Enter MERCUTIO, BENVOLIO, Page, and Servants
BENVOLIO
I pray thee, good Mercutio, let's retire:
The day is hot, the Capulets abroad,
And, if we meet, we shall not scape a brawl;
For now, these hot days, is the mad blood stirring.
MERCUTIO
Thou art like one of those fellows that when he
enters the confines of a tavern claps me his sword
upon the table and says 'God send me no need of
thee!' and by the operation of the second cup draws
it on the drawer, when indeed there is no need.
BENVOLIO
Am I like such a fellow?
MERCUTIO
Come, come, thou art as hot a Jack in thy mood as
any in Italy, and as soon moved to be moody, and as
soon moody to be moved.
BENVOLIO
And what to?
MERCUTIO
Nay, an there were two such, we should have none
shortly, for one would kill the other. Thou! why,
thou wilt quarrel with a man that hath a hair more,
or a hair less, in his beard, than thou hast: thou
wilt quarrel with a man for cracking nuts, having no
other reason but because thou hast hazel eyes: what
eye but such an eye would spy out such a quarrel?
Thy head is as fun of quarrels as an egg is full of
meat, and yet thy head hath been beaten as addle as
an egg for quarrelling: thou hast quarrelled with a
man for coughing in the street, because he hath
wakened thy dog that hath lain asleep in the sun:
didst thou not fall out with a tailor for wearing
his new doublet before Easter? with another, for
tying his new shoes with old riband? and yet thou
wilt tutor me from quarrelling!
BENVOLIO
An I were so apt to quarrel as thou art, any man
should buy the fee-simple of my life for an hour and a quarter.
MERCUTIO
The fee-simple! O simple!
BENVOLIO
By my head, here come the Capulets.
MERCUTIO
By my heel, I care not.
Enter TYBALT and others
TYBALT
Follow me close, for I will speak to them.
Gentlemen, good den: a word with one of you.
MERCUTIO
And but one word with one of us? couple it with
something; make it a word and a blow.
TYBALT
You shall find me apt enough to that, sir, an you
will give me occasion.
MERCUTIO
Could you not take some occasion without giving?
TYBALT
Mercutio, thou consort'st with Romeo,--
MERCUTIO
Consort! what, dost thou make us minstrels? an
thou make minstrels of us, look to hear nothing but
discords: here's my fiddlestick; here's that shall
make you dance. 'Zounds, consort!
BENVOLIO
We talk here in the public haunt of men:
Either withdraw unto some private place,
And reason coldly of your grievances,
Or else depart; here all eyes gaze on us.
MERCUTIO
Men's eyes were made to look, and let them gaze;
I will not budge for no man's pleasure, I.
Enter ROMEO
TYBALT
Well, peace be with you, sir: here comes my man.
MERCUTIO
But I'll be hanged, sir, if he wear your livery:
Marry, go before to field, he'll be your follower;
Your worship in that sense may call him 'man.'
TYBALT
Romeo, the hate I bear thee can afford
No better term than this,--thou art a villain.
ROMEO
Tybalt, the reason that I have to love thee
Doth much excuse the appertaining rage
To such a greeting: villain am I none;
Therefore farewell; I see thou know'st me not.
TYBALT
Boy, this shall not excuse the injuries
That thou hast done me; therefore turn and draw.
ROMEO
I do protest, I never injured thee,
But love thee better than thou canst devise,
Till thou shalt know the reason of my love:
And so, good Capulet,--which name I tender
As dearly as my own,--be satisfied.
MERCUTIO
O calm, dishonourable, vile submission!
Alla stoccata carries it away.
Draws
Tybalt, you rat-catcher, will you walk?
TYBALT
What wouldst thou have with me?
MERCUTIO
Good king of cats, nothing but one of your nine
lives; that I mean to make bold withal, and as you
shall use me hereafter, drybeat the rest of the
eight. Will you pluck your sword out of his pitcher
by the ears? make haste, lest mine be about your
ears ere it be out.
TYBALT
I am for you.
Drawing
ROMEO
Gentle Mercutio, put thy rapier up.
MERCUTIO
Come, sir, your passado.
They fight
ROMEO
Draw, Benvolio; beat down their weapons.
Gentlemen, for shame, forbear this outrage!
Tybalt, Mercutio, the prince expressly hath
Forbidden bandying in Verona streets:
Hold, Tybalt! good Mercutio!
TYBALT under ROMEO's arm stabs MERCUTIO, and flies with his followers
MERCUTIO
I am hurt.
A plague o' both your houses! I am sped.
Is he gone, and hath nothing?
BENVOLIO
What, art thou hurt?
MERCUTIO
Ay, ay, a scratch, a scratch; marry, 'tis enough.
Where is my page? Go, villain, fetch a surgeon.
Exit Page
ROMEO
Courage, man; the hurt cannot be much.
MERCUTIO
No, 'tis not so deep as a well, nor so wide as a
church-door; but 'tis enough,'twill serve: ask for
me to-morrow, and you shall find me a grave man. I
am peppered, I warrant, for this world. A plague o'
both your houses! 'Zounds, a dog, a rat, a mouse, a
cat, to scratch a man to death! a braggart, a
rogue, a villain, that fights by the book of
arithmetic! Why the devil came you between us? I
was hurt under your arm.
ROMEO
I thought all for the best.
MERCUTIO
Help me into some house, Benvolio,
Or I shall faint. A plague o' both your houses!
They have made worms' meat of me: I have it,
And soundly too: your houses!
Exeunt MERCUTIO and BENVOLIO
ROMEO
This gentleman, the prince's near ally,
My very friend, hath got his mortal hurt
In my behalf; my reputation stain'd
With Tybalt's slander,--Tybalt, that an hour
Hath been my kinsman! O sweet Juliet,
Thy beauty hath made me effeminate
And in my temper soften'd valour's steel!
Re-enter BENVOLIO
BENVOLIO
O Romeo, Romeo, brave Mercutio's dead!
That gallant spirit hath aspired the clouds,
Which too untimely here did scorn the earth.
ROMEO
This day's black fate on more days doth depend;
This but begins the woe, others must end.
BENVOLIO
Here comes the furious Tybalt back again.
ROMEO
Alive, in triumph! and Mercutio slain!
Away to heaven, respective lenity,
And fire-eyed fury be my conduct now!
Re-enter TYBALT
Now, Tybalt, take the villain back again,
That late thou gavest me; for Mercutio's soul
Is but a little way above our heads,
Staying for thine to keep him company:
Either thou, or I, or both, must go with him.
TYBALT
Thou, wretched boy, that didst consort him here,
Shalt with him hence.
ROMEO
This shall determine that.
They fight; TYBALT falls
BENVOLIO
Romeo, away, be gone!
The citizens are up, and Tybalt slain.
Stand not amazed: the prince will doom thee death,
If thou art taken: hence, be gone, away!
ROMEO
O, I am fortune's fool!
BENVOLIO
Why dost thou stay?
Exit ROMEO
Enter Citizens, & c
First Citizen
Which way ran he that kill'd Mercutio?
Tybalt, that murderer, which way ran he?
BENVOLIO
There lies that Tybalt.
First Citizen
Up, sir, go with me;
I charge thee in the princes name, obey.
Enter Prince, attended; MONTAGUE, CAPULET, their Wives, and others
PRINCE
Where are the vile beginners of this fray?
BENVOLIO
O noble prince, I can discover all
The unlucky manage of this fatal brawl:
There lies the man, slain by young Romeo,
That slew thy kinsman, brave Mercutio.
LADY CAPULET
Tybalt, my cousin! O my brother's child!
O prince! O cousin! husband! O, the blood is spilt
O my dear kinsman! Prince, as thou art true,
For blood of ours, shed blood of Montague.
O cousin, cousin!
PRINCE
Benvolio, who began this bloody fray?
BENVOLIO
Tybalt, here slain, whom Romeo's hand did slay;
Romeo that spoke him fair, bade him bethink
How nice the quarrel was, and urged withal
Your high displeasure: all this uttered
With gentle breath, calm look, knees humbly bow'd,
Could not take truce with the unruly spleen
Of Tybalt deaf to peace, but that he tilts
With piercing steel at bold Mercutio's breast,
Who all as hot, turns deadly point to point,
And, with a martial scorn, with one hand beats
Cold death aside, and with the other sends
It back to Tybalt, whose dexterity,
Retorts it: Romeo he cries aloud,
'Hold, friends! friends, part!' and, swifter than
his tongue,
His agile arm beats down their fatal points,
And 'twixt them rushes; underneath whose arm
An envious thrust from Tybalt hit the life
Of stout Mercutio, and then Tybalt fled;
But by and by comes back to Romeo,
Who had but newly entertain'd revenge,
And to 't they go like lightning, for, ere I
Could draw to part them, was stout Tybalt slain.
And, as he fell, did Romeo turn and fly.
This is the truth, or let Benvolio die.
LADY CAPULET
He is a kinsman to the Montague;
Affection makes him false; he speaks not true:
Some twenty of them fought in this black strife,
And all those twenty could but kill one life.
I beg for justice, which thou, prince, must give;
Romeo slew Tybalt, Romeo must not live.
PRINCE
Romeo slew him, he slew Mercutio;
Who now the price of his dear blood doth owe?
MONTAGUE
Not Romeo, prince, he was Mercutio's friend;
His fault concludes but what the law should end,
The life of Tybalt.
PRINCE
And for that offence
Immediately we do exile him hence:
I have an interest in your hate's proceeding,
My blood for your rude brawls doth lie a-bleeding;
But I'll amerce you with so strong a fine
That you shall all repent the loss of mine:
I will be deaf to pleading and excuses;
Nor tears nor prayers shall purchase out abuses:
Therefore use none: let Romeo hence in haste,
Else, when he's found, that hour is his last.
Bear hence this body and attend our will:
Mercy but murders, pardoning those that kill.
Exeunt
SCENE II. Capulet's orchard.
Enter JULIET
JULIET
Gallop apace, you fiery-footed steeds,
Towards Phoebus' lodging: such a wagoner
As Phaethon would whip you to the west,
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,
That runaway's eyes may wink and Romeo
Leap to these arms, untalk'd of and unseen.
Lovers can see to do their amorous rites
By their own beauties; or, if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,
And learn me how to lose a winning match,
Play'd for a pair of stainless maidenhoods:
Hood my unmann'd blood, bating in my cheeks,
With thy black mantle; till strange love, grown bold,
Think true love acted simple modesty.
Come, night; come, Romeo; come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow on a raven's back.
Come, gentle night, come, loving, black-brow'd night,
Give me my Romeo; and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
O, I have bought the mansion of a love,
But not possess'd it, and, though I am sold,
Not yet enjoy'd: so tedious is this day
As is the night before some festival
To an impatient child that hath new robes
And may not wear them. O, here comes my nurse,
And she brings news; and every tongue that speaks
But Romeo's name speaks heavenly eloquence.
Enter Nurse, with cords
Now, nurse, what news? What hast thou there? the cords
That Romeo bid thee fetch?
Nurse
Ay, ay, the cords.
Throws them down
JULIET
Ay me! what news? why dost thou wring thy hands?
Nurse
Ah, well-a-day! he's dead, he's dead, he's dead!
We are undone, lady, we are undone!
Alack the day! he's gone, he's kill'd, he's dead!
JULIET
Can heaven be so envious?
Nurse
Romeo can,
Though heaven cannot: O Romeo, Romeo!
Who ever would have thought it? Romeo!
JULIET
What devil art thou, that dost torment me thus?
This torture should be roar'd in dismal hell.
Hath Romeo slain himself? say thou but 'I,'
And that bare vowel 'I' shall poison more
Than the death-darting eye of cockatrice:
I am not I, if there be such an I;
Or those eyes shut, that make thee answer 'I.'
If he be slain, say 'I'; or if not, no:
Brief sounds determine of my weal or woe.
Nurse
I saw the wound, I saw it with mine eyes,--
God save the mark!--here on his manly breast:
A piteous corse, a bloody piteous corse;
Pale, pale as ashes, all bedaub'd in blood,
All in gore-blood; I swounded at the sight.
JULIET
O, break, my heart! poor bankrupt, break at once!
To prison, eyes, ne'er look on liberty!
Vile earth, to earth resign; end motion here;
And thou and Romeo press one heavy bier!
Nurse
O Tybalt, Tybalt, the best friend I had!
O courteous Tybalt! honest gentleman!
That ever I should live to see thee dead!
JULIET
What storm is this that blows so contrary?
Is Romeo slaughter'd, and is Tybalt dead?
My dear-loved cousin, and my dearer lord?
Then, dreadful trumpet, sound the general doom!
For who is living, if those two are gone?
Nurse
Tybalt is gone, and Romeo banished;
Romeo that kill'd him, he is banished.
JULIET
O God! did Romeo's hand shed Tybalt's blood?
Nurse
It did, it did; alas the day, it did!
JULIET
O serpent heart, hid with a flowering face!
Did ever dragon keep so fair a cave?
Beautiful tyrant! fiend angelical!
Dove-feather'd raven! wolvish-ravening lamb!
Despised substance of divinest show!
Just opposite to what thou justly seem'st,
A damned saint, an honourable villain!
O nature, what hadst thou to do in hell,
When thou didst bower the spirit of a fiend
In moral paradise of such sweet flesh?
Was ever book containing such vile matter
So fairly bound? O that deceit should dwell
In such a gorgeous palace!
Nurse
There's no trust,
No faith, no honesty in men; all perjured,
All forsworn, all naught, all dissemblers.
Ah, where's my man? give me some aqua vitae:
These griefs, these woes, these sorrows make me old.
Shame come to Romeo!
JULIET
Blister'd be thy tongue
For such a wish! he was not born to shame:
Upon his brow shame is ashamed to sit;
For 'tis a throne where honour may be crown'd
Sole monarch of the universal earth.
O, what a beast was I to chide at him!
Nurse
Will you speak well of him that kill'd your cousin?
JULIET
Shall I speak ill of him that is my husband?
Ah, poor my lord, what tongue shall smooth thy name,
When I, thy three-hours wife, have mangled it?
But, wherefore, villain, didst thou kill my cousin?
That villain cousin would have kill'd my husband:
Back, foolish tears, back to your native spring;
Your tributary drops belong to woe,
Which you, mistaking, offer up to joy.
My husband lives, that Tybalt would have slain;
And Tybalt's dead, that would have slain my husband:
All this is comfort; wherefore weep I then?
Some word there was, worser than Tybalt's death,
That murder'd me: I would forget it fain;
But, O, it presses to my memory,
Like damned guilty deeds to sinners' minds:
'Tybalt is dead, and Romeo--banished;'
That 'banished,' that one word 'banished,'
Hath slain ten thousand Tybalts. Tybalt's death
Was woe enough, if it had ended there:
Or, if sour woe delights in fellowship
And needly will be rank'd with other griefs,
Why follow'd not, when she said 'Tybalt's dead,'
Thy father, or thy mother, nay, or both,
Which modern lamentations might have moved?
But with a rear-ward following Tybalt's death,
'Romeo is banished,' to speak that word,
Is father, mother, Tybalt, Romeo, Juliet,
All slain, all dead. 'Romeo is banished!'
There is no end, no limit, measure, bound,
In that word's death; no words can that woe sound.
Where is my father, and my mother, nurse?
Nurse
Weeping and wailing over Tybalt's corse:
Will you go to them? I will bring you thither.
JULIET
Wash they his wounds with tears: mine shall be spent,
When theirs are dry, for Romeo's banishment.
Take up those cords: poor ropes, you are beguiled,
Both you and I; for Romeo is exiled:
He made you for a highway to my bed;
But I, a maid, die maiden-widowed.
Come, cords, come, nurse; I'll to my wedding-bed;
And death, not Romeo, take my maidenhead!
Nurse
Hie to your chamber: I'll find Romeo
To comfort you: I wot well where he is.
Hark ye, your Romeo will be here at night:
I'll to him; he is hid at Laurence' cell.
JULIET
O, find him! give this ring to my true knight,
And bid him come to take his last farewell.
Exeunt


أرب جمـال 5 - 11 - 2009 06:00 PM

Romeo and Juliet: Entire PlaySCENE V. Capulet's orchard.
Enter JULIET
JULIET
The clock struck nine when I did send the nurse;
In half an hour she promised to return.
Perchance she cannot meet him: that's not so.
O, she is lame! love's heralds should be thoughts,
Which ten times faster glide than the sun's beams,
Driving back shadows over louring hills:
Therefore do nimble-pinion'd doves draw love,
And therefore hath the wind-swift Cupid wings.
Now is the sun upon the highmost hill
Of this day's journey, and from nine till twelve
Is three long hours, yet she is not come.
Had she affections and warm youthful blood,
She would be as swift in motion as a ball;
My words would bandy her to my sweet love,
And his to me:
But old folks, many feign as they were dead;
Unwieldy, slow, heavy and pale as lead.
O God, she comes!
Enter Nurse and PETER
O honey nurse, what news?
Hast thou met with him? Send thy man away.
Nurse
Peter, stay at the gate.
Exit PETER
JULIET
Now, good sweet nurse,--O Lord, why look'st thou sad?
Though news be sad, yet tell them merrily;
If good, thou shamest the music of sweet news
By playing it to me with so sour a face.
Nurse
I am a-weary, give me leave awhile:
Fie, how my bones ache! what a jaunt have I had!
JULIET
I would thou hadst my bones, and I thy news:
Nay, come, I pray thee, speak; good, good nurse, speak.
Nurse
Jesu, what haste? can you not stay awhile?
Do you not see that I am out of breath?
JULIET
How art thou out of breath, when thou hast breath
To say to me that thou art out of breath?
The excuse that thou dost make in this delay
Is longer than the tale thou dost excuse.
Is thy news good, or bad? answer to that;
Say either, and I'll stay the circumstance:
Let me be satisfied, is't good or bad?
Nurse
Well, you have made a simple choice; you know not
how to choose a man: Romeo! no, not he; though his
face be better than any man's, yet his leg excels
all men's; and for a hand, and a foot, and a body,
though they be not to be talked on, yet they are
past compare: he is not the flower of courtesy,
but, I'll warrant him, as gentle as a lamb. Go thy
ways, wench; serve God. What, have you dined at home?
JULIET
No, no: but all this did I know before.
What says he of our marriage? what of that?
Nurse
Lord, how my head aches! what a head have I!
It beats as it would fall in twenty pieces.
My back o' t' other side,--O, my back, my back!
Beshrew your heart for sending me about,
To catch my death with jaunting up and down!
JULIET
I' faith, I am sorry that thou art not well.
Sweet, sweet, sweet nurse, tell me, what says my love?
Nurse
Your love says, like an honest gentleman, and a
courteous, and a kind, and a handsome, and, I
warrant, a virtuous,--Where is your mother?
JULIET
Where is my mother! why, she is within;
Where should she be? How oddly thou repliest!
'Your love says, like an honest gentleman,
Where is your mother?'
Nurse
O God's lady dear!
Are you so hot? marry, come up, I trow;
Is this the poultice for my aching bones?
Henceforward do your messages yourself.
JULIET
Here's such a coil! come, what says Romeo?
Nurse
Have you got leave to go to shrift to-day?
JULIET
I have.
Nurse
Then hie you hence to Friar Laurence' cell;
There stays a husband to make you a wife:
Now comes the wanton blood up in your cheeks,
They'll be in scarlet straight at any news.
Hie you to church; I must another way,
To fetch a ladder, by the which your love
Must climb a bird's nest soon when it is dark:
I am the drudge and toil in your delight,
But you shall bear the burden soon at night.
Go; I'll to dinner: hie you to the cell.
JULIET
Hie to high fortune! Honest nurse, farewell.
Exeunt
SCENE VI. Friar Laurence's cell.
Enter FRIAR LAURENCE and ROMEO
FRIAR LAURENCE
So smile the heavens upon this holy act,
That after hours with sorrow chide us not!
ROMEO
Amen, amen! but come what sorrow can,
It cannot countervail the exchange of joy
That one short minute gives me in her sight:
Do thou but close our hands with holy words,
Then love-devouring death do what he dare;
It is enough I may but call her mine.
FRIAR LAURENCE
These violent delights have violent ends
And in their triumph die, like fire and powder,
Which as they kiss consume: the sweetest honey
Is loathsome in his own deliciousness
And in the taste confounds the appetite:
Therefore love moderately; long love doth so;
Too swift arrives as tardy as too slow.
Enter JULIET
Here comes the lady: O, so light a foot
Will ne'er wear out the everlasting flint:
A lover may bestride the gossamer
That idles in the wanton summer air,
And yet not fall; so light is vanity.
JULIET
Good even to my ghostly confessor.
FRIAR LAURENCE
Romeo shall thank thee, daughter, for us both.
JULIET
As much to him, else is his thanks too much.
ROMEO
Ah, Juliet, if the measure of thy joy
Be heap'd like mine and that thy skill be more
To blazon it, then sweeten with thy breath
This neighbour air, and let rich music's tongue
Unfold the imagined happiness that both
Receive in either by this dear encounter.
JULIET
Conceit, more rich in matter than in words,
Brags of his substance, not of ornament:
They are but beggars that can count their worth;
But my true love is grown to such excess
I cannot sum up sum of half my wealth.
FRIAR LAURENCE
Come, come with me, and we will make short work;
For, by your leaves, you shall not stay alone
Till holy church incorporate two in one.
Exeunt
ACT III

SCENE I. A public place.
Enter MERCUTIO, BENVOLIO, Page, and Servants
BENVOLIO
I pray thee, good Mercutio, let's retire:
The day is hot, the Capulets abroad,
And, if we meet, we shall not scape a brawl;
For now, these hot days, is the mad blood stirring.
MERCUTIO
Thou art like one of those fellows that when he
enters the confines of a tavern claps me his sword
upon the table and says 'God send me no need of
thee!' and by the operation of the second cup draws
it on the drawer, when indeed there is no need.
BENVOLIO
Am I like such a fellow?
MERCUTIO
Come, come, thou art as hot a Jack in thy mood as
any in Italy, and as soon moved to be moody, and as
soon moody to be moved.
BENVOLIO
And what to?
MERCUTIO
Nay, an there were two such, we should have none
shortly, for one would kill the other. Thou! why,
thou wilt quarrel with a man that hath a hair more,
or a hair less, in his beard, than thou hast: thou
wilt quarrel with a man for cracking nuts, having no
other reason but because thou hast hazel eyes: what
eye but such an eye would spy out such a quarrel?
Thy head is as fun of quarrels as an egg is full of
meat, and yet thy head hath been beaten as addle as
an egg for quarrelling: thou hast quarrelled with a
man for coughing in the street, because he hath
wakened thy dog that hath lain asleep in the sun:
didst thou not fall out with a tailor for wearing
his new doublet before Easter? with another, for
tying his new shoes with old riband? and yet thou
wilt tutor me from quarrelling!
BENVOLIO
An I were so apt to quarrel as thou art, any man
should buy the fee-simple of my life for an hour and a quarter.
MERCUTIO
The fee-simple! O simple!
BENVOLIO
By my head, here come the Capulets.
MERCUTIO
By my heel, I care not.
Enter TYBALT and others
TYBALT
Follow me close, for I will speak to them.
Gentlemen, good den: a word with one of you.
MERCUTIO
And but one word with one of us? couple it with
something; make it a word and a blow.
TYBALT
You shall find me apt enough to that, sir, an you
will give me occasion.
MERCUTIO
Could you not take some occasion without giving?
TYBALT
Mercutio, thou consort'st with Romeo,--
MERCUTIO
Consort! what, dost thou make us minstrels? an
thou make minstrels of us, look to hear nothing but
discords: here's my fiddlestick; here's that shall
make you dance. 'Zounds, consort!
BENVOLIO
We talk here in the public haunt of men:
Either withdraw unto some private place,
And reason coldly of your grievances,
Or else depart; here all eyes gaze on us.
MERCUTIO
Men's eyes were made to look, and let them gaze;
I will not budge for no man's pleasure, I.
Enter ROMEO
TYBALT
Well, peace be with you, sir: here comes my man.
MERCUTIO
But I'll be hanged, sir, if he wear your livery:
Marry, go before to field, he'll be your follower;
Your worship in that sense may call him 'man.'
TYBALT
Romeo, the hate I bear thee can afford
No better term than this,--thou art a villain.
ROMEO
Tybalt, the reason that I have to love thee
Doth much excuse the appertaining rage
To such a greeting: villain am I none;
Therefore farewell; I see thou know'st me not.
TYBALT
Boy, this shall not excuse the injuries
That thou hast done me; therefore turn and draw.
ROMEO
I do protest, I never injured thee,
But love thee better than thou canst devise,
Till thou shalt know the reason of my love:
And so, good Capulet,--which name I tender
As dearly as my own,--be satisfied.
MERCUTIO
O calm, dishonourable, vile submission!
Alla stoccata carries it away.
Draws
Tybalt, you rat-catcher, will you walk?
TYBALT
What wouldst thou have with me?
MERCUTIO
Good king of cats, nothing but one of your nine
lives; that I mean to make bold withal, and as you
shall use me hereafter, drybeat the rest of the
eight. Will you pluck your sword out of his pitcher
by the ears? make haste, lest mine be about your
ears ere it be out.
TYBALT
I am for you.
Drawing
ROMEO
Gentle Mercutio, put thy rapier up.
MERCUTIO
Come, sir, your passado.
They fight
ROMEO
Draw, Benvolio; beat down their weapons.
Gentlemen, for shame, forbear this outrage!
Tybalt, Mercutio, the prince expressly hath
Forbidden bandying in Verona streets:
Hold, Tybalt! good Mercutio!
TYBALT under ROMEO's arm stabs MERCUTIO, and flies with his followers
MERCUTIO
I am hurt.
A plague o' both your houses! I am sped.
Is he gone, and hath nothing?
BENVOLIO
What, art thou hurt?
MERCUTIO
Ay, ay, a scratch, a scratch; marry, 'tis enough.
Where is my page? Go, villain, fetch a surgeon.
Exit Page
ROMEO
Courage, man; the hurt cannot be much.
MERCUTIO
No, 'tis not so deep as a well, nor so wide as a
church-door; but 'tis enough,'twill serve: ask for
me to-morrow, and you shall find me a grave man. I
am peppered, I warrant, for this world. A plague o'
both your houses! 'Zounds, a dog, a rat, a mouse, a
cat, to scratch a man to death! a braggart, a
rogue, a villain, that fights by the book of
arithmetic! Why the devil came you between us? I
was hurt under your arm.
ROMEO
I thought all for the best.
MERCUTIO
Help me into some house, Benvolio,
Or I shall faint. A plague o' both your houses!
They have made worms' meat of me: I have it,
And soundly too: your houses!
Exeunt MERCUTIO and BENVOLIO
ROMEO
This gentleman, the prince's near ally,
My very friend, hath got his mortal hurt
In my behalf; my reputation stain'd
With Tybalt's slander,--Tybalt, that an hour
Hath been my kinsman! O sweet Juliet,
Thy beauty hath made me effeminate
And in my temper soften'd valour's steel!
Re-enter BENVOLIO
BENVOLIO
O Romeo, Romeo, brave Mercutio's dead!
That gallant spirit hath aspired the clouds,
Which too untimely here did scorn the earth.
ROMEO
This day's black fate on more days doth depend;
This but begins the woe, others must end.
BENVOLIO
Here comes the furious Tybalt back again.
ROMEO
Alive, in triumph! and Mercutio slain!
Away to heaven, respective lenity,
And fire-eyed fury be my conduct now!
Re-enter TYBALT
Now, Tybalt, take the villain back again,
That late thou gavest me; for Mercutio's soul
Is but a little way above our heads,
Staying for thine to keep him company:
Either thou, or I, or both, must go with him.
TYBALT
Thou, wretched boy, that didst consort him here,
Shalt with him hence.
ROMEO
This shall determine that.
They fight; TYBALT falls
BENVOLIO
Romeo, away, be gone!
The citizens are up, and Tybalt slain.
Stand not amazed: the prince will doom thee death,
If thou art taken: hence, be gone, away!
ROMEO
O, I am fortune's fool!
BENVOLIO
Why dost thou stay?
Exit ROMEO
Enter Citizens, & c
First Citizen
Which way ran he that kill'd Mercutio?
Tybalt, that murderer, which way ran he?
BENVOLIO
There lies that Tybalt.
First Citizen
Up, sir, go with me;
I charge thee in the princes name, obey.
Enter Prince, attended; MONTAGUE, CAPULET, their Wives, and others
PRINCE
Where are the vile beginners of this fray?
BENVOLIO
O noble prince, I can discover all
The unlucky manage of this fatal brawl:
There lies the man, slain by young Romeo,
That slew thy kinsman, brave Mercutio.
LADY CAPULET
Tybalt, my cousin! O my brother's child!
O prince! O cousin! husband! O, the blood is spilt
O my dear kinsman! Prince, as thou art true,
For blood of ours, shed blood of Montague.
O cousin, cousin!
PRINCE
Benvolio, who began this bloody fray?
BENVOLIO
Tybalt, here slain, whom Romeo's hand did slay;
Romeo that spoke him fair, bade him bethink
How nice the quarrel was, and urged withal
Your high displeasure: all this uttered
With gentle breath, calm look, knees humbly bow'd,
Could not take truce with the unruly spleen
Of Tybalt deaf to peace, but that he tilts
With piercing steel at bold Mercutio's breast,
Who all as hot, turns deadly point to point,
And, with a martial scorn, with one hand beats
Cold death aside, and with the other sends
It back to Tybalt, whose dexterity,
Retorts it: Romeo he cries aloud,
'Hold, friends! friends, part!' and, swifter than
his tongue,
His agile arm beats down their fatal points,
And 'twixt them rushes; underneath whose arm
An envious thrust from Tybalt hit the life
Of stout Mercutio, and then Tybalt fled;
But by and by comes back to Romeo,
Who had but newly entertain'd revenge,
And to 't they go like lightning, for, ere I
Could draw to part them, was stout Tybalt slain.
And, as he fell, did Romeo turn and fly.
This is the truth, or let Benvolio die.
LADY CAPULET
He is a kinsman to the Montague;
Affection makes him false; he speaks not true:
Some twenty of them fought in this black strife,
And all those twenty could but kill one life.
I beg for justice, which thou, prince, must give;
Romeo slew Tybalt, Romeo must not live.
PRINCE
Romeo slew him, he slew Mercutio;
Who now the price of his dear blood doth owe?
MONTAGUE
Not Romeo, prince, he was Mercutio's friend;
His fault concludes but what the law should end,
The life of Tybalt.
PRINCE
And for that offence
Immediately we do exile him hence:
I have an interest in your hate's proceeding,
My blood for your rude brawls doth lie a-bleeding;
But I'll amerce you with so strong a fine
That you shall all repent the loss of mine:
I will be deaf to pleading and excuses;
Nor tears nor prayers shall purchase out abuses:
Therefore use none: let Romeo hence in haste,
Else, when he's found, that hour is his last.
Bear hence this body and attend our will:
Mercy but murders, pardoning those that kill.
Exeunt
SCENE II. Capulet's orchard.
Enter JULIET
JULIET
Gallop apace, you fiery-footed steeds,
Towards Phoebus' lodging: such a wagoner
As Phaethon would whip you to the west,
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,
That runaway's eyes may wink and Romeo
Leap to these arms, untalk'd of and unseen.
Lovers can see to do their amorous rites
By their own beauties; or, if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,
And learn me how to lose a winning match,
Play'd for a pair of stainless maidenhoods:
Hood my unmann'd blood, bating in my cheeks,
With thy black mantle; till strange love, grown bold,
Think true love acted simple modesty.
Come, night; come, Romeo; come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow on a raven's back.
Come, gentle night, come, loving, black-brow'd night,
Give me my Romeo; and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
O, I have bought the mansion of a love,
But not possess'd it, and, though I am sold,
Not yet enjoy'd: so tedious is this day
As is the night before some festival
To an impatient child that hath new robes
And may not wear them. O, here comes my nurse,
And she brings news; and every tongue that speaks
But Romeo's name speaks heavenly eloquence.
Enter Nurse, with cords
Now, nurse, what news? What hast thou there? the cords
That Romeo bid thee fetch?
Nurse
Ay, ay, the cords.
Throws them down
JULIET
Ay me! what news? why dost thou wring thy hands?
Nurse
Ah, well-a-day! he's dead, he's dead, he's dead!
We are undone, lady, we are undone!
Alack the day! he's gone, he's kill'd, he's dead!
JULIET
Can heaven be so envious?
Nurse
Romeo can,
Though heaven cannot: O Romeo, Romeo!
Who ever would have thought it? Romeo!
JULIET
What devil art thou, that dost torment me thus?
This torture should be roar'd in dismal hell.
Hath Romeo slain himself? say thou but 'I,'
And that bare vowel 'I' shall poison more
Than the death-darting eye of cockatrice:
I am not I, if there be such an I;
Or those eyes shut, that make thee answer 'I.'
If he be slain, say 'I'; or if not, no:
Brief sounds determine of my weal or woe.
Nurse
I saw the wound, I saw it with mine eyes,--
God save the mark!--here on his manly breast:
A piteous corse, a bloody piteous corse;
Pale, pale as ashes, all bedaub'd in blood,
All in gore-blood; I swounded at the sight.
JULIET
O, break, my heart! poor bankrupt, break at once!
To prison, eyes, ne'er look on liberty!
Vile earth, to earth resign; end motion here;
And thou and Romeo press one heavy bier!
Nurse
O Tybalt, Tybalt, the best friend I had!
O courteous Tybalt! honest gentleman!
That ever I should live to see thee dead!
JULIET
What storm is this that blows so contrary?
Is Romeo slaughter'd, and is Tybalt dead?
My dear-loved cousin, and my dearer lord?
Then, dreadful trumpet, sound the general doom!
For who is living, if those two are gone?
Nurse
Tybalt is gone, and Romeo banished;
Romeo that kill'd him, he is banished.
JULIET
O God! did Romeo's hand shed Tybalt's blood?
Nurse
It did, it did; alas the day, it did!
JULIET
O serpent heart, hid with a flowering face!
Did ever dragon keep so fair a cave?
Beautiful tyrant! fiend angelical!
Dove-feather'd raven! wolvish-ravening lamb!
Despised substance of divinest show!
Just opposite to what thou justly seem'st,
A damned saint, an honourable villain!
O nature, what hadst thou to do in hell,
When thou didst bower the spirit of a fiend
In moral paradise of such sweet flesh?
Was ever book containing such vile matter
So fairly bound? O that deceit should dwell
In such a gorgeous palace!
Nurse
There's no trust,
No faith, no honesty in men; all perjured,
All forsworn, all naught, all dissemblers.
Ah, where's my man? give me some aqua vitae:
These griefs, these woes, these sorrows make me old.
Shame come to Romeo!
JULIET
Blister'd be thy tongue
For such a wish! he was not born to shame:
Upon his brow shame is ashamed to sit;
For 'tis a throne where honour may be crown'd
Sole monarch of the universal earth.
O, what a beast was I to chide at him!
Nurse
Will you speak well of him that kill'd your cousin?
JULIET
Shall I speak ill of him that is my husband?
Ah, poor my lord, what tongue shall smooth thy name,
When I, thy three-hours wife, have mangled it?
But, wherefore, villain, didst thou kill my cousin?
That villain cousin would have kill'd my husband:
Back, foolish tears, back to your native spring;
Your tributary drops belong to woe,
Which you, mistaking, offer up to joy.
My husband lives, that Tybalt would have slain;
And Tybalt's dead, that would have slain my husband:
All this is comfort; wherefore weep I then?
Some word there was, worser than Tybalt's death,
That murder'd me: I would forget it fain;
But, O, it presses to my memory,
Like damned guilty deeds to sinners' minds:
'Tybalt is dead, and Romeo--banished;'
That 'banished,' that one word 'banished,'
Hath slain ten thousand Tybalts. Tybalt's death
Was woe enough, if it had ended there:
Or, if sour woe delights in fellowship
And needly will be rank'd with other griefs,
Why follow'd not, when she said 'Tybalt's dead,'
Thy father, or thy mother, nay, or both,
Which modern lamentations might have moved?
But with a rear-ward following Tybalt's death,
'Romeo is banished,' to speak that word,
Is father, mother, Tybalt, Romeo, Juliet,
All slain, all dead. 'Romeo is banished!'
There is no end, no limit, measure, bound,
In that word's death; no words can that woe sound.
Where is my father, and my mother, nurse?
Nurse
Weeping and wailing over Tybalt's corse:
Will you go to them? I will bring you thither.
JULIET
Wash they his wounds with tears: mine shall be spent,
When theirs are dry, for Romeo's banishment.
Take up those cords: poor ropes, you are beguiled,
Both you and I; for Romeo is exiled:
He made you for a highway to my bed;
But I, a maid, die maiden-widowed.
Come, cords, come, nurse; I'll to my wedding-bed;
And death, not Romeo, take my maidenhead!
Nurse
Hie to your chamber: I'll find Romeo
To comfort you: I wot well where he is.
Hark ye, your Romeo will be here at night:
I'll to him; he is hid at Laurence' cell.
JULIET
O, find him! give this ring to my true knight,
And bid him come to take his last farewell.
Exeunt




Romeo and Juliet: Entire PlaySCENE V. Capulet's orchard.
Enter JULIET
JULIET
The clock struck nine when I did send the nurse;
In half an hour she promised to return.
Perchance she cannot meet him: that's not so.
O, she is lame! love's heralds should be thoughts,
Which ten times faster glide than the sun's beams,
Driving back shadows over louring hills:
Therefore do nimble-pinion'd doves draw love,
And therefore hath the wind-swift Cupid wings.
Now is the sun upon the highmost hill
Of this day's journey, and from nine till twelve
Is three long hours, yet she is not come.
Had she affections and warm youthful blood,
She would be as swift in motion as a ball;
My words would bandy her to my sweet love,
And his to me:
But old folks, many feign as they were dead;
Unwieldy, slow, heavy and pale as lead.
O God, she comes!
Enter Nurse and PETER
O honey nurse, what news?
Hast thou met with him? Send thy man away.
Nurse
Peter, stay at the gate.
Exit PETER
JULIET
Now, good sweet nurse,--O Lord, why look'st thou sad?
Though news be sad, yet tell them merrily;
If good, thou shamest the music of sweet news
By playing it to me with so sour a face.
Nurse
I am a-weary, give me leave awhile:
Fie, how my bones ache! what a jaunt have I had!
JULIET
I would thou hadst my bones, and I thy news:
Nay, come, I pray thee, speak; good, good nurse, speak.
Nurse
Jesu, what haste? can you not stay awhile?
Do you not see that I am out of breath?
JULIET
How art thou out of breath, when thou hast breath
To say to me that thou art out of breath?
The excuse that thou dost make in this delay
Is longer than the tale thou dost excuse.
Is thy news good, or bad? answer to that;
Say either, and I'll stay the circumstance:
Let me be satisfied, is't good or bad?
Nurse
Well, you have made a simple choice; you know not
how to choose a man: Romeo! no, not he; though his
face be better than any man's, yet his leg excels
all men's; and for a hand, and a foot, and a body,
though they be not to be talked on, yet they are
past compare: he is not the flower of courtesy,
but, I'll warrant him, as gentle as a lamb. Go thy
ways, wench; serve God. What, have you dined at home?
JULIET
No, no: but all this did I know before.
What says he of our marriage? what of that?
Nurse
Lord, how my head aches! what a head have I!
It beats as it would fall in twenty pieces.
My back o' t' other side,--O, my back, my back!
Beshrew your heart for sending me about,
To catch my death with jaunting up and down!
JULIET
I' faith, I am sorry that thou art not well.
Sweet, sweet, sweet nurse, tell me, what says my love?
Nurse
Your love says, like an honest gentleman, and a
courteous, and a kind, and a handsome, and, I
warrant, a virtuous,--Where is your mother?
JULIET
Where is my mother! why, she is within;
Where should she be? How oddly thou repliest!
'Your love says, like an honest gentleman,
Where is your mother?'
Nurse
O God's lady dear!
Are you so hot? marry, come up, I trow;
Is this the poultice for my aching bones?
Henceforward do your messages yourself.
JULIET
Here's such a coil! come, what says Romeo?
Nurse
Have you got leave to go to shrift to-day?
JULIET
I have.
Nurse
Then hie you hence to Friar Laurence' cell;
There stays a husband to make you a wife:
Now comes the wanton blood up in your cheeks,
They'll be in scarlet straight at any news.
Hie you to church; I must another way,
To fetch a ladder, by the which your love
Must climb a bird's nest soon when it is dark:
I am the drudge and toil in your delight,
But you shall bear the burden soon at night.
Go; I'll to dinner: hie you to the cell.
JULIET
Hie to high fortune! Honest nurse, farewell.
Exeunt
SCENE VI. Friar Laurence's cell.
Enter FRIAR LAURENCE and ROMEO
FRIAR LAURENCE
So smile the heavens upon this holy act,
That after hours with sorrow chide us not!
ROMEO
Amen, amen! but come what sorrow can,
It cannot countervail the exchange of joy
That one short minute gives me in her sight:
Do thou but close our hands with holy words,
Then love-devouring death do what he dare;
It is enough I may but call her mine.
FRIAR LAURENCE
These violent delights have violent ends
And in their triumph die, like fire and powder,
Which as they kiss consume: the sweetest honey
Is loathsome in his own deliciousness
And in the taste confounds the appetite:
Therefore love moderately; long love doth so;
Too swift arrives as tardy as too slow.
Enter JULIET
Here comes the lady: O, so light a foot
Will ne'er wear out the everlasting flint:
A lover may bestride the gossamer
That idles in the wanton summer air,
And yet not fall; so light is vanity.
JULIET
Good even to my ghostly confessor.
FRIAR LAURENCE
Romeo shall thank thee, daughter, for us both.
JULIET
As much to him, else is his thanks too much.
ROMEO
Ah, Juliet, if the measure of thy joy
Be heap'd like mine and that thy skill be more
To blazon it, then sweeten with thy breath
This neighbour air, and let rich music's tongue
Unfold the imagined happiness that both
Receive in either by this dear encounter.
JULIET
Conceit, more rich in matter than in words,
Brags of his substance, not of ornament:
They are but beggars that can count their worth;
But my true love is grown to such excess
I cannot sum up sum of half my wealth.
FRIAR LAURENCE
Come, come with me, and we will make short work;
For, by your leaves, you shall not stay alone
Till holy church incorporate two in one.
Exeunt
ACT III

SCENE I. A public place.
Enter MERCUTIO, BENVOLIO, Page, and Servants
BENVOLIO
I pray thee, good Mercutio, let's retire:
The day is hot, the Capulets abroad,
And, if we meet, we shall not scape a brawl;
For now, these hot days, is the mad blood stirring.
MERCUTIO
Thou art like one of those fellows that when he
enters the confines of a tavern claps me his sword
upon the table and says 'God send me no need of
thee!' and by the operation of the second cup draws
it on the drawer, when indeed there is no need.
BENVOLIO
Am I like such a fellow?
MERCUTIO
Come, come, thou art as hot a Jack in thy mood as
any in Italy, and as soon moved to be moody, and as
soon moody to be moved.
BENVOLIO
And what to?
MERCUTIO
Nay, an there were two such, we should have none
shortly, for one would kill the other. Thou! why,
thou wilt quarrel with a man that hath a hair more,
or a hair less, in his beard, than thou hast: thou
wilt quarrel with a man for cracking nuts, having no
other reason but because thou hast hazel eyes: what
eye but such an eye would spy out such a quarrel?
Thy head is as fun of quarrels as an egg is full of
meat, and yet thy head hath been beaten as addle as
an egg for quarrelling: thou hast quarrelled with a
man for coughing in the street, because he hath
wakened thy dog that hath lain asleep in the sun:
didst thou not fall out with a tailor for wearing
his new doublet before Easter? with another, for
tying his new shoes with old riband? and yet thou
wilt tutor me from quarrelling!
BENVOLIO
An I were so apt to quarrel as thou art, any man
should buy the fee-simple of my life for an hour and a quarter.
MERCUTIO
The fee-simple! O simple!
BENVOLIO
By my head, here come the Capulets.
MERCUTIO
By my heel, I care not.
Enter TYBALT and others
TYBALT
Follow me close, for I will speak to them.
Gentlemen, good den: a word with one of you.
MERCUTIO
And but one word with one of us? couple it with
something; make it a word and a blow.
TYBALT
You shall find me apt enough to that, sir, an you
will give me occasion.
MERCUTIO
Could you not take some occasion without giving?
TYBALT
Mercutio, thou consort'st with Romeo,--
MERCUTIO
Consort! what, dost thou make us minstrels? an
thou make minstrels of us, look to hear nothing but
discords: here's my fiddlestick; here's that shall
make you dance. 'Zounds, consort!
BENVOLIO
We talk here in the public haunt of men:
Either withdraw unto some private place,
And reason coldly of your grievances,
Or else depart; here all eyes gaze on us.
MERCUTIO
Men's eyes were made to look, and let them gaze;
I will not budge for no man's pleasure, I.
Enter ROMEO
TYBALT
Well, peace be with you, sir: here comes my man.
MERCUTIO
But I'll be hanged, sir, if he wear your livery:
Marry, go before to field, he'll be your follower;
Your worship in that sense may call him 'man.'
TYBALT
Romeo, the hate I bear thee can afford
No better term than this,--thou art a villain.
ROMEO
Tybalt, the reason that I have to love thee
Doth much excuse the appertaining rage
To such a greeting: villain am I none;
Therefore farewell; I see thou know'st me not.
TYBALT
Boy, this shall not excuse the injuries
That thou hast done me; therefore turn and draw.
ROMEO
I do protest, I never injured thee,
But love thee better than thou canst devise,
Till thou shalt know the reason of my love:
And so, good Capulet,--which name I tender
As dearly as my own,--be satisfied.
MERCUTIO
O calm, dishonourable, vile submission!
Alla stoccata carries it away.
Draws
Tybalt, you rat-catcher, will you walk?
TYBALT
What wouldst thou have with me?
MERCUTIO
Good king of cats, nothing but one of your nine
lives; that I mean to make bold withal, and as you
shall use me hereafter, drybeat the rest of the
eight. Will you pluck your sword out of his pitcher
by the ears? make haste, lest mine be about your
ears ere it be out.
TYBALT
I am for you.
Drawing
ROMEO
Gentle Mercutio, put thy rapier up.
MERCUTIO
Come, sir, your passado.
They fight
ROMEO
Draw, Benvolio; beat down their weapons.
Gentlemen, for shame, forbear this outrage!
Tybalt, Mercutio, the prince expressly hath
Forbidden bandying in Verona streets:
Hold, Tybalt! good Mercutio!
TYBALT under ROMEO's arm stabs MERCUTIO, and flies with his followers
MERCUTIO
I am hurt.
A plague o' both your houses! I am sped.
Is he gone, and hath nothing?
BENVOLIO
What, art thou hurt?
MERCUTIO
Ay, ay, a scratch, a scratch; marry, 'tis enough.
Where is my page? Go, villain, fetch a surgeon.
Exit Page
ROMEO
Courage, man; the hurt cannot be much.
MERCUTIO
No, 'tis not so deep as a well, nor so wide as a
church-door; but 'tis enough,'twill serve: ask for
me to-morrow, and you shall find me a grave man. I
am peppered, I warrant, for this world. A plague o'
both your houses! 'Zounds, a dog, a rat, a mouse, a
cat, to scratch a man to death! a braggart, a
rogue, a villain, that fights by the book of
arithmetic! Why the devil came you between us? I
was hurt under your arm.
ROMEO
I thought all for the best.
MERCUTIO
Help me into some house, Benvolio,
Or I shall faint. A plague o' both your houses!
They have made worms' meat of me: I have it,
And soundly too: your houses!
Exeunt MERCUTIO and BENVOLIO
ROMEO
This gentleman, the prince's near ally,
My very friend, hath got his mortal hurt
In my behalf; my reputation stain'd
With Tybalt's slander,--Tybalt, that an hour
Hath been my kinsman! O sweet Juliet,
Thy beauty hath made me effeminate
And in my temper soften'd valour's steel!
Re-enter BENVOLIO
BENVOLIO
O Romeo, Romeo, brave Mercutio's dead!
That gallant spirit hath aspired the clouds,
Which too untimely here did scorn the earth.
ROMEO
This day's black fate on more days doth depend;
This but begins the woe, others must end.
BENVOLIO
Here comes the furious Tybalt back again.
ROMEO
Alive, in triumph! and Mercutio slain!
Away to heaven, respective lenity,
And fire-eyed fury be my conduct now!
Re-enter TYBALT
Now, Tybalt, take the villain back again,
That late thou gavest me; for Mercutio's soul
Is but a little way above our heads,
Staying for thine to keep him company:
Either thou, or I, or both, must go with him.
TYBALT
Thou, wretched boy, that didst consort him here,
Shalt with him hence.
ROMEO
This shall determine that.
They fight; TYBALT falls
BENVOLIO
Romeo, away, be gone!
The citizens are up, and Tybalt slain.
Stand not amazed: the prince will doom thee death,
If thou art taken: hence, be gone, away!
ROMEO
O, I am fortune's fool!
BENVOLIO
Why dost thou stay?
Exit ROMEO
Enter Citizens, & c
First Citizen
Which way ran he that kill'd Mercutio?
Tybalt, that murderer, which way ran he?
BENVOLIO
There lies that Tybalt.
First Citizen
Up, sir, go with me;
I charge thee in the princes name, obey.
Enter Prince, attended; MONTAGUE, CAPULET, their Wives, and others
PRINCE
Where are the vile beginners of this fray?
BENVOLIO
O noble prince, I can discover all
The unlucky manage of this fatal brawl:
There lies the man, slain by young Romeo,
That slew thy kinsman, brave Mercutio.
LADY CAPULET
Tybalt, my cousin! O my brother's child!
O prince! O cousin! husband! O, the blood is spilt
O my dear kinsman! Prince, as thou art true,
For blood of ours, shed blood of Montague.
O cousin, cousin!
PRINCE
Benvolio, who began this bloody fray?
BENVOLIO
Tybalt, here slain, whom Romeo's hand did slay;
Romeo that spoke him fair, bade him bethink
How nice the quarrel was, and urged withal
Your high displeasure: all this uttered
With gentle breath, calm look, knees humbly bow'd,
Could not take truce with the unruly spleen
Of Tybalt deaf to peace, but that he tilts
With piercing steel at bold Mercutio's breast,
Who all as hot, turns deadly point to point,
And, with a martial scorn, with one hand beats
Cold death aside, and with the other sends
It back to Tybalt, whose dexterity,
Retorts it: Romeo he cries aloud,
'Hold, friends! friends, part!' and, swifter than
his tongue,
His agile arm beats down their fatal points,
And 'twixt them rushes; underneath whose arm
An envious thrust from Tybalt hit the life
Of stout Mercutio, and then Tybalt fled;
But by and by comes back to Romeo,
Who had but newly entertain'd revenge,
And to 't they go like lightning, for, ere I
Could draw to part them, was stout Tybalt slain.
And, as he fell, did Romeo turn and fly.
This is the truth, or let Benvolio die.
LADY CAPULET
He is a kinsman to the Montague;
Affection makes him false; he speaks not true:
Some twenty of them fought in this black strife,
And all those twenty could but kill one life.
I beg for justice, which thou, prince, must give;
Romeo slew Tybalt, Romeo must not live.
PRINCE
Romeo slew him, he slew Mercutio;
Who now the price of his dear blood doth owe?
MONTAGUE
Not Romeo, prince, he was Mercutio's friend;
His fault concludes but what the law should end,
The life of Tybalt.
PRINCE
And for that offence
Immediately we do exile him hence:
I have an interest in your hate's proceeding,
My blood for your rude brawls doth lie a-bleeding;
But I'll amerce you with so strong a fine
That you shall all repent the loss of mine:
I will be deaf to pleading and excuses;
Nor tears nor prayers shall purchase out abuses:
Therefore use none: let Romeo hence in haste,
Else, when he's found, that hour is his last.
Bear hence this body and attend our will:
Mercy but murders, pardoning those that kill.
Exeunt
SCENE II. Capulet's orchard.
Enter JULIET
JULIET
Gallop apace, you fiery-footed steeds,
Towards Phoebus' lodging: such a wagoner
As Phaethon would whip you to the west,
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,
That runaway's eyes may wink and Romeo
Leap to these arms, untalk'd of and unseen.
Lovers can see to do their amorous rites
By their own beauties; or, if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,
And learn me how to lose a winning match,
Play'd for a pair of stainless maidenhoods:
Hood my unmann'd blood, bating in my cheeks,
With thy black mantle; till strange love, grown bold,
Think true love acted simple modesty.
Come, night; come, Romeo; come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow on a raven's back.
Come, gentle night, come, loving, black-brow'd night,
Give me my Romeo; and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
O, I have bought the mansion of a love,
But not possess'd it, and, though I am sold,
Not yet enjoy'd: so tedious is this day
As is the night before some festival
To an impatient child that hath new robes
And may not wear them. O, here comes my nurse,
And she brings news; and every tongue that speaks
But Romeo's name speaks heavenly eloquence.
Enter Nurse, with cords
Now, nurse, what news? What hast thou there? the cords
That Romeo bid thee fetch?
Nurse
Ay, ay, the cords.
Throws them down
JULIET
Ay me! what news? why dost thou wring thy hands?
Nurse
Ah, well-a-day! he's dead, he's dead, he's dead!
We are undone, lady, we are undone!
Alack the day! he's gone, he's kill'd, he's dead!
JULIET
Can heaven be so envious?
Nurse
Romeo can,
Though heaven cannot: O Romeo, Romeo!
Who ever would have thought it? Romeo!
JULIET
What devil art thou, that dost torment me thus?
This torture should be roar'd in dismal hell.
Hath Romeo slain himself? say thou but 'I,'
And that bare vowel 'I' shall poison more
Than the death-darting eye of cockatrice:
I am not I, if there be such an I;
Or those eyes shut, that make thee answer 'I.'
If he be slain, say 'I'; or if not, no:
Brief sounds determine of my weal or woe.
Nurse
I saw the wound, I saw it with mine eyes,--
God save the mark!--here on his manly breast:
A piteous corse, a bloody piteous corse;
Pale, pale as ashes, all bedaub'd in blood,
All in gore-blood; I swounded at the sight.
JULIET
O, break, my heart! poor bankrupt, break at once!
To prison, eyes, ne'er look on liberty!
Vile earth, to earth resign; end motion here;
And thou and Romeo press one heavy bier!
Nurse
O Tybalt, Tybalt, the best friend I had!
O courteous Tybalt! honest gentleman!
That ever I should live to see thee dead!
JULIET
What storm is this that blows so contrary?
Is Romeo slaughter'd, and is Tybalt dead?
My dear-loved cousin, and my dearer lord?
Then, dreadful trumpet, sound the general doom!
For who is living, if those two are gone?
Nurse
Tybalt is gone, and Romeo banished;
Romeo that kill'd him, he is banished.
JULIET
O God! did Romeo's hand shed Tybalt's blood?
Nurse
It did, it did; alas the day, it did!
JULIET
O serpent heart, hid with a flowering face!
Did ever dragon keep so fair a cave?
Beautiful tyrant! fiend angelical!
Dove-feather'd raven! wolvish-ravening lamb!
Despised substance of divinest show!
Just opposite to what thou justly seem'st,
A damned saint, an honourable villain!
O nature, what hadst thou to do in hell,
When thou didst bower the spirit of a fiend
In moral paradise of such sweet flesh?
Was ever book containing such vile matter
So fairly bound? O that deceit should dwell
In such a gorgeous palace!
Nurse
There's no trust,
No faith, no honesty in men; all perjured,
All forsworn, all naught, all dissemblers.
Ah, where's my man? give me some aqua vitae:
These griefs, these woes, these sorrows make me old.
Shame come to Romeo!
JULIET
Blister'd be thy tongue
For such a wish! he was not born to shame:
Upon his brow shame is ashamed to sit;
For 'tis a throne where honour may be crown'd
Sole monarch of the universal earth.
O, what a beast was I to chide at him!
Nurse
Will you speak well of him that kill'd your cousin?
JULIET
Shall I speak ill of him that is my husband?
Ah, poor my lord, what tongue shall smooth thy name,
When I, thy three-hours wife, have mangled it?
But, wherefore, villain, didst thou kill my cousin?
That villain cousin would have kill'd my husband:
Back, foolish tears, back to your native spring;
Your tributary drops belong to woe,
Which you, mistaking, offer up to joy.
My husband lives, that Tybalt would have slain;
And Tybalt's dead, that would have slain my husband:
All this is comfort; wherefore weep I then?
Some word there was, worser than Tybalt's death,
That murder'd me: I would forget it fain;
But, O, it presses to my memory,
Like damned guilty deeds to sinners' minds:
'Tybalt is dead, and Romeo--banished;'
That 'banished,' that one word 'banished,'
Hath slain ten thousand Tybalts. Tybalt's death
Was woe enough, if it had ended there:
Or, if sour woe delights in fellowship
And needly will be rank'd with other griefs,
Why follow'd not, when she said 'Tybalt's dead,'
Thy father, or thy mother, nay, or both,
Which modern lamentations might have moved?
But with a rear-ward following Tybalt's death,
'Romeo is banished,' to speak that word,
Is father, mother, Tybalt, Romeo, Juliet,
All slain, all dead. 'Romeo is banished!'
There is no end, no limit, measure, bound,
In that word's death; no words can that woe sound.
Where is my father, and my mother, nurse?
Nurse
Weeping and wailing over Tybalt's corse:
Will you go to them? I will bring you thither.
JULIET
Wash they his wounds with tears: mine shall be spent,
When theirs are dry, for Romeo's banishment.
Take up those cords: poor ropes, you are beguiled,
Both you and I; for Romeo is exiled:
He made you for a highway to my bed;
But I, a maid, die maiden-widowed.
Come, cords, come, nurse; I'll to my wedding-bed;
And death, not Romeo, take my maidenhead!
Nurse
Hie to your chamber: I'll find Romeo
To comfort you: I wot well where he is.
Hark ye, your Romeo will be here at night:
I'll to him; he is hid at Laurence' cell.
JULIET
O, find him! give this ring to my true knight,
And bid him come to take his last farewell.
Exeunt




Romeo and Juliet: Entire PlaySCENE V. Capulet's orchard.
Enter JULIET
JULIET
The clock struck nine when I did send the nurse;
In half an hour she promised to return.
Perchance she cannot meet him: that's not so.
O, she is lame! love's heralds should be thoughts,
Which ten times faster glide than the sun's beams,
Driving back shadows over louring hills:
Therefore do nimble-pinion'd doves draw love,
And therefore hath the wind-swift Cupid wings.
Now is the sun upon the highmost hill
Of this day's journey, and from nine till twelve
Is three long hours, yet she is not come.
Had she affections and warm youthful blood,
She would be as swift in motion as a ball;
My words would bandy her to my sweet love,
And his to me:
But old folks, many feign as they were dead;
Unwieldy, slow, heavy and pale as lead.
O God, she comes!
Enter Nurse and PETER
O honey nurse, what news?
Hast thou met with him? Send thy man away.
Nurse
Peter, stay at the gate.
Exit PETER
JULIET
Now, good sweet nurse,--O Lord, why look'st thou sad?
Though news be sad, yet tell them merrily;
If good, thou shamest the music of sweet news
By playing it to me with so sour a face.
Nurse
I am a-weary, give me leave awhile:
Fie, how my bones ache! what a jaunt have I had!
JULIET
I would thou hadst my bones, and I thy news:
Nay, come, I pray thee, speak; good, good nurse, speak.
Nurse
Jesu, what haste? can you not stay awhile?
Do you not see that I am out of breath?
JULIET
How art thou out of breath, when thou hast breath
To say to me that thou art out of breath?
The excuse that thou dost make in this delay
Is longer than the tale thou dost excuse.
Is thy news good, or bad? answer to that;
Say either, and I'll stay the circumstance:
Let me be satisfied, is't good or bad?
Nurse
Well, you have made a simple choice; you know not
how to choose a man: Romeo! no, not he; though his
face be better than any man's, yet his leg excels
all men's; and for a hand, and a foot, and a body,
though they be not to be talked on, yet they are
past compare: he is not the flower of courtesy,
but, I'll warrant him, as gentle as a lamb. Go thy
ways, wench; serve God. What, have you dined at home?
JULIET
No, no: but all this did I know before.
What says he of our marriage? what of that?
Nurse
Lord, how my head aches! what a head have I!
It beats as it would fall in twenty pieces.
My back o' t' other side,--O, my back, my back!
Beshrew your heart for sending me about,
To catch my death with jaunting up and down!
JULIET
I' faith, I am sorry that thou art not well.
Sweet, sweet, sweet nurse, tell me, what says my love?
Nurse
Your love says, like an honest gentleman, and a
courteous, and a kind, and a handsome, and, I
warrant, a virtuous,--Where is your mother?
JULIET
Where is my mother! why, she is within;
Where should she be? How oddly thou repliest!
'Your love says, like an honest gentleman,
Where is your mother?'
Nurse
O God's lady dear!
Are you so hot? marry, come up, I trow;
Is this the poultice for my aching bones?
Henceforward do your messages yourself.
JULIET
Here's such a coil! come, what says Romeo?
Nurse
Have you got leave to go to shrift to-day?
JULIET
I have.
Nurse
Then hie you hence to Friar Laurence' cell;
There stays a husband to make you a wife:
Now comes the wanton blood up in your cheeks,
They'll be in scarlet straight at any news.
Hie you to church; I must another way,
To fetch a ladder, by the which your love
Must climb a bird's nest soon when it is dark:
I am the drudge and toil in your delight,
But you shall bear the burden soon at night.
Go; I'll to dinner: hie you to the cell.
JULIET
Hie to high fortune! Honest nurse, farewell.
Exeunt
SCENE VI. Friar Laurence's cell.
Enter FRIAR LAURENCE and ROMEO
FRIAR LAURENCE
So smile the heavens upon this holy act,
That after hours with sorrow chide us not!
ROMEO
Amen, amen! but come what sorrow can,
It cannot countervail the exchange of joy
That one short minute gives me in her sight:
Do thou but close our hands with holy words,
Then love-devouring death do what he dare;
It is enough I may but call her mine.
FRIAR LAURENCE
These violent delights have violent ends
And in their triumph die, like fire and powder,
Which as they kiss consume: the sweetest honey
Is loathsome in his own deliciousness
And in the taste confounds the appetite:
Therefore love moderately; long love doth so;
Too swift arrives as tardy as too slow.
Enter JULIET
Here comes the lady: O, so light a foot
Will ne'er wear out the everlasting flint:
A lover may bestride the gossamer
That idles in the wanton summer air,
And yet not fall; so light is vanity.
JULIET
Good even to my ghostly confessor.
FRIAR LAURENCE
Romeo shall thank thee, daughter, for us both.
JULIET
As much to him, else is his thanks too much.
ROMEO
Ah, Juliet, if the measure of thy joy
Be heap'd like mine and that thy skill be more
To blazon it, then sweeten with thy breath
This neighbour air, and let rich music's tongue
Unfold the imagined happiness that both
Receive in either by this dear encounter.
JULIET
Conceit, more rich in matter than in words,
Brags of his substance, not of ornament:
They are but beggars that can count their worth;
But my true love is grown to such excess
I cannot sum up sum of half my wealth.
FRIAR LAURENCE
Come, come with me, and we will make short work;
For, by your leaves, you shall not stay alone
Till holy church incorporate two in one.
Exeunt
ACT III

SCENE I. A public place.
Enter MERCUTIO, BENVOLIO, Page, and Servants
BENVOLIO
I pray thee, good Mercutio, let's retire:
The day is hot, the Capulets abroad,
And, if we meet, we shall not scape a brawl;
For now, these hot days, is the mad blood stirring.
MERCUTIO
Thou art like one of those fellows that when he
enters the confines of a tavern claps me his sword
upon the table and says 'God send me no need of
thee!' and by the operation of the second cup draws
it on the drawer, when indeed there is no need.
BENVOLIO
Am I like such a fellow?
MERCUTIO
Come, come, thou art as hot a Jack in thy mood as
any in Italy, and as soon moved to be moody, and as
soon moody to be moved.
BENVOLIO
And what to?
MERCUTIO
Nay, an there were two such, we should have none
shortly, for one would kill the other. Thou! why,
thou wilt quarrel with a man that hath a hair more,
or a hair less, in his beard, than thou hast: thou
wilt quarrel with a man for cracking nuts, having no
other reason but because thou hast hazel eyes: what
eye but such an eye would spy out such a quarrel?
Thy head is as fun of quarrels as an egg is full of
meat, and yet thy head hath been beaten as addle as
an egg for quarrelling: thou hast quarrelled with a
man for coughing in the street, because he hath
wakened thy dog that hath lain asleep in the sun:
didst thou not fall out with a tailor for wearing
his new doublet before Easter? with another, for
tying his new shoes with old riband? and yet thou
wilt tutor me from quarrelling!
BENVOLIO
An I were so apt to quarrel as thou art, any man
should buy the fee-simple of my life for an hour and a quarter.
MERCUTIO
The fee-simple! O simple!
BENVOLIO
By my head, here come the Capulets.
MERCUTIO
By my heel, I care not.
Enter TYBALT and others
TYBALT
Follow me close, for I will speak to them.
Gentlemen, good den: a word with one of you.
MERCUTIO
And but one word with one of us? couple it with
something; make it a word and a blow.
TYBALT
You shall find me apt enough to that, sir, an you
will give me occasion.
MERCUTIO
Could you not take some occasion without giving?
TYBALT
Mercutio, thou consort'st with Romeo,--
MERCUTIO
Consort! what, dost thou make us minstrels? an
thou make minstrels of us, look to hear nothing but
discords: here's my fiddlestick; here's that shall
make you dance. 'Zounds, consort!
BENVOLIO
We talk here in the public haunt of men:
Either withdraw unto some private place,
And reason coldly of your grievances,
Or else depart; here all eyes gaze on us.
MERCUTIO
Men's eyes were made to look, and let them gaze;
I will not budge for no man's pleasure, I.
Enter ROMEO
TYBALT
Well, peace be with you, sir: here comes my man.
MERCUTIO
But I'll be hanged, sir, if he wear your livery:
Marry, go before to field, he'll be your follower;
Your worship in that sense may call him 'man.'
TYBALT
Romeo, the hate I bear thee can afford
No better term than this,--thou art a villain.
ROMEO
Tybalt, the reason that I have to love thee
Doth much excuse the appertaining rage
To such a greeting: villain am I none;
Therefore farewell; I see thou know'st me not.
TYBALT
Boy, this shall not excuse the injuries
That thou hast done me; therefore turn and draw.
ROMEO
I do protest, I never injured thee,
But love thee better than thou canst devise,
Till thou shalt know the reason of my love:
And so, good Capulet,--which name I tender
As dearly as my own,--be satisfied.
MERCUTIO
O calm, dishonourable, vile submission!
Alla stoccata carries it away.
Draws
Tybalt, you rat-catcher, will you walk?
TYBALT
What wouldst thou have with me?
MERCUTIO
Good king of cats, nothing but one of your nine
lives; that I mean to make bold withal, and as you
shall use me hereafter, drybeat the rest of the
eight. Will you pluck your sword out of his pitcher
by the ears? make haste, lest mine be about your
ears ere it be out.
TYBALT
I am for you.
Drawing
ROMEO
Gentle Mercutio, put thy rapier up.
MERCUTIO
Come, sir, your passado.
They fight
ROMEO
Draw, Benvolio; beat down their weapons.
Gentlemen, for shame, forbear this outrage!
Tybalt, Mercutio, the prince expressly hath
Forbidden bandying in Verona streets:
Hold, Tybalt! good Mercutio!
TYBALT under ROMEO's arm stabs MERCUTIO, and flies with his followers
MERCUTIO
I am hurt.
A plague o' both your houses! I am sped.
Is he gone, and hath nothing?
BENVOLIO
What, art thou hurt?
MERCUTIO
Ay, ay, a scratch, a scratch; marry, 'tis enough.
Where is my page? Go, villain, fetch a surgeon.
Exit Page
ROMEO
Courage, man; the hurt cannot be much.
MERCUTIO
No, 'tis not so deep as a well, nor so wide as a
church-door; but 'tis enough,'twill serve: ask for
me to-morrow, and you shall find me a grave man. I
am peppered, I warrant, for this world. A plague o'
both your houses! 'Zounds, a dog, a rat, a mouse, a
cat, to scratch a man to death! a braggart, a
rogue, a villain, that fights by the book of
arithmetic! Why the devil came you between us? I
was hurt under your arm.
ROMEO
I thought all for the best.
MERCUTIO
Help me into some house, Benvolio,
Or I shall faint. A plague o' both your houses!
They have made worms' meat of me: I have it,
And soundly too: your houses!
Exeunt MERCUTIO and BENVOLIO
ROMEO
This gentleman, the prince's near ally,
My very friend, hath got his mortal hurt
In my behalf; my reputation stain'd
With Tybalt's slander,--Tybalt, that an hour
Hath been my kinsman! O sweet Juliet,
Thy beauty hath made me effeminate
And in my temper soften'd valour's steel!
Re-enter BENVOLIO
BENVOLIO
O Romeo, Romeo, brave Mercutio's dead!
That gallant spirit hath aspired the clouds,
Which too untimely here did scorn the earth.
ROMEO
This day's black fate on more days doth depend;
This but begins the woe, others must end.
BENVOLIO
Here comes the furious Tybalt back again.
ROMEO
Alive, in triumph! and Mercutio slain!
Away to heaven, respective lenity,
And fire-eyed fury be my conduct now!
Re-enter TYBALT
Now, Tybalt, take the villain back again,
That late thou gavest me; for Mercutio's soul
Is but a little way above our heads,
Staying for thine to keep him company:
Either thou, or I, or both, must go with him.
TYBALT
Thou, wretched boy, that didst consort him here,
Shalt with him hence.
ROMEO
This shall determine that.
They fight; TYBALT falls
BENVOLIO
Romeo, away, be gone!
The citizens are up, and Tybalt slain.
Stand not amazed: the prince will doom thee death,
If thou art taken: hence, be gone, away!
ROMEO
O, I am fortune's fool!
BENVOLIO
Why dost thou stay?
Exit ROMEO
Enter Citizens, & c
First Citizen
Which way ran he that kill'd Mercutio?
Tybalt, that murderer, which way ran he?
BENVOLIO
There lies that Tybalt.
First Citizen
Up, sir, go with me;
I charge thee in the princes name, obey.
Enter Prince, attended; MONTAGUE, CAPULET, their Wives, and others
PRINCE
Where are the vile beginners of this fray?
BENVOLIO
O noble prince, I can discover all
The unlucky manage of this fatal brawl:
There lies the man, slain by young Romeo,
That slew thy kinsman, brave Mercutio.
LADY CAPULET
Tybalt, my cousin! O my brother's child!
O prince! O cousin! husband! O, the blood is spilt
O my dear kinsman! Prince, as thou art true,
For blood of ours, shed blood of Montague.
O cousin, cousin!
PRINCE
Benvolio, who began this bloody fray?
BENVOLIO
Tybalt, here slain, whom Romeo's hand did slay;
Romeo that spoke him fair, bade him bethink
How nice the quarrel was, and urged withal
Your high displeasure: all this uttered
With gentle breath, calm look, knees humbly bow'd,
Could not take truce with the unruly spleen
Of Tybalt deaf to peace, but that he tilts
With piercing steel at bold Mercutio's breast,
Who all as hot, turns deadly point to point,
And, with a martial scorn, with one hand beats
Cold death aside, and with the other sends
It back to Tybalt, whose dexterity,
Retorts it: Romeo he cries aloud,
'Hold, friends! friends, part!' and, swifter than
his tongue,
His agile arm beats down their fatal points,
And 'twixt them rushes; underneath whose arm
An envious thrust from Tybalt hit the life
Of stout Mercutio, and then Tybalt fled;
But by and by comes back to Romeo,
Who had but newly entertain'd revenge,
And to 't they go like lightning, for, ere I
Could draw to part them, was stout Tybalt slain.
And, as he fell, did Romeo turn and fly.
This is the truth, or let Benvolio die.
LADY CAPULET
He is a kinsman to the Montague;
Affection makes him false; he speaks not true:
Some twenty of them fought in this black strife,
And all those twenty could but kill one life.
I beg for justice, which thou, prince, must give;
Romeo slew Tybalt, Romeo must not live.
PRINCE
Romeo slew him, he slew Mercutio;
Who now the price of his dear blood doth owe?
MONTAGUE
Not Romeo, prince, he was Mercutio's friend;
His fault concludes but what the law should end,
The life of Tybalt.
PRINCE
And for that offence
Immediately we do exile him hence:
I have an interest in your hate's proceeding,
My blood for your rude brawls doth lie a-bleeding;
But I'll amerce you with so strong a fine
That you shall all repent the loss of mine:
I will be deaf to pleading and excuses;
Nor tears nor prayers shall purchase out abuses:
Therefore use none: let Romeo hence in haste,
Else, when he's found, that hour is his last.
Bear hence this body and attend our will:
Mercy but murders, pardoning those that kill.
Exeunt
SCENE II. Capulet's orchard.
Enter JULIET
JULIET
Gallop apace, you fiery-footed steeds,
Towards Phoebus' lodging: such a wagoner
As Phaethon would whip you to the west,
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,
That runaway's eyes may wink and Romeo
Leap to these arms, untalk'd of and unseen.
Lovers can see to do their amorous rites
By their own beauties; or, if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,
And learn me how to lose a winning match,
Play'd for a pair of stainless maidenhoods:
Hood my unmann'd blood, bating in my cheeks,
With thy black mantle; till strange love, grown bold,
Think true love acted simple modesty.
Come, night; come, Romeo; come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow on a raven's back.
Come, gentle night, come, loving, black-brow'd night,
Give me my Romeo; and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
O, I have bought the mansion of a love,
But not possess'd it, and, though I am sold,
Not yet enjoy'd: so tedious is this day
As is the night before some festival
To an impatient child that hath new robes
And may not wear them. O, here comes my nurse,
And she brings news; and every tongue that speaks
But Romeo's name speaks heavenly eloquence.
Enter Nurse, with cords
Now, nurse, what news? What hast thou there? the cords
That Romeo bid thee fetch?
Nurse
Ay, ay, the cords.
Throws them down
JULIET
Ay me! what news? why dost thou wring thy hands?
Nurse
Ah, well-a-day! he's dead, he's dead, he's dead!
We are undone, lady, we are undone!
Alack the day! he's gone, he's kill'd, he's dead!
JULIET
Can heaven be so envious?
Nurse
Romeo can,
Though heaven cannot: O Romeo, Romeo!
Who ever would have thought it? Romeo!
JULIET
What devil art thou, that dost torment me thus?
This torture should be roar'd in dismal hell.
Hath Romeo slain himself? say thou but 'I,'
And that bare vowel 'I' shall poison more
Than the death-darting eye of cockatrice:
I am not I, if there be such an I;
Or those eyes shut, that make thee answer 'I.'
If he be slain, say 'I'; or if not, no:
Brief sounds determine of my weal or woe.
Nurse
I saw the wound, I saw it with mine eyes,--
God save the mark!--here on his manly breast:
A piteous corse, a bloody piteous corse;
Pale, pale as ashes, all bedaub'd in blood,
All in gore-blood; I swounded at the sight.
JULIET
O, break, my heart! poor bankrupt, break at once!
To prison, eyes, ne'er look on liberty!
Vile earth, to earth resign; end motion here;
And thou and Romeo press one heavy bier!
Nurse
O Tybalt, Tybalt, the best friend I had!
O courteous Tybalt! honest gentleman!
That ever I should live to see thee dead!
JULIET
What storm is this that blows so contrary?
Is Romeo slaughter'd, and is Tybalt dead?
My dear-loved cousin, and my dearer lord?
Then, dreadful trumpet, sound the general doom!
For who is living, if those two are gone?
Nurse
Tybalt is gone, and Romeo banished;
Romeo that kill'd him, he is banished.
JULIET
O God! did Romeo's hand shed Tybalt's blood?
Nurse
It did, it did; alas the day, it did!
JULIET
O serpent heart, hid with a flowering face!
Did ever dragon keep so fair a cave?
Beautiful tyrant! fiend angelical!
Dove-feather'd raven! wolvish-ravening lamb!
Despised substance of divinest show!
Just opposite to what thou justly seem'st,
A damned saint, an honourable villain!
O nature, what hadst thou to do in hell,
When thou didst bower the spirit of a fiend
In moral paradise of such sweet flesh?
Was ever book containing such vile matter
So fairly bound? O that deceit should dwell
In such a gorgeous palace!
Nurse
There's no trust,
No faith, no honesty in men; all perjured,
All forsworn, all naught, all dissemblers.
Ah, where's my man? give me some aqua vitae:
These griefs, these woes, these sorrows make me old.
Shame come to Romeo!
JULIET
Blister'd be thy tongue
For such a wish! he was not born to shame:
Upon his brow shame is ashamed to sit;
For 'tis a throne where honour may be crown'd
Sole monarch of the universal earth.
O, what a beast was I to chide at him!
Nurse
Will you speak well of him that kill'd your cousin?
JULIET
Shall I speak ill of him that is my husband?
Ah, poor my lord, what tongue shall smooth thy name,
When I, thy three-hours wife, have mangled it?
But, wherefore, villain, didst thou kill my cousin?
That villain cousin would have kill'd my husband:
Back, foolish tears, back to your native spring;
Your tributary drops belong to woe,
Which you, mistaking, offer up to joy.
My husband lives, that Tybalt would have slain;
And Tybalt's dead, that would have slain my husband:
All this is comfort; wherefore weep I then?
Some word there was, worser than Tybalt's death,
That murder'd me: I would forget it fain;
But, O, it presses to my memory,
Like damned guilty deeds to sinners' minds:
'Tybalt is dead, and Romeo--banished;'
That 'banished,' that one word 'banished,'
Hath slain ten thousand Tybalts. Tybalt's death
Was woe enough, if it had ended there:
Or, if sour woe delights in fellowship
And needly will be rank'd with other griefs,
Why follow'd not, when she said 'Tybalt's dead,'
Thy father, or thy mother, nay, or both,
Which modern lamentations might have moved?
But with a rear-ward following Tybalt's death,
'Romeo is banished,' to speak that word,
Is father, mother, Tybalt, Romeo, Juliet,
All slain, all dead. 'Romeo is banished!'
There is no end, no limit, measure, bound,
In that word's death; no words can that woe sound.
Where is my father, and my mother, nurse?
Nurse
Weeping and wailing over Tybalt's corse:
Will you go to them? I will bring you thither.
JULIET
Wash they his wounds with tears: mine shall be spent,
When theirs are dry, for Romeo's banishment.
Take up those cords: poor ropes, you are beguiled,
Both you and I; for Romeo is exiled:
He made you for a highway to my bed;
But I, a maid, die maiden-widowed.
Come, cords, come, nurse; I'll to my wedding-bed;
And death, not Romeo, take my maidenhead!
Nurse
Hie to your chamber: I'll find Romeo
To comfort you: I wot well where he is.
Hark ye, your Romeo will be here at night:
I'll to him; he is hid at Laurence' cell.
JULIET
O, find him! give this ring to my true knight,
And bid him come to take his last farewell.
Exeunt


أرب جمـال 5 - 11 - 2009 06:01 PM

Romeo and Juliet: Entire PlaySCENE III. Friar Laurence's cell.
Enter FRIAR LAURENCE
FRIAR LAURENCE
Romeo, come forth; come forth, thou fearful man:
Affliction is enamour'd of thy parts,
And thou art wedded to calamity.
Enter ROMEO
ROMEO
Father, what news? what is the prince's doom?
What sorrow craves acquaintance at my hand,
That I yet know not?
FRIAR LAURENCE
Too familiar
Is my dear son with such sour company:
I bring thee tidings of the prince's doom.
ROMEO
What less than dooms-day is the prince's doom?
FRIAR LAURENCE
A gentler judgment vanish'd from his lips,
Not body's death, but body's banishment.
ROMEO
Ha, banishment! be merciful, say 'death;'
For exile hath more terror in his look,
Much more than death: do not say 'banishment.'
FRIAR LAURENCE
Hence from Verona art thou banished:
Be patient, for the world is broad and wide.
ROMEO
There is no world without Verona walls,
But purgatory, torture, hell itself.
Hence-banished is banish'd from the world,
And world's exile is death: then banished,
Is death mis-term'd: calling death banishment,
Thou cutt'st my head off with a golden axe,
And smilest upon the stroke that murders me.
FRIAR LAURENCE
O deadly sin! O rude unthankfulness!
Thy fault our law calls death; but the kind prince,
Taking thy part, hath rush'd aside the law,
And turn'd that black word death to banishment:
This is dear mercy, and thou seest it not.
ROMEO
'Tis torture, and not mercy: heaven is here,
Where Juliet lives; and every cat and dog
And little mouse, every unworthy thing,
Live here in heaven and may look on her;
But Romeo may not: more validity,
More honourable state, more courtship lives
In carrion-flies than Romeo: they my seize
On the white wonder of dear Juliet's hand
And steal immortal blessing from her lips,
Who even in pure and vestal modesty,
Still blush, as thinking their own kisses sin;
But Romeo may not; he is banished:
Flies may do this, but I from this must fly:
They are free men, but I am banished.
And say'st thou yet that exile is not death?
Hadst thou no poison mix'd, no sharp-ground knife,
No sudden mean of death, though ne'er so mean,
But 'banished' to kill me?--'banished'?
O friar, the damned use that word in hell;
Howlings attend it: how hast thou the heart,
Being a divine, a ghostly confessor,
A sin-absolver, and my friend profess'd,
To mangle me with that word 'banished'?
FRIAR LAURENCE
Thou fond mad man, hear me but speak a word.
ROMEO
O, thou wilt speak again of banishment.
FRIAR LAURENCE
I'll give thee armour to keep off that word:
Adversity's sweet milk, philosophy,
To comfort thee, though thou art banished.
ROMEO
Yet 'banished'? Hang up philosophy!
Unless philosophy can make a Juliet,
Displant a town, reverse a prince's doom,
It helps not, it prevails not: talk no more.
FRIAR LAURENCE
O, then I see that madmen have no ears.
ROMEO
How should they, when that wise men have no eyes?
FRIAR LAURENCE
Let me dispute with thee of thy estate.
ROMEO
Thou canst not speak of that thou dost not feel:
Wert thou as young as I, Juliet thy love,
An hour but married, Tybalt murdered,
Doting like me and like me banished,
Then mightst thou speak, then mightst thou tear thy hair,
And fall upon the ground, as I do now,
Taking the measure of an unmade grave.
Knocking within
FRIAR LAURENCE
Arise; one knocks; good Romeo, hide thyself.
ROMEO
Not I; unless the breath of heartsick groans,
Mist-like, infold me from the search of eyes.
Knocking
FRIAR LAURENCE
Hark, how they knock! Who's there? Romeo, arise;
Thou wilt be taken. Stay awhile! Stand up;
Knocking
Run to my study. By and by! God's will,
What simpleness is this! I come, I come!
Knocking
Who knocks so hard? whence come you? what's your will?
Nurse
[Within] Let me come in, and you shall know
my errand;
I come from Lady Juliet.
FRIAR LAURENCE
Welcome, then.
Enter Nurse
Nurse
O holy friar, O, tell me, holy friar,
Where is my lady's lord, where's Romeo?
FRIAR LAURENCE
There on the ground, with his own tears made drunk.
Nurse
O, he is even in my mistress' case,
Just in her case! O woful sympathy!
Piteous predicament! Even so lies she,
Blubbering and weeping, weeping and blubbering.
Stand up, stand up; stand, and you be a man:
For Juliet's sake, for her sake, rise and stand;
Why should you fall into so deep an O?
ROMEO
Nurse!
Nurse
Ah sir! ah sir! Well, death's the end of all.
ROMEO
Spakest thou of Juliet? how is it with her?
Doth she not think me an old murderer,
Now I have stain'd the childhood of our joy
With blood removed but little from her own?
Where is she? and how doth she? and what says
My conceal'd lady to our cancell'd love?
Nurse
O, she says nothing, sir, but weeps and weeps;
And now falls on her bed; and then starts up,
And Tybalt calls; and then on Romeo cries,
And then down falls again.
ROMEO
As if that name,
Shot from the deadly level of a gun,
Did murder her; as that name's cursed hand
Murder'd her kinsman. O, tell me, friar, tell me,
In what vile part of this anatomy
Doth my name lodge? tell me, that I may sack
The hateful mansion.
Drawing his sword
FRIAR LAURENCE
Hold thy desperate hand:
Art thou a man? thy form cries out thou art:
Thy tears are womanish; thy wild acts denote
The unreasonable fury of a beast:
Unseemly woman in a seeming man!
Or ill-beseeming beast in seeming both!
Thou hast amazed me: by my holy order,
I thought thy disposition better temper'd.
Hast thou slain Tybalt? wilt thou slay thyself?
And stay thy lady too that lives in thee,
By doing damned hate upon thyself?
Why rail'st thou on thy birth, the heaven, and earth?
Since birth, and heaven, and earth, all three do meet
In thee at once; which thou at once wouldst lose.
Fie, fie, thou shamest thy shape, thy love, thy wit;
Which, like a usurer, abound'st in all,
And usest none in that true use indeed
Which should bedeck thy shape, thy love, thy wit:
Thy noble shape is but a form of wax,
Digressing from the valour of a man;
Thy dear love sworn but hollow perjury,
Killing that love which thou hast vow'd to cherish;
Thy wit, that ornament to shape and love,
Misshapen in the conduct of them both,
Like powder in a skitless soldier's flask,
Is set afire by thine own ignorance,
And thou dismember'd with thine own defence.
What, rouse thee, man! thy Juliet is alive,
For whose dear sake thou wast but lately dead;
There art thou happy: Tybalt would kill thee,
But thou slew'st Tybalt; there are thou happy too:
The law that threaten'd death becomes thy friend
And turns it to exile; there art thou happy:
A pack of blessings lights up upon thy back;
Happiness courts thee in her best array;
But, like a misbehaved and sullen wench,
Thou pout'st upon thy fortune and thy love:
Take heed, take heed, for such die miserable.
Go, get thee to thy love, as was decreed,
Ascend her chamber, hence and comfort her:
But look thou stay not till the watch be set,
For then thou canst not pass to Mantua;
Where thou shalt live, till we can find a time
To blaze your marriage, reconcile your friends,
Beg pardon of the prince, and call thee back
With twenty hundred thousand times more joy
Than thou went'st forth in lamentation.
Go before, nurse: commend me to thy lady;
And bid her hasten all the house to bed,
Which heavy sorrow makes them apt unto:
Romeo is coming.
Nurse
O Lord, I could have stay'd here all the night
To hear good counsel: O, what learning is!
My lord, I'll tell my lady you will come.
ROMEO
Do so, and bid my sweet prepare to chide.
Nurse
Here, sir, a ring she bid me give you, sir:
Hie you, make haste, for it grows very late.
Exit
ROMEO
How well my comfort is revived by this!
FRIAR LAURENCE
Go hence; good night; and here stands all your state:
Either be gone before the watch be set,
Or by the break of day disguised from hence:
Sojourn in Mantua; I'll find out your man,
And he shall signify from time to time
Every good hap to you that chances here:
Give me thy hand; 'tis late: farewell; good night.
ROMEO
But that a joy past joy calls out on me,
It were a grief, so brief to part with thee: Farewell.
Exeunt
SCENE IV. A room in Capulet's house.
Enter CAPULET, LADY CAPULET, and PARIS
CAPULET
Things have fall'n out, sir, so unluckily,
That we have had no time to move our daughter:
Look you, she loved her kinsman Tybalt dearly,
And so did I:--Well, we were born to die.
'Tis very late, she'll not come down to-night:
I promise you, but for your company,
I would have been a-bed an hour ago.
PARIS
These times of woe afford no time to woo.
Madam, good night: commend me to your daughter.
LADY CAPULET
I will, and know her mind early to-morrow;
To-night she is mew'd up to her heaviness.
CAPULET
Sir Paris, I will make a desperate tender
Of my child's love: I think she will be ruled
In all respects by me; nay, more, I doubt it not.
Wife, go you to her ere you go to bed;
Acquaint her here of my son Paris' love;
And bid her, mark you me, on Wednesday next--
But, soft! what day is this?
PARIS
Monday, my lord,
CAPULET
Monday! ha, ha! Well, Wednesday is too soon,
O' Thursday let it be: o' Thursday, tell her,
She shall be married to this noble earl.
Will you be ready? do you like this haste?
We'll keep no great ado,--a friend or two;
For, hark you, Tybalt being slain so late,
It may be thought we held him carelessly,
Being our kinsman, if we revel much:
Therefore we'll have some half a dozen friends,
And there an end. But what say you to Thursday?
PARIS
My lord, I would that Thursday were to-morrow.
CAPULET
Well get you gone: o' Thursday be it, then.
Go you to Juliet ere you go to bed,
Prepare her, wife, against this wedding-day.
Farewell, my lord. Light to my chamber, ho!
Afore me! it is so very very late,
That we may call it early by and by.
Good night.
Exeunt
SCENE V. Capulet's orchard.
Enter ROMEO and JULIET above, at the window
JULIET
Wilt thou be gone? it is not yet near day:
It was the nightingale, and not the lark,
That pierced the fearful hollow of thine ear;
Nightly she sings on yon pomegranate-tree:
Believe me, love, it was the nightingale.
ROMEO
It was the lark, the herald of the morn,
No nightingale: look, love, what envious streaks
Do lace the severing clouds in yonder east:
Night's candles are burnt out, and jocund day
Stands tiptoe on the misty mountain tops.
I must be gone and live, or stay and die.
JULIET
Yon light is not day-light, I know it, I:
It is some meteor that the sun exhales,
To be to thee this night a torch-bearer,
And light thee on thy way to Mantua:
Therefore stay yet; thou need'st not to be gone.
ROMEO
Let me be ta'en, let me be put to death;
I am *******, so thou wilt have it so.
I'll say yon grey is not the morning's eye,
'Tis but the pale reflex of Cynthia's brow;
Nor that is not the lark, whose notes do beat
The vaulty heaven so high above our heads:
I have more care to stay than will to go:
Come, death, and welcome! Juliet wills it so.
How is't, my soul? let's talk; it is not day.
JULIET
It is, it is: hie hence, be gone, away!
It is the lark that sings so out of tune,
Straining harsh discords and unpleasing sharps.
Some say the lark makes sweet division;
This doth not so, for she divideth us:
Some say the lark and loathed toad change eyes,
O, now I would they had changed voices too!
Since arm from arm that voice doth us affray,
Hunting thee hence with hunt's-up to the day,
O, now be gone; more light and light it grows.
ROMEO
More light and light; more dark and dark our woes!
Enter Nurse, to the chamber
Nurse
Madam!
JULIET
Nurse?
Nurse
Your lady mother is coming to your chamber:
The day is broke; be wary, look about.
Exit
JULIET
Then, window, let day in, and let life out.
ROMEO
Farewell, farewell! one kiss, and I'll descend.
He goeth down
JULIET
Art thou gone so? love, lord, ay, husband, friend!
I must hear from thee every day in the hour,
For in a minute there are many days:
O, by this count I shall be much in years
Ere I again behold my Romeo!
ROMEO
Farewell!
I will omit no opportunity
That may convey my greetings, love, to thee.
JULIET
O think'st thou we shall ever meet again?
ROMEO
I doubt it not; and all these woes shall serve
For sweet discourses in our time to come.
JULIET
O God, I have an ill-divining soul!
Methinks I see thee, now thou art below,
As one dead in the bottom of a tomb:
Either my eyesight fails, or thou look'st pale.
ROMEO
And trust me, love, in my eye so do you:
Dry sorrow drinks our blood. Adieu, adieu!
Exit
JULIET
O fortune, fortune! all men call thee fickle:
If thou art fickle, what dost thou with him.
That is renown'd for faith? Be fickle, fortune;
For then, I hope, thou wilt not keep him long,
But send him back.
LADY CAPULET
[Within] Ho, daughter! are you up?
JULIET
Who is't that calls? is it my lady mother?
Is she not down so late, or up so early?
What unaccustom'd cause procures her hither?
Enter LADY CAPULET
LADY CAPULET
Why, how now, Juliet!
JULIET
Madam, I am not well.
LADY CAPULET
Evermore weeping for your cousin's death?
What, wilt thou wash him from his grave with tears?
An if thou couldst, thou couldst not make him live;
Therefore, have done: some grief shows much of love;
But much of grief shows still some want of wit.
JULIET
Yet let me weep for such a feeling loss.
LADY CAPULET
So shall you feel the loss, but not the friend
Which you weep for.
JULIET
Feeling so the loss,
Cannot choose but ever weep the friend.
LADY CAPULET
Well, girl, thou weep'st not so much for his death,
As that the villain lives which slaughter'd him.
JULIET
What villain madam?
LADY CAPULET
That same villain, Romeo.
JULIET
[Aside] Villain and he be many miles asunder.--
God Pardon him! I do, with all my heart;
And yet no man like he doth grieve my heart.
LADY CAPULET
That is, because the traitor murderer lives.
JULIET
Ay, madam, from the reach of these my hands:
Would none but I might venge my cousin's death!
LADY CAPULET
We will have vengeance for it, fear thou not:
Then weep no more. I'll send to one in Mantua,
Where that same banish'd runagate doth live,
Shall give him such an unaccustom'd dram,
That he shall soon keep Tybalt company:
And then, I hope, thou wilt be satisfied.
JULIET
Indeed, I never shall be satisfied
With Romeo, till I behold him--dead--
Is my poor heart for a kinsman vex'd.
Madam, if you could find out but a man
To bear a poison, I would temper it;
That Romeo should, upon receipt thereof,
Soon sleep in quiet. O, how my heart abhors
To hear him named, and cannot come to him.
To wreak the love I bore my cousin
Upon his body that slaughter'd him!
LADY CAPULET
Find thou the means, and I'll find such a man.
But now I'll tell thee joyful tidings, girl.
JULIET
And joy comes well in such a needy time:
What are they, I beseech your ladyship?
LADY CAPULET
Well, well, thou hast a careful father, child;
One who, to put thee from thy heaviness,
Hath sorted out a sudden day of joy,
That thou expect'st not nor I look'd not for.
JULIET
Madam, in happy time, what day is that?
LADY CAPULET
Marry, my child, early next Thursday morn,
The gallant, young and noble gentleman,
The County Paris, at Saint Peter's Church,
Shall happily make thee there a joyful bride.
JULIET
Now, by Saint Peter's Church and Peter too,
He shall not make me there a joyful bride.
I wonder at this haste; that I must wed
Ere he, that should be husband, comes to woo.
I pray you, tell my lord and father, madam,
I will not marry yet; and, when I do, I swear,
It shall be Romeo, whom you know I hate,
Rather than Paris. These are news indeed!
LADY CAPULET
Here comes your father; tell him so yourself,
And see how he will take it at your hands.
Enter CAPULET and Nurse


أرب جمـال 5 - 11 - 2009 06:01 PM

Romeo and Juliet: Entire PlayCAPULET
When the sun sets, the air doth drizzle dew;
But for the sunset of my brother's son
It rains downright.
How now! a conduit, girl? what, still in tears?
Evermore showering? In one little body
Thou counterfeit'st a bark, a sea, a wind;
For still thy eyes, which I may call the sea,
Do ebb and flow with tears; the bark thy body is,
Sailing in this salt flood; the winds, thy sighs;
Who, raging with thy tears, and they with them,
Without a sudden calm, will overset
Thy tempest-tossed body. How now, wife!
Have you deliver'd to her our decree?
LADY CAPULET
Ay, sir; but she will none, she gives you thanks.
I would the fool were married to her grave!
CAPULET
Soft! take me with you, take me with you, wife.
How! will she none? doth she not give us thanks?
Is she not proud? doth she not count her blest,
Unworthy as she is, that we have wrought
So worthy a gentleman to be her bridegroom?
JULIET
Not proud, you have; but thankful, that you have:
Proud can I never be of what I hate;
But thankful even for hate, that is meant love.
CAPULET
How now, how now, chop-logic! What is this?
'Proud,' and 'I thank you,' and 'I thank you not;'
And yet 'not proud,' mistress minion, you,
Thank me no thankings, nor, proud me no prouds,
But fettle your fine joints 'gainst Thursday next,
To go with Paris to Saint Peter's Church,
Or I will drag thee on a hurdle thither.
Out, you green-sickness carrion! out, you baggage!
You tallow-face!
LADY CAPULET
Fie, fie! what, are you mad?
JULIET
Good father, I beseech you on my knees,
Hear me with patience but to speak a word.
CAPULET
Hang thee, young baggage! disobedient wretch!
I tell thee what: get thee to church o' Thursday,
Or never after look me in the face:
Speak not, reply not, do not answer me;
My fingers itch. Wife, we scarce thought us blest
That God had lent us but this only child;
But now I see this one is one too much,
And that we have a curse in having her:
Out on her, hilding!
Nurse
God in heaven bless her!
You are to blame, my lord, to rate her so.
CAPULET
And why, my lady wisdom? hold your tongue,
Good prudence; smatter with your gossips, go.
Nurse
I speak no treason.
CAPULET
O, God ye god-den.
Nurse
May not one speak?
CAPULET
Peace, you mumbling fool!
Utter your gravity o'er a gossip's bowl;
For here we need it not.
LADY CAPULET
You are too hot.
CAPULET
God's bread! it makes me mad:
Day, night, hour, tide, time, work, play,
Alone, in company, still my care hath been
To have her match'd: and having now provided
A gentleman of noble parentage,
Of fair demesnes, youthful, and nobly train'd,
Stuff'd, as they say, with honourable parts,
Proportion'd as one's thought would wish a man;
And then to have a wretched puling fool,
A whining mammet, in her fortune's tender,
To answer 'I'll not wed; I cannot love,
I am too young; I pray you, pardon me.'
But, as you will not wed, I'll pardon you:
Graze where you will you shall not house with me:
Look to't, think on't, I do not use to jest.
Thursday is near; lay hand on heart, advise:
An you be mine, I'll give you to my friend;
And you be not, hang, beg, starve, die in
the streets,
For, by my soul, I'll ne'er acknowledge thee,
Nor what is mine shall never do thee good:
Trust to't, bethink you; I'll not be forsworn.
Exit
JULIET
Is there no pity sitting in the clouds,
That sees into the bottom of my grief?
O, sweet my mother, cast me not away!
Delay this marriage for a month, a week;
Or, if you do not, make the bridal bed
In that dim monument where Tybalt lies.
LADY CAPULET
Talk not to me, for I'll not speak a word:
Do as thou wilt, for I have done with thee.
Exit
JULIET
O God!--O nurse, how shall this be prevented?
My husband is on earth, my faith in heaven;
How shall that faith return again to earth,
Unless that husband send it me from heaven
By leaving earth? comfort me, counsel me.
Alack, alack, that heaven should practise stratagems
Upon so soft a subject as myself!
What say'st thou? hast thou not a word of joy?
Some comfort, nurse.
Nurse
Faith, here it is.
Romeo is banish'd; and all the world to nothing,
That he dares ne'er come back to challenge you;
Or, if he do, it needs must be by stealth.
Then, since the case so stands as now it doth,
I think it best you married with the county.
O, he's a lovely gentleman!
Romeo's a dishclout to him: an eagle, madam,
Hath not so green, so quick, so fair an eye
As Paris hath. Beshrew my very heart,
I think you are happy in this second match,
For it excels your first: or if it did not,
Your first is dead; or 'twere as good he were,
As living here and you no use of him.
JULIET
Speakest thou from thy heart?
Nurse
And from my soul too;
Or else beshrew them both.
JULIET
Amen!
Nurse
What?
JULIET
Well, thou hast comforted me marvellous much.
Go in: and tell my lady I am gone,
Having displeased my father, to Laurence' cell,
To make confession and to be absolved.
Nurse
Marry, I will; and this is wisely done.
Exit
JULIET
Ancient damnation! O most wicked fiend!
Is it more sin to wish me thus forsworn,
Or to dispraise my lord with that same tongue
Which she hath praised him with above compare
So many thousand times? Go, counsellor;
Thou and my bosom henceforth shall be twain.
I'll to the friar, to know his remedy:
If all else fail, myself have power to die.
Exit
ACT IV

SCENE I. Friar Laurence's cell.
Enter FRIAR LAURENCE and PARIS
FRIAR LAURENCE
On Thursday, sir? the time is very short.
PARIS
My father Capulet will have it so;
And I am nothing slow to slack his haste.
FRIAR LAURENCE
You say you do not know the lady's mind:
Uneven is the course, I like it not.
PARIS
Immoderately she weeps for Tybalt's death,
And therefore have I little talk'd of love;
For Venus smiles not in a house of tears.
Now, sir, her father counts it dangerous
That she doth give her sorrow so much sway,
And in his wisdom hastes our marriage,
To stop the inundation of her tears;
Which, too much minded by herself alone,
May be put from her by society:
Now do you know the reason of this haste.
FRIAR LAURENCE
[Aside] I would I knew not why it should be slow'd.
Look, sir, here comes the lady towards my cell.
Enter JULIET
PARIS
Happily met, my lady and my wife!
JULIET
That may be, sir, when I may be a wife.
PARIS
That may be must be, love, on Thursday next.
JULIET
What must be shall be.
FRIAR LAURENCE
That's a certain ****.
PARIS
Come you to make confession to this father?
JULIET
To answer that, I should confess to you.
PARIS
Do not deny to him that you love me.
JULIET
I will confess to you that I love him.
PARIS
So will ye, I am sure, that you love me.
JULIET
If I do so, it will be of more price,
Being spoke behind your back, than to your face.
PARIS
Poor soul, thy face is much abused with tears.
JULIET
The tears have got small victory by that;
For it was bad enough before their spite.
PARIS
Thou wrong'st it, more than tears, with that report.
JULIET
That is no slander, sir, which is a truth;
And what I spake, I spake it to my face.
PARIS
Thy face is mine, and thou hast slander'd it.
JULIET
It may be so, for it is not mine own.
Are you at leisure, holy father, now;
Or shall I come to you at evening mass?
FRIAR LAURENCE
My leisure serves me, pensive daughter, now.
My lord, we must entreat the time alone.
PARIS
God shield I should disturb devotion!
Juliet, on Thursday early will I rouse ye:
Till then, adieu; and keep this holy kiss.
Exit
JULIET
O shut the door! and when thou hast done so,
Come weep with me; past hope, past cure, past help!
FRIAR LAURENCE
Ah, Juliet, I already know thy grief;
It strains me past the compass of my wits:
I hear thou must, and nothing may prorogue it,
On Thursday next be married to this county.
JULIET
Tell me not, friar, that thou hear'st of this,
Unless thou tell me how I may prevent it:
If, in thy wisdom, thou canst give no help,
Do thou but call my resolution wise,
And with this knife I'll help it presently.
God join'd my heart and Romeo's, thou our hands;
And ere this hand, by thee to Romeo seal'd,
Shall be the label to another deed,
Or my true heart with treacherous revolt
Turn to another, this shall slay them both:
Therefore, out of thy long-experienced time,
Give me some present counsel, or, behold,
'Twixt my extremes and me this bloody knife
Shall play the umpire, arbitrating that
Which the commission of thy years and art
Could to no issue of true honour bring.
Be not so long to speak; I long to die,
If what thou speak'st speak not of remedy.
FRIAR LAURENCE
Hold, daughter: I do spy a kind of hope,
Which craves as desperate an execution.
As that is desperate which we would prevent.
If, rather than to marry County Paris,
Thou hast the strength of will to slay thyself,
Then is it likely thou wilt undertake
A thing like death to chide away this shame,
That copest with death himself to scape from it:
And, if thou darest, I'll give thee remedy.
JULIET
O, bid me leap, rather than marry Paris,
From off the battlements of yonder tower;
Or walk in thievish ways; or bid me lurk
Where serpents are; chain me with roaring bears;
Or shut me nightly in a charnel-house,
O'er-cover'd quite with dead men's rattling bones,
With reeky shanks and yellow chapless skulls;
Or bid me go into a new-made grave
And hide me with a dead man in his shroud;
Things that, to hear them told, have made me tremble;
And I will do it without fear or doubt,
To live an unstain'd wife to my sweet love.
FRIAR LAURENCE
Hold, then; go home, be merry, give consent
To marry Paris: Wednesday is to-morrow:
To-morrow night look that thou lie alone;
Let not thy nurse lie with thee in thy chamber:
Take thou this vial, being then in bed,
And this distilled liquor drink thou off;
When presently through all thy veins shall run
A cold and drowsy humour, for no pulse
Shall keep his native progress, but surcease:
No warmth, no breath, shall testify thou livest;
The roses in thy lips and cheeks shall fade
To paly ashes, thy eyes' windows fall,
Like death, when he shuts up the day of life;
Each part, deprived of supple government,
Shall, stiff and stark and cold, appear like death:
And in this borrow'd likeness of shrunk death
Thou shalt continue two and forty hours,
And then awake as from a pleasant sleep.
Now, when the bridegroom in the morning comes
To rouse thee from thy bed, there art thou dead:
Then, as the manner of our country is,
In thy best robes uncover'd on the bier
Thou shalt be borne to that same ancient vault
Where all the kindred of the Capulets lie.
In the mean time, against thou shalt awake,
Shall Romeo by my letters know our drift,
And hither shall he come: and he and I
Will watch thy waking, and that very night
Shall Romeo bear thee hence to Mantua.
And this shall free thee from this present shame;
If no inconstant toy, nor womanish fear,
Abate thy valour in the acting it.
JULIET
Give me, give me! O, tell not me of fear!
FRIAR LAURENCE
Hold; get you gone, be strong and prosperous
In this resolve: I'll send a friar with speed
To Mantua, with my letters to thy lord.
JULIET
Love give me strength! and strength shall help afford.
Farewell, dear father!
Exeunt
SCENE II. Hall in Capulet's house.
Enter CAPULET, LADY CAPULET, Nurse, and two Servingmen
CAPULET
So many guests invite as here are writ.
Exit First Servant
Sirrah, go hire me twenty cunning ****s.
Second Servant
You shall have none ill, sir; for I'll try if they
can lick their fingers.
CAPULET
How canst thou try them so?
Second Servant
Marry, sir, 'tis an ill **** that cannot lick his
own fingers: therefore he that cannot lick his
fingers goes not with me.
CAPULET
Go, be gone.
Exit Second Servant
We shall be much unfurnished for this time.
What, is my daughter gone to Friar Laurence?
Nurse
Ay, forsooth.
CAPULET
Well, he may chance to do some good on her:
A peevish self-will'd harlotry it is.
Nurse
See where she comes from shrift with merry look.
Enter JULIET
CAPULET
How now, my headstrong! where have you been gadding?
JULIET
Where I have learn'd me to repent the sin
Of disobedient opposition
To you and your behests, and am enjoin'd
By holy Laurence to fall prostrate here,
And beg your pardon: pardon, I beseech you!
Henceforward I am ever ruled by you.
CAPULET
Send for the county; go tell him of this:
I'll have this knot knit up to-morrow morning.
JULIET
I met the youthful lord at Laurence' cell;
And gave him what becomed love I might,
Not step o'er the bounds of modesty.
CAPULET
Why, I am glad on't; this is well: stand up:
This is as't should be. Let me see the county;
Ay, marry, go, I say, and fetch him hither.
Now, afore God! this reverend holy friar,
Our whole city is much bound to him.
JULIET
Nurse, will you go with me into my closet,
To help me sort such needful ornaments
As you think fit to furnish me to-morrow?
LADY CAPULET
No, not till Thursday; there is time enough.
CAPULET
Go, nurse, go with her: we'll to church to-morrow.
Exeunt JULIET and Nurse
LADY CAPULET
We shall be short in our provision:
'Tis now near night.
CAPULET
Tush, I will stir about,
And all things shall be well, I warrant thee, wife:
Go thou to Juliet, help to deck up her;
I'll not to bed to-night; let me alone;
I'll play the housewife for this once. What, ho!
They are all forth. Well, I will walk myself
To County Paris, to prepare him up
Against to-morrow: my heart is wondrous light,
Since this same wayward girl is so reclaim'd.
Exeunt
SCENE III. Juliet's chamber.
Enter JULIET and Nurse
JULIET
Ay, those attires are best: but, gentle nurse,
I pray thee, leave me to my self to-night,
For I have need of many orisons
To move the heavens to smile upon my state,
Which, well thou know'st, is cross, and full of sin.
Enter LADY CAPULET
LADY CAPULET
What, are you busy, ho? need you my help?
JULIET
No, madam; we have cull'd such necessaries
As are behoveful for our state to-morrow:
So please you, let me now be left alone,
And let the nurse this night sit up with you;
For, I am sure, you have your hands full all,
In this so sudden business.
LADY CAPULET
Good night:
Get thee to bed, and rest; for thou hast need.
Exeunt LADY CAPULET and Nurse


أرب جمـال 5 - 11 - 2009 06:02 PM

Romeo and Juliet: Entire PlayJULIET
Farewell! God knows when we shall meet again.
I have a faint cold fear thrills through my veins,
That almost freezes up the heat of life:
I'll call them back again to comfort me:
Nurse! What should she do here?
My dismal scene I needs must act alone.
Come, vial.
What if this mixture do not work at all?
Shall I be married then to-morrow morning?
No, no: this shall forbid it: lie thou there.
Laying down her dagger
What if it be a poison, which the friar
Subtly hath minister'd to have me dead,
Lest in this marriage he should be dishonour'd,
Because he married me before to Romeo?
I fear it is: and yet, methinks, it should not,
For he hath still been tried a holy man.
How if, when I am laid into the tomb,
I wake before the time that Romeo
Come to redeem me? there's a fearful point!
Shall I not, then, be stifled in the vault,
To whose foul mouth no healthsome air breathes in,
And there die strangled ere my Romeo comes?
Or, if I live, is it not very like,
The horrible conceit of death and night,
Together with the terror of the place,--
As in a vault, an ancient receptacle,
Where, for these many hundred years, the bones
Of all my buried ancestors are packed:
Where bloody Tybalt, yet but green in earth,
Lies festering in his shroud; where, as they say,
At some hours in the night spirits resort;--
Alack, alack, is it not like that I,
So early waking, what with loathsome smells,
And shrieks like mandrakes' torn out of the earth,
That living mortals, hearing them, run mad:--
O, if I wake, shall I not be distraught,
Environed with all these hideous fears?
And madly play with my forefather's joints?
And pluck the mangled Tybalt from his shroud?
And, in this rage, with some great kinsman's bone,
As with a club, dash out my desperate brains?
O, look! methinks I see my cousin's ghost
Seeking out Romeo, that did spit his body
Upon a rapier's point: stay, Tybalt, stay!
Romeo, I come! this do I drink to thee.
She falls upon her bed, within the curtains
SCENE IV. Hall in Capulet's house.
Enter LADY CAPULET and Nurse
LADY CAPULET
Hold, take these keys, and fetch more spices, nurse.
Nurse
They call for dates and quinces in the pastry.
Enter CAPULET
CAPULET
Come, stir, stir, stir! the second cock hath crow'd,
The curfew-bell hath rung, 'tis three o'clock:
Look to the baked meats, good Angelica:
Spare not for the cost.
Nurse
Go, you cot-quean, go,
Get you to bed; faith, You'll be sick to-morrow
For this night's watching.
CAPULET
No, not a whit: what! I have watch'd ere now
All night for lesser cause, and ne'er been sick.
LADY CAPULET
Ay, you have been a mouse-hunt in your time;
But I will watch you from such watching now.
Exeunt LADY CAPULET and Nurse
CAPULET
A jealous hood, a jealous hood!
Enter three or four Servingmen, with spits, logs, and baskets
Now, fellow,
What's there?
First Servant
Things for the ****, sir; but I know not what.
CAPULET
Make haste, make haste.
Exit First Servant
Sirrah, fetch drier logs:
Call Peter, he will show thee where they are.
Second Servant
I have a head, sir, that will find out logs,
And never trouble Peter for the matter.
Exit
CAPULET
Mass, and well said; a merry whoreson, ha!
Thou shalt be logger-head. Good faith, 'tis day:
The county will be here with music straight,
For so he said he would: I hear him near.
Music within
Nurse! Wife! What, ho! What, nurse, I say!
Re-enter Nurse
Go waken Juliet, go and trim her up;
I'll go and chat with Paris: hie, make haste,
Make haste; the bridegroom he is come already:
Make haste, I say.
Exeunt
SCENE V. Juliet's chamber.
Enter Nurse
Nurse
Mistress! what, mistress! Juliet! fast, I warrant her, she:
Why, lamb! why, lady! fie, you slug-a-bed!
Why, love, I say! madam! sweet-heart! why, bride!
What, not a word? you take your pennyworths now;
Sleep for a week; for the next night, I warrant,
The County Paris hath set up his rest,
That you shall rest but little. God forgive me,
Marry, and amen, how sound is she asleep!
I must needs wake her. Madam, madam, madam!
Ay, let the county take you in your bed;
He'll fright you up, i' faith. Will it not be?
Undraws the curtains
What, dress'd! and in your clothes! and down again!
I must needs wake you; Lady! lady! lady!
Alas, alas! Help, help! my lady's dead!
O, well-a-day, that ever I was born!
Some aqua vitae, ho! My lord! my lady!
Enter LADY CAPULET
LADY CAPULET
What noise is here?
Nurse
O lamentable day!
LADY CAPULET
What is the matter?
Nurse
Look, look! O heavy day!
LADY CAPULET
O me, O me! My child, my only life,
Revive, look up, or I will die with thee!
Help, help! Call help.
Enter CAPULET
CAPULET
For shame, bring Juliet forth; her lord is come.
Nurse
She's dead, deceased, she's dead; alack the day!
LADY CAPULET
Alack the day, she's dead, she's dead, she's dead!
CAPULET
Ha! let me see her: out, alas! she's cold:
Her blood is settled, and her joints are stiff;
Life and these lips have long been separated:
Death lies on her like an untimely frost
Upon the sweetest flower of all the field.
Nurse
O lamentable day!
LADY CAPULET
O woful time!
CAPULET
Death, that hath ta'en her hence to make me wail,
Ties up my tongue, and will not let me speak.
Enter FRIAR LAURENCE and PARIS, with Musicians
FRIAR LAURENCE
Come, is the bride ready to go to church?
CAPULET
Ready to go, but never to return.
O son! the night before thy wedding-day
Hath Death lain with thy wife. There she lies,
Flower as she was, deflowered by him.
Death is my son-in-law, Death is my heir;
My daughter he hath wedded: I will die,
And leave him all; life, living, all is Death's.
PARIS
Have I thought long to see this morning's face,
And doth it give me such a sight as this?
LADY CAPULET
Accursed, unhappy, wretched, hateful day!
Most miserable hour that e'er time saw
In lasting labour of his pilgrimage!
But one, poor one, one poor and loving child,
But one thing to rejoice and solace in,
And cruel death hath catch'd it from my sight!
Nurse
O woe! O woful, woful, woful day!
Most lamentable day, most woful day,
That ever, ever, I did yet behold!
O day! O day! O day! O hateful day!
Never was seen so black a day as this:
O woful day, O woful day!
PARIS
Beguiled, divorced, wronged, spited, slain!
Most detestable death, by thee beguil'd,
By cruel cruel thee quite overthrown!
O love! O life! not life, but love in death!
CAPULET
Despised, distressed, hated, martyr'd, kill'd!
Uncomfortable time, why camest thou now
To murder, murder our solemnity?
O child! O child! my soul, and not my child!
Dead art thou! Alack! my child is dead;
And with my child my joys are buried.
FRIAR LAURENCE
Peace, ho, for shame! confusion's cure lives not
In these confusions. Heaven and yourself
Had part in this fair maid; now heaven hath all,
And all the better is it for the maid:
Your part in her you could not keep from death,
But heaven keeps his part in eternal life.
The most you sought was her promotion;
For 'twas your heaven she should be advanced:
And weep ye now, seeing she is advanced
Above the clouds, as high as heaven itself?
O, in this love, you love your child so ill,
That you run mad, seeing that she is well:
She's not well married that lives married long;
But she's best married that dies married young.
Dry up your tears, and stick your rosemary
On this fair corse; and, as the custom is,
In all her best array bear her to church:
For though fond nature bids us an lament,
Yet nature's tears are reason's merriment.
CAPULET
All things that we ordained festival,
Turn from their office to black funeral;
Our instruments to melancholy bells,
Our wedding cheer to a sad burial feast,
Our solemn hymns to sullen dirges change,
Our bridal flowers serve for a buried corse,
And all things change them to the contrary.
FRIAR LAURENCE
Sir, go you in; and, madam, go with him;
And go, Sir Paris; every one prepare
To follow this fair corse unto her grave:
The heavens do lour upon you for some ill;
Move them no more by crossing their high will.
Exeunt CAPULET, LADY CAPULET, PARIS, and FRIAR LAURENCE
First Musician
Faith, we may put up our pipes, and be gone.
Nurse
Honest goodfellows, ah, put up, put up;
For, well you know, this is a pitiful case.
Exit
First Musician
Ay, by my troth, the case may be amended.
Enter PETER
PETER
Musicians, O, musicians, 'Heart's ease, Heart's
ease:' O, an you will have me live, play 'Heart's ease.'
First Musician
Why 'Heart's ease?'
PETER
O, musicians, because my heart itself plays 'My
heart is full of woe:' O, play me some merry dump,
to comfort me.
First Musician
Not a dump we; 'tis no time to play now.
PETER
You will not, then?
First Musician
No.
PETER
I will then give it you soundly.
First Musician
What will you give us?
PETER
No money, on my faith, but the gleek;
I will give you the minstrel.
First Musician
Then I will give you the serving-creature.
PETER
Then will I lay the serving-creature's dagger on
your pate. I will carry no crotchets: I'll re you,
I'll fa you; do you note me?
First Musician
An you re us and fa us, you note us.
Second Musician
Pray you, put up your dagger, and put out your wit.
PETER
Then have at you with my wit! I will dry-beat you
with an iron wit, and put up my iron dagger. Answer
me like men:
'When griping grief the heart doth wound,
And doleful dumps the mind oppress,
Then music with her silver sound'--
why 'silver sound'? why 'music with her silver
sound'? What say you, Simon Catling?
Musician
Marry, sir, because silver hath a sweet sound.
PETER
Pretty! What say you, Hugh Rebeck?
Second Musician
I say 'silver sound,' because musicians sound for silver.
PETER
Pretty too! What say you, James Soundpost?
Third Musician
Faith, I know not what to say.
PETER
O, I cry you mercy; you are the singer: I will say
for you. It is 'music with her silver sound,'
because musicians have no gold for sounding:
'Then music with her silver sound
With speedy help doth lend redress.'
Exit
First Musician
What a pestilent knave is this same!
Second Musician
Hang him, Jack! Come, we'll in here; tarry for the
mourners, and stay dinner.
Exeunt
ACT V

SCENE I. Mantua. A street.
Enter ROMEO
ROMEO
If I may trust the flattering truth of sleep,
My dreams presage some joyful news at hand:
My bosom's lord sits lightly in his throne;
And all this day an unaccustom'd spirit
Lifts me above the ground with cheerful thoughts.
I dreamt my lady came and found me dead--
Strange dream, that gives a dead man leave
to think!--
And breathed such life with kisses in my lips,
That I revived, and was an emperor.
Ah me! how sweet is love itself possess'd,
When but love's shadows are so rich in joy!
Enter BALTHASAR, booted
News from Verona!--How now, Balthasar!
Dost thou not bring me letters from the friar?
How doth my lady? Is my father well?
How fares my Juliet? that I ask again;
For nothing can be ill, if she be well.
BALTHASAR
Then she is well, and nothing can be ill:
Her body sleeps in Capel's monument,
And her immortal part with angels lives.
I saw her laid low in her kindred's vault,
And presently took post to tell it you:
O, pardon me for bringing these ill news,
Since you did leave it for my office, sir.
ROMEO
Is it even so? then I defy you, stars!
Thou know'st my lodging: get me ink and paper,
And hire post-horses; I will hence to-night.
BALTHASAR
I do beseech you, sir, have patience:
Your looks are pale and wild, and do import
Some misadventure.
ROMEO
Tush, thou art deceived:
Leave me, and do the thing I bid thee do.
Hast thou no letters to me from the friar?
BALTHASAR
No, my good lord.
ROMEO
No matter: get thee gone,
And hire those horses; I'll be with thee straight.
Exit BALTHASAR
Well, Juliet, I will lie with thee to-night.
Let's see for means: O mischief, thou art swift
To enter in the thoughts of desperate men!
I do remember an apothecary,--
And hereabouts he dwells,--which late I noted
In tatter'd weeds, with overwhelming brows,
Culling of simples; meagre were his looks,
Sharp misery had worn him to the bones:
And in his needy shop a tortoise hung,
An alligator stuff'd, and other skins
Of ill-shaped fishes; and about his ****ves
A beggarly account of empty boxes,
Green earthen pots, bladders and musty seeds,
Remnants of packthread and old cakes of roses,
Were thinly scatter'd, to make up a show.
Noting this penury, to myself I said
'An if a man did need a poison now,
Whose sale is present death in Mantua,
Here lives a caitiff wretch would sell it him.'
O, this same thought did but forerun my need;
And this same needy man must sell it me.
As I remember, this should be the house.
Being holiday, the beggar's shop is shut.
What, ho! apothecary!
Enter Apothecary
Apothecary
Who calls so loud?
ROMEO
Come hither, man. I see that thou art poor:
Hold, there is forty ducats: let me have
A dram of poison, such soon-speeding gear
As will disperse itself through all the veins
That the life-weary taker may fall dead
And that the trunk may be discharged of breath
As violently as hasty powder fired
Doth hurry from the fatal cannon's womb.
Apothecary
Such mortal drugs I have; but Mantua's law
Is death to any he that utters them.
ROMEO
Art thou so bare and full of wretchedness,
And fear'st to die? famine is in thy cheeks,
Need and oppression starveth in thine eyes,
Contempt and beggary hangs upon thy back;
The world is not thy friend nor the world's law;
The world affords no law to make thee rich;
Then be not poor, but break it, and take this.
Apothecary
My poverty, but not my will, consents.
ROMEO
I pay thy poverty, and not thy will.
Apothecary
Put this in any liquid thing you will,
And drink it off; and, if you had the strength
Of twenty men, it would dispatch you straight.
ROMEO
There is thy gold, worse poison to men's souls,
Doing more murders in this loathsome world,
Than these poor compounds that thou mayst not sell.
I sell thee poison; thou hast sold me none.
Farewell: buy food, and get thyself in flesh.
Come, cordial and not poison, go with me
To Juliet's grave; for there must I use thee.
Exeunt
SCENE II. Friar Laurence's cell.
Enter FRIAR JOHN
FRIAR JOHN
Holy Franciscan friar! brother, ho!
Enter FRIAR LAURENCE
FRIAR LAURENCE
This same should be the voice of Friar John.
Welcome from Mantua: what says Romeo?
Or, if his mind be writ, give me his letter.
FRIAR JOHN
Going to find a bare-foot brother out
One of our order, to associate me,
Here in this city visiting the sick,
And finding him, the searchers of the town,
Suspecting that we both were in a house
Where the infectious pestilence did reign,
Seal'd up the doors, and would not let us forth;
So that my speed to Mantua there was stay'd.
FRIAR LAURENCE
Who bare my letter, then, to Romeo?
FRIAR JOHN
I could not send it,--here it is again,--
Nor get a messenger to bring it thee,
So fearful were they of infection.
FRIAR LAURENCE
Unhappy fortune! by my brotherhood,
The letter was not nice but full of charge
Of dear import, and the neglecting it
May do much danger. Friar John, go hence;
Get me an iron crow, and bring it straight
Unto my cell.
FRIAR JOHN
Brother, I'll go and bring it thee.
Exit
FRIAR LAURENCE
Now must I to the monument alone;
Within three hours will fair Juliet wake:
She will beshrew me much that Romeo
Hath had no notice of these accidents;
But I will write again to Mantua,
And keep her at my cell till Romeo come;
Poor living corse, closed in a dead man's tomb!
Exit
SCENE III. A churchyard; in it a tomb belonging to the Capulets.
Enter PARIS, and his Page bearing flowers and a torch
PARIS
Give me thy torch, boy: hence, and stand aloof:
Yet put it out, for I would not be seen.
Under yond yew-trees lay thee all along,
Holding thine ear close to the hollow ground;
So shall no foot upon the churchyard tread,
Being loose, unfirm, with digging up of graves,
But thou shalt hear it: whistle then to me,
As signal that thou hear'st something approach.
Give me those flowers. Do as I bid thee, go.
PAGE
[Aside] I am almost afraid to stand alone
Here in the churchyard; yet I will adventure.
Retires
PARIS
Sweet flower, with flowers thy bridal bed I strew,--
O woe! thy canopy is dust and stones;--
Which with sweet water nightly I will dew,
Or, wanting that, with tears distill'd by moans:
The obsequies that I for thee will keep
Nightly shall be to strew thy grave and weep.
The Page whistles
The boy gives warning something doth approach.
What cursed foot wanders this way to-night,
To cross my obsequies and true love's rite?
What with a torch! muffle me, night, awhile.
Retires
Enter ROMEO and BALTHASAR, with a torch, mattock, & c
ROMEO
Give me that mattock and the wrenching iron.
Hold, take this letter; early in the morning
See thou deliver it to my lord and father.
Give me the light: upon thy life, I charge thee,
Whate'er thou hear'st or seest, stand all aloof,
And do not interrupt me in my course.
Why I descend into this bed of death,
Is partly to behold my lady's face;
But chiefly to take thence from her dead finger
A precious ring, a ring that I must use
In dear employment: therefore hence, be gone:
But if thou, jealous, dost return to pry
In what I further shall intend to do,
By heaven, I will tear thee joint by joint
And strew this hungry churchyard with thy limbs:
The time and my intents are savage-wild,
More fierce and more inexorable far
Than empty tigers or the roaring sea.
BALTHASAR
I will be gone, sir, and not trouble you.
ROMEO
So shalt thou show me friendship. Take thou that:
Live, and be prosperous: and farewell, good fellow.
BALTHASAR
[Aside] For all this same, I'll hide me hereabout:
His looks I fear, and his intents I doubt.
Retires
ROMEO
Thou detestable maw, thou womb of death,
Gorged with the dearest morsel of the earth,
Thus I enforce thy rotten jaws to open,
And, in despite, I'll cram thee with more food!
Opens the tomb
PARIS
This is that banish'd haughty Montague,
That murder'd my love's cousin, with which grief,
It is supposed, the fair creature died;
And here is come to do some villanous shame
To the dead bodies: I will apprehend him.
Comes forward
Stop thy unhallow'd toil, vile Montague!
Can vengeance be pursued further than death?
Condemned villain, I do apprehend thee:
Obey, and go with me; for thou must die.
ROMEO
I must indeed; and therefore came I hither.
Good gentle youth, tempt not a desperate man;
Fly hence, and leave me: think upon these gone;
Let them affright thee. I beseech thee, youth,
Put not another sin upon my head,
By urging me to fury: O, be gone!
By heaven, I love thee better than myself;
For I come hither arm'd against myself:
Stay not, be gone; live, and hereafter say,
A madman's mercy bade thee run away.
PARIS
I do defy thy conjurations,
And apprehend thee for a felon here.
ROMEO
Wilt thou provoke me? then have at thee, boy!
They fight
PAGE
O Lord, they fight! I will go call the watch.
Exit
PARIS
O, I am slain!
Falls
If thou be merciful,
Open the tomb, lay me with Juliet.
Dies
ROMEO
In faith, I will. Let me peruse this face.
Mercutio's kinsman, noble County Paris!
What said my man, when my betossed soul
Did not attend him as we rode? I think
He told me Paris should have married Juliet:
Said he not so? or did I dream it so?
Or am I mad, hearing him talk of Juliet,
To think it was so? O, give me thy hand,
One writ with me in sour misfortune's book!
I'll bury thee in a triumphant grave;
A grave? O no! a lantern, slaughter'd youth,
For here lies Juliet, and her beauty makes
This vault a feasting presence full of light.
Death, lie thou there, by a dead man interr'd.
Laying PARIS in the tomb
How oft when men are at the point of death
Have they been merry! which their keepers call
A lightning before death: O, how may I
Call this a lightning? O my love! my wife!
Death, that hath suck'd the honey of thy breath,
Hath had no power yet upon thy beauty:
Thou art not conquer'd; beauty's ensign yet
Is crimson in thy lips and in thy cheeks,
And death's pale flag is not advanced there.
Tybalt, liest thou there in thy bloody sheet?
O, what more favour can I do to thee,
Than with that hand that cut thy youth in twain
To sunder his that was thine enemy?
Forgive me, cousin! Ah, dear Juliet,
Why art thou yet so fair? shall I believe
That unsubstantial death is amorous,
And that the lean abhorred monster keeps
Thee here in dark to be his paramour?
For fear of that, I still will stay with thee;
And never from this palace of dim night
Depart again: here, here will I remain
With worms that are thy chamber-maids; O, here
Will I set up my everlasting rest,
And shake the yoke of inauspicious stars
From this world-wearied flesh. Eyes, look your last!
Arms, take your last embrace! and, lips, O you
The doors of breath, seal with a righteous kiss
A dateless bargain to engrossing death!
Come, bitter conduct, come, unsavoury guide!
Thou desperate pilot, now at once run on
The dashing rocks thy sea-sick weary bark!
Here's to my love!
Drinks
O true apothecary!
Thy drugs are quick. Thus with a kiss I die.
Dies
Enter, at the other end of the churchyard, FRIAR LAURENCE, with a lantern, crow, and spade
FRIAR LAURENCE
Saint Francis be my speed! how oft to-night
Have my old feet stumbled at graves! Who's there?
BALTHASAR
Here's one, a friend, and one that knows you well.
FRIAR LAURENCE
Bliss be upon you! Tell me, good my friend,
What torch is yond, that vainly lends his light
To grubs and eyeless skulls? as I discern,
It burneth in the Capel's monument.
BALTHASAR
It doth so, holy sir; and there's my master,
One that you love.
FRIAR LAURENCE
Who is it?
BALTHASAR
Romeo.
FRIAR LAURENCE
How long hath he been there?
BALTHASAR
Full half an hour.
FRIAR LAURENCE
Go with me to the vault.
BALTHASAR
I dare not, sir
My master knows not but I am gone hence;
And fearfully did menace me with death,
If I did stay to look on his intents.
FRIAR LAURENCE
Stay, then; I'll go alone. Fear comes upon me:
O, much I fear some ill unlucky thing.
BALTHASAR
As I did sleep under this yew-tree here,
I dreamt my master and another fought,
And that my master slew him.
FRIAR LAURENCE
Romeo!
Advances
Alack, alack, what blood is this, which stains
The stony entrance of this sepulchre?
What mean these masterless and gory swords
To lie discolour'd by this place of peace?
Enters the tomb
Romeo! O, pale! Who else? what, Paris too?
And steep'd in blood? Ah, what an unkind hour
Is guilty of this lamentable chance!
The lady stirs.
JULIET wakes
JULIET
O comfortable friar! where is my lord?
I do remember well where I should be,
And there I am. Where is my Romeo?
Noise within
FRIAR LAURENCE
I hear some noise. Lady, come from that nest
Of death, contagion, and unnatural sleep:
A greater power than we can contradict
Hath thwarted our intents. Come, come away.
Thy husband in thy bosom there lies dead;
And Paris too. Come, I'll dispose of thee
Among a sisterhood of holy nuns:
Stay not to question, for the watch is coming;
Come, go, good Juliet,
Noise again
I dare no longer stay.
JULIET
Go, get thee hence, for I will not away.
Exit FRIAR LAURENCE
What's here? a cup, closed in my true love's hand?
Poison, I see, hath been his timeless end:
O churl! drunk all, and left no friendly drop
To help me after? I will kiss thy lips;
Haply some poison yet doth hang on them,
To make die with a restorative.
Kisses him
Thy lips are warm.
First Watchman
[Within] Lead, boy: which way?
JULIET
Yea, noise? then I'll be brief. O happy dagger!
Snatching ROMEO's dagger
This is thy sheath;
Stabs herself
there rust, and let me die.
Falls on ROMEO's body, and dies
Enter Watch, with the Page of PARIS
PAGE
This is the place; there, where the torch doth burn.
First Watchman
The ground is bloody; search about the churchyard:
Go, some of you, whoe'er you find attach.
Pitiful sight! here lies the county slain,
And Juliet bleeding, warm, and newly dead,
Who here hath lain these two days buried.
Go, tell the prince: run to the Capulets:
Raise up the Montagues: some others search:
We see the ground whereon these woes do lie;
But the true ground of all these piteous woes
We cannot without circumstance descry.
Re-enter some of the Watch, with BALTHASAR
Second Watchman
Here's Romeo's man; we found him in the churchyard.
First Watchman
Hold him in safety, till the prince come hither.
Re-enter others of the Watch, with FRIAR LAURENCE
Third Watchman
Here is a friar, that trembles, sighs and weeps:
We took this mattock and this spade from him,
As he was coming from this churchyard side.
First Watchman
A great suspicion: stay the friar too.
Enter the PRINCE and Attendants
PRINCE
What misadventure is so early up,
That calls our person from our morning's rest?
Enter CAPULET, LADY CAPULET, and others
CAPULET
What should it be, that they so shriek abroad?
LADY CAPULET
The people in the street cry Romeo,
Some Juliet, and some Paris; and all run,
With open outcry toward our monument.
PRINCE
What fear is this which startles in our ears?
First Watchman
Sovereign, here lies the County Paris slain;
And Romeo dead; and Juliet, dead before,
Warm and new kill'd.
PRINCE
Search, seek, and know how this foul murder comes.
First Watchman
Here is a friar, and slaughter'd Romeo's man;
With instruments upon them, fit to open
These dead men's tombs.
CAPULET
O heavens! O wife, look how our daughter bleeds!
This dagger hath mista'en--for, lo, his house
Is empty on the back of Montague,--
And it mis-sheathed in my daughter's bosom!
LADY CAPULET
O me! this sight of death is as a bell,
That warns my old age to a sepulchre.
Enter MONTAGUE and others
PRINCE
Come, Montague; for thou art early up,
To see thy son and heir more early down.
MONTAGUE
Alas, my liege, my wife is dead to-night;
Grief of my son's exile hath stopp'd her breath:
What further woe conspires against mine age?
PRINCE
Look, and thou shalt see.
MONTAGUE
O thou untaught! what manners is in this?
To press before thy father to a grave?
PRINCE
Seal up the mouth of outrage for a while,
Till we can clear these ambiguities,
And know their spring, their head, their
true descent;
And then will I be general of your woes,
And lead you even to death: meantime forbear,
And let mischance be slave to patience.
Bring forth the parties of suspicion.
FRIAR LAURENCE
I am the greatest, able to do least,
Yet most suspected, as the time and place
Doth make against me of this direful murder;
And here I stand, both to impeach and purge
Myself condemned and myself excused.
PRINCE
Then say at once what thou dost know in this.
FRIAR LAURENCE
I will be brief, for my short date of breath
Is not so long as is a tedious tale.
Romeo, there dead, was husband to that Juliet;
And she, there dead, that Romeo's faithful wife:
I married them; and their stol'n marriage-day
Was Tybalt's dooms-day, whose untimely death
Banish'd the new-made bridegroom from the city,
For whom, and not for Tybalt, Juliet pined.
You, to remove that siege of grief from her,
Betroth'd and would have married her perforce
To County Paris: then comes she to me,
And, with wild looks, bid me devise some mean
To rid her from this second marriage,
Or in my cell there would she kill herself.
Then gave I her, so tutor'd by my art,
A sleeping potion; which so took effect
As I intended, for it wrought on her
The form of death: meantime I writ to Romeo,
That he should hither come as this dire night,
To help to take her from her borrow'd grave,
Being the time the potion's force should cease.
But he which bore my letter, Friar John,
Was stay'd by accident, and yesternight
Return'd my letter back. Then all alone
At the prefixed hour of her waking,
Came I to take her from her kindred's vault;
Meaning to keep her closely at my cell,
Till I conveniently could send to Romeo:
But when I came, some minute ere the time
Of her awaking, here untimely lay
The noble Paris and true Romeo dead.
She wakes; and I entreated her come forth,
And bear this work of heaven with patience:
But then a noise did scare me from the tomb;
And she, too desperate, would not go with me,
But, as it seems, did violence on herself.
All this I know; and to the marriage
Her nurse is privy: and, if aught in this
Miscarried by my fault, let my old life
Be sacrificed, some hour before his time,
Unto the rigour of severest law.
PRINCE
We still have known thee for a holy man.
Where's Romeo's man? what can he say in this?
BALTHASAR
I brought my master news of Juliet's death;
And then in post he came from Mantua
To this same place, to this same monument.
This letter he early bid me give his father,
And threatened me with death, going in the vault,
I departed not and left him there.
PRINCE
Give me the letter; I will look on it.
Where is the county's page, that raised the watch?
Sirrah, what made your master in this place?
PAGE
He came with flowers to strew his lady's grave;
And bid me stand aloof, and so I did:
Anon comes one with light to ope the tomb;
And by and by my master drew on him;
And then I ran away to call the watch.
PRINCE
This letter doth make good the friar's words,
Their course of love, the tidings of her death:
And here he writes that he did buy a poison
Of a poor 'pothecary, and therewithal
Came to this vault to die, and lie with Juliet.
Where be these enemies? Capulet! Montague!
See, what a scourge is laid upon your hate,
That heaven finds means to kill your joys with love.
And I for winking at your discords too
Have lost a brace of kinsmen: all are punish'd.
CAPULET
O brother Montague, give me thy hand:
This is my daughter's jointure, for no more
Can I demand.
MONTAGUE
But I can give thee more:
For I will raise her statue in pure gold;
That while Verona by that name is known,
There shall no figure at such rate be set
As that of true and faithful Juliet.
CAPULET
As rich shall Romeo's by his lady's lie;
Poor sacrifices of our enmity!
PRINCE
A glooming peace this morning with it brings;
The sun, for sorrow, will not show his head:
Go hence, to have more talk of these sad things;
Some shall be pardon'd, and some punished:
For never was a story of more woe
Than this of Juliet and her Romeo.
Exeunt


أرب جمـال 5 - 11 - 2009 06:03 PM

The Tragedy of Hamlet, Prince of Denmark

Hamlet: Entire PlayACT I

SCENE I. Elsinore. A platform before the castle.
FRANCISCO at his post. Enter to him BERNARDO
BERNARDO
Who's there?
FRANCISCO
Nay, answer me: stand, and unfold yourself.
BERNARDO
Long live the king!
FRANCISCO
Bernardo?
BERNARDO
He.
FRANCISCO
You come most carefully upon your hour.
BERNARDO
'Tis now struck twelve; get thee to bed, Francisco.
FRANCISCO
For this relief much thanks: 'tis bitter cold,
And I am sick at heart.
BERNARDO
Have you had quiet guard?
FRANCISCO
Not a mouse stirring.
BERNARDO
Well, good night.
If you do meet Horatio and Marcellus,
The rivals of my watch, bid them make haste.
FRANCISCO
I think I hear them. Stand, ho! Who's there?
Enter HORATIO and MARCELLUS
HORATIO
Friends to this ground.
MARCELLUS
And liegemen to the Dane.
FRANCISCO
Give you good night.
MARCELLUS
O, farewell, honest soldier:
Who hath relieved you?
FRANCISCO
Bernardo has my place.
Give you good night.
Exit
MARCELLUS
Holla! Bernardo!
BERNARDO
Say,
What, is Horatio there?
HORATIO
A piece of him.
BERNARDO
Welcome, Horatio: welcome, good Marcellus.
MARCELLUS
What, has this thing appear'd again to-night?
BERNARDO
I have seen nothing.
MARCELLUS
Horatio says 'tis but our fantasy,
And will not let belief take hold of him
Touching this dreaded sight, twice seen of us:
Therefore I have entreated him along
With us to watch the minutes of this night;
That if again this apparition come,
He may approve our eyes and speak to it.
HORATIO
Tush, tush, 'twill not appear.
BERNARDO
Sit down awhile;
And let us once again assail your ears,
That are so fortified against our story
What we have two nights seen.
HORATIO
Well, sit we down,
And let us hear Bernardo speak of this.
BERNARDO
Last night of all,
When yond same star that's westward from the pole
Had made his course to illume that part of heaven
Where now it burns, Marcellus and myself,
The bell then beating one,--
Enter Ghost
MARCELLUS
Peace, break thee off; look, where it comes again!
BERNARDO
In the same figure, like the king that's dead.
MARCELLUS
Thou art a scholar; speak to it, Horatio.
BERNARDO
Looks it not like the king? mark it, Horatio.
HORATIO
Most like: it harrows me with fear and wonder.
BERNARDO
It would be spoke to.
MARCELLUS
Question it, Horatio.
HORATIO
What art thou that usurp'st this time of night,
Together with that fair and warlike form
In which the majesty of buried Denmark
Did sometimes march? by heaven I charge thee, speak!
MARCELLUS
It is offended.
BERNARDO
See, it stalks away!
HORATIO
Stay! speak, speak! I charge thee, speak!
Exit Ghost
MARCELLUS
'Tis gone, and will not answer.
BERNARDO
How now, Horatio! you tremble and look pale:
Is not this something more than fantasy?
What think you on't?
HORATIO
Before my God, I might not this believe
Without the sensible and true avouch
Of mine own eyes.
MARCELLUS
Is it not like the king?
HORATIO
As thou art to thyself:
Such was the very armour he had on
When he the ambitious Norway combated;
So frown'd he once, when, in an angry parle,
He smote the sledded Polacks on the ice.
'Tis strange.
MARCELLUS
Thus twice before, and jump at this dead hour,
With martial stalk hath he gone by our watch.
HORATIO
In what particular thought to work I know not;
But in the gross and scope of my opinion,
This bodes some strange eruption to our state.
MARCELLUS
Good now, sit down, and tell me, he that knows,
Why this same strict and most observant watch
So nightly toils the subject of the land,
And why such daily cast of brazen cannon,
And foreign mart for implements of war;
Why such impress of shipwrights, whose sore task
Does not divide the Sunday from the week;
What might be toward, that this sweaty haste
Doth make the night joint-labourer with the day:
Who is't that can inform me?
HORATIO
That can I;
At least, the whisper goes so. Our last king,
Whose image even but now appear'd to us,
Was, as you know, by Fortinbras of Norway,
Thereto prick'd on by a most emulate pride,
Dared to the combat; in which our valiant Hamlet--
For so this side of our known world esteem'd him--
Did slay this Fortinbras; who by a seal'd compact,
Well ratified by law and heraldry,
Did forfeit, with his life, all those his lands
Which he stood seized of, to the conqueror:
Against the which, a moiety competent
Was gaged by our king; which had return'd
To the inheritance of Fortinbras,
Had he been vanquisher; as, by the same covenant,
And carriage of the article design'd,
His fell to Hamlet. Now, sir, young Fortinbras,
Of unimproved mettle hot and full,
Hath in the skirts of Norway here and there
Shark'd up a list of lawless resolutes,
For food and diet, to some enterprise
That hath a stomach in't; which is no other--
As it doth well appear unto our state--
But to recover of us, by strong hand
And terms compulsatory, those foresaid lands
So by his father lost: and this, I take it,
Is the main motive of our preparations,
The source of this our watch and the chief head
Of this post-haste and romage in the land.
BERNARDO
I think it be no other but e'en so:
Well may it sort that this portentous figure
Comes armed through our watch; so like the king
That was and is the question of these wars.
HORATIO
A mote it is to trouble the mind's eye.
In the most high and palmy state of Rome,
A little ere the mightiest Julius fell,
The graves stood tenantless and the sheeted dead
Did squeak and gibber in the Roman streets:
As stars with trains of fire and dews of blood,
Disasters in the sun; and the moist star
Upon whose influence Neptune's empire stands
Was sick almost to doomsday with eclipse:
And even the like precurse of fierce events,
As harbingers preceding still the fates
And prologue to the omen coming on,
Have heaven and earth together demonstrated
Unto our climatures and countrymen.--
But soft, behold! lo, where it comes again!
Re-enter Ghost
I'll cross it, though it blast me. Stay, illusion!
If thou hast any sound, or use of voice,
Speak to me:
If there be any good thing to be done,
That may to thee do ease and grace to me,
Speak to me:
Cock crows
If thou art privy to thy country's fate,
Which, happily, foreknowing may avoid, O, speak!
Or if thou hast uphoarded in thy life
Extorted treasure in the womb of earth,
For which, they say, you spirits oft walk in death,
Speak of it: stay, and speak! Stop it, Marcellus.
MARCELLUS
Shall I strike at it with my partisan?
HORATIO
Do, if it will not stand.
BERNARDO
'Tis here!
HORATIO
'Tis here!
MARCELLUS
'Tis gone!
Exit Ghost
We do it wrong, being so majestical,
To offer it the show of violence;
For it is, as the air, invulnerable,
And our vain blows malicious mockery.
BERNARDO
It was about to speak, when the cock crew.
HORATIO
And then it started like a guilty thing
Upon a fearful summons. I have heard,
The cock, that is the trumpet to the morn,
Doth with his lofty and shrill-sounding throat
Awake the god of day; and, at his warning,
Whether in sea or fire, in earth or air,
The extravagant and erring spirit hies
To his confine: and of the truth herein
This present object made probation.
MARCELLUS
It faded on the crowing of the cock.
Some say that ever 'gainst that season comes
Wherein our Saviour's birth is celebrated,
The bird of dawning singeth all night long:
And then, they say, no spirit dares stir abroad;
The nights are wholesome; then no planets strike,
No fairy takes, nor witch hath power to charm,
So hallow'd and so gracious is the time.
HORATIO
So have I heard and do in part believe it.
But, look, the morn, in russet mantle clad,
Walks o'er the dew of yon high eastward hill:
Break we our watch up; and by my advice,
Let us impart what we have seen to-night
Unto young Hamlet; for, upon my life,
This spirit, dumb to us, will speak to him.
Do you consent we shall acquaint him with it,
As needful in our loves, fitting our duty?
MARCELLUS
Let's do't, I pray; and I this morning know
Where we shall find him most conveniently.
Exeunt
SCENE II. A room of state in the castle.
Enter KING CLAUDIUS, QUEEN GERTRUDE, HAMLET, POLONIUS, LAERTES, VOLTIMAND, CORNELIUS, Lords, and Attendants
KING CLAUDIUS
Though yet of Hamlet our dear brother's death
The memory be green, and that it us befitted
To bear our hearts in grief and our whole kingdom
To be contracted in one brow of woe,
Yet so far hath discretion fought with nature
That we with wisest sorrow think on him,
Together with remembrance of ourselves.
Therefore our sometime sister, now our queen,
The imperial jointress to this warlike state,
Have we, as 'twere with a defeated joy,--
With an auspicious and a dropping eye,
With mirth in funeral and with dirge in marriage,
In equal scale weighing delight and dole,--
Taken to wife: nor have we herein barr'd
Your better wisdoms, which have freely gone
With this affair along. For all, our thanks.
Now follows, that you know, young Fortinbras,
Holding a weak supposal of our worth,
Or thinking by our late dear brother's death
Our state to be disjoint and out of frame,
Colleagued with the dream of his advantage,
He hath not fail'd to pester us with message,
Importing the surrender of those lands
Lost by his father, with all bonds of law,
To our most valiant brother. So much for him.
Now for ourself and for this time of meeting:
Thus much the business is: we have here writ
To Norway, uncle of young Fortinbras,--
Who, impotent and bed-rid, scarcely hears
Of this his nephew's purpose,--to suppress
His further gait herein; in that the levies,
The lists and full proportions, are all made
Out of his subject: and we here dispatch
You, good Cornelius, and you, Voltimand,
For bearers of this greeting to old Norway;
Giving to you no further personal power
To business with the king, more than the scope
Of these delated articles allow.
Farewell, and let your haste commend your duty.
CORNELIUS VOLTIMAND
In that and all things will we show our duty.
KING CLAUDIUS
We doubt it nothing: heartily farewell.
Exeunt VOLTIMAND and CORNELIUS
And now, Laertes, what's the news with you?
You told us of some suit; what is't, Laertes?
You cannot speak of reason to the Dane,
And loose your voice: what wouldst thou beg, Laertes,
That shall not be my offer, not thy asking?
The head is not more native to the heart,
The hand more instrumental to the mouth,
Than is the throne of Denmark to thy father.
What wouldst thou have, Laertes?
LAERTES
My dread lord,
Your leave and favour to return to France;
From whence though willingly I came to Denmark,
To show my duty in your coronation,
Yet now, I must confess, that duty done,
My thoughts and wishes bend again toward France
And bow them to your gracious leave and pardon.
KING CLAUDIUS
Have you your father's leave? What says Polonius?
LORD POLONIUS
He hath, my lord, wrung from me my slow leave
By laboursome petition, and at last
Upon his will I seal'd my hard consent:
I do beseech you, give him leave to go.
KING CLAUDIUS
Take thy fair hour, Laertes; time be thine,
And thy best graces spend it at thy will!
But now, my cousin Hamlet, and my son,--
HAMLET
[Aside] A little more than kin, and less than kind.
KING CLAUDIUS
How is it that the clouds still hang on you?
HAMLET
Not so, my lord; I am too much i' the sun.
QUEEN GERTRUDE
Good Hamlet, cast thy nighted colour off,
And let thine eye look like a friend on Denmark.
Do not for ever with thy vailed lids
Seek for thy noble father in the dust:
Thou know'st 'tis common; all that lives must die,
Passing through nature to eternity.
HAMLET
Ay, madam, it is common.
QUEEN GERTRUDE
If it be,
Why seems it so particular with thee?
HAMLET
Seems, madam! nay it is; I know not 'seems.'
'Tis not alone my inky cloak, good mother,
Nor customary suits of solemn black,
Nor windy suspiration of forced breath,
No, nor the fruitful river in the eye,
Nor the dejected 'havior of the visage,
Together with all forms, moods, shapes of grief,
That can denote me truly: these indeed seem,
For they are actions that a man might play:
But I have that within which passeth show;
These but the trappings and the suits of woe.
KING CLAUDIUS
'Tis sweet and commendable in your nature, Hamlet,
To give these mourning duties to your father:
But, you must know, your father lost a father;
That father lost, lost his, and the survivor bound
In filial obligation for some term
To do obsequious sorrow: but to persever
In obstinate condolement is a course
Of impious stubbornness; 'tis unmanly grief;
It shows a will most incorrect to heaven,
A heart unfortified, a mind impatient,
An understanding simple and unschool'd:
For what we know must be and is as common
As any the most vulgar thing to sense,
Why should we in our peevish opposition
Take it to heart? Fie! 'tis a fault to heaven,
A fault against the dead, a fault to nature,
To reason most absurd: whose common theme
Is death of fathers, and who still hath cried,
From the first corse till he that died to-day,
'This must be so.' We pray you, throw to earth
This unprevailing woe, and think of us
As of a father: for let the world take note,
You are the most immediate to our throne;
And with no less nobility of love
Than that which dearest father bears his son,
Do I impart toward you. For your intent
In going back to school in Wittenberg,
It is most retrograde to our desire:
And we beseech you, bend you to remain
Here, in the cheer and comfort of our eye,
Our chiefest courtier, cousin, and our son.
QUEEN GERTRUDE
Let not thy mother lose her prayers, Hamlet:
I pray thee, stay with us; go not to Wittenberg.
HAMLET
I shall in all my best obey you, madam.
KING CLAUDIUS
Why, 'tis a loving and a fair reply:
Be as ourself in Denmark. Madam, come;
This gentle and unforced accord of Hamlet
Sits smiling to my heart: in grace whereof,
No jocund health that Denmark drinks to-day,
But the great cannon to the clouds shall tell,
And the king's rouse the heavens all bruit again,
Re-speaking earthly thunder. Come away.
Exeunt all but HAMLET
HAMLET
O, that this too too solid flesh would melt
Thaw and resolve itself into a dew!
Or that the Everlasting had not fix'd
His canon 'gainst self-slaughter! O God! God!
How weary, stale, flat and unprofitable,
Seem to me all the uses of this world!
Fie on't! ah fie! 'tis an unweeded garden,
That grows to seed; things rank and gross in nature
Possess it merely. That it should come to this!
But two months dead: nay, not so much, not two:
So excellent a king; that was, to this,
Hyperion to a satyr; so loving to my mother
That he might not beteem the winds of heaven
Visit her face too roughly. Heaven and earth!
Must I remember? why, she would hang on him,
As if increase of appetite had grown
By what it fed on: and yet, within a month--
Let me not think on't--Frailty, thy name is woman!--
A little month, or ere those shoes were old
With which she follow'd my poor father's body,
Like Niobe, all tears:--why she, even she--
O, God! a beast, that wants discourse of reason,
Would have mourn'd longer--married with my uncle,
My father's brother, but no more like my father
Than I to Hercules: within a month:
Ere yet the salt of most unrighteous tears
Had left the flushing in her galled eyes,
She married. O, most wicked speed, to post
With such dexterity to incestuous sheets!
It is not nor it cannot come to good:
But break, my heart; for I must hold my tongue.
Enter HORATIO, MARCELLUS, and BERNARDO
HORATIO
Hail to your lordship!
HAMLET
I am glad to see you well:
Horatio,--or I do forget myself.
HORATIO
The same, my lord, and your poor servant ever.
HAMLET
Sir, my good friend; I'll change that name with you:
And what make you from Wittenberg, Horatio? Marcellus?
MARCELLUS
My good lord--
HAMLET
I am very glad to see you. Good even, sir.
But what, in faith, make you from Wittenberg?
HORATIO
A truant disposition, good my lord.
HAMLET
I would not hear your enemy say so,
Nor shall you do mine ear that violence,
To make it truster of your own report
Against yourself: I know you are no truant.
But what is your affair in Elsinore?
We'll teach you to drink deep ere you depart.
HORATIO
My lord, I came to see your father's funeral.
HAMLET
I pray thee, do not mock me, fellow-student;
I think it was to see my mother's wedding.
HORATIO
Indeed, my lord, it follow'd hard upon.
HAMLET
Thrift, thrift, Horatio! the funeral baked meats
Did coldly furnish forth the marriage tables.
Would I had met my dearest foe in heaven
Or ever I had seen that day, Horatio!
My father!--methinks I see my father.
HORATIO
Where, my lord?
HAMLET
In my mind's eye, Horatio.
HORATIO
I saw him once; he was a goodly king.
HAMLET
He was a man, take him for all in all,
I shall not look upon his like again.
HORATIO
My lord, I think I saw him yesternight.
HAMLET
Saw? who?
HORATIO
My lord, the king your father.
HAMLET
The king my father!
HORATIO
Season your admiration for awhile
With an attent ear, till I may deliver,
Upon the witness of these gentlemen,
This marvel to you.
HAMLET
For God's love, let me hear.
HORATIO
Two nights together had these gentlemen,
Marcellus and Bernardo, on their watch,
In the dead vast and middle of the night,
Been thus encounter'd. A figure like your father,
Armed at point exactly, cap-a-pe,
Appears before them, and with solemn march
Goes slow and stately by them: thrice he walk'd
By their oppress'd and fear-surprised eyes,
Within his truncheon's length; whilst they, distilled
Almost to jelly with the act of fear,
Stand dumb and speak not to him. This to me
In dreadful secrecy impart they did;
And I with them the third night kept the watch;
Where, as they had deliver'd, both in time,
Form of the thing, each word made true and good,
The apparition comes: I knew your father;
These hands are not more like.
HAMLET
But where was this?
MARCELLUS
My lord, upon the platform where we watch'd.
HAMLET
Did you not speak to it?
HORATIO
My lord, I did;
But answer made it none: yet once methought
It lifted up its head and did address
Itself to motion, like as it would speak;
But even then the morning cock crew loud,
And at the sound it shrunk in haste away,
And vanish'd from our sight.
HAMLET
'Tis very strange.
HORATIO
As I do live, my honour'd lord, 'tis true;
And we did think it writ down in our duty
To let you know of it.
HAMLET
Indeed, indeed, sirs, but this troubles me.
Hold you the watch to-night?
MARCELLUS BERNARDO
We do, my lord.
HAMLET
Arm'd, say you?
MARCELLUS BERNARDO
Arm'd, my lord.
HAMLET
From top to toe?
MARCELLUS BERNARDO
My lord, from head to foot.
HAMLET
Then saw you not his face?
HORATIO
O, yes, my lord; he wore his beaver up.
HAMLET
What, look'd he frowningly?
HORATIO
A countenance more in sorrow than in anger.
HAMLET
Pale or red?
HORATIO
Nay, very pale.
HAMLET
And fix'd his eyes upon you?
HORATIO
Most constantly.
HAMLET
I would I had been there.
HORATIO
It would have much amazed you.
HAMLET
Very like, very like. Stay'd it long?
HORATIO
While one with moderate haste might tell a hundred.
MARCELLUS BERNARDO
Longer, longer.
HORATIO
Not when I saw't.
HAMLET
His beard was grizzled--no?
HORATIO
It was, as I have seen it in his life,
A sable silver'd.
HAMLET
I will watch to-night;
Perchance 'twill walk again.
HORATIO
I warrant it will.
HAMLET
If it assume my noble father's person,
I'll speak to it, though hell itself should gape
And bid me hold my peace. I pray you all,
If you have hitherto conceal'd this sight,
Let it be tenable in your silence still;
And whatsoever else shall hap to-night,
Give it an understanding, but no tongue:
I will requite your loves. So, fare you well:
Upon the platform, 'twixt eleven and twelve,
I'll visit you.
All
Our duty to your honour.
HAMLET
Your loves, as mine to you: farewell.
Exeunt all but HAMLET


أرب جمـال 5 - 11 - 2009 06:03 PM

The Tragedy of Hamlet, Prince of Denmark

Hamlet: Entire PlayACT I

SCENE I. Elsinore. A platform before the castle.
FRANCISCO at his post. Enter to him BERNARDO
BERNARDO
Who's there?
FRANCISCO
Nay, answer me: stand, and unfold yourself.
BERNARDO
Long live the king!
FRANCISCO
Bernardo?
BERNARDO
He.
FRANCISCO
You come most carefully upon your hour.
BERNARDO
'Tis now struck twelve; get thee to bed, Francisco.
FRANCISCO
For this relief much thanks: 'tis bitter cold,
And I am sick at heart.
BERNARDO
Have you had quiet guard?
FRANCISCO
Not a mouse stirring.
BERNARDO
Well, good night.
If you do meet Horatio and Marcellus,
The rivals of my watch, bid them make haste.
FRANCISCO
I think I hear them. Stand, ho! Who's there?
Enter HORATIO and MARCELLUS
HORATIO
Friends to this ground.
MARCELLUS
And liegemen to the Dane.
FRANCISCO
Give you good night.
MARCELLUS
O, farewell, honest soldier:
Who hath relieved you?
FRANCISCO
Bernardo has my place.
Give you good night.
Exit
MARCELLUS
Holla! Bernardo!
BERNARDO
Say,
What, is Horatio there?
HORATIO
A piece of him.
BERNARDO
Welcome, Horatio: welcome, good Marcellus.
MARCELLUS
What, has this thing appear'd again to-night?
BERNARDO
I have seen nothing.
MARCELLUS
Horatio says 'tis but our fantasy,
And will not let belief take hold of him
Touching this dreaded sight, twice seen of us:
Therefore I have entreated him along
With us to watch the minutes of this night;
That if again this apparition come,
He may approve our eyes and speak to it.
HORATIO
Tush, tush, 'twill not appear.
BERNARDO
Sit down awhile;
And let us once again assail your ears,
That are so fortified against our story
What we have two nights seen.
HORATIO
Well, sit we down,
And let us hear Bernardo speak of this.
BERNARDO
Last night of all,
When yond same star that's westward from the pole
Had made his course to illume that part of heaven
Where now it burns, Marcellus and myself,
The bell then beating one,--
Enter Ghost
MARCELLUS
Peace, break thee off; look, where it comes again!
BERNARDO
In the same figure, like the king that's dead.
MARCELLUS
Thou art a scholar; speak to it, Horatio.
BERNARDO
Looks it not like the king? mark it, Horatio.
HORATIO
Most like: it harrows me with fear and wonder.
BERNARDO
It would be spoke to.
MARCELLUS
Question it, Horatio.
HORATIO
What art thou that usurp'st this time of night,
Together with that fair and warlike form
In which the majesty of buried Denmark
Did sometimes march? by heaven I charge thee, speak!
MARCELLUS
It is offended.
BERNARDO
See, it stalks away!
HORATIO
Stay! speak, speak! I charge thee, speak!
Exit Ghost
MARCELLUS
'Tis gone, and will not answer.
BERNARDO
How now, Horatio! you tremble and look pale:
Is not this something more than fantasy?
What think you on't?
HORATIO
Before my God, I might not this believe
Without the sensible and true avouch
Of mine own eyes.
MARCELLUS
Is it not like the king?
HORATIO
As thou art to thyself:
Such was the very armour he had on
When he the ambitious Norway combated;
So frown'd he once, when, in an angry parle,
He smote the sledded Polacks on the ice.
'Tis strange.
MARCELLUS
Thus twice before, and jump at this dead hour,
With martial stalk hath he gone by our watch.
HORATIO
In what particular thought to work I know not;
But in the gross and scope of my opinion,
This bodes some strange eruption to our state.
MARCELLUS
Good now, sit down, and tell me, he that knows,
Why this same strict and most observant watch
So nightly toils the subject of the land,
And why such daily cast of brazen cannon,
And foreign mart for implements of war;
Why such impress of shipwrights, whose sore task
Does not divide the Sunday from the week;
What might be toward, that this sweaty haste
Doth make the night joint-labourer with the day:
Who is't that can inform me?
HORATIO
That can I;
At least, the whisper goes so. Our last king,
Whose image even but now appear'd to us,
Was, as you know, by Fortinbras of Norway,
Thereto prick'd on by a most emulate pride,
Dared to the combat; in which our valiant Hamlet--
For so this side of our known world esteem'd him--
Did slay this Fortinbras; who by a seal'd compact,
Well ratified by law and heraldry,
Did forfeit, with his life, all those his lands
Which he stood seized of, to the conqueror:
Against the which, a moiety competent
Was gaged by our king; which had return'd
To the inheritance of Fortinbras,
Had he been vanquisher; as, by the same covenant,
And carriage of the article design'd,
His fell to Hamlet. Now, sir, young Fortinbras,
Of unimproved mettle hot and full,
Hath in the skirts of Norway here and there
Shark'd up a list of lawless resolutes,
For food and diet, to some enterprise
That hath a stomach in't; which is no other--
As it doth well appear unto our state--
But to recover of us, by strong hand
And terms compulsatory, those foresaid lands
So by his father lost: and this, I take it,
Is the main motive of our preparations,
The source of this our watch and the chief head
Of this post-haste and romage in the land.
BERNARDO
I think it be no other but e'en so:
Well may it sort that this portentous figure
Comes armed through our watch; so like the king
That was and is the question of these wars.
HORATIO
A mote it is to trouble the mind's eye.
In the most high and palmy state of Rome,
A little ere the mightiest Julius fell,
The graves stood tenantless and the sheeted dead
Did squeak and gibber in the Roman streets:
As stars with trains of fire and dews of blood,
Disasters in the sun; and the moist star
Upon whose influence Neptune's empire stands
Was sick almost to doomsday with eclipse:
And even the like precurse of fierce events,
As harbingers preceding still the fates
And prologue to the omen coming on,
Have heaven and earth together demonstrated
Unto our climatures and countrymen.--
But soft, behold! lo, where it comes again!
Re-enter Ghost
I'll cross it, though it blast me. Stay, illusion!
If thou hast any sound, or use of voice,
Speak to me:
If there be any good thing to be done,
That may to thee do ease and grace to me,
Speak to me:
Cock crows
If thou art privy to thy country's fate,
Which, happily, foreknowing may avoid, O, speak!
Or if thou hast uphoarded in thy life
Extorted treasure in the womb of earth,
For which, they say, you spirits oft walk in death,
Speak of it: stay, and speak! Stop it, Marcellus.
MARCELLUS
Shall I strike at it with my partisan?
HORATIO
Do, if it will not stand.
BERNARDO
'Tis here!
HORATIO
'Tis here!
MARCELLUS
'Tis gone!
Exit Ghost
We do it wrong, being so majestical,
To offer it the show of violence;
For it is, as the air, invulnerable,
And our vain blows malicious mockery.
BERNARDO
It was about to speak, when the cock crew.
HORATIO
And then it started like a guilty thing
Upon a fearful summons. I have heard,
The cock, that is the trumpet to the morn,
Doth with his lofty and shrill-sounding throat
Awake the god of day; and, at his warning,
Whether in sea or fire, in earth or air,
The extravagant and erring spirit hies
To his confine: and of the truth herein
This present object made probation.
MARCELLUS
It faded on the crowing of the cock.
Some say that ever 'gainst that season comes
Wherein our Saviour's birth is celebrated,
The bird of dawning singeth all night long:
And then, they say, no spirit dares stir abroad;
The nights are wholesome; then no planets strike,
No fairy takes, nor witch hath power to charm,
So hallow'd and so gracious is the time.
HORATIO
So have I heard and do in part believe it.
But, look, the morn, in russet mantle clad,
Walks o'er the dew of yon high eastward hill:
Break we our watch up; and by my advice,
Let us impart what we have seen to-night
Unto young Hamlet; for, upon my life,
This spirit, dumb to us, will speak to him.
Do you consent we shall acquaint him with it,
As needful in our loves, fitting our duty?
MARCELLUS
Let's do't, I pray; and I this morning know
Where we shall find him most conveniently.
Exeunt
SCENE II. A room of state in the castle.
Enter KING CLAUDIUS, QUEEN GERTRUDE, HAMLET, POLONIUS, LAERTES, VOLTIMAND, CORNELIUS, Lords, and Attendants
KING CLAUDIUS
Though yet of Hamlet our dear brother's death
The memory be green, and that it us befitted
To bear our hearts in grief and our whole kingdom
To be contracted in one brow of woe,
Yet so far hath discretion fought with nature
That we with wisest sorrow think on him,
Together with remembrance of ourselves.
Therefore our sometime sister, now our queen,
The imperial jointress to this warlike state,
Have we, as 'twere with a defeated joy,--
With an auspicious and a dropping eye,
With mirth in funeral and with dirge in marriage,
In equal scale weighing delight and dole,--
Taken to wife: nor have we herein barr'd
Your better wisdoms, which have freely gone
With this affair along. For all, our thanks.
Now follows, that you know, young Fortinbras,
Holding a weak supposal of our worth,
Or thinking by our late dear brother's death
Our state to be disjoint and out of frame,
Colleagued with the dream of his advantage,
He hath not fail'd to pester us with message,
Importing the surrender of those lands
Lost by his father, with all bonds of law,
To our most valiant brother. So much for him.
Now for ourself and for this time of meeting:
Thus much the business is: we have here writ
To Norway, uncle of young Fortinbras,--
Who, impotent and bed-rid, scarcely hears
Of this his nephew's purpose,--to suppress
His further gait herein; in that the levies,
The lists and full proportions, are all made
Out of his subject: and we here dispatch
You, good Cornelius, and you, Voltimand,
For bearers of this greeting to old Norway;
Giving to you no further personal power
To business with the king, more than the scope
Of these delated articles allow.
Farewell, and let your haste commend your duty.
CORNELIUS VOLTIMAND
In that and all things will we show our duty.
KING CLAUDIUS
We doubt it nothing: heartily farewell.
Exeunt VOLTIMAND and CORNELIUS
And now, Laertes, what's the news with you?
You told us of some suit; what is't, Laertes?
You cannot speak of reason to the Dane,
And loose your voice: what wouldst thou beg, Laertes,
That shall not be my offer, not thy asking?
The head is not more native to the heart,
The hand more instrumental to the mouth,
Than is the throne of Denmark to thy father.
What wouldst thou have, Laertes?
LAERTES
My dread lord,
Your leave and favour to return to France;
From whence though willingly I came to Denmark,
To show my duty in your coronation,
Yet now, I must confess, that duty done,
My thoughts and wishes bend again toward France
And bow them to your gracious leave and pardon.
KING CLAUDIUS
Have you your father's leave? What says Polonius?
LORD POLONIUS
He hath, my lord, wrung from me my slow leave
By laboursome petition, and at last
Upon his will I seal'd my hard consent:
I do beseech you, give him leave to go.
KING CLAUDIUS
Take thy fair hour, Laertes; time be thine,
And thy best graces spend it at thy will!
But now, my cousin Hamlet, and my son,--
HAMLET
[Aside] A little more than kin, and less than kind.
KING CLAUDIUS
How is it that the clouds still hang on you?
HAMLET
Not so, my lord; I am too much i' the sun.
QUEEN GERTRUDE
Good Hamlet, cast thy nighted colour off,
And let thine eye look like a friend on Denmark.
Do not for ever with thy vailed lids
Seek for thy noble father in the dust:
Thou know'st 'tis common; all that lives must die,
Passing through nature to eternity.
HAMLET
Ay, madam, it is common.
QUEEN GERTRUDE
If it be,
Why seems it so particular with thee?
HAMLET
Seems, madam! nay it is; I know not 'seems.'
'Tis not alone my inky cloak, good mother,
Nor customary suits of solemn black,
Nor windy suspiration of forced breath,
No, nor the fruitful river in the eye,
Nor the dejected 'havior of the visage,
Together with all forms, moods, shapes of grief,
That can denote me truly: these indeed seem,
For they are actions that a man might play:
But I have that within which passeth show;
These but the trappings and the suits of woe.
KING CLAUDIUS
'Tis sweet and commendable in your nature, Hamlet,
To give these mourning duties to your father:
But, you must know, your father lost a father;
That father lost, lost his, and the survivor bound
In filial obligation for some term
To do obsequious sorrow: but to persever
In obstinate condolement is a course
Of impious stubbornness; 'tis unmanly grief;
It shows a will most incorrect to heaven,
A heart unfortified, a mind impatient,
An understanding simple and unschool'd:
For what we know must be and is as common
As any the most vulgar thing to sense,
Why should we in our peevish opposition
Take it to heart? Fie! 'tis a fault to heaven,
A fault against the dead, a fault to nature,
To reason most absurd: whose common theme
Is death of fathers, and who still hath cried,
From the first corse till he that died to-day,
'This must be so.' We pray you, throw to earth
This unprevailing woe, and think of us
As of a father: for let the world take note,
You are the most immediate to our throne;
And with no less nobility of love
Than that which dearest father bears his son,
Do I impart toward you. For your intent
In going back to school in Wittenberg,
It is most retrograde to our desire:
And we beseech you, bend you to remain
Here, in the cheer and comfort of our eye,
Our chiefest courtier, cousin, and our son.
QUEEN GERTRUDE
Let not thy mother lose her prayers, Hamlet:
I pray thee, stay with us; go not to Wittenberg.
HAMLET
I shall in all my best obey you, madam.
KING CLAUDIUS
Why, 'tis a loving and a fair reply:
Be as ourself in Denmark. Madam, come;
This gentle and unforced accord of Hamlet
Sits smiling to my heart: in grace whereof,
No jocund health that Denmark drinks to-day,
But the great cannon to the clouds shall tell,
And the king's rouse the heavens all bruit again,
Re-speaking earthly thunder. Come away.
Exeunt all but HAMLET
HAMLET
O, that this too too solid flesh would melt
Thaw and resolve itself into a dew!
Or that the Everlasting had not fix'd
His canon 'gainst self-slaughter! O God! God!
How weary, stale, flat and unprofitable,
Seem to me all the uses of this world!
Fie on't! ah fie! 'tis an unweeded garden,
That grows to seed; things rank and gross in nature
Possess it merely. That it should come to this!
But two months dead: nay, not so much, not two:
So excellent a king; that was, to this,
Hyperion to a satyr; so loving to my mother
That he might not beteem the winds of heaven
Visit her face too roughly. Heaven and earth!
Must I remember? why, she would hang on him,
As if increase of appetite had grown
By what it fed on: and yet, within a month--
Let me not think on't--Frailty, thy name is woman!--
A little month, or ere those shoes were old
With which she follow'd my poor father's body,
Like Niobe, all tears:--why she, even she--
O, God! a beast, that wants discourse of reason,
Would have mourn'd longer--married with my uncle,
My father's brother, but no more like my father
Than I to Hercules: within a month:
Ere yet the salt of most unrighteous tears
Had left the flushing in her galled eyes,
She married. O, most wicked speed, to post
With such dexterity to incestuous sheets!
It is not nor it cannot come to good:
But break, my heart; for I must hold my tongue.
Enter HORATIO, MARCELLUS, and BERNARDO
HORATIO
Hail to your lordship!
HAMLET
I am glad to see you well:
Horatio,--or I do forget myself.
HORATIO
The same, my lord, and your poor servant ever.
HAMLET
Sir, my good friend; I'll change that name with you:
And what make you from Wittenberg, Horatio? Marcellus?
MARCELLUS
My good lord--
HAMLET
I am very glad to see you. Good even, sir.
But what, in faith, make you from Wittenberg?
HORATIO
A truant disposition, good my lord.
HAMLET
I would not hear your enemy say so,
Nor shall you do mine ear that violence,
To make it truster of your own report
Against yourself: I know you are no truant.
But what is your affair in Elsinore?
We'll teach you to drink deep ere you depart.
HORATIO
My lord, I came to see your father's funeral.
HAMLET
I pray thee, do not mock me, fellow-student;
I think it was to see my mother's wedding.
HORATIO
Indeed, my lord, it follow'd hard upon.
HAMLET
Thrift, thrift, Horatio! the funeral baked meats
Did coldly furnish forth the marriage tables.
Would I had met my dearest foe in heaven
Or ever I had seen that day, Horatio!
My father!--methinks I see my father.
HORATIO
Where, my lord?
HAMLET
In my mind's eye, Horatio.
HORATIO
I saw him once; he was a goodly king.
HAMLET
He was a man, take him for all in all,
I shall not look upon his like again.
HORATIO
My lord, I think I saw him yesternight.
HAMLET
Saw? who?
HORATIO
My lord, the king your father.
HAMLET
The king my father!
HORATIO
Season your admiration for awhile
With an attent ear, till I may deliver,
Upon the witness of these gentlemen,
This marvel to you.
HAMLET
For God's love, let me hear.
HORATIO
Two nights together had these gentlemen,
Marcellus and Bernardo, on their watch,
In the dead vast and middle of the night,
Been thus encounter'd. A figure like your father,
Armed at point exactly, cap-a-pe,
Appears before them, and with solemn march
Goes slow and stately by them: thrice he walk'd
By their oppress'd and fear-surprised eyes,
Within his truncheon's length; whilst they, distilled
Almost to jelly with the act of fear,
Stand dumb and speak not to him. This to me
In dreadful secrecy impart they did;
And I with them the third night kept the watch;
Where, as they had deliver'd, both in time,
Form of the thing, each word made true and good,
The apparition comes: I knew your father;
These hands are not more like.
HAMLET
But where was this?
MARCELLUS
My lord, upon the platform where we watch'd.
HAMLET
Did you not speak to it?
HORATIO
My lord, I did;
But answer made it none: yet once methought
It lifted up its head and did address
Itself to motion, like as it would speak;
But even then the morning cock crew loud,
And at the sound it shrunk in haste away,
And vanish'd from our sight.
HAMLET
'Tis very strange.
HORATIO
As I do live, my honour'd lord, 'tis true;
And we did think it writ down in our duty
To let you know of it.
HAMLET
Indeed, indeed, sirs, but this troubles me.
Hold you the watch to-night?
MARCELLUS BERNARDO
We do, my lord.
HAMLET
Arm'd, say you?
MARCELLUS BERNARDO
Arm'd, my lord.
HAMLET
From top to toe?
MARCELLUS BERNARDO
My lord, from head to foot.
HAMLET
Then saw you not his face?
HORATIO
O, yes, my lord; he wore his beaver up.
HAMLET
What, look'd he frowningly?
HORATIO
A countenance more in sorrow than in anger.
HAMLET
Pale or red?
HORATIO
Nay, very pale.
HAMLET
And fix'd his eyes upon you?
HORATIO
Most constantly.
HAMLET
I would I had been there.
HORATIO
It would have much amazed you.
HAMLET
Very like, very like. Stay'd it long?
HORATIO
While one with moderate haste might tell a hundred.
MARCELLUS BERNARDO
Longer, longer.
HORATIO
Not when I saw't.
HAMLET
His beard was grizzled--no?
HORATIO
It was, as I have seen it in his life,
A sable silver'd.
HAMLET
I will watch to-night;
Perchance 'twill walk again.
HORATIO
I warrant it will.
HAMLET
If it assume my noble father's person,
I'll speak to it, though hell itself should gape
And bid me hold my peace. I pray you all,
If you have hitherto conceal'd this sight,
Let it be tenable in your silence still;
And whatsoever else shall hap to-night,
Give it an understanding, but no tongue:
I will requite your loves. So, fare you well:
Upon the platform, 'twixt eleven and twelve,
I'll visit you.
All
Our duty to your honour.
HAMLET
Your loves, as mine to you: farewell.
Exeunt all but HAMLET


أرب جمـال 5 - 11 - 2009 06:04 PM

Hamlet: Entire Play
Exeunt all but HAMLET
My father's spirit in arms! all is not well;
I doubt some foul play: would the night were come!
Till then sit still, my soul: foul deeds will rise,
Though all the earth o'erwhelm them, to men's eyes.
Exit
SCENE III. A room in Polonius' house.
Enter LAERTES and OPHELIA
LAERTES
My necessaries are embark'd: farewell:
And, sister, as the winds give benefit
And convoy is assistant, do not sleep,
But let me hear from you.
OPHELIA
Do you doubt that?
LAERTES
For Hamlet and the trifling of his favour,
Hold it a fashion and a toy in blood,
A violet in the youth of primy nature,
Forward, not permanent, sweet, not lasting,
The perfume and suppliance of a minute; No more.
OPHELIA
No more but so?
LAERTES
Think it no more;
For nature, crescent, does not grow alone
In thews and bulk, but, as this temple waxes,
The inward service of the mind and soul
Grows wide withal. Perhaps he loves you now,
And now no soil nor cautel doth besmirch
The virtue of his will: but you must fear,
His greatness weigh'd, his will is not his own;
For he himself is subject to his birth:
He may not, as unvalued persons do,
Carve for himself; for on his choice depends
The safety and health of this whole state;
And therefore must his choice be circumscribed
Unto the voice and yielding of that body
Whereof he is the head. Then if he says he loves you,
It fits your wisdom so far to believe it
As he in his particular act and place
May give his saying deed; which is no further
Than the main voice of Denmark goes withal.
Then weigh what loss your honour may sustain,
If with too credent ear you list his songs,
Or lose your heart, or your chaste treasure open
To his unmaster'd importunity.
Fear it, Ophelia, fear it, my dear sister,
And keep you in the rear of your affection,
Out of the shot and danger of desire.
The chariest maid is prodigal enough,
If she unmask her beauty to the moon:
Virtue itself 'scapes not calumnious strokes:
The canker galls the infants of the spring,
Too oft before their buttons be disclosed,
And in the morn and liquid dew of youth
Contagious blastments are most imminent.
Be wary then; best safety lies in fear:
Youth to itself rebels, though none else near.
OPHELIA
I shall the effect of this good lesson keep,
As watchman to my heart. But, good my brother,
Do not, as some ungracious pastors do,
Show me the steep and thorny way to heaven;
Whiles, like a puff'd and reckless libertine,
Himself the primrose path of dalliance treads,
And recks not his own rede.
LAERTES
O, fear me not.
I stay too long: but here my father comes.
Enter POLONIUS
A double blessing is a double grace,
Occasion smiles upon a second leave.
LORD POLONIUS
Yet here, Laertes! aboard, aboard, for shame!
The wind sits in the shoulder of your sail,
And you are stay'd for. There; my blessing with thee!
And these few precepts in thy memory
See thou character. Give thy thoughts no tongue,
Nor any unproportioned thought his act.
Be thou familiar, but by no means vulgar.
Those friends thou hast, and their adoption tried,
Grapple them to thy soul with hoops of steel;
But do not dull thy palm with entertainment
Of each new-hatch'd, unfledged comrade. Beware
Of entrance to a quarrel, but being in,
Bear't that the opposed may beware of thee.
Give every man thy ear, but few thy voice;
Take each man's censure, but reserve thy judgment.
Costly thy habit as thy purse can buy,
But not express'd in fancy; rich, not gaudy;
For the apparel oft proclaims the man,
And they in France of the best rank and station
Are of a most select and generous chief in that.
Neither a borrower nor a lender be;
For loan oft loses both itself and friend,
And borrowing dulls the edge of husbandry.
This above all: to thine ownself be true,
And it must follow, as the night the day,
Thou canst not then be false to any man.
Farewell: my blessing season this in thee!
LAERTES
Most humbly do I take my leave, my lord.
LORD POLONIUS
The time invites you; go; your servants tend.
LAERTES
Farewell, Ophelia; and remember well
What I have said to you.
OPHELIA
'Tis in my memory lock'd,
And you yourself shall keep the key of it.
LAERTES
Farewell.
Exit
LORD POLONIUS
What is't, Ophelia, be hath said to you?
OPHELIA
So please you, something touching the Lord Hamlet.
LORD POLONIUS
Marry, well bethought:
'Tis told me, he hath very oft of late
Given private time to you; and you yourself
Have of your audience been most free and bounteous:
If it be so, as so 'tis put on me,
And that in way of caution, I must tell you,
You do not understand yourself so clearly
As it behoves my daughter and your honour.
What is between you? give me up the truth.
OPHELIA
He hath, my lord, of late made many tenders
Of his affection to me.
LORD POLONIUS
Affection! pooh! you speak like a green girl,
Unsifted in such perilous circumstance.
Do you believe his tenders, as you call them?
OPHELIA
I do not know, my lord, what I should think.
LORD POLONIUS
Marry, I'll teach you: think yourself a baby;
That you have ta'en these tenders for true pay,
Which are not sterling. Tender yourself more dearly;
Or--not to crack the wind of the poor phrase,
Running it thus--you'll tender me a fool.
OPHELIA
My lord, he hath importuned me with love
In honourable fashion.
LORD POLONIUS
Ay, fashion you may call it; go to, go to.
OPHELIA
And hath given countenance to his speech, my lord,
With almost all the holy vows of heaven.
LORD POLONIUS
Ay, springes to catch woodcocks. I do know,
When the blood burns, how prodigal the soul
Lends the tongue vows: these blazes, daughter,
Giving more light than heat, extinct in both,
Even in their promise, as it is a-making,
You must not take for fire. From this time
Be somewhat scanter of your maiden presence;
Set your entreatments at a higher rate
Than a command to parley. For Lord Hamlet,
Believe so much in him, that he is young
And with a larger tether may he walk
Than may be given you: in few, Ophelia,
Do not believe his vows; for they are brokers,
Not of that dye which their investments show,
But mere implorators of unholy suits,
Breathing like sanctified and pious bawds,
The better to beguile. This is for all:
I would not, in plain terms, from this time forth,
Have you so slander any moment leisure,
As to give words or talk with the Lord Hamlet.
Look to't, I charge you: come your ways.
OPHELIA
I shall obey, my lord.
Exeunt
SCENE IV. The platform.
Enter HAMLET, HORATIO, and MARCELLUS
HAMLET
The air bites shrewdly; it is very cold.
HORATIO
It is a nipping and an eager air.
HAMLET
What hour now?
HORATIO
I think it lacks of twelve.
HAMLET
No, it is struck.
HORATIO
Indeed? I heard it not: then it draws near the season
Wherein the spirit held his wont to walk.
A flourish of trumpets, and ordnance shot off, within
What does this mean, my lord?
HAMLET
The king doth wake to-night and takes his rouse,
Keeps wassail, and the swaggering up-spring reels;
And, as he drains his draughts of Rhenish down,
The kettle-drum and trumpet thus bray out
The triumph of his pledge.
HORATIO
Is it a custom?
HAMLET
Ay, marry, is't:
But to my mind, though I am native here
And to the manner born, it is a custom
More honour'd in the breach than the observance.
This heavy-headed revel east and west
Makes us traduced and tax'd of other nations:
They clepe us drunkards, and with swinish phrase
Soil our addition; and indeed it takes
From our achievements, though perform'd at height,
The pith and marrow of our attribute.
So, oft it chances in particular men,
That for some vicious mole of nature in them,
As, in their birth--wherein they are not guilty,
Since nature cannot choose his origin--
By the o'ergrowth of some complexion,
Oft breaking down the pales and forts of reason,
Or by some habit that too much o'er-leavens
The form of plausive manners, that these men,
Carrying, I say, the stamp of one defect,
Being nature's livery, or fortune's star,--
Their virtues else--be they as pure as grace,
As infinite as man may undergo--
Shall in the general censure take corruption
From that particular fault: the dram of eale
Doth all the noble substance of a doubt
To his own scandal.
HORATIO
Look, my lord, it comes!
Enter Ghost
HAMLET
Angels and ministers of grace defend us!
Be thou a spirit of health or goblin damn'd,
Bring with thee airs from heaven or blasts from hell,
Be thy intents wicked or charitable,
Thou comest in such a questionable shape
That I will speak to thee: I'll call thee Hamlet,
King, father, royal Dane: O, answer me!
Let me not burst in ignorance; but tell
Why thy canonized bones, hearsed in death,
Have burst their cerements; why the sepulchre,
Wherein we saw thee quietly inurn'd,
Hath oped his ponderous and marble jaws,
To cast thee up again. What may this mean,
That thou, dead corse, again in complete steel
Revisit'st thus the glimpses of the moon,
Making night hideous; and we fools of nature
So horridly to shake our disposition
With thoughts beyond the reaches of our souls?
Say, why is this? wherefore? what should we do?
Ghost beckons HAMLET
HORATIO
It beckons you to go away with it,
As if it some impartment did desire
To you alone.
MARCELLUS
Look, with what courteous action
It waves you to a more removed ground:
But do not go with it.
HORATIO
No, by no means.
HAMLET
It will not speak; then I will follow it.
HORATIO
Do not, my lord.
HAMLET
Why, what should be the fear?
I do not set my life in a pin's fee;
And for my soul, what can it do to that,
Being a thing immortal as itself?
It waves me forth again: I'll follow it.
HORATIO
What if it tempt you toward the flood, my lord,
Or to the dreadful summit of the cliff
That beetles o'er his base into the sea,
And there assume some other horrible form,
Which might deprive your sovereignty of reason
And draw you into madness? think of it:
The very place puts toys of desperation,
Without more motive, into every brain
That looks so many fathoms to the sea
And hears it roar beneath.
HAMLET
It waves me still.
Go on; I'll follow thee.
MARCELLUS
You shall not go, my lord.
HAMLET
Hold off your hands.
HORATIO
Be ruled; you shall not go.
HAMLET
My fate cries out,
And makes each petty artery in this body
As hardy as the Nemean lion's nerve.
Still am I call'd. Unhand me, gentlemen.
By heaven, I'll make a ghost of him that lets me!
I say, away! Go on; I'll follow thee.
Exeunt Ghost and HAMLET
HORATIO
He waxes desperate with imagination.
MARCELLUS
Let's follow; 'tis not fit thus to obey him.
HORATIO
Have after. To what issue will this come?
MARCELLUS
Something is rotten in the state of Denmark.
HORATIO
Heaven will direct it.
MARCELLUS
Nay, let's follow him.
Exeunt
SCENE V. Another part of the platform.
Enter GHOST and HAMLET
HAMLET
Where wilt thou lead me? speak; I'll go no further.
Ghost
Mark me.
HAMLET
I will.
Ghost
My hour is almost come,
When I to sulphurous and tormenting flames
Must render up myself.
HAMLET
Alas, poor ghost!
Ghost
Pity me not, but lend thy serious hearing
To what I shall unfold.
HAMLET
Speak; I am bound to hear.
Ghost
So art thou to revenge, when thou shalt hear.
HAMLET
What?
Ghost
I am thy father's spirit,
Doom'd for a certain term to walk the night,
And for the day confined to fast in fires,
Till the foul crimes done in my days of nature
Are burnt and purged away. But that I am forbid
To tell the secrets of my prison-house,
I could a tale unfold whose lightest word
Would harrow up thy soul, freeze thy young blood,
Make thy two eyes, like stars, start from their spheres,
Thy knotted and combined locks to part
And each particular hair to stand on end,
Like quills upon the fretful porpentine:
But this eternal blazon must not be
To ears of flesh and blood. List, list, O, list!
If thou didst ever thy dear father love--
HAMLET
O God!
Ghost
Revenge his foul and most unnatural murder.
HAMLET
Murder!
Ghost
Murder most foul, as in the best it is;
But this most foul, strange and unnatural.
HAMLET
Haste me to know't, that I, with wings as swift
As meditation or the thoughts of love,
May sweep to my revenge.
Ghost
I find thee apt;
And duller shouldst thou be than the fat weed
That roots itself in ease on Lethe wharf,
Wouldst thou not stir in this. Now, Hamlet, hear:
'Tis given out that, sleeping in my orchard,
A serpent stung me; so the whole ear of Denmark
Is by a forged process of my death
Rankly abused: but know, thou noble youth,
The serpent that did sting thy father's life
Now wears his crown.
HAMLET
O my prophetic soul! My uncle!
Ghost
Ay, that incestuous, that adulterate beast,
With witchcraft of his wit, with traitorous gifts,--
O wicked wit and gifts, that have the power
So to seduce!--won to his shameful lust
The will of my most seeming-virtuous queen:
O Hamlet, what a falling-off was there!
From me, whose love was of that dignity
That it went hand in hand even with the vow
I made to her in marriage, and to decline
Upon a wretch whose natural gifts were poor
To those of mine!
But virtue, as it never will be moved,
Though lewdness court it in a shape of heaven,
So lust, though to a radiant angel link'd,
Will sate itself in a celestial bed,
And prey on garbage.
But, soft! methinks I scent the morning air;
Brief let me be. Sleeping within my orchard,
My custom always of the afternoon,
Upon my secure hour thy uncle stole,
With juice of cursed hebenon in a vial,
And in the porches of my ears did pour
The leperous distilment; whose effect
Holds such an enmity with blood of man
That swift as quicksilver it courses through
The natural gates and alleys of the body,
And with a sudden vigour doth posset
And curd, like eager droppings into milk,
The thin and wholesome blood: so did it mine;
And a most instant tetter bark'd about,
Most lazar-like, with vile and loathsome crust,
All my smooth body.
Thus was I, sleeping, by a brother's hand
Of life, of crown, of queen, at once dispatch'd:
Cut off even in the blossoms of my sin,
Unhousel'd, disappointed, unanel'd,
No reckoning made, but sent to my account
With all my imperfections on my head:
O, horrible! O, horrible! most horrible!
If thou hast nature in thee, bear it not;
Let not the royal bed of Denmark be
A couch for luxury and damned incest.
But, howsoever thou pursuest this act,
Taint not thy mind, nor let thy soul contrive
Against thy mother aught: leave her to heaven
And to those thorns that in her bosom lodge,
To prick and sting her. Fare thee well at once!
The glow-worm shows the matin to be near,
And 'gins to pale his uneffectual fire:
Adieu, adieu! Hamlet, remember me.
Exit
HAMLET
O all you host of heaven! O earth! what else?
And shall I couple hell? O, fie! Hold, hold, my heart;
And you, my sinews, grow not instant old,
But bear me stiffly up. Remember thee!
Ay, thou poor ghost, while memory holds a seat
In this distracted globe. Remember thee!
Yea, from the table of my memory
I'll wipe away all trivial fond records,
All saws of books, all forms, all pressures past,
That youth and observation copied there;
And thy commandment all alone shall live
Within the book and volume of my brain,
Unmix'd with baser matter: yes, by heaven!
O most pernicious woman!
O villain, villain, smiling, damned villain!
My tables,--meet it is I set it down,
That one may smile, and smile, and be a villain;
At least I'm sure it may be so in Denmark:
Writing
So, uncle, there you are. Now to my word;
It is 'Adieu, adieu! remember me.'
I have sworn 't.
MARCELLUS HORATIO
[Within] My lord, my lord,--
MARCELLUS
[Within] Lord Hamlet,--
HORATIO
[Within] Heaven secure him!
HAMLET
So be it!
HORATIO
[Within] Hillo, ho, ho, my lord!
HAMLET
Hillo, ho, ho, boy! come, bird, come.
Enter HORATIO and MARCELLUS
MARCELLUS
How is't, my noble lord?
HORATIO
What news, my lord?
HAMLET
O, wonderful!
HORATIO
Good my lord, tell it.
HAMLET
No; you'll reveal it.
HORATIO
Not I, my lord, by heaven.
MARCELLUS
Nor I, my lord.
HAMLET
How say you, then; would heart of man once think it?
But you'll be secret?
HORATIO MARCELLUS
Ay, by heaven, my lord.
HAMLET
There's ne'er a villain dwelling in all Denmark
But he's an arrant knave.
HORATIO
There needs no ghost, my lord, come from the grave
To tell us this.
HAMLET
Why, right; you are i' the right;
And so, without more circumstance at all,
I hold it fit that we shake hands and part:
You, as your business and desire shall point you;
For every man has business and desire,
Such as it is; and for mine own poor part,
Look you, I'll go pray.
HORATIO
These are but wild and whirling words, my lord.
HAMLET
I'm sorry they offend you, heartily;
Yes, 'faith heartily.
HORATIO
There's no offence, my lord.
HAMLET
Yes, by Saint Patrick, but there is, Horatio,
And much offence too. Touching this vision here,
It is an honest ghost, that let me tell you:
For your desire to know what is between us,
O'ermaster 't as you may. And now, good friends,
As you are friends, scholars and soldiers,
Give me one poor request.
HORATIO
What is't, my lord? we will.
HAMLET
Never make known what you have seen to-night.
HORATIO MARCELLUS
My lord, we will not.
HAMLET
Nay, but swear't.
HORATIO
In faith,
My lord, not I.
MARCELLUS
Nor I, my lord, in faith.
HAMLET
Upon my sword.
MARCELLUS
We have sworn, my lord, already.
HAMLET
Indeed, upon my sword, indeed.
Ghost
[Beneath] Swear.
HAMLET
Ah, ha, boy! say'st thou so? art thou there,
truepenny?
Come on--you hear this fellow in the cellarage--
Consent to swear.
HORATIO
Propose the oath, my lord.
HAMLET
Never to speak of this that you have seen,
Swear by my sword.
Ghost
[Beneath] Swear.
HAMLET
Hic et ubique? then we'll shift our ground.
Come hither, gentlemen,
And lay your hands again upon my sword:
Never to speak of this that you have heard,
Swear by my sword.
Ghost
[Beneath] Swear.
HAMLET
Well said, old mole! canst work i' the earth so fast?
A worthy pioner! Once more remove, good friends.
HORATIO
O day and night, but this is wondrous strange!
HAMLET
And therefore as a stranger give it welcome.
There are more things in heaven and earth, Horatio,
Than are dreamt of in your philosophy. But come;
Here, as before, never, so help you mercy,
How strange or odd soe'er I bear myself,
As I perchance hereafter shall think meet
To put an antic disposition on,
That you, at such times seeing me, never shall,
With arms encumber'd thus, or this headshake,
Or by pronouncing of some doubtful phrase,
As 'Well, well, we know,' or 'We could, an if we would,'
Or 'If we list to speak,' or 'There be, an if they might,'
Or such ambiguous giving out, to note
That you know aught of me: this not to do,
So grace and mercy at your most need help you, Swear.
Ghost
[Beneath] Swear.
HAMLET
Rest, rest, perturbed spirit!
They swear
So, gentlemen,
With all my love I do commend me to you:
And what so poor a man as Hamlet is
May do, to express his love and friending to you,
God willing, shall not lack. Let us go in together;
And still your fingers on your lips, I pray.
The time is out of joint: O cursed spite,
That ever I was born to set it right!
Nay, come, let's go together.
Exeunt
ACT II

SCENE I. A room in POLONIUS' house.
Enter POLONIUS and REYNALDO
LORD POLONIUS
Give him this money and these notes, Reynaldo.
REYNALDO
I will, my lord.
LORD POLONIUS
You shall do marvellous wisely, good Reynaldo,
Before you visit him, to make inquire
Of his behavior.
REYNALDO
My lord, I did intend it.
LORD POLONIUS
Marry, well said; very well said. Look you, sir,
Inquire me first what Danskers are in Paris;
And how, and who, what means, and where they keep,
What company, at what expense; and finding
By this encompassment and drift of question
That they do know my son, come you more nearer
Than your particular demands will touch it:
Take you, as 'twere, some distant knowledge of him;
As thus, 'I know his father and his friends,
And in part him: ' do you mark this, Reynaldo?
REYNALDO
Ay, very well, my lord.
LORD POLONIUS
'And in part him; but' you may say 'not well:
But, if't be he I mean, he's very wild;
Addicted so and so:' and there put on him
What forgeries you please; marry, none so rank
As may dishonour him; take heed of that;
But, sir, such wanton, wild and usual slips
As are companions noted and most known
To youth and liberty.
REYNALDO
As gaming, my lord.
LORD POLONIUS
Ay, or drinking, fencing, swearing, quarrelling,
Drabbing: you may go so far.
REYNALDO
My lord, that would dishonour him.
LORD POLONIUS
'Faith, no; as you may season it in the charge
You must not put another scandal on him,
That he is open to incontinency;
That's not my meaning: but breathe his faults so quaintly
That they may seem the taints of liberty,
The flash and outbreak of a fiery mind,
A savageness in unreclaimed blood,
Of general assault.
REYNALDO
But, my good lord,--
LORD POLONIUS
Wherefore should you do this?
REYNALDO
Ay, my lord,
I would know that.
LORD POLONIUS
Marry, sir, here's my drift;
And I believe, it is a fetch of wit:
You laying these slight sullies on my son,
As 'twere a thing a little soil'd i' the working, Mark you,
Your party in converse, him you would sound,
Having ever seen in the prenominate crimes
The youth you breathe of guilty, be assured
He closes with you in this consequence;
'Good sir,' or so, or 'friend,' or 'gentleman,'
According to the phrase or the addition
Of man and country.
REYNALDO
Very good, my lord.
LORD POLONIUS
And then, sir, does he this--he does--what was I
about to say? By the mass, I was about to say
something: where did I leave?
REYNALDO
At 'closes in the consequence,' at 'friend or so,'
and 'gentleman.'
LORD POLONIUS
At 'closes in the consequence,' ay, marry;
He closes thus: 'I know the gentleman;
I saw him yesterday, or t' other day,
Or then, or then; with such, or such; and, as you say,
There was a' gaming; there o'ertook in's rouse;
There falling out at tennis:' or perchance,
'I saw him enter such a house of sale,'
Videlicet, a brothel, or so forth.
See you now;
Your bait of falsehood takes this carp of truth:
And thus do we of wisdom and of reach,
With windlasses and with assays of bias,
By indirections find directions out:
So by my former lecture and advice,
Shall you my son. You have me, have you not?
REYNALDO
My lord, I have.
LORD POLONIUS
God be wi' you; fare you well.
REYNALDO
Good my lord!
LORD POLONIUS
Observe his inclination in yourself.
REYNALDO
I shall, my lord.
LORD POLONIUS
And let him ply his music.
REYNALDO
Well, my lord.
LORD POLONIUS
Farewell!
Exit REYNALDO


أرب جمـال 5 - 11 - 2009 06:05 PM

Hamlet: Entire Play
Enter OPHELIA
How now, Ophelia! what's the matter?
OPHELIA
O, my lord, my lord, I have been so affrighted!
LORD POLONIUS
With what, i' the name of God?
OPHELIA
My lord, as I was sewing in my closet,
Lord Hamlet, with his doublet all unbraced;
No hat upon his head; his stockings foul'd,
Ungarter'd, and down-gyved to his ancle;
Pale as his shirt; his knees knocking each other;
And with a look so piteous in purport
As if he had been loosed out of hell
To speak of horrors,--he comes before me.
LORD POLONIUS
Mad for thy love?
OPHELIA
My lord, I do not know;
But truly, I do fear it.
LORD POLONIUS
What said he?
OPHELIA
He took me by the wrist and held me hard;
Then goes he to the length of all his arm;
And, with his other hand thus o'er his brow,
He falls to such perusal of my face
As he would draw it. Long stay'd he so;
At last, a little shaking of mine arm
And thrice his head thus waving up and down,
He raised a sigh so piteous and profound
As it did seem to shatter all his bulk
And end his being: that done, he lets me go:
And, with his head over his shoulder turn'd,
He seem'd to find his way without his eyes;
For out o' doors he went without their helps,
And, to the last, bended their light on me.
LORD POLONIUS
Come, go with me: I will go seek the king.
This is the very ecstasy of love,
Whose violent property fordoes itself
And leads the will to desperate undertakings
As oft as any passion under heaven
That does afflict our natures. I am sorry.
What, have you given him any hard words of late?
OPHELIA
No, my good lord, but, as you did command,
I did repel his fetters and denied
His access to me.
LORD POLONIUS
That hath made him mad.
I am sorry that with better heed and judgment
I had not quoted him: I fear'd he did but trifle,
And meant to wreck thee; but, beshrew my jealousy!
By heaven, it is as proper to our age
To cast beyond ourselves in our opinions
As it is common for the younger sort
To lack discretion. Come, go we to the king:
This must be known; which, being kept close, might
move
More grief to hide than hate to utter love.
Exeunt
SCENE II. A room in the castle.
Enter KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ, GUILDENSTERN, and Attendants
KING CLAUDIUS
Welcome, dear Rosencrantz and Guildenstern!
Moreover that we much did long to see you,
The need we have to use you did provoke
Our hasty sending. Something have you heard
Of Hamlet's transformation; so call it,
Sith nor the exterior nor the inward man
Resembles that it was. What it should be,
More than his father's death, that thus hath put him
So much from the understanding of himself,
I cannot dream of: I entreat you both,
That, being of so young days brought up with him,
And sith so neighbour'd to his youth and havior,
That you vouchsafe your rest here in our court
Some little time: so by your companies
To draw him on to pleasures, and to gather,
So much as from occasion you may glean,
Whether aught, to us unknown, afflicts him thus,
That, open'd, lies within our remedy.
QUEEN GERTRUDE
Good gentlemen, he hath much talk'd of you;
And sure I am two men there are not living
To whom he more adheres. If it will please you
To show us so much gentry and good will
As to expend your time with us awhile,
For the supply and profit of our hope,
Your visitation shall receive such thanks
As fits a king's remembrance.
ROSENCRANTZ
Both your majesties
Might, by the sovereign power you have of us,
Put your dread pleasures more into command
Than to entreaty.
GUILDENSTERN
But we both obey,
And here give up ourselves, in the full bent
To lay our service freely at your feet,
To be commanded.
KING CLAUDIUS
Thanks, Rosencrantz and gentle Guildenstern.
QUEEN GERTRUDE
Thanks, Guildenstern and gentle Rosencrantz:
And I beseech you instantly to visit
My too much changed son. Go, some of you,
And bring these gentlemen where Hamlet is.
GUILDENSTERN
Heavens make our presence and our practises
Pleasant and helpful to him!
QUEEN GERTRUDE
Ay, amen!
Exeunt ROSENCRANTZ, GUILDENSTERN, and some Attendants
Enter POLONIUS
LORD POLONIUS
The ambassadors from Norway, my good lord,
Are joyfully return'd.
KING CLAUDIUS
Thou still hast been the father of good news.
LORD POLONIUS
Have I, my lord? I assure my good liege,
I hold my duty, as I hold my soul,
Both to my God and to my gracious king:
And I do think, or else this brain of mine
Hunts not the trail of policy so sure
As it hath used to do, that I have found
The very cause of Hamlet's lunacy.
KING CLAUDIUS
O, speak of that; that do I long to hear.
LORD POLONIUS
Give first admittance to the ambassadors;
My news shall be the fruit to that great feast.
KING CLAUDIUS
Thyself do grace to them, and bring them in.
Exit POLONIUS
He tells me, my dear Gertrude, he hath found
The head and source of all your son's distemper.
QUEEN GERTRUDE
I doubt it is no other but the main;
His father's death, and our o'erhasty marriage.
KING CLAUDIUS
Well, we shall sift him.
Re-enter POLONIUS, with VOLTIMAND and CORNELIUS
Welcome, my good friends!
Say, Voltimand, what from our brother Norway?
VOLTIMAND
Most fair return of greetings and desires.
Upon our first, he sent out to suppress
His nephew's levies; which to him appear'd
To be a preparation 'gainst the Polack;
But, better look'd into, he truly found
It was against your highness: whereat grieved,
That so his sickness, age and impotence
Was falsely borne in hand, sends out arrests
On Fortinbras; which he, in brief, obeys;
Receives rebuke from Norway, and in fine
Makes vow before his uncle never more
To give the assay of arms against your majesty.
Whereon old Norway, overcome with joy,
Gives him three thousand crowns in annual fee,
And his commission to employ those soldiers,
So levied as before, against the Polack:
With an entreaty, herein further shown,
Giving a paper
That it might please you to give quiet pass
Through your dominions for this enterprise,
On such regards of safety and allowance
As therein are set down.
KING CLAUDIUS
It likes us well;
And at our more consider'd time well read,
Answer, and think upon this business.
Meantime we thank you for your well-took labour:
Go to your rest; at night we'll feast together:
Most welcome home!
Exeunt VOLTIMAND and CORNELIUS
LORD POLONIUS
This business is well ended.
My liege, and madam, to expostulate
What majesty should be, what duty is,
Why day is day, night night, and time is time,
Were nothing but to waste night, day and time.
Therefore, since brevity is the soul of wit,
And tediousness the limbs and outward flourishes,
I will be brief: your noble son is mad:
Mad call I it; for, to define true madness,
What is't but to be nothing else but mad?
But let that go.
QUEEN GERTRUDE
More matter, with less art.
LORD POLONIUS
Madam, I swear I use no art at all.
That he is mad, 'tis true: 'tis true 'tis pity;
And pity 'tis 'tis true: a foolish figure;
But farewell it, for I will use no art.
Mad let us grant him, then: and now remains
That we find out the cause of this effect,
Or rather say, the cause of this defect,
For this effect defective comes by cause:
Thus it remains, and the remainder thus. Perpend.
I have a daughter--have while she is mine--
Who, in her duty and obedience, mark,
Hath given me this: now gather, and surmise.
Reads
'To the celestial and my soul's idol, the most
beautified Ophelia,'--
That's an ill phrase, a vile phrase; 'beautified' is
a vile phrase: but you shall hear. Thus:
Reads
'In her excellent white bosom, these, & c.'
QUEEN GERTRUDE
Came this from Hamlet to her?
LORD POLONIUS
Good madam, stay awhile; I will be faithful.
Reads
'Doubt thou the stars are fire;
Doubt that the sun doth move;
Doubt truth to be a liar;
But never doubt I love.
'O dear Ophelia, I am ill at these numbers;
I have not art to reckon my groans: but that
I love thee best, O most best, believe it. Adieu.
'Thine evermore most dear lady, whilst
this machine is to him, HAMLET.'
This, in obedience, hath my daughter shown me,
And more above, hath his solicitings,
As they fell out by time, by means and place,
All given to mine ear.
KING CLAUDIUS
But how hath she
Received his love?
LORD POLONIUS
What do you think of me?
KING CLAUDIUS
As of a man faithful and honourable.
LORD POLONIUS
I would fain prove so. But what might you think,
When I had seen this hot love on the wing--
As I perceived it, I must tell you that,
Before my daughter told me--what might you,
Or my dear majesty your queen here, think,
If I had play'd the desk or table-book,
Or given my heart a winking, mute and dumb,
Or look'd upon this love with idle sight;
What might you think? No, I went round to work,
And my young mistress thus I did bespeak:
'Lord Hamlet is a prince, out of thy star;
This must not be:' and then I precepts gave her,
That she should lock herself from his resort,
Admit no messengers, receive no tokens.
Which done, she took the fruits of my advice;
And he, repulsed--a short tale to make--
Fell into a sadness, then into a fast,
Thence to a watch, thence into a weakness,
Thence to a lightness, and, by this declension,
Into the madness wherein now he raves,
And all we mourn for.
KING CLAUDIUS
Do you think 'tis this?
QUEEN GERTRUDE
It may be, very likely.
LORD POLONIUS
Hath there been such a time--I'd fain know that--
That I have positively said 'Tis so,'
When it proved otherwise?
KING CLAUDIUS
Not that I know.
LORD POLONIUS
[Pointing to his head and shoulder]
Take this from this, if this be otherwise:
If circumstances lead me, I will find
Where truth is hid, though it were hid indeed
Within the centre.
KING CLAUDIUS
How may we try it further?
LORD POLONIUS
You know, sometimes he walks four hours together
Here in the lobby.
QUEEN GERTRUDE
So he does indeed.
LORD POLONIUS
At such a time I'll loose my daughter to him:
Be you and I behind an arras then;
Mark the encounter: if he love her not
And be not from his reason fall'n thereon,
Let me be no assistant for a state,
But keep a farm and carters.
KING CLAUDIUS
We will try it.
QUEEN GERTRUDE
But, look, where sadly the poor wretch comes reading.
LORD POLONIUS
Away, I do beseech you, both away:
I'll board him presently.
Exeunt KING CLAUDIUS, QUEEN GERTRUDE, and Attendants
Enter HAMLET, reading
O, give me leave:
How does my good Lord Hamlet?
HAMLET
Well, God-a-mercy.
LORD POLONIUS
Do you know me, my lord?
HAMLET
Excellent well; you are a fishmonger.
LORD POLONIUS
Not I, my lord.
HAMLET
Then I would you were so honest a man.
LORD POLONIUS
Honest, my lord!
HAMLET
Ay, sir; to be honest, as this world goes, is to be
one man picked out of ten thousand.
LORD POLONIUS
That's very true, my lord.
HAMLET
For if the sun breed maggots in a dead dog, being a
god kissing carrion,--Have you a daughter?
LORD POLONIUS
I have, my lord.
HAMLET
Let her not walk i' the sun: conception is a
blessing: but not as your daughter may conceive.
Friend, look to 't.
LORD POLONIUS
[Aside] How say you by that? Still harping on my
daughter: yet he knew me not at first; he said I
was a fishmonger: he is far gone, far gone: and
truly in my youth I suffered much extremity for
love; very near this. I'll speak to him again.
What do you read, my lord?
HAMLET
Words, words, words.
LORD POLONIUS
What is the matter, my lord?
HAMLET
Between who?
LORD POLONIUS
I mean, the matter that you read, my lord.
HAMLET
Slanders, sir: for the satirical rogue says here
that old men have grey beards, that their faces are
wrinkled, their eyes purging thick amber and
plum-tree gum and that they have a plentiful lack of
wit, together with most weak hams: all which, sir,
though I most powerfully and potently believe, yet
I hold it not honesty to have it thus set down, for
yourself, sir, should be old as I am, if like a crab
you could go backward.
LORD POLONIUS
[Aside] Though this be madness, yet there is method
in 't. Will you walk out of the air, my lord?
HAMLET
Into my grave.
LORD POLONIUS
Indeed, that is out o' the air.
Aside
How pregnant sometimes his replies are! a happiness
that often madness hits on, which reason and sanity
could not so prosperously be delivered of. I will
leave him, and suddenly contrive the means of
meeting between him and my daughter.--My honourable
lord, I will most humbly take my leave of you.
HAMLET
You cannot, sir, take from me any thing that I will
more willingly part withal: except my life, except
my life, except my life.
LORD POLONIUS
Fare you well, my lord.
HAMLET
These tedious old fools!
Enter ROSENCRANTZ and GUILDENSTERN
LORD POLONIUS
You go to seek the Lord Hamlet; there he is.
ROSENCRANTZ
[To POLONIUS] God save you, sir!
Exit POLONIUS
GUILDENSTERN
My honoured lord!
ROSENCRANTZ
My most dear lord!
HAMLET
My excellent good friends! How dost thou,
Guildenstern? Ah, Rosencrantz! Good lads, how do ye both?
ROSENCRANTZ
As the indifferent children of the earth.
GUILDENSTERN
Happy, in that we are not over-happy;
On fortune's cap we are not the very button.
HAMLET
Nor the soles of her shoe?
ROSENCRANTZ
Neither, my lord.
HAMLET
Then you live about her waist, or in the middle of
her favours?
GUILDENSTERN
'Faith, her privates we.
HAMLET
In the secret parts of fortune? O, most true; she
is a strumpet. What's the news?
ROSENCRANTZ
None, my lord, but that the world's grown honest.
HAMLET
Then is doomsday near: but your news is not true.
Let me question more in particular: what have you,
my good friends, deserved at the hands of fortune,
that she sends you to prison hither?
GUILDENSTERN
Prison, my lord!
HAMLET
Denmark's a prison.
ROSENCRANTZ
Then is the world one.
HAMLET
A goodly one; in which there are many confines,
wards and dungeons, Denmark being one o' the worst.
ROSENCRANTZ
We think not so, my lord.
HAMLET
Why, then, 'tis none to you; for there is nothing
either good or bad, but thinking makes it so: to me
it is a prison.
ROSENCRANTZ
Why then, your ambition makes it one; 'tis too
narrow for your mind.
HAMLET
O God, I could be bounded in a nut ****l and count
myself a king of infinite space, were it not that I
have bad dreams.
GUILDENSTERN
Which dreams indeed are ambition, for the very
substance of the ambitious is merely the shadow of a dream.
HAMLET
A dream itself is but a shadow.
ROSENCRANTZ
Truly, and I hold ambition of so airy and light a
quality that it is but a shadow's shadow.
HAMLET
Then are our beggars bodies, and our monarchs and
outstretched heroes the beggars' shadows. Shall we
to the court? for, by my fay, I cannot reason.
ROSENCRANTZ GUILDENSTERN
We'll wait upon you.
HAMLET
No such matter: I will not sort you with the rest
of my servants, for, to speak to you like an honest
man, I am most dreadfully attended. But, in the
beaten way of friendship, what make you at Elsinore?
ROSENCRANTZ
To visit you, my lord; no other occasion.
HAMLET
Beggar that I am, I am even poor in thanks; but I
thank you: and sure, dear friends, my thanks are
too dear a halfpenny. Were you not sent for? Is it
your own inclining? Is it a free visitation? Come,
deal justly with me: come, come; nay, speak.
GUILDENSTERN
What should we say, my lord?
HAMLET
Why, any thing, but to the purpose. You were sent
for; and there is a kind of confession in your looks
which your modesties have not craft enough to colour:
I know the good king and queen have sent for you.
ROSENCRANTZ
To what end, my lord?
HAMLET
That you must teach me. But let me conjure you, by
the rights of our fellowship, by the consonancy of
our youth, by the obligation of our ever-preserved
love, and by what more dear a better proposer could
charge you withal, be even and direct with me,
whether you were sent for, or no?
ROSENCRANTZ
[Aside to GUILDENSTERN] What say you?
HAMLET
[Aside] Nay, then, I have an eye of you.--If you
love me, hold not off.
GUILDENSTERN
My lord, we were sent for.
HAMLET
I will tell you why; so shall my anticipation
prevent your discovery, and your secrecy to the king
and queen moult no feather. I have of late--but
wherefore I know not--lost all my mirth, forgone all
custom of exercises; and indeed it goes so heavily
with my disposition that this goodly frame, the
earth, seems to me a sterile promontory, this most
excellent canopy, the air, look you, this brave
o'erhanging firmament, this majestical roof fretted
with golden fire, why, it appears no other thing to
me than a foul and pestilent congregation of vapours.
What a piece of work is a man! how noble in reason!
how infinite in faculty! in form and moving how
express and admirable! in action how like an angel!
in apprehension how like a god! the beauty of the
world! the paragon of animals! And yet, to me,
what is this quintessence of dust? man delights not
me: no, nor woman neither, though by your smiling
you seem to say so.
ROSENCRANTZ
My lord, there was no such stuff in my thoughts.
HAMLET
Why did you laugh then, when I said 'man delights not me'?
ROSENCRANTZ
To think, my lord, if you delight not in man, what
lenten entertainment the players shall receive from
you: we coted them on the way; and hither are they
coming, to offer you service.
HAMLET
He that plays the king shall be welcome; his majesty
shall have tribute of me; the adventurous knight
shall use his foil and target; the lover shall not
sigh gratis; the humourous man shall end his part
in peace; the clown shall make those laugh whose
lungs are tickled o' the sere; and the lady shall
say her mind freely, or the blank verse shall halt
for't. What players are they?
ROSENCRANTZ
Even those you were wont to take delight in, the
tragedians of the city.
HAMLET
How chances it they travel? their residence, both
in reputation and profit, was better both ways.
ROSENCRANTZ
I think their inhibition comes by the means of the
late innovation.
HAMLET
Do they hold the same estimation they did when I was
in the city? are they so followed?
ROSENCRANTZ
No, indeed, are they not.
HAMLET
How comes it? do they grow rusty?
ROSENCRANTZ
Nay, their endeavour keeps in the wonted pace: but
there is, sir, an aery of children, little eyases,
that cry out on the top of question, and are most
tyrannically clapped for't: these are now the
fashion, and so berattle the common stages--so they
call them--that many wearing rapiers are afraid of
goose-quills and dare scarce come thither.
HAMLET
What, are they children? who maintains 'em? how are
they escoted? Will they pursue the quality no
longer than they can sing? will they not say
afterwards, if they should grow themselves to common
players--as it is most like, if their means are no
better--their writers do them wrong, to make them
exclaim against their own succession?
ROSENCRANTZ
'Faith, there has been much to do on both sides; and
the nation holds it no sin to tarre them to
controversy: there was, for a while, no money bid
for argument, unless the poet and the player went to
cuffs in the question.
HAMLET
Is't possible?
GUILDENSTERN
O, there has been much throwing about of brains.
HAMLET
Do the boys carry it away?
ROSENCRANTZ
Ay, that they do, my lord; Hercules and his load too.
HAMLET
It is not very strange; for mine uncle is king of
Denmark, and those that would make mows at him while
my father lived, give twenty, forty, fifty, an
hundred ducats a-piece for his picture in little.
'Sblood, there is something in this more than
natural, if philosophy could find it out.
Flourish of trumpets within
GUILDENSTERN
There are the players.
HAMLET
Gentlemen, you are welcome to Elsinore. Your hands,
come then: the appurtenance of welcome is fashion
and ceremony: let me comply with you in this garb,
lest my extent to the players, which, I tell you,
must show fairly outward, should more appear like
entertainment than yours. You are welcome: but my
uncle-father and aunt-mother are deceived.
GUILDENSTERN
In what, my dear lord?
HAMLET
I am but mad north-north-west: when the wind is
southerly I know a hawk from a handsaw.
Enter POLONIUS
LORD POLONIUS
Well be with you, gentlemen!
HAMLET
Hark you, Guildenstern; and you too: at each ear a
hearer: that great baby you see there is not yet
out of his swaddling-clouts.
ROSENCRANTZ
Happily he's the second time come to them; for they
say an old man is twice a child.
HAMLET
I will prophesy he comes to tell me of the players;
mark it. You say right, sir: o' Monday morning;
'twas so indeed.
LORD POLONIUS
My lord, I have news to tell you.
HAMLET
My lord, I have news to tell you.
When Roscius was an actor in Rome,--
LORD POLONIUS
The actors are come hither, my lord.
HAMLET
Buz, buz!
LORD POLONIUS
Upon mine honour,--
HAMLET
Then came each actor on his ass,--
LORD POLONIUS
The best actors in the world, either for tragedy,
comedy, history, pastoral, pastoral-comical,
historical-pastoral, tragical-historical, tragical-
comical-historical-pastoral, scene individable, or
poem unlimited: Seneca cannot be too heavy, nor
Plautus too light. For the law of writ and the
liberty, these are the only men.
HAMLET
O Jephthah, judge of Israel, what a treasure hadst thou!
LORD POLONIUS
What a treasure had he, my lord?
HAMLET
Why,
'One fair daughter and no more,
The which he loved passing well.'
LORD POLONIUS
[Aside] Still on my daughter.
HAMLET
Am I not i' the right, old Jephthah?
LORD POLONIUS
If you call me Jephthah, my lord, I have a daughter
that I love passing well.
HAMLET
Nay, that follows not.
LORD POLONIUS
What follows, then, my lord?
HAMLET
Why,
'As by lot, God wot,'
and then, you know,
'It came to pass, as most like it was,'--
the first row of the pious chanson will show you
more; for look, where my abridgement comes.
Enter four or five Players
You are welcome, masters; welcome, all. I am glad
to see thee well. Welcome, good friends. O, my old
friend! thy face is valenced since I saw thee last:
comest thou to beard me in Denmark? What, my young
lady and mistress! By'r lady, your ladyship is
nearer to heaven than when I saw you last, by the
altitude of a chopine. Pray God, your voice, like
apiece of uncurrent gold, be not cracked within the
ring. Masters, you are all welcome. We'll e'en
to't like French falconers, fly at any thing we see:
we'll have a speech straight: come, give us a taste
of your quality; come, a passionate speech.
First Player
What speech, my lord?
HAMLET
I heard thee speak me a speech once, but it was
never acted; or, if it was, not above once; for the
play, I remember, pleased not the million; 'twas
caviare to the general: but it was--as I received
it, and others, whose judgments in such matters
cried in the top of mine--an excellent play, well
digested in the scenes, set down with as much
modesty as cunning. I remember, one said there
were no sallets in the lines to make the matter
savoury, nor no matter in the phrase that might
indict the author of affectation; but called it an
honest method, as wholesome as sweet, and by very
much more handsome than fine. One speech in it I
chiefly loved: 'twas Aeneas' tale to Dido; and
thereabout of it especially, where he speaks of
Priam's slaughter: if it live in your memory, begin
at this line: let me see, let me see--
'The rugged Pyrrhus, like the Hyrcanian beast,'--
it is not so:--it begins with Pyrrhus:--
'The rugged Pyrrhus, he whose sable arms,
Black as his purpose, did the night resemble
When he lay couched in the ominous horse,
Hath now this dread and black complexion smear'd
With heraldry more dismal; head to foot
Now is he total gules; horridly trick'd
With blood of fathers, mothers, daughters, sons,
Baked and impasted with the parching streets,
That lend a tyrannous and damned light
To their lord's murder: roasted in wrath and fire,
And thus o'er-sized with coagulate gore,
With eyes like carbuncles, the hellish Pyrrhus
Old grandsire Priam seeks.'
So, proceed you.
LORD POLONIUS
'Fore God, my lord, well spoken, with good accent and
good discretion.
First Player
'Anon he finds him
Striking too short at Greeks; his antique sword,
Rebellious to his arm, lies where it falls,
Repugnant to command: unequal match'd,
Pyrrhus at Priam drives; in rage strikes wide;
But with the whiff and wind of his fell sword
The unnerved father falls. Then senseless Ilium,
Seeming to feel this blow, with flaming top
Stoops to his base, and with a hideous crash
Takes prisoner Pyrrhus' ear: for, lo! his sword,
Which was declining on the milky head
Of reverend Priam, seem'd i' the air to stick:
So, as a painted tyrant, Pyrrhus stood,
And like a neutral to his will and matter,
Did nothing.
But, as we often see, against some storm,
A silence in the heavens, the rack stand still,
The bold winds speechless and the orb below
As hush as death, anon the dreadful thunder
Doth rend the region, so, after Pyrrhus' pause,
Aroused vengeance sets him new a-work;
And never did the Cyclops' hammers fall
On Mars's armour forged for proof eterne
With less remorse than Pyrrhus' bleeding sword
Now falls on Priam.
Out, out, thou strumpet, Fortune! All you gods,
In general synod 'take away her power;
Break all the spokes and fellies from her wheel,
And bowl the round nave down the hill of heaven,
As low as to the fiends!'
LORD POLONIUS
This is too long.
HAMLET
It shall to the barber's, with your beard. Prithee,
say on: he's for a jig or a tale of bawdry, or he
sleeps: say on: come to Hecuba.
First Player
'But who, O, who had seen the mobled queen--'
HAMLET
'The mobled queen?'
LORD POLONIUS
That's good; 'mobled queen' is good.
First Player
'Run barefoot up and down, threatening the flames
With bisson rheum; a clout upon that head
Where late the diadem stood, and for a robe,
About her lank and all o'er-teemed loins,
A blanket, in the alarm of fear caught up;
Who this had seen, with tongue in venom steep'd,
'Gainst Fortune's state would treason have
pronounced:
But if the gods themselves did see her then
When she saw Pyrrhus make malicious sport
In mincing with his sword her husband's limbs,
The instant burst of clamour that she made,
Unless things mortal move them not at all,
Would have made milch the burning eyes of heaven,
And passion in the gods.'
LORD POLONIUS
Look, whether he has not turned his colour and has
tears in's eyes. Pray you, no more.
HAMLET
'Tis well: I'll have thee speak out the rest soon.
Good my lord, will you see the players well
bestowed? Do you hear, let them be well used; for
they are the abstract and brief chronicles of the
time: after your death you were better have a bad
epitaph than their ill report while you live.
LORD POLONIUS
My lord, I will use them according to their desert.
HAMLET
God's bodykins, man, much better: use every man
after his desert, and who should 'scape whipping?
Use them after your own honour and dignity: the less
they deserve, the more merit is in your bounty.
Take them in.


أرب جمـال 5 - 11 - 2009 06:07 PM

Hamlet: Entire PlayLORD POLONIUS
Come, sirs.
HAMLET
Follow him, friends: we'll hear a play to-morrow.
Exit POLONIUS with all the Players but the First
Dost thou hear me, old friend; can you play the
Murder of Gonzago?
First Player
Ay, my lord.
HAMLET
We'll ha't to-morrow night. You could, for a need,
study a speech of some dozen or sixteen lines, which
I would set down and insert in't, could you not?
First Player
Ay, my lord.
HAMLET
Very well. Follow that lord; and look you mock him
not.
Exit First Player
My good friends, I'll leave you till night: you are
welcome to Elsinore.
ROSENCRANTZ
Good my lord!
HAMLET
Ay, so, God be wi' ye;
Exeunt ROSENCRANTZ and GUILDENSTERN
Now I am alone.
O, what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit
That from her working all his visage wann'd,
Tears in his eyes, distraction in's aspect,
A broken voice, and his whole function suiting
With forms to his conceit? and all for nothing!
For Hecuba!
What's Hecuba to him, or he to Hecuba,
That he should weep for her? What would he do,
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech,
Make mad the guilty and appal the free,
Confound the ignorant, and amaze indeed
The very faculties of eyes and ears. Yet I,
A dull and muddy-mettled rascal, peak,
Like John-a-dreams, unpregnant of my cause,
And can say nothing; no, not for a king,
Upon whose property and most dear life
A damn'd defeat was made. Am I a coward?
Who calls me villain? breaks my pate across?
Plucks off my beard, and blows it in my face?
Tweaks me by the nose? gives me the lie i' the throat,
As deep as to the lungs? who does me this?
Ha!
'Swounds, I should take it: for it cannot be
But I am pigeon-liver'd and lack gall
To make oppression bitter, or ere this
I should have fatted all the region kites
With this slave's offal: bloody, bawdy villain!
Remorseless, treacherous, lecherous, kindless villain!
O, vengeance!
Why, what an ass am I! This is most brave,
That I, the son of a dear father murder'd,
Prompted to my revenge by heaven and hell,
Must, like a whore, unpack my heart with words,
And fall a-cursing, like a very drab,
A scullion!
Fie upon't! foh! About, my brain! I have heard
That guilty creatures sitting at a play
Have by the very cunning of the scene
Been struck so to the soul that presently
They have proclaim'd their malefactions;
For murder, though it have no tongue, will speak
With most miraculous organ. I'll have these players
Play something like the murder of my father
Before mine uncle: I'll observe his looks;
I'll tent him to the quick: if he but blench,
I know my course. The spirit that I have seen
May be the devil: and the devil hath power
To assume a pleasing shape; yea, and perhaps
Out of my weakness and my melancholy,
As he is very potent with such spirits,
Abuses me to damn me: I'll have grounds
More relative than this: the play 's the thing
Wherein I'll catch the conscience of the king.
Exit
ACT III

SCENE I. A room in the castle.
Enter KING CLAUDIUS, QUEEN GERTRUDE, POLONIUS, OPHELIA, ROSENCRANTZ, and GUILDENSTERN
KING CLAUDIUS
And can you, by no drift of circumstance,
Get from him why he puts on this confusion,
Grating so harshly all his days of quiet
With turbulent and dangerous lunacy?
ROSENCRANTZ
He does confess he feels himself distracted;
But from what cause he will by no means speak.
GUILDENSTERN
Nor do we find him forward to be sounded,
But, with a crafty madness, keeps aloof,
When we would bring him on to some confession
Of his true state.
QUEEN GERTRUDE
Did he receive you well?
ROSENCRANTZ
Most like a gentleman.
GUILDENSTERN
But with much forcing of his disposition.
ROSENCRANTZ
Niggard of question; but, of our demands,
Most free in his reply.
QUEEN GERTRUDE
Did you assay him?
To any pastime?
ROSENCRANTZ
Madam, it so fell out, that certain players
We o'er-raught on the way: of these we told him;
And there did seem in him a kind of joy
To hear of it: they are about the court,
And, as I think, they have already order
This night to play before him.
LORD POLONIUS
'Tis most true:
And he beseech'd me to entreat your majesties
To hear and see the matter.
KING CLAUDIUS
With all my heart; and it doth much ******* me
To hear him so inclined.
Good gentlemen, give him a further edge,
And drive his purpose on to these delights.
ROSENCRANTZ
We shall, my lord.
Exeunt ROSENCRANTZ and GUILDENSTERN
KING CLAUDIUS
Sweet Gertrude, leave us too;
For we have closely sent for Hamlet hither,
That he, as 'twere by accident, may here
Affront Ophelia:
Her father and myself, lawful espials,
Will so bestow ourselves that, seeing, unseen,
We may of their encounter frankly judge,
And gather by him, as he is behaved,
If 't be the affliction of his love or no
That thus he suffers for.
QUEEN GERTRUDE
I shall obey you.
And for your part, Ophelia, I do wish
That your good beauties be the happy cause
Of Hamlet's wildness: so shall I hope your virtues
Will bring him to his wonted way again,
To both your honours.
OPHELIA
Madam, I wish it may.
Exit QUEEN GERTRUDE
LORD POLONIUS
Ophelia, walk you here. Gracious, so please you,
We will bestow ourselves.
To OPHELIA
Read on this book;
That show of such an exercise may colour
Your loneliness. We are oft to blame in this,--
'Tis too much proved--that with devotion's visage
And pious action we do sugar o'er
The devil himself.
KING CLAUDIUS
[Aside] O, 'tis too true!
How smart a lash that speech doth give my conscience!
The harlot's cheek, beautied with plastering art,
Is not more ugly to the thing that helps it
Than is my deed to my most painted word:
O heavy burthen!
LORD POLONIUS
I hear him coming: let's withdraw, my lord.
Exeunt KING CLAUDIUS and POLONIUS
Enter HAMLET
HAMLET
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action.--Soft you now!
The fair Ophelia! Nymph, in thy orisons
Be all my sins remember'd.
OPHELIA
Good my lord,
How does your honour for this many a day?
HAMLET
I humbly thank you; well, well, well.
OPHELIA
My lord, I have remembrances of yours,
That I have longed long to re-deliver;
I pray you, now receive them.
HAMLET
No, not I;
I never gave you aught.
OPHELIA
My honour'd lord, you know right well you did;
And, with them, words of so sweet breath composed
As made the things more rich: their perfume lost,
Take these again; for to the noble mind
Rich gifts wax poor when givers prove unkind.
There, my lord.
HAMLET
Ha, ha! are you honest?
OPHELIA
My lord?
HAMLET
Are you fair?
OPHELIA
What means your lordship?
HAMLET
That if you be honest and fair, your honesty should
admit no discourse to your beauty.
OPHELIA
Could beauty, my lord, have better commerce than
with honesty?
HAMLET
Ay, truly; for the power of beauty will sooner
transform honesty from what it is to a bawd than the
force of honesty can translate beauty into his
likeness: this was sometime a paradox, but now the
time gives it proof. I did love you once.
OPHELIA
Indeed, my lord, you made me believe so.
HAMLET
You should not have believed me; for virtue cannot
so inoculate our old stock but we shall relish of
it: I loved you not.
OPHELIA
I was the more deceived.
HAMLET
Get thee to a nunnery: why wouldst thou be a
breeder of sinners? I am myself indifferent honest;
but yet I could accuse me of such things that it
were better my mother had not borne me: I am very
proud, revengeful, ambitious, with more offences at
my beck than I have thoughts to put them in,
imagination to give them shape, or time to act them
in. What should such fellows as I do crawling
between earth and heaven? We are arrant knaves,
all; believe none of us. Go thy ways to a nunnery.
Where's your father?
OPHELIA
At home, my lord.
HAMLET
Let the doors be shut upon him, that he may play the
fool no where but in's own house. Farewell.
OPHELIA
O, help him, you sweet heavens!
HAMLET
If thou dost marry, I'll give thee this plague for
thy dowry: be thou as chaste as ice, as pure as
snow, thou shalt not escape calumny. Get thee to a
nunnery, go: farewell. Or, if thou wilt needs
marry, marry a fool; for wise men know well enough
what monsters you make of them. To a nunnery, go,
and quickly too. Farewell.
OPHELIA
O heavenly powers, restore him!
HAMLET
I have heard of your paintings too, well enough; God
has given you one face, and you make yourselves
another: you jig, you amble, and you lisp, and
nick-name God's creatures, and make your wantonness
your ignorance. Go to, I'll no more on't; it hath
made me mad. I say, we will have no more marriages:
those that are married already, all but one, shall
live; the rest shall keep as they are. To a
nunnery, go.
Exit
OPHELIA
O, what a noble mind is here o'erthrown!
The courtier's, soldier's, scholar's, eye, tongue, sword;
The expectancy and rose of the fair state,
The glass of fashion and the mould of form,
The observed of all observers, quite, quite down!
And I, of ladies most deject and wretched,
That suck'd the honey of his music vows,
Now see that noble and most sovereign reason,
Like sweet bells jangled, out of tune and harsh;
That unmatch'd form and feature of blown youth
Blasted with ecstasy: O, woe is me,
To have seen what I have seen, see what I see!
Re-enter KING CLAUDIUS and POLONIUS
KING CLAUDIUS
Love! his affections do not that way tend;
Nor what he spake, though it lack'd form a little,
Was not like madness. There's something in his soul,
O'er which his melancholy sits on brood;
And I do doubt the hatch and the disclose
Will be some danger: which for to prevent,
I have in quick determination
Thus set it down: he shall with speed to England,
For the demand of our neglected tribute
Haply the seas and countries different
With variable objects shall expel
This something-settled matter in his heart,
Whereon his brains still beating puts him thus
From fashion of himself. What think you on't?
LORD POLONIUS
It shall do well: but yet do I believe
The origin and commencement of his grief
Sprung from neglected love. How now, Ophelia!
You need not tell us what Lord Hamlet said;
We heard it all. My lord, do as you please;
But, if you hold it fit, after the play
Let his queen mother all alone entreat him
To show his grief: let her be round with him;
And I'll be placed, so please you, in the ear
Of all their conference. If she find him not,
To England send him, or confine him where
Your wisdom best shall think.
KING CLAUDIUS
It shall be so:
Madness in great ones must not unwatch'd go.
Exeunt
SCENE II. A hall in the castle.
Enter HAMLET and Players
HAMLET
Speak the speech, I pray you, as I pronounced it to
you, trippingly on the tongue: but if you mouth it,
as many of your players do, I had as lief the
town-crier spoke my lines. Nor do not saw the air
too much with your hand, thus, but use all gently;
for in the very torrent, tempest, and, as I may say,
the whirlwind of passion, you must acquire and beget
a temperance that may give it smoothness. O, it
offends me to the soul to hear a robustious
periwig-pated fellow tear a passion to tatters, to
very rags, to split the ears of the groundlings, who
for the most part are capable of nothing but
inexplicable dumbshows and noise: I would have such
a fellow whipped for o'erdoing Termagant; it
out-herods Herod: pray you, avoid it.
First Player
I warrant your honour.
HAMLET
Be not too tame neither, but let your own discretion
be your tutor: suit the action to the word, the
word to the action; with this special o'erstep not
the modesty of nature: for any thing so overdone is
from the purpose of playing, whose end, both at the
first and now, was and is, to hold, as 'twere, the
mirror up to nature; to show virtue her own feature,
scorn her own image, and the very age and body of
the time his form and pressure. Now this overdone,
or come tardy off, though it make the unskilful
laugh, cannot but make the judicious grieve; the
censure of the which one must in your allowance
o'erweigh a whole theatre of others. O, there be
players that I have seen play, and heard others
praise, and that highly, not to speak it profanely,
that, neither having the accent of Christians nor
the gait of Christian, pagan, nor man, have so
strutted and bellowed that I have thought some of
nature's journeymen had made men and not made them
well, they imitated humanity so abominably.
First Player
I hope we have reformed that indifferently with us,
sir.
HAMLET
O, reform it altogether. And let those that play
your clowns speak no more than is set down for them;
for there be of them that will themselves laugh, to
set on some quantity of barren spectators to laugh
too; though, in the mean time, some necessary
question of the play be then to be considered:
that's villanous, and shows a most pitiful ambition
in the fool that uses it. Go, make you ready.
Exeunt Players
Enter POLONIUS, ROSENCRANTZ, and GUILDENSTERN
How now, my lord! I will the king hear this piece of work?
LORD POLONIUS
And the queen too, and that presently.
HAMLET
Bid the players make haste.
Exit POLONIUS
Will you two help to hasten them?
ROSENCRANTZ GUILDENSTERN
We will, my lord.
Exeunt ROSENCRANTZ and GUILDENSTERN
HAMLET
What ho! Horatio!
Enter HORATIO
HORATIO
Here, sweet lord, at your service.
HAMLET
Horatio, thou art e'en as just a man
As e'er my conversation coped withal.
HORATIO
O, my dear lord,--
HAMLET
Nay, do not think I flatter;
For what advancement may I hope from thee
That no revenue hast but thy good spirits,
To feed and clothe thee? Why should the poor be flatter'd?
No, let the candied tongue lick absurd pomp,
And crook the pregnant hinges of the knee
Where thrift may follow fawning. Dost thou hear?
Since my dear soul was mistress of her choice
And could of men distinguish, her election
Hath seal'd thee for herself; for thou hast been
As one, in suffering all, that suffers nothing,
A man that fortune's buffets and rewards
Hast ta'en with equal thanks: and blest are those
Whose blood and judgment are so well commingled,
That they are not a pipe for fortune's finger
To sound what stop she please. Give me that man
That is not passion's slave, and I will wear him
In my heart's core, ay, in my heart of heart,
As I do thee.--Something too much of this.--
There is a play to-night before the king;
One scene of it comes near the circumstance
Which I have told thee of my father's death:
I prithee, when thou seest that act afoot,
Even with the very comment of thy soul
Observe mine uncle: if his occulted guilt
Do not itself unkennel in one speech,
It is a damned ghost that we have seen,
And my imaginations are as foul
As Vulcan's stithy. Give him heedful note;
For I mine eyes will rivet to his face,
And after we will both our judgments join
In censure of his seeming.
HORATIO
Well, my lord:
If he steal aught the whilst this play is playing,
And 'scape detecting, I will pay the theft.
HAMLET
They are coming to the play; I must be idle:
Get you a place.
Danish march. A flourish. Enter KING CLAUDIUS, QUEEN GERTRUDE, POLONIUS, OPHELIA, ROSENCRANTZ, GUILDENSTERN, and others
KING CLAUDIUS
How fares our cousin Hamlet?
HAMLET
Excellent, i' faith; of the chameleon's dish: I eat
the air, promise-crammed: you cannot feed capons so.
KING CLAUDIUS
I have nothing with this answer, Hamlet; these words
are not mine.
HAMLET
No, nor mine now.
To POLONIUS
My lord, you played once i' the university, you say?
LORD POLONIUS
That did I, my lord; and was accounted a good actor.
HAMLET
What did you enact?
LORD POLONIUS
I did enact Julius Caesar: I was killed i' the
Capitol; Brutus killed me.
HAMLET
It was a brute part of him to kill so capital a calf
there. Be the players ready?
ROSENCRANTZ
Ay, my lord; they stay upon your patience.
QUEEN GERTRUDE
Come hither, my dear Hamlet, sit by me.
HAMLET
No, good mother, here's ****l more attractive.
LORD POLONIUS
[To KING CLAUDIUS] O, ho! do you mark that?
HAMLET
Lady, shall I lie in your lap?
Lying down at OPHELIA's feet
OPHELIA
No, my lord.
HAMLET
I mean, my head upon your lap?
OPHELIA
Ay, my lord.
HAMLET
Do you think I meant country matters?
OPHELIA
I think nothing, my lord.
HAMLET
That's a fair thought to lie between maids' legs.
OPHELIA
What is, my lord?
HAMLET
Nothing.
OPHELIA
You are merry, my lord.
HAMLET
Who, I?
OPHELIA
Ay, my lord.
HAMLET
O God, your only jig-maker. What should a man do
but be merry? for, look you, how cheerfully my
mother looks, and my father died within these two hours.
OPHELIA
Nay, 'tis twice two months, my lord.
HAMLET
So long? Nay then, let the devil wear black, for
I'll have a suit of sables. O heavens! die two
months ago, and not forgotten yet? Then there's
hope a great man's memory may outlive his life half
a year: but, by'r lady, he must build churches,
then; or else shall he suffer not thinking on, with
the hobby-horse, whose epitaph is 'For, O, for, O,
the hobby-horse is forgot.'
Hautboys play. The dumb-show enters
Enter a King and a Queen very lovingly; the Queen embracing him, and he her. She kneels, and makes show of protestation unto him. He takes her up, and declines his head upon her neck: lays him down upon a bank of flowers: she, seeing him asleep, leaves him. Anon comes in a fellow, takes off his crown, kisses it, and pours poison in the King's ears, and exit. The Queen returns; finds the King dead, and makes passionate action. The Poisoner, with some two or three Mutes, comes in again, seeming to lament with her. The dead body is carried away. The Poisoner wooes the Queen with gifts: she seems loath and unwilling awhile, but in the end accepts his love
Exeunt



الساعة الآن 02:44 PM.

Powered by vBulletin® Copyright ©2000 - 2024, Jelsoft Enterprises Ltd. منتديات المُنى والأرب

جميع المشاركات المكتوبة تعبّر عن وجهة نظر كاتبها ... ولا تعبّر عن وجهة نظر إدارة المنتدى